The Magnus Archives - The Magnus Protocol 26 - Catching Up
Episode Date: August 15, 2024CAT1RBC4463-14042024-02052024 Exhaustion (athletic) -/- compulsion (tape)Incident Elements:MasochismCompulsion (supernatural)GriefParental DeathImplied sexual situations/innuendoSFX: Misophonia (kissi...ng)Transcripts: https://rustyquill.com/transcripts/the-magnus-protocol/This episode is dedicated to Sierra Rush, thank you for your generous support! You can find a complete list of our Kickstarter backers https://rustyquill.com/the-magnus-protocol-supporter-wall/Created by Jonathan Sims and Alexander J Newall Directed by Alexander J NewallWritten by Muna Hussen, for more of her work visit https://www.thesiltverses.com/ Script Edited with additional material by Jonathan Sims and Alexander J NewallExecutive Producers April Sumner, Alexander J Newall, Jonathan Sims, Dani McDonough, Linn Ci, and Samantha F.G. Hamilton Associate Producers Jordan L. Hawk, Taylor Michaels, Nicole Perlman, Cetius d’Raven, and Megan Nice Produced by April Sumner Featuring (in order of appearance) Lowri Ann Davies as Celia RipleyShahan Hamza as Samama KhalidBillie Hindle as Alice DyerAnusia Battersby as Gwendolyn BouchardJonathan Sims as ChesterImogen Harris as Helen RichardsonDialogue Editor – Lowri Ann DaviesSound Designer – Tessa VroomMastering Editor - Catherine RinellaMusic by Sam Jones (orchestral mix by Jake Jackson) Art by April Sumner Support us on Patreon at https://patreon.com/rustyquill Support Rusty Quill by purchasing from our Affiliates:Phantom Peak – UK immersive experience – 15% discount with this linkDriveThruRPG – DriveThruRPG.comJoin our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillX: @therustyquillEMAIL: mail@rustyquill.com The Magnus Protocol is a derivative product of the Magnus Archives, created by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Share alike 4.0 International Licence. Hosted on Acast. See acast.com/privacy for more information.
Transcript
Discussion (0)
Hi folks, Billy Hindle here, the voice of Alice Dyer in the Magnus Protocol.
Today I just wanted to take some time to run you through some of the exciting Magnus merchandise,
as well as affiliate links, a brand new way to support the show.
You can find affiliate links in the description of all new episodes.
If you are based in the UK, be sure to check out Phantom Peak,
a unique immersive open world adventure in London.
Use the link in the show notes or code Rusty to get 15% off tickets.
Perfect for fans of escape rooms.
Next up, be sure to check out our bespoke merchandise from our partners,
including exclusive perfume scents inspired by John and Martin and ex Altiorra.
Find out more by going to www.rustyquill.com forward slash S B P.
Find Magnus and Rusty Quill themed TTRPG accessories
including dice trays, dice towers and beautiful coasters from Harps Core
by going to harpscore.com forward slash rusty dash quill
See the Magnus Archives polyhedral dice set from Dice Dungeon
including an exclusive D16 featuring icons representing the fears
Visit thedicedungeon.co.uk forward
slash collections forward slash rusty dash quill to find out more. There are also new
designs available and are official merchandise stores for t-shirts, stickers, posters and
more. Check the links in the description or go to www dot rusty quill dot com forward
slash support. Thanks for listening, we hope you enjoy the show.
This episode is dedicated to Sierra Rush. The world is so rich and vast and beautiful, and you are here to share your beauty with it. There are many small moments in life,
but they are quilted together to be you. You're going to be amazing.
Amazing. Episode 26 Catching Up The How are we looking? Pretty much there.
You?
Close enough.
Right, let's go before anything more comes in.
Did you just categorize that last one as dog?
Got a problem with that?
No.
Good.
It's just... dog. That's it.
It was about a dog.
Not cross-linked with like teeth or...
All dogs have teeth.
I guess, but...
Look, do you want to go and meet Helen?
Or do you want to stay here and discuss dogs?
Because either way I'm happy.
Yeah, alright. Alright.
You okay, I you know me this stuff makes me nervous yeah me too really
so
anything particular that you're worked up about no
Yeah
Not sure. I just don't think I can face another dead end.
Hey Alice.
Planning another daring heist?
The Crown Jewels aren't gonna steal themselves.
Oh, that's good to hear. I was worrying for a moment that you were magnusing.
Uh, magnusing?
Magnusing. Verb. To insist on poking around stuff to do with the Magnus Institute, despite Alice's continued
efforts to stop you getting yourselves killed.
Alice, we've been over this.
No, you're right.
It's fine.
You know how I feel, but you're both grown adults.
You can make your own choices.
Just make sure you take protection, okay?
Jesus Christ!
Like a big knife or something!
Don't worry.
Oh, wow. That'll do it.
Okay then. Maybe don't get it out at work though.
We'll be careful, Alice. I promise.
Fine. Off you go then, I guess.
See you tonight!
Yeah, see you later.
Cecilia, are you sure that thing's legal?
Witness statement of Alexander Rumins. Date of birth, 10th September 2000.
Occupation, accountant.
Address, 17 Granston Avenue, Hackney, dated 14th April, 2024.
My name is Alexander Rumins.
I've, I've never done one of these, so I'm not quite sure what I am meant to say here.
I'm 23.
I'm male.
I've lived in London my whole life.
I have two sisters, one older and one younger.
My dad died when I was 15 and my mother still lives in the house I grew up in.
And yesterday, God, even saying it makes me feel horribly nauseous.
I saw someone die. I saw someone die. Rise in front of me and there wasn't a single thing I could have done to help.
The worst thing is that I know him, knew him.
How long does it take until I speak of him in the past tense?
I knew him, and now I don't anymore?
The dead person is, was Jared Smith. He was an athletics coach who trained young runners. I know because I was one of them. At a very young age I
realized I could run faster than anyone. It was like I could take a deep breath
that spread into my chest, my legs and shot through me like an arrow.
By the time I was 10, I could outrun most teachers and all the older boys in the big school next to
my primary. It became a bit of a game for them. No one could ever catch me, except Mr. Jarrod.
I only knew him as my PE teacher then, the new PE teacher who had started in my final year of primary school.
That was the first time we had athletics rather than football or rugby or gymnastics.
I won of course.
I was faster than anyone.
No matter how many times he asked me to race again and again until finally he placed himself
next to me and simply shouted, go.
That shot of adrenaline went through my chest,
my legs pumping faster and faster until I realized Mr. Jarrod had passed me. No matter
how much faster I tried to push my legs, I lost. Afterwards, spitting and sputtering,
I managed to say, can you teach me to run faster?
It wasn't easy getting permission from my parents. They didn't understand why I needed to train
after school, and they certainly didn't have any money for special clothes or shoes. But Mr. Jarrod
had a spare pair of training shoes and he promised he would bring me home every day after training.
So my parents, exhausted by their double shifts at Tesco, agreed.
And that's how it started.
Three times a week Mr. Jarrod would meet me on the playground outside the gymnasium
with the track already marked and his stopwatch at the ready.
If it was raining, we moved inside.
If it was cold, I'd wear an extra layer.
But we never, ever missed a session.
It was just a few months later that I ran my first race. Only my sisters were there to watch me win. That was the first
time I remember feeling proud of myself. It's not a feeling I've had for a long time.
Despite seeing each other almost every day, I knew very little of Mr. Jared.
All I knew was that he was there at the track three times a week and that he knew how to
make me faster.
First I became the fastest in my borough.
Then I won the London Athletics meet.
I was the youngest to ever win the meet and the sponsors were salivating all over themselves
but Mr. Jared told me to ignore all of them and just to focus on running. The next year, just before I was due
to run the meat again to come back and defend my title, my father died. I had just completed a
personal best at the hundred meters. I turned and saw my older sister standing at the edge of the
track. I will never forget the look on her face. Her eyes, always so brown, looked darker
than ink, and her face was almost entirely slack. I'm not sure how she managed to say
the words, but I heard them, nonetheless. It's dad. We have to go home.
I ran.
The streets were a blur as I barely dodged cars and pedestrians, as if by running I could
reach my father and he'd be alive.
I honestly don't remember the following days.
The funeral came and went.
My sisters went back to school and to college. My mother
picked up more shifts at Tesco. But I stopped running. What was the point? Running didn't
do anything to help my dad. Mr. Jared came to visit once a few weeks after the funeral
before I went back to school. He knocked only once and spoke to ask if he could come
in. I didn't answer the door, and he didn't knock again. That was the last time I saw
him, until yesterday morning. I haven't run for such a long time, you see. I've been working
as an accountant since I graduated. Don't get me
wrong, it's an incredibly boring job, but now my mum doesn't have to work at Tesco,
and neither do my sisters. I like to take walks in the morning before work, just stretch
my legs a little. Not run, though. Never run.
I went this morning as usual. Nothing strange about that. Till I saw him. Mr. Jared. I recognized him
instantly. His stride, his dark skin glistening with sweat, his pace. I couldn't believe it.
Seven years since I saw him, but I still felt that old thrill of the idea of racing him.
Mr. Jared! I shouted. Mr. Jared, it's me, Alex!
But he didn't stop. He didn't so much as slow down. He thundered past me, his legs
moving smoothly.
I have never been a superstitious person, but for some reason, when I looked at Mr.
Jared run faster than I had ever seen him, a cold and slimy shiver went down my back.
He seemed to be running for his life. I don't have any explanation for why I think that, but
he seemed more frightened than anyone I have ever seen. I could smell the fear coming off
his skin as he thundered past me again.
His shirt was completely soaked, as were his shorts, and you could see the flecks of sweat
fly off his face and arms even at a distance, even at the speed his legs were moving.
He wasn't being chased.
I looked around, but the entire park was completely deserted.
It was only moments after five in the morning.
There was no one to ask
for help and I had a sudden thought that if I took my eyes off him, something
truly awful would happen. I had only one choice. I'm nowhere near as fast as I was.
I was gasping before 20 meters had passed and sweating by 50 meters, and I just couldn't keep up.
Mr. Jared, please stop, I begged as my legs started to seize up.
But in all the years we trained together, I could never catch Mr. Jared, and today was
no different. I grasped the air as he pulled further away, missing his t-shirt by inches.
I stopped again.
I felt as if I would never take in enough air.
That's when I realized that he was running laps of the park.
I didn't need to catch him.
I just needed to meet him.
So I turned and ran the other way.
I drew closer and closer and suddenly I was knocked completely off
my feet. Mr. Jared ran straight over me. I think he ran through me. I tried to stand
up but had to sit down again, a dizzying rush of pain swooping through my body. I called
to him but of course he couldn't hear me. I don't think he could hear anyone. A few moments later he ran past me again, his breaths gasping and heaving,
as if it was taking every ounce of strength and energy to keep his body moving.
His face was contorted in complete terror, and that's when I could make out that his
mouth was moving. Words seemed to tumble out in a cascade like he was
telling some awful story, but they were lost under his labored breathing. Our eyes
locked for a moment, just as he stumbled and fell. Was there recognition? I don't
know. He hit the ground headfirst and even at that distance I could hear the sickening sound
of his skull splitting open.
Every step sent a shard of horrible pain through my head, but I ran until I reached him.
Mr. Jarrod's forehead had a horrible cut, with the blood freely flowing into his eyes.
Even so he was struggling to get up, to continue running, and his mouth kept forming words.
I dropped it to my knees, trying to stop him from moving.
Bloody and shaking he pushed me away, weakly trying to get up again, but he barely made
it to his knees before he fell over again, and all the while he kept muttering.
I could make out a few of the words now.
They're coming now and getting close so very close and when I slow and when I stop they
will catch me and they will hurt me.
There was more but I didn't hear it because I saw that we were no longer alone in the
park.
I don't know how it came up so close without me seeing it.
A figure, tall and thin and still in shadow even in the morning sun.
I couldn't make out its face, but I felt it, looking at me, looking at me from everywhere.
It was holding a tape recorder to Mr. Jared's mouth, like it was trying to catch his dying words.
his dying words. Who are you?
I asked it.
An archivist, it replied.
I wanted to ask more questions to confront it, to strangle it for what I knew it had
done.
But that was when he screamed, his mouth tearing wide open.
I screamed too.
I screamed for a very long time.
And when the paramedics finally brought me to my senses, it was gone.
Hmm.
I don't remember the last time I saw you bothered by a case. And I suppose you're just cucumber cool about yet another visit from your murderous tape-recording pal. Is that it?
There are plenty of dangerous monsters out there, Alice. It's not worth obsessing over one of them.
I'm not obsessed. I'm just irritated because there isn't a code for archivist.
So? Collector, librarian, eavesdropper, just pick one of those.
But it said archivist.
It said archivist.
I heard you Alice, I just stopped caring.
It was us.
What?
The institute, the archive.
That's why it's so interested in us.
We set it loose.
I need to call Sam.
How are you holding up?
I'm okay.
Yeah? I heard you and Alice on the phone. Sounded bad.
It is. She thinks one of the externals, the one with the tapes, the archivist, she thinks we might have let it out.
Or at least got his attention, brought it down here.
If she's right, that would mean all those people, they would still be alive if I hadn't insisted on poking around.
How are you?
I don't know. Something's off.
You can say that again.
No, I mean something isn't right.
The external, the archivist, it's not acting how I would have expected.
Got a lot of experience with killer tapes, do you?
I just mean that...
Hi, sorry to keep you waiting.
Helen. That's me.
I'm guessing you're Celia, so you must be...
Sam.
Hi.
Pleasure.
So, can I get either of you a cup of tea, coffee?
No, thank you.
How about you, Celia?
Celia?
Er, no, I'm fine.
Thank you, Helen. Alright then, well, I'm fine. Thank you, Helen.
All right then, well, straight to it.
So, there's a few likely properties that have just come on the market,
and luckily there have been some rather nice new bills that haven't even been listed yet,
so your timing is excellent.
Oh, uh, good.
Obviously we'll need to know a little bit more about your budget,
but before that, are there any big no-no's we should know about?
Like heavy traffic, eco-warrior neighbours, that sort of thing?
Well, I mean, I don't really have an issue with-
We're not here for a house.
We're not?
Maisonette?
No.
We're here because... well, we're looking into the Magnus Institute.
I'm sorry, I'm a little confused.
You haven't heard of it?
Oh no, no, I remember it very well. I just thought they closed up shop years ago after the fire.
Some sort of academic outreach thing, wasn't it? Bit of a quango?
Something like that, yeah.
Yeah, hmm. I remember I found them a few commercial properties back when I was, you know, first starting out.
Surprised anyone's still interested, though. Can I ask what this is about? Yeah, I remember I found them a few commercial properties back when I was, you know, first starting out.
Surprised anyone's still interested though. Can I ask what this is about?
We're, er, making a documentary.
Oh really? A proper one? Who for?
BBC.
Oh, marvellous. Why didn't you just say? Do I need to sign anything or er...
No, we're just in the early research stage at the moment. Might not even go anywhere.
Oh, well, as I recall, they did have some odd requirements.
Bloody big basement, security options, that sort of thing.
Do you have any kind of contact details we could maybe follow up on?
Anyone specific you used to talk to?
I'm not really supposed to give that kind of information out.
GDPR rubbish, you know how it is. Of course. Best I can do is tell you it's been a
long time since we've had contact. 20 odd years at least. Any details we still
have are all very much out of date so it wouldn't be much use to you. Right. Tell
you what though, I think I still have the old listings filed away somewhere. The
ones I sent through to them. Would it maybe help your research to know what sort of properties they were buying?
That would be great.
Didn't you say something about GDPR?
Of course. You're right. I have no idea where your production team could possibly have got those files.
You're an absolute gem.
Just remember that if you need any talking hands for the documentary. Deal?
Deal.
And make sure you come to me if you're ever, you know, actually in talking hands for the documentary. Deal? Deal.
And make sure you come to me if you're ever, you know, actually in the market for a house. Eh? Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha Yes, young Jack.
Should you ever have need of a modest chateau or a cheeky little palace, do give me a call.
Jolly good.
Do you like that?
Oh dear.
Bad news Celia.
What?
Your baby's a torii.
Celia?
Hmm?
Everything alright?
Sorry, yeah it's fine. I just...
I felt like we were being watched for a moment.
We're okay. We were very careful not to be followed.
It's just late. Well, it's early but you know what I mean.
And we're both tired.
Yeah. Yeah,'re both tired. Yeah.
Yeah, you're right.
Would you like a drink while I put Jack down
for his morning nap?
No.
Is that a good idea?
I mean.
I said a drink, Sam, not a piss up.
Right.
Yeah.
A drink sounds great.
Beer's in the fridge.
I won't be long.
Come on, goblin. Say bye bye to Sam. Bye bye Sleepy. You're not gonna fall asleep. I would like a light.
You're welcome.
You're very good with him.
I'm just the cool new toy.
Cool is a strong word.
Ouch.
Maybe I should be putting you to bed.
Celia, I realise I haven't really said thank you.
You don't have to.
I do.
Even after we knew how dangerous this might be, you still stuck around.
I know you have your own reasons, but...
I have a few. But you're one of them.
I like you, Sam.
I... I... I mean, you know, I like you too, but that's...
I should get going.
You don't have to.
No?
No, if you don't want to.
I don't. I. I don't.
I think I want to stay.
Good. The Magnus Protocol is a podcast distributed by Rusty Quill and licensed under a Creative
Commons Attribution Non-Commercial Share-Alike 4.0 International international license. The series is created by Jonathan Sims and
Alexander J. Newell and directed by Alexander J. Newell. This episode was written by Munna
Husson and edited with additional materials by Jonathan Sims and Alexander J. Newell,
with vocal edits by Lorianne Davis, soundscaping by Tessa Vroom and mastering by Catherine Rinella with music by Sam Jones.
It featured Billy Hindle as Alistair, Shahan Hamza as Samama Khalid, Anusha
Battersby as Gwen Bouchard, Lowri Ann Davis as Celia Ripley with
additional voices from Jonathan Sims.
The Magnus Protocol is produced by April Sumner, with executive producers
Alexander Jane Newell, Danny McDonagh, Lynne C and Samantha F. G. Hamilton, and associate
producers Jordan L. Hawke, Taylor Michaels, Nicole Perlman, Cetius the Raven and Megan Nice.
To subscribe, view associated materials, or join our Patreon, visit RustyQuill.com. Rate and reviews online, tweet us at TheRustyQuill,
visit us on Facebook, or email us via mail at RustyQuill.com.
Thanks for listening.