The Moth - The Moth Podcast: Moon Landing Anniversary
Episode Date: July 19, 2024In this special episode, we celebrate the 55th anniversary of the moon landing with some of our favorite stories all about space. Hosted by educator, storyteller, and astronaut Leland Melvin,... we'll visit NASA training camp, the Hubble telescope, Pluto, and everywhere in between.Host:Leland MelvinStorytellers:Mike Massimino details his high stakes mission to repair the Hubble Space Telescope.Cathy Olkin must troubleshoot a problem more than 4 billion miles away.Leland Melvin suffers a devastating injury that seemingly cuts short his dream of flying in space.Podcast: 876
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Three, two, one, zero.
That's one small step for man, one giant leap for mankind.
They should have set the boat.
It's so beautiful. One giant leap for mankind. They should have set the boat.
It's so beautiful.
Beautiful.
Welcome to the Moth Podcast.
I'm Leland Melvin. I'm an author and Moth Storyteller.
July 20th marks the 55th anniversary of the moon landing and to celebrate the occasion,
we'll be sharing three of our favorite stories that are all about space travel.
Our little intro now might have given it away.
Now there's something very, very special about space.
Staring up at the night sky and imagining what it would be like. Thinking
about the vastness of the universe. Or staring back at Earth from the space shuttle Atlantis.
Thinking about the vastness of our human experience. And, by the way, full disclosure, I've been
fortunate enough to do both. Because in addition to being an educator and MOF storyteller,
I've also been to space twice as an astronaut. The first story we're sharing is from Michael
Massimino. He told this at a New York City main stage where the theme of the
night was around the bend. Here's Michael live at the mall.
In 1984, I was a senior in college, and I went to see the movie The Right Stuff. And a couple things really struck me in that movie.
The first was the views out the window of John Glenn's spaceship,
the view of the Earth, how beautiful it was,
on the big screen, I wanted to see that view.
And secondly, the camaraderie
between the original seven astronauts depicted
in that movie, how they were good friends,
how they stuck up for each other,
how they would never let each other down, I wanted to be part
of an organization like that.
And it rekindled a boyhood dream that I had
that had kind of gone dormant over the years.
And that dream was to grow up to be an astronaut.
And I just could not ignore this dream.
I had to pursue it.
So I decided I wanted to go to graduate school
and I was lucky enough to get accepted to MIT.
And I went up to MIT with the intention of following this dream of space flight.
And while I was at MIT, I started applying to NASA to become an astronaut.
And I filled out my application and I received a letter that said they weren't quite interested. So I waited a couple years and I was graduating from MIT
and I sent in another application a second time a few years later
and they sent me back pretty much the same letter.
So I applied a third time and this time I got an interview
so they got to know who I was and then they told me no.
So I applied a fourth time, and on April 22, 1996, I knew the call was coming, good or
bad.
And I pick up the phone, and it's Dave Lietzma, the head of flight crew operations at the
Johnson Space Center in Houston, I say hello and he says,
hey Mike, this is Dave Leitzma, how are you doing this morning?
And I said, I really don't know Dave, you're going to have to tell me.
And he said, well I think you're going to be pretty'm on space shuttle Atlantis, about to go out and do a spacewalk on the Hubble Space Telescope.
And our task that day was to repair an instrument that had failed.
And this instrument was used by scientists to detect the atmospheres of far off planets. Planets and other solar
systems could be analyzed using this spectrograph to see if we might find a planet that was
Earth-like or a planet that could support life. And just when they got good at doing
this, the power supply on this instrument failed. It blew. It wasn't working. So the
instrument could no longer be used.
And there was no way really to replace this unit
or to repair the instrument.
Because when they launched this thing
and they got it ready for space flight,
they really buttoned it up.
They didn't want anybody to screw with this thing,
whether you're on the ground or whether you're in space.
It was buttoned up with a access panel
that blocked the power supply that had failed.
And this access panel had 117 small screws with washers.
And just to play it safe, they put glue on the screw threads so they would never come apart.
You know, it could withstand a space launch and there's no way we could get in to fix this thing, but we really wanted this capability back. So we started working
and for five years we designed the spacewalk and we designed over 100 new space tools to
be used. Great taxpayer expense, millions of dollars, thousands of people worked on this.
And my buddy, Mike Good, who we called Bueno, he and I were gonna go out to do the spacewalk.
I was gonna be the guy actually doing the repair.
And inside was my friend, Drew Feustel,
one of my best friends.
He was inside, he was gonna read me the checklist.
And we had practiced for years and years for this.
And they built us our own practice instrument
and gave us our own set of tools
so we could practice in our office, in our free time,
during lunch, after work, on the weekends.
We became like one mind.
He would say it, I would do it.
We had our own language.
And now's the day to go out and do this task.
The thing I was most worried about,
leaving the airlock that day,
was my path to get to the telescope.
Because it was along the side of the space shuttle.
And if you kind of look over the edge of the shuttle, it's kind of like looking over a cliff at that point,
with 350 miles to go down to the planet.
And there were no good handrails.
When we're spacewalking, we like to grab onto things in our space gloves and be nice and steady. But I got to this one area along the side of the shuttle and
there were no good handrails to grab. I had to grab like a wire or a hose or a knob or
a screw. And I'm kind of a big goon. And when there's no gravity, you know, you can get
a lot of momentum built up and I could go spinning off into space. And I knew I had
a safety tether that would probably hold, but I also had a heart that I wasn't so sure about.
So I knew they would get me back.
I just wasn't sure what they would get back
on the end of the tether when they reeled me in.
So I was really concerned about this.
And I took my time and I got through the treacherous path
and out to the telescope.
And the first thing I had to do was to pull off
or remove a handrail from the telescope
that was blocking the access panel.
And there were two screws on the top and they came off easily.
And there was one screw on the bottom right and that came out easily.
And the fourth screw is not moving.
And my tool is moving, but the screw is not.
And I look closer and I realize it's
stripped and I realize that that hand drill is not coming off which means I can't get
to the access panel with these 117 screws that I've been working about for five years
which means I can't get to the power supply that failed which means we're not going to
be able to fix this instrument today which means all these smart scientists can't find life on other planets.
And I'm to blame for this.
And I could see what they would be saying in the science books of the future.
This was going to be my legacy. I realized that my children and my grandchildren would read in their classrooms.
We wouldn't know if there was life on other planets. But, Gabby and Daniel's dad, my children would suffer from this, Gabby and Daniel's dad broke
the Hubble Space Telescope and we'll never know.
And through this nightmare that had just begun, I look at my buddy Bueno next to me in his
space suit and he's looking at me like, don't look at me.
Bueno was a rookie and his job was to basically hand me tools.
This was my job to fix this thing.
And then I turn and look into the cabin where my five astronaut friends, my crew mates are
in there and I realize nobody in there has got a space suit on.
They can't come out here and help me.
And then I actually looked at the earth. I looked at our planet and I thought
there are billions of people down here but there's no way I'm going to get a house call
on this one. They cannot, no one can help me. And I felt this deep loneliness and it wasn't just a Saturday afternoon with a book alone.
I felt...
I felt detached from the earth.
I felt that I was by myself and everything that I knew and loved and that made me feel comfortable was far away.
And then it started getting dark and cold because we travel 17,500 miles an hour.
90 minutes is one lap around the earth. So it's 45 minutes of sunlight and 45 minutes of darkness. And when you enter the darkness, it is not just darkness.
It's the darkest black I have ever experienced.
It's like the absence of light and it gets cold.
And I could feel that coldness
and I could sense the darkness coming.
That's where we were gonna enter.
And it just added to my loneliness.
And for the next hour or so, we tried all kinds of things. I was going
up and down the space shuttle trying to figure out where I needed to go to get the next tool
they wanted me to get to try to fix this problem and nothing was working. And then they called
up after about an hour and 10 or 15 minutes of this, they said they wanted me to go to
the front of the shuttle to a toolbox and get vice grips and tape.
I thought to myself, we are running out of ideas.
I didn't even know we had tape on board.
I'm going to be the first astronaut to use tape in space during the spacewalk.
But I followed directions. So I get to the front of the space show and I open
up the toolbox and there's the tape. And at that point I was very close to the front of
the orbiter, right by the cabin window, and I knew that my best pal was in there trying
to help me out. And I could not stand to even think of looking at him,
because I felt so bad about the way this day was going, the way it turned out.
Not like what we had thought about, but all the work he and I had put in,
and I couldn't even stand to even think of looking up at him.
But I realized that he's actually, through the corner of my eye, through my helmet,
just aside there, I can kind of see that he's trying to get my attention.
And I look up at him like this, and you see him a little bit above me in the window,
and he's just cracking up smiling.
And give him any okay sign. And I'm like, is there another spacewalk going on out here?
And I really can't talk to him, because if I say anything, the ground will hear.
You know, Houston will hear, the control center will hear.
So I'm kind of like playing charades with him. I'm like, what are you, nuts?
And I expect him, I didn't want to look because I thought what he was
going to do instead of give me the okay sign, I thought he was going to give me the finger.
Because you know I'm thinking he's going to go down in a history book with me. So
but he's saying, no we're okay. You just hang in there a little bit longer. We're
going to make it through this. Wearing this together. You're doing great. Just
hang in there. And if there was ever a time in my life that I needed a friend,
it was at that moment. And there was my buddy, just ever a time in my life that I needed a friend, it was
at that moment. And there was my buddy, just like I saw in that movie, the camaraderie,
those guys sticking together. And I didn't believe him at all. I figured we were really
that we were out of luck. But I said, at least if I'm going down, I'm going down my best
pal. And as I turned to make my way back over the treacherous path one more time, Houston
called up and told us what they had in mind. They wanted me to use that way back over the treacherous path one more time, Houston called up and told us
what they had in mind. They wanted me to use that tape to take the bottom of the handrail
and then see if I could yank it off the telescope. And he said it was going to take about 60
pounds of force for me to do that. And Drew answers the call and he goes, 60 pounds of
force. And they call me Mass, short for my last name. He goes, Mass, I think you've got
that in you. What do you think? And I'm like, you bet, Drew. Let's go get this thing.
And I get back to the telescope and I put my hand on that hander, you know, and the ground coals again.
And they go, well, Drew, you know, you guys are okay to do this, but right now we don't have any downlink for Mike's helmet camera.
I've got these cameras mounted on my helmet so they can see everything I'm doing.
It's kind of like your mom looking over your shoulder when you're doing your homework, you know.
And they go, we don't have any downlink for another three minutes, but we know you're
running late on time here, so if you have to.
And I'm saying, let's do it now while they can't watch.
Because the reason I'm taping this thing is if any debris gets loose, they're going to
get all worried and it's going to be another hour and we'll never fix this thing.
We've been through enough already.
So I'm like, let's do it now while mom and dad aren't home
Let's have the party. So I'm like Drew
I I think we should do it now and he was like go and bam that thing comes right off and
I pull out my power tool and now I've got that access panel with those
117 little bitty screws with their washers and glue and I'm ready to get each one of them and I pull the trigger on my
Power tool and nothing happens
And I look and I see that the battery is dead.
And I turn my head to look at Bueno who's in his space suit again looking at me like
what else can happen today?
I said Drew the battery's dead in this thing I'm going to go back to the air lock and swap
out the battery and I'm going to recharge my oxygen tank because by all this moving around I was getting low on oxygen
and I needed to get the refill and he said go.
And I'm going back over that shuttle and I noticed two things.
One was that treacherous path that I was so scaredy cat sissy pants about going over,
it wasn't scary anymore.
That in the course of those couple hours
of fighting this problem, I had gone up and down
that thing about 20 times.
And my fear had gone away.
Because there was no time to be a scaredy cat,
it was time to get the job done.
And what we were doing was more important than me being worried.
And it was actually kind of fun going
across that little jungle gym that I had back and forth
over the shuttle. And the other thing I noticed is that I had back and forth over the shuttle.
And the other thing I noticed is that I could feel the warmth of the sun.
We were about to come into a day pass, and the light in space, when you're in the sunlight,
is the brightest, whitest, purest light I have ever experienced.
And it brings with it warmth, and I could feel that coming, and I actually started feeling optimistic and sure enough the rest of the spacewalk went well we pulled got all
those screws out new power supply buttoned it up they tried it they turned
it on from the ground it all was working the power supply was working to the
instrument come back to life at the end of that spacewalk after about eight
hours I'm inside the airlock getting things ready for Bueno and I to come back inside. And my commander says,
hey Mass, you know you've got about 15 minutes before Bueno's going to be ready
to come in. Why don't you go outside of the airlock and enjoy the view. So I go
outside and I take my tether and I clip it on a handrail and I let go and I just
look. And the earth from our altitude at Hubble,
we're 350 miles up, we can see the curvature.
We can see the roundness of our home, of our home planet.
And it's the most magnificent thing I've ever seen.
It's like looking into heaven.
It's like paradise.
And I thought to myself, this is the view
that I imagined in that movie theater all
those years ago.
And as I looked at the earth, I also noticed that I could turn my head and I could see
the moon and I could see the stars and I could see the Milky Way galaxy and I could see our
universe and I could turn back and I could see our beautiful planet.
And at that moment, it changed my relationship with the Earth.
Because for me the Earth was always a kind of a safe haven,
you know, where I could go to work or be in my home or take my kids to school.
But I realized it really wasn't that.
It really is its own spaceship and I had always been a space traveler.
And all of us here today even
tonight we're on this spaceship earth amongst all the chaos of the universe
whipping around the Sun and around the Milky Way galaxy. A few days later we get
back our families come to meet us at the airfield and I'm driving home to my house
with my wife and my kids in the back seat.
And she starts telling me of what she was going through during that Sunday that I was spacewalking
and how she could tell listening, watching the NASA television channel how sad I was.
That she detected a sadness in my voice that she had never heard from me before.
And it worried her until she heard me say, for the love of Pete. that she detected a sadness in my voice that she had never heard from me before.
And it worried her until she heard me say,
for the love of Pete.
And once she heard that,
she knew everything was gonna be okay.
It's a line from Little Rascals.
Anyway, so I thought, you know,
I wish I would have known that when I was up there,
because this loneliness that I felt,
really, Carol was thinking about me the whole time. we turned the corner to come down our block and I could see
my neighbors are outside and they decorated my house and his American flags
everywhere and my neighbor across the street is holding a pepperoni pizza and
a six-pack of beer two things that unfortunately we still cannot get in
space and I get out of the car and they're all hugging me.
I'm still in my blue flight suit and they're hugging me
and saying how happy they are to have me back
and how great everything turned out.
And I realized, my friends, they were thinking
about me the whole time.
They were with me too.
The next day we have a return ceremony.
We make these speeches.
These engineers who have worked all these years with us They were with me too. The next day we have a return ceremony. We make these speeches.
These engineers who had worked all these years with us
or trainers, the people that worked in the control center,
they start telling me how they were running around crazy
while I was out there in my little nightmare all alone.
How they got the solution
from the Goddard Space Flight Center in Maryland
and how that team that was working on that Sunday
figured out what to do and they checked it out and they radioed it up to us.
And I realized that at the time when I felt so lonely,
that I felt detached from everyone else, literally,
like I was away from the planet, that really I never was alone.
That my family and my friends and the people I worked with,
the people that I loved, the people that cared loved, and the people that cared about me.
They were with me every step of the way.
Thank you.
Applause
That was Michael Massimino.
Mike is a former NASA astronaut, a Columbia University engineering professor, and New
York Times bestselling author of Spaceman, An Astronaut's Unlikely Journey to Unlock
the Secrets of the Universe, and also Moonshot, a NASA astronaut's guide to achieving the
impossible.
Now, Mike appears regularly on news programs and documentaries and is a much sought-after inspirational speaker. He inspires me because we call
him the Rodney Dangerfield of astronauts because he's always got jokes to tell
and he's a super super funny guy. Up next is Kathy Olken. She told this story at a
Boulder Colorado main stage where the theme of the night was
high anxiety. Here's Kathy live at the Moth.
So it was the 4th of July this past summer and I was really looking forward to a day off.
I had been working super hard for a long time. I was working on NASA's New Horizons mission to Pluto. And there were always something to do.
But I was going to take the 4th of July off.
So I slept in.
I read a little.
Later, I decided to check email.
Never check email on a day off.
There was a message there from the mission operations manager,
Alice Bowman.
My eye immediately went to it.
It said that the spacecraft had gone safe.
That's like the worst possible thing that could happen.
I couldn't believe what I saw in the message.
I'm like, how could this have happened?
It was gonna be a simple day, a day off.
You see, I had been working on this project
for more than a decade.
In 2004, I had relocated my family from California
to Boulder, Colorado to work on this mission.
This was a once in a lifetime opportunity.
I'm an astronomer and I had been spending decades looking at Pluto through ground-based
telescopes and it's just this fuzzy dot.
You can't make out any surface details.
We kept looking through these ground-based telescopes,
even through the Hubble Space Telescope.
It's still just a fuzzy dot, because Pluto is really far away.
So we move.
My husband starts telecommuting for his job.
We move our three-year-old and our five-year-old.
We're here.
We're settled.
All we need to do is build a spacecraft, test it, launch it, and fly it
three billion miles to Pluto. So we did. It worked out. We built a small
spacecraft about the size of a baby grand piano. And we launched it on the largest rocket we could get,
an Atlas V. It's about 20 stories tall.
So you've got a small rocket or small spacecraft, big rocket,
and what you get is the fastest spacecraft ever launched.
It's going at 34,000 miles per hour.
To put that in perspective, when the Apollo astronauts
went to the moon it took over three days. For New Horizons the spacecraft passed
the moon in just nine hours. We were flying. It's an unmanned spacecraft so I
mean that figuratively. There's no one on it. So we've got nine and a half years to go from Earth to Pluto.
So we've got a lot of time on our hands.
We think about what data we're going to collect, how we're going to do it, and we make contingency
plans.
So plans in case something goes wrong.
We considered more than 200 different scenarios. What do we do if this breaks? What do we do if that goes wrong. We considered more than 200 different scenarios.
What do we do if this breaks?
What do we do if that goes wrong?
We had this huge binder full of contingencies.
So I find myself on the 4th of July,
it's just 10 days before our closest approach to Pluto.
You see, we can't stop and orbit Pluto.
We don't have enough fuel to slow ourselves down
because we're going really fast.
So we can't stop.
We just have to go right by and take the best images we can
as we're flying past.
It's a once in a lifetime opportunity.
We have to get it right at this time. And the spacecraft has gone safe. It's
called home, which is basically saying, help me, I'm broken. So I rush over to the Mission
Operations Center. I settle in in the Situation Room. This is a conference room right outside
the Mission Operations Center. You can see the operations people through the window, but they like to keep the scientists
a little separated so we don't get in the way.
So I settle in, I'm sitting with my colleagues, we're starting to get information back, and
interestingly, I'm starting to feel calm.
That sick feeling in the pit of my stomach is relaxing because I've been working with
these people for more than a decade and everyone knows what they need to do. We all know what
our responsibilities are and how to make this work. You see, we have three days to get the
spacecraft back in working order. By July 7th, we have to have it up and ready to start executing
those commands so that when it flies by Pluto, we get the data that
we've been waiting more than a decade for. So we start to get information back,
but it takes a while. It takes the signal four and a half hours to travel from Earth out to the spacecraft.
And then it takes another four and a half hours for it to come back so we can hear what
the spacecraft had to say.
So it's like a really slow conversation.
Imagine you say hi to someone.
Then you go watch three football games.
And you come back and they say hi.
So that's the kind of data rates we were getting.
We start to find out what went wrong.
We had overtaxed the computer on this spacecraft.
Remember, this computer is 10 years old.
My guess is that none of you use a computer that's 10 years old on a daily basis for really
important things.
But we planned for that because we sent two computers.
So we overtaxed the prime computer, and before it crashed, it started up the backup computer and said,
call home.
Okay, good.
It's working, kind of.
So now we're on the backup computer.
We kind of know what went wrong, and we've got a big question in front of us.
Do we try and get back on the prime computer or do we fly through closest approach on our
relatively untested backup computer?
You see, the whole time we've been flying across the solar system, we'd never turned
on the backup computer.
The last time it was on was on the ground when we were testing it a decade ago.
So we make the logical decision to switch over
to the prime computer.
But we're worried, because if we really messed it up,
it may not start.
And we're getting short on time.
We've been in the situation room for three days.
People are taking naps in the conference room.
There are pizza.
Many orders of pizza are coming in, being
eaten, so we don't have a lot of time left.
We send up the commands to switch over back to the prime computer.
And then we wait.
And we wait nine hours.
I find myself nine hours later back in the situation room looking
through the glass window with operations people hoping this works. When I see
people start cheering and erupting and cheers and excited and I hear Alice
Bowman's voice over the intercom, we are back on the prime computer. Everybody
was so elated. I let out this huge sigh of relief.
I didn't even realize I had been holding my breath.
It was amazing.
We managed to get the spacecraft back in working order.
Everything was going right, and we had four hours to spare.
It was outstanding. We start going back to our main sequence and we start getting
data. It was absolutely stunning. Views of Pluto like we had never seen before. I couldn't
believe the beauty and the details that were awaiting us at Pluto.
We would have never expected the unusual terrain we've seen.
We saw a heart-shaped glacier made out of nitrogen
and carbon monoxide ices.
At the edge of the glacier, there's huge mountains,
mountains as tall as the Rocky Mountains,
made out of water ice.
Pluto has a large moon named Charon, Mountains as tall as the Rocky Mountains, made out of water ice.
Pluto has a large moon named Charon, and on that moon, there's a deep canyon, deeper than the Grand Canyon. All of these wonders awaited us.
As I had previously looked at Pluto through our ground-based telescopes, they were there, and I just couldn't see it. It was miraculous. We had accomplished
our objective of transforming Pluto from a fuzzy point of light to a complex, rich geologic
world. Thank you. That was Kathy Olken.
Kathy is Vice President, Infrared Missions and Data at Mooion Space in Mountain View,
California.
She is the mission scientist for a satellite system to detect and monitor wildfires across
the globe.
Previously her research focused on the outer solar system, specifically
planetary atmospheres and surfaces. She also mentors the next generation of
engineers and scientists through programs like FIRST Robotics. And if
you'd like to see the amazing photos that we have of Pluto now, thanks to Kathy
and her team, we'll have links to them on our website.
Just go to themoth.org slash extras.
It's absolutely extraordinary the leap from our blurry photos from the 90s to these high
definition pictures that we have now.
One of the coolest things about space exploration is getting to share what we learn with everyone
on Earth.
It's so easy to think of these huge projects, whether they're landing on the moon or Mars,
or taking crystal clear photos of Pluto as impossible.
But we want to show that these are doable, that they are in fact mission possible.
These young engineers and scientists can dream big, become explorers, and accomplish the
previously unimagined.
And it's educators, engineers, and scientists like Cathy and Mike who help spark that curiosity.
The final story we'll be sharing is from, well, it's from me.
I told this story at an Austin main stage where the theme of the night was Leap of Faith.
Here I am live at the Moth.
I was peering into a 30-foot deep, 5 million gallon pool.
I was a NASCAN.
That's NASA speak for astronaut candidate.
And I wanted to see if I had the right stuff.
We were training to do a space walk in this five million gallon pool.
And I was in this suit that looked like a cross between the Pillsbury Doughboy and a
Michelin man with a helmet on.
They start lowering me down into the pool.
I get to about 20 feet.
And I realize that this little styrofoam block that cost about $2 that's in my helmet is
not there.
That's used if you're the kind of person that needs to squeeze your nose to clear your ears.
Well, you can't reach your hand in the helmet, so you press your nose against this to clear
your ears.
The technician forgot to put mine in.
At 20 feet, I tell the test director
to turn the volume up in the headset.
From that point on, I hear nothing but static,
like, kchh, and white noise.
They start raising me out of the pool.
And I look at the connection to the pool deck, which is the the yellow cable and I think maybe that cable is actually kinked and they're gonna fix it when they bring me up
to the top of the pool deck I
Get up there. They take my helmet off
the doctor rich McCulloch he starts walking towards me and
He's just moving his lips and I'm thinking, why is this
guy playing with me? And he gets to me and he touches my right ear and he
pulls his finger back and there's a river of blood just starts coursing down
the side of my face. At that point I realized that something's kind of wrong,
right? And as a scientist and an engineer,
there's usually a very simple solution to problems.
And so we just have to figure out what it is and fix it.
They take me to the showers,
and my head starts to violently turn.
I fall to the ground, and I violently throw up. They
rush me to the hospital, the Houston Medical Center, and they do a battery of tests. And
the next thing I know, I'm rushed into the OR and the world renowned surgeons are now
going inside my head, into my ear to look to see if there's anything that
they can see that caused this problem. As I wake up from the anesthesia I see
three doctors faces that don't look good at all. They couldn't figure out what
happened to me. I'm laying in the hospital bed and the only way I can
communicate with the outside world is through
these yellow legal pads. I can still talk but I can't hear anything and I get these
notes written to me and at one point there's a note that says, you will never fly in space.
One of the yellow legal pad notes comes to me from a friend and it says,
remember what Jeanette said.
And I'm thinking about this note.
And if you back up four days before this accident,
I was in Virginia and this woman sought me out to tell me that something was going to happen to me.
No one's going to know why this happened.
You'll be healed of this.
You will fly in space and you'll share this story with the world.
I'm like, okay, thank you. So at this point in the hospital, that note is the only hope I have to hold on to.
I get released from the hospital at about the three-week point, and I'm still severely
hearing impaired in my left ear.
But now I can start hearing things.
As I lay in my bed at home in Houston, Texas, and the air conditioner handler kicks on,
I have earplugs in and noise-canceling headsets
because my brain is starting to rewire itself to hear again.
It feels like ice picks are going to the side of my head.
My hearing gets better, and I'm functional,
I can talk to people, I kind of hear what they're saying.
And NASA's trying to figure out what to do with me.
They don't want to release me.
They are trying to find a job that I can do that doesn't require diving or flying
or doing something that requires hearing because I'm truly medically disqualified by NASA standards.
So they put me in the robotics branch, which is basically playing a big video game where
you have hand controllers, you have a monitor, and you can like run the robotic arm into
the space station, but it doesn't hurt anything.
You know, you can just fly it around like a video game.
And then they asked me, since my parents were both educators, they asked me, do you want
to go to Washington to work in this new program called the Educator Astronaut Program?
And I agree. And I fly to Washington.
In this program, we're trying to inspire children to nominate their teachers to become astronauts.
And I have to tell them that it's a round trip, not a one-way trip for your teacher.
So you're not getting rid of your teacher.
They're coming back home. And so we're doing this program and Space Shuttle Columbia is launching off
to the cosmos and I'm there in DC we're kicking off this program and I decide to
drive from Washington DC to Lynch, Virginia on Highway 66.
And my boss, who is new to education, new to NASA, she says,
what does it mean when the countdown clock for the Columbia is now starting to count up?
I knew at that point that something was seriously wrong.
And I did an illegal U-turn on 66.
I started back to the headquarters
and I turned the radio on
and there were eyewitness accounts
of large pieces of debris falling over the West Texas sky,
looking like a meteor shower.
And I got to headquarters and they dispatched me
to David Brown who was one of the mission specialists.
I went to their parents' home that was outside of DC
in Washington, Virginia.
And when things like this happen, we go into this mode
where we take care of our friends and our family.
And I get to the home and I knock on the door and I go in and David's mother, Dottie, is
there and I hug her because I'm there to console them.
I hug her and we both start crying.
I make my way over in the living room to David's father, Judge Brown, who's in a wheelchair.
And I reached down to hug him and he looks up at me with the same sparkling blue eyes
as David and he says to me with tears in his eyes, he says, my son is gone.
There is nothing you can do to bring him back.
But the biggest tragedy would be
if we don't continue to find space to honor their legacy.
He's already thinking about the legacy of a son.
And I'm medically disqualified,
and I'm trying to figure out
how I will fly to honor that legacy.
I am torn.
I'm trying to figure out what I will do.
A few days later, we fly in the NASA jet to the different memorial services. We take off and we land and I
noticed to my right there's a person sitting next to me on every flight taking
notes. His name is Rich Williams and as I descend in the airplane, I squeeze my nose and I clear my ears like I usually
do, even though I don't have any hearing in my left ear.
And when we go to the services and I'm trying to figure out what my next steps are, because
this education program is over, so I'm ready to transition back to Houston to figure out
what I'm going to do as a semi-deaf astronaut.
And Rich Williams calls me in his office and he says,
Leland, I've been watching you. I believe in you. Here's a waiver for you to fly in space.
And so I fly back to Houston, I go to flight medicine, and I wave this waiver like, you know,
I got some ice cream, I got some.
And I hand it to the flight docs,
and I soon get assigned to a mission in 2005.
As I'm sitting there, three and a half hours before launch,
I'm thinking about David's legacy. Three, two, one, liftoff. Space shuttle
Atlantis is now careening to the cosmos. We're shaking, we're rattling. The screens are pretty
much unusable because our heads are moving so fast from the buildup of Gs. The solid
rocket boosters get jettisoned
after two and a half minutes and the shuttle is turning.
And six and a half minutes later,
we are now floating in space.
I undo my five point NASA certified seat belt
and float over to the window.
And we're currently flying over the Caribbean Ocean.
And I almost need new definitions of blue
to describe the hues that I see.
I exhaust my vocabulary with Azure, Indigo, Turquoise,
Cerulean, Navy Blue, light Navy Blue, dark Navy Blue.
I'm trying to figure out ways to describe these colors.
And I need about 20 more definitions to do that.
My job is now to install the Columbus Laboratory, which is the $2 billion tinkertoy piece of
hardware that goes on to the space station.
I use my robotic skills to safely install it.
And next, the commander of the space station invites us over to break bread.
She says, you guys bring the rehydrated vegetables, we'll have the meat.
And so we float over with this bag of vegetables and we get to the Zarya service module.
It's like someone's home.
You can smell the beef and barley cooking.
You were watching the planet go by at 17,500 miles per hour,
going around the planet every 90 minutes,
seeing a sunrise and a sunset every 45,
breaking bread with people we used to fight against.
The Russians and Germans
are on this mission and it's like a Benetton commercial. African-American,
Asian-American, French, German, Russian, the first female commander sharing a meal
by floating food to each other's mouths all while listening to Sade's, smooth operator. This is the moment,
this is the surreal moment
where I have this cognitive shift.
I get this thing called the
overview effect or the orbital perspective
and I look out the window
we were flying over Virginia, my hometown
and my family's probably breaking bread down there
and five minutes later we're over in Paris where Leo Ihart's family's breaking bread
and Yuri's looking off to Russia. This is the moment.
The moment that changes me.
I remember what Jeanette said.
I remember what David Brown's father said.
We honored their legacy.
Thank you.
Well, everyone, that's it for this episode.
Now, from all of us here at the Moth, we hope your next week is... okay guys, I was told
let's say this, I'm not this cheesy... I hope your next week is out of this world. Leland Melvin is
an ex-professional football player, a chemist, engineer, educator, and the author of Chasing
Space, an astronaut's story of grit, grace, and second chances. He's traveled off-planet twice on
Space Shuttle Atlantis to help build the International Space Station
and now shares his life story to help inspire
the next generation of explorers to pursue steam careers.
This episode of the Moth podcast was produced
by Sarah Austin-Giness, Sarah Jane Johnson,
and me, Mark Salinger.
The rest of the Moth's leadership team
includes Sarah Haberman, Christina Norman,
Jennifer Hickson, Meg Bowles, Kate Tellers, Marina Glucce, Suzanne Rust, Brandon Grant Walker,
Leanne Gulley, and Aldi Casa.
The Moth would like to thank its supporters and listeners.
Stories like these are made possible by community giving.
If you're not already a member, please consider becoming one or making a one-time donation
today at themoth.org slash give back.
All Moth stories are true as remembered by the
storytellers. For more about our podcast, information on pitching your own story,
and everything else, go to our website, themoth.org. The Moth Podcast is presented by PRX,
the public radio exchange, helping make public radio more public at PRX.org.