The Magnus Archives - MAG 78 - Distant Cousin

Episode Date: August 16, 2017

#0011206 Statement of Lawrence Moore, regarding something that was not his cousin. Original statement given June 12th 2001. Thanks to this week's Patrons: Lacey Rough, Julia Morgan, Nope, Liss Kuhlman..., Franchesca Todd, Elena Mychaleckj, Matt Weir, jst1138 and Kristen Bonner If you'd like to support us, head to www.patreon.com/rustyquill Sound effects for this episode provided by magedu, sagetyrtle, sandufi, Islabonita, cmusounddesign, kevinkace, corkscr3w, vacuumfan7072, Yoyodaman234, n_audioman, saturdaysoundguy and previously credited artists via freesound.org. Check out our merchandise at https://www.redbubble.com/people/rustyquill/collections/708982-the-magnus-archives-s1 You can subscribe to this podcast using your podcast software of choice, or by visiting www.rustyquill.com/subscribe. Please rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear. Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:00 Dette er den første radio-ad du kan smelte. Den nye Cinnabon-pull-apart, bare på Wendy's. Det er ui, gui og bare 5 kroner for en liten kaffe hele dagen. Det er ekstra penger på Wendy's til mai 5. Terms og kondisjoner oppleves. Da har vi podden Skitshowet. Hva er det? Neste blir noe for to av de influensere som har fikset podden. Fortsatt påstarten som noe eierligens i Trondheim. Det er jo ikke noe hemmelighet, og det er ganske mye glem på Insta, så jeg føler at vi trenger podden for å ta det litt ned.
Starting point is 00:00:32 Vi tar for oss hva vi har gjort den siste uka. Samtidig som vi tester nye ting, som for eksempel menneskehopp og kosnikk. Det er egentlig det. Så det man skal gjøre nå er å ned på huk igjen, for jeg får faktisk litt panikk. Hør om du gidder. Bye! So what you're supposed to do now is go down the hill again. Because I'm getting a little panicked. See you later. Bye! Hi everyone, Ben here. I'd just like to take a moment to thank some of our patrons.
Starting point is 00:00:51 Lacey Ruff. Julia Morgan. Nope. Liz Kuhlman. Francesca Todd. Alina Michalekki. Matt Weir. JST1138.
Starting point is 00:01:03 Kristen Bonner. Thank you all. We really appreciate your support. If you'd like to join them, go to www.patreon.com forward slash rustyquill and take a look at our rewards. Rusty Quill Presents The Magnus Archives Episode 78 Distant Cousin I, uh... We...
Starting point is 00:02:22 We didn't... Statement of Lawrence Moore. Regarding something that was not his cousin. Original statement given June 12th, 2001. Audio recording by Jonathan Sims. Head archivist of the Magnus Institute. London. Statement begins. I used to have a cousin. His name was Carl. We weren't close.
Starting point is 00:03:00 I saw him plenty growing up. His family lived in Peterborough and mine lived in Leicester, so it wasn't too far. We'd go over occasionally, or we'd all be left together at our grandmother's if our parents were doing something together. They never came over to our house, though. At least, I don't remember them doing so. My memories of childhood are a bit hazy, so I can't be completely sure. Putting it down on paper now, though, I realise that, given how close we lived, it's odd that we didn't see each other more. I wonder how well our parents really got on. Thinking about it, I suppose they never had much in common. Either way, we got on fine, me and Carl, I think. I was a few years younger than him, and when you're a kid, that makes a lot of difference. I suspect he saw me as a bit of an annoyance, a bit of a tag-along, but I don't remember us ever
Starting point is 00:03:41 getting into fights or anything like that. We'd spend most of the time exploring my grandmother's wide country garden, or sitting awkwardly together pretending to do something while our parents talked about whatever grown-up topics needed their attention. Since I grew up and moved out, though, I hardly ever saw Carl. A family dinner at Christmas some years, or the occasional big family birthday. But if you totaled up all the hours we'd spent together since I turned 18, I doubt we'd be very far into double digits. And if you only count the time we'd actually spent talking to each other, I'm not sure you could even piece together a full
Starting point is 00:04:14 hour. It didn't really bother me, and it certainly didn't bother him. I remember shortly after I moved to London, I actually bumped into him shopping in Covent Garden. Turned out he lived about 20 minutes bus ride from me. I half-heartedly suggested we should go for a drink or hang out or something. And he said, yeah, in a flat tone that told me he had absolutely no interest whatsoever in doing so. I wonder if I ever did anything as a child to set him against me, or in that tiny sliver of time we actually interacted as adults. It's weird to think about people who knew you as a child. You change so much, and when
Starting point is 00:04:50 you talk to them again, they're not talking to you. They're talking to someone else, someone you used to be, the person they think they're seeing has been dead for years, but they didn't see the change. They're looking at a complete stranger, and they have no idea. I went to my brother's wedding recently, and there was something pretending to be my cousin Carl. Adam, my brother, had always gotten along slightly better with him than I had, being closer in age, and during the ceremony I had been surprised not to see Carl among the guests. It was only later, at the reception, when I was being introduced to a number of my brother's friends I'd never met before, that I offered my hand to a dark-haired stranger and asked his name.
Starting point is 00:05:35 He looked at me for a long, off-putting second as a wide smile crept across his face. I know it's been a long time, Lawrence, he said. But surely you haven't forgotten your cousin Carl. What are you supposed to say to that? I just sort of stammered and wandered off. I didn't realise exactly what was happening until I asked my brother who the stranger was, and he gave me a puzzled look and told me, yes, that was Carl, my cousin. I assumed he must be playing some sort of joke, but the whole thing had really and told me, yes, that was Carl, my cousin. I assumed he must be playing some sort of
Starting point is 00:06:05 joke, but the whole thing had really unsettled me, so I asked my father and he said the same thing. Now, my father is not someone who jokes. He's never been one for humour, and I can count on one hand the number of times I've ever heard him properly laugh. There was no way he would play along in any sort of prank Adam might try to arrange. I looked over, and the person who claimed to be my cousin was staring at me, smiling wide enough to show off rows of yellow-stained teeth. I could feel panic beginning to rise in my chest, and I started asking everyone who might know Carl, and all of them told me the same thing.
Starting point is 00:06:47 When my aunt gave me a withering glare for asking who her son was, I had to leave. I just walked out of the hall, got in my car and drove back to London. I don't drink, so it definitely wasn't that. I thought maybe I was having some sort of dissociative episode. That must have been it. I'd been under a lot of stress at work and my own marriage had recently ended, so perhaps that had affected me more than I thought. Maybe it had done something to my memory.
Starting point is 00:07:16 I even managed to half-convince myself that if I was having a nervous breakdown and all that meant was I misremembered a cousin I never see, I'd gotten off quite lightly. But I couldn't let it go. It nagged at me. As I lay awake in my too-empty bed, it twisted in my mind. I wasn't just remembering Carl wrong. I did not know the person who was using his name. It wasn't Carl. It just wasn't. I was signed off work at the time, and mostly spent my days just kicking around the house. But about a week after the wedding, it occurred to me that when my grandmother passed away a few years before, my parents had asked me to go through her old photos, see which ones we might like to keep. I'd taken them, but had never actually gotten around to going through them, and they should
Starting point is 00:07:52 still be in the loft. Not having anything better to do, and still a little bit off balance after Adam's wedding, I pulled down the ladder and went to fetch them. The attic space was warm and dry, with that thin film of dust in the air that isn't quite enough to set you coughing, but leaves your mouth feeling dry and sticky. I pushed away a few plastic crates of old comics until I found the brittle cardboard box that held the pictures. My grandmother had loved her camera, and I remember her shelves were always full of tiny canisters of film. But it wasn't until I started to look through them that I realised quite how many pictures she'd actually taken. There were hundreds, maybe thousands in there, and going through them I watched myself grow
Starting point is 00:08:37 from a squash-faced toddler to a chubby little boy and a spotty, scowling teenager. And alongside me was my brother Adam, and another child, who I did not recognise, but whose dark hair seemed to match the man I had met at the wedding. By the end, my whole body was shaking, not because of all those pictures of a strange child playing in the garden with us, but because of the two, only two, pictures I found of Carl. The Carl I remembered, with light brown hair cut short and an almost piggish nose. The second of
Starting point is 00:09:15 those photos looked like it had only been taken moments after a different picture of us playing tag, but that one showed the other child where Carl should have been, where I knew he had been. I stared at those photographs for what must have been an hour or more, completely unable to make any sense of what I was looking at. At some point I was roused by a knock on the front door. It wasn't hard or impatient, just a light series of taps, as though whoever was on the other side had no doubt I was in, and was politely trying to attract my attention. I put the pictures back quickly and hurried
Starting point is 00:09:51 down to answer it. Standing on the other side was my new cousin Carl. He smiled that same yellow smile, and said that he'd been sad to see me leave Adam's wedding so soon, and that since we lived so close together, it seemed rude not to drop by. I tried to turn to leave to demand to know where Carl was, but my heart was beating so fast and I was just too scared. He walked calmly past me into the house, and I closed the door behind him. What followed was the longest afternoon of my life.
Starting point is 00:10:26 I sat in an armchair and he took the sofa opposite, sitting stiffly in a way that seemed far too still. Neither of us said a word. He just stared at me, smile still wide, and something twinkling in his eyes that might have been amusement or triumph. He showed no desire to make any sort of conversation, and I was too terrified to say anything at all. I just kept thinking, what had this man done to Carl, and could he do it to me? I tried to look at him, to really look, but the more I attempted to focus on him properly, the more my eyes seemed to slide off him,
Starting point is 00:11:02 like one of those optical illusions that only comes into focus when you're looking at a different part of the picture. At one point it almost seemed like his neck was too long, but when I looked again it was normal. The only two things I knew for sure was that I had never been as scared as I was just then, and that I did not know this man. When evening finally came he stood up. He nodded
Starting point is 00:11:27 at me and told me how much he had enjoyed his visit. We must do this again, he said, and soon. Then he left. I stayed sat in that chair, and I cried. It was full dark when I was broken out of my despair by another knock at the door. This one was harsh and jarring, and I could hear the doorframe rattle slightly at the impact. Standing there was another man I'd never seen before. He was black, dressed in a crisp white shirt with the sleeves rolled up and a thin necktie. For a moment I had the idea he might be a Jehovah's Witness, but one look at his face dispelled that idea immediately. He was hard and stern, set in a look of determination,
Starting point is 00:12:12 and his short hair was iron grey. He was very thin, with ageing skin stretched tight over wiry, corded muscle, and though he was slightly shorter than I was, it seemed like he towered over me. He asked if I knew the man who had left my house earlier that evening. I laughed at that, a harsh laugh that surprised even me. I said I did not know him, no matter how many pictures might tell me I did. At this, the old man's eyes lit up with excitement and I took an involuntary step back. If he noticed, he didn't show it, walking past me into the house and ordering me to get any photos that hadn't changed. I don't know if it was the certainty in his voice or my own feeling of helplessness, but it didn't even occur to me not to do what he said. I returned from the loft with the box of photographs to find him sat on the sofa, exactly where my imposter cousin had sat not two hours before, and I finally got up the courage to ask him who he was. He told me his name was Adelaide Decker, and that he was an exorcist of sorts, though he smiled when he said that last
Starting point is 00:13:17 part. I asked him if he thought my cousin was somehow possessed, but he was already looking through the box and ignored me. He pulled out the same two photographs I had found, the ones that hadn't changed, and again his mouth twisted into a wry smile. He told me to follow him, and I did. We walked over to an unmarked blue transit van parked on the other side of the road, and he opened the back doors.
Starting point is 00:13:42 Inside was a large wooden box with a hinged lid. The man who called himself Adelard Decker climbed in and picked up the back of it, commanding me to take the other end. I did, and together we carried it into my house. It was heavy, and barely fit through the front door, but any objections I might have had were silenced by one look from Decker. We placed it down in the middle of the living room, and I instinctively went to lift up the lid. I got a brief glimpse of dark, varnished wood before he slammed it down, almost trapping my hand, and shook his head once. It's not for you, he said. Then he instructed me to go to my bedroom, and not to leave until he told me it was safe. I did protest at that, and I asked him
Starting point is 00:14:26 how locking myself upstairs would help save Carl. There was no sympathy in his voice when he told me my cousin was dead, that nothing would bring him back, and that my best chance to not join him was to stay in the bedroom until everything was over. He did not seem inclined to tell me what he meant by everything. So I did what he said. I suppose I could have called the police, but this strange old man spoke with such certainty that I felt like following his instructions was the only hope I had. I lay in my bed, and I tried to sleep. I did, though not well. The image of this new Carl kept intruding in my dreams and jolting me awake. The sun came up, and there was no word from Decker, so I stayed there, waiting for something to happen, though I had no idea what.
Starting point is 00:15:19 I lay in bed all morning, and then into the afternoon. Finally, at about three o'clock, I heard the soft knock at the door. It was the exact same knock at the exact same time, and I felt my body seize up with fear. There was the sound of the door opening, but nothing else. I just lay there, straining my ears to hear any sound. I just lay there, straining my ears to hear any sound. The air grew close and heavy, like a thunderstorm about to break, but still I heard nothing. Ten minutes passed. Then an hour.
Starting point is 00:16:01 And then the air was split by the most unnatural scream I have ever heard. I cannot even begin to describe it except to say that there was nothing in it but the purest rage. Panic surged through me. I had to get out of that house. I threw open the bedroom door and charged down the stairs towards the front, and as I did so, I passed by the living room, and I instinctively turned my head to see inside. Adelaide's decker stood in the corner. He was straight and motionless, his lips moving rapidly though no sound came out of them. In the centre of the room, next to the empty box, stood a table carved from dark wood
Starting point is 00:16:38 and wrapped all over with a sprawling, intricate pattern. And in front of that table was the thing that had said it was my cousin. It was long and thin, the tops of it bent against the ceiling and its stick-like limbs flailing from too many joints and elbows. Wrapped around it were thick strands of what I think was spider's web, stretching back into the table, which I now saw pulsed along its carved channels with a sickly light. The face at the top of that gangly frame was like nothing on earth. That was all I saw, because the second after I had taken it in, I was out of the door and down the street, running as fast as I could away from that
Starting point is 00:17:22 house. I kept running until I collapsed, and lay there on the street until a passerby asked if I needed help. I didn't return to my house until the next morning. Decker's blue van was gone, and in its place was another one, dirty white. There was something printed on the side, but I couldn't make it out under the grime. I watched two men in overalls carry that same box out of my house, load it up, and drive away. That was about two months ago, and it was the last time I saw them, the table, and a lard decker, or the thing that wasn't my cousin. My aunt and uncle have reported Carl missing. The police did come round and asked me if I knew anything, but I told them nothing.
Starting point is 00:18:08 I just said we weren't very close. Statement ends. I found this in the folder marked 9910602, where Gertrude's tape had indicated I would find the statement of Decker himself. There is nothing else in there, but I think it tells me what I need to know. This thing, this... Not Sasha. It's tied to the table.
Starting point is 00:18:38 I found the tapes. I thought it was pronounced Calliope. They were in her desk. Well hidden, but... If I'd been a bit more thorough, if I... It's just a scratch, John. I'll be fine. Can we begin? Was there anything I could have done? Could I have... Hello? I see you. Show yourself. Hello? I see you.
Starting point is 00:19:24 I see you. And now I see you. You wanted to see us? Are you okay? You look awful. I'm coming down with something, I think. Listen, you should take the rest of the day off tomorrow as well. Are you sure you... Don't want to infect anyone else. Best you stay home.
Starting point is 00:19:47 Wouldn't it make more sense if you went home? Are you feverish? We should probably get you to a doctor. Look, there's a walk-in centre nearby. I can... No. No. I have things I still need to take care of here. And besides, I know you've both been under a lot of pressure lately. I think we could all do with a bit of a break. Well, yeah. I know, I know. A lot of pressure lately. I think we could all do with a bit of a break. Well, yeah.
Starting point is 00:20:06 I know, I know. A lot of it's been because of me. Most of it. I'm sorry. Tim, I know things have been... fraught. Guess that's a word for it. Yes. Well, I think some time off could only help. Because you're ill?
Starting point is 00:20:23 Yes. Yes, and I'm... I'm sorry. About everything. Well, I think some time off could only help. Because you're ill? Yes. Yes, and I'm... I'm sorry. About everything. John, look. Are you... Okay, right you are, John. We'll be going.
Starting point is 00:20:35 Wait, what? Come on, Martin. We could do with a break. Do you need us to tell Sasha... Oh, no, no. I'll be seeing her later. See you Monday. Yes, see you then.
Starting point is 00:20:44 Hang on, Tim, we should probably... If either of you hear this, I'm sorry. You deserved the truth. I wish... I'm not losing anyone else. It is remarkably easy to buy an axe in central London. Harder to sneak it into artefact storage, but not impossible. I don't know if destroying this is going to kill that thing.
Starting point is 00:21:18 But I am damn sure it's going to hurt. Hollow... Just... Just got webs and dust. That was very stupid. What do you want? There's no other way out of this room, you know. What? You don't have time to escape before they get you.
Starting point is 00:22:02 No, it's not so. No, the table was... You're finding it quite effectively. Even with all the protections you have here, I doubt you can survive them now. You need a door. No, no, I just... I need... Shit!
Starting point is 00:22:27 Shit! Thank you. Directed by Alexander J. Newell. To subscribe, view associated material, and make donations, visit RustyQuill.com. Rate and review us on iTunes, tweet us at TheRustyQuill, visit us on Facebook, or email us at mail at RustyQuill.com. Join our community on the forums via the website, or on Reddit at r slash The Magnus Archives. Thanks for listening. Hello, it's Corinne, the voice of Simon Fairchild from the Magnus Archives, letting you know about our sponsor, Audible. For fans of heart-racing, bone-chilling and mind-bending stories,
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Starting point is 00:25:09 Det er jo ikke noe hemmelighet at det er ganske mye glem på Insta, så jeg føler at vi trenger podden for å ta det litt ned. Vi tar for oss hva vi har gjort den siste uka! Samtidig som vi tester nye ting, som for eksempel menneskehopp og kosmikk. Det er egentlig det. Så det man skal gjøre nå er å neppe og hukke igjen, for jeg får faktisk litt panikk
Starting point is 00:25:25 Hør om du gidder Bye

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