The Magnus Archives - MAG 179 - Accomplice

Episode Date: September 17, 2020

Case ########-19Considerations of Justice.Audio recorded by the Archivist, in situ.Content warnings:- Prison & Police brutality- Fire & burning (inc SFX)- Trauma- Human remains (inc blood)- Bo...dy horror- Graphic animal attack (inc SFX)- Direct & gun violence (inc SFX)- Arguments- Character death- Grief- Explicit language- Mentions of: child abuse, substance abuse, murder, kidnappingThanks to this week's Patrons: Nick Vega, Tyler Dzuba, Pendragon, Becky Gregory, Rachel Meresman, Melissa, Connor Ferry, Wednesday, Briar and Brine, Oya, Omnia, Wonderwomeme, Sasha Radula S., Cinthya J, Isy, William Hess, Megan Lim, Maggie Hoffman, MizFrenchname, Floatingspacetrash, Andy Grimaldi, Erinna, Michael Prideaux, Naomi Taylor, Syn (pronounced sin), Piper, Gabe!, Nicole H., jadefyre, Joyful Joyous Joy, Amalie Kirstine, Sindri Mjölnir, Nathan Benson, The Critshow, noah ayers, Melanie Dalby, RubyDian, Haley, Hannah Meller, Skelechicken, Margaret, Emily Savage, Jessnewok, Gisela Navarro, Leah D, Steeve KayeIf you'd like to join them visit www.patreon.com/rustyquillEdited this week by Nico Vettese, Elizabeth Moffatt, Katie Seaton, Maddy Searle, Brock Winstead & Alexander J NewallWritten by Jonathan Sims and directed by Alexander J NewallProduced by Lowri Ann DaviesPerformances:- "Martin Blackwood" - Alexander J. Newall- "The Archivist" - Jonathan Sims  - "Basira Hussain" - Frank Voss- "Alice "Daisy" Tonner" - Fay RobertsSound effects this week by VithorMoraes, Eelke, Timmeh515, j1987, vckhaze, daboy291, JasonElrod, YleArkisto, sunboy, worthahep88, savataivanov, kMoon, Anthousai, Diegolar, Amusquiz99, wlabarron, KenRT, paulocorona, nothayama, FlatHill, Gammelsmurfen778, jorickhoofd, LampEight, ceberation, Yoyodaman234, leonelmail, Hotlavaman, nioczkus, killpineapple, yeopot, iankath, Aegersum, jorickhoofd, leonelmail, 13GPanska_Langerova_Lucie, ralph.whitehead, lolamadeus, LampEight, zimbot, semccab, Tomlija & previously credited artists via freesound.orgCheck out our merchandise at https://www.redbubble.com/people/rustyquill/collections/708982-the-magnus-archives-s1You can subscribe to this podcast using your podcast software of choice, or by visiting www.rustyquill.com/subscribePlease rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear.Join our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillTWITTER: @therustyquillREDDIT: reddit.com/r/RustyQuillEMAIL: mail@rustyquill.comThe Magnus Archives is a podcast distributed by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International Licence  Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:00 This is the first radio ad you can smell. The new Cinnabon Pull-Apart, only at Wendy's. It's ooey, gooey, and just five bucks for the small coffee, all day long. Tax is extra at participating Wendy's until May 5th. Terms and conditions apply. Rusty Quill Presents The Magnus Archives Episode 179 Accomplice... Right.
Starting point is 00:01:33 Right. The heat of the furnace curls the hair on Derek's arm. It burns in a way that is as familiar as it is stomach-churning. Like the end of a cigarette, or the flush of a childhood face as it tries to block out the noises, the shame of being told to stop lying by the policeman who plays poker with his dad. playing by the policeman who plays poker with his dad. He tries not to touch the metal parts of his small workspace, as it is hot enough to raise blisters.
Starting point is 00:02:12 But everything is metal here. His spade is metal. His hammer is metal. The tracks are metal that lead the rusted metal carts towards his furnace. This load is full of children's toys. Not the sad and mouldy wooden ones he threw at his sister as a boy, but bright, colourful plastic that he recognises from his own daughter's birthdays, Christmases, happier times.
Starting point is 00:02:41 The sight fills him with dread. Where did they get these? What has happened to Tilly? He wants to run, disappear into the night calling her name, but he remembers what happened the last time he left his post. What the Overseer took from him.
Starting point is 00:02:59 His shovel digs into the pile of happy memories and he tosses it into the flames, one gruelling motion after another. The burning plastic fumes hit him and for a moment he staggers, reaching out a hand to steady himself. His palm sizzles as it comes to rest on the furnace
Starting point is 00:03:18 and he draws it back with a stifled yelp. He knows what happens in this place if you draw attention to yourself by screaming. His shovel goes back into the pile and meets an unexpected resistance, something soft and almost spongy. He knows the texture well, and as he pulls the spade away, the bright blood on it confirms his fears. Another sharp sting of panic washes over him, electric pulses of fear causing his muscles to lock in place for a moment. Then he begins to load the furnace faster, frantically hurling away anything blocking the view of the body,
Starting point is 00:03:56 desperately hoping to see... it's not her. It's someone else. Derek doesn't know the man who lies in the cart lifeless eyes staring at him from a head split in two by a careless shovel blow he pauses for a moment then goes to his task hacking up the corpse and loading it into the hungry flames the smell hits him sickening him as it always does tinged with that cloying
Starting point is 00:04:26 greasy nostalgia I got you that's what Colin had always said to him when they were kids and he had always meant it when Derek needed somewhere to stay when his dad was on the warpath I got you when Derek needed a little something to take the edge off, I
Starting point is 00:04:46 got you. When the lifeless body of Derek's father lay at the bottom of the stairs, limbs folded around the cricket bat he had hit him with, I got you. And Colin was right. He had. Words can't really express the gratitude Derek had felt as the body disappeared into the furnace at the junkyard where his friend Colin worked. No, friend wasn't a strong enough word. They were family in that moment. And they would always have each other's backs. When the police came hassling them,
Starting point is 00:05:25 he had Colin's back. When some little dipshit didn't show the proper respect, he had Colin's back. When Colin needed someone by his side for a smash and grab, Derek had his back. And when one of them had to go down for three years, well, it seemed only fair. The rumble of wheels on old metal rails
Starting point is 00:05:50 brings Derek back to himself as he sees the now empty, blood-stained cart rolling back and away from him, disappearing into the field of red-hot glowing metal. Another one will be coming soon, rolling inevitably towards him. What part of his life would he have to burn then? What thing he loved would he have to hurl into the flames? The apprehension is as familiar to him as the scent of burning hair. He knows what it means to wait,
Starting point is 00:06:20 and see what he has lost. The first time he got out, he had lost his job and his home. The second time he got out, he had lost his daughter. The third time, he had lost the ability to walk the streets without being hounded by some bored cop turning out his pockets, desperate for him to throw a punch. But it changed nothing. He always had Colin's back. Something is coming. Derek can feel it. It's not the next cart, he knows that sound. It's quicker, more vicious. Panting, snarling, bloody feet speeding quietly over through the heat of the yard, a hatred, a deep self-righteous loathing charging before him.
Starting point is 00:07:11 It is the sharp end of the violence that has wanted him all his life, and Derek has less than a second to recognise her face before she begins to tear him apart. Another victim. Another victim. Another hunt. The pain and terror courses through him. Derek is still aware as she toys with him, pulls bits from his torso and chews them with a hundred sharpened teeth. He is aware, though not perhaps alive.
Starting point is 00:07:54 She's here, then. Vassera, I didn't hear you. No, I figured you wouldn't when you were busy. I thought you were keeping watch. I was. Watch when you were busy. I thought you were keeping watch. I was. Watched you sneak away. Sorry. You apologise too much.
Starting point is 00:08:12 Martin says the same thing. Like he's any better. Why didn't you want me to hear this one? What? You weren't this cagey about the other ones. Meaning you wanted to keep this one secret. Because this one was Daisy's victim? Yes.
Starting point is 00:08:39 Didn't think you knew what the statement was going to be before it happened. I just had a sense of it. So, what? You thought I'd hear he was a murderer and I'd agree with her? Maybe I'd figure she was doing the apocalypse a favour by taking him out. I don't know what I thought. Sure. I don't know, alright?
Starting point is 00:08:54 I was... I was worried that if you listened, it might feel like an accusation. After everything we've already talked about, I mean, what good would it do for you to hear? What's in this one that you don't already know? People have their reasons for doing wrong. The system hurts everyone. Just seemed kind of pointless. Yeah, I guess. Honestly, I just wanted to avoid this conversation.
Starting point is 00:09:20 Should have been sneakier then. Yeah. Never been my strong suit, has it? How many times have you been kidnapped at this point? It depends if you... Say it Depends if you count Daisy So...
Starting point is 00:09:44 You did hear it, then? Yeah. What, er... What did you think? Did it help? With what? I don't know. Me neither.
Starting point is 00:10:03 Hey, hey, she's... She's here. What, now? Yeah, yeah, she's... She's here. What? Now? Yeah, yeah. She just tore into a guy. He was... Yes, we understand, Martin.
Starting point is 00:10:13 You didn't think this was worth mentioning? I didn't notice. I was talking to you. Fine. Whatever. Let's go. Is this a good enough angle? We can try and sneak round to the other side of the furnaces. But then the smoke wouldn't cover us.
Starting point is 00:10:47 Shut up. I just need to focus. Alright. Alright. Take your time. I will do as soon as you... Shut up. What the hell was that?
Starting point is 00:11:31 Sorry. Sorry, I'm sorry, I'm sorry, I'm sorry. What happened? I thought you were about to fire. So you gasped just in case. Look, it's a tense situation, alright? I don't know what I'm doing here. I'm not a sniper. God damn it. Sarah, are you sure you're up to this?
Starting point is 00:11:47 It doesn't need to be right now. We can always back off, regroup, wait for a better situation, one where she isn't elbow deep in some poor sod's corpse. Don't do that. Sorry. What am I missing here? He knows as well as I do
Starting point is 00:12:04 that the only reason we're even able to get this close is because she's busy with a kill. There isn't going to be a better opportunity. Now or never, then? Yeah. I made her a promise. You need to be certain. I am. You need to be certain.
Starting point is 00:12:22 I am. Would you stop staring at me like that? Like what? Like you've looked inside my head and you don't like what you see. If that's an accusation, then you're wrong. I don't do that. Right. Like you're suddenly given infinite power and no consequences. And that's when you decide to start respecting people's privacy.
Starting point is 00:12:45 Is that really so hard to believe? Yeah, John, it is. Guys, guys. If you have something you want to say, good boy, just say it. Look, I know it's hard and you have your reasons, but it is not my fault that you can't bring yourself... Shut up! Both of you! What? She's gone.
Starting point is 00:13:04 Wait, what? Oh. Oh, no. Get down! Daisy, no! Out of the way! Let him go! Get out of the way!
Starting point is 00:13:14 Take the shot! No, you'll hit John! Take the shot, Lucera! Lucera, do it! Don't! You can't! Daisy, stop. Please.
Starting point is 00:13:29 The Seer. Oh, God. Daisy. Daisy. Please. I can't. Ah! Or not.
Starting point is 00:13:39 Or not. The Seer. I know. But John. I know. Just give me a second. Basira. She knows who I am. She recognizes me.
Starting point is 00:13:54 Basira! Daisy, come back to us. You can come back. Please. Basira. Come. Come on. What?
Starting point is 00:14:10 Come. Got to get them. I... Sure, just... Let him go. Oh, John, oh, shit, shit, shit. Okay, okay, okay, I've got you, I've got you. Sorry, sorry, sorry.
Starting point is 00:14:31 You need to keep pressure on that leg while I sort this. Okay. Daisy, please. John, can you... Can you do anything? I'm sorry I told you. She's too deep. I can't do anything, not without killing her.
Starting point is 00:14:52 Daisy, it's me. Come on, please. Oh. I see. What? She... she wants me to join her. In the hunts. What? Is that even possible? Yes. I can...feel it. In the blood.
Starting point is 00:15:29 Basira... I can't leave her like this. She's always had my back. Always. Basira, don't. Please. Partner... Come. Partner, come. Not now. Not after everything.
Starting point is 00:15:56 Basir, now. I come. Basir. Berserk! Basira, I... Shut up. I'm sorry, I know... Shut up. No, Vassera, wait. John's like... Let her go.
Starting point is 00:16:49 Is it... Is it awful that I wish she'd recognised me? Daisy? Yeah, I mean, she was... We were friends there, sort of, near the end. We went through so much and it just... I wish I could have actually said goodbye. Would it have made you feel any better about any of it? I don't know. Maybe. It's hard to know how I feel about anything these days.
Starting point is 00:17:22 We said our goodbyes to Daisy after the Institute. This was just... This was just dealing with all the stuff she left behind. I suppose. Come on. I need to patch that leg up properly. The last thing we need is a limp slowing us down. Of course, I was assuming the bandages haven't transformed into snakes or something. No, they're fine.
Starting point is 00:17:50 I'd forgotten we had them, to be honest. I packed them before I realised what a celebrity you were out here. I was starting to think I'd never need them. I'm surprised she could hurt you at all. Yes, that came as a bit of a shock to me as well, actually. You didn't know? I didn't think to check, just sort of assumed it was safe.
Starting point is 00:18:09 That's a pretty big assumption, John. Apparently. I mean, I know it sounds strange, but it felt right for Daisy to be able to hurt me. Dream logic again? Mm. The resonances from our relationship before the change carried over and... Hold still. How are you doing? How do you think? Sure. I'm going to stay here. Burn the body. Of course, we can wait. I still need to... No, you go on. I'll make my own way to London. What? No, don't be daft. It's not a problem for us to wait while you deal with it. Please, just go. Wait, seriously?
Starting point is 00:19:09 go. Wait, seriously? Basira, if you travel on your own, if you're not with us, I can't guarantee your safety. Good. Basira, getting yourself hurt isn't going to help anyone. It's just something I have to do. You said follow the tower, right? Right. No, no, this is ridiculous. You could die. I'll do my best not to. This isn't a joke, Basira. Martin, this is what she needs. No, no, it's... It'll help me. All going well, I'll meet you both in London.
Starting point is 00:19:39 He'll know where to find me. So you won't mind if I check up on you sometimes? If you must. But don't overdo it. I don't like being watched. Understood. Come on then, Martin. What? So that's it? We just head
Starting point is 00:19:56 off and hope you make it? Yeah. Why don't we rest on it, hmm? I know we all need a moment and John can barely stand... Honestly, I'm starting to feel better already. I just need to stretch it out a bit. We're not doing this. Martin, please. You'd better look after yourself.
Starting point is 00:20:26 I will. Come on. For what it's worth, I'm sorry it had to work out like this. I'm not. international license. Today's episode was written by Jonathan Sims, produced by Lorianne Davis, and directed by Alexander J. Newell. It featured Jonathan Sims as The Archivist, Alexander J. Newell as Martin Blackwood, Frank Voss as Basira Hussain, and Faye Roberts as Alice Daisy Tonner. To subscribe, buy merchandise, or join our Patreon, visit RustyQuill.com. Rate and review us online, tweet us at TheRustyQuill,
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