The Magnus Archives - The Magnus Protocol 27 - Driven
Episode Date: August 22, 2024CAT3RB5535-18021845-10052024Kidnapping (carriage) -/- consumption [letter]Incident Elements:KidnappingUncannyGraphic ViolenceManslaughterEmployer AbuseMentions of: SexSFX: misophonia (kiss)Transcripts... available at https://rustyquill.com/transcripts/the-magnus-protocol/This episode is dedicated to Alicia, thank you for your generous support! You can find a complete list of our Kickstarter backers https://rustyquill.com/the-magnus-protocol-supporter-wall/Created by Jonathan Sims and Alexander J Newall Directed by Alexander J NewallWritten by Jonathan SimsScript Edited with additional material by Alexander J NewallExecutive Producers April Sumner, Alexander J Newall, Jonathan Sims, Dani McDonough, Linn Ci, and Samantha F.G. Hamilton Associate Producers Jordan L. Hawk, Taylor Michaels, Nicole Perlman, Cetius d’Raven, and Megan Nice Produced by April Sumner Featuring (in order of appearance) Sarah Lambie as Lena KelleyAnusia Battersby as Gwendolyn BouchardShahan Hamza as Samama KhalidTim Fearon as AugustusBillie Hindle as Alice DyerLowri Ann Davies as Celia RipleyDialogue Editor – Nico VetteseSound Designer – Meg McKellarMastering Editor - Catherine RinellaMusic by Sam Jones (orchestral mix by Jake Jackson) Art by April Sumner Support us on Patreon at https://patreon.com/rustyquillCheck out our merchandise available at https://www.redbubble.com/people/RustyQuill/shop and https://www.teepublic.com/stores/rusty-quillSupport Rusty Quill by purchasing from our Affiliates;Phantom Peak – UK immersive experience – 15% discount with this linkDriveThruRPG – DriveThruRPG.comJoin our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillX: @therustyquillEMAIL: mail@rustyquill.com The Magnus Protocol is a derivative product of the Magnus Archives, created by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Share alike 4.0 International Licence. Hosted on Acast. See acast.com/privacy for more information.
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Hi everyone, it's Anusha here, voice of Gwen in the Magnus Protocol.
Today I'm here to advertise a very exciting Bacchicit crowdfund that we will be using
to raise funds for the Magnus Protocol Mystery Board Game.
We are working with the amazing and talented team from Indie Boards and Cards, the team
behind some other extremely successful board games such as The Resistance, Ku, The Sherlock
Files and Flashpoint
Fire Rescue. The Magnus Protocol Mysteries will be an easy-to-learn puzzle game, bringing
you a series of engaging cases to solve and supernatural problems to resolve. The game
will also feature brand new audio recordings from the cast of The Magnus Protocol.
For more information or to sign up to be notified of the launch of the crowdfund, go to www.rustyquill.com forward slash board game where you can sign
up for email updates. Or, for one dollar, you can also sign up for an early backer reward.
This episode is dedicated to Alicia. During early lockdown in 2020, Alicia listened to
a lot of the Magnus Archives, a source of fantastical scares that gave her temporary reprieve from some very real horror.
Among many terrifying episodes, those specifically centering on meat, on the juxtaposition of human and animal bodies, the callous suffering of slaughterhouses and other fleshy things, resonated with her.
She reevaluated her relationship with food. She wondered what the difference was between a family member and a beloved dog, between that dog and a nameless factory cow. She decided to become
vegetarian and hasn't looked back since. Many thanks to the creators of the Magnus
Archives for using their art to inspire change in Alicia's life.
Rusty Quill presents... The Magnus Protocol. Episode 27, Driven. The Who's is this?
Whose is what?
This shelf.
Whose responsibility is this shelf?
Sam? Sam?
Hmm?
Whose files are those on the shelving unit behind you?
I don't know.
Colin maybe?
Why, what's up?
It is a cluttered eyesore.
I'm sure Colin can sort it when he's feeling better.
If Colin returns to this department, it will be long after the minister's visit.
I want this resolved now.
It's just some files.
It is not just some files.
It is a symptom of a disorganised office
and an excuse for the Minister to insist upon additional oversight.
You will move them into the stationery cupboard at once.
I mean, I could.
But then I'd have to stop processing cases
and you were pretty clear you wanted the entire caseload dealt with, so...
Oh, Gwen? I'll deal with it.
Very good. Check in with me once you've finished.
Of course.
Thanks for that.
Look, I honestly wasn't trying to...
No, don't give me that. You're loving this. You've been sat there grinning all night.
Have I?
Yes. Maybe I just woke up
on the right side of the bed this evening. Well whatever it is, it stops
now. Um, I don't think you can order me to stop being in a good mood. I can and I
am. It's putting me on edge. I'm so sorry. In that case I'll do my best to get
bitter and cynical. Good. This should help. Er, what's this?
Your extra duties.
I thought you were sorting it.
I am. By delegating them to you.
How's that good mood doing?
Struggling.
Look, I'll see what I can do, but I really do need to clear my caseload first.
Alright then.
Now, do you know where Alice is?
I've got a special list for her.
Now who's grinning?
Break room, I think.
Excellent.
Carry on.
You're welcome.
Ugh.
February 18th, 1845.
It is with some trepidation that I am forced to record yet another failure, as despite
my certainty that none beside myself will read these words, I must be mindful of my
becoming disheartened and strive against any loss of conviction.
While I have no hesitation in accepting En's recommendation, the particulars of the collapse
must be confronted directly. We have been undertaking this great work, perhaps the greatest
work, for nigh upon three decades and thus far are still unable to effect transmutations beyond those endeavors we each undertook alone.
We have some dozen of the finest minds of the age, yet it seems more won't to stagnate our thoughts and progress than to light within them that museuses fire of inspiration? Is it perhaps the
need for secrecy? Is the clandestine nature of the researches we attempt in its very nature
opposed to the work of both natural and unnatural philosophy we have undertaken? Or is the spiritual
aspect of our alchemical undertaking such that only the experiments of an individual
can ever bear fruit? Now, I must excise such doubts from my mind. Purification is not only
to be found in chemical processes, after all. We had all of us reached the limit of what might be
achieved alone. If such were not the case, the Institute would not have been
founded nor would my fellows have selected me for its leadership, much less its name.
I must hold fast and continue my explorations.
February 22, 1845. A curious thing has caught my attention. It is strange how the work of natural philosophy
attunes one's eye to the things that might be termed unusual. I was making my way to
our London offices when I heard the din of a crowd approaching from a nearby corner.
The shouting of slogans and waving of
banners marked it immediately as a Chartist meeting, and, not wishing to
receive another sermon on the necessities of reform and the urgency of
radical constituency changes, I moved to hail down a carriage. At my call, two
stopped close by each other, a somewhat worn-looking handsome cab, and
one of the newer Clarences, one of those which my housekeeper calls, in her inimitable way,
a growler due to the sound of its wheels on the cobbled streets.
As I was travelling alone, my natural impulse was toward the speed of the handsome.
Yet the din of the meeting made me reconsider, as I have often found the heavier wood of
the four-seater Clarence to make for a quieter journey, at least within the coach.
I was certainly in no rush, so I took a step towards the cab with every intention of engaging
it when something stopped me.
There was only a single coachman.
Not so unusual, perhaps, but something about the manner of his sitting gave me pause.
He looked straightforward, paying no heed to myself or anything else in the street that
might call his attention, and he wore a long oil-skin
greatcoat, which draped over the entirety of his body, despite the dryness and unseasonable
warmth of the day.
As I slowed my step, my eye began to take in more precise detail of the cab itself.
The color seemed unusual somehow, the glossy black glinting like a bottle fly,
and the joins in the wood seeming smoother and less angular than perhaps they should
have been. There was even a sheen on the plush-red furnishings, almost as though they had become
wet somehow, and I could not shake the oddest sense of disquiet
when looking at it. I had no opportunity for further examination, however, as my momentary
hesitation had been noticed by another prospective passenger who promptly stepped ahead of me
into the Clarence. It began to move away immediately, and as it did so, two things became apparent.
The first was that the very instant the door closed, there was no longer any sign of the
passenger within the carriage, and it seemed once again empty.
The second was that as he pulled away, the coachman's greatcoat was caught briefly by a gust of wind,
and in that moment I saw without doubt that there was no border, no dividing line,
no gap between the coachman and the coach.
They were somehow as one.
If this is as I suspect, I would be wise to keep an eye open for this
vehicle, restrict myself to handsome cabs, and try to forget the unnerving
sound the growler made as it moved away. February of the 26th, 1845. I have found it again.
It took far less effort than I suspected it might, as I believe that it relies on the
ubiquity and variety of cabs speeding around London for its anonymity, rather than the
actual verisimilitude of its disguise.
Indeed, the longer one considers it, the clearer it becomes that neither it, nor
the coachmen, nor the so-called horses that feign to pull it, are at all what they appear
to be.
I espied it once again upon the exact same street where it had nearly caught me, and
I have no wonder as to the reason. It is dense with traffic, and few pause their step or make note of the specific comings and goings.
I suspect it is a more than adequate hunting ground.
Upon sighting the thing, I hailed down a separate cab and bid it wait,
pointing at the Clarence and telling the driver to follow it when it should have a passenger.
He gave me a look that I might uncharitably describe as insolent,
but it took little extra coin to secure his goodwill and thus cooperation.
I then watched as a well-mastachioed young gentleman in a brand-new frock coat flagged down and entered
my quarry.
We followed behind for almost an hour, leaving my nerves frayed from the constant rattle
of the thing moving over the cobbled streets and my driver's near-constant aggravation.
It did not stop, nor slow, nor discharge its passenger.
But after some minutes I began to notice a subtle, but unmistakable hint of crimson in
the ruts it carved through the muck of the London streets, as though fresh dye were leaking
from the joints of the rolling wheels.
At length it disappeared into a covered alleyway. By this time, evening
had fallen, yet the lamplighters had not been about their duties, and my own coachman was
adamant that he would take me no further after such a frivolous chase. So it was, I left
the safety of the cab and continued on alone, creeping into the darkness with
naught to brighten my way. I took what comfort I could in the knowledge that if I could not
see, then I could not be seen, though it helped me little, as I was now possessed of an unspoken
certainty that the growler had no need of eyes.
I consider myself fortunate that the coach thing was not waiting for me.
Instead, I soon found that the seemingly derelict alley was instead full of small, discarded
scraps of clothing, as well as old newspapers and even an umbrella. And of course, the freshest and least decayed of these was a frock coat, though I could
not in any sense still describe it as brand new.
There is more to learn here.
Perhaps my recent frustrations with our progress and the increased scrutiny by Boyle's incessantly
meddling inheritors have pressed me to put more significance on this than is warranted.
But I cannot help but feel that to understand this thing may be to finally unlock the world
as yet unknown to us. And in pursuit of that, there is no cost too great.
March 2, 1845. It is done, and I am surprised to find how little remorse I feel. I have
retrieved young Archibald Cameron's notebook and found it surprisingly legible,
if somewhat soiled.
It is no great loss to the Institute, though I shall not be too open with the others as
to the cause of his disappearance.
He was the youngest of our number and certainly the least skilled, which endeared him to several
whose hearts are in my estimation too soft for the
great work.
Even so, I was taken aback by how little dissembling it took to convince him to enter the Growler
and make observations.
I naturally made no mention of my nigh certainty that the journey would be fatal, but in almost all other particulars I was
honest, even to the point of speaking to him plainly that I could not guarantee his personal
well-being.
Still, he was eager to assist in the scribing of those notes I had emphasized were potentially
vital to the advancement of the Magnus Institute's work. Likely, he was simply
overawed by my status as founder, but his excitement at this prospect was clearly
genuine. For all his youth, I am impressed at Archibald's
conscientiousness, writing as he did so far into the process, albeit with some
trouble towards the end. The final few pages
are naturally of a more frantic and pained character, but they also contain some of the
most useful observations. To his credit, his philosopher's eye was calm and accurate even
in his final moments. Well, perhaps not his actual final moments.
His analytical faculties begin to desert him shortly after the loss of his skin,
and it is clear from the handwriting exactly when his eyes depart his skull.
This seems to have occurred some minutes after he finally accepted the doors were
truly impossible to open, and in
turn seems to have prompted his last but perhaps most important deduction. That the rate of
digestion, for lack of a better word, seems to have been linked to his own levels of fear.
Ironically, this discovery itself clearly caused him a great deal of that particular
emotion since the rest of his notes were little more than pained scribbles and crude invective.
I believe his final lines were cursing me specifically, but his penmanship, already
so poor, was rendered truly unintelligible by this point.
My surmise that a paper notebook would not be digested or consumed has proven accurate,
reinforcing my belief that the consumption process is supernatural rather than chemical,
as there are no biologic stains other than blood smears. Sufficed to say, if the contents of this notebook prove true, it may indeed prove transformational
to our researches.
That such beings exist, and not simply as myth beyond the fringes of civilization, but
within the very heart of our great empire, may yet prove as important as any transmutation
taking place within an Alembic.
And if there are things of such horror already in this world, perhaps our great ambitions Time will tell, I suppose.
Alice? Alice? Sorry, I can't hear you over the sound of me polishing all the break room knives.
For goodness sake, that wasn't even on your task list.
No, but it's important if I'm going to properly murder, suicide you, Lena and the useless pain in the arse minister when he arrives.
You know it's illegal to joke about killing an MP.
You know it's illegal to joke about killing an MP. You know it's illegal to be a complete... What do you want Gwendolyn? You ever get any weird
emails? I'm openly trans on the internet. At work I mean. Not really. Why? What have
you got? It's just some old files. The email address looks like Chipperish. I'd ask Colin but he's, you know...
Careful. Indisposed?
Yeah, well, I don't know what you want from me. I'm hardly a computer whiz myself.
What are the files? Just junk. Old paperwork. Nothing important.
Right. Let's have a look. You know me, I love unimportant old paperwork.
Sorry, already deleted.
Oh yeah?
Fine, whatever.
I've got better things to do anyway, like...
Clean all screens with isopropyl wipes.
Oh for God's sake, I'm not doing that!
What about the minister?
Oh, for him I'd use bleach and wire wool, maybe some pure chlorine to finish.
What?
No, that's not what I...
No, we're not doing this now.
Nice try.
Go do the list.
Damn it!
Miss Ripley! I do hope you've not been using the department printer for personal projects. What a dream of it!
You should. This place is a gold mine. I take a carton of milk and a roll of toilet paper home every night.
Are these the ones Helen sent over?
Yeah, I really didn't think there'd be so many.
The Institute must have been absolutely loaded.
Surely they didn't actually buy all of these?
Thankfully no.
Anything they actually got the deed to goes here.
These are the ones where they put in an offer but didn't close the deal,
and this pile is inquiries that didn't go anywhere.
Why not?
It varies. Sometimes the owners didn't actually want to sell in the end. Sometimes the Magnus
Guide would just send a bunch of weird requests that not follow up once they were answered.
Weird how?
See for yourself. Hmm.
Why would they want a picture of the constellations as seen from the front elevation facing due east? I mean, astrology is big in alchemy, but you'd think the answer would be obvious based on its location.
Doesn't make any sense.
Oh, how about this one? Preference for properties with intact first generation per...per chloro...
Per chloroethylene machines. I looked it up. Basically, super toxic washing machines.
Okay. Were they making a lot of these queedies?
I think so? Get the impression most of them were done by phone.
The only ones here were either sent by letter or done through Helen.
Hmm.
So how can I help?
Well, I reckon we start with the sites they actually owned.
I mean, I think they might technically still own some of them.
I haven't been able to get my head around some of the legals.
Let's see if I have any luck.
So...
So?
Do we talk about it or...?
You can if you want to.
Cool.
So what was that?
That was sex, Sam. Pretty decent sex, actually.
I, uh, yeah, no, I agree, but, um, you know what I mean.
Well, that depends. What you want it to have been?
Was it a bit of fun, or two scared people trying to camp at one another?
That's fine. You want it to have been something something more, well I'd be okay with that too.
Even with everything else that's going on, we might be in genuine danger. We might die.
That's true of every relationship really. It's just a bit more obvious with us.
What do you want? I mean, Jack's always going to be my first priority.
But beyond that, I think I'd like it to happen again.
If you'd be okay with it. See where it goes?
Yeah, okay. I think I'd like that too.
Great.
Great.
I can't stop thinking about it.
This one in Oxford? Yeah, me neither.
Oh, yeah.
It was one of their last purchases in 1997, I think.
What do you think they mean by retail unit?
Well, the Hilltop Centre is a small shopping development just off Cowley Road.
It was built in the 80s, but it looks like the storefronts didn't exactly get snapped up.
Huh. I thought you meant the rent a shopping unit. I didn't realise you could buy one outright.
Yeah, it's super weird. So was the fact that they never really did anything with it.
Apparently it was set up as an outreach centre, whatever that means, but it was only occupied for a month or two.
Then they just locked it up and left it.
I mean, they only had it a couple of years before. Hang on. Is this one of the ones that they still technically own?
Yep. And the Hilltop Centre's been effectively shut for a while.
Meaning that no one's been inside...
Since 1997. What do you think? Worth a look?
I swear, if I hear one more word about Trevor bloody Herbert MP, I'm going to blow up Parliament.
How's your list coming?
Don't test me Sam. I have so many barrels of gunpowder and the blessing of the Pope.
Is it really that bad?
Lena's going mental over dust bunnies, Gwen is so far up Lena's arse she can see daylight
and oh and let's not forget we're all being stalked by a terrifying monster.
It is a lot.
It's fine, I'm fine.
Just feeling a bit more anti-establishment than normal.
Anyway, what are you two doing? More madnessing? Just feeling a bit more anti-establishment than normal.
Anyway, what are you two doing? More magnussing? Yeah, we were thinking about having a bit of a field trip.
Don't worry, we'll keep it to ourselves.
Nah, screw that.
What?
Were you not listening to me when I told you about this thing?
I'm pretty sure we let it out when we went poking around that archivist room at the ruins.
I wanted to stop you before
you did something stupid, but now we know you already did. So maybe we can dig up something
to protect ourselves. Or even stop it for good. I don't know about that. The way Gwen
talks about these things, sounds like that might be a quick way to get killed. You didn't
tell me the room was labelled Archivist.
Surely you did?
No. You said you messed up some sort of ritual design in one of the locked rooms
and thought that might have released it.
You never said the word Archivist.
Does that matter?
I don't know. Maybe?
So which of these are you planning to start with then?
The Eotope, in Oxford.
Cida has a feeling about it.
Oh does she?
Would this be a good feeling or a bad feeling?
I guess we go and find out. The Magnus Protocol is a podcast distributed by Rusty Quill and licensed under a Creative
Commons Attribution Non-Commercial Share Alike 4.0 International License.
The series is created by Jonathan Simms and Alexander Ewell and directed by Alexander Jane Ewell.
This episode was written by Jonathan Sims and edited with additional materials by Alexander Jane Ewell,
with vocal edits by Nico Vitesse, soundscaping by Meg McKellar, and mastering by Catherine Rinella with music by Sam Jones.
It featured Billy Hindle as Alice Dyer, Shahan Hamza as Samama Khalid, Anuja Battersby as
Gwen Bouchard, Lowry Ann Davis as Celia Ripley, Sarah Lambie as Lena Kelly with additional
voices from Tim Farron.
The Magnus Protocol is produced by April Sumner, with executive producers Alexander J. Newell, Danny McDonough,
Lynn C and Samantha F. G. Hamilton, and associate producers Jordan L. Hawke,
Taylor Michaels, Nicole Perlman, C. T. S. DeRaven and Megan Nice.
Nicole Perlman, Cetius de Raven and Megan Nice.
To subscribe, view associated materials or join our Patreon, visit RustyQuill.com. Rate and review us online, tweet us at The Rusty Quill, visit us on Facebook or email us at mail at RustyQuill.com.
Thanks for listening.
Hi everyone, it's Anusha here, voice of Gwen in the Magnus Protocol.
Today I'm here to advertise a very exciting Backup Kit crowdfund that we will be using
to raise funds for the Magnus Protocol Mystery Board Game.
We are working with the amazing and talented team from Indie Boards and Cards, the team
behind some other extremely successful board games such as The Resistance, Ku, The Sherlock
Files and Flashpoint Fire Rescue.
The Magnus Protocol Mysteries will be an easy to learn puzzle game, bringing you a series
of engaging cases to solve and supernatural problems to resolve.
The game will also feature brand new audio recordings from the cast of the Magnus Protocol.
For more information or to sign up to be notified of the launch of the crowdfund, go to www.rustyquill.com
forward slash board game where you can sign up for email updates.
Or for one dollar you can also sign up for an early backer reward