The Pete Quiñones Show - Reading Solzhenitsyn's '200 Years Together' w/ Dr Matthew Raphael Johnson - Part 97
Episode Date: December 24, 202539 MinutesPG-13Dr. Matthew Raphael Johnson is a researcher, writer, and former professor of history and political science, specializing in Russian history and political ideology.Pete and Dr. Johnson c...ontinue a project in which Pete reads Aleksandr Solzhenitsyn's '200 Years Together," and Dr' Johnson provides commentary.Borhy Splacheni Krovyu: The Foundations and Causes of the Russo-Ukrainian War of 2022-2025Dr Johnson's PatreonDr Johnson's CashApp - $Raphael71RusJournal.orgTHE ORTHODOX NATIONALISTDr. Johnson's Radio Albion PageDr. Johnson's Books on AmazonDr. Johnson's Pogroms ArticleThe Unmentionable Genocide: New Khazaria, the Russian Revolutions and Soviet Legality in the 1920s by Dr. Matthew Raphael JohnsonWith Friends Like These. . . Patriarch St. Tikhon, General Anton Denikin and the Defeat of the White Armies, 1917-1922 by Dr. Matthew Raphael JohnsonThe Orthodox Nationalist: Karl Marx “On the Jewish Question” (1844)Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.
Transcript
Discussion (0)
You know,
If you want to get the show early and ad-free, head on over to the Piquinez Show.com.
There you can choose from where you wish to support me.
Now listen very carefully.
I've had some people ask me about this, even though I think on the last ad, I stated it pretty clearly.
If you want an RSS feed, you're going to have to subscribe your substantive.
stack or through Patreon.
You can also subscribe on my website, which is right there, Gumroad, and what's the other
one?
Subscribe Star.
And if you do that, you will get access to the audio file.
So head on over to the Pekignanos Show.com.
You'll see all the ways that you can support me there.
And I just want to thank everyone.
It's because of you that I can put out the amount of material that I do.
I can do what I'm doing with Dr. Johnson on 200 years together and everything else.
The things that Thomas and I are doing together on continental philosophy, it's all because
of you.
And, yeah, I mean, I'll never be able to thank you enough.
So, thank you.
The Pekingona Show.com.
Everything's there.
I want to welcome everyone back to our reading of 200 years together by Alexander Solzhenycin.
This is episode 97.
Dr. Johnson, how are you doing today?
I'm exhausted.
I don't have any particular idea why I'm exhausted.
There's no reason for it.
I got a good, nice sleep.
But I am completely, you know, everything's fine, you know, physically.
But I don't know.
I don't know.
What's going on?
So I think this material, this bullshit we're going to be talking about here,
that will set me aflame, hopefully.
well let's get into it then and let's let's uh let's start that party here we go the voice of
moscow was that of the people's artist uri levitin the voice of the usssr that incorruptible
profit of our truth the main host of the radio station of the common turn and a favorite of
Stalin. Entire generations grew up listening to his voice. He read Stalin's speeches and
summaries of Sovin Form Bureau, the Soviet Information Bureau, and the famous announcements about
the beginning and the end of the war. In 1936, Samuil Samusud became the main conductor of
the Bolshoi theater and served on that post for many years. Mikhail Nessen continued to produce
music in the style of modern European music and in the style of so-called new Jewish music.
Nesson's sisters successfully ran the music school, which developed into the Outstanding
Musical Institute. The ballet of Alexander Crane was performed in the Marinsky and Bolshoi
theaters. Well, Crane distinguished himself by his symphony, Rhapsody, that is, a Stalin speech
set to music. Crane's brother and nephew flourished also. A number of brilliant musicians rose to
national and later to international flame. Gimsberg, Gillills, Zach, Oberyn, Oistrock, Flyer, and many
others. Many established theater directors, theater and literary critics, and music scholars
continued to work without hindrance. Yes, you heard that right. Solid speech is set to music.
Because he was considered a deity of some type.
And that's how bad it got.
Clearly, Jews were not persecuted at any level.
And the so-called cultural or anti-cultural side of the revolution was just as important as anything else.
But I had heard about this before.
these are all founded in the in the
in the czarist era
but a Stalin speech set to music
I don't
I'd rather not hear that
I haven't heard that before
I don't want to hear it in the future
the song of Stalin
the Psalms of Stalin
examining the culture
of the 19th
examining the culture of the 19th
examining the culture of the
1930s, it is impossible to miss the extraordinary achievements of the songwriter-composers.
Isaac Dunevsky, a founder of genres of operetta and mass song in Soviet music, composed easily
digestible songs, routinely glorifying the Soviet way of life, the March of Mary Ladd's
1933, the song of Karkova, 1935, the song about homeland, 1936, the song of Stalin,
hey, there it is, 1936, etc.
official propaganda on the arts declared these songs, the embodiment of the thoughts and feelings
of millions of Soviet people. Denevsky's tunes were used as the identifying melody of Moscow
radio. He was heavily decorated for his service. He was the first of all composers to be awarded
the Order of the Red Banner of Labor and elected to the Supreme Soviet of the USSR in the
notorious year in 1937. Later, he was also awarded the Order of Lenin. He used to preach
to composers
is that the Soviet people
do not need symphonies.
Well, what they mean
by easily digestible
is something we would call pop music.
Something that
any person can read and
absorb.
And
they knew then,
the Jews today know now,
that the control over
music and
which is really just poetry.
and the culture in general
is absolutely essential for any
any revolutionary government to work
to be justified.
Now I have not seen or I've heard these songs
or if I did, it was a long time ago.
The song with March of the Mary Lads,
I have no idea.
I'm sure they were quite forgettable, but the point was that they could be absorbed by the average person.
They don't need symphonies because symphonies are a product of alienation.
You know, why do we need these very complicated things that the average person can't comprehend?
They are complicated. It's true.
So pop music was born in this Stalinist era.
Matt V. Blatner and the brothers Daniel and Dimitri Pocross were famous for their complacent hit song
If War Strikes Tomorrow, quote, we will instantly crush the enemy, end quote.
And for their earlier hit, the Boudjani March, there were many other famous Jewish songwriters and composers in the 1930s and later.
Feltzman, Sedoi, Frankl, Tannich, Safferan, Frankl, Schainsky, et cetera.
I'm old God.
They enjoyed copy numbers in the millions, fame, royalties.
They got royalties?
Come on, who dares to name those celebrities among the oppressed?
And after all, alongside the skillfully written songs, how much blaring Soviet propaganda did they churn out?
Confusing, brainwashing, and deceiving the public and crippled.
good taste and feelings.
Yeah,
what can I add to that possibly, you know?
Royalties.
Realties imply private property.
I guess when it glorifies Stalin, it's a different story.
What about movie industry?
The modern Israeli Jewish encyclopedia states that in the 1930s,
the main role of movies was to glorify the success of socialism,
a movie's entertainment value was minimal.
Numerous Jewish filmmakers participated in the development of standards of a unified and open ideological film industry, conservative and form, and obsessively didactic.
Many of them were already listed in the previous chapter.
Take, for example, Verthoff Symphony of the Donbass, 1931, released immediately after the industrial party trial.
Here are a few of the then-celebrated names, Ermler, the coming, the great citizen, virgin, uh,
Yetkovich, I mean, all this crap.
Yeah.
Obviously, filmmakers were not persecuted in the 1930s,
though many cinematography, production,
and film distribution managers were arrested.
Two high-ranking bosses of the central management
of the cinema industry,
Shumyatsky and Dukkelski were even shot.
Well, they probably didn't put any of solemn speeches
to music or to cinema.
but this is
you know
it was Jewish to the core
so you can't talk to me
about any persecution here
this is
you know
how can you possibly have a
I always always laughed at Soviet slogans
you know
we're going to we're going to
surpass the West in the production of butter
this was supposed to motivate
people. You know, everything was based entirely around production and what the Soviet Union can
produce versus the West. And that's the only thing that they cared about. Simple production methods
and therefore our system was superior. That's how all of this stuff came to be. The miners,
all of this stuff
the miners I have
come across
and it has nothing to do
with it with their better treated
or anything else
it's just that they produce more
and it's not
any kind of a nationalist kind of a way
there's nothing like this
Symphony of the Dombas
well
it's not much of a symphony
you know
and those shot
were likely those who didn't
go along
it's interesting that the
they ran the movie industry in Russia
yeah I know I'm shocked
the propaganda
to propagandize people
I'm
I'm I think I'm past the shock phase
I'm just at the
I'm just at the tired stage.
Yeah, well, it doesn't take a lot of work.
It's just a matter of manipulating those who have talent.
They don't have talent, but they can manipulate those who do have talent.
In the 1930s, Jews clearly comprised a majority among filmmakers.
So who was really the victim?
To see viewers whose souls were steamrolled with lies and rude didactics,
or the filmmakers who forged documentaries, biographies,
and produce pseudo-historical and essentially unimportant propaganda films characterized by phony
monumentality and the inner emptiness.
The Jewish Encyclopedia adds sternly, quote,
huge numbers of Jewish operators and directors were engaged in making popular science,
educational, and documentary films in the most official sphere of the Soviet cinematography,
where a droid editing helped to produce a genuine documentary out of a fraud.
For example, R. Carmen did it rate?
without scruples, end quote.
He was a glorified Soviet director, producer of many documentaries about the civil war in Spain
and the Nuremberg trials.
He made the anniversary glorifying film The Great Patriotic War, Vietnam, and a film about
Cuba.
He was a recipient of three USSR state prizes, the Stalin Prize, and the Lenin Prize.
He held the titles of the people's artists of the USSR and the hero of the socialist labor.
Let's not forget filmmaker Conrad Wolfe, the brother of the president.
the famous Soviets by Marcus Wolfe.
No, the official,
no, the official Soviet atmosphere of 1930s was absolutely free of ill will towards Jews.
Let me repeat that sentence.
No, the official Soviet atmosphere of the 1930s was absolutely free of ill will toward Jews.
And until the war, the overwhelming majority of Soviet jury sympathized with the Soviet ideology
and sided with the Soviet regime.
Quote, there was no Jewish question indeed in the USSR before the war or almost none.
Then, the open anti-Semites were not yet in charge of newspapers and journals.
They did not control personnel departments.
Quite the opposite.
Many such positions were occupied by Jews.
Which tends to contradict what, you know, has been said before.
And, you know, what we said, yes, the last time, the time before.
And as Hitler began to grow in power and success, the Soviet Union was seen as the homeland.
That was the promised land, whether you were a Zionist or not.
And you can't, you can never overestimate what Hitler did relative to the Jewish mind,
even if there was no so-called
you know
but the fact that he was successful
he was actually doing
what these songs
and movies promised
and that's
that was the worst part of it
but these were
to watch these movies
or listen to these songs
is to be in pain the entire time
it's so over the top
with the propaganda
that no normal person could possibly
believe it
and I don't believe anyone did at the time
I think it either just made people feel better
or or you know
there really wasn't much that they can do about it
but
you know
I've watched a lot of these things
heard a lot of these things
the propaganda was
blatantly over the top
you know
all superlatives all the way through
so you know
it's just
it's what you would expect
they were never able to do that in the U.S.
because they had to build
a market. They had to appeal to people
but they didn't have to appeal to anyone here.
They had to appeal to one person.
Sure, the Soviet culture
consisted of Soviet patriotism, i.e. of producing art in accordance with directives from above.
Unfortunately, many Jews were engaged in the pseudo-cultural sphere, and some of them even rose to
supervise the Russian language culture. In the early 1930s, we see BM Volenfratkin at the head
of the main administration for literary and publishing affairs, Glavelit, the organ of
official censorship directing the development of the culture. Many of the glavelet personnel were
Jewish. For example, in Glavelet from 1932 to 1941, we see A.I. Bendik, who had become the director
of the book palace during the war. Emma Kaganova, the spouse of Chequist Pavel Sudaplatov,
was trusted to manage the activities of informants among the Ukrainian intelligentsia.
After private publishers were abolished, a significant contribution to the organization and
management of Soviet government publishers was made by Alliansky, Wolfson, Ianov, Bernstein,
Katorovich, Malken, Berreit, Feldman, and many others. Soon, all book publishing was centralized
in the state publishing house, and there was no other place for an author to get his work published.
Yeah, and I think Shulton Eaton felt that pretty badly at the time.
But, you know, again, they didn't have to worry about a market.
They'd worry about appealing to one person or one very small group of people.
And that's all that mattered.
They were reforming the language, which is the Russian language that we use today, to a great extent.
Mound did the same thing with the Chinese characters, try to simplify them as much as possible.
And I hate to say it, it made my life much easier.
I can't read the older orthography and stuff like that, but I like this, to manage the informants among Ukrainian intelligentsia, meaning people who are writing, intelligentsia just means people who are writing, you know, poetry or scholarship or anything else.
This was just, yeah, remember, this was all state funded.
This is all under state control.
And there's no way you could do anything else.
As the last phrase says, you couldn't go anywhere else to get your work published.
So Sultan Easton says in a whole bunch of his other works,
you know, these people who will just completely edit themselves and censor themselves
just to appeal to these people, how disgusting they are to him,
that they'll do anything to conform to this group of people without even questioning it.
and every last one was a Jew.
The Jewish presence was also apparent in all breaches of the printed propaganda.
Works of the clumsy caricaturist Boris Ephemov could be found in the press every day.
He produced extremely filthy images of Western leaders.
For instance, he had portrayed Nicholas II in a crown carrying a rifle trampling corpses.
Every two to three days, sketches of other dirty satirists,
like Ricklin, the piercingly caustic, Zislavski, the adroit raddick, the persistent shinen,
and the brothers tour appeared in press.
A future writer, Castle, wrote essays for Izvestia.
There were many others, Carmen, Tess Rapaport, Cherna, that's a stolen Russian name.
Kantorovich, Perilman.
These names I found in Izvestia only, and there were two dozen more major names.
newspapers feeding the public with blatant lies. In addition, there existed a whole sea of
ignoble mass propaganda brochures saturated with lies. When they urgently needed a mass
propaganda brochure devoted to the Industrial Party trial, such things were in acute demand
that for all of the 1930s, one B. Isaacson knocked it out under the title,
Crush the Viper of Intervention. Diplomat E. Nadin, the son of Parvus, wrote lying articles about the
incurable wounds of Europe and the imminent death of the West.
He also wrote a rebuttal article,
Socialist labor in the forests of the Soviet North
in response to Western slanders
about the allegedly forced labor
of camp inmates felling timber.
When in the 1950s,
Naden returned from a camp after a long term,
though it appears not having experienced tree felling himself,
he was accepted as a venerable sufferer
and no one reminded him of his lives in the past.
Yeah, of course, they weren't doing any of this themselves.
They weren't producing anything.
You had a handful of writers.
These were people who manipulate the writers.
That was the important thing.
But I guess the concept was that the generation that came of age under Nicholas II
was solely dying off.
And this was a new generation now in the 30s, late 30s.
30s. And if they didn't know any better, if they were totally cut off through censorship
for any reality, then they would actually believe this stuff. I think it's the case with
the U.S. today. Stuff, you know, my lord, I mean, stuff, every generation seems to be
propagandized in a different way by the same group of people. But Nicholas I second was a very
popular figure.
But they're going to deny that, of course, now because there weren't a whole lot of
people around who remembered that or who cared about that or who, you know, because anyone
supporting him would be, would be long gone.
And the only thing that you had was the exiles in the U.S., in a few other places, Paris,
keeping his name alive, Nicholas I second's name alive.
And the church is named alive.
And, of course, the underground groups, the true Orthodox Church of Russia, which they,
which was actually far larger than anyone ever realized.
So, but you're risking so much to go underground.
If you get caught, you're going to suffer tremendously.
And you will go, you know, fell trees in the far north, whether you like it or not.
Or worse than that.
And it's funny, yeah, he accepted the venerable suffer without, you know, of course he never was.
I like all this stuff.
This is exactly what we're talking about here.
The crust of viper of intervention, you know.
And talking about the death of the West.
Well, of course, we talk about that now.
But the context couldn't be any more different.
They're talking about the death.
of the, you know, Christian West
in terms of religion
and, of course, you know, capitalism,
which had no, you know,
it's totally different than it is today.
But all, they focus entirely.
They were obsessed.
It's almost like without the, without the Western world,
they wouldn't have anything to talk about.
They had to focus entirely on how they,
compared to the Western world.
They denied that there was any underground movement.
Of course, they were lying.
I don't know how, some of these guys were caught.
It's true, and they suffered tremendously
as a result of being caught.
But there were millions of them.
And they have come up from underground
roughly in 1990 and 91.
and boy, they were far larger than we ever realized.
And, you know, of course, typical to them, there's fought the minute they came up from underground.
But yeah, the death of the West is imminent, but for a very different set of reasons than what they meant at the time.
In 1929 through 31, Russian historical science was destroyed.
The Archaeological Commission, the Northern Commission, Pushkin,
House, the Library of the Academy of Science, where all abolished, traditions were smashed,
and prominent Russian historians were sent to rotten camps. How much did we hear about that destruction?
Third and fourth-rate Russian historians then surged into Occupy the vacant posts and brainwash us
for the next half a century. Sure, quite a few Russian slackers made their careers then,
but Jewish ones did not miss their chance. There's no doubt that the same thing is happening now.
the people who are being promoted in academia are second-rate historians.
They're second-rate because they're willing to go along with an agenda
and simply follow along this almost like a template of writing and researching.
And each generation, they don't even realize there was anything before.
Those who are getting their PhDs now, I don't think even realize.
that there is censorship in the West
their point of view
is the truth
anything else is just some kind of
a psychological
anomaly
and he talked about the same thing here
it's the same
this is simply being reproduced
and but serious historians
of course were being sent to rot and it's true
and nothing has changed
wherever the Jews are involved
nothing has changed
Already in the 1930s, Jews played a prominent role in Soviet science, especially in the most important and technologically demanding frontiers, and their role was bound to become even more important in the future.
Quote, by the end of the 1920s, Jews comprised 13.6% of all scientists in the country. By 1937, their share increased to 17.6%. In 1939, there were more than 15,000 or 15.7% Jewish scientists and
lecturers in the institutions of higher learning end quote in physics member of the academy a iof
nurtured a highly successful school as early as 1918 he founded the physical technical institute
in petrograd later 15 affiliated scientific centers were created they were headed by ioff's disciples
his former students worked in many other institutes in many ways determining the
scientific and technological potential of the Soviet Union. However, repressions did not bypass
them. In 1938, in the Karkov Physics Technological Institute, six out of the eight heads
of the department were arrested. Weisberg, Gorski, Landau, Lapunsky, Obermov, Schubnikov,
and a seventh, Rumen, was exiled. Only Slitsky remained. The name of Semyon Aiskovich,
the constructor of Levochen fighter aircraft was long unknown to the public.
Names of many other personalities in military industry were kept secret as well.
Even now, we did not know all of them.
For instance, M. Scrood oversaw a development of powerful radio stations,
yet there were surely others whom we do not know,
working on the development of no less powerful jammers.
Yeah, we know now.
at the time he wrote this
it was what was
this came out in 2003
something like that
it was very difficult
the old archives
were deliberately
either destroyed
or
you mislabeled
or something like that
to keep people from understanding it
um
you know
these people weren't arrested as Jews
they were arrested for other reasons
and I don't know what arrested means
they come right back again after a while
I don't know
so you know this is
you know
it wasn't an anti-Semitic movement
Stalin was not an anti-Semite
we've already proven that
we know that
but the fact that there are Jews everywhere
in the Soviet apparatus
means that it looks like he is, and that's the key issue.
Numerous Jewish names in technology science and its applications
prove that the flower of several Jewish generations went into these fields.
Flipping through the pages of biographical tomes of the Russian Jewish Encyclopedia,
which only lists the Jews who were born or lived in Russia,
we see an abundance of successful and gifted people with real accomplishments,
which also means the absence of obstacles to career entry and advancement in general.
Of course, scientists had to pay political tribute, too.
Take, for example, the first national conference for the planning of science in 1931.
Accomadition, Ioff, stated that modern capitalism is no longer capable of a technological revolution.
It is only possible as a result of a social revolution, which has transformed the once barbaric and backward Russia into the
the Socialist Union of Republics.
He praised the leadership of the proletariat in science and said that science can be free only
under Soviet stewardship.
Militin philosopher E.Y.A. Coleman, one of the main ideologists of the Soviet sciences
in 1930s, he fulminated against the Moscow School of Mathematics, asserted that we should
introduce labor discipline in the sciences, adopt collective models, socialist competition,
and shock labor methods.
He said that science advances
thanks to the proletarian dictatorship
and that each scientist
should study Lenin's materialism
and empirico-criticism.
Accom academician
A.G. Goldman,
Ukraine, enthusiastically chimed in,
quote,
the academy now became the leading force
in the struggle for the Marxist
dialectic in science.
Again, that's one thing
that makes the U.S.
and the U.S.S.S. are different.
They were very similar
in a lot of ways, and I've
written on that a hundred times.
But because there has
to be some kind, I don't want to say
a market,
but people have to actually want to buy
this stuff or read
the stuff. Unless you're an academic,
of course, then of course it doesn't matter.
You don't only read that stuff unless someone makes you.
and I love how they say the backward in barbaric Russia
in other words, Guillaume, the subhuman Russians were eliminated
and now we have come in and taken over
and have created a new way of thinking.
That's something that, again, it says more than the speaker thought he was saying.
The Jewish Encyclopedia summarizes, quote, at the end of the 1930s, the role of the Jews in the various spheres of the Soviet life reached its apogee for the entire history of the Soviet regime, end quote.
According to the 1939 science, 40% of all economically active Jews were state employees.
Around 364,000 were categorized among the intelligentsia.
of them a hundred and six thousand were engineers or technologists representing 14% of all professionals
of this category nation a countrywide 139,000 were managers at various levels, 7% of all administrators
in the USSR, 39,000 doctors or slightly less than 27% of all doctors, 38,000 teachers
or more than 3% of all teachers, more than 6,500 writers, journalists, and editors, more
than 5,000 actors and filmmakers, more than 6,000 musicians, a little less than 3,000 artists
and sculptors, and more than 5,000 lawyers.
I don't understand everything in the Soviet Union then. Everything then was under,
you were always a state employee. Economically active Jews, 40% were state employees. No,
They all were.
There was no private property.
There was no, there was no, there was no alternative to that.
Everyone was a state employee, so to speak.
So I'm not sure he's talking about the Jewish encyclopedia,
trying to make it seem better than it was, but it's just not true.
Everyone in the U.S.S.R. had to be a state employee or you went underground.
Very simple.
I'm going to do this last little paragraph here, and then it changes subject hard.
So I think we should probably maybe make this a short one, considering you're tired and I'm,
I don't know what I am today.
Is that okay with you?
Yeah, that's fine.
Okay.
In the opinion of the encyclopedia, this is the Jewish encyclopedia, I think Jewish Russian
encyclopedia. Such impressive representation by a national minority, even in the context of
official internationalism and brotherhood of the peoples of the USSR, created the prerequisites
for the backlash by the state. You know, we can't, we can't assume that every single Jew
with any kind of talent scientifically or otherwise was an evil person. You know, when I was getting
fired from Mount St. Mary's, it was the only one who defended me was a Jew who looked like
Santa Claus. And so, you know, there's always going to be people who are tired of this,
who are tired of being told what to do. It's like American teachers today in the public school
system who are given an agenda here's what you teach day one day two day three day four
what's the point of being a teacher then if every every second of the day is going to be
is federally mandated who would want to do any of this stuff and it only really um it only
um rewarded mediocrities
because if you were truly brilliant, you wouldn't want to be put on like this.
You wouldn't want to be dealt with like this.
You know, so they were either independent or they left the country or whatever it was.
But they certainly couldn't be a state employee for the very same reason.
But it still was, especially in Germany, as Hitler grew in strength.
um it was it was the soviet union was the uh um the homeland this was the place that's going to
protect us and certainly uh right into the 19 1950s um even after the establishment of israel
all right let's cut it right there and uh we'll come back on a couple of days and take a real um
it looks like we're going to go into
direct
Stalin's direct
I always say conspiracy, but
allying and
of Jewish
leaders of the Communist Party and how
he, how they dealt
with each other. And I think that should look
and we even have mentioned a Hitler
here. So we're getting to the good stuff.
It's a totally different topic.
You know, this was just, this was very specific
but this is what's coming on next time.
It's going to be very, very different.
Yeah.
All right.
Once again, always, I encourage you.
Go over to the show notes.
Go over to the description in the videos.
Support Dr. Johnson's work.
He has a new book out.
I have links to it everywhere in the description there.
It's on my Twitter, yada, yada.
That's another way you can support him.
Go buy that book.
It is on the current Russo-Ukrainian
conflict and I can guarantee you as somebody who hasn't read it yet I know Dr. Johnson's work
it's going to come from he's going to have opinions and he's going to have explanations that
you're not hearing anywhere else I can 100% guarantee that is that safe to say Dr. Jay
very safe to say all right well we'll pick this up in a couple days we're going to get into some real good
stuff here. Thank you. All right, my friend.
Thank you.
