The Magnus Archives - MAG 15 Lost John’s Cave
Episode Date: April 27, 2016Case #0140911Statement of Laura Popham, regarding her experience exploring the Three Counties System of caves with her Sister Aleana Sanderson.…Featuring Hannah Brankin as Laura Popham.Thanks again ...for all the support from everyone since we launched. All your reviews and recommendations have really had an impact on our launch.The Magnus Archives is actually registered with the People’s Podcast Awards and they are taking nominations till the end of April. Being nominated would be a huge deal for a small, independent production company like ours so if you take the time to nominate us it would make a massive difference to us.Just head over to www.podcastawards.com and enter The Magnus Archives under the “Arts” category (and “People’s Choice” category if you are feeling generous. You could even enter our other Podcast Rusty Quill Gaming into the “Games and Hobbies” category while you are there.Our URL is www.RustyQuill.com and be sure to leave a name and email address to prove you are a real listener. It’s easy and takes less than a minute to fill in the web form but doing so would really help us continue to bring this content to you for free.Be sure to subscribe using your podcast software of choice to get every episode automatically downloaded to your device. Visit Rustyquill.com/subscribe for quick and easy links. It’s more convenient for you and really helps us out.Like what you’re hearing? Let us know.Special thanks for SFX from www.freesfx.co.uk as well as ameslynn and Benboncan via Freesound.orgFor more information visit RustyQuill.comFind ad-free episodes and bonus content on our Patreon: https://www.patreon.com/rustyquillCheck out our merchandise available in our official stores:RedbubbleTeepublicCrowdmadeYou can subscribe to this podcast using your podcast software of choice.Please rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear.Join our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillTWITTER: @therustyquillTHREADS: @rustyquillukINSTAGRAM: @rustyquillukEMAIL: mail@rustyquill.comThe Magnus Archives is a podcast distributed by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International Licence Hosted on Acast. See acast.com/privacy for more information.
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Episode 15
Lost John's Cave. To be continued... of caves with her sister Elena Sanderson. Original statement given November the 9th, 2014.
Audio recording by Jonathan Sims, head archivist of the Magnus Institute, London. Statement begins.
Caving has always been one of my hobbies. My main hobby, really. All the equipment can get
quite costly after a while
and I don't earn enough to have more than one expensive activity like that in my life
Elena, my sister, came along with me on a trip a few years back
she'd lost her job and her house in quick succession
and was staying with me
I thought it would cheer her up
it did and we've been doing it ever since
stupid idea really I wish I'd left her up. It did, and we've been doing it ever since.
Stupid idea, really.
I wish I'd left her crying on the sofa.
At least then she'd still be alive.
We didn't really have the money to actually go potholing all that often, so I spent a lot of time reading and planning and just looking at stuff online.
We averaged maybe a cave a year.
Elena was never quite as into it as I was, though. Don't get me wrong, she was no claustrophobe,
and I wasn't forcing her to follow me into the darkness on threat of a family rift,
but she mainly enjoyed the climbing, and I always ended up going a little bit deeper than she wanted.
I think, to be honest, she would have preferred to get her exercise under the open sky,
or failing that in an above-ground gym.
Maybe we should have tried cliffs or a climbing wall, but caving was our thing.
It had helped her when she was in a bad place, and she knew how much I loved it.
She also wasn't too keen on the scrapes and bruises you always get
on expeditions. She used to joke that it felt like the Earth itself was trying to kick her
ass. If only she had known.
We did have fun, though, and she always chose to come along. I never forced her to be there.
I never did that.
We'd done some of the Three Counties cave system before,
a short trip of only a couple of hours into the Riftpot Caves.
The whole system is huge, though.
I mean, there's a reason it's called the Three Counties system.
So there was plenty more to explore,
and we'd had so much fun the first time that I wanted to try it from a different angle.
We were going to go in through the Death's Head Hole,
then travelling through Lost John's Cave as far as Gavel Pot before heading back. The prospect of this excited me,
as in order to travel between Lost John's Cave and the Gavel Pot system, we were going to have
to do some cave diving. I had never done cave diving before, and neither had Elena, although
she told me that the prospect spooked her less than some of the squeezes we'd have to do to get
there. We made all the arrangements, got our permits in order with the CNCC, and had my husband,
Alistair, note down all the details in case anything went wrong. You never go caving unless
someone knows where you're headed and what your plan is. I had also done as much research into
our route as possible, as I had no intention of straying from the well-explored, thoroughly
charted caves.
I was never much of a pioneer, if I'm being honest, and I was happy to stay to the main route.
No, what I used to love about caving was the feeling of being deep inside the earth,
the cold, solid walls folding in around me.
It always used to feel like they were keeping me safe, though it doesn't feel like that anymore.
It was Saturday, June 14th we went.
I had taken the Friday before off work to prepare and was planning to spend Sunday nursing well-earned bruises.
Elena and I drove up to Lancashire, towards Death's Head Hole.
I live in Manchester, so it wasn't too long a trip.
We parked up at Lech Fel, the closest you could legally park. I was surprised to see that we were the only ones there when we arrived.
It was a sunny day in late spring, and the weather was meant to be clear for days, with
no chance of rain making the caves too dangerous. It was a perfect day for caving, but it seemed we
were the only ones taking advantage of it. Death's Head Hole is not nearly as impressive or intimidating as its name suggests.
If you didn't know what you were looking for, you might end up missing it entirely.
When we went, much of it was covered in wild plants and bracken.
It was barely larger than we were, and I remember at the time the phrase
A Perfect Fit came into my head unbidden.
Still, the resin anchors were in good condition, and
we hooked up and descended our ropes without incident, despite a few unexpected twists in
the pothole. It was a bright day. It was almost noon when we went down, so the light filtered a
lot further in than I would have expected. It was some time before we had to turn on our headlamps,
but eventually we did so. By the time we hit the bottom, there was none of that sunshine left to be seen, and the silent darkness of the cave swallowed us.
Beneath our feet, the gentle waters of the underground stream ran their course as they had for thousands of years, undisturbed by the rough tread of humanity, and we followed them.
the rough tread of humanity, and we followed them. It was a much gentler descent than that which we had come in with, but it was very slippery and I was glad to have invested in
a waterproof map case, although it made it slightly harder to read at times.
Elena stood back to let me have my ritual. There was something I always did when I first
entered a cave, and that was to take a moment to turn off all the lights and place both
my hands upon the cold earthen walls. I remember once, when I was a child, we went on a school trip
to White Scar Cave up in Yorkshire. It was a lovely, safe, accessible cave, and was absolutely
beautiful, which I suppose is why it was popular for such trips. After we'd been down there for a
few minutes, the guide led us much deeper, and told us to stand very quietly. She turned off
the lights to show us children what true darkness is like. I had never seen anything like it.
It was such a pure black, so encompassing, and in the warmth of the underground I found myself full of a joy I've never forgotten.
Even among a class of thirty schoolchildren, I felt like the only presence that mattered was the cave.
Ever since then I would always take a moment on any potholing trip to do the same, and feel again that utter darkness, with no sound but the
gentle flowing river and my own breathing. I don't think it's an uncommon practice, actually, but
I rarely went caving with anyone other than Elena, and while she indulged me, I don't think she ever
really got anything out of it. We turned our lights back on and began to head deeper into the cave.
I had a map, which we began to follow as closely as we could.
I'm quite experienced in these things, but even I find it hard sometimes to match the irregular lines and angles of the underground passages to the often abstract shapes written into the map.
There were several junctions that were significantly smaller than the map would seem to show, and the point of entry into Lost John's cave was what we would call a squeeze. It wasn't on the
map, but it seemed to be the only way through. Now most passages you find
yourself travelling through when caving are much smaller than would normally be
comfortable for people to move through. After all, they were eroded by often tiny
streams of water and minor tectonic events,
so accommodating humans was never high on their list of priorities.
A squeeze is something different, though.
A squeeze can be a hole less than a foot wide.
Sometimes going on for a long way, the rock pressing in on all sides of you and your helmet
banging whenever you try to turn your head.
In a particularly bad squeeze, there are parts where the walls and ceiling are so close that
you can't move your arms or bend your legs to push forward, and you just have to squirm
your way to the other side like a worm. This was a particularly bad squeeze. Near the end,
it got so bad that if Elena hadn't gone in first, I would have told her to go back and forget Lost John's Cave.
About halfway through, I realised that it was far tighter than I had imagined.
I called ahead to make sure Elena had made it out okay.
She called back, told me it was a hard one, but she was fine.
I wanted to answer her, but by that point the rock was so close around me it was stopping me from doing anything but holding my breath and willing myself forward.
A hand grasped me firmly on the shoulder and pulled me through.
Just like that I was out.
Lena gave me a smirk as if to comment on the fact that she had made it through unassisted and I, the true cave aficionado, had needed a hand.
cave aficionado had needed a hand. I wanted to shoot back some pointed comment about her being more slender than me, but by the time I had got my breathing under control again,
the anger had died down and I managed a weak smile. We made our way through the cave until
we came to the cathedral. It's a large, arching cave, quite breathtaking, though it requires a couple of sheer drops to access,
one of about 40 feet. We had experience and equipment enough to make quite light work of it,
though, and soon we were beneath the cathedral, in what is imaginatively called the crypt.
We stopped here for a rest and a bite to eat, and Lena told me an interesting thing about Lost
John's Cave. While I had
been concerned with finding maps and as much information as I could on getting through,
she told me she had been looking into the history of the place. She said everyone puts
the apostrophe in the wrong place when talking about Lost John's Cave. As the story goes,
it was two men, both named John, who were the first to delve deep into
the cave. They went too far, though, and their candles had gone out. They lost their way
together in the sprawling labyrinth of tunnels and never emerged. Elena said she thought
it was quite sweet in a strange sort of way, and joked that if she ever got trapped underground,
she'd want it to be with me. I smiled and nodded, though secretly the thought appalled me.
It wasn't at the thought of being entombed down there. At the time, it didn't seem like such an
awful fate, but the thought of having to spend my last days with Elena was a bit too much.
I'm sorry, that's a horrible thing to say about the dead. I loved my
sister, and I loved spending time with her, but to be lost beneath the earth is such an intensely
private thing. Maybe she realised that at the end. After our brief stop, we made our way down
through the dome. It was beautiful, and this was the part that I had been dreading, as all the experienced cavers I had talked to had said that this was the hardest descent.
It went easily.
Very easily, actually, and at the time I remember getting a weird feeling, like I was being
swallowed.
Finally we made it through the shale cavern and into the master cave.
As we stood there I felt anticipation and trepidation in equal measure.
Before us lay the passage, filled with the still water of the sump.
We were about to have our first cave dive.
I had always been told by experienced cave divers that you never judge the distance correctly.
The first few times you try to surface, you
will always hit your head on the stone above, so it's best to try and not be too alarmed
by it. I reminded Lena of this as we got our equipment ready, and she told me she remembered,
and then surprised me by asking to be the first one to go through, saying something
rather about conquering fears. I said yes, why not, and let her go through.
As I stood there alone, waiting,
I began to feel something I had never before felt this far underground.
I began to feel uneasy.
It was as silent as it had ever been,
but there was something else there beneath the silence.
Almost like a whisper.
I shook the feeling off when it came time to follow Elena and dived into the pool. It
wasn't far to the junction which would lead us on to the gavel pot. I pressed myself through
the narrow space, half swimming, half climbing, until I thought I had gone far enough and
attempted to surface. Clunk.
My helmet hit lightly against the roof of the tunnel.
Fine, that was as expected.
I kept swimming another few metres and tried again.
Clunk.
That gave me a nasty shock, as I should have been well past the end of the first tunnel. I kept going until I reached the end of the subterranean waterway and
went towards the surface. Clunk. I started to panic. Was this a dead end? There was no further
I could go. Where was Elena? She couldn't have come back past me. The tunnel was far too narrow.
In desperation, I tried to come up one more time. I broke the surface to see Elena laughing to herself, and holding a rock
over the part of the water where I had been trying to emerge. I swore at her violently,
not sure whether to hit her or join in her laughing. She apologised, but said she had
seen the rock and couldn't resist, as I was always going on about the helmet banging on the roof.
I sat there, suddenly drained. The adrenaline of my panic seemed to have sapped much of my energy,
and I think my sister could see that, but she didn't press me to go on. We both knew that the passage through from this junction to the gavel pot itself was a much longer dive, and neither of us was really up to it. We just sat there
for a while in silence.
It had taken longer to get this far than we had planned, so I suggested going back the
way we came, rather than continuing to go deeper into the cave. Elena agreed, but as
I turned away, she asked me how lost I was. In a low, grating voice. I snapped back that we weren't lost
at all, that I'd followed the map exactly, and she just gave me this look like she didn't
understand what I was talking about. I shrugged and told her that I would go first on the
way back, and she agreed. I was eager to get back and be above ground in a way that I had never
been before. I got my equipment ready and dived back into the water, heading back towards
Death's Head Hole. That's when everything started to go really, really wrong.
To begin with, the water didn't end. I tried to surface as I had on my first time through
and again. There was that clunk as my helmet hit the roof of the tunnel. I moved on and
tried again, but still no luck. I began to fight down the rising alarm, told myself that
the tunnel had a definite end and I just had to reach it. But it just kept going. No light. No surface.
Nothing but this cramped waterway pressing on every side, waiting to claim me.
I don't know how long I was desperately swimming forward,
but I almost screamed with relief when I reached my hand
and felt it break the surface of the water.
It wasn't the cave I expected.
What stretched before me was a tunnel
even smaller than the waterlogged one I had left.
I scrambled forward into it,
not because I wanted to go on into that unknown passage,
but because I was worried about Elena being able to get out of the water behind me.
I must have taken a wrong turn, except
that didn't make sense. I hadn't turned at all, and more than that, there weren't
any turns or junctions in this part of the cave. I had checked all the maps of this area
over and over, and they all put it as a straight line. I waited, wanting to talk to my sister when she surfaced and discuss where to go from
here.
She didn't emerge.
I don't know how long I lay there, it was too cramped to check the time, but it felt
like hours.
I wanted to go back and check, but I couldn't even turn around to see.
I just waited for a splash that never came.
I decided to go on, press forward until I at least found somewhere wide enough that I could turn.
As I crawled on, I scraped against the jagged rocks until I felt them pressing into my bare skin where my clothes had ripped. I can deal with it when I'm out, I kept thinking,
but the passage just got smaller and smaller, until at last I couldn't move any further.
I finally accepted that I was going to have to try and squeeze back the way I had come without
even turning round. I started to shuffle backwards, and my feet touched against solid rock.
The tunnel was gone.
It was then that I screamed, and my light went out.
I said earlier that I enjoyed the pure dark of the cave.
I was wrong.
I had never truly known a darkness like this.
Unable to move, barely with breathing space enough to cry for help. Even as I lay there,
it felt as though the walls pressed me further, and I knew that the stone I had always believed to be my friend and protector was going to entomb me here. In the distance, I saw the faintest point of light. It looked
like a candle flame, far down the tunnel, and so weak that it lit nothing but itself.
It grew closer, but any hope it might have given me quickly died as it grew.
It was coming towards me so slowly, and deep down I knew that it hand that held it, and I heard something. It was Elena.
It sounded far off and muffled, but I was sure she was calling for help. I shut my eyes
for all the good it did in that place, and tried desperately to will it all away. When I opened my eyes again, the light was still there,
but it had changed somehow. It seemed brighter, and as I looked, I realized it was no longer
coming from a candle. I could hardly believe it, but it looked like daylight. With every
last ounce of strength I possessed, I pushed myself forward.
Had I been climbing this whole time?
My clothes were ragged and torn, my skin scraped and bloody, but after nearly an hour,
I broke onto the surface through a small opening, not in any of the maps.
I breathed in fresh, cool air, and I screamed as long and loud as I could. That was how Alistair and the cave
rescue team found me. Apparently, I'd been underground for almost 24 hours, and he had
called in the cave rescue service. I was well cared for as I waited for news of Elena. My wounds were
treated, and I was given food and water. It took another day before the rescue team told
me what I think I already knew. There was no sign of her anywhere. I never saw her again
and she was added to the list of fatalities so I suppose that's an end of it. I haven't
been underground since and I don't intend to.
Statement ends. This is a strange one. I have rarely come across a statement written with
such conviction, yet where so many of the details are provably false. The CNCC have
no record of Ms Popham getting a permit for this expedition,
and the number of other permits they issued for June 14th
would indicate that they certainly weren't the only ones in the cave that day.
Beyond that, Death's Head Hole and Lost John's Cave are,
as Ms. Popham pointed out, well-documented in layout,
and according to Sasha's reckoning, the route she described is borderline nonsensical.
What is true is that on 15th June, the Yorkshire Dales Cave Rescue Organisation was contacted by Mr. Alistair Popham,
who told them his wife and sister-in-law had gone caving the day before and had not returned.
I sent Tim to check the details.
Martin declined to help with this investigation, as he's a bit claustrophobic, and he found some more
bizarre discrepancies. Miss Popham was not found above ground, as she claimed.
She was found a few yards from the bottom of Death's Head Hole, unresponsive, and kneeling next to a small pile of burned-out candles.
Alistair Popham claims not to have seen any such things being packed.
She only came out of this stupor when brought above ground, at which point she started shouting about her sister Elena, demanding they go and save her.
There is also the matter of the recording.
She does not mention it in her statement at all, but Ms. Popham took a camera with her into the
cave system. It was never claimed back from the CRO after her rescue, and Tim managed to gain
enough access to copy the footage. Best not to ask how, I think.
Most of it is mundane footage of Miss Popperman, her sister, cave-climbing,
which seem to match her statement.
But the last recording is somewhat alarming.
The timestamp puts it at just past two o'clock in the morning of June 15th.
It is completely black, though whether this is because
it was in a pitch-dark cave or simply because the lens cap was still on is unclear. The audio
is what concerns me. And here I will play a sample. Take back what we... They cannot be.
They cannot be.
They cannot be.
They cannot be.
The video is two hours and 43 minutes long,
and the audio remains consistent throughout.
No sign of Elena Sanderson has been found in the two years since her disappearance, and I have made the decision not to follow up our findings with Miss Popham.
Recording ends. To be continued... It was produced by Alexander J. Newell and Murray Porter And directed by Alexander J. Newell
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