The Magnus Archives - Rusty Fears 6 - Canned Lights by Autumn Olson

Episode Date: January 2, 2025

This weeks short horror story, Canned Lights, is written by Autumn Olson and read by Ryan Hopevere-Anderson.Once all six short horror stories have been released, there will be a public poll for listen...ers to vote for their favourite. The overall winner will get the opportunity to write a case that will be featured in The Magnus Protocol, so be sure to listen to every story and keep an eye out for the voting form in a few weeks’ time. Content Notes- Overwork- Darkness- Infestation (cockroaches)Directed by Nico VetteseProduced by April Sumner and Nico VetteseEdited, Music and SFX by Nico VetteseAdditional SFX by Meg McKellarMusic by Nico VetteseMastering by Catherine RinellaJoin our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillX: @therustyquillEMAIL: mail@rustyquill.com The Magnus Protocol is a derivative product of the Magnus Archives, created by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Share alike 4.0 International Licence.  Hosted on Acast. See acast.com/privacy for more information.

Transcript
Discussion (0)
Starting point is 00:00:00 Hi everyone, it's Billy, the voice of Alice in the Magnus Protocol here. Today I'm here to advertise The Other Stories, one of a range of new podcasts recently launched on the RQ network from the brilliant creative team at the story studio Hawk and Cleaver. The Other Stories is an award-winning weekly audio fiction podcast featuring incredible stories across multiple genres, including horror, thrillers and sci-fi. With over 600 episodes and a range of mini-series or individual stories, they have stories for everyone. Search for The Other Stories wherever you listen to your podcasts, or go to theotherstories.net or rustyquill.com for more information. Have fun and see you later!
Starting point is 00:00:55 Canned Lights by Autumn Olsen You people can't stand miracles, can you? You call me a monster, yet you, you sit there ripping the mysteries of this world down to nothing but mere molecules. You call me a murderer as if you wouldn't split an atom just to see how far those nuclear fireworks have fallout spread. You so-called scientists and government bureaucrats are all the same. If anything, I should be congratulated. How many others could have survived year after year working in that windowless cubicle? Who else could have maintained their humanity as their soul was crushed beneath the weight of those blinking bleach fluorescents? But you don't care about context, do you?
Starting point is 00:01:55 Nah. You people never ask why I did what I did. You just want to know how it was done. You want to know how I made 17 of my co-workers disappear? I'll tell you, of course I will. Because you need to know how little you know. To be blunt, it was never my intention to save my co-workers like that. Not at first.
Starting point is 00:02:24 It's not that I didn't care for them. It was never my intention to save my co-workers like that. Not at first. It's not that I didn't care for them. No. No, I'm sure I did. But how could anyone be expected to feel anything while crammed into those tiny windowless cubes? Was I supposed to be their friend? Just because we were forced to work the same seven-day weeks? To be soothed by their dulcet monotones as they
Starting point is 00:02:45 took call after call from neighbouring desks. Or perhaps you think we should have gone to lunch together instead of eating with our noses pressed against computer screens from dawn till dusk. Dawn till dusk. You already know how rarely I saw the sun. Up hours before it rose and in bed hours after it set. Not that I missed the damn thing anyways. Even in that sunless state, I couldn't escape those canned lights wherever I went. The burning of my television, the ceaseless glare of sodium street lamps, the phones, computers, fluorescents, that full, jaundiced tungsten
Starting point is 00:03:26 of my cockroach riddled apartment. I wish I knew which I hated more. That yellow light or the awful, crawling, clinging cockroaches that scuttled over my feet even as I tried to sleep. only the damned tungsten's kept them from coming out. But I could hear them. I swear this. I could hear them from any spot in the apartment. In the walls, the pipes, the floor, lurking on the periphery. What a torture. To want to rest, to sleep, to simply close my eyes, yet to know that that moment I turned
Starting point is 00:04:08 off the lights would be the moment they came creeping out. I learned how meaningless time was back then. We give time a face and hands, build it in our likeness to make ourselves its master. Yet, show me a body of time, hm? Show me a hair or fingernail or any fistful of physical fragments you think you can conjure. Nah, when you live in existence like that, you learn how pointless the concept really is. Seven day work weeks, sleepless nights, seasons without sun render seconds obsolete. So, of course, I couldn't tell you when exactly I performed my first miracle. I know that I had only just arrived at my apartment and flipped on the switch to find
Starting point is 00:05:00 that those filthy cockroaches had inched further across the counters and floor than ever before as the light flooded the room. They turned to find their way back to their drains and hiding places to wait at the edge of my consciousness. I'm not entirely sure what triggered it. I think it might have been that I was finally more disgusted with myself than the cockroaches. I was nothing more than an automaton at work and lived at the leisure of insects at home. You asked me earlier if I was human. I asked myself the same thing at that moment. If I was human, then why was a worth less than a handful of insects? If I was human, why did my pencil-pushing jaw burn through more bodies than an abattoir?
Starting point is 00:05:50 But honestly, I think I just wanted to claim something as my own. So what if those cockroaches swarmed my apartment? Even if they infested everything around me, at least I'd have myself again. So yeah, maybe I'm not a human. Maybe no one is. Maybe what makes us human is not our mastery of light, but our free will to deny it. And I'm guessing you know what choice I made. I still remember the relief I felt as I turned off the switch, that giddy rollercoaster drop of anticipation as I plunged into the pitch.
Starting point is 00:06:31 That was when the miracle first occurred. That was when the darkness breathed. Did you know cockroaches can scream? They don't have vocal cords, so I suppose technically it's not a scream. But heard the shrieks they made. If you heard the pops of their bodies as that pressure pushed inwards, then you would know some things do not need vocal cords to scream. I'm ashamed to say I panicked that first time.
Starting point is 00:07:00 You have to understand, I had never encountered a miracle like that before. I flipped the switch to see what had happened and the screaming stopped. There was nothing left of the vermin but their track marks, which had come to dead ends as though they had suddenly evaporated and the blissful, absolute silence they left in their absence. Your colleagues who were here beforehand, the ones in the lab coats, they asked me why the windows of my apartment
Starting point is 00:07:30 were boarded up. Now do you understand? How could I risk the street lamps or stars polluting my darkness? I spent my nights lightproofing my apartment, preparing for the return of that miraculous dark. And I waited. Yet, as the weeks went on, I began to question my miracle. Not whether or not it happened. I knew it did. The cockroaches never returned. But I wondered, why had it taken them? Those disgusting, horrible things and not me.
Starting point is 00:08:08 Why had they been carried from this awful world while I had been passed over? I'd sat there in that mundane black of my apartment night after night, waiting, wondering, asking for the living darkness to come back for me. But it didn't, and it wouldn't. Not until I went out into the streets and searched till I found a cockroach scuttling on the sidewalk. A cockroach that tickled my palm and pressed against my fingers as I returned to my apartment. A cockroach that screamed when I turned off the lights. I had never planned to introduce my miracle to another human. At the time, I was content
Starting point is 00:08:54 to feed it the filth I could and to bask in its brief embrace. It was a solace I longed for in those terrible, eternal days of work. I'm still not sure if that dark was something I summoned or a manifestation of my feelings within it, but I don't think it matters. I was convinced I was the only person who could ever understand it. That I had been chosen, blessed somehow, and that to share it would be to condemn myself to the investigations of people like you. I know now that was arrogance. To keep this gift to myself required a degree of selfishness I simply wasn't capable of.
Starting point is 00:09:40 All I needed was a final push to see that. A push that came in the form of my boss. It was another sunless day, same as all the others, when my boss announced that we would have to work yet another crunch week. That despite our days, months, years of overtime, we had still not hit our quota. That we were behind on deadlines, that time was money and that if we had weekend plans, then we better take a few minutes to cancel them. He didn't even look when the woman next to me, Jen, I think her name was, broke down
Starting point is 00:10:20 sobbing right then and there. I think she missed her son's birthday. How can you just sit there staring? How can you feel nothing? You look at me like I'm the monster when I saved them from their suffering. Do you know what it's like to be a gear, screaming and screeching as the machine goes faster and faster, knowing that the moment that you are ground to dust, you'll simply be replaced with a newer, quieter cog. And for what? Hmm? I may be a monster, but at least I'm not a machine. I saved them. I saved
Starting point is 00:10:58 them all from being crushed in the cogs of a world that couldn't care less about them anyways. None of them even gave a damn when I hit the first light switch, or the second. They were all so sapped of life from the constant monotony of those screens. Only when I hit the third did someone shout that they needed it to keep working. And by the fourth, I heard the click click click of a switch as someone tried to wrestle light back into the room. The nun came and by the fifth I was grateful for the first time ever that that place had no windows. Still no one really seemed to care, not till the first breath of darkness snuffed the computer screams out like candles. Not till the sounds of popping began. I'm not sure where they were pulled to,
Starting point is 00:11:58 or if they properly fit, but they stopped screaming after a while. I didn't understand. I knew they were suffering as much as me, so why were they afraid? If they'd just stayed calm, they wouldn't have needed to be dragged away like that. They had been chosen to go to a place that I could only dream of. A place I longed to follow them to. But, nah. I know now that that is not my job to follow or to understand. It is my job to follow or to understand. It is my job to lead, to help others reach the salvation that I desire and to join them when my task is complete. Uh, how long did you say those lights were out? Eight minutes and thirty-seven seconds?
Starting point is 00:12:40 How strange it is to confine a miracle to the mere ticking of a clock. But that was all the time I needed. Despite their fear, they finally let themselves be saved. There was no trace of them when the lights came back, only those scratches on the walls and floors where they had been dragged and bits of blood where their fingernails broke. So, nah. To answer your earlier question, no bodies were found because there was nothing to find. No one was ever in any danger. Why are you so angry? What did I do wrong? I only ever wanted to help, to save others from this life that causes nothing but pain. Why can't I make any of you see that?
Starting point is 00:13:30 Why are you making that face? Even if I fed them to that breathing darkness, as you say, is that really any worse than feeding them to the cold, lifeless machine that you call progress? Is that what humanity is to you? I'd rather be a monster with a heart than a human with none. You hate me. Fine. But know this. I will turn the other cheek even if you do not understand me. Maybe one day you'll learn that understanding is all irrelevant anyways. Miracles can only ever occur in the dark.
Starting point is 00:14:10 And one day, if you accept that, if you repent, then make sure to shut out your windows and turn off the lights. If I'm feeling merciful then maybe, maybe I'll come to save you too. The Magnus Protocol is a podcast distributed by Rusty Quill and licensed under a Creative Commons Attribution Non-Commercial Share-Alike 4.0 International License. To subscribe, view associated materials, or join our Patreon, visit RustyQuill.com. Rate and review us online, tweet us at TheRustyQuill, visit us on Facebook, or email us via mail at RustyQuill.com.
Starting point is 00:14:59 Thanks for listening. advertise Hainai, a supernatural horror podcast on the RQ network. Hainai is an atmospheric, analogue-style horror audio drama featuring folk horror, mythology, and chilling supernatural terrors in an urban setting. Follow Mari, a Filipina immigrant in Toronto who casually handles supernatural threats like it's just another Tuesday, using her lived experience raised by her bebylen mother to save the city from unimaginable horrors. Hainai is currently running a mini fundraiser to finish and release Act 3 of the show. Funding includes rewards such as unique art, insights into the creation of the story, dedications and more. Plus if certain stretch goals are reached there will be bonus episodes released onto the feed. If you want to support Hainai and its creators until January 31st, head to RustyQuill.com forward slash fundraiser.

There aren't comments yet for this episode. Click on any sentence in the transcript to leave a comment.