The Money Mondays - Joey Carson's Secret to Influencers Signing MILLION Dollar Contracts 🤑 E70
Episode Date: May 20, 2024Joey Carson, CEO of Elevator Studio, has 25 years of experience in the television industry and is hailed as a trailblazer in unscripted programming and a trailblazing force in digital entertainment. H...aving helmed the production of over 6,000 hours of broadcast television, his expertise is unmatched. He presently leads Elevator Studio, renowned for its groundbreaking influencer marketing strategies that help them sign million-dollar contracts and brand campaigns for global corporations. Additionally, he spearheads Elevator Rolling Fund and Elevator Syndicate Fund, fostering early-stage enterprises and startups. --- Like this episode? Watch more like it 👇 Elevator Studio's $60M Influencer Marketing Agency Secrets Revealed: https://youtu.be/TNaoSQjt80k Adley Kinsman on Cracking the Viral Video Formula 📈: https://youtu.be/UuXMcNjB8gQ The Power of Social Media: Michael Sartain's Guide to Making Millions 🤑: https://youtu.be/8v4pJMlwHis Watch ALL Full Episodes Here: https://www.youtube.com/playlist?list=PLs0D-M5aH-0IOUKtQPKts-VZfO55mfH6k --- The Money Mondays is a business podcast here to teach you how to make money, invest money, and donate money by showcasing some of the world's most successful people and how they do the same. Hosted by serial entrepreneur Dan Fleyshman, the youngest founder of a publicly traded company in history, this money podcast gives you an exclusive behind the scenes look at how the wealthiest celebrities, entrepreneurs, athletes and influencers make, invest and donate money. If you want to learn more business and investing while you work to improve your financial life, you're in the right place! Subscribe: https://www.youtube.com/@themoneymondays?sub_confirmation=1 Dan Fleyshman, The Money Mondays Learn more here: https://themoneymondays.com Watch all the podcast episodes: https://youtube.com/playlist?list=PLs0D-M5aH-0IOUKtQPKts-VZfO55mfH6k Let’s Connect... Website: https://themoneymondays.com Podcast: https://podcasts.apple.com/us/podcast/the-money-mondays/id1663564091 Twitter: https://twitter.com/themoneymondays LinkedIn: https://www.linkedin.com/company/the-money-mondays/about/ TikTok: https://tiktok.com/@themoneymondays FB: https://www.facebook.com/The-Money-Mondays-110233585203220/
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What does it take for someone as an influencer or just a character,
you know, person sitting at home to actually go out there and make a show
and actually get signed?
So here's my answer to them.
Every agency in town, they have scores of assistance,
and their sole job is to scour all the tick tock Instagram,
everything, looking for that little thing.
That's why I say if there's something special about you,
television will find you.
Ladies and gentlemen, welcome to a very, very special
edition of the Money Mondays,
because I have the CEO of it all.
Not just my agency, but all.
When I say all, we have the Elevator Syndicate,
we have Elevator Nights, we have Elevator Rolling Fund,
we have Elevator Speakers,
all stemming from Elevator Studios,
our agency that spent over $60 million with influencers
doing 110,000 paid posts over the years.
But what you're intrigued for is
this gentleman has a 30 year long TV career before joining me
half a decade ago. So how did I convince him? I have no idea. It took me five months of negotiations
to get him over here. So if you guys have ever watched in the past, Real World, Road Rules,
Keeping Up With The Kardashians, Simple Life with Paris Hilton, you can blame this guy sitting two
feet to my right because he was the original CEO for the first eight years of Buna Murray. So remember when you watched those
reality shows the bottom said Buna Murray? That was his fault too. After that he worked with Sony,
he worked with Fox, worked with Dr. Phil and some amazing people during the course of his career
focusing on the TV and film industry. So how did I get him to come over to a social media agency
back in 2019-2020? Well, he saw the overarching vision.
I wasn't just focused on influencer marketing.
And because he had that three decades on career
and managing $100 million budgets
and $300 million budget and $50 million budgets,
it was a big leap for me to say,
can you come here to work with my social media agency?
I wanna become what's called a venture studio.
A venture studio is when we go into invest
or take equity of companies, whether they're our clients,
our friends, or people that inbound come to us
through our live events or through our social media.
Over the course of time, as you guys have heard,
I've done 43 angel investments or venture studio investments
through Elevator Studios because of this gentleman
sitting next to me.
Along the way, we have what's called the Elevator Syndicate.
You can check it out at elevatorsyndicate.com.
That is for credit investors.
We have 846 credit investors and growing in that group.
And we've raised $44 million over the last three years for food and beverage brands and
consumer products.
What we do is we put in $3 to $6 million per deal and to companies doing $2-20 million revenue.
You guys see me post about those type of companies all the time.
Ever Bowl, Icon Meals, it'll take too long to list all the companies, but you guys hear
me talk about them throughout the podcast because it's important to me.
We find companies doing $2-20 million bucks because we want companies that we can help
pour gasoline on the fire.
And these companies have gone on to do some great things. And so, without further ado,
make sure you listen carefully
because this is the one human on the planet
that I listen to because he is my CEO, Mr. Joey Carson.
Well, thank you very much.
I can't believe we're actually sitting together
on the same couch in the same place.
At the same time.
Right, that never happens.
Okay, so Joey, typically I say give us the quick
two minute bio so we can get straight to the money,
but if you need a little bit more in two minutes
because of your career, go for it.
Well, I think you covered a lot of it there.
Been very blessed with my career.
Came out here in the late 80s after I graduated
from college, actually to pursue a music career.
Last thing I wanted to do was get a job.
So I spent the first 10 years of my career working in the studio system.
I worked for Columbia Pictures Television first and then I worked for Fox,
which was really the big leap in my career early on because it was the early days of Fox
when the network was just getting going.
We were doing everything.
We did all of the daytime syndication shows, all the talk shows. of Fox when the network was just getting going. We were doing everything.
We did all of the daytime syndication shows, all the talk shows.
We did cable television shows.
That was back in the days for the older people in your audience who would remember movies
of the week.
We did that.
So we had a lot of fun.
And I had great mentors in that job and they gave me a lot of leeway.
So I was, before I had joined Fox,
I had never been to New York in my life.
And suddenly now I'm flying there almost every other week.
Yeah, doing all the production in New York
and that sort of thing, which is really good.
And I went about as far as I could go at Fox.
And then that's when I met the folks at Buna Murray, John
and Mary Ellis.
I had actually known of them and worked with them at Fox.
I'd actually given them money for a pilot at the time.
Interesting.
Yeah.
And it was a really nice experience working with them and then I found out through an
agent friend of mine that they were looking to kind of take this company to the next level
and that sort of thing. So we met and I joined them.
And we did a lot of really cool things together.
We did a lot of things for the first time
that people had never done.
You know, when we did The Simple Life,
that was the very first network prime time reality show,
which you just don't see, like all the network shows
that are on now, they're all game shows
and that sort of thing.
So we did that and obviously that changed
the landscape a lot.
We were the first people on that show
to put video content on the phone,
which was kind of an idea that I had had.
In fact, a lot of the things we did that I did back then
and we did together and I've done since
were really basic entrepreneurial things,
like how do we create a new revenue stream, right?
And so like when we did MTV's big popular show,
The Challenge, well that originally was
the Real World Road Rules Challenge. So we that originally was the real world road rules challenge.
So we got cast, again, it was like,
how do we come up with something?
So we said, well, let's take people from real world
and road rules and-
Right, it's like Marvel versus DC.
Right, and it had been going on for a little while
and it was like, and it was popular,
and so we thought, you know,
how do we turn this into something else?
So that's when we, you know, as a group,
we were like, well, what if we had men versus women?
And what if we did a theme around this
where we had the gauntlet or the inferno?
And so we turned that one show
into like five different franchises.
But again, which again, we're all great
and still going now, but like bigger than ever.
But that really just came out
of a basic entrepreneurial need of like,
how do we, you
know, get more money in the door and do different things?
At the round the same time I did, I was fortunate enough to work with Steve Lipscomb when he
started the World Pucker Tour.
So I was a founding board member of that, and we went through that entire process actually
from getting the show up and running to being sold, which is a great story, probably too long for this.
And then we took the company public and then we sold it again and I think it was 2010.
So I did that.
Actually, after I left Buna Murray, I had spent a couple of years in Silicon Valley,
which was really interesting.
And I didn't know at the time.
I had an idea with some other people
to create an online virtual world,
or a massive multiplayer online game, as they call them.
And I did a $4 million series A-Race straight off
the deck that we did.
And which to me, I was like, OK.
It was to me, it was almost like selling a show.
Like, OK, we sold a show. Like okay,
we sold a show. I've kind of found out later like how rare that is. So that was a really fun
experience and did that for a few years. Ultimately that company didn't survive due to the 2008
financial crisis. And then after that, sometime after that, I went to work with Dr. Phil. He and
I had been friends since he moved to California.
I was the first person that he met when he, yeah.
And he's from Texas, I'm from Texas.
He played football, I played football.
He was a huge tennis player, I'm a huge tennis player.
So we just started hanging out,
spending a lot of time together,
and we were just the best of friends
for well over a decade before I ever went to work for him.
And actually after I left Dr. Phil is when you and I met.
Which by the way, I just realized this,
next week it'll be six years.
Six years.
That I actually started.
So we were already having lunches and talking.
But yeah, I think next week is the six year anniversary
of us being together.
That's when this episode comes out.
So it's coming out on our sixth anniversary.
Yeah.
This comes out next Monday.
There you go.
Okay, Joey.
So we cover three core topics here.
How to make money, how to invest money,
how to give away to charity.
On the make money side, how do TV stars,
or especially reality stars, make money?
Well, it's different now than it was 20 years ago when it first started.
Originally, pretty much the only way a reality TV star would make money is by getting an
episodic fee, which back in those days is really small, maybe $3,000 an episode, maybe
$5,000 an episode, sometimes in rare cases, ten thousand dollars an episode.
And that was it.
It was just, you know, so if you're in ten episodes and you got ten thousand an episode,
you made, you know, a hundred grand.
That was it.
Later on, actually, honestly, I think really Paris Hilton was the first one to really break
that boundary. Like when we originally did that show,
she had this vision of becoming everything that she is today.
But back then it was just an idea for her. She was like, I wanna have a fashion brand,
I wanna have a fragrance brand, all these things.
And no one had really done that before.
And so she used the show to kind of springboard herself
into that stratosphere.
These days now, it's still pretty much the same.
It's very hard for a reality star to carve out.
The only thing they can really carve out
is like whatever their existing business is.
But by being on television, The only thing they can really carve out is like whatever their existing business is.
But by being on television, like I remember even back in the Simple Life days and even
with World Poker Tour, what we used to say at World Poker Tour is the show is the commercial
for the tour, right?
So if you're on a reality show, it's really a commercial for the ventures that you're
doing.
Because where are you going to get that air time?
A 30 second spot costs tens, maybe even hundreds of thousands of dollars a minute, and it's
a commercial.
Here, your brand is on television.
There's a lot of free promotion there.
Again, since Paris was really the first one to do it mean obviously you've seen what the Kardashians have done. I mean there's multi-billion dollar companies going on there strictly as a result of that. So
it's
You're not really gonna I always tell people if they're gonna be on a reality show order
You're not gonna make money. In fact, it's probably gonna cost you money by the time you get a lawyer to review the contract and all of that
but In fact, it's probably going to cost you money by the time you get a lawyer to review the contract and all of that. But think a little bit down the road of how this benefits your personal brand.
A lot of what you talk about in personal branding, right?
Okay.
So I need you to do a reality check for people.
We're in Hollywood.
We're in Los Angeles where people from all over the planet fly in with visions of grandeur that they're
gonna be a star whether it's a music star an acting star a TV star social
media influencer etc walk us through what it takes to actually land and full
not not a little cameo takes to land a TV or movie Well, if you're an actor, it's very, very difficult.
And the competition that you are up against is staggering.
So think about it.
If you have been in plays all your life,
and maybe you went to college and you got a BFA in college,
and then maybe you even got a master's,
you got an MFA from a prestigious school
like Yale or something like that.
That's still no guarantee that just because you have
that education, it does not really matter
when it comes down to a casting session, right?
It just, what, so, what you wanna,
I have a very close friend who's like a very well known
famous acting teacher, her name is Leslie Kahn,
and she has a line that I think is really good,
and she says, I don't want your acting to be the problem.
Right, so when you walk in there, your acting is nailed.
And so then it really just becomes about your interpretation of what's on the page and how
you read for that role.
I'll give you an example.
Think about it.
Most people watch any TV show and they think, how hard can it be?
I could do that.
I mean, how hard is it?
I just memorize some lines.
That's not the case.
Yeah, Damon, no problem.
Tom Cruise, whatever.
Yeah, they're just, and these guys are so good.
And they've been around for so long.
And this is the sign of a true master.
It looks like they're not acting at all.
Right, and they're not in caprips?
Yeah, it looks like they're not doing anything.
But that's because, but if you take any pro athlete, pro musician and when they're doing,
like if you watch, you know, Michael Jordan, LeBron, it's like, ah, you know, but they don't
realize like what's behind that, right? Yeah. The 200,000 shots beforehand. Exactly. And so I think,
and the same thing is true for writers. A lot of people want to be writers. Again, it's like,
how hard could that be? Yeah, I'm funny. Right, yeah. I mean, or everybody wants to write a script.
How hard could that be?
Well, it's really hard.
And so with acting, I tell people, you know, treat it like, you have to think about it.
You're coming out here competing against professionals that have been doing it for a long time.
That would be like me saying, you know what, I'm going to go play on the ATP tennis tour.
Now, I'm a really good tennis player.
I'm nationally ranked in my age group.
I have been like my whole life.
But that's a far cry from being...
Go fight with Federer.
Right.
I wouldn't even get a point.
And so people, when they think about it, when they say I'm gonna come to Hollywood, I'm
gonna be an actor, that's literally like saying, I'm gonna go be in the NFL.
So that's the reality check. But the way to mitigate that is just like LeBron
or Steph Curry or anybody just shoots a thousand balls a day.
You have to do that with your acting.
You have to be practicing every single day, doing scenes.
Like you and I would do a scene for at least an hour.
Think about it, if you wanna be a professional athlete,
what's better if you're gonna train one hour a day
or two hours a day or three hours a day, right?
Or be like Kobe and train all the hours of the day.
Yeah, you have two a days.
You train in the morning, you train in the afternoon.
So people think, and it's hard, look, you come out here,
you gotta work, so most people have to get a job.
When are you gonna have time?
Well, you actually do have time to practice and rehearse
and do scene work and those sort of things.
But then you go on the audition.
The other thing that's different about,
here's the other reality check for everyone out there,
is that in the old days,
if you got called in for a role to read,
you would go
down to the casting director's office and wait in line almost like the doctor's office.
And then you would go in and read in front of the casting directors, the writers, the
other studio executives, whatever. That's all gone. Everything's on zoom now.
Wow. Yeah. So, so look at it this way. If you're a casting director, and before you might see 10, 12,
maybe call it 20 people a day,
those are appointments, people coming in, doing all that.
Now, you're on Zoom,
and you're seeing over 100 people a day.
So, if you're an actor,
and so now every actor has to make,
we call them self-tapes,
and so an actor will make a tape,
well, your tape has to be good, like within three seconds,
or else, boom, you're on to the next person.
So it's that much harder to break into it as an actor.
That's not saying you can't do it.
A lot of it also depends on what you look like.
Like what is the role?
Like you and I would never be cast for the same role, right?
I'd get some old guy role.
So that's a huge part of it.
So, and remember, if they're looking for somebody
that's in my age group that looks like me,
there's probably seeing 300 other people
that look exactly like me and might be better than me, probably
are better than me.
Okay, so there is a lot more platforms now for people to work with compared to back in
the days when we could name the channels before MTV, BET, VH1, ABC, CBN.
We could literally name the 30, 40 channels and there was 99 total, right?
Now there's a thousand plus channels that we can't even think of never even seen in our lives and
There's Hulu
Apple has their own platform YouTube has their own platform
I can't even name how many platforms are and then there's sub platforms with peacock having over here
HBO go change their name to this thing over here and cinemax change their name to this and
There's just like a whirlwind of platforms and each of them need content HBO go change their name to this thing over here and Cinemax change their name to this and bop, bop, bop, bop.
There's just like a whirlwind of platforms
and each of them need content.
Some of them have gotten hundreds of millions of dollars
or billions of dollars of funding
to create these platforms to fight against the holy Mecca,
which is Netflix, right?
With so many shows that are out there,
there are a lot more roles,
but how do you stand out once you land a role?
So now you've gone on to a TV show,
now how do you stand out when there's thousands
of other shows?
Well, depending on how, what your contract is with the show
and confidentiality and all the things surrounding
about that, it can actually help you enormously
because, and actually as the studio,
if they're like, if they're bringing you in and you have a following of 2, 3, 4,
10 million people, that actually helps the studio.
So they're also looking at that as well.
And that's really true in the book space.
Like I've had, think about it, how many authors have come to me in the past couple of years
with good pitches for books, good
outlines, and they've gotten the meeting with, say, Simon and Schuster or somebody like that.
And ultimately, they've been turned down because, and the note always is, go build up your social
media following and come back because they need help getting it out there.
So it's almost incumbent upon you and your brand, especially in these areas, to really
work on that because it's just going to be one more reason why the studio is going to
choose to work with you.
Like let's say you're on the edge and it's close or whatever, but if you have an active,
engaged following and are popular, for lack of a better word, that's going to help you.
Conversely though, a lot of people think that because, like let's just say somebody has a big social media presence.
I can't even count the amount of times people have come to me
in these last several years,
especially since you and I have been together,
and saying, hey, create a reality TV show around.
How many times does that happen?
That was my next question.
Yeah.
That's literally my next question.
So let me ask you the question.
So that was legitimately the next question.
So we're also in LA and Hollywood and we are bombarded.
We, you know, you and I with Elevator Studio,
we have 3,500 influencers that we've W9'd.
We've actually physically have their tax information and paid.
Yeah, that was just last year.
And all of them, not all of them,
but most of them think that they could have their own TV show.
What does it take for someone as an influencer,
or just a character sitting, you know,
person sitting at home that think that their household is funny,
their family's hilarious, they should have a show,
because everyone seems to think that.
What does it take to actually go out there and make a show and actually get signed?
Everybody thinks they are a reality show and the truth is you're not.
And so here's my answer to them. If you're worthy, for lack of a better word, of having a reality TV show based around you,
television will find you.
I always tell people that.
And here's why.
Every agency in town, every production company, so think William Morris, CAA, UTA, on and
on, every production company, like Bunimurray, my old company, all these other companies,
they have scores of assistants and interns,
and their sole job is to scour all the,
TikTok, Instagram, everything,
looking for that little thing.
And so that's why I say,
if there's something special about you, television will find you. Because the leap from social media to television, it's not like from here to here.
It's from here to beyond.
Back in the day, this goes back as far as my Fox days in the 90s and even in the
early, in Buda Murray, we would have celebrities, especially after the Paris Hilton, Simple
Life thing happened.
We took pictures from countless celebrities, which I-
Major names, yeah.
Major household names that you know.
And they would come in and they would say, we'd say, okay, like, what's going on? They would say, you should do a show about me. And we're like,
okay, what's the show? Well, I lead a really interesting life. And I do this and I travel
around and I have, you know, crazy kids and this and that. And we'll just say, yeah, that's not a show.
We're all pretty similar in our lives, it's to a large degree, right?
So, I'm not saying that to discourage you,
it's like you say, this is a reality check on reality.
So, the best thing you can do as an influencer
or as a personal brand or any type of entrepreneur,
if you're a business guy,
is just do what you do and be great at it.
Look at the people that have broken out,
guys like Gary Brekka, right?
Or Andrew Huberman, right?
Even Joe Rogan, I mean, Rogan was back in the-
The Fear Factor guy.
Yeah, that's who he was back in the day.
Yeah, he was- He's fighters.
Yeah, he was the host of that show for a long time, great show, super nice guy. Put in the day. Yeah, he was the host of that show for a long time, great show, super nice guy.
Put in the work, decades before we even think about it.
Right, and his podcast, he's the first one to say, I just started it off as, I just kind
of thought it was fun to do and talk to people.
Yeah, smoke weed, talk to your friends.
But that became the brand, right?
And his own personality stood out in that,
that's what makes him so huge.
Okay, last question,
because we actually have to host the Money Mondays,
our weekly Zoom call.
By the way, you guys can register for that.
Themoneymondays.com.
We go live every Monday, 4 p.m. PST.
Myself, Joey Carson,
and some of our business friends will hop on there.
Actually, wow, I gotta go. So final question, because're gonna have Joey back on because we talked all TV this time
I want to bring them back on to talk about the agency
Influencers in that whole world all of our craziness and our investments. So Joey Carson
I have all the guests. I've never had the same answer. And again, I don't think I'm gonna have the same answer right now. Oh
Okay And again, I don't think I'm gonna have the same answer right now. Oh Okay, a
Hundred years from now when Joey passes away. You're gonna be many many years hundred years hundred twenty years from now
You're gonna have robot arms and biotechnology and keep going
And let's say you've got a hundred million dollars at the time. What percentage of the hundred million dollars
Do you leave to your two daughters?
What percentage of the $100 million do you leave to your two daughters?
All of it.
Because I trust them to carry the values
that I hopefully instilled in them
to do the right thing with it.
Both for themselves and for other people
to create opportunities, to give to various charities,
whatever, but I would trust them
He said it's so clean so powerful. All right guys, we're gonna bring Joey back on might even film it tonight for all I know
we are
bound by our
Responsibility to you guys that are part of the money Mondays comm it's really important to us
So I'm glad to see a bunch of you guys there 100% of the profits goes to the wild jungle so if you want to go on there it's 200 bucks a month
all that money goes to the wild jungle to help support our 209 animals because they are very
hungry as you guys can imagine over at wild jungle you can check us out on social media at wild jungle
wyld but as you guys know we grew up thinking it's rude to talk about money and our guests here
think it's rude to not talk about money.
So it's really important for you guys to talk about it with your friends, family, followers,
staff, etc. because it's real life.
Legal, accounting, finances, IRS, tax, debt, borrowing money, your FICO score, your credit
score, all these things are real life stuff.
Nothing I said is evil.
All of it is reality. And we have to be able to
have these discussions. Thank you guys for keeping us. We've been number one to number
two for I think 66 out of the 72 weeks we've been live. That is all due to you guys. So
it's really important for you to like, comment, subscribe, et cetera. As you notice, we don't
do ads here. We are running this out of passion. We want you guys to have these real discussions.
We have a 93% listen-through
rate because of you guys and because we don't sit here and read a bunch of two minute to five
minute commercials. Not that I'm against commercials. Obviously we are an agency, so we like that
concept. We just don't want to do it here. We're going to hold out as long as we can. We've been
holding out for 70 plus weeks now. So we're going to keep fighting the good fight, just paying for
this ourselves because we want you guys to talk about money. We want you guys to be out there
investing, understanding it, having open discussions.
So check out Joey Carson,
check out our company called Elevator Studio,
it's at Elevator on social media.
And we will see you guys next Monday.