The Personal Finance Podcast - How to Become a Million Dollar Creator with Jay Clouse
Episode Date: September 20, 2023In this episode of the Personal Finance Podcast, we're going to talk about how you can build wealth with the creator economy with Jay Clouse. How Andrew Can Help You: Join The Master Money Newsle...tter where you will become smarter with your money in 5 minutes or less per week Here! Learn to invest by joining Index Fund Pro! This is Andrew’s course teaching you how to invest! Watch The Master Money Youtube Channel! Ask Andrew a question on Instagram or TikTok. Learn how to get out of Debt by joining our Free Course Leave Feedback or Episode Requests here. Thanks to Our Amazing Sponsors for supporting The Personal Finance Podcast. Shopify: Shopify makes it so easy to sell. Sign up for a one-dollar-per-month trial period at shopify.com/pfp Factor 75: Head to factormeals.com/pfp50 and use code pfp50 to get 50% off your first box. These are amazingly easy and nutritious meals. Delete Me: Go to joindeleteme.com/PFP and use promo code PFP you’ll be able to save 20% off your DeleteMe subscription! Protect yourself online! Indeed: Start hiring NOW with a SEVENTY-FIVE DOLLAR SPONSORED JOB CREDIT to upgrade your job post at Indeed.com/personalfinance Connect with Jay Clouse Website Twitter Linkedin Youtube Tiktok Connect With Andrew on Social Media: Instagram TikTok Twitter Master Money Website Master Money Youtube Channel Free Guides: The Stairway to Wealth: The Order of Operations for your Money How to Negotiate Your Salary The 75 Day Money Challenge Get out Of Debt Fast Take the Money Personality Quiz Learn more about your ad choices. Visit megaphone.fm/adchoices
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On this episode of the Personal Finance Podcast,
we're going to talk about how you can build wealth with the creator economy with Jay Klaus.
What's up, everybody?
Welcome to the Personal Finance Podcast.
I'm your host, Andrew founder of mastermoney.co.
And today on the personal finance podcast, we're going to be talking to
Jay Klaus about how you can build wealth with the creator economy.
If you guys have any questions, make sure to hit us up on Instagram, TikTok, Twitter,
at MasterMoney Co.
And follow us on Spotify, Apple Podcasts, or whatever podcast player you love listening to this podcast on.
And if you want to help out the show, leave a five-star rating and review on Apple Podcasts or Spotify.
And if you want to watch this interview, you can watch it on the Andergen Kolo
or the Master Money YouTube channel as well.
So today, I am really excited to have Jay Klaus on this podcast.
So Jay is a creator who has really been building his business over time.
And the reason why we want to have Jay on today is I think that there is a lot of people out there
who do not understand the creator economy and understand that a lot of people may have content
that they can create where they can earn an additional income.
And it may even be able to become a full-time income if you understand how the,
economy and how fast it's been growing over the course of the last 10 years. And we're going to talk
about in addition, is it too late to get started in the creator economy? Then we're going to talk
about how to become a creator and what a typical day or week would look like, how you can actually
build out your content plans, all of those different things. We're going to talk about how creators
earn an income and how you can start to earn an income potentially in the first year and beyond
and how long you think it would actually take to earn a full-time income. We're going to talk to Jay about
that. And we have some other questions like some of his favorite creators to use for examples.
We talk about some of our famous questions that we always have in this podcast as well.
And of course, what wealth means to Jay. Now, if you've never heard of Jay, Jay has an amazing podcast
called Creator Science. And Creator Science is a podcast that I actually listen to every single
week and dive into his episodes. I think he's got some really cool stuff there if you're interested
in the creator economy. So definitely check out that podcast in addition to his newsletter and everything
else we talk about in this episode. So without further ado, let's welcome Jay to the personal finance
podcast. So Jay, welcome to the personal finance podcast. Excited to be here. Money makes people nervous.
And it used to make me nervous. So there was a time when I'd be nervous to be here, but I'm no
longer nervous to be here. Well, I'm really excited to have you on here as well. And that's our
entire goal is to kind of reduce that stress and anxiety around money for people. And I'm pumped to
have you here today because we're going to talk a little about the creator economy and how creators actually
make money and we're going to go through that entire process. And I think this is a really interesting
concept for a lot of people out there because I think a lot of people have things that they could share
within the creator economy, maybe even earn an additional side income or it becomes a full-time
income. And so that is why I'm really, really excited to have you here today. Now, you have a
really cool story. And I've been following your story for about the last year or so. But I know your
backstory is really interesting. And you've actually become a full-time creator. So can you kind of talk about
your backstory and how that happened? Yeah. Well, I grew up in a farm,
town and my parents, my entire extended family, they were like K through 12 educators.
And I just thought that's like what life was.
I thought you grow up, you go to college, you get a degree in something and you do that
thing for 35 or 40 years and then you retire on a pension, thinking that like every job
had the same model as teaching.
And I didn't know what I wanted to do when I went to college, but I just knew I didn't
want to teach.
That's what I thought.
I was like, well, I don't want to do that.
But I'm going to go to a big college.
I went to Ohio State so that I can have whatever I figure out I want to do, like,
I'm sure I can learn it at a large university.
My freshman year, I was lucky that I had a common wall in my dorm with a couple of guys
who started businesses in high school.
It just blew my brain wide open.
I did not know you were allowed to do that.
I did not have any entrepreneurs in my life growing up.
I had no model for that as an option to build your own path.
So I got really interested in entrepreneurship, which at the time I really thought was just like
tech startups.
This is when Facebook and Airbnb and Uber, it was like the big,
explosion of those apps. And so I started in startups. And I co-founded a company in 2014. We went
through an accelerator and raised funding and sold that company. Then I started working in another
venture-backed company in healthcare, but I hated it. So in 2017, I went out on my own. And right
around that time, I'd started working at the coach, too, because I knew I wanted to go back out
on my own, but I didn't, I just couldn't get myself to do it. And I didn't know why. And we discovered
that I had this underlying, limiting belief that I was not a creative person. And,
I thought that I needed somebody else's ideas, their vision for me to make it happen.
And so in 2017, I started the process of flipping that belief on its head, started doing some
writing, some freelancing.
And that's when I started to discover beginnings of we're now calling the creator economy
with email and courses and things like that.
And so fast forward to today.
And now I'm doing the creator thing at a pretty high level on a bunch of different platforms,
whole diversified business plan.
It's like I'm doing a startup again,
but now it's a startup where the product is contact.
And I love that.
And I think that it is so cool that you kind of figured that out along the way
and kind of learned how to do this along the way.
And I know you've worked and met with a lot of different creators.
And on your podcast, you interview some of the best creators in the world,
which is really, really cool to kind of see how you start to take some of those things.
And you've been implementing them and mastering some of these different platforms,
which is really, really interesting.
Now, we have seen the creator economy grow to massive scales over the course of the last
10 years, as you alluded to, you started to see it grow in 2017 when you were working through the
creator economy. So do you see this growth continuing over the next 10 years, or is it too late for
someone to get started? Definitely not too late for someone to get started. I think that 10 years from now
will look at people who were starting today and think that they were ahead of the curve and they were
just geniuses for starting when they did. So I don't think it's too early to get started. I do think there's
some nuance here where I see the creator economy itself as kind of a spectrum with two poles.
on one side you have what I would call creator entertainers people like Mr. Beast, Emma Chamberlain, Logan Paul.
On the other side of the spectrum, I would have people that I call creator educators, people that are really teaching people new skills, new abilities, a way of understanding things. I'm much more on that end of the spectrum.
And of course, there's a middle ground where people are both educating people and being really entertaining while they do it.
That is a great place to be, but now you're trying to be really good at two things at once. So you've got to kind of start on one.
I think 10 years from now, there's going to be a continued explosion of people on the educator
side of the spectrum because there is so much room for growth there. Last year, there was more
enrollments in higher education institutions in the United States than any year prior. So there's still
a huge value on education. And tuition continues to rise and rise and rise. We're seeing
institutions when they hire people, they don't care about certification as much. So you're going to see
that there's more and more people who teach independently skills that maybe you learned at a
university level, maybe you learned on the job. And there's so much space for people to get into
that game right now. I think it's just the first inning, if you want to use that baseball
analogy. And I completely agree because you can even think through people who are trying to level
up in their careers, for example, there's so many things that you're learning within your career
that you could teach other people. And you can, there's so many different cool things that you can do.
One example I think of is like Ms. Excel, where she's teaching people how to kind of go through
Microsoft Office and Excel and all those different pieces. And she's making millions of dollars per
year now just by teaching them those simple things. So sometimes people who are in the creator
economy don't even realize that there's little small things that people really want to learn.
And it can help them accelerate their path to making more money and or becoming a better person or
all these different things that can happen just by doing that. So I absolutely love that. I kind of
want to shift gears here to how someone can become a creator. Because if they've been thinking about
this for a long time, a lot of people think about doing it, but they don't ever start it because
maybe they're nervous to take that first step. So if someone wanted to become a creator,
what platform would you kind of tell them to start with, or how would you think about that if
you're trying to decide which platform to start with? So I have a framework for this called parts.
And the whole thing, if you want it in depth, is that creator science.com slash parts.
But P stands for premise. A stands for attention. R is revenue model. T is trust,
and S is systems. And this is a stepwise approach to doing this. And we could talk about platforms,
think before you jump onto any platform, you need to know, well, what am I making and sharing?
What is the thing that I'm even teaching? And to me, that is your premise. And I like this word
premise a lot. A lot of people will say, choose your niche, find your niche. And my issue with that is,
even niches get competitive. Or you go so narrow that it becomes completely restrictive. You start
saying things like, okay, well, I am for dads who live in Iowa, who love Lego. And it's just like,
okay, this is really small now.
Like, this is something that's going to be hard to grow over time.
A premise is looking at a type of audience who wants a type of outcome, and you are delivering
that in a unique way or your message is delivered in a unique way.
There are lots of people who have a similar, like, audience avatar and thing that they
teach, but their premise is slightly different.
Their viewpoint on it is different.
Their personality is different.
And there's room for people to teach the same process, same outs.
outcome with a slightly different viewpoint and build a viable business. So you get to ask yourself,
who am I trying to create for? What am I trying to help them do? And what is my unique viewpoint
on this process? That is step one. And then we can talk about attention or the platforms next if you'd
like. Yeah, absolutely. Because when they're trying to think about this, obviously, that's a great
point there is to make sure you understand what you're going to be teaching first, because that is
going to be a huge, huge factor. And kind of nailing that down. And one thing I remember doing early on
is before I even started this podcast, I wrote out a entire list of
of do I even have enough topics to talk about when we do something like this? So I would write down
an entire long list of the topics that I wanted to go through. And all of a sudden, when I started
writing them, I had hundreds and hundreds and hundreds of different topics. And I knew, okay, I have
enough information that I can talk about on this podcast. And that's kind of how I went through with each
and every platform that we try to kind of go through and grow. So when you have someone who comes to
you and says, you know, I have my premise. I know exactly what I'm going to be talking through.
Which platform should I use? How do you tell them to think about that? I think this is another
bifurcated decision. There's two options here. There's two things you need to understand.
There are platforms that I classify as relationship platforms, and there are platforms that I classify
as discovery platforms. A discovery platform is something that has built-in discoverability to it,
so that people who have not already explicitly chosen to view or consume your content may see it.
This is social media. This is YouTube. This is anything with a search engine in it.
Those platforms are incentivized to connect great content.
to people who want it, even if those people have not connected yet.
That's what the algorithm does.
So a lot of people start here.
A lot of people go straight to social media.
And they say, well, there's a lot of people on TikTok or Instagram.
I'm going to start teaching there.
And that's okay.
That's a great way for getting in front of new audience, which in the beginning, when you're
trying to grow an audience, you've got to do.
Then you have relationship platforms, which are things like email, podcasting, SMS,
in private communities.
There is no built-in discovery mechanism there for new people to discover you, or
at least very small. You know, there's a little bit of it now in email. There's a tiny bit of it
in podcasting if you're like listed in the podcast Discover page. But generally, there's no
third party that's incentivized to connect other people to your content. You've got to do that hard work.
But these are systems of distribution that you own and control. You know, somebody follows you
on Twitter, I guess it's X now, whatever we got to call it. They may not see the thing that you publish.
It might not even go in their feed. They might not see it. If you send an email, it's going
to that person's inbox. What do they choose to open is up to them, but it's going in their inbox.
You know, that is happening. Same podcast. When you publish a podcast, it's going in their RSS fee.
So the game is, how do I leverage discovery platforms to get my message in front of a new audience
and get them interested in joining me on some relationship platform where I control that
means of distribution? It's more likely that I can go more in depth, have more long form conversations,
discussions, content there.
And that's really where trust is built over time.
So that's the whole game, in my view, is understand your premise, create content on
discovery platform, get people over to a relationship platform.
For me, that process has been Twitter to email and from email to podcast, you know.
So it's kind of a funnel in that way.
Exactly.
So you can pair a couple of them together in that way, which I think is really, really interesting.
Would you recommend someone do multiple discovering platforms?
Do you think they need to master one before they actually go through that process?
so they can get people back to their relationship platforms.
Historically, I've not recommended doing multiple discovery platforms at once.
Because if you're doing one discovery platform and one relationship platform,
that's still two things that you have to do well.
And the thing about each of these platforms,
they're all their own game and there are games within the game.
You know, you think that, hey, if I am publishing on Instagram,
I just have to learn how to make great content on Instagram,
and that's how it will work.
I wish that was true.
But, like, there's still other things within Instagram that you have to learn how to do well.
Like you have to format things well.
You have to understand how different elements of the platform work.
You really have to understand who are the other players in the game and how do I collaborate with them.
So you could spend all day, every day, just doing Instagram well.
So to try to do multiple things well, that's really, really hard.
Now, what we're seeing right now is an interesting time where if you do short form vertical video,
you can essentially cross post that same vertical video to Instagram, TikTok, and YouTube shorts with video.
little change and see a good return on that effort. So it might be worth doing. If you're doing
short form vertical video, you could try to take on Instagram, TikTok, YouTube shorts at the same time.
If you're good at short form writing, you could take on Twitter, LinkedIn, and threads at the same
time. But I really would pick one platform in that paradigm where you say, this is the one that I'm
really trying to do the best. And the others, I'm going to crosspost and hope for the best,
to help it starts attracted to people, but I'm really playing the game of Instagram,
or I'm really playing the game of TikTok.
Exactly, because it takes some time to even master each platform and I think doing some of
the things that in getting that practice and on that one single platform so that you can put
them back towards your relationship Avenue is going to be really, really important.
So I think that's a really powerful way to think about it.
So a lot of people think through and say, hey, I don't know what creators do all day
and they don't know that how they actually build their business on the back end.
So I kind of want to talk through what a typical day for you would look like as you're
building this business that is growing every single year. Yeah, well, I'm a big fan of what I call
theming your days. And this is how I try to avoid context switching. Because the reality is, as a
creator, especially in the beginning when you don't probably have the resources to hire help,
you're doing everything. You're doing creative work. You're doing editing. You're doing scheduling.
You're doing conversations with people. You're doing engagement. You're doing accounting. You're doing,
you know, like literally everything. You're wearing all the hats. So what I try to do is theme my days
so that there are some days where certain things happen and definitely not other things. For example,
I do not allow any scheduling on my calendar on Mondays or Fridays because those are my deep work
creative days. Those are days when I am either doing planning or the literal creative work of
filming, recording, writing, stuff like that. Tuesdays and Thursdays are what I call
people days. They're when I'm doing podcast interviews. They're when I'm having conversations
with people in my membership, the lab. And so those tend to be like back to back people days.
Wednesday is kind of a flex day in between where the morning is usually open, but the afternoon,
if I need to use four calls, that's when I do that. But it's important, I think, to do that
because especially because our businesses are set up to proliferate distraction. Like literally,
if things are going well for you, you're just getting ping, ping, ping.
ping, ping, ping all day. You're getting engagement on social media. You're getting emails.
Thankfully, I don't really have a reason to get phone calls. So I don't really talk on the phone
ever unless it's like a scheduled thing. But yeah, it can be really all over the board. So I try to
separate creative time from people time. Exactly. And I kind of do the same exact thing. And interestingly
enough, Monday and Friday are the two days that I don't do any calls either. I kind of batch those off
where we're doing content and all that kind of stuff. And I try to batch everything together on specific
days because it's just so much easier than trying to switch over each and every single time,
you can go and get so much more work done. Like, for example, if we're filming videos for TikTok or
something like that, we'll film 15 in a row instead of actually, you know, doing one or two a day,
like what people see that we actually produce. So that is one of the cool things that I think a lot
of people need to understand. You can do this within any type of business as well. It's kind of
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single week, so you have a newsletter, you're writing tweets, you have a podcast, you have all these
things going on at the same time, plus you also have courses and in addition, you have your community
as well. So how do you kind of plan out your content every week? Well, I have a schedule per platform,
essentially. I know that for email, I have a newsletter going out every Tuesday and every Sunday.
I know that for the podcast, I'm releasing every Tuesday. If we have a YouTube video that goes out on
Monday. So you start to see, like, if I have these slots, every day, any platform that I'm active
on, something is going to go out. So it's kind of like this game where you look at the calendar,
you see where the open gaps and I need to produce something for that platform for that day.
We've started publishing short form vertical video on Monday, Wednesday,
day, Friday. When I publish something to like Twitter and it does well, then that can become
repurposed for LinkedIn and Instagram, really trying to get the most out of that. And a lot of
my short form stuff is actually derived from my long form stuff. I'm really putting most of my
creative effort into writing long form essays that go out on Sundays. Making a podcast episode that
goes out on Tuesday and YouTube videos that happen on Mondays at times. So it's really there where I'm
putting most of my effort. And then the short form, I have a small team now that helps me
pull out some things and say, this should become a thread. This should become something on
LinkedIn, so on and so forth. And that's fantastic. I think focusing on those big, big ticket items
that really, really matter for you, which is the longer form stuff is the way to go. And you can
repurpose some of that content down to some of the shorter form stuff so that people still get those
bite-sized nuggets that are the biggest thing. So do you have any tips for people who are just starting
to create, to create content that truly resonates with?
with their audience or people who are out there who were trying to find to discover them.
Well, people hire your content to do a job.
I really like that framework.
Like, what is the job that your content does for people?
If you're just entertaining, then your content is being hired to entertain them to help them pass
the time.
I would say sometimes help them waste time.
But for me, my content is being hired to help people become a professional creator.
So the lens that I apply to anything I create is this thing.
When people's eyes or ears meet this,
is that helping them become a professional creator?
And if the answer is no, I don't publish it.
That's really how I think about it is,
I know what you're trying to do.
Does this help you get there?
And of course, there are lots of different steps along that journey.
Whatever your customer journey is,
there's probably different stages.
And so I would actually encourage you to do the exercise of saying,
what is the journey here?
For me, I know that people go from considering being a creator
to scaling their way out of like the day to day.
That's the full journey.
But there are steps within there.
After you figure out, you know, am I going to do that?
the question is, okay, what am I going to do? Once you figure out what am I going to do, the question is, how do I find traction? Once you find traction, the question is, how do I make this sustainable as an income stream for me? And then after that, you have the scaling your way out of it. Once you choose those different stages or define those different stages in the customer journey, you can say, where do I want to start? You can pick one of those stages, create content that's helping people on that stage of the journey. And once you feel like you have done that effectively, you can expand outward, either later in the journey or earlier in the journey. And I love that.
process of kind of thinking about where they are on that journey, starting at that point in time,
and then kind of building your content out from there. I think that's a great way to think through
this. Now, before we dive into how creators actually earn an income and some different ways to think
about that, do you think this can also be a great side hustle for people? For some people who want to
earn an extra income, they have things to talk about. They want to provide value for other people.
Do you think that's something that they could definitely do is work a full-time job and do something
like this. For sure, but the less time you're willing to give it, the more I would exercise restraint
in what games you're playing. Like if you're trying to do this as a side hustle, don't try to be on all
platforms. Pick one, you know. And you can even just pick one discovery platform before you do the
relationship platform. There are a lot of people who got started as saying, I'm just going to do
TikTok well. And the benefit of starting as a side hustle where you're not depending on this for
a financial return is that you don't have to make compromises of what you do for the purpose of money.
You can do this to your vision, your creative vision, the way that you think it should be done well.
You can bank a ton of goodwill from people because you're not asking them from anything up front.
I think that's definitely a viable path to get started.
But things will be slower.
You know, if I'm willing to put 40 hours a week into something and you're willing to put 10 hours a week into it, that compounds pretty quickly if we're doing relatively the same effort in that time.
So, you know, I think if you're doing it part time, it's even more important to figure out how is my premise different.
so that you have a little bit of a competitive advantage and you can build a moat around that
unique premise. Because if you're just trying to copy someone else who's doing something similar,
but they're putting way more time into it, you're almost certainly going to be second fiddle.
Exactly. You have to almost have that differentiator that's going to make you unique,
especially, and it could be the way you present it. It could be so many different factors,
but you have to have that differentiator there because there's no reason to just regurgitate
someone else's content that's already out there. So this is the next big piece that I think a lot of
people want to know is how creators earn an income. And I think there's a bunch of different ways,
obviously, that you can earn an income as a creator. But what are some ways that you think
are interesting right now to earn an income as a creator? Well, it depends a little bit again on
what side of the spectrum you're falling on between educator and entertainer. Because on the
entertainment side, you're limited a lot to sponsorships, affiliate type deals. Whereas on the
education side, you have a lot more direct revenue sources, direct meaning the transaction happens,
between you, something you're selling, and the consumer of the content. Whereas in sponsorship,
the transaction is actually between the advertiser and your content and the consumer. So I like to
build direct forms of revenue, direct to the consumer. And I think educators have a lot of opportunity
there. You can do literal educational stuff like courses or live teaching experiences, coaching,
things like that. You can also build digital products. You know, I'm working on something right now
that is a content management system that is predominantly a notion template, a notion database.
And that's a valuable thing that's not really a course, quote unquote.
There will be supporting videos to teach people how to use it, but really what people are
buying is a system.
And so I encourage people to think pretty expansively about what is possible to serve your
audience.
There's a woman named Sarah Renee Clark.
She's a YouTuber.
She does videos about coloring for adults.
and her highest grossing product is something called a color cube.
It's literally a box that has hex colors all over the outside.
And inside, she has a bunch of decks of cards that have pre-designed color palettes
that are actually based on photographs of nature.
So she'll take a photograph or find a photograph.
It's beautiful.
She'll pull out the actual hex colors and say, like, nature says this works.
It probably works for your website.
And all of those are pre-designed color palettes.
Nobody is saying to creators like, hey, you should design a physical product that's built in a cube with a decks of cards within it.
But she saw that's something that her audience would benefit from.
And it's a form factor she was interested in creating.
So I try not to get people stuck in too many ruts of what is possible here.
The question is, what would help your audience?
How can you most effectively deliver something that will help them go from A to B and what they're trying to do?
Exactly.
And I think that's such a cool example.
and it's really what's going to provide the most value to your audience. And I remember originally we were talking about that with Pat Flynn, who I know you know as well. And he always used to talk about, you know, bringing values, serving your audience, that type of thing. And if you do that first, if you serve your audience first, I think it's going to be a really, really interesting way to kind of create that connection, that trust, build that rapport with your audience so that you can actually change lives and help people get from point A to point B and whatever that is. And so as people start to think about this, maybe they're starting to think of things that they can make as a creator, especially on the education.
cater side. How long does it take for someone to actually earn an income typically, would you say?
And or, you know, what is a realistic income for some creators who may want to go do this full
time? This is such a hard question to answer because it's all over the board. And a lot of it
really comes down to how badly does the market need what you're providing and how quickly can you
spin up something that gives you like product market fit? You know, there are some folks who work for
years. I would say, you know, I'm six years into this. There are people who have earned a lot more
than me and done a lot faster. And part of it is because when I started, the market was a little
bit immature. I've had to, like, I've grown with the market, essentially. There's more demand
in the market now, so I have grown. I have a friend of mine who she serves teachers who are
thinking about leaving the classroom. That market has exploded and she hit it at the exact right time.
When I look at the graph, she shows me of, like, growth in her email list, it's the steepest
incline I've ever seen.
And that only happens when you are hitting the market at the right time with the right
product.
So it really, really depends on that.
Generally, though, I encourage people to think in a three-year time horizon, to be honest.
Like, that's when you can really develop meaningful revenue for most people.
And that's still with some discipline.
You know, I hope I'm overshooting it for you.
hope it doesn't take you that long. But if you have that frame going in, I feel like you're much
more likely to stick with it long enough to really see the return on your effort. I think that's important.
I think that's important as well because I've seen most of the creator friends that I know,
they started to, you know, it takes them a year or two before they actually earn that income. So I think
that three-year income timeframe is spot on for most people. So when you kind of think through
this, how do you plan and structure your product launches for some of these things? So say, for example,
you want to launch a course or maybe you want to launch a community or something else,
How do you kind of think about planning those and structuring those launches?
There's a little bit of a stylistic question here because I have some friends who are
creators who they are like launch magicians. They are so good at designing and executing on a
launch. And it's this like well orchestrated thing where they build anticipation for weeks.
And then they have this short launch window and they're really leveraging urgency saying we only
have a couple of days. I don't go that intensely because I want most of my sales and
most of my products to be evergreen. I don't like the effort of launches. I also don't like the
feeling of launches where I'm basically manufacturing urgency that doesn't need to be there.
But some people, they want to do that. They see that as a healthy way to create tension and make
people take the leap into something that's going to help them. I see that as a way to really generate
a lot of revenue quickly so they can use that to reinvest in the business. I think that's all valid.
For me, the baseline is I'd like to have a good idea of something. I will often create a sales
page before it exists. I'll send that sales page to my audience and say, this is in pre-sale.
If X number of people purchase this, then I'll make it. And then once people purchase at that
amount, I'll email and say, okay, enough people made it. This is still in pre-sale. Now instead of 50%
off, it's 25% off until I finish the thing. And I'll build it for a month or so and then launch
it. I think I'm leaving a lot on the table by doing that. And I think product launches can vary
by the type of product that it is. Like if you are Sarah with the color cube, you actually
actually have inventory limits. You have very real scarcity where it's like I ordered a thousand
of these. And so if you want to purchase this, now's the time to do it because we only have a
thousand of them. It really varies by type. But I like the idea of doing a pre-sale to validate
the products before you even make it and then continuing the pre-sale until the point of finishing
it so that you can put it out and say, okay, now it's available for anybody at any time.
I think it's a really cool idea too. It is something where you can still, you know, build a report
with your audience and kind of go through that, but you're not putting pressure on anybody and
you're kind of going through that process, especially if your content is evergreen, because I
think that's a really, really cool way to do that. So you have an incredible community of creators
that you created over time. How has that community made an impact on you and the content that you
create? It's been transformational for business, honestly. Today, the membership, it's called the
lab. It accounts for about 70% of my overall revenue. And that's not because other things have
earned less. It's just earned so much that has dwarfed everything else. So that's been
awesome because not only has it had a huge impact in terms of revenue on the business,
but it's given me this wonderful feedback mechanism with my own audience.
Like I really tapped into what people who were in a later stage of that customer journey
that I described, people who are going pro or even scaling, but I really understand
what they're going through.
And anytime that I want to validate something, I can go and ask that group of people,
it's been phenomenal.
So I really, really enjoy that.
the question that I face is I focused a lot on like the getting traction and even going pro stage
of creators. Should I continue to go further in the customer journey towards I'm now scaling my
business or do I go earlier on to people who are getting started? There's definitely more people
in the earlier on phase, but it's still a choice to make because maybe you've experienced this
even with this podcast, Andrew, when you presume intelligence and experience and make your content a little
bit more in depth. Not only do you attract people who are further along, but people who are earlier
will still tune into that to try to learn more quickly. So I think I'm heading more and more towards
the end of people who are already doing this professionally or are earning a good living and want
to increase it. I think I want to focus more on that end of the customer journey.
And I would agree the same thing for us. So we have people where you think about personal finance
and it's the beginning of the financial journey and you kind of walk through that entire process.
and you go to some really advanced stuff. And what I've noticed is we try to kind of touch on both
again, but a lot of times we are going towards more of the advanced stuff because a lot of people
have been here since the beginning of the journey and they've learned that stuff and you can always
reference back. But it seems like a lot of people have a hunger for some of the more advanced stuff,
which is really, really interesting. And it is a struggle because it's a struggle to figure out,
you know, which direction do you need to go. And so that's one thing that we're kind of testing and
thinking through as we go through that process as well. I think that's a very natural thing.
So it's really interesting. And I think you're thinking about it, you know, perfectly,
right on the right line there, because really taking people through that journey and having
that evergreen content, which is our number one goal too, is going to be really, really
powerful over that time frame. So are there any creators out there that truly have inspired
you along your journey? And are there any examples that you can provide for people who have
inspired you? I mean, a lot. Early on, I was really inspired by Brian Harris, if you're familiar with him.
He had a website called Videofruit.com. He was really early on to the train of just how big of an asset
building an email list could be. And he was also very, very good about doing rigorous experiments
and then really thorough write-ups of the results of those experiments. I think a lot of his stuff
was way ahead of his time. In a lot of ways, I'm retreading on a lot of ground that he did years ago.
So Brian Harris comes to mind for sure. I've been really inspired by Tori Dunlap is in the finance space.
People may love Tori, may hate Tori, we'll see. But the speed at which she's grown and
accomplish a lot of things that I hope to accomplish one day. It really speaks again to the power
of having a unique premise. There just weren't that many people who were doing personal finance
for women specifically. And she came in and said, I'm a woman. I'm going to do this for you.
The market says, finally, someone that looks like us that we can learn from. So when you have a
good premise, it really unlocks faster growth. And I try to look for examples of, okay,
who came in and grew quickly? What can I learn from them? Andrew Huberman's another example.
Why was Andrew Heuberman able to grow so quickly?
Well, he combined a couple of really rare things, a lot of deep earned insight over decades within Stanford and the ability to make that feel accessible to people.
There's not a lot of people who would spend decades doing stuff in neuroscience to the level that Andrew Hewerman did and then be able to explain it in a way that other people not only can understand but want to learn like here, you know?
Right.
So that's where I'm trying to learn.
As people who make a splash quickly, typically it's a longstanding history in the space and a lot of
great stories, a lot of great earned insight, or a really unique premise that the market was just
ready for. When it comes to your way of thinking of building your specific business, do you
follow along the lines of like, for example, there's a great book called Company of One, and Justin
Welsh talks about this a lot too, and on how it's a big inspiration for him. Do you feel like you
are creating this business as more of a lifestyle business, or do you want to scale this business to
even larger magnitudes than maybe where it could go to right now.
At this time, I'm really only interested in lifestyle businesses.
Because, like, I mean, if you heard the story of the fishermen and the businessman.
Yep.
It's one of my favorite ways to think about things in terms of long-term retirement and stuff like that.
I'll try to hit this really, really quickly so people who haven't heard of it can understand.
There's a fisherman.
He fishes two hours a day, and that's all he needs.
He goes home at the end of day, and he feeds his family, he has a nap, he spends time with his wife.
He goes out with his friends at night.
after a couple of days of seeing this, a businessman comes up to him and says, why do you only fish two hours a day?
If you fish eight hours a day, you can catch more fish, sell the fish, and the fisherman says, why would I do that?
And he eventually says, well, because then you can buy more boats, hire more fishermen, make more money, build a whole fishing business.
Well, why would I do that?
Because once you own this large fishing corporation, you'll have all the time in the world to spend with your wife, take a nap in the middle of the day and go out with your friends.
The point being, a lot of things that you want, you can have now with, like, restraint.
We think we want all the money in the world so we can do anything we want with our time.
But to get there often, you have to sacrifice all the time that you have.
And I'm really interested in impacting more people, growing this thing intelligently,
but I'm constantly trying to claw back more of my time to do with it, you know, fun things,
interesting things in the moment.
I don't really subscribe to the idea of the solopreneur, though.
I have a lot of friends who talk about it and I think they mean really well and they think about it the same way I do.
but the word solopreneur, I think, is unintentionally misleading.
There are people who wear that as a badge of honor.
And they get to a point where they are so exhausted and stretched.
And I can't do all of it by myself.
And it's like, I go, then hire.
Right.
You know, outsource some of it.
The goal is not to claim I'm a solopreneur.
The goal is to do whatever the business is intended to do for you.
And I think that the term prohibits people from making smart business decisions
and hiring decisions early on that would save them a lot of time and heartache.
And I'm over the camp as well, where you need to really be outsourcing all the things that are taking
your time away from what really matters within your business and within anything else you want to do
in life. If you want to spend more time with your family, outsource some of these tasks so that you can
spend more time with your family and have that flexibility. And that's why we talk about money so much
in this podcast because truly what money is there to do is to be a tool to create financial freedom.
And that is why it is so important for us to do that. And some of these creator businesses, you can
create the lifestyle you want just around having that creator business. But becoming a
solopreneur, like you said, is a little bit misleading because you have to have folks
in your corner who are going to help you, especially if you want to scale up to the levels that
some of those people are, at least contractors or something along those lines where you can have that
and they're taking over some of those tasks that you don't need to be doing every single day,
specifically some of those really small tedious tasks as well. So love that line of thinking as well.
So as we go through this, if you were looking at a pie chart, how do you actually take your money
that you earn from your creator business.
And how do you invest those dollars?
Do you invest it back in the business?
Do you invest it in some other different things?
Or how do you think about that?
This has gotten a lot more sophisticated than it used to be.
The first thing that I did was I implemented profit first.
Some people love it.
Some people are not into it.
I like it because it gave me a very simple set of rules that on a twice monthly basis,
I say every dollar that came into this one income account is going to be divided into these four
or five ways.
And one of those allocations is owners' comp,
compensation. Out of owner's compensation comes my salary. I'm now W2 under my own company and also
distributions if I take distributions in that way. It also is what funds my solo 401k. So about
60 to 70% of the money that comes into the business stays in the business. About 30 to 40% goes out
to owner's compensation, which is me and will soon also include my wife. And of that 30 to 40%, some
of it goes into a solo 401k. A lot of it goes just to fund my lifestyle. I do also invest.
basically just into the stock market. I'm not actively picking. I'm not Robin Hooding. I'm doing
diversified portfolio. I actually have a financial advisor who helps me direct to that. Same with my
401k. Very boring stuff. Nothing all that exciting. I do get some opportunities to do some
private angel investing. And I've done some of those in the past because it's fun for me and they're
people I know and it's kind of a big bet. I expect I'll lose all that money. But mostly it's boring
stuff in the solo 401k, a Roth IRA and a basic market investment account. We love boring stuff here.
that's what most of us invest in who listen to this podcast as well. So that's fantastic. I think
that's really, really cool to kind of just look and see how people actually handle that side of it as well.
So Jay, I want to shift gears here to some of the questions that we ask a lot of our guests.
And we get some really good interesting answers out of some of this. So what part of your worker life makes you come alive?
I like playing around and tweaking stuff. Like yesterday, I just, I love making things better and knowing that the thing I just did is going to continue to work for me for a period of time.
Yesterday, I made this systemic change where my membership, the lab, we have a 200 member
limit.
And we typically have like one to three spots open up per month.
But there's so much incredible educational content in there, stuff that I sell off the shelf
as one-off courses, but also a lot of stuff that I make just for the community that's not
publicly available.
So I made a lower tier membership in the lab that I originally called the starter tier.
And the idea was this is like the starting point for your membership in the lab.
typically people who churn out of the lab, if there's space for new community members,
the starter tier members get first access they join.
What I realized, though, is people hear the word starter, and they think that this is for
people who are just getting started, and that's not correct.
So yesterday, I was like, I'm changed the name.
I'm just going to call it the basic tier.
I had to change a bunch of stuff on the back of that.
I updated the sales page.
I updated email, copy.
I made the copy better on the sales page in the email.
Went to bed, woke up this morning, and there was new purchases in the basic tier.
And I thought, I did it.
Like, this improved this.
I'm going to see outcomes because of it.
I love doing stuff like that.
Similarly, last week I put this new little widget on my website homepage at
creator science.com that if people answer some questions, they get a personalized offer
right away based on their responses.
And that's generated new revenue every day since I've implemented it.
So like that's the thing that gets me to come alive.
It's like a lot of this feels like a puzzle to me.
When I feel like I am building out the puzzle and pieces are clicking together and things are
working and it's going to keep working after I'm done working on it, that's what like really
fires me up.
I love that because you get to work on so many different interesting things and tweaking them
and trying to figure out those pieces.
It's so rewarding to kind of go through that and see success after you do something like
that, which is so cool.
What is your biggest fear when it comes to money?
That'll stop coming.
You know, I think it's like everybody's biggest fear.
But what's really helped me in this realm, for the last two years, I've kept a pretty in-depth
KPI spreadsheet for my business. And the biggest part of that is I track revenue and expenses
month over month. And now I have two years of data. Historical data look at monthly revenue,
monthly expenses, monthly net income, and then a whole bunch of other stuff too. When you look at
two years of data, it gives you a lot of confidence and stability because you say, oh, there's actually
not that much variance here. And I know what like the lowest performing month is. I know what the highest
performing month has been. There's some safety and comfort when I can battle my natural fear and
anxiety with a lot of months of pure data. And so really my biggest question now is am I being a good
steward of the funds that come in? As I earn more, I'm definitely a little less stringent on every
single dollar than I used to be. And I'm trying to get back to being a little bit more prudent with
my spend, trying to save more in the business in case a month really does come in disastrously low for
some reason. But I've really hired slowly, been a pretty good steward of that money so far.
And I think it's so powerful when you start to track some of this stuff, even with a personal
budget for someone's personal finances, is you start to track some of this stuff and you have KPIs that
you're looking at. It reduces that stress and anxiety because it's predictable.
And that's kind of what we talk about where a lot of people get stressed out about creating
things and tracking things like that. But really, it can reduce the anxiety you have surrounding
those funds, which I think is so cool. Another question is, how do you plan to level up your finances
this year? Maybe it's investing in the business or doing something else along those lines.
I'm feeling pretty good about the system that I have in place. But it's been recently that I've
started working with an advisor who helped me feel good about where I'm directing things.
I started working with my accountant to do a better tax strategy for the company as an S-Corp.
So it really came down to hiring some people that I really trust to help me direct some things.
I think an interesting next step.
This is more strategic than it is with the finances, quote unquote, but it is related to the money in the business.
I think in the coming months, I'm going to pull more and more of the sponsorship part of the business in-house because historically I've worked with partners, which has been great because they do a lot of the work.
We are aligned in our incentives.
But with my wife joining the business, I think we have an opportunity now with expanded capacity to take more of that in-
house and actually have a better outcome for us, for the sponsors. And so that's exciting for me.
But really, I'm feeling pretty good right now. I have systems and I just let the systems go.
Exactly. And I love that. Once you have those systems in place, you can kind of scale naturally just by doing
what you're already doing. So I think that's a really, really interesting way to think about that also.
So if you could tell your younger self one thing about money or it could be about business also,
what would that be? It's very comforting to have a growth and abundance mindset rather than a fixed
mindset. Over the last few months, maybe the last 18 months or so, there have been times where
we've had unexpected expenses or things that we just want to invest in. If I was on a fixed income,
I would think, how am I going to do this? How am I going to budget for it? It become a painful
thing where other things would suffer in order for me to achieve this thing. And because I've built
a business, I now have this growth mindset where the question is not, where can I save? It's how can
I generate more money? How can I generate more revenue so that I can bring this in? And there's always
an answer. You know, when you have something that generates revenue, there's always a way to say,
well, how can it generate more? And so I think that's one of the most powerful things people listening to this
can do is if you're already good with your money, but you're on a fixed income, finding a way to
create an income source for you that is not fixed is such a powerful thing. Because now the world
is open up to you and you suddenly don't feel the ceiling of your your fixed income.
Man, life becomes a lot more fun in my experience.
And that is why I wanted to have you on here because I think a lot of people need to understand
how this creator economy works because the earning potential is possibly endless if you do it
the right way. Whereas if you're working at a W-2 job, it's obviously capped at whatever your
salary is. And the differential between those two can be truly, truly massive. And you can work both
the same time. It just depends on how much time you're willing to put in all those different things.
this actually gives you that potential to have an additional income stream and to do something that
you absolutely love. For example, if somebody loves fishing, they have fishing content that they're
talking about. There's so many cool things that you can do there where you're working within that
content that you absolutely love. So that's why I think it is so incredibly powerful. Now, the last one I
want to ask you is one of my favorites, which is what does wealth mean to you? Well, it means complete
agency over my time. It's autonomy. It's the ability to do what I want without the worry of the
financial impact. I feel wealth in a lot of small ways right now in the way that like my wife
and I don't feel like cooking, we order in. And that has not been a problem. Like do I think, man,
we paid a lot of money on the MX bill last month? Yeah, sure. But it's never been like, oh, now
we're in debt and we can't pay our credit cards. Like wealth is being able to spend on the things
you want to spend on without questioning the spend or having to work so much that you don't enjoy the
rest of your time. And I love that.
Because I think we call it spending money on things that bring you true value.
And I think it's just one of the most powerful things that you can have in your life
is to be able to do that and to create that wealth and have to generate that wealth.
And having that autonomy over your time is everything when it comes to.
And that's really the tool that wealth actually provides for you.
So Jay, this has been absolutely amazing.
Thank you so much for coming on here.
Where can people learn more about you and what you have going on?
Subscribe to the newsletter at creatorciance.com.
If you're interested in getting started on your own here,
I've actually put together all of the tools that I use in my business that helped me run this thing.
That's at creator science.com slash toolbox. That's free. So yeah, just get started down the path.
And that's where I can help you the best. Fantastic. And Jay's newsletter is absolutely fantastic.
We'll have his newsletter, podcast, and everything else. All his social is down below in the show notes so that you can check those out. If you guys have any questions, we can reach out to us as well. Jay, thank you so much for coming on.
Thanks for having me, Andrew. Rosen lasagna, medium power. 15 minutes. Sounds like, Ojo time.
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