The Moth - Truth and Consequences: The Moth Radio Hour

Episode Date: January 27, 2026

In this hour, stories about truth—family secrets, trap questions, and a confession 60 years in the making. This episode is hosted by Moth Senior Director Jenifer Hixson. The Moth Radio Hour is produ...ced by The Moth and Jay Allison of Atlantic Public Media. Storytellers: Brad Ewell learns about his biological father.  Gaby Fernandez accidentally divulges a family secret.  Harold Cox "borrows" his father's car as a child. Podcast # 961 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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Starting point is 00:00:14 This is The Moth Radio Hour. I'm your host, Jennifer Hickson. In this hour, variations on the question, does the truth set you free? Does it? Coming up, stories of confessions, culpability, and sometimes redemption. And occasionally, the truth shows up when you aren't even searching for it. We're going to start with a story that we first heard at the Moth's pop-up porch, which is a tiny house on wheels that we've carted around various cities in the United States, searching for new tellers and stories. When we parked in Dallas, Texas, Brad Ewell showed up to share a story around a bit of information that had shook up his world.
Starting point is 00:00:51 We were intrigued. Later, we developed it for a mainstage show at the Moody Performance Hall where we partnered with AT&T Performing Arts Center. From Texas, here's Brad Ewell. So it was 2019. I was 48 years old. Had been in my career for 25 years. Had been married to my wonderful wife for 27 years. We had three great kids who were girls.
Starting point is 00:01:15 growing up too fast, and my parents were still alive, lived close by, together, and still in our lives. My life changed in March of that year with a text message. My wife and I had done ancestry DNA several years before this, just to kind of find out where we came from, and through that, a woman had reached out to her trying to figure out how the two of us were related. My wife gave her a ton of answers. All of those got shot down after we sent them back to her, and we were kind of at a dead end until this text message came through. And when this text message came, everything was different because she had an answer herself. She said that her sister had a baby boy born in 1970 in Dallas on my birthday, and she thought it was me and that my parents
Starting point is 00:01:55 just never told me they adopted me. That sounds like a shock, and it was initially, and it really turned into kind of blowing it off and thinking this poor lady is out in left field and we got to help her. So we agreed we're going to do some research, get her back on the right track, I'll look at my birth certificate, we'll figure some things out, and we'll help her out. In less than 24 hours, all I had was more questions and answers. I suddenly realized that my mom had never talked about being pregnant with me. I had never had the mom guilt trip of. I was in labor for you for this many hours, and this is what you've done or how you treated me.
Starting point is 00:02:30 And I had never seen a picture of her pregnant. So I came to the hard conclusion that at 48 years old, I was going to have to ask my parents if I was adopted. I came up with a brilliant plan to call my dad's cell phone because he never answers his cell phone, leave a message and plan a lunch date where we can get together, talk, and eventually I'm going to weave into the conversation, hey, funny story, this lady says I'm adopted, that's not right, right? For the first time, and as long as I can remember instead, he answered the phone.
Starting point is 00:02:58 So after a little small talk, I went to, hey, let's go have lunch together. And he's like, oh, yeah, sure, why? Well, nothing important. I went through all the reasons why you might need to talk to your parents at that age. Everything was fine, and the more I deflected, the more you'd come back to, want to meet you for lunch, I just want to know what we're going to talk about. So I finally gave up and realized that I'm going to ask my 79-year-old dad over the phone if I'm adopted. And that's why I said, Dad, this lady's reached out to us saying that her sister had a boy,
Starting point is 00:03:26 and it's me and the child adopted me and didn't tell me. Is that true? And there was nothing but silence on the other than the phone. I could hear his fingers drumming on what later I learned was his dashboard. He had run an errand that day, and that's why he answered his cell phone. and after a long pause, I got, yeah, Bradley, you're adopted, and we've been trying to figure out how to tell you. If that initial 48-year-old secret wasn't a big enough shock, it came with two more. My birth mother had died 19 years before I ever found out I was adopted. I was never going to close that part of my story.
Starting point is 00:04:03 The flip side of that was my biological father was very much alive, but he had been in Angola State Penitentiary in Louisiana for the last 50 years from murder. So that sent me on a mad research dash to find out everything I could about this man, why he was in prison, who he was, anything I could learn about him. Back in Louisiana, in the 70s, they didn't keep a whole lot of court records. Everything I found ended up being through the newspaper. I was able to piece together his crime, his eventual conviction. I actually found a picture of the man he killed wrapped in a sheet laying on the side of the road.
Starting point is 00:04:39 While I did all this research, I was really okay with the story. It was a weird story to have, but as long as he killed, as I didn't personalize it for myself, that was fine. It was just a funny story to tell people. All that changed when newscaster Lester Holt decided to do a 48-hour special on Angola State Penitentiary. He spent three nights there, recorded everything, met a bunch of people recorded everywhere in the prison. And when I watched that, everything suddenly became personal, where I had made my dad a very, or my biological father, a concept in my life. All of a sudden, he was a real person in a real place that I had now seen, and I couldn't stop thinking about it.
Starting point is 00:05:16 That led to therapy, and therapy led to a pretty quick conclusion of, I have to meet my biological father once to put that part of my story to bed, just so I can have it done. Going to Angola gave me a lot of time to think about what it was going to be like to meet him. It's an eight-hour drive out there, and this is probably a good time to tell you all that successful 25-year career I talked about at the first of the store. He's been as a police officer.
Starting point is 00:05:40 So I already had a vision of who I was going to meet. I'm not saying everybody in prison and jail is like this, but I am saying the majority of the people I've dealt with are not responsible for anything that happened in their lives. If the world was more fair, they wouldn't be there. And at the end of the day, none of this was their fault. Before I became a police officer, I worked in the jail. I learned in the jail that I couldn't ask anybody what they had done.
Starting point is 00:06:06 I had to say, what did they say you did? and then you would tell me why you were in jail because nobody in jail had done anything. So this was the man I was expecting to find just based on my past experience, and after a 48-year cover-up, I was not interested in having somebody else that was just going to BS me and tell me more stories. Getting to Angola is different than anywhere else I've ever been before. It's a beautiful tree-line blacktop road. You're in rural Louisiana.
Starting point is 00:06:32 It's not a bad drive. Suddenly you round a bend to trees, and you find yourself staring at a prison gate that says Louisiana State Penitentiary in a cross bar across the whole road and you can either turn around and go back where you came from or you go to prison. There's no other place to go. So I got checked into the prison, ferried back to the camp he was in,
Starting point is 00:06:51 and found myself sitting in a visitation room. That visitation room didn't really look like the visitation rooms you see in movies. There wasn't a glass between everybody. It looked more like an old church meeting room. It was white cinder block walls, tan tiles, there was a mural painted on one wall
Starting point is 00:07:07 with these white plastic tables and the same plastic chairs I sat in in high school. So I sat down and started wondering if I was going to recognize him when he came in because I had seen some pictures of him, but none that were super recent. When he walked in the room, I knew immediately who he was. It just clicked. I looked at him. I was like, oh, that's what I look like when I'm 70. Okay, got it, cool.
Starting point is 00:07:30 I stood up, held onto the table to keep myself standing, and watched as he walked towards me and ran the, through all the things you do when you meet your father for the first time. Do you hug him? Do you kiss him? Do you shake his hand? Do you just say hello? He didn't know about me until I knew about him. My mom kept her pregnancy secret from him and my parents kept my biological family secret from me. He walked up. We did the dude handshake and hug thing and both sat down and he started off our conversation with, son, it's good to meet you and I want to start out by being honest. Well, all the alarm bells went off in my head
Starting point is 00:08:06 because all these years of work, when you say, I want to be honest with you, that's usually the last thing that's going to happen the rest of the conversation. So all my defenses went up and I thought, okay, here we go, let's see what this is. And he said, I could tell you that I'm in prison because of drugs and alcohol,
Starting point is 00:08:23 because I was doing both of those when I committed my crime. But the truth is, I did a horrible thing that I can never take back or fix, and that's why I'm here today. From the moment he said that I was because he was suddenly an adult, even though I'm an adult now, being honest with me. And after that, instead of dropping that subject, he continued on about his life prior to prison and his life in prison that didn't paint him in a better picture.
Starting point is 00:08:48 The more he talked, the more I kept thinking, man, you should stop. I would never know this about you, and that's cool. It's good. You should stop telling things. But he kept going and he kept going. And when he finally got done, we tried to catch up, as you can imagine a man in his seven, and a man in their 40s getting to know each other for the first time as father and son. We talked about my life as a kid, his life as a kid and his adult before he ended up in prison.
Starting point is 00:09:14 And weirdly enough, circled all the way back to my job as a cop in his life of crime before he went to prison. And how cops and criminals had changed from the 60s and 70s to the now 2000s. And we're all very different. At the end of the visit, I left and got out to the prison gate, still a little confused because this was my plan one and done visit. I didn't intend to do more than one of these. First person I've called, of course, was with my wife. She was excited and I'm probably a little bit nervous because I told her I'd be in there an hour or two. They let me stay for eight hours. So she picked up, so she picked up, how'd it go? And I was like, I don't know what to tell you, but I genuinely like this
Starting point is 00:09:55 man. I don't know what to do with that. So I drove back, settled into the idea that I'm going to go visit them again soon. We'll get to know each other more. I didn't know prison. I knew by them, but I didn't know initially prison had email. You can email people in prison. So we were emailing, call in, and I was already thinking, okay, it's going to be another visit pretty soon. Instead, less than a month later, the dad that had raised me my whole life died. Three weeks after my dad died, that little COVID pandemic started and there was no prison visitation anymore. The upside to COVID was they suddenly instituted video visitation. So instead of just talking to him on the phone and writing emails, I could see him once a week for 10 minutes at a time as we got to know each other, which kept him a real person in my head because I could see him all the time.
Starting point is 00:10:46 The more we got to know each other, the more I found myself liking him more and thinking, I couldn't really understand why he was still in prison. I knew he took another man's life. I knew what his sentence was, but it didn't seem to be serving anybody any more purpose. He had rehabilitated. I felt like he was nowhere near the man that he was in 1972 when he walked in. And I started wondering about what would be the possibility ever getting him out. While I was going through that, the Louisiana state legislator was also working on some bills that would help men like him have the eligibility for parole that they had never had before. While we were getting to know each other, one of the things that happened was he and I kept talking back and forth.
Starting point is 00:11:29 I called him Jim. Jim was his name. That was safe. That still kept him a little bit distant. and that made me feel safe. But then I started realizing I liked him and I was lying to myself. Yes, his name was Jim, but he was also my father.
Starting point is 00:11:42 But I couldn't call him dad because I had an awesome dad, and I wasn't cool with letting anybody else share that title. So we bounced back and forth in conversation. He suggested father one time. That reminded me of Star Wars. I'm like, that's too formal. I'm not doing that.
Starting point is 00:11:55 So we settled on Pop. And Pop and I kept getting to know each other, kept talking, the Louisiana and the legislator, kept doing what they were doing. And finally, they proposed a bill that would make him ultimately eligible for parole for the first time in his life in 50 years. While we were waiting for that bill to become law and finally happen, COVID visitation restrictions finally lifted and I could go see him.
Starting point is 00:12:18 During that visit, we really talked more about what it would be like if he actually got out. There was no guarantee. Only thing that he was guaranteed was a parole hearing at some point, but no guarantee of actually getting out. But we were daydreaming. At the end of that visit, he got up. to be escorted out of the visitation room and go be searched and taken back to his dorm. And he stopped at the doorway and with this big Vandals grin says, hey, I love you, son.
Starting point is 00:12:43 And I stood there dumb looking. Like, I didn't know what to say because I'd been thinking I loved him for a while. I didn't know how to tell him that. Didn't know if he wanted to hear that from me. And I'm finally a moment like, I love you too, Pop. And just, and then he was gone. So I found myself in November of last year back in Angola State Penitentiary sitting in a room with him for his first parole hearing in 50 years.
Starting point is 00:13:07 The terrifying part about a parole hearing was it was a unanimous vote to be released. If one person didn't like you out of the three-person panel, you were staying in prison for the remainder of your life. The first two votes came pretty quickly. One lady looked like a kindergarten teacher. She was cool with anything anybody said, nodded the whole time. She was thrilled to be there. And as soon as she could vote, it's like, oh, I think you should have parole.
Starting point is 00:13:30 Okay, cool. The second guy had a longer speech, but pretty quickly voted for parole. The third person that was the final vote had looked mad during the entire hearing. Frown, brow furrowed, arms crossed. It was like we had interrupted his kid's birthday party and made him come to a parole hearing, and it wasn't cool with him. And he started off on a speech about punishment, the need for people that commit horrible crimes to be in prison, why it's important to keep. people in prison for an appropriate amount of time, and the more he talked, the more I thought, oh, we're screwed, this is done. I thought we had a shot, but it's going to crush me to watch him not be able to walk out. I should also mention during this hearing, the family of the victim testified against my father's release. That was a gut punch to me, and for my father, too, because we got to hear what the effect of his crime had been long-term on a family that he had never known anything about. So as we watched this last man process all of that, he finally paused in the middle of his speech and said, but. And but came with a conversation about redemption and change in the
Starting point is 00:14:40 good things that can happen to people in prison to make them worthy for a second chance. At the end of the speech, he voted yes for parole. And I jumped up, I hugged my dad and I pop and just kept telling him it's over, we're done, you're coming home. And after that hearing, I found myself the next day sitting outside Angola waiting for him to come out instead of me going in. When he walked out, it was probably the third best day in my life, short of marrying my wife and watching my kids be born. There was nothing cooler I'd ever seen. Since that day, we've gotten to get to know each other in a normal way. If any of y'all are old enough, if you're young, Google it when you get home bed knobs and broomsticks won as the best special effects movie the year he went to prison.
Starting point is 00:15:38 Great movie. I got to take him to see Avatar 2. I can't tell you anything that happened in Avatar 2, but I can tell you that watching him was fun because it was nothing he had ever seen before on a big screen like that. On top of all that, he gets to support me in some of my fun endeavors like this one here tonight because he's here celebrating about six months of release. And to that, I just want to say that I'm proud that you're here with me and I love you and I'm glad you're in my life. Thank y'all. That was Brad Yule. Brad says that Pop lives about 45 minutes away and they see each other regularly. Since retiring from the police force in For Brad is now focused on art and photography.
Starting point is 00:16:52 Tapping into an artistic side he always felt but rarely acted upon. He's also a board member for an organization that helps people who've had DNA surprises. It's called Right to Know. I called Brad to talk to him about life since the story and how things are going at the nonprofit. It is going great. We're always looking to help more and more people, you know, the longer that consumer DNA tests are out there, the more people that are getting surprises. And that's just the trend that will continue. I don't think you'll ever see a stop in the surprises. So we work
Starting point is 00:17:29 constantly for reform on birth certificates, so people don't have to try to fight to get their original birth certificate and find out where they came from genetically. And outside of that, we're working hard to provide support for all the people that are having this happen like I did. I know that you learned about your origin story really late in life, so I'm sorry you never got to meet your mom. Do you ever wonder about how you would have responded to the news that your father was in prison when you were a younger man? You know, I really have. I think that was one of the parts where I was very fortunate in my life. What I've told people and what other people have always said is that people who could be very good criminals are usually the ones.
Starting point is 00:18:14 that become good cops. And I could say looking at myself in the mirror and just being honest with myself, had I grown up in a completely different environment than I did, I very likely may have ended up exactly where my father was at some point. I think that could have gone either way for me. And it was just who ended up raising me at the time I was raised. Yeah. How about what is pop up to these days?
Starting point is 00:18:40 You know, he has been really living his best life. He is back together with the woman that he was married to when he went to prison. What Pop tells me all the time is every day out here is a much better day than any day he had in there. So he's just soaking up every day you can get. You know, when you spend that long, I think, in prison, just going to the grocery store is a pretty cool thing. It takes very little to be a big deal when most of your life has been so. confined. And it was 50 years he was in there? Yep. What's something loving you could say to adoptive parents who feel nervous about telling their kids? Even though I've built a great relationship with
Starting point is 00:19:32 my biological father, my dad will always remain the person that was my dad and that's the one that raised me because that that was who was in my life. So when you look at it, The best way I try to describe it to people is it's no different than grandparents. Nobody looks around and says, oh, my gosh, this kid can only like one set of grandparents because all of us get two or most of us do unless something bad happens. But parents can be the exact same way. If it's viewed much more like a bonus family than a threat to the current family, I think everybody works out in a better situation.
Starting point is 00:20:12 and it doesn't, it in no way negates what the adoptive raising parents did for that kid. It doesn't negate what my parents did for me. You know, it made some complications because they didn't tell me for so long, but it never negated all the things they did for me as their child. I love how you put that. Beautiful. To see a picture of Brayette, Brad Yule with pop and some of their artwork. Visit the moth.org.
Starting point is 00:20:51 You can share these stories or others from the moth archive and buy tickets to the moth storytelling events in your area through our website, the moth.org. There are moth events year-round. Find a show near you and come out to tell a story. And you can find us on social media too. Just search for The Moth. In a moment as we talk about truths and secrecy,
Starting point is 00:21:14 an immigrant teenager feels an anonymous call. That's next. On The Moth Radio Hour. The Moth Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts. This is the Moth Radio Hour. I'm Jennifer Hickson. We're sharing stories about the impact of truth. Our next story was told in Grand Rapids, where we partner with Michigan Public Radio.
Starting point is 00:21:56 Here's Gabby Fernandez Sanchez. When I was 15, our car got hijacked at gunpoint. It was my parents, my brother, and I. we were on a way to a birthday party that my mom had baked and decorated the cake for. We stopped to put gas and two men with guns came out us on either side and took everything including the car itself. Once the shock wore off, we realized that we were all standing at a gas station and my mom was still holding the cake.
Starting point is 00:22:29 That was the tipping point for my family, and my parents decided it was time to leave Venezuela to escape the dictatorship and the violence under the Chavez regime. So in 2001, we packed our bags, and we came to America. The immigration process is a complicated process, and they don't give papers to just anybody. I know, shocker.
Starting point is 00:22:53 Luckily, my mom is an amazing teacher, and she was able to get her work visa sponsored by a school in Florida. Now, because my brother and I were minors, we were also protected under her visa. This means the only member of our family that was not protected under this visa umbrella was my father.
Starting point is 00:23:11 My father is a photographer, and he is originally from Spain. Because Spain and the US are allies, Spaniards can come into the country for three months without a visa. So during that move, we figured we have three months to sort this out. We started to figure out his green card process, and we were very, very, very fortunate to be able to hire an immigration lawyer, a luxury that very few immigrants in this country can afford. The lawyer said to us that my dad would have to leave the country and come back in to get another stamp on his passport. No big deal.
Starting point is 00:23:45 He left for a couple of weeks to Spain. The day that he was supposed to arrive, I came home from school and the phone was ringing. So I ran to pick it up. They asked for my father. Now, we were very used to getting phone calls from his potential photography customers to the house, so I didn't think it was weird.
Starting point is 00:24:03 I said, my father's not home right now, but I'll be more than happy to take a message. And then the person on the other side of the phone said, does your father take pictures for money? And it was just the way that they phrased the question, right? Does your father take pictures for money? I decided to ignore the red flag, and I said yes. They asked a couple more questions and hung up suddenly.
Starting point is 00:24:28 The second they hung up the phone. I had a bad feeling in the pit of my stomach. When my mom came home from work, she said that Dad's flight had arrived, but she hadn't heard from him still. So I told her about the phone call, and that's when we really started to freak out. The hours passed by, and we hadn't heard from him. It was the next day, and we finally heard from him.
Starting point is 00:24:52 Turns out he had been detained at Miami International Airport almost overnight and got sent back to Europe the next day. We were not able to communicate with him at all until he got back to Spain. And when we did communicate, he told us that he was in the room where the call was made. And I was on speakerphone. Essentially, he heard me say that he was working illegally in the country. He heard me betray him. At this point, we're still thinking this is just a legal process.
Starting point is 00:25:23 You know, let's call the lawyer, and we quickly found out that immigration laws are not designed to keep families together. The lawyer explained to us that when this happens, the person cannot come back into the country for 10 years, a decade. This is when my mom sat me and my brother down, and we had one of the most important conversations in our life. What do we do? You see, on one side, we had just moved here.
Starting point is 00:25:49 I mean, the ink was barely trying our visas. I was going to use to a new country, a new language, new friends, new school, and we loved it here. And on the other side, if we left the states, then we would lose our immigration status completely. So talk about an impossible choice, or let's call it a Gabby's choice, right? He can't come in and we can't leave. We decided to stay and try to find ways to reunite. In the meantime, my relationship with my dad was over the phone. This was before the times of FaceTime and WhatsApp.
Starting point is 00:26:23 My parents' marriage had been through a lot with the move, and the strain of being in different countries was just too much for them, so they ended up getting a long-distance divorce. And then my 18th birthday crept up. Remember when I said that when we were minors, we were covered under my mom's visa? visa, but the lawyer explained that the second I turn 18, I would become illegal. So here comes the second Gabby's choice. Do I stay or do I go? The day before my 18th birthday,
Starting point is 00:26:55 I landed in Spain. I reunited with my dad. I reconnected with my grandparents and all my family. I went to theater school to one of the most amazing schools in the country. I had a fantastic time. But you see, when you're an immigrant, it's like you have this curse, right, that no matter where you are in the world, you're always going to miss someone. And I miss my mom. So when I graduated in 2008, I came back to America. But this time it was different. I was able to apply for papers, and I became, long story short, an American citizen.
Starting point is 00:27:33 And of course, I met the love of my life in Miami, and we took a Euro trip to go hang out with Dad. He booked a cruise down the Danube River. And that's where he popped the question. It was the perfect proposal, the perfect ring, the perfect man, but then he said something that blew my mind. He said, babe, you know, I'm so happy that we were able to celebrate our engagement here because your dad won't be able to come to our wedding in America. At that point, I realized it's been 17 years.
Starting point is 00:28:08 Seventeen years my dad has missed of our American life. I'm talking graduations, driver licenses, plays, special moments. And I refuse to let him miss another one. I can't. Now I consider myself a feminist, but at that moment, all I wanted was for daddy to walk me down the aisle. So when I got back to Miami, I went straight to work.
Starting point is 00:28:29 But see, this time it was different. I was bold, I was empowered. I voted for Hillary. So I marched right down to that immigration officer and I said, American knocking here, I have an inquiry. Uh-huh. You know how in the movies, when the main character walks in and they give this like all-American speech,
Starting point is 00:28:50 and the crowd does a slow clap into a crescendo, and they get everything they ever wanted? It was just like that. Except there wasn't a crowd, nobody clapped, and the agent said, no, we don't do that here. So I asked, isn't this the immigration office? And he said, yes, does your father want to migrate here? Oh, no, no, no, no.
Starting point is 00:29:12 I'm not falling for that one again. No, no, no. He just wants to be here for my wedding. He said, well, we don't deal with visitors. Okay, so one thing led to another, and I finally found a lawyer in Spain who specializes in tourist visas for Spaniards. And she said the U.S. government is very forgiving. If you're European and white, of course. She said, as long as you admit your crime, do your time, you're fine.
Starting point is 00:29:44 So she got him an interview at the U.S. Embassy in Madrid. My dad goes there with all of his documents, including my wedding invitation, and they got back to him with a 10-year visa. The week before my wedding, mom took some time off of work to help me with the last details, and the day that I was going to the airport to pick up dad, she said, I'm coming with you. I was shocked.
Starting point is 00:30:09 Remember, they haven't spoken for 17 years, and they went through a tremendously long-distance divorce. I was not expecting that. We're at the airport, and his flight comes in, And we start to wait. An hour goes by, two, three, four. He had been detained in immigration again. But this time around, he was bold.
Starting point is 00:30:32 He was empowered. He had a piece of paper in his hand from the U.S. embassy saying he was allowed to be a tourist in this country for 10 years. So they had no choice but to say, Welcome to America, sir. Enjoy your stay. We finally, finally had that airport reunion we were waiting for. And when we saw him come out, we all just ran to him the four of us, and we just hugged and cried and hugged and cried.
Starting point is 00:30:58 And then my brother and I stood back, and we saw my parents hugging and crying. And at that moment, we realized that we were made out of love. And we were finally allowed to love each other at the same time in the same place. That week, we went to a Marlins game. My dad met all of my American friends and family. He even saw one of my shows. and on July 27, 2019, at 6 p.m., he walked me down the aisle. I tell you, at my wedding, when I was sitting there having dinner with my new husband to the right,
Starting point is 00:31:36 I could see my mom, my dad, my brother enjoying the party, and I thought to myself, wow, 17 years later and an ocean apart, what brought us back together was love. That was Gabby Fernandez Sanchez. She is half Venezuelan, half Spanish, and proudly calls Miami. home. Gabby's the founder, director, and producer of Front Yard Theater Collective and teaches improv in both English and Spanish. Gabby and her husband Danny are both active in the arts community, and she's a beloved host of the Miami Moth Story Slim. To see pictures of Gabby's wedding day with her family altogether for the first time in 17 years, visit the moth.org where you can also
Starting point is 00:32:28 download the story. Do you have a story to share with us? Perhaps a truth you let out of the bag by or a shocking revelation that changed how you saw the world or felt about Uncle Peter? Maybe a family mystery that was only revealed at the reading of the will. Oh, please, pitch us that story. You can pitch it right on our site or call 877-7-99 Moth. That's 877-7-99 M-O-T-H. The best pitches are developed for moth shows all around the world. In a moment, a final story about reckoning with the truth from the son of a
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Starting point is 00:34:33 This is The Moth Radio Hour. I'm Jennifer Hickson. We're hearing stories of shining a light in the corners in search of the facts. Our final story was told at the Somerville Theater in Boston, where we partner with Public Radio Station WBUR. Here's Harold Cox. I was a creative and imaginative child.
Starting point is 00:34:59 I played a clarinet. I played the piano. and I also listened to Rachmaninoff's piano concerto and pretended like I was playing the piano two or three times a day. I was also a talker. My mother would tell me, Harold, sugar baby darling, please just shut up.
Starting point is 00:35:26 I wouldn't. My mother was a homemaker, and she was also the woman who made the cookies and other stuff, whatever you cook, at the, for I was school. She made this for my class as well as for my brother and sister's classes as well. And my father was a minister.
Starting point is 00:35:51 He had lots of advice that he liked to give. He would often say, I would rather be two hours early than 30 seconds late. I heard this almost every day. And he also said, if you tell the truth, the truth will set you free. All right, good words to live by. In addition to this, I was, well, truth to be told,
Starting point is 00:36:18 I was a dramatic kid. And I learned that if you got sick, that there were certain things that you might not need to do. So what I did is I learned the fine art of passing out. I used to faint. So that if I didn't want to go to school, I fainted. If I didn't want to take the test, I fainted. If I didn't want to go to church, I fainted.
Starting point is 00:36:43 If I didn't want to go outside and play basketball and football, two things that I absolutely hated, I fainted. Faining was my superpower. Now the only other thing I should probably tell you is that I was then and I probably still am now, now an explorer. So one afternoon, I'm 12 years old, I'm home alone, there's nobody else at home, I go in and I get the key to my father's brand new, metallic blue Buick Lusabra. I go outside into the garage and I look at this car which I loved. I ran my hand over the sleep. I
Starting point is 00:37:32 design of the car and then I went and I stood in front of the driver's door and I just stood there and I said it's time. I opened the door. I got in the car. I am now in the seat. I am in the seat and what's more is I am in the throne. I know exactly what to do here because I have seeing my father do this many times, and I know that I can do everything that he can do. So I put the key in the ignition, I turned the car on, the car purrs exactly the way that I knew it would. I put the car in gear, I tapped the accelerator, the car began to glide out of the garage into the driveway. I tapped the brake, the car stopped, I can drive. I've always known this.
Starting point is 00:38:32 I have always known that I knew how to drive. So I started thinking about where are the things that I can go at this moment? I thought, well, my mother's down at the school. I could go down and I could just pick her up. Or I could go to one of my friend's houses and then we could go to another friend's house and we could just tool around the city. Or I know my mother needs these things from the store.
Starting point is 00:38:55 I could just go to the store and I could pick them up and she will be so proud of me. And then I remember, you know, I have actually not been given permission to drive the car. And it would be a good idea if I put the car back into the garage. And now I know that you have to go straight into the garage. That means the tires need to be straight. And so I need to check. So I get out of the car.
Starting point is 00:39:21 I look at the tires. They seem to be pointing a little bit to the right, and I think I need to straighten the tires. So I go and I stand over in front of the tire on the left. left side. I got down on my knees. I wrapped my arm around the tire, and then I straighten it, except it wouldn't turn. I just need a better grip. I got a better grip of the tire. I couldn't make a turn. And then I thought, you know, okay, of course. I've actually never seen anybody straighten the tire by getting out and getting on their knees. They use the steering wheel. And I know how you use the steering. And what you do is you turn, you turn, you turn. And when the steering wheel
Starting point is 00:40:01 stops turning, then the tires are straight. See, I know this because I've seen my father do this a thousand times. I get back in the car, I put my foot on the brake, and I start turning. Turn, turn, turn, turn, turn. Okay, the steering wheel top, and now the tires are straight. I tap the accelerator. The car begins to go in this weird direction. that it's not supposed to be going in. Now, I know I'm supposed to stop the car. I also know something else. I have always been told, when you drive the car,
Starting point is 00:40:37 always keep your eyes on the road. Always keep your eyes on the road. So I'm keeping my eyes on the road, and I know that my body will know what to do. So I tap something, the accelerator, and the car begins to go fast, and then what I hear is, and it stops. I got a problem.
Starting point is 00:40:59 I try to open the door. I can't open the driver's side, so I have to climb out of the passenger side. And I look around the car. The car is kind of halfway in the garage, it's halfway out of the garage. It has slid up against the entry of the garage and then kind of along the inner wall and then kind of hit the front wall. I think maybe the thing that I should do right now is pack my bags and move. And then I also remember the thing I have been taught.
Starting point is 00:41:39 If you tell the truth, the truth will set you free. Well, the only thing the truth is going to get me right now is some belt action. So I know that that's not the thing to do. So I need something special. I am a talker, so I come up with a story. A really good one. And then I need to punctuate that story, so I faint. So I lie down on the ground, I close my eyes, I wait, and I hope for the best.
Starting point is 00:42:14 Shortly, as I know what would happen, I hear my mother's high heels that she's clacking up the driveway, and she's with someone, our neighbor. She sees the car. She sees me. She kneels down on the ground. Harold, Harold, and the neighbor starts talking. And he says, you know, I bet I know exactly what happened. Somebody actually wanted to come steal the car. Harold went outside to see what was going on. Harold got involved and now look at horse here, Spheres Harold. And I think, that wasn't my story, but that's pretty good. So, in the end of the he continues and he says,
Starting point is 00:42:58 look, I think we should call the police and the ambulance. And I'm thinking, no, I don't want the police and the ambulance. So I start coming to, oh, my woozy head. Oh, my woozy head. By this time, my father is now also coming up the driveway. And he kneels down. He says, Harold. And so now I'm awake.
Starting point is 00:43:19 My parents are there. So I launch into my story. And my father says, no, no, no, no. Something seems to be wrong. You need to let's just figure out what's happening with you. We can hear about the story later. And then dad said, look, what I want you to do is I want you to go to your bedroom. I want you to get in your bed, and then your mother and I will be in in a few moments.
Starting point is 00:43:43 I do that. I go to my room, I get in my bed, and I wait. Now, one of the things you should know about my family is that my mother's name is Mary. My father's name is Joseph. I'm going to let you let that set in there for a moment. And my brother and sister and I have frequently tried to ask the question, so which one of us is Jesus today? Well, I know that given that my parents are strict disciplinarians, I need Jesus now. So I just wait to see what's going to happen.
Starting point is 00:44:19 My dad comes in and he says, you seem to be okay right now. What I want you to do is I want you to get a good night's sleep and to me. Tomorrow we'll talk about the car. Hmm. Next day, I can hear the family down in the kitchen. I start getting up and start moving really slowly, and I know that this is going to be my last day on earth. So I go down to the kitchen and I wait.
Starting point is 00:44:55 Nothing. Nothing is said. All that day, nothing is said. said. The next day, I know it's cutting happen. Nothing is said. The third day, nothing is said. Am I actually going to be able to get away with this? You know, it may be that the fainting is actually working, so I double down, and I decide I need to add a flare. Now, I have actually never seen a person faint. I don't know what they really look like. I've only seen it on television, but it seems to me that when people think that they get stiff. So with my routine, I added rigamortis. So that every time I faint, I get as stiff as a board. Now, my parents are upset about
Starting point is 00:45:44 this and they're concerned about what's going on. So I go to a lot of doctors and I have an EKG and I have an EEG and I have blood tests and I have urine tests. I sit in a lot of waiting rooms. I am committed to making this. work because this is a thing that's saving my life. Well, over a long period of time, a really long period of time, the feigning continued, and then it slowed down, and then I guess it kind of stopped, and I must be cured. But I am still thinking about this issue, and I'm still thinking about the car, And I will do anything to keep from the conversation of going on with the car.
Starting point is 00:46:30 And now when I'm 17 years old, I actually refuse to talk to my parents about getting a driver's license because I'm afraid that the car issue might come up again. Now, I know that you've got to be sitting out there wondering, why didn't his family talk about the car? Why didn't they? And to be honest with you, I have the slightest idea of why they didn't talk about the car. But I do have a theory. See, my parents didn't have any problem at all in punishing me.
Starting point is 00:47:01 They were disciplinarians. They knew exactly what to do. So for this instance, they were trying to find exactly the right thing. And they did. Silence. They refused to talk about it. And what does silence lead to? Guilt.
Starting point is 00:47:19 And that's what I have been experiencing. It's guilt. and now 60 years later, I am 72 years old, and we have not talked about this car, and I feel guilt. And while I feel this guilt, I also continue to remember the thing I have been taught. If you tell the truth, the truth will set you free. I am a talker, and I've got to tell somebody. So I am here tonight to tell you.
Starting point is 00:47:53 to tell you I did it I wrecked the car Jonas now please set me that was Harold Cox to see a picture of him and his siblings and his very patient parents
Starting point is 00:48:25 you can visit the moth.org where you can also download the story Harold is a university professor in Boston and sometimes shares personal stories in the classroom he's happy to report that he hasn't pretended to faint since childhood, and is now an excellent driver. While working on the story, I kept wondering what his family thought about all this.
Starting point is 00:48:46 Harold was not willing to question his siblings because he still hasn't come clean to them. Perhaps they're listening now. The truth is out now, Harold. Really do hope it sets you free. That's it for this episode of The Moth Radio Hour. Thanks to all the storytellers for their truths. We hope you'll join us next time, and that's the story from the Moth. This episode of The Moth Radio Hour was produced by me, Jay Allison, and Jennifer Hickson, who also hosted and directed the stories in the show.
Starting point is 00:49:32 Co-producer is Vicki Merrick, Associate producer Emily Couch. The rest of the Moth's leadership team includes Sarah Haberman, Christina Norman, Marina Clucce, Sarah Austin Janice, Jordan Cardinali, Kate Tellers, Suzanne Russ, Sarah Jane Johnson, and Patricia Urania. Stories are true as remembered in a firm by the storytellers. Our theme music is by The Drift, other music in this hour from Kid Reverie, Duke Levine, and Catalyst. The Moth Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts. Special thanks to our friends at Odyssey, including executive producer Leah Reese Dennis. For more about our podcast, for information on pitching us your own story, and to learn all about the moth, go to our website, the moth.org.
Starting point is 00:50:25 Ever listen to The Moth and thought, I have a story to tell? We'd love to hear it. The Moth pitch line is your chance to share a two-minute pitch of your true personal story. Record it right on our site at the moth.org or call 877-799 Moth. That's 877-79-6684. Here's the thing. We listen to every single pitch. Your story could end up on our podcast, our stage, or inspiring someone who needs to hear it. Share your story at the moth.org or call 877-999 moth. Everyone has a story worth telling. Tell us yours.

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