The Mind Over Finger Podcast - 264 You Don't Need More Time - How To Perform Under Pressure When Preparation Feels Impossible
Episode Date: May 22, 2026What happens when the audition is closer than you expected and the preparation feels impossible? In this episode, I'm talking about how to handle high pressure performance situations when time is shor...t, nerves are high, and your brain keeps telling you it's not enough. We dive into mindset, performance psychology, nervous system regulation, and the surprising ways urgency can actually work in your favor. In this episode: • Why resisting the situation drains the energy you need to perform • How to stop spiraling and start preparing effectively • What short timelines can teach you about trust, resilience, and performance under pressure Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality. Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/ THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme: Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.
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You're listening to the Mind Over Finger podcast. This is episode 264.
Welcome to the Mind Over Finger podcast, where we dive into the world of mindful music making,
peak performance, and crafting a purpose-driven life and career. I'm your host, violinist,
certified performance and life coach for musicians, and your guide to unlocking your full potential,
Dr. Ranipo Gautier. Hi everyone, welcome back. I hope you're doing great. Quick thing before we
dive in, if you haven't heard yet, the Music Mastery Experience is open. MME is my signature
year-long coaching program where we work on all three pillars of peak performance. How you
practice, how you condition yourself for performance, and how you manage your mind
when it matters most. If you have big dreams for your playing, for your career, and you want the
tools, the system, and the support to actually get there, this is it. Head over to mindoverfinger.com
slash MME to learn more and book your free clarity call today. Okay, today's episode is,
I think, going to be short. It's going to be direct, and I think it's going to be really
useful, not just for auditions, but for any high stakes performance situation for you.
If you've listened to episode 263, my Lyric Opera Audition Story, you heard me talk a lot about
process, about having 90 days, a plan, a system, a why, and a who. And I hope it was inspiring.
I got a lot of great feedback from that episode. So thank you to anyone who reached out. But I
also know that some of you listened to that and thought, that's great, Renee, but I don't have 90
days. I have three weeks or two or less. And I hear this a lot. And a client of mine reached out
recently facing exactly this situation. She had just received the list for an audition that she
really wanted to take that was four weeks out. And it was a completely different list from what
she had expected. She didn't know a single excerpt on it, not one. And she was wondering how she
could tackle it, how she could make it happen. So I sent her a voice message, kind of what I do with
clients, one of those long from the heart voice messages where I just start talking. I don't stop
until I've said everything I need to say. And when I listened back to it, I thought this needs to be
on the podcast, because I think a lot of you are in this situation, or will be, not just
for auditions, but for any performance where you feel like you didn't have enough time,
enough preparation, enough of whatever you think you needed. So today I'm going to share
with you what I told her, and I want you to hear this not as audition advice, but as a
way of thinking about any situation where the circumstances aren't exactly what you
would have chosen. Here's the first thing I want you to hear, and it's the most important thing
I'm going to say today. You must decide that everything about this situation is good for you.
And I mean that literally. It's a decision. You decide that everything about this situation is
good for you. Not in a toxic, positive way. That doesn't work. It's not, just smile. It's gonna be
fine. You're gonna be great. It's not what I mean at all. I mean, it's a decision. You decide ahead
of time that this situation is good for you. And from that decision, everything follows. Because
here's what happens when you don't make that decision. You spend energy on wishing things
were different. At first, that's what my client was doing. Four weeks, a new list, not a single
excerpt she knew. And that first thing her brain did was tell her it wasn't enough. That she should
have had more time. That the list should have been different. And all of that energy, every minute
spent in that resistance was a minute she wasn't spending learning the music.
And when you're in that space, you practice with reservations. There's a part of you that's
dragging its feet. You're thinking, this isn't ideal. This isn't what I would have chosen. This
isn't enough time. And that creates resistance. And that resistance creates chaos. It creates
hesitation. It slows you down. It creates doubt at the exact moment when you need clarity and
momentum. And here's the science behind why this matters. And there is science. There's a great
body of research on what psychologists call psychology flexibility. That's the ability to
accept a situation and commit to action despite the discomfort. You're rooted in the present
moment and your core values and you're rooted in your who and you adapt through this. And the data
shows that people who practice acceptance outperform those who resist. Not because acceptance
lowers standards, but because resistance consumes cognitive resources that you really need for the
task. So every moment you span fighting the reality of your situation is a moment your brain
isn't spending on the music. You've heard me say this before on the podcast, one of my favorite
quotes from Byron Katie. When you fight reality, you lose, but only every time. So you have to
decide. Did I say it enough? You have to decide, okay? So let's actually look at the evidence,
why this is actually good for you. Because I don't want you to just repeat a mantra. I want
you to genuinely see why a short, imperfect preparation is actually good for you. Let's
look at things that could be true. Learning a new list, that's good for you. That's expanding
your repertoire. That's making you a more complete player. The excerpt you're learning under pressure
right now, you're going to have it forever. It's making you resourceful. It's showing you what
you're capable of under pressure. It's creating urgency. And urgency, within reason, within reason,
actually sharpens focus. And there's research on this too. The Yerkes-Dodson curve, which we've
talked about on this podcast before, shows that moderate pressure improves performance. So urgency
is not your enemy. It can be your fuel if you choose to see it this way. It's all about what
you decide, which angle you decide to look at things from. So as I said, my client had to learn
this entire new list in four weeks, every single excerpt from scratch. And yes, that's hard. But
think about what that actually means. She now knows repertoire she didn't know before.
She learned it under pressure, which means it's going to stick. She proved to herself that she
can do hard things fast. And playing with less preparation than you like, that's showing you
where your floor is. And I'll tell you something, your floor is probably higher than you think.
and if it's not this is something you can aim to work for but the work you've done over years of
playing doesn't disappear because you had three weeks instead of three months it's in your body
it's in your hands it's in your ears so short preparation doesn't erase your foundation
it just asks you to trust it
here's another way to see it you're getting creative about how to fit practice into a busy
life. That's a skill. You get to practice it. Listen to recordings in the car. You're doing
score study while you walk on the treadmill. You find 20 minutes you didn't think you had.
And the musician who can work under any conditions is a different kind of player than the one who can
only perform when everything is perfect. You're becoming that musician right now.
That is the kind of musician you want to be. A reliable, strong musician.
You're being pushed outside of your comfort zone? That's amazing. That's where growth
actually happens. Research consistently shows that we develop the most when we're operating
at the edge of our current capacity, not safely inside of it. I think many of you must have heard
of Anders Ericsson, who spent decades studying elite performers. If you've read any of these
books behind me, The Talent Code, Talent is Overrated, and The Confident Mind, you've heard
about Anders Ericsson. So Ericsson found that deliberate practice in exactly that zone is what
separates good from great. This preparation is putting you there whether you planned it or not.
And the hard moments, the frustration, the feeling that there isn't enough time,
the having to figure it out anyway, that's building grit, resilience, the kind of inner
toughness that shows up in the room when you need it most. And you can't buy that.
You can only earn it. And you're earning it right now.
the challenges that you face in this process the problem solving the creativity the prioritization
figuring out how to make it work with the time you have all of that that's making you better
not just for this audition or for this performance for the next one and the one after that
so regardless of the outcome you're growing in every single way you're growing every single
minute you spend on this. And that's not nothing. That's everything. Okay, so you've made the
decision, right? You know that it's a decision. Now what? How do you make it work? Let's start
with something I talked about in the last episode that applies just as much here, maybe even more.
your why and your who. So when the timeline's short and the pressure is high, your why is what
keeps you moving. Not, I hope this goes well, but a deep, clear, specific reason you're doing this.
Why does this mean to you? Why does walking into that room and giving everything you have
says about you, about who you are as a musician. Get rooted in that. Write it down. Come back to
it every single day. And your who, the person you're choosing to be through this preparation
matters just as much. Are you being the musician who shows up with determination and creativity
when it's hard? Or are you letting the circumstances decide who you're going to be?
you get to choose and when you choose deliberately everything about how you practice
everything about how you think and how you recover from hard sessions everything changes
one more thing all of this the urgency the problem solving the showing up
needs to be done with self-compassion and self-respect high standards and kindness
toward yourself are not opposites. You're not going to bully yourself into a great performance.
You're going to prepare with discipline and treat yourself with care at the same time.
And that, my friend, is not softness. That's strategy. Because all the research on self-compassion
in performance setting is very clear. Athletes and performers who approach challenges with
self-compassion, self-respect, are more resilient, more consistent, and more likely to try again
after a setback. So be rigorous, be disciplined, and be kind, both at the same time.
now let's talk logistics first i would say prioritize ruthlessly play through everything
and identify what needs the most work and what needs less and spend your time accordingly
this is not the moment for equal attention to everything this is triage this is the emergency
room. Second, get into a performance mode as fast as possible. Record yourself, play for other
people. Don't wait until you feel ready because that moment might not come at all. The sooner
you start performing it, the sooner your nervous system learns that it can handle this. Again,
I'm going to bring research into it. The research on performance anxiety consistently shows that
exposure, actually doing the thing, not just preparing for it, is one of the most effective
ways to build confidence and reduce fear. And this is crucial in my preparation. And this is
something I talk a lot about with clients. Third, protect your energy. This is a sprint,
not a marathon. Ask for help at home. Cut what doesn't need to be there this month. Sleep. Eat
well. Your nervous system is your instrument and right now it needs to be in the best shape
possible. All right, so manage your energy. And fourth, and this is the one that ties it all
together, is keep coming back to the decision. Every time you feel the doubt creeping in,
every time you catch yourself thinking this isn't enough, come back to the decision.
This is so good for me. Ask yourself, how is this good for me?
And let your brain find the answer because it will.
All right. So here's what I want you to take from today. The situation is what it is.
You can't change the timeline. In the case of my client, you can't change the list.
You can't change the circumstances that brought you here.
But what you can change, what you must change, if you want any of this to work, is your relationship
to those circumstances. When you decide, when you intentionally make the decision that everything
about this situation is good for you, that it's working for you, something shifts. You stop
fighting. You start moving. And when you're moving, when you're present, purposeful, and you're rooted
in this belief that this is worth doing, even the short, imperfect preparation becomes something you
can be proud of. And it makes a difference. Every single session, every single day, it makes a
difference. And here's what I want you to consider. What if every performance situation,
the ones you're ready for, the ones you're not, felt like something you could handle?
And not because you always have a perfect preparation, but because you know yourself
so well and you trust your process so completely that you walk in ready regardless.
that's what preparation with the right system actually builds and that's what the music master
experience is it's a full year of working with me where you build that system for yourself
not just for one audition for your whole career and for your life because the tools transfer
everywhere. And right now you might be scrambling. You might be in that place where you're doing your
best with what you have and you're hoping it's enough. And I want you to know it can feel
different than this. Not easier necessarily, but cleaner, more purposeful, more you.
so head over to mindoverfinger.com slash mme and book your free clarity call with me right now
we're going to talk about where you are what you're working toward and whether this is your
next step i would love to meet you there all right this ended up not being so short but this is what
i have for you today i hope it's helpful i send you much love and i say a bientot
© transcript Emily Beynon
