The Moth - The Moth Radio Hour: Relative Silence
Episode Date: October 12, 2021In this episode, the truths we keep from our family, and the lies we tell for them. Sibling mayhem, multigenerational secrets, and a surprise while watching CBS. This hour is hosted by Jay Al...lison of Atlantic Public Media, producer of The Moth Radio Hour. Storytellers: Anagha Mahajan, Okeoma Erojikwe, Angela Derecas Taylor, Graham Shelby
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the moth.org forward slash Houston.
From PRX, this is the Moth Radio Hour.
I'm Jay Allison, producer of this show.
In this episode, family secrets from dark pasts to childhood pranks, stories from Nigeria,
India, Greece, and the U.S. all about the truths that combined kin together or the truths
we keep even from our own blood.
Our first story is from Anaga Mahajan. Anaga told this story at one of our
open-mike slams in Chicago where we partner with Public Radio Station WBZ.
Here's Anaga.
So my grandfather is the biggest miser that I have ever known in my entire life.
Don't get me wrong, he's a good guy and I love him, but that was after I really got
to know him, but up until my early years, I thought he was quite the penny-pincher to put
it nicely.
So my brother Anand and I, we are two years apart,
we both spend most of our childhood with our grandparents
because my father had a transferable job,
and they made the wise parenting decision
of just dropping us off at our grandparents' place.
So my grandparents lived in this small town,
almost a village in India, in the state of Maharashtra called
Chikli. So it was a little village where my grandfather was a lawyer. He was well respected,
well feared as well. And his father before him was also a lawyer and a landlord. So all
that put together, ours was well educated and pretty well to do family in the otherwise poor
and not so well to do neighborhood.
So my brother and I grew up in a neighborhood
filled with lots of kids, and all the kids
were scared of my grandfather as was everybody else.
Now, I say my grandfather was a miser
because I noticed a lot of things about him growing up
when I was 10 or 12. One peculiar thing he used to do was he used to turn off the main power supply
to our house before he left to work before he went to court. Why do you need electricity
in the day he would say? Read a book and he would turn it back on. Only after he was back and after he was dark.
And still, we would just turn on little lights like that
and never like the big tube lights what we had in our house.
This was all right during the school year,
but it was particularly difficult in the summer vacation
when all of us were home for three months straight.
And this was one particular summer when I was 10.
My brother was 12.
And it was also very hot in the part of the country
where we grew up.
So it could be like 120 degrees on some days.
So it was not possible for us to play outside all the time.
And without electricity, we had to come up with very innovative ways
to keep ourselves busy.
And one way was the kids these days may not know, but it was to play outside.
We used to play outside, but like I said, sometimes there was this fear of getting burned
because of the sun.
So we had to play inside.
And we had this big house built by the British back in the day, it's 100-year-old.
So our house has this large lobby right outside rectangular.
So the kids, our friends and my brother and I came up with this novel game, it was called Indoor Cricket.
So just like cricket, which is just like baseball, not really.
like cricket which is just like baseball not really. So we came up with this like really intricate game where you know there was a picture of the batsman there was a no the picture
is the baller idea. So there was a baller there's a batsman and things like that we came up
with really detailed rules like you know you couldn't do over I'm bowling you had to
do only under I'm you could be out even if it is one toss catch. You could score certain runs when it's the wall,
when it hit something else.
So it was a very intricate game.
One afternoon, we were playing this game
and I was batting whatever it's called in baseball terms.
And I was feeling particularly heroic that afternoon.
And when my friend pitched it under arm,
I swung my bat and the moment it hit the bat,
fuck, and I realized.
And I realized something's gonna go wrong.
The ball just went in top speed and I could see,
I still remember, I see the ball flying away
and it went straight for the wall in front of me
and there was a tube light on the wall up
and it just hit it right in the center and splat.
The tube light just broke into like millions of pieces
and came, just get shattering down.
And that was that, we were just panicking
and we were all frozen in our feet.
One of my friends, he was so scared that he ran away
and we never saw him for rest of the summer.
But my brother and I, we had to do something
because the whole indoor cricket worked like a clockwork only
because we knew that my grandfather left at 10 a.m.
in the morning and he was back at 4 p.m. in the afternoon.
So we had to get order in that particular room
we cooked before four.
So we put on our best problem solving hat
and we cleaned the mess right there.
And then we wanted to find out what to do about the tube light.
We couldn't buy a new one.
We didn't have the resources to go get one,
not the money, obviously, because he never gave us anything.
But then it struck
in that moment that because we grew up in this household where head of household is my
grandfather, Azoba as we called him, we never threw away anything even if it didn't work,
we always kept it. So I knew there were some tube lights lying around in the house. I quickly
grabbed one, so it didn't work,
but it wasn't broken.
So we put it back up into the slot wherever
the now broken tube light was, and we put it there,
and we were very confident that we wouldn't be caught
because my grandfather never turns on the tube light
in the night.
So he came back, he saw the tube light,
he didn't find anything fishy
that day went by, three months went by. And the tubelight never got turned on. One night,
he was reluctant, it was winter, so he had to turn it on. And I was right there and he
goes like, what happened to the tubelight? But I was ready. For three months, I have been
practicing when this moment comes
What I'm gonna do so he goes like what happened and I just put my best practice shrug and I go like I don't know
And that was that so that you like got replaced and
You know it was never spoken of again
It's been years since that incident, my grandfather passed away. And I was back in the house, few years after that,
I was sitting in the same lobby,
and very fondly was looking at the slot
where the broken tube light was.
I remember my grandfather very fondly at that time,
and I realized that I've been sitting in a very lowly
room, that tube light was still not on.
And in that moment, I realized that I've been sitting in a very lowly room, that you blight was still not on. And in that moment, I realize that I am my maizha grandfather now.
Thank you.
Thank you.
Thank you.
Thank you.
That was Anaga Mahajan.
Anaga was born and raised in a small town in India.
She lives in California now with her husband, her baby,
Ogi, and their Akita, Radley. She lives in California now with her husband, her baby, Ogi, and their
Akita, Radley. She loves telling stories about growing up in the 90s in India. She said
this story in particular is a favorite of hers and her brothers. We asked Anaga in what
ways she's like her miserly grandfather and she said in so many ways. The most reliable
of which is her making her husband get up from the dinner table when he forgets to switch off the lights upstairs.
Hanaga also tells us that in his later years her grandfather became a big softy and that they were friends.
Although he never found out about the light, she imagines that if he did, he would have enjoyed knowing and done his best to absolve Onaga and her brother of the crime.
Our next story is from Okoma, Eroji Kueh.
In the fall of 2020 when the world was collectively quarantined by the pandemic, the moth brought people
together virtually for a global community showcase.
People from around the world tuned in over Zoom to hear stories celebrating women and girls.
The audio will sound a little different than our usual live audience because the
tellers who are not on stage, they were sharing from their homes and with no
clapping at the end, we encourage you to give Okiyoma a hand when she's done.
Here she is live from her living room in Abuja Nigeria.
My grandma and my grandpa were such a beautiful couple.
They are home in the rural part of Eastern Nigeria, held phone memories for me as a child.
Their home was the spot where I and the other my cousins, I mean,
would gather over Christmas and long vacation to spend our holidays.
It was really fun. I remember how we could dance and jump the stairs
and have so much fun. Shouting, I know whatever told us to keep quiet.
The highlights of my vacation
would be remembering how we sat around my granddad
as he told us stories about the animal kingdom
and how the totters was the wisest of all animals.
And my grand mom, on the other hand, loved cooking
and would always prepare special delicacies
of our traditional meal and several, several sessions.
My grandma was a lovely person.
She loved having people around her and I loved her personality.
We were part close.
She taught me most of the important things I knew today.
Tought me to cook, taught me to clean, taught me
like values, taught me to always stand by the truth
and speak the truth at all times, to be kind
and to be patient as well.
Then when I turned 16, my granddad had a fall
on our famous place there, and he broke a limb.
He was transferred from the village where he was to the town where I stayed with my parents,
I stayed with my parents to receive better health care. My grandmom had visited this
study a couple of times to check on him and perhaps wish to come home early and went back to kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kum alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, kumun alian, k and the entire family. He had called me. My dad had called me and said, I should go stay with my grandma
to keep our company for some time.
And I was delighted to do so.
She was my friend, so I looked forward to that.
But then my dad told me that the custom,
the part of the country where I come from,
that my grandma is not meant to hear about my grandfather's
death until certain elders and relatives
are gathered to kind of give a comfort before this news gets to her.
And he emphasized that I should make sure my grandma doesn't have a hint of what happened
and I agreed on this. A few days later I traveled to see my grandma and she was
quite delighted to see me asking me how everybody was, how the husband was, how my siblings
were and I quickly told everyone was fine. We had a lovely meal that day and we talked deep into the night. It was later that night when I had retired to my bedroom
that I realized the normity of the task ahead of me. It meant I was going to keep
vital information from someone that was so close to me and so dear to me.
I had to deal with this. This later I went shopping with my grandma, did our chores, iutakatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatatat I was in a bathroom, I couldn't start conflict with myself. And I kept thinking, why would my dad tell me to not tell my grandma?
And I remember, I had promised to keep it to myself then.
I'm like, how would she even react when she knows how expand this debt?
I mean, we continued this way.
Even got worse, when I want money. My grandma weeks off and tells me,
oh, O'Koma, I had a horrible dream last night.
And I'm like, what happened?
And he said something terrible.
I happened to your grandpa.
And he said, no, mama, he's fine.
Grandpa is fine.
I have light to that.
I have light to someone that taught me
the value of speaking the truth at all times.
Then shortly after that, we had
woken up one morning to the sound of cars
coming into the house.
And we quickly went to receive, I mean, no, what happened.
And we met my parents and some other elders.
And my grandma welcomed them, yes,
but I mean, she was quite apprehensive. And wondered why they would come so early in the elders. And my grandma welcomed them, yes, but I mean, she was quite apprehensive. And one
that why do come so early in the morning. And in the midst of it all, I noticed the women were going
around her trying to comfort, you know, just stay around her, then the men walked in or sat down,
then she was just looking around and someone said to her that my grandfather had died. kemme mwaktein o sat down kemme mwaktein o sat down
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And in that moment I was frozen
and I felt like my world came crashing on me.
I sneaked away shaking into the room.
I didn't share this with anyone.
I read that we drew myself from her.
I avoided everywhere she was.
I didn't bother trying to do things like we did before.
I mean, there were moments where she sent me on errands like
Cocoa Boy.
It wasn't the same anymore.
And this went on for some time.
Then, at some point, I realized I was missing a great part of my grandma.
I was missing the home I found in her.
It was a part, yes, but I'm someone that shared and understood my world.
So, I decided to have a conversation with her.
I decided to just say something, perhaps she would open up a conversation and I could
apologize because I felt so guilty I had done something so wrong. But when I spoke to her,
it was amazing. Nothing had changed. She was a normal one-self, she was happy, she was quick to tell me
all come let's cook, all come to my side and I'm, what really happened? Was it that it wasn't that serious?
Or was it that it was all in my head?
Or is it that time had healed out
that disappointment she felt with me?
But then I was glad I confronted this fear.
I was glad I was able to gain so many more years of
friendship we have and I was happy we didn't allow we
custom to come between what we held so dear
and I realized in all this, that in confronting our fears and facing our truth
we find this. Thank you.
That was Okiyama Erojikwe.
She grew up in Ensuka,
a small but beautiful university town
in the eastern part of Nigeria.
She was the fourth child and the first girl
in a close-knit family of seven.
She says the kids and her family
always spent their summer vacations with their grandparents in the countryside, which is how
she formed the strong bond she had with her grandmother. Okiama told us that
keeping the death of a loved one for so long from her grandmother had untold
effects on her as a child and that although she doesn't believe in keeping such
information for so long from the spouse, the one part of the culture that she effects on her as a child, and that although she doesn't believe in keeping such information
for so long from the spouse, the one part of the culture that she embraces is that it
allows the bereave to come together to mourn at the time the news is delivered.
She says the relative's gathering gives a sense of community comfort and cohesion during
the morning period.
To see photos of Vokeoma and her grandmother, you can visit our website, themoth.org.
When we return, a 12-year-old girl is sworn to secrecy by family members.
The Malthradio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts,
and presented by PRX.
This is the Moth Radio Hour from PRX.
I'm Jay Allison.
We're exploring stories about the mysteries in families from all around the world.
The next secret has its roots in Greece and spans not only continents, but generations.
Angela Durekis Taylor told this story
in Greenwood Cemetery in Brooklyn, New York
where we were presented by the Greenwood Historic Fund.
The show took place amid the historical graves
and the small live audience was socially distanced
because of the venue you may hear some city noises,
including sirens, which will give you a feeling
of various amelitude, perhaps helping you picture
a warm September evening in the grass at Greenwood.
A quick caution that this story contains
graphic descriptions of violence.
Here's Angela.
I never knew my Greek grandmother, a person I would have called
Yaya, because she got very sick and died when my dad was only five years old. He didn't
remember anything about her, and there were no photos, no mementos. So I just didn't know anything except that her name was Maria,
which was my middle name.
But other than that, no one ever talked about her.
It was almost like she didn't exist.
I didn't know my grandfather, though.
A man I called Pop-Who, and I loved him very much.
My dad used to tell me stories about how he came from Greece
in the early 1900s and how he worked really hard
and tried to make a better life,
but things didn't work out for Papu.
And by the time I was born in 1961,
Papu was a sickly old man living by himself
in a tenement apartment in the South Bronx.
My dad used to bring me to visit him all the time,
and I loved to go and visit him because he made my favorite dish,
chicken rice pilaf.
And I can picture it now as a little girl sitting on his lap
and eating that warm, creamy rice with a little bit of that cool,
strained yogurt on top.
And he'd bounce me on his knee, and he pat me on my head, and he'd tell me I was
kolokoritsi, a good girl.
And I love that man very much.
Papu died when I was 12, and the funeral was terrible.
The Greek tradition is that the casket is open during the mass.
And at the end of the mass, you're supposed to go up and kiss the body
and say goodbye. I had never seen a dead body before,
and I really did not want to go up and do that.
But my dad took my hand, and we went up together
to the coffin, and we said goodbye to Papu.
And when we got home from the funeral,
my dad told me that he needed to tell me something
about our family, but that what he was going to tell me
was a secret, and that I could never tell anyone.
And then he told me the truth about the way his mother had died.
The truth was that she didn't get sick and die when he was five years old.
The truth was that my grandfather killed my grandmother.
Supposed she had a boyfriend, they had an argument, they were in the kitchen, my grandfather went
crazy, he picked up a knife, and he stabbed her to death.
And after my dad told me this, I was in shock.
I couldn't believe what I was hearing.
I mean, who wants to hear that?
Your grandfather killed your grandmother.
I didn't know what to do, I didn't know what to say.
I was like, why isn't he in prison?
Why didn't you never go to prison?
And my dad said, well, he did go to prison for a little while.
And then my dad got all teary.
And then I felt so bad, I loved my dad too.
I didn't want to upset him.
So I just gave him a hug and promised
him that I would keep the family secret.
And I did a pretty good job keeping the secret for most of my life.
I mean, there were a few times in my crazy years,
one of those 4 a.m. drunken, stupid,
bet you can't top this story kind of times,
but other than that, I kept the secret,
I put it out of my mind, I buried it.
Several years after the funeral, my aunt, my dad's sister,
went to Greece.
She had found her mother's family.
And when she came back from that trip,
she brought a single photograph.
It was a black and white 8x10 studio portrait.
And it was the first time that I have it ever seen
what my grandmother looked like. And after my dad showed me the picture, he took it and he put it back in a manila envelope
and stuck it in a drawer. And I was thinking, gee, why didn't he frame it and put it up on
the family picture wall? And then I realized that it was still a secret, that she was still a secret. So life goes on.
I am married.
I am middle-aged.
I've got two kids of my own.
I'm sitting on the computer, and I'm Googling my last name.
And up pops this article.
And the headline says, kills wife, tries suicide.
It was in the New York Times.
It was dated February 8, 1935, tries suicide. It was in the New York Times, it was dated February 8,
1935, teeny tiny. So I start to read this article and it says, in a jealous rage, Peter
Durekis stabbed his wife. Peter Durekis, that's my grandfather, that's Papu. And then
my grandmother's named and my dad is named and my aunt is named and after I read this article I'm like wow this really happened she really existed these are my people and suddenly my life
long secret became an obsession I just wanted to know everything that I possibly could
about my grandmother. I tried to talk to my dad and he was not happy he was like look you
know this is a secret I don't want to talk about this you and he was not happy. He was like, look, you know, this is a secret.
I don't wanna talk about this.
You know how upsetting this is.
He's like, please, don't resurrect my mother.
So on my own, I decided to do some research.
I found her death certificate,
and I also found some court documents.
And when I read these documents,
I learned that my grandmother had been stabbed 43 times
in her hands, neck, arms, chest, and back.
And after I read this, I was in shock again.
My grandfather, he actually was convicted of first degree
manslaughter and served only three and a half years in prison
before he was paroled.
I found that pretty unbelievable.
How someone could stab someone 43 times and only go to prison
for three and a half years.
But I thought, well, I don't know, maybe in 1935,
if you thought your wife had a boyfriend, it was okay to kill her.
And then I thought, well, things have changed for women, but maybe not that much.
And I started to get this visceral anger towards my once beloved grandfather.
And at the same time, I felt this abundance of love in my heart for my grandmother,
for this person that I never knew.
And I wanted to do, know everything about. And I wanted to know everything about her.
I wanted to go to Greece.
I wanted to visit her grave.
And so I spoke to my aunt and my aunt told me
that my grandmother's body never made it back to Greece.
In fact, she was buried in an unmarked grave
in a cemetery in Queens.
So I went to the cemetery to find her grave,
and I'm following the groundskeeper,
and we're driving through a very beautiful cemetery like this, and I'm following the groundskeeper and we're
driving through a very beautiful cemetery like this and I'm thinking, all right, not so
bad, beautiful place.
And then we approached this area called the hillside and it got really dingy and desolate.
And the next thing I know we're out of the car and I'm following this man and he points
this headstone and he says, okay, this is, you know, this is where she is.
And I'm like, no, no, no.
There is no headstone, it's unmarked,
that's a man's name, this can't be it.
And he explains to me that in this particular area,
the bodies are buried six people, one on top of the other,
and my grandmother is at the very bottom.
And this man's name on the headstone
is the body on top of hers,
and then there are four other unnamed bodies on top of that.
And I just felt so sad, like, how could somebody live their life, and then there be nothing
to ever show that they ever existed?
And my knees buckled, and I got down, and I had my hands on the earth, and I don't know
what I was doing.
I was trying to get close to her, to feel her, to, you know, I wanted to, it capped her
exhumed, right, and give her a proper burial. And
after 75 years, there was nothing to exume. So I talked to
the cemetery people and I'm like, look, I'd like to get her a
headstone. Can I do that? They're like, you can, but you got to
put that man's name on it too. I'm like, fine, put everybody's
name on it. So, so I get permission and I go home and I'm
really feeling good.
I'm like, okay, this is good.
We're going to give my grandmother her rightful place in our family again.
We're going to get her a headstone.
We can go visit.
And I felt good about it.
Then I get there and I'm doing some posting on my social media and I talk to my family
and they were not happy.
I really didn't expect the backlash that I was going to get.
I had cousins, my aunts, kids, most, not all of them,
but some of them, like, really angry and talking about me
behind my back and saying I was trying
to do something for my own personal gain,
exploit the family.
And then I get this Facebook message from some 24-year-old guy
in Greece who I don't know,
telling me that he's my fourth cousin.
And he starts telling me that, I don't know the truth, and my grandfather was a really
good man, and she was bad, she was loose, she dissonnet the family, and he warned her,
and he told her to stop, and she didn't listen, and he just did what he had to do.
And I should just just you know,
forgive him.
And I was like, forgive him.
I don't know, you know, from what I knew from my dad, my grandfather never expressed any
remorse at all.
As a matter of fact, he said she deserved it.
And I was like, here's this poor woman, 29 years old. Imagine the terror fighting
off her husband stabbing her. I mean, what about two little kids, a five-year-old boy and
a six-year-old girl, my dad and my aunt losing their mother? And I was like, forgive him.
What about her? You know, can we forgive her? I don't care what she did. And I questioned
the whole boyfriend thing, but whatever. I don't care what she did, and I questioned the whole boyfriend thing, but whatever.
I don't care what she did.
She didn't deserve that.
Nobody deserves that.
And I was like, you know what?
I don't care what you people say.
I just was going to go on and do my own thing, except for my dad.
I did care about what my dad had to say.
And he was really upset.
And he's, look, Angela, he said,
this is not your story to tell. This is very personal. This is my story. You don't
know what it was like growing up without a mom. It's really not your place.
Leave it alone. And I said, dad, I understand and I feel what you're saying, but it is my story.
That was my grandmother too.
She was killed at 29 years old.
If she had lived, I would have known her.
I would have had a relationship with her.
I said, I just want to give her her rightful place in our family.
And after that, my dad gave his blessing.
And he and my aunt were actually very helpful
in getting the headstone made.
And on a beautiful day in May of 2010,
a dozen of us family members gathered around
a brand new headstone with my grandmother's name on it.
We represented four generations of my grandmother's descendants.
My aunt, who was 81 at the time, she brought seashells, and she scattered them around the
headstone, just like she might have done as that little six-year-old girl.
My dad was 80.
He brought that photograph, which he had had framed, and he put it on an easel next to
the headstone.
My cousins who were there brought flowers and red poems.
My sons, my older son, held the music while my younger son played amazing grace on the
saxophone.
And some people thought it wasn't wise to have an 11-12-year-old boy involved in all
this, but I did.
I thought it was important for my boys to know that what happened in our family was not
okay.
And I also wanted to alleviate them of the burden of this 75-year family secret.
And after our family did all their things, Father Nick started with the incense and going
around the headstone and he was chanting and praying in Greek and it was beautiful. It
was intoxicating. And my dad took my hand and he leaned over and he whispered, thank
you daughter. Now I don't have to feel shame anymore.
And I felt my grandmother's spirit all around us.
I felt like she was bursting out of the bottom of that grave
and just free from this 75-year secret.
And I felt all of her love all around us.
And I looked at my dad and my aunt,
so happy that they could say goodbye to their mother.
And then I looked at the headstone.
And my dad said to me, you're a good girl, Angela.
Collocorizzi, your grandmother would be proud of you.
And I don't know if that was true, but what I did know that on that day, I wasn't saying
goodbye to my grandmother.
I was just getting to know, myaya, this woman, Maria Anastasiu DeReccas.
Andjola Direcas Taylor is an award-winning writer and performer. She says that in the beginning
her father only acquiesced to what he called her demands, but that he was touched at the
memorial and seemed to find peace. She says in the 11 years since he has gone back and
forth between emotions, sometimes upset that Angela is talking about the family secret and
at others thanking her for being a good granddaughter.
She told us she now thinks her grandmother most likely had no one she could turn to for
help.
Her family was back home in Greece and domestic violence wasn't acknowledged.
Learning more about her grandmother and this long-held family secret inspired angel to become an advocate with an organization called My Sisters Place that helps victims of domestic violence.
She wonders if there had been an organization like this around, back in the 30s,
perhaps things would have turned out differently for her grandmother.
If you are experiencing domestic violence, you can get help. The domestic violence
helpline is available 24-7 at the hotline.org or 1-800-799-safe.
By the way, Angela sent us this story via the Moth pitchline. And if she's
inspired you to pitch us a story of your own you can record it right on our website or call 877-799-Malph. You may be contacted to
tell a story of your own.
Coming up discovering family histories with the help of Dan Rather and the CBS evening
news. The Moth Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts,
and presented by PRX.
You're listening to The Moth Radio Hour, and I'm Jay Allison, producer of this show.
Our last story in this episode, exploring the secrets that families keep from others or
each other comes from Graham Shelby.
Graham told this story in New York City where we partnered with POV.
Here's Graham Shelby.
When I was a kid, I loved TV.
I really loved TV.
I was an only child and other children
kind of made me nervous.
And the people I trusted most tended to be on TV.
And I especially enjoyed detective shows,
like the Rockford Files, and Murtoshi wrote,
and Magnum PI, because they were so smart.
You know, you'd start off with a mystery
and then it'd be some suspense and drama,
and then at the end, they'd worked it all out.
It was great.
Life was pretty suspense free,
but there was this one mystery I wanted to solve.
It was my father.
I'd never met him.
I didn't know where he was. I didn't really know what
had happened to him. I grew up with my mom and my stepfather. He was the one who
peaked me up at kindergarten and grounded me sometimes and you know taught me
how to tell a joke and catch up with balls, stuff like that. But I was always
curious about this other father I had, especially because nobody wanted
to talk about him.
Now, over the years, I had put together a few pieces of information I'd asked or overheard.
I knew his name was Jimmy.
I knew he was tall.
I knew he liked barbecue.
And I knew that when he would get really tickled about something, he would fall on the ground
and let grab himself and kick his feet in the air.
And I knew that because apparently I did that too.
And I also knew that he had been a green beret in Vietnam.
And when I was still a baby, my mom left him, took me, and we didn't come back.
And at some point, after she remarried, Jimmy signed some papers so that my stepfather could adopt me.
But I wanted to know why all that had happened.
And it was hard to get a straight answer out of anybody.
And so I kind of did what the TV detectives did,
which is take the facts you have,
and then try to come up with a story that explains them.
And so I just went to my mom one day and said,
Mom, was it you me a bad guy?
And she said, what do you mean?
I said, well, we'll see you bad guy.
Was he mean?
Was that why we left? And she said,, well, let's see, a bad guy. Was he mean? Was that why we left?
And she said, no, no, he wasn't a bad guy.
He was just messed up by the war.
And that was all she really said.
And I was like, what does that mean?
Why would the war make it so he couldn't be my dad?
And I was secretly mad at all of them.
I was mad at Jimmy for screwing up whatever he'd done
to make my mom wanna leave him.
And I was secretly mad at my parents
for not leveling with me about what was going on.
And I didn't know how I was ever gonna get any answers
until I was 12?
And that's when Jimmy showed up.
But he didn't show up in person.
He showed up on TV.
Apparently how it all happened was in Vietnam, he had this friend.
And the friend asked him, you know, if something happens to me, right, I'll let it to my mom,
okay?
And Jimmy said, sure. And the friend didn't make it home. and asked him if something happens to me right a letter to my mom, okay?
And Jimmy said, sure.
And the friend didn't make it home.
And it took Jimmy 13 years to write the letter
to his friend's mother.
But when this lady got it, she was so moved
that she contacted this reporter she knew.
And somehow there was gonna be a story
about the
two of them on Memorial Day on the CBS evening news.
Jimmy called my mother first time in years to tell her all this, my mom's explaining this
to me, and inside I'm going, what?
This is crazy.
This is really cool.
This is crazy.
And I'm also like, I'm finally going to get some answers.
And mom says, so do you think you want to watch it? And I'm 12, so I say, yeah, I guess,
as we get closer to the broadcast, I realize I do not want to watch this with my parents.
That would be really, really awkward. So I go over to my grandparents' house
and actually sneak into this little room in the back of the house.
And I turn on the TV.
It's like this little black and white knob.
And I'm listening.
There comes Dan Ratherace.
There's the story of two soldiers who fought side by side
and Vietnam.
Well, the one came home and they know
their family
is fine, peace of mind, years after the Egane of Boy.
And then there's this kind of footage of men running around
in a compound and explosions.
And then I hear this voice.
And it's Jimmy's voice.
And he has this deep, raspy voice.
And he says, talking about his friend,
and he says, the real battle was after I came back.
And then they show his face right there on the TV.
And I've never watched a moment of TV more closely
than I watched that.
I leaned in, I was like
inches from the screen, I can barely process what he's saying, but I'm just
looking at his eyes, his nose, and the shape of his chin because I want to see if
I can see myself in there. And there's something, but it's not the 100% clear.
And then the scene changes and the lady he wrote to,
she comes on and she talks about how this letter
that she got from Jimmy really helped her,
really solved this mystery that she'd been struggling with
of what had really happened to her son.
She says, I'll feel peaceful now.
I can put that at rest.
And then it shows the two of them,
they go to a church service, they go to a picnic, and then they're kind of standing in this graveyard next to a
headstone, their arms on each other. And Jimmy says, you know, writing that letter
was one of the hardest things I've ever done, but I'm really glad I did because I
helped this lady who really had been searching. And then they hug and they smile and they disappear.
And I'm like, what was that?
It was like, look, the emotional equivalent
of sensory overload.
I couldn't really put it all together in my head,
but I would try to just pull chunks out.
Like, what did I just see?
I felt like I got an impression.
For one thing, Jimmy was kind of impressive.
I mean, he came off looking impressive.
He was kind of strong and noble,
reached out to help this lady.
So he was good.
But I was also jealous and confused.
He reached out to help somebody from his past.
It wasn't me. So if Jimmy's not a bad guy,
maybe I'm bad, maybe it's me. Maybe he saw that and that's why he let me go.
He fought for his country, fought for his friend, but he didn't fight for me.
Time passed, we didn't hear from Jimmy.
Then about three years later,
I hear about the movie called Platoon,
which is supposed to show like kind of a realistic vision
of what the war was like.
And I go see it and it's like amazing and horrible and confusing.
And I said, I'm just going to write to me.
I was going to do it.
I get my address from my mom and I write in my note.
And I just sort of introduce myself.
I think I said that taking karate, I was trying
to sound impressive.
And I write him, and he writes me back.
So he's glad to hear from me.
And we can meet some time. And we kind of keep he writes me back. So he's glad to hear from me and we can meet some time.
And we kind of keep writing for a while.
And we send each other mixed tapes.
And eventually we start talking on the phone.
And he has this voice.
He talks like, hey, kid, how you doing?
And eventually we meet in person.
When I'm 18, I say, all right, I'm ready.
Let's meet in person.
And it's kind of like when you meet somebody,
you've only seen on TV, only there was my father.
And we're like, in this parking lot, halfway between his house in Indiana and my house in Kentucky.
And I can tell he's staring at my face the way I stared at his on TV, looking for himself.
And we have a awkward hug and we kind of go sit down in the hotel room and he says, it's the thing you like to ask me.
And I freeze.
All the questions that I've had, where you been?
Like, I can't think of any of those.
Partly, I think I'm afraid of hurting his feelings.
Afraid he might disappear again.
So he talks.
And then he tells me some stories and I learn a few things, and he takes
out this picture album, and he opens it up, and I don't really get much out of any of
the pictures, his family, and some time of the war till I see the very last one.
It's a picture of him, and his soldier uniform, he's about 21, and he looks exactly like
me.
And I know this is my father.
So after that, I go home, talk to my mom about this.
She kind of opens up, tells me some stories.
Jimmy and I keep talking, he tells me some stories.
And eventually, I learned the truth about us.
And the truth was, there was nothing wrong with me.
The fake stories that I had made up to tell myself were worse than the real story my parents
were trying to keep from me, to protect me from.
The real story is that Jimmy grew up with an alcoholic father who beat him up and then
Jimmy went to war.
And one night in the war, he asked his three best
friends to go wait for him in this one part of the camp until he got off to the east.
And the last thing he said to these guys was, I'll be there in 10 minutes. Two minutes later,
the mortar started dropping. Ten minutes later, Jimmy found their bodies. He said it was like walking into a butcher's shop.
And the truth is also that in the brief time Jimmy was my father,
he changed my diapers.
He sang songs to me like Blackbird singing in the dead of night
and rock-a-bye sweet paper jams.
And he drank a lot, and he smoked a lot of
weed. And when my mom asked him to stop, he said no. He said this baby is not going to change my life.
And when she said we were leaving, he cried. And when she asked him to stay away, while I was growing up,
he agreed.
So knowing all this, I asked him, like, should Jimmy have fought for me, but when I think
about it, he was already in a fight inside himself.
I still though would have liked it, if maybe at some point he would have said, I'm sorry,
kid, it wasn't your fault.
But he didn't say that.
He did one time say,
you were better off with your mom,
stepdad, you would have been with me,
but I missed you kid, every day of your life.
I knew Jimmy the rest of his life.
And he always thought of his moment on CBS
as one of the proudest times of his life. And he always thought of his moment on CBS as one of the proudest times of his life.
We, when he died, we showed it at his funeral. I have three sons now, and some day I'm going to
show that video to them. And I'll tell them about Jimmy, even though I know that for them he'll always just be a face on TV.
But I won't. For my kids, I'm not mysterious. I'm dead.
And I'd like to be better at that than I am, but I'm decent.
I'm, you know, flawed, but well-intentioned and loving, like my parents, including the
man who let me go.
And if I could say one thing tonight to Jimmy that I never said, it would be thank you.
Thank you for letting me go.
That was Graham Scheldey.
After he told this story, Graham contacted his director, Jennifer Hickson, and shared
this.
I don't think good stepfathers get enough credit.
We tend to tell stories about reunions with long lost birth fathers, you know, that's
what my story is.
But we don't talk enough about the men who step in, do the hard, daily, often, thankless
work of raising children who were sired by other men.
Good stepfathers are incredibly important, and so are good stepmothers, too.
Graham Zerwider and documentary filmmaker and Louisville Kentucky his debut film
with City of Oli. We first met Grame at a story slam in Louisville where
Grame now serves as one of our regular slam posts. To see the original video of
Jimmy's appearance on CBS News in 1983 visit our website,, themoth.org. While you're there, you can
share these stories, maybe with your own family. That's it for this episode of
The Moth Radio Hour. We hope you'll join us next time, and that's the story from
The Moth Radio Hour was produced by me, Jay Allison, and Katherine Burns, with
help from Meg Bowles and Emily Couch.
Co-producer is Vicki Merrick.
The stories were directed by Jennifer Hickson, Michelle Jalowski,
and Jody Powell. The rest of the Moths leadership team includes Sarah Haberman, Sarah Austin Genes,
Kate Tellers, Jennifer Birmingham, Marina Clujay, Suzanne Rust, Brandon Grant, Inga Gliddowski,
Sarah Jane Johnson, and Aldi Kaza. Special thanks to the Kate Spade New York Foundation, which provided sponsorship for the
Women and Girls Showcase, Moxie and Might, for which Oceola told her story.
Most stories are true, is remembered and affirmed by the storytellers.
Our theme music is by the Drift.
Other music in this hour from Rye Kudur and VN Bot.
He has mean Williams, the Westerlies, and Bretta Tat.
We receive funding from the National Endowment for the Arts.
The Moth Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts, and
presented by PRX.
For more about our podcast, for information on pitching us your own story and everything
else, go to our website, TheMoth.org.
For information on pitching us your own story and everything else, go to our website,
TheMorth.org.