The NoSleep Podcast - NoSleep Podcast Summer Hiatus 2025 #1

Episode Date: June 8, 2025

The NoSleep Podcast finds darkness in the sunlight as we take a break between seasons. Enjoy some stories from our premium episodes."Dead Man's Hands" written by Andrew McRae (Story starts around 00:0...1:50)Produced by: Jesse CornettCast: The Little Man - Graham Rowat, Journalist - Dan Zappulla, Boudreaux - Peter Lewis, Margie - Mary Murphy, Lonnie Fincher - Reagen Tacker, Priest - Jesse Cornett, Lonnie's Mother - Erin Lillis, Mother's Friend - Sarah Thomas, Undertaker - AllontÈ Barakat, Sheriff - Jeff Clement"The Raven Man" written by Daniel J. Greene (Story starts around 00:45:45)Produced by: Jesse CornettCast: Narrator - Graham Rowat, Receptionist - Marie Westbrook, Old Woman - Erika Sanderson, Young Cashier - Tanja Milojevic, Bartender - Jake Benson, Bar Patron - David CummingsClick here to learn more about The NoSleep Podcast team Executive Producer & Host: David CummingsMusical score composed by: Brandon Boone"Summer Hiatus 2025 01" illustration courtesy of Alexandra CruzAudio program ©2025 - Creative Reason Media Inc. - All Rights Reserved - No reproduction or use of this content is permitted without the express written consent of Creative Reason Media Inc. The copyrights for each story are held by the respective authors.

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Starting point is 00:00:10 Ah, this is the life. Sun, sand, and surf. Such a refreshing break from the dark, dank dungeon of the no-sleep universe. Children playing, waves crushing, beach bodies as far as the eye can see. My tiny speedo is a bit snug, but that's all right. People are looking at me with horror in their eyes, but I assume that's because they recognize me as the sleepless podfather. Yes, in case you're wondering, I'm David Cummings, and you've joined me for the No Sleep Podcasts, summer hiatus, volume one. I realize it's not technically summer yet, but when the temperatures rise and the sun shines, you can't help but embrace the season of warmth. On our episode this week, we have two tales for you, which were first featured on our sleepless sanctuary premium episodes. And, um, now where is he?
Starting point is 00:01:10 I was supposed to be joined by Graham Rowett down the shore here. Where could he be? He might be hanging out at the carnival over there. He really does love the carny life. Or maybe he went for a swim, and he's now under the sea. Either way, Graham will be leading the stories this week, so keep an ear out for him. So, enjoy your summer break, as it were. I'll be here all day and night.
Starting point is 00:01:39 because, as you know, it's always good to be sleepless. In our first tale, we enter the world of the traveling carnival, the sideshows, the rides, the carnies. It's a life lived by those who have usually veiled themselves off from the general public. But in this tale, shared with us by author Andrew McCray, we meet a journalist who is interviewing a lifelong carney, and the Carney has much to share about what goes on behind the scenes. Performing this tale are Graham Rowett, Dan Zippula, Peter Lewis, Mary Murphy, Reagan Tacker, Jesse Cornett, Aaron Lillis, Sarah Thomas, Alonte Berkette, and Jeff Clement. So get your tickets and roll up to hear the tale of The Dead Man's Hands. We sat down to eat at the worn picnic tables the carnies had set up in the center of their circle of steel wagons.
Starting point is 00:02:59 The air streams gently rusting in the salty Florida sunshine. A man without legs, ankleed, well, wristed past, and another with skin as crinkly as the gaiters and the swamps played Chinatown my Chinatown on a phonograph. Gulls wheeled overhead, squawking for garbage. scratch scraps. The worn little man across from me chewed the end off of his cigar and spat it on the ground.
Starting point is 00:03:31 A retrospective, huh? Can't believe the way I let you newspaper types badgered me. Guess you need to be better at the cards. Well, when do you want me to start? Twenty, ten? Further back than that, back before McKinley got himself shot? Garfield, too?
Starting point is 00:03:52 I shrugged. geez, but you're a close-lipped son of a bitch when you want to be. I'd long since learned to just let my interviews unravel themselves. I shrugged again. The little man reached over and clapped the thunderous buttocks of a large woman in a hibiscus print dress who rippled past us. He had a fake eye, but tipped a wink with his real one as she turned. Oh, you.
Starting point is 00:04:23 She had tin plates clasped in her baseball mitt hands, A rich growth of beard obscuring much of her face, aside from the made-up eyes and the rougeed lips. The little man caught my glance and struck a match on the table. Don't ask. Who understands the mystery's a true love anyway? I said nothing and just smiled gently. I wanted to encourage the speaker before me. He puffed his cigar alight.
Starting point is 00:04:57 And don't worry about the mechanics, neither. Fair. I had been staring at the woman whose pale skin reminded me of a custard, complete with all the folds, divots, and dimples you'd find in a bowl of the stuff in your mother's kitchen. And I had been trying to do the math on the whole shebang. You worked with a lot of circuses over the years? Carnivals, sure. Not so many circuses.
Starting point is 00:05:24 Never been that classy. We're lucky. Except for brothers, they were pretty good. had an elephant funny old thing loved boiled eggs for some damn reason farted to beat the band
Starting point is 00:05:37 didn't mind the carnival obscure outfit neither fortune tell her there was a Lulu told my fortune once when I hadn't asked her four bits in my pocket
Starting point is 00:05:48 that profile of Lady Liberty left from my palm to hers she told me that I'd live an interesting life full of danger well I laughed and laughed and said to her I says to her
Starting point is 00:05:58 I says You old fraud, I was already born no bigger in a taterbug and worked the freak circuit for the past 20 years, and my eye was out before I ever met you. You ain't reading my fortune. You're just describing me. She laughed too. Truth is, she said, I'm mostly a fake so you can have your four bits back. When I was leaving her trailer, my blood froze up something awful, though.
Starting point is 00:06:21 She mentioned in an offhanded way how she sometimes got twinges, and one of them was of my somehow being a daddy, though she didn't. knew I was a lifelong bachelor around Bon V-V-V-V-V-V-A-T. A daddy of all things. When I closed the door, I left a 50-cent piece on her step. May I ask? The man gestured dismissively. Later, later.
Starting point is 00:06:47 Then, instead, what would you say was the worst? His eyes darkened immediately, and he spat again. This time, like an old gypsy cursing some of him. something too evil to mention. Before he could answer, the bearded lady was back, squeezing her bulk into an armchair set up at the head of the picnic table, shaded by a paper parasol, wired to an old standing lamp. She set down three plates of breakfast, scrambled eggs, bacon, toast, and a carafe of coffee. Her nail varnish was perfect.
Starting point is 00:07:28 The little man poured a cup of Joe for. each of us, moved his eggs around for a few moments. The scowl he'd adopted when I asked him his worst experience, deepening with each rotation of his food. I can't. He pushed away the plate. Margie, me and this fella are going to take a walk. You keep yourself busy while we're gone.
Starting point is 00:07:56 She leaned forward and kissed him on the cheek, patting a carry-all of knitting she had. She held up something that looked like a, birdkidge cover. Pour the baby. Sure, that's well. The little man nodded, shuddered. Baby, I thought.
Starting point is 00:08:19 He poured some bourbon from a pocket flask into each of our cups and got up from the table. Follow me if you care to hear. He grabbed his cup and glugged half of it in one go. My coffee now tasted like kerosene, but I choked some down too. Homebrew. paint thinner? Silver polish. Come on.
Starting point is 00:08:56 We left the caravan behind and strolled along the marshy edges of the beach they were parked along. The wet earth sucked gently on our shoes. I'd play so badly. I shrugged.
Starting point is 00:09:17 Ah, hell. It's probably good that I get this off my chest. The worst outfit I've ever known in this business. Well, that's easy. Even though it was 50 years or more ago when I was about a pup of 20 It was ran by the fellow I lost my eye over.
Starting point is 00:09:35 The fellow I'm probably going to hell for. Professor Branson Boudreau. He continued, while I simply listened. Most men's principles could be had incredibly cheap, or at least that was what I learned when I was with Professor Branson Boudreau's traveling show. I've been with Boudreau since I was 14, back when he'd been known as Colonel Archibald Wannemaker.
Starting point is 00:10:12 I, quite literally, had run away from home to join the circus, though said circus turned out to be a dipshit rip-off of Buffalo Bills show, with all the failure that endeavor implies. I knew he'd originally been christened Elmer Harlow when he'd slithered out of his mama, but I hadn't been with him then. He learned in his time that a man had to spend money to make money, but his more valuable lesson had been in discovering that the amount of it that it took to grease most men's levers
Starting point is 00:10:39 was next to nothing at all. A soul could be bought for pennies on the dollar. That was how he had found himself first on the jury for Lonnie Fincher's trial for the murder-of-sum deputy. Nobody had actually seen him do after the mildest of contribution to Hanging Judge Hacker's re-election fund. How he'd secured that guilty verdict amongst a few of the more reticent rubs in the farm trade with promises of a round on the house at the local saloon and tickets to a show he'd be too long out of town to ever provide. Lastly, it was in how he'd gotten an undertaker with more old at the Farrow table than the man had the spread for to agree to lop off the boy's gunslinger hands and drop them in the glass jar of whiskey
Starting point is 00:11:22 to feature them as Boudreau's newest centerpiece. Me alongside him all the while. Law said the lad had fallen in with a bad crowd. But what of it? He was allegedly a robber, if the wanted posters had been anything to go by. But that didn't much phase the folks gathered around for the hanging. Lon had never taken a man's wallet, only robbed high-interest banks and a payroll coach or two, and he put most of that money back into those who'd most needed it.
Starting point is 00:11:51 Local word was widow Talmadge had gotten her property loan paid off with a mysterious pile of greenbacks that appeared on her porch one day, secured down with a half a broken brick. Pete Johnson had seen his boy getting expensive doctor and a fine new leg brace from a small bundle that had been tucked into his saddlebag, And all that was aside from how the whorehouses and saloons up and down the Rio Grande had all seen generous increases in their incomes whenever Lonnie Fincher and his wranglers went riding through. So it was hard for the townsfolk of Cherryville to feel much in the way of joy
Starting point is 00:12:24 at the prospect of the boy being hung by the neck until dead for his crimes. His mother was near the front of the crowd, being supported by a friend and worrying a leather pouch she wore around her neck in the same hand that needed her hanky. Nearby stood a few young women who had their own private reasons to be sad about the demise of Lonnie Fincher. The preacher recited the Lord's Prayer, and was halfway through the 23rd Psalm when Lonnie kicked his boot. Ain't you done yet? I was just trying to... I know what you was trying to, Reverend, but prolonging it is just going to be a waste of these folks' time.
Starting point is 00:13:07 and mine too for that matter heaven or hell whatever awaits me at the end of this rope is not going to be put off just because you can recite half the Bible standing here besides you'll go and find you've spoiled your sermon for this Sunday by giving these fine people too generous of a preview beforehand a little laughter sprang up at his boldness
Starting point is 00:13:30 I couldn't help with join in with that Lonnie cleared his throat turned his head and spat and the executioner spat on him before yanking the black bag down over his head that killed the breeze of mirth it earned the brood a reprimand from the sheriff John Law had even gone so far to take out his own handkerchief
Starting point is 00:13:54 and wiped the boy's cheek clean before replacing the bag again trying to avoid Lonnie's gaze the faces in the crowd that were sad far outweighed those who felt justice was being done Lonnie was well-liked and someone most of the townsfolk had known back when he was in his ditties. A creek of wood, a bang, and there Lonnie Fincher was, dangling for all the crowd to see. His mother was the first to scream. Lonnie hadn't broken his neck, but danced in the air.
Starting point is 00:14:28 The rope far too long for a man of his size and weight. His legs bucked and jigged, the crowd wailed and the spectacle. Partway through, the bag was been placed on his head, but not under the rope, began to come off, people to seal on his face, tongue purplering and bloating out of his mouth, the scum of pink foam dripping down his chin. His eyes faint and red, bugging out grotesquely as he tittered and thrashed.
Starting point is 00:14:55 I ain't seen a bull trout buck as much as that boy jake on that rope. Bloody foam spattered down, his eyes was pinker than a sick bunnies as they popped out. One woman fainted, even as his mother screamed and screamed. Even Judge Hacker turned from his upstairs window across the street and pulled the shade down. The sheriff grabbed for the boys, crawfishing legs, suffered a kick, redoubled his efforts, and then dropped himself.
Starting point is 00:15:25 The crowd heard a crunch, and then Lonnie Fincher finally died. His body sees enough, trembling slightly. They're just swinging there as it should have done from the start if the drop had been clean. The sheriff sat under the gallows for a second. catching his breath before crawling out and dispersing everyone as best as he was able. Show was over. He was right. But it had been one hell of a show.
Starting point is 00:15:57 As ugly a picture as anybody'd ever wished for. Professor Boudreau shook his head. Hells, bells, if I could recreate that every night, I would make a goddamn fortune. Certainly. I'd said, put off by his glee at the genuine disgust. in horror we'd just witnessed. Certainly, boss. He looked down at me.
Starting point is 00:16:23 Oh, who gives his shit? He pushed past the lady, gasping behind him. Here I am talking to a sort-off little bastard who goes to the whore house just for a free sniff about his views on entertainment. I must be out of my goddamn mind. And that was the extent of the professor's friendship. When he wanted something, he could be pure as honey,
Starting point is 00:16:50 but when he didn't, the venom flowed even faster and goddamn you either way. Boudreau was the kind of mean that's hard to put to words. He was so cynical, his views on life could curdle rancid milk. If you'd ever asked him about Cain and Abel, he'd say Cain's real problem was that he'd stopped after his brother. The crowd parted for Boudreau as he strode along, and he's scrambling to keep up.
Starting point is 00:17:16 dodging horse apples and mud wallows all the way. My world a constant curtain parting of coattails and skirts. Maybe that's why I took to the stage. I was so used to stepping out into the limelight as part of my daily existence. We passed the boy's mother. I still red-rimmed and spilling tears, weeping into her handkerchief. She clutched the small leather bag in her fist. We shall get you to the church, my dear.
Starting point is 00:17:48 Her friend patted the grieving woman's shoulders as she got. out of her. This, this will provide better than that. She shook the bag. That traveling medicine
Starting point is 00:18:03 man told me this would not only offer me protection, but revenge itself upon my enemies. I, I don't know who got law to kill,
Starting point is 00:18:16 but it's weren't no law. If you say so, Budrow went on, never breaking stride. God-damned, morons. No wonder you can sheer a blind. We reached the saloon and went in. The professor set herself to a card game
Starting point is 00:18:43 and proceeded to best the table while the clock went round and round. How he never got shot, I'll never know. But he must have had the devil's own luck, for a time at least, along with what had to be a half-deck of aces and kings tucked into his sleeves. Cherryville rolled up its sidewalks around five or so
Starting point is 00:19:02 and came alive again shortly after. Dry goods stopped, wet goods, in the form of baths and horrors, started up. As evening drifted across the town, we ambled our way toward the funeral parlor, where Lonnie's body now lay, ready for the parting out for Boudreau's wishes. The boy's corpse would end up with a pair of cowhide gloves
Starting point is 00:19:26 stuffed with carrots, strong, whatever the undertaker saw fit to use in the place of Finch's own flesh and bone at any rate. And there'd be no one the wiser when it was all sitting done. Only someone richer. And that someone was Boudreau. As he sought, folks would come from far and wide just to see the genuine article.
Starting point is 00:19:47 No fooling, powder, burnt hands of a cold-blooded murderer a floating high-proof brine. Then they'd drag their moron friends back with them and pay two more bits just to gawk at those severed appendages all over again. Throw in an old pistol he'd bought to pawn off as the tool of the tray to said killer's hands, with me having notched the grip a dozen or so times
Starting point is 00:20:08 to fit the patter he was cooking up about the numbers those hands had accrued, and the rooves might even pay four bits and a time when that was half a man's wages for a day. Boudreau's show had bits of your typical side show, a dog-faced gal named Irma, all 98 pounds of Joe, our six-foot-time. Three human shadow. A couple of self-made freaks. You know the type, a tattooed guy that looked
Starting point is 00:20:31 just like a damn roadmap called Grady and a fella that hammered nails into his face and bit the heads off chickens. Blockhead and a geek all in one. Thomas, always had a hunk of something shiny poking out of his nose. And me, I guess, the dwarf. We weren't what the people really came to see, though. What folks came for was Boudreau's Grizzly Museum. The type of thing show me like Barnum or this new fella, though, one that does the comic strips. Ripley have perfected. Ours was the raw version, a little less suitable for a family atmosphere, barren, of course, that we didn't have a hoochy-coochy show, though not for Boudreau's lack of trying. Displayed amongst the shriveled apples carved to look like genuine South American shrunken heads
Starting point is 00:21:17 and a collection of bottled snakes and mounted spiders were the bones a chief running wolf, danded up in a buckskin outfit that Boudreau claimed. was a former companion of Sittin Bull, who had died after taking down 20 cavalrymen himself at the little big horn, armed with nothing more than one of them little hatchets the engines use. In reality, it was some two-bit medical skeleton he'd bought from a country doctor for six pints of whiskey. Then there came the head of Wancho Tejas, and this one was honest, more or less.
Starting point is 00:21:48 Floating in its jar of brandy wine, it was a Nickelodeon version of that old scoundrel, Joaquin Murrietta. Tejas was the terror of almost no place at all, a trouser stain of a robber who'd failed almost every time until an angry Federale got fed up with him one day, and out came his saber. Boudreau happened to be around, a few greasy dollars changed hands,
Starting point is 00:22:11 and Bango, Wancho Tejas, the Terror of the West, joined the show, even if it was just the above-the-neck part. The last bit of pickled humanity was the one that always gave me the willies. It was a Siamese twin infant, two heads split on a neck like a Y, one with a hair lip that made it look even more tragic. I dreaded every time I had to dust the show wagon and had to be near that thing. It's the idea of a child, and one in such a monstrous shape, made twice pitiable, once for miscarrying and once for knowing he'd have never lived even if he'd been born.
Starting point is 00:22:49 I never asked how Boudreau acquired the punk. There are some things I knew better than to ask We stood side by side there in the dim flickering light At the back of the mortuary parlor Among the hexagonal pine boxes Chored at the top, long down the sides And me with the shivers all the while Boudreau rubbed his own hands together and waited
Starting point is 00:23:12 Sawdust coated the otherwise bare boards And along one wall was a collection of saws and knives Rusty dull in the glare of the oil lamps As much as folks complain about today I guess nobody's ever really taking pride in their work The undertaker came in presently A cigarillo burning in his clenched teeth And he made his way over to the board table
Starting point is 00:23:37 Where Lonnie Fincher was laid out after that morning spectacle Everybody had been there for the hanging And the chatter about it would last for weeks Partly we knew because in dusty little coats towns like Cherryville New gossip would be chewed until the marrow was slurped from the bones, but also on account of how ugly it had been. As the fellow laid out Lonnie's body, we could see the horror up close. That tongue still bloated out like a salami. The eyes still bulged hen's eggs, and with them a pair of fresh hails. The raw burn where the rope
Starting point is 00:24:13 had sawed into his throat as he bucked and twisted, and the gorder that had sprung up when the sheriff had broken his neck, the undertaker recoiled. Damn same. Boy, it was well liked. Would you get a hustle on? I was just saying... I do not give a damn, get to it. I stood to the side,
Starting point is 00:24:43 hold a large jar ready for the terrible prizes. Up went to Cleaver, down went to Cleaver. Then came the cursing. Son of a bitch! The Undertaker nearly bit his... cigarillo in two. He braced the table with his foot and wrenched the cleaver out. As he walked back and forth, the left hand to Lonnie Fincher came loose. He scraped it off the side of the table and I caught it in the jar with a meaty clunk. Hurry your ass up. I am. Damn it.
Starting point is 00:25:22 The undertaker gestured with the meat cleaver. This ain't easy work, mister. But if you're a unhappy. By all means, roll up your sleeves. Boudreau just crumbled. I smiled to myself at that, although I didn't know how bad things would get. And soon. We heard a commotion in the front of the Undertaker's shop. The parlor where he had his samples and frilly things set up to ties the locals into spending more than they could to bury their loved ones in style. Boots could be heard heading toward the back where we all stood before the undertaker could even think as shifting his freight to head them off.
Starting point is 00:26:05 What in the blue Pete is going on in here? Behind the sheriff entered Lonnie Fincher's mother and her friend we'd seen earlier. Thanks you, fellas. They just came to pay their respects. It might have been a good answer, were he not holding a meat cleaver in one hand, Dully gleaming where it wasn't streaked with blood, and there wasn't a showman and a dwarf
Starting point is 00:26:29 what had one of the lad severed hands in a jar standing there like our peckers was hanging out. Well, maybe not Boudreau. That man never showed shame in his life. Boudreau shot forward lightning quick and snatched the cleaver from the undertaker, bringing it down through the boy's other wrist and tossing the hand to me.
Starting point is 00:26:50 I caught the clammy thing and dropped it in the jar with its opposite, wiping my own up and down against my pants' leg to relieve the feeling of Lani's dead flesh. Lonnie's mother pointed at the boss. She snatched the leather thong from around her neck You're the one done got my boy killed Now Loretta May Shut up
Starting point is 00:27:15 This man bribed the court And you knowed it And for what For my boy's hands So we could add him to that Threadbear flea circuits Where I'll be goddamned She flung her leather bag at Boudreau
Starting point is 00:27:34 and it hit him square in the chest. What is this shit? He emptied it into his palm. Oh, some feathers, a tooth, a chicken foot, and a dried... Something or other... Trash. He dropped him to the floor and grounded all into the sawdust with his boot, taking up the cleaver again.
Starting point is 00:28:02 As he strode past the sheriff, me following along, the sheriff tried to grab his wrist, and he turned and buried the cleaver in the man's shoulder. The women started shrieking, joined by the tenor banshee whale of the undertaker. I stared as a suspender strap slithered down the sheriff's shirt to hang there, even as the cleaver jutted from the now spouting wound. Ludrow yanked my collar, and I followed him out, onto the back of his waiting horse, and out of Cherryville.
Starting point is 00:28:37 That's the last time we can set foot in this hole. After that, it seemed black. like we was cursed. Everywhere we went, neither nobody came to the show or Boudreau found the local law's palms couldn't be greased, or both. At the border of one town, we found a lynching party was there to greet us and let us know neither we nor our coin
Starting point is 00:29:05 was welcome in town. We said a lot for those days, when even the money a recently freedman spent the same out of water and hole. We couldn't explain it. Communities were often wary, of carney folk, sure, still are, but they were never this manner of outright hostile. It was getting where we were having trouble getting enough feed for the horses pulling our wagons.
Starting point is 00:29:29 We plotted our miserable carcasses up and down, Texas, our outfit getting more and more fed up with each failed stop. I couldn't blame them. We was almighty tired of beans and cornbread for supper, and not just for the horrendous toots we'd crack day in and day out. A mutinous crew ain't ever a boon, a mutinous crew of angry freaks and wannabes worse. And atop at all, I was getting mighty tired of dusting that damned display wagon. The air felt closer inside than ever,
Starting point is 00:30:01 and more than once I'd shocked myself reaching out to clean off some knick-knack in the back. Worst of all, those damned hands floated there like they'd signed our very own death warrants. We were on the verge of total collapse when Boudreau took up a bottle one night and forced me to join in, dragging me away from the fire where the rest of the crew was gathered. Themselves passed out in whiskey slumber already.
Starting point is 00:30:26 We walked to the back of the oddity's wagon and sat on the steps leading up to it. He seemed like he'd had a snored already. We're ruined. He tilted the bottle back. I watched a fourth of it head down his throat and three huge swallows. I'd never heard Boudreau express anything with such a fatalness. We'll scratch something up. I said, before tipping the bottle of myself.
Starting point is 00:30:55 I didn't really mean what I said. I didn't see how we could. I had such a pitch lined up, too. He pushed himself upright and staggered a few feet away. Ladies and gentlemen. At here he belched, though I doubt it would have been a regular part of the show. Ladies and gentlemen, you have him. Here before you the hands of...
Starting point is 00:31:27 Another belch, followed by a bump from the wagon behind me. A killer. That's right. Lonnie Fincher, who robbed banks and citizens alike up and down the Rio Grande, and even raised no little hell in New Mexico with this here a pistol. He pulled out the pistol that notched,
Starting point is 00:31:56 and began waving at two, fro. A ducked. I wanted to get shot. These here hands, you see before you. That's right, folks. These are the genuine hands of a kitten. Clattering thump shook the trailer behind me, and I hobbed off the steps, staggering away. The door to the wagon burst open, and the body stepped out. The body, I'll call it that, because there wasn't no other word for what it was, even though that's also not. real close. It was made of all Boudreau's vile collection. The chief's dusty bones provided the frame. The severed head of Huancho Tejas, hair and mustache still sopping with brandy, eyes gone
Starting point is 00:32:43 milky white, skin shrivelled, snapping and gnashing its teeth led the way on top. Lonnie Fincher's hands sprouted from the wrists, grasping and closing on nothing as the thing tottered forward. I swung my head and spewed out my supper in a tobacco-juice gush that steamed in the cold desert knife. Wiping my mouth as I continued backing off, my lantern illuminated the thing as it lurched again. The chief's dear-skin blouse flapping open to reveal the diabolical heart of the whole mess. It was the goddamn two-headed infant still floating in the jar, jammed up inside the rib cage and crying, gurgling wet cries that it might have made, when all the juice it should have known had been in its mama's teats instead of sloshing in its eternal pickle-brine bath.
Starting point is 00:33:33 I think that was the thing that first made me scream. All of it was terrible, awful, but that damned punk staring at me with four roving moon-blind eyes was the tipping point. The creature, revenant, undead, taker-pick, swung one of those grasping starfish pale mits at me and caught me up, boosting me free of the ground. And lordy, how monstrous strong that damn thing was. Every god-awful foot and inch of it,
Starting point is 00:34:01 lurching like a sailor fresh off the boat. I hollered, yelled my fool head off, even as it kept going. Boudreau stumbled along as best as he was able, turning every now and then to aim a shot at the thing, though I don't know what he intended on hitting, since it was mostly bones and rags, and I was the only viable target in his line of sight. Pachow!
Starting point is 00:34:26 The first shot we is to pass. me and straight on through the ribs of the thing, not even chipping bone. Watch out! I said, turning to look at him as I was carried along. Watch out your own goddamn self. He cocked the hammer for another bite at the apple. Cachow! The shot zipped past.
Starting point is 00:34:51 One so close it left me with this groove and my earlobe, you see here. The other caught the head of Juancho Tejas right in. the eye. And damned if it didn't spin that two-bit pepper guts clean around in a confetti, a pink gristle, and chunks of jaw wider in a saucer plate, and knocked his head free of that ghastly concoction of vinegar and bone.
Starting point is 00:35:11 And damned if Lonnie's free hand didn't spring out and catch that head by the hair like a damn juggler and jam it right back on the neck with a squelch. Even as the right half of Tejas's face, most of the ear still present, flapped up and down like a seesaw in a highway
Starting point is 00:35:28 and the thing continued its marks toward Bootrow, flinging me away. I spun through the air like a Catherine wheel and landed face first in the dirt, my left eye spanging hard on a rock. Old Wancho's head in my own were now a mirrored pair in terms of missing parts. I pushed myself upright, not knowing exactly what had happened, on account of how the eye itself don't really have a lot of nerves, or so the docks told me. And also because I was in shock from a hell of love,
Starting point is 00:35:59 of things that night. But I still watched as Boudreau emptied the other three chambers on that gun, he'd wanted to try to pass off as Lonnie's. Each shot blew nothing but hot air through that buckskin blouse. Then he tried to reload that pistol, spilling his pills in a jingling puddle of brass at his feet. Getting one in, then trying to spin the chamber, dropping more, getting another one. But as this pathetic attempt went on, the Lonnie-handed thing closed. distance on him. He looked up, flinging the gun at its chest, where it smacked to no effect and flumped into the dirt.
Starting point is 00:36:43 He turned to flee as it got closer and caught his boot on rock going down. He then tried getting up again, half crawling, half limping on his newly twisted ankle, neither good for trying to escape something from out of the pits of hell. Those hands closed and opened for Boudreau now, and he knew it. No, you sons of bitches. He stumbled ran a few more steps and then was caught up. Let me go. For a man seemingly made a spite and patter, there wasn't much of either in his final pronouncement.
Starting point is 00:37:28 The thing spun him round, and those hands closed on his neck. Wancho Tejas' broken smile grinned down at him, whispers a horse laughter issuing like a bellows sucked in through the ragged neck stump, and out of that shattered fluttering mouth. Lonnie's hands closed around Boudreau's throat, tightening. The tendons on the back standing out as they squeezed and crushed and mangled. Boudreau beat at them, pulling, and I watched the tendons holding them to the bones of the chief's wrists give way.
Starting point is 00:38:04 Wiery strands of gristle stretching before snapping under Boudreau's collapsing weight. And still the hands clung. Still they dug in as if they was trying to need dough made of Boudreau's neck. Boudreau's gasping noises had long since ceased, and now there was only a creaking, cracking noise as his eyes bugged out and his tongue purpled, and a pink foam curdled out of his mouth, just like Lani had gone through at his botched misery of a hanging. Dirt gritted under him as those hands closed around his neck,
Starting point is 00:38:39 his own hands trying and failing to rest them free, themselves now open and enclosing on little handfuls of, meaningless soil. His feet digging smaller and small furrows as his strength faded. A final crunch and a spasm saw his end. And with it Lonnie's hands let go.
Starting point is 00:39:02 The chief skeleton took a jettorin step forward, pitched to its knees and collapsed. Nothing holding the bones but whatever wires strung them together. Wancho Tejas' head rolled off and into the desert, whatever had animated it gone with the force behind the rest.
Starting point is 00:39:20 I crawled over over to Boudreau's corpse, half expecting the old devil to re-animate his own self. But he didn't. He just lay there, dead and pathetic. I saw it even wet his trousers as he'd gone. An odd frog-splashing noise made me turn back to the remains of the thing that had flung me across the desert only a moment before. Those parts were scattered almost everywhere. Inside the rib cage was the jar contained in that two-headed punk. I pulled the buckskin shirt apart and saw it still flopping around in the liquid. I don't know why. What made it it different? Maybe because it had started out as a baby and never got to live the same amount of
Starting point is 00:40:06 life the other bits had gotten. I don't know. Not even why they'd come alive. Was it Mrs. Fincher's curse? Years of wickedness? All of it or none of it? I only know I picked up that jar, tucked it under my arm and made my way back to the exhibit wagon. I collapsed into unconsciousness trying to get up the stairs. When I woke a day later, head bandaged, everyone asked me what had happened. Everyone included the local sheriff. I told him someone had robbed us,
Starting point is 00:40:40 attacking me and then Boudreau. The sheriff made mention wondering where the thieves had got to, being there weren't no hoof prints or a load of boot heels leading away. But seeing as how there weren't a better explanation, he ultimately accepted it. Boudreau got a perfunctory funeral
Starting point is 00:40:57 wrapped in an old army blanket and rolled into a shallow pit. The show collapsed soon after and I moved on. That jar tucked into the bottom of my trunk with each outfit I joined. Why I kept it, I don't know. I mostly just drank and watched it jerk around in its soup as the nights wore on. But that's about it. That's the story of the worst show and man I ever worked for. Professor Branson Boudreau
Starting point is 00:41:29 Wherever he is, I hope it's goddamn hot. I sat back as the little man finished speaking. Of course I couldn't publish much of anything he'd told me. It was foolishness. The years certainly take their toll. He flicked the saliva slick butt of his cigar into a pile of seashells. A hermit crab prodded it a couple of tens. times before scuttling off to find better pickings.
Starting point is 00:42:10 The little man got up, dusting his knees, and began walking back towards the encampment. I followed along. Sorry, I couldn't give you more, young buck, but it is what it is. Sometimes the truth can't be believed. The truth? Every last lick of it. That's the type of thing you don't ever forget. Not if you lived a hundred lifetimes.
Starting point is 00:42:39 I said nothing as we walked. I'd wasted my time. Beat the guy at cards, gotten the promise of his story, then received this fish tail big enough to spit out Jonah himself. His lady had cleared up the breakfast plates and was finishing her knitting when we arrived back at the encampment.
Starting point is 00:43:03 I sat on the stoop of their trailer, emptying the sand out of my boots. clapping the heels together as a pair of pinheads wandered past. I'd just finished retying my shoes when the little man tapped me on the shoulder and motioned me inside. He had the woman's newly knit cover in his hand. The trailer was dim, old furnishings and photos everywhere, a sunken-in mattress on the far end. At the other was a shelf with a worn drape. The little man parted that moth-eaten velvet curtain with one gnarled hand and stood back.
Starting point is 00:43:46 Inside, I saw a jar, and in that jar floated a two-headed baby, bereft of life, face gnarled in a grimace of simultaneous birth and death, the hair lip not aiding it in the beauty department. It swirled gently in the murky bourbon-brown amniotic fluid in its glass womb. And then it put a hand against that glass and yawned, the hair lips spreading wide with the effort. Bubbles floated toward the lid of the jar as it did so. I started, stepping back and catching myself as I nearly tripped over the little man who strode forward with the knitting in hand. He asked me about my being a daddy, like the fortune teller told me.
Starting point is 00:44:50 He glanced back at me. Now, you know, how much the rest you believe is up to you. He held up the cover and began to pull it over the jar. Now, if you excuse me, the baby is cold. In our final tale, we deal with war. War, as we know it, isn't limited to large conflicts like world wars. For years. countries around the globe have dealt with regional wars which are just as devastating to their
Starting point is 00:46:00 populations. And in this tale, shared with us by author Daniel J. Green, we meet a man returning to his homeland to grieve his brother, and this is a man whose past is soon to catch up with him. Performing this tale are Graham Rowett, Marie Westbrook, Erica Sanderson, Tonya Milosovich, and Jake Benson. So understand this. Citizens don't soon forget the horrors of war, especially not the Raven Man. In the back of the cab, I chew my lip to shreds and wait to present my passport. I haven't been back here in 30 years, but oddly it still feels like home. They say there's no place like home, that home is where the heart is.
Starting point is 00:47:09 All that shit. I have a much more complicated relationship with Bosnia and Herzegovina. For me, home has always been a place of dread and unimaginable suffering. A place where flaming steel rains from the sky at random. Where your friends and neighbors can turn to bleeding pulp at any moment. But it's still home. Home is important, but it's never simple. The border guard scans the empty pages of my passport,
Starting point is 00:48:03 glances at me over his glasses and then stamps it with black ink. The driver hands the document back to me and I exhale. I'm home. For most of its history, Bosnia has inhabited a liminal state. Half European, half Asian, half Christian. Half Christian, half Muslim, half alive, half dead. In the 90s, it was apt to compare the endless rows of cemetery crosses in the hills around every town to the teeth of an ever-growing beast.
Starting point is 00:48:43 For nearly a decade, that beast fed on women, children, and hollow-eyed men, only growing in strength and size by the year. Today, the beast still lives, but its fangs have grown sallow and brittle. Its fat green belly no longer swells with the blood of youth, but with that of the old, sick, and jaded. Murkowski. The hostile receptionist is my passport. That's not a Serbian name.
Starting point is 00:49:22 She's sucking a cigarette under the no-smoking sign in the long. as if the hypocrisy were intentional. No, it's not. So how do you speak Serbian so well? I was born here. Of Polish parents. What do you care? She clicks her tongue and takes another drag off her cigarette.
Starting point is 00:49:50 You're 214. Lundry is four marks. There's a market down the street where you'll find everything you need. Like I said, I was born here. Then you will have no problems. She slides the room key across the counter and with that, it's as if I no longer exist. The floorboards grow under the weight of my step as I entered the room. For an extra five marks, I booked a queen bed, which now turns out to be two singles pushed together and draped with a sheet. The big luxury here is the private balcony.
Starting point is 00:50:41 I pull open the sliding door and lean against the railing to appear down at the street below. Beyond the asphalt, I can see the woods, black and green, and as ominous as I remember. Even before the 90s, before they were littered with landmines and booby traps, the locals would tell stories about the evils that lurk there. These woods have always exhibited an odd shifting quality, making them almost impossible to navigate. Just when you think you found your bearings, you step out into an unrecognizable plane, or, stranger yet, into a familiar street in the town itself. Attempting to memorize the woods of twisting valleys and rugged terrain is like trying to memorize the swirling patterns of the world. the wind. Its phenomenon is so commonplace to locals that it's rarely discussed. It merely looms
Starting point is 00:51:43 in our collective subconscious, like the inherent danger of fire. Of course this never kept children, myself included, from playing in the woods. In my younger days I was considered one of the few who could navigate them with success. This reputation followed me into the war, where my skills were put to tactical use. I know all the places where people wander, the false shortcuts, the trails where the trees seem to herd you into endless, infuriating loops. These are the places where the Bosnian soil drank most deeply the blood of traitors. I'm about to leave the room to head to the market when I find a letter on the floor by the door and immediately They recognize my uncle's writing.
Starting point is 00:52:36 The receptionist must have slipped it into my room and the time it took me to step out onto the balcony. I tear open the envelope and read. Peter Mertnitz. Sorry about your brother. My lawyer will meet you at the Golden Falcon Bar, Thursday at noon. He will finalize the sale of Darko's property, and the funds will be transferred to your account.
Starting point is 00:53:02 He is very good. so you do not need to worry. Then you can go back to your imperialist swine country. With love, Ivan Mersnitz. I smile as I read the last lines. If Uncle Ivan weren't the last living Merskneets in all of Bosnia and Herzegovina, I wouldn't waste a second with the old socialist bastard.
Starting point is 00:53:27 Such complex processes as selling foreign property become a lot easier when you have a man on the inside, though. Since I left, Bosnia's system of government has devolved into a bureaucratic shit show. That's part of the reason. Few of my blood relatives remain here. They all left for greener pastures. USA, Australia, Switzerland, or in my case, Canada. However, I can't truly say I left for greener pastures.
Starting point is 00:54:02 A better way to put it would be that my political differences, forced me out. This new EU puppet state doesn't approve of my kind, nor my ideology. Thus, the new name, Murkowski, a Serbian name like Mersnietz, aside from being nearly impossible for most English speakers to pronounce, raises far too many questions. A nice Polish name is much easier in Canada, a land where every white person is a third immigrant of some confused European ancestry, where bloodlines mean nothing, and where a Polish accent and a Bosnian Serbo-A-Nar for all intents and purposes indistinguishable. I fold the letter and tuck it away before continuing down the hallway and the stairwell. Before I can step out the front door, I hear the reception
Starting point is 00:55:00 voice ring out from behind the desk. See you later, Mr. Muznitz. I freeze. Before I can turn to speak, she disappears. God damn the Snoop. The market is farther away than I remember. Once inside, I waste no time finding the brandy aisle. Here, even the cheapest Bosnian plum brandy is better than the bottles of Swill exported from
Starting point is 00:55:40 Croatia. A few glasses of this should make up for lost time. I reach for a bottle, but stop as I send someone staring at me. When I turn, I see an ancient Bosnian woman. Her eyes locked on mine. I try to ignore her as I choose my bottle and head for the register. But my efforts prove fruitless when I realize she's the cashier. She orders behind the counter and holds out a plastic bag for my bottle. Don't need one. She croaks back in Bosnian. Whatever you say, Mr. Mersnitz. Hearing my family name in that dialect in this part of the country takes my breath away. When I look at her, I see my own confused terror registering in the black pits of her eyes and she laughs. No.
Starting point is 00:56:46 You didn't kill all of us. That's 15 marks for the brandy. How do you? Thoughts, questions, nightmares were through my mind. It said 10 marks on the shelf. And how did you... Your money should be the least of your worries. Fifteen marks for the brandy.
Starting point is 00:57:27 crook. And you're a murderer. I open my mouth to speak, but nothing comes out. I placed the 15 marks on the counter as I step away, watching her the whole time as if at any moment she might turn into a rabid beast and leap the counter. I'm about to cross the threshold when she begins shrieking at an unholy pitch. He has forgotten. Nobody! I bolt out of this door.
Starting point is 00:58:04 store, heart pounding in my ears. But in my panic I trip and drop the bottle to the ground, where it explodes against the asphalt. In a reflexive attempt to break my fall and put my hands forward. It's the time to lodge the broken shards of glass into my palms. Red rivulets pour down my wrists as I writh on the ground, bloody and doused in brandy. My next thought is to turn and protect myself from the old woman, who I assume will be standing over me, ready to bash my skull in. But when I look, I see that it's just me, alone, panting in my own filth. That is until a young girl in a red store apron burst through the door and gasps upon seeing me. She hurries to me, unties her apron, and presses it to my leaking hands.
Starting point is 00:59:03 I knew you should have taken a bag for that. She clicks her tongue as I pull away the apron to look at the carnage. She gasped again as I extract a shard of glass from its scarlet socket. You need a doctor. Never mind. I say maybe a little too gruffly. I stand keeping the pressure on my wounds while ignoring the growing static in my ears. Well, at least let me replace that.
Starting point is 00:59:37 She disappears for a moment and returns with a new bottle. Here. I smile at her, so innocent, so caring. Then, for the first time, I notice her Serbian accent. That couldn't have been your mother yelling at me, could it? Is the old woman always so miserable? She tilts her head, confused. An uncomfortable silence grows between us.
Starting point is 01:00:16 You must have heard the commotion. I'm sorry if I said something to offend her, but my God, the way she was screaming. Again, she looks at me silently like I'm speaking of foreign language. Maybe get home and rest, sir. You sure you're all right? I wait for her to say something. Anything that makes sense. But it doesn't come.
Starting point is 01:00:51 I need to watch the register now. She's gone. Back in my room, I tear the sleeves from an old shirt and wrap my palms. When I'm finished, the bathroom reeks of blood and plum liquor. The static in my ears has grown to a steady din after a few shots of brandy, and the last thing I need is to faint and bust my teeth on the floor, so I stumble to the bed and collapse. I paw at the remote control, and after a bit of fumbling,
Starting point is 01:01:36 managed to switch on the television. The news shows demonstrations in the Bosnian Serb capital Boniuluka, where young men brandished signs and guns. I switched to a singing show where a beautiful Macedonian girl builds out a melody about her homeland. I'm about to switch to the next channel when a commotion on the balcony diverts my attention. I look, but at first can't make out what I'm seeing,
Starting point is 01:02:06 being more hearing, being that I'm drunk on brandy and blood loss. But when I squint, I can see black, undulating shapes, just through the space where the drapes almost meet. Then that sound again, a clicking, dragging sound, like a dog with long toenails, scampering across hardwood. But there's another sound accompanying it too. A cavernous croaking, singular. before growing into a chorus. Despite my dizziness, I leap from bed to see what the hell is going on.
Starting point is 01:02:44 When I tear the drapes apart and slide open the door, I see ravens. At least a dozen of them perched on the railing of my balcony, and along the metal backs of the chairs, as one they turn their glassy eyes on me and fall silent. Shoe! Shoe! I try to scare them away by waving my bloody hands, but they stand their ground. All right, then. I step back into my room and retrieve the broom from the closet.
Starting point is 01:03:23 Come on now. Shoe! I swipe at them at the broom, but they dodge it by leap into the air and beating their long, satin wings. The moment I stop, they simply... They simply land on the railing again and blare of me. The sons of bitches! I cocked the broom back and prepared to deliver a fatal blow. But just then, a high-pitched whistle, sharp as a scalpel to my eardrums, cuts the air.
Starting point is 01:03:58 I stop and watch in awe as the ravens lift into the sky in unison before swooping down to the street. I didn't notice him at first. And I see now there's a man standing there. He lifts his arms to create makeshift purchase for the birds. Those that can't find space on his arms congregate at his feet like a shadow. Hey, your bird's shit on my balcony. Silence. Dozens of dead obsidian eyes stare back at me.
Starting point is 01:04:37 If they come up here again, I'm going to kill them, you understand? I strain my eyes to read the features of his face, but it's too dark. All I can see is the blank oval of his head atop, narrow shoulders. He's tall, rail thin, wearing a black coat that falls to the pavement. You hear me, Raven Man? The asshole is ignoring me. He drops his arms and his shadow of birds transforms into a storm cloud that thrash, that thrashes and screeches above his head.
Starting point is 01:05:20 As he turns to the woods, I catch a glimpse of the side of his face in the streetlight, and sour bile stings my throat. By the time I can process what I've seen, he and his ravens are gone. Am I losing my mind? How much blood have I lost? The man's face,
Starting point is 01:05:44 it looked melted, or burnt right down to the muscle. They had no nose, no cheeks, hardly any flesh at all. There's a pounding on my door, and my heart nearly stops. When I open the door, I see the receptionist with a cigarette in her mouth,
Starting point is 01:06:10 looking thoroughly unamused. You haven't been here two hours and have already received complaints. She glances at my heart. but doesn't comment. About what? You're just yelling from the balcony, threatening dragon, that you would kill his birds. I heard it from downstairs.
Starting point is 01:06:38 I didn't need the phone calls from the other guests to know that you were coming unraveled. I'm going to kick you out if you don't smarten up. Wait, dragon? Raven man, as you called him. You know that freak? Of course. I thought you were born here. Well, his damn birds made a mess of my balcony. I hope you have fun cleaning that up.
Starting point is 01:07:10 Mind your own business, Mr. Musnitz. I mean, Merkowski. That's rich coming from you. Stay the hell away from me. And if you tamper with my mail again, I'll go to the police. Her cigarette smoke, curse around her face. as she glars at me. She turns to leave,
Starting point is 01:07:33 but I have to ask. What happened to him? She stops, but refuses to give me another look. All people should understand what happened to Dragon. You and your paramilitary thugs. She shakes her head and disappears down the hall. When I return to the market the next morning, I see the same young girl at the register.
Starting point is 01:08:14 She gives me a quick double-take, but otherwise ignores me as I saunter through the aisles and collect my ingredients. Flower, yeast, rat poison, more plum brandy. Everything errors I can get from the communal kitchen at the hostel. There's terror in the girl's eyes as she rings up my items. And a pack of Durinas, king-sized. She nods, reaching for the cigarettes.
Starting point is 01:08:50 Anything else? No, I smile. This will do just fine. When the loaf of bread comes out of the oven, it looks ominously delicious. Crisp brown crust, worn, fluffy middle, intoxicating aroma. Those damned birds won't be able to resist.
Starting point is 01:09:27 Back in my room, I tear at the crowns and scatter it evenly across the balcony. Then, just for good measure, I throw some over the railing like a fisherman, chumming at sea. My work complete, I wash my hands of the poison and plop onto my bed to watch the show. The room fills with smoke as I burn through my cigarettes
Starting point is 01:09:51 and drink my brandy. There's nowhere I'd rather be. Nothing I'd rather be doing, I think to myself, vengeance is in my blood. It's who I am. My eyelids grow heavy as I stare out the balcony window and wait for the ravens to return. I close my eyes and, for what seems like only a few minutes, I disappear into the oblivion of sleep.
Starting point is 01:10:20 I awake with the start of the familiar clack of talons on metal. Looking out the window, I see black feathers bobbing and pecking at the floor of the balcony, the toxic crumbs having long disappeared down the bow. I jump from bed and fling the balcony door open, causing the birds to flee to the railing. An evil, guttural laugh builds momentum in my stomach as I realize their defeat. I merely double over when a familiar whistle cuts the afternoon air, and the birds flock to their gaunt and ragged master on the street below. Oh, hello there, Ray.
Starting point is 01:11:05 A man! I thought I would miss you today! Being closer to him now, in the light of day, I can better make out the scars on his face. It looks as though he's wearing a bad Halloween mask. All of his extremities appear to have been eaten away by fire. Ears, nose, chin, or gone. What skin remains, droops like cheap plastic left to warp in the sun. Black gloves cover his hands, and a long black coat conceals everything else. I figured that after all they're sitting last night, your little friends would need a snack.
Starting point is 01:11:52 I start to laugh again. I can't help it. It's just so sweet. Are they full now, or do you suppose they need some more? Whether by choice or because his wounds prevent him from speaking, he says nothing and retreats into the woods. His loyal black storm cloud close behind. Farewell, my friends. Come back soon. I'm grinning ear to ear as I return to my room.
Starting point is 01:12:36 It's not even noon yet, and I've accomplished, wished so much. I snatched the brandy from the dresser and take a long celebratory swig. Oh, this sweet, fiery liquid stings my belly as I drop to my bed in a fit of laughter. I imagine those damned birds dropping from the sky, twitching on the ground, contorting the various angles of death as their master kneels before them, himself broken inside and out. God, it's sweet.
Starting point is 01:13:19 After a few moments, though, the feeling passes, and I'm left empty. I hadn't planned on succeeding so quickly, and now my mind begins to spin. How will the Ravenan react? Will he confront me? Will he in turn seek revenge? Oh, how I would love to see him try.
Starting point is 01:13:46 My face flushes with rage as I imagine it. In one motion, I rise from bed to grab the bottle, but as I tip it back, only a few warm drops of backwash drip onto my tongue. Son of the bitch. I squeeze the bottle, my knuckles stretching white as I consider chucking it across the room. Patience, Peter. I take a deep breath as I pace the room. I shake my head as if to clear the image of the raven man scorched onto my retinas. He's just a freak.
Starting point is 01:14:29 What's he going to do, sick as birds on me? I try to laugh again, but it feels forced now. Damn it, Peter. It's time to celebrate, not mope around. I find my shoes and begin tying the laces. I need a drink. The golden falcon bar is one of the few establishments in this town that hasn't changed much since the war. Inside they still display the Serbian cross. They still serve nectar pevo, a Bosnian Serb beer that's hard to get in other parts of this country.
Starting point is 01:15:20 And on the menu, they use the Serbian spelling for the word bread. They've even hung the Serbian flag on the wall, albeit right next to the Bosnian one. I smile as the bartender rounds the corner and takes my order for a beer. Anything else? Give me a plum brandy. It's homemade, right? He smiles, revealing two rows of jaundice teeth. Of course, brother.
Starting point is 01:15:58 When he returns, he's carrying two glasses. One for me and one for himself, I presume. You speak our language like a local, but that's a unique accent you've got. You film around here? Of course. Republica Serbska, born and raised. The greatest country that never was. He laughs and looks around the empty bar
Starting point is 01:16:27 before taking his seat across from me. Don't get me started. He lifts his glass. To Bosnia. And to Serbia. Something flashes across his eyes. A thought, a memory, a flicker of recognition. But whatever it is, he keeps it to himself.
Starting point is 01:16:59 Seemily, we down the brandy. It's homemade, all right, fiery and undiluted. As we finish, I catch him with that look in his eye again. I'm about to bring it up, but he speaks first. It looked like you've been to war. The comment catches me. off guard. But then I see him looking at the bandages on my hands. Yeah, in more ways than one. I chased the home brew with a deep swallow of beer. Speaking of which, who is this freak I keep
Starting point is 01:17:47 seeing? He's tall, dressed in black, horrible face, followed around by birds. He crosses his arms and smiles. Yes. Dragon. So, who is he? An old sergeant of the Bosnian army. There's still a few of them around. But what happened to is, I gesture vaguely to my upper body.
Starting point is 01:18:21 Well, you all know how things ended? The spark of his lighter casts deep shadows under the bags of his eyes as he lights a cigarette. He speaks as if he's saying the most obvious thing in the world. He and these men, they were fighting with what was left behind, finding a gun here, some ammo there. The Bosnians were a bunch of ragged, starving teenagers back then. They had all the men digging trenches so their grandchildren could go out with shotguns to fight the entire serve army. It was pitiful. We all knew how it would end.
Starting point is 01:19:07 It's just not when. He takes another drag off his cigarette, and then I see it again. That implacable look of knowing, of remembrance, of a memory that no words can express. One night it ended. The Serb surrounded the farmhouse where he and his men had been hiding out from the shelling, laid down some heavy machine gun fire to keep them away from the doors and windows and seal the place up tight. You know, barricaded the doors put it up their windows. Then they doused the place in gasoline.
Starting point is 01:19:49 I'm waiting for him to continue when I see his hands are shaking. Somehow, Dragan lived. All those young men burnt up and somehow he lived. Because he was a mess. Reports got out that the Bosnian army had finally been defeated here, saw a UN convoy came through to look for evidence of war crimes. The Serbs would have just executed the poor bastard on the spot, but they had to be on their best behavior.
Starting point is 01:20:27 He was taken to a big military hospital in a safe area, and nobody saw him again until the end of the war. Even after all that, he refused to leave this time. Never spoke again, though. Over the years, the locals have counter-regard him as a sort of folk hero, as some kind of chosen one, protected by a higher power.
Starting point is 01:20:51 Those ravens, you see? They say they're the souls of the boys who burnt up in the farmhouse. He snorts and rises to his feet. It's all magical vest in thinking. Those men are ash, you know, dead. They've been absorbed by the Bosnian soil.
Starting point is 01:21:16 like so many of our brothers. He steps away from the table and returns with the whole bottle of homemade brandy. We drink another round before he shoots me that look again. I'm sure you have your fair share of stories. Where are you in all that hell? My head is spinning from the days drinking, but I managed to keep from slurring my words too much. They swore was over 30 years ago now.
Starting point is 01:21:54 But as I look around, I realize that in many ways it never ended. I used to call these woods my home, you know? I played in them as a boy, and then I hunted in them as a man. My motor crews trusted me to navigate these woods. My infantry would follow me because they trusted me to lead them around the mines, I'd said. Of course, as an engineer, laying mines was my bread and butter. I set them perfectly. I was the best.
Starting point is 01:22:29 I hid them between rocks, next to tree roots. It was all a deception. I built paths to death, you see? I laugh and suck down another gulp of beer. I'd hear the mines going off as they laid in my bunk at night. Sometimes the sound would be followed, by moans or calls for help. Then another blast and another.
Starting point is 01:22:57 In the morning we'll go in there and clean up the pieces and collect the weapons. As I speak, I catch a twitch in the bartender's eye. He's not smiling anymore, but I can't seem to stop talking. Then there were the trip wires. Setting those with... The glass is empty, brother. Before I can check, he's already collected it. Now he's filling it at the bar.
Starting point is 01:23:29 He's teleported there somehow, it seems. The liquor must be really hitting my bloodstream. My reaction time is delayed. The vents around me seem to finish before I can comprehend that they've even begun. The next thing I know, I'm holding a fresh glass of beer. I'm bringing it to my lips. And when I look down, I see that half the drink is gone.
Starting point is 01:23:55 and my lips are wet and sweet. As I was saying, I... Wait, don't tell me I'm talking to who I think I'm talking to. I try to look into his eyes, but somehow I can't seem to find them on his face. I was the bastard setting tripwires. I try again. You're not...
Starting point is 01:24:28 You're not, Sergeant. Muznichario? I swallow the rest of my beer and slam the glass on the table. You're damn right I am. I look up in time to see two men standing over me. Two unfamiliar faces. Two impossibly unfamiliar faces. Where did they come from?
Starting point is 01:24:57 They grab me under the arms and drag me to the front doors. Hands off me! You're drunk I open my eyes in time to see black asphalt careening toward my face I don't feel the impact as I hit the ground but I taste the blood flowing into my mouth The collision jars me back to lucidity
Starting point is 01:25:27 And with it comes a wave of fresh pain I run my tongue over my front teeth And feel two jagged nubs of enamel With legs of rubber I manage to stumble back to the door from which I was just flung. You sons of... Your mothers are... I don't have time to finish my curse
Starting point is 01:25:51 before I noticed the barrel of a shotgun pointed at my skull. Go home, Peter. The bartender grips the gun. All of his previous hospitality has dissolved. All the way home, wherever the hell is these days. days. You're not welcome here anymore. Oh, come on! I spit a mouthful of blood and two fragments onto the street.
Starting point is 01:26:23 Don't tell me they got you too! Fuck me! You're all puppets of a European state! Anybody in this town would give a shit if I put an old war criminal like you out of his misery. In fact, you know what? Please, do us all a favor and give me a reason to put a shell between your eyes. My heart is pounding as my mouth feels with fresh blood. My vision has constricted to a narrow band of light,
Starting point is 01:27:04 my peripherals fading slowly to black. I'm drunk, but I'm not stupid. I know I only have a few minutes before I pass. out. Fine. You win. I spit again, just to make a point before turning to leave. Your brandy tastes like shit. As I drag my carcass back through the town, I see that everyone is watching me. Dark, hateful eyes peer from balconies, from the windows of shops and cafes. In response, I bear my teeth at them and hiss, so that bloody foam oozes between my lips and dribbles down my chin. Then I catch a glimpse of myself in the reflection of a shop window and see what I'd become.
Starting point is 01:28:06 Broken, powerless, weak. A real man would have stood his ground against that bastard. I think as I retreat back to my hostel. Once there, I pushed through the front doors and thank God that the receptionist is there. Crawling up the stairwell, I spend what feels like hours trying to find the right key. The last thing I remember before hitting the pillow is wiping my bloody hands on the bed sheets. I awake to complete darkness, and for a moment I think. I think I've gone blind.
Starting point is 01:28:54 I scrabble from the bedside lamp and switch it on, igniting a thunderous migraine behind my eyes. I put a hand to my mouth and feel dried blood, the jagged stalactites of my teeth. It wasn't a dream, I think, with a groan. Then I hear it, again, scratching, clicking, A sound like fingernails dancing across metal. A sound like filthy talons on my balcony.
Starting point is 01:29:29 I swing open the balcony door. At first I believe that what I'm seeing is all in my mind. But as my vision adjusts to the darkness of night, there they are. There's goddamn birds on back, beating their wings, squawking and chattering like little demons. This time I go straight for the broom.
Starting point is 01:29:58 I swing at them with all the might I can muster. To remember, dodging each would-be blow as if it were again, and my third attempt I miss completely and break the broomstick over the railing, producing a loud clang that surely wakes up half the neighborhood. Sure, Tamil! Sure! I wail. Broken broomstick in hand, blood pouring from the fresh,
Starting point is 01:30:25 the open sores in my mouth. Then I see him. The Raven Man. Of course he's here. Of course he's standing under the street light at the perimeter of the woods. I can't see his face, but I know he's watching me.
Starting point is 01:30:43 I know he's enjoying every moment of this. I see you, Raven Man! I'm going to kill you! I'm going to finish what should have been done 30 years ago! In a fate of rage, I hurled the broken broomstick over the railing at all. It lands uselessly in the street, not even close. I go back into the room and grab the empty brandy bottle.
Starting point is 01:31:09 Eat this! I throw it with everything left in me. But before it even leaves my grasp, I can tell it's going to fall short. It explodes in the street, and I see a light flick on in a neighboring bedroom window. Through all the commotion, the raveness continues, the incessant rustling and scratching and cackling, seemingly laughing at my incompetence. Then, as if against my will,
Starting point is 01:31:42 I find myself descending the hostel stairwell, crashing through the front doors, stumbling across the pavement toward the dark figure under the orange sodium bulb glow of the street light. But just as I approach, he recedes into the shadows of the woods. I laugh, a desperate, broken laugh.
Starting point is 01:32:06 I've got you now, you son of a bitch! Those are my woods! You hear me? Mine! I'm moving as fast as I can, but feel like I'm underwater. I trip on a tree root and feel the rocky earth tearing through my shirt sleeves and biting into the flesh on my elbows. A groan escapes my love.
Starting point is 01:32:30 as I roll onto my back. Ah! From this position, I see a shadow disappeared on a trail and haul myself to my feet. I managed to take a few steps forward, before rolling my ankle on a tree root, and the next thing I know I'm faced down again in the dirt. But this time when I stand and look around, all I see is darkness. No trail, no trees, no distant glows, three. distant glow, street lights to guide me.
Starting point is 01:33:07 My breath tremors in my throat in short gasps as I reach my ragged hands forward to guide myself through the shadows. Where the hell is the street? Where the hell is anything? Somebody help me! My voice sounds impossibly quiet now. Muffled as if insulated by the very darkness of the woods. Nobody!
Starting point is 01:33:40 I dropped to my hands and knees. and feel around the forest floor for clues as to where I am. Anything to guide me out of here. Then at last I feel it, the smooth, flush surface of the trail. Slowly, cautiously, I rise to my feet and shuffle forward, arms outstretched as if blindfolded. Each jarring step sends fire through my broken body. Each snapping twig comes as a lightning strike to,
Starting point is 01:34:14 my pounding head. Each metallic click of a... There's a flash of light. A deafening bang, followed by a profound ringing in my ears. Then a feeling like ice in my veins and some strange liquid pools around me. Nothing makes sense.
Starting point is 01:34:34 My limbs aren't where they should be. My legs aren't. I reached down to rub my aching calves. But all I feel is, Warm mud, simply vanished, replaced somehow with stringy, pulsing stumps.
Starting point is 01:34:53 I tried to call out, but there's no air left in my lungs, so I resort once more to crawling. I pull my corpse across the forest floor toward a new orange glow that has appeared through a clearing in the trees, and salvation at last. Without my legs,
Starting point is 01:35:14 I'm lighter, now. I can move more efficiently than I ever could on my feet. The orange light grows clearer, taking a swirling, twisting shape. I am almost there. I smell smoke. I smell the old familiar scent of gasoline and blood. The orange glow falters as a dark shape moves in front of it. When at last I emerge, I find myself in a patch of scrub grass. Somebody's backyard. I'm disoriented at first, but now I know where I am.
Starting point is 01:35:55 An old as Astava Hugo is parked beside my brother's woodpile. Darko Serbian flag hangs from the car's rear window. But his house, my house, it's the source of the orange glow. It's engulfed in flames. The raven line stands before it and watches as it burns. And for once I can get a good look at his face. There's a smile there as he brings his fingers to his warped lips
Starting point is 01:36:27 and releases that soul-piercing whistle. His ravens spawn from thin air. They screech and cackle as they watch me bleed into the soil. Then they swarm like death itself. One of them lands next to my bloody stumps and begins tearing at the charred flesh that dangles there. I raise my arms to bat it away, but I'm too weak. More ravens land around me.
Starting point is 01:36:59 Some use me as a perch as they gorge themselves on scorched flesh. As they feed, the raven man laughs. I take one. final look at what's left of my brother's house. And then it's black. With the show now being over, I'm going to head off into the surf. Thanks for listening. Be sure to join us next week.
Starting point is 01:38:00 I'll still be at the beach. And we'll have more horror stories for your sleepless nights. The No Sleep podcast is presented by Creative Reason Media. The musical score was composed by Brandon Boone. Our production team is Phil Mikulski, Jeff Clement, Jesse Cornett, and Claudius Moore. Our editorial team is Jessica McAvoy, Ashley McAnally, Ollie A. White, and Kristen Simito. To discover how you can get even more sleepless horror stories from us, just visit sleepless.com to learn about the sleepless sanctuary. Add free extended episodes each week and lots of
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