The Prestige TV Podcast - 'The Chair Company’ Season 1 Recap: A Season to Cherish
Episode Date: December 3, 2025Rob and Jodi are still on hold with Red Ball Market Global, but took the time to look back at Season 1 of HBO’s ‘The Chair Company.' (0:00) Intro (1:49:00) Love/hate relationship with the show... (5:52) What happened in the finale? (11:22) Tim Robinson’s comedy cadence (26:08) Favorite side characters (32:32) Comedy of the workplace (39:17) Least favorite side characters (44:58) The Mike reveal (47:14) So many great characters Email us! prestigetv@spotify.com or lickingthedonut@gmail.com Subscribe to the Ringer TV YouTube channel here for full episodes of The Prestige TV Podcast and so much more! Hosts: Rob Mahoney and Jodi Walker Producer: Donnie Beacham Jr. Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
Discussion (0)
Welcome to the Prestige TV podcast.
I am Rob Mahoney, and I come to your feet today with great news because we are going to be talking about the thrilling first season of the chair company and a truly strange season finale on top of it.
And at the risk of violating my own personal NDA, I have brought in the perfect co-host, the Wendy of Wendy's Carvers herself is Jody Walker.
Jody, how are you?
I'm actually going to have to end the podcast because you're not allowed to talk about that.
You've broken my boundaries.
I don't trust you anymore.
Look, it was right there for the taking.
How could I simply refuse it?
And you know, you came in with a perfect joke.
I meant to come in with some prop comedy.
I was going to wear a green bracelet to say that I was down to make mistakes.
But I've actually worn a red shirt, which I guess means like no mistakes.
Honestly, safer.
I think the green bracelet is the bigger HR infringement as these things go.
Like Spotify H.Q would not love a green bracelet coded podcast.
No, I think that they would like for us to be open to mistakes.
in the style of yellow, but maybe not actually going into an environment, hoping to make mistakes.
Because we're kind of in a weird time in our lives right now.
These look like headphones, but they're a bubble necklace.
I'm glad that you're bringing the appropriate whimsy to this podcast.
Because this is a show, look, how else could you feel but whimsical and also kind of terrified?
I feel like the tonal balance of the chair company is quite something to behold.
What has your experience been with the show and just kind of like the day to day.
week to week experience of watching it.
I truly, I was like, I'm getting on this pod to talk with Rob.
I'm so excited.
And I was like, what are you going to say about how you feel about this show?
And the only thing that I could think was like, Rob, I love this show.
I hate this show and I love this show.
Like, I have so much fun watching it.
You know, I covered the rehearsal with Charles on prestige TV.
And obviously, I think we have to get into like some of the facts and figures of how
these two shows relate and relate and getting a second season and relate in their
autours and the genius that fuels them.
But I find the chair company to be much easier to watch.
It doesn't sort of, it is not to me as uncomfortable as the rehearsal.
And obviously these are like totally different kinds of comedy.
I don't find it as uncomfortable, but I do dislike it more.
But I also kind of love it.
I love watching it more.
Like I don't, I used to fear watching the show,
Parenthood because I knew how much I would cry.
I fear watching the rehearsal because I know how uncomfortable it will make me.
I do not, I go into the chair company with like an open heart, a girded loin,
just ready to like be intense.
I think that I actually, another show that I cover on prestige,
I sort of watch it like industry, which is like your Apple Watched,
is going to think you exercised after this. It is so intense. But I love it so much. And I also hate
what Ron is doing to himself at all times. Most times, at most times. I hate what he's doing
to himself. I hate what he's doing to everyone around him. And yet, like, it is propulsive in a way
that not that many things have been on TV this year. Like, I felt really pulled into this world
and a show that, like, to be totally honest, for all the reasons you just described, should not
work.
Like, the balance of what they are trying to pull off of kind of, like, if you want to compare
it to the Tim Robinson verse, it is like, they go 30% as far as they would on like, and I
think you should leave sketch.
You know, you don't get to the full, completely insane conclusion of every little
situational joke they bring up.
But then the show was also over.
I would say the exclusion is episode five, which was really difficult for me in terms of like
grotesquery, but agree.
No, speak on it.
What was it that grossed you out?
Oh, every single part.
Probably when that guy kept putting his elbow in that soup and then Tim Robinson punched him in the dent in his head.
Then next to that probably is when Tim Robinson, and I'm just calling him that, found himself in that room where a man was cheating on his wife and thought Tim Robinson had been sent there by his wife and said, the only way to settle this score is for you to cheat on your wife too and me to film it.
And then he made him kiss that woman.
And they certainly did it and they filmed it.
See, for me, I would say my.
And he said, yep, that's cheating.
And then he hit stop record.
I'm glad we had confirmation
You know like we only want to do one take for these things
And it was helpful for me to know what counts this cheat
Like that's what gets that's what gets you to cheating
I do find that this show overall has a really strict morality
You know it's really trying to set us straight
In these uncertain times and put us on the right path
As a country as a people
I appreciate that about the chair company
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I sold my car in Carvana last night.
Well, that's cool.
No, you don't understand.
It went perfectly. Real offer, down to the penny.
They're picking it up tomorrow. Nothing went wrong.
So what's the problem?
That is the problem. Nothing in my life goes to smoothie. I'm waiting for the catch.
Maybe there's no catch.
That's exactly what a catch would want me to think.
Wow, you need to relax.
I need to knock on wood. Do we have wood? Is this table wood?
I think it's laminated.
Okay, yeah, that's good. That's close enough.
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If you are not familiar with the show at all, this is a series from Tim Robinson, as we've alluded
to and HBO. It's about a suburban dad who is like attempting to unravel an office chair-oriented
conspiracy. Is that a fair description? Yeah, vast criminal conspiracy may be conducted by a major
pharmaceutical company via a sort of small city government via a chair company.
As as as simply put, as such chair companies are wont to do, um, as you know, as such chair companies are wont to
do. As you might be able to tell, it is unlike anything you will see on TV this year. And for that
reason alone, I think you should go watch it if you haven't. We are about to spoil basically the
entire first season, um, especially this season finale, Jody. Like just to make sure we're all on
the same page. I would just like to list some things that happened in the chair company season one
finale. Oh, that would be great. It feels like a, it feels like a nightmare dream to me.
To me too. And I'm sure to many of the people involved in making it, starting with the fact that
we learn a lot more about our friend Mike, who,
became so obsessed with his organ donor that he first wanted to be a father to his organ donor's
daughter and then also made a move on said daughter. We learned that the puppet esters, I mean,
she was younger. It's actually even better because she's younger. You're absolutely right. I,
look, I shouldn't have skirted past that part. It's very important. The age is important.
It is an important part of the story. To me falling out of love with Mike. Actually,
looking that in the face of what he did to that family is important for me, um, letting loose my
grip of how attached I had become to Mike.
This show's ability to make Mike an incredibly sympathetic character for like half its run
should be studied.
I don't know by what courses in what colleges, but like there's an educational value to this
process.
Rob, he had been looking at this chocolate con for a year and he just needed a reason to buy it.
It's so sweet.
Until it's colored very darkly by that reason was the son of a man that he has involved
in a vast criminal conspiracy with.
and just wants to get inside his house like a vampire.
All extremely normal stuff happening up and down this show.
We did learn that the puppet masters behind Teca are apparently this dude named Stacey Crystals,
who was assassinated by a kid with no explanation holding a 3D printed gun.
Who ruined his father's life?
Again, I have no explanation for any of this.
Oh, no.
Why did it have to be 3D printed?
Couldn't tell you.
Couldn't tell you what's happening with most of this show.
of the time, and yet I am delighted consistently by all of it.
Oh, same.
I mean, you know, I, the news came out that the show had been picked up for a season two,
along with these sort of Easter egg news, that this is HBO's top freshman comedy
in the platform history.
Yes.
All at the same time, I think, ahead of the penultimate episode.
And it's like surely with this ending and the initial reception, HBO and Tim Robinson maybe knew this was being picked up for a second season much earlier than we did.
I could be part of the reason it ends that way.
I think he'd also be perfectly happy for it to end that way and for everyone to be like, what?
But it certainly colored the way I watched the last two episodes of like how do we extend this universe?
And what do we extend?
Do we extend the universe?
Do we extend the mystery?
Do we extend Tim Robinson's devolvement into it?
And oh, I do not have an answer to be very clear.
I am presenting a series of questions because per the finale, I do not know, but I liked it.
I did too.
I have to say, like, this is not a show I go to for answers necessarily.
And so the idea that we are ending a season one finale on this.
Incredible cliffhanger that I'm just going to spell it out.
Like, apparently this whole story might have been Amanda's psychosexual revenge fantasy
and also she might be telekinetic to be continued.
Hard stop for season one.
I remember when those paper clips moved when that other woman in the office
thought that she had metal inside her body and we thought it was because of that,
but maybe it was Amanda.
You know what?
I completely blocked that from my mind.
I'm so glad you're here to illuminate really the pertinent details that could bust this whole case
wide open, Jody.
I think there's metal inside my body.
What if I came into your office and was like, hey, could we move the podcast up?
I have got to get to the doctor.
I think there's metal inside my body.
Like Ron, I don't know how I would respond to that.
And I have to say, as Rob, you would respond.
You would respond as sweetly as the Ron that we met in the story.
You would not respond like the Ron that we left the story with.
Well, again, can you blame him?
Given the lengths that Ron has gone through to try to
uncover this conspiracy, only to find at the end of the day, his boss is partly responsible,
you know, Lou Diamond Phillips in this incredible like goatee twirling villainous performance by the
end, combined with everything that's going on with Amanda and maybe her telekinetic powers,
to say nothing of all of the completely insane shit that has happened in the interim,
who wouldn't be a man or woman on the brink by the end of all that?
And to think that I believe original music is being brought into the mix,
And maybe that's something that we'll be hearing next season is a lot more of Lou Diamond Phillips and that other guy.
When Stacey Crystal, Stacy Crystal.
When Stacey Crystal is like, Sabrina, think about Sabrina Carpenter.
They're making these songs.
What is anyone ever talking about?
But, you know, I was doing kind of a full rewatch of the season to tune in here with you.
Well, let's clarify there, Jody.
Because you were doing a full rewatch, you inform me at...
Like, you can expose me like this when I have metal in my body.
Well, at two times speed, which is a choice for any show, but for this show, I think is, like, clinically problematic.
Oh, yeah, I think if you can see my pupils right now, they don't work right.
I knew going into it that it wasn't a good idea, but I simply had to do it for time's sake.
You know, I've been watching live and here we were about to talk about the whole season.
I said, I want to see it as a package.
but with the timing that I had,
it kind of needed to be two-time speed,
one and a half if I was treating myself.
And that was anxiety-inducing.
But it really worked because, like, what it pointed,
and I was like, am I going to lose some of the humor?
I am not advising anyone to do this.
This is not an artistic practice.
This is I watched it at one time,
then I watched it at two times later.
And I wondered, like, what the joke cadence would be like.
Because these jokes are so strange.
And I think that something that people love about Tim Robinson's comedy, I think something men really love about Tim Robinson's comedy and sometimes can't believe that women love it too is that it is so weird and so strange that it feels like only you could be finding it funny.
Like when you receive it, it feels like who, what other freaks out there could think that him just saying this in this,
cadence or him just saying, or like a guy just being like, yeah, I saw some bugs I'd never
seen before could be so funny. I, it is, it is true artistry to be able to make comedy like that.
I know that I, I feel so confident I couldn't do it because I don't understand it. But like,
he understands and his, you know, long time writing partners understand in some way how to keep repeating
this comedy.
And what I was noticing on my super fast rewatch was it is in the way that I think people
used to talk about how Veep is like joke for joke, one of the most packed shows of all
time, just funny.
Like joke after joke after joke is like that's what Tim Robinson does with weirdness.
It is just weird after weird after weird.
And like they are jokes.
They're not technically jokes.
Actually, a lot of times they're just saying the weirdest thing you can imagine.
And what I really noticed is like, and for me, I think my favorite episodes are where those lines are just packed in.
Like in the Pinnolultimate episode, when he brings the dog baby home, it is one thing after another.
It is, you know, oh, baby got into the rat poison.
And I don't know if he bit the rat or if he bit the poison.
And also I push my boss.
And so now I'm on leave.
Like just, it's just, it's so much that these 30 minute episodes,
in their normal one-time speed watching live on HBO felt much longer.
They actually do.
They do feel longer.
I think if you push past 30, you risk that assault feeling overwhelming.
And to be honest with you, that was kind of my experience watching Tim Robinson's movie
friendship as well, which was like, it just kind of pushed past a point where I was like having
fun and comfortable and on the edge of my seat and into just like, I'm just like a little
too put off by everything that's happening in all of these scenarios.
And so somehow the chair company, despite overall being longer, breaks it up and parcels it out in a way that, like, makes a long-form version of this thing that should not be able to sustain long form.
Totally. I do. I liked friendship. I didn't love it. I really think that the chair company kind of course corrects what he was doing there. It's a different story. He is doing a different thing. But in terms of being able to sustain Tim Robinson comedy with a narrative.
and a serialized structure,
I think he's really found the puzzle that fits together just right
in the form of the chair company.
I think I guess we'll see about that being a multi-season show.
I think it being like what felt like a limited series show,
the shorter episodes with the ultimately longer run gives a lot of moments for things
to amp up way too crazy, like way out of control in what it can do
in 30 minutes.
And then it just gives you one or two moments of showing what he's like as a family man.
And I think I really bought into that a lot more in the chair company than I did into friendship.
My editor was like when when the chair company was coming out, he had watched some of it.
He was like, hey, do you think that you would want to write about how Tim Robinson is always
dating or like married to these really hot, really cool, incredible women in these shows?
and like how unlikely that is.
And I was like, kind of.
But I feel like when we meet him in the chair company,
you see how she could have fallen in love with his whimsy.
And you see, but also his secure, like his stapleness a lot of the time.
Then you also see how he goes down these paths.
And you see how his children love him.
And I, I sort of marvel at like how the show could do that with just really little things.
like Seth putting the tiny hat on his backpack or loving the Pee-Herman dance or being able to
talk to his dad about drinking.
Well, we really know like very little about Seth, except that he did play basketball.
And now he wants to do stop motion animation.
You know, we don't know that much about like the inner workings of these characters, but
we know how they all relate to each other.
And that really provides a lot.
That little warmth goes a really long way.
And you're right.
Like having the family structure as kind of the anchor of the show and the thing that Ron is
ostensibly like fighting for amid his job travails and failed Jeep businesses and this big
like conspiracy he's trying to uncover via spreadsheet.
Look, we all have to have a dream.
And I support him and chasing his.
Clearly that one was not the dream for Canton, Ohio.
But you can't blame a guy for trying.
Well, you know something that I have been caught saying at a couple of
of Ringer events with basically, like, no context is that men are obsessed with legacy.
And I do think that this TV show is a lot about how, like, an obsession with something bigger
robs you of all the good small things.
Yes.
And attempting to strike the balance of feeling important and a feeling like you make
your mark on the world while also actually making your mark on the world in the form of
what is what like what is almost the like you know most automatic legacy to achieve a family but we
we catch this man in the midst of and I really loved those moments when we would sort of like
dive back and find out how they the family got to that place and like how you know they both
wanted to do something different do something more important and that in that way for Ron and Barb
like it's not there's not the gender divide.
Barb also wants to do something bigger.
Seems like she's handling it a little better.
But like that the way that they support each other in this mission,
but that like it has to be balanced and that this is not a balanced person.
No.
Very few characters in the story are balanced.
But I would say the family is and that we should like Lake Bell being the improbably hot wife in question in this case who is like,
just hilarious in these sorts of comedies.
And this reminded me a lot of the sorts of role she plays in children's hospital specifically
of being this like almost like a trampoline for Tim Robinson to launch him into orbit.
Like the more and more insane he gets, the more and more like dry and unaffected she gets.
Yes.
I do think though over the course of the season, like as we're straddling this like, is this a comedy?
Is this a weird thriller sort of divide?
The characters around Ron do start to respond to him as if this were an actual human being
having some of these outbursts, whereas in episode one, we're doing sketches almost.
And by episode eight, it's like, dad, why are you being so weird?
Like, just consistently, he's getting that kind of feedback from basically everyone in his
life in a way that makes the show feel not real because it's still in a heightened space of
some kind of reality, but it makes it feel more like of a world with itself.
But also in episode eight, there's the bounce back to the bounce back where suddenly
everyone's kind of being like, wait, why are you stopping doing this?
I think that maybe you're actually on to something and that all of your weirdness maybe amounts
to something.
And I think that that's, I just love how many times, especially in the premiere, he exclaims
like, that's so weird.
Don't you think that's weird?
This is so weird.
because what they do with that character is that he is often capable of seeing when other people are behaving strangely or when a situation is strange or a circumstance is strange.
But he can't see when he is being strange.
He kind of can.
And also when he will sort of like relate to someone who's being extremely weird.
When his phone gets like wiped and then reuploaded and all of the text from the shirt, the shirt company.
Yes.
Whole other conspiracy.
I know.
That's what season two should be.
When the shirt company texts start rolling in and he starts seeing the vast criminal conspiracy at the shirt company and it triggers for him, they're replacing the parts.
And he recognizes that guy as being insane.
But he also recognizes himself in that guy.
And what can you do with recognition except follow it?
And I think that's where the show really goes off the rails in the best possible way is following all of those weird instincts and recognitions.
And frankly, like structuring the show so it is what could be a throwaway joke in any other program, something like the Lou Diamond.
Like we don't know it's Lou Diamond Phillips yet, but like the hold music that he has to listen to for five hours.
And we have to listen to for like three scenes.
It honestly is quite catchy.
of becoming a critical plot point.
Like that is the kind of economy.
It was like as soon as he walked in that office,
I was like,
that's why Lou Diamond Phillips said
that super weird thing to him about the wall.
And it actually in that way,
it does work well as a mystery,
like as a mystery that you're following.
Because any one of these weird things
that anyone said,
that woman having metal in her body could come back up.
It might come back up in season two.
Amanda might have put it there.
Like it could be anything.
and I'd buy it, I think I would like totally respect the criticism that the finale kind of
flew off the ramp finally in terms of absurdity. But I think that I really just buy into that
absurdity. And I think that what reminds me most about season one of the rehearsal for season one
of the chair company is how it really just made me like,
trust this artist in terms of like where he's leading me and how he can complete a story and
also leave it open to build on.
I think like with Nathan Fielder, I never could have imagined what he was going to do with
season two of the rehearsal.
And my hope is also actually like that I can't imagine what Tom, like what Tim Robinson
is going to do with season two,
and that it kind of won't be the things that I don't want it to be,
that it will actually be something that, like, I just couldn't imagine.
You could never dream it.
And I do think that the show in the rehearsal do have that in common.
I do think as a broader, like, HBO comedy lineup,
I would also put, like, the righteous gemstones in that group as well.
Yeah.
As far as a show that went to really unexpected places.
And also, again, I don't want to, like, overprescribe a comedy in which, as you all
to a guy dunks his elbow repeatedly into a bowl of soup as being like pregnant with meaning.
But this is a show that is kind of about some stuff.
And like some of that stuff is like, speak on it.
I mean, like trying to undercover a vast criminal conspiracy to deal with your feelings
of inadequacy at work for one or like even as as Ron like puts like kind of blazes
out like on the nose.
This idea that people are just like making garbage.
And as a consumer, you cannot find anyone to complain to.
about the garbage.
Uh-huh.
Like,
it is grabbing something that's, like, a very real human feeling in 2025 and taking
it to ridiculous places.
But, like, I think there is actual commentary here.
It's just kind of buried in all the soup.
I agree.
I think I read, um, a really, a really great like piece in the New Yorker that I,
I really liked by Molly Fisher.
That's called Tim Robinson finds humanity and test it in the chair company.
And she sort of posited that like, like, where, she said,
where fielder's efforts at expansion went deeper, Robinson has chosen to go wider.
Rather than plumbing the internal lives of his trademark weirdos, he imagines a world teeming with
them. And I think that's absolutely true. But I also think there's depth to wideness.
And like what width allows you to do is to kind of place yourself within a wider world.
And he really has painted this incredibly wide world. I mean, right down to like that moment in
I think the finale when he taps his phone onto the computer and it puts the pictures in.
It's so fucking funny and I can't tell you why.
I can't.
I could not begin to.
And it's like, well, that's not real.
It's not exactly the world that I know, but it's close.
And these characters aren't exactly the people I know, but they're close.
They're just stranger and widely drawn.
But if I zeroed in, I'd see something.
And yes, like, relationships.
waiting to spinning.
I mean, listen, has my therapist told me that I use data collection as a form of control?
Yes, she has.
And I do think that in this situation, Ron is attempting to use data collection to gain a sense of control in his life that he does not otherwise feel.
And that's not like explained or drawn out on the page.
It's just kind of evident in his.
wild actions. Absolutely wild.
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Save at Whole Foods Market. But as you laid out, not only are his actions wild, but
in kind of creating this broad universe of across the board insanity.
I mean, one of my favorite things about the show, Jody,
and we talked about this some,
is just like all of the random side characters who are popping up for sometimes one scene,
sometimes one minute.
And it's just like there is an indelible thing about this person.
Like you came off the top with the woman who thinks she has metal in her body.
I would up you with like the guy who brought the Ziploc full of pepper paddy balls to the dinner party.
You don't need to worry about him.
It doesn't matter if he doesn't like the dinner because he's set.
So don't worry.
He came prepared.
But who else stuck with you?
Who else jumped off the screen to you?
I mean, my first thought of like favorite side characters.
And of course, I would also love to elaborate on favorite more like supporting characters.
But in terms of like one to two appearances, I was so absolutely obsessed with that janitor in the very first episode who is obsessed with
his wheelbarrow and who the indoor wheelbarrow, we should say.
Well, the indoor wheelbarrow and allegedly.
He feels very protective of his wheelbarrow and he says, are you the guy that's been saying
I'm not allowed to have a wheelbarrow in the office?
Why would anybody care?
It never goes outside.
It's an inside wheelbarrow.
I could understand if it was an outside wheelbarrow.
And I loved him because that is just like objectively hilarious.
But also because in that, that's one of those moments where you see Ron observing his
behavior. Like that man is a mirror in the same workplace. It's kind of an upstairs downstairs
situation acting exactly as erratic, but kind of logical. Like there's a logic to his argument
and the thread that he's pulling. It is erratic. And also he does take the wheelbarrow outside.
And he does get caught. Ultimately he was right. Ultimately it was suspicious. I think not to be the guy on
a podcast explaining like this is why comedy works but this is kind of also what we're trying to do
here aside from just Chris Farley showing like wasn't it funny when this happened I think a lot of
the jokes were describing and the bits that like really just stick with you from a show like
this are the ones that kind of scratch our itch to like have lore and so it's like when you hear
something like the indoor outdoor wheelbarrow it's like this guy has a whole history of wheelbarrow paranoia
When you see the woman who's been like taking stock photos at the life of the party class and she's been told she can't get past level five because she's too dumb.
Like I just want to know her whole story.
And it's like every, every character who appears in this show has that effect on you.
And it's sometimes like they'll just scream so much.
They kind of knock the memory out for five seconds so that they can move on.
But ultimately like that is a, that's quite a magic trick to have that many kind of what I say well conceived, but just insanely conceived support.
characters. Totally. And then sometimes
like when you find out their lore, you're like,
oh, no, thanks. Actually,
it was too much. You know, when you,
the guy who runs out
of the, wait, what is the class called where she can't get to level five?
That's the life of the party class, I believe.
When the guy runs out and ultimately he is actually connected and he is
like the nephew
of the assistant director. And you find out that
the lines on his arm, they really do mean something.
They do represent all of the women that he said sex.
with and the black one is the woman he married.
And that's his life structure.
And that's why he designed those websites like that.
It's like, oh, no, thanks.
You can keep that.
I didn't, I didn't like hearing that at all.
I'm good,
I'm good of wanting to know that Mike doesn't want to turn out to be Ebenezer Scrooge.
You and I have been talking a lot about Scrooge lately for reasons that are beyond my comprehension.
I could not believe that we were coming here today to talk about another Christmas
Carol allegory.
tune in to Benjmas on the ringer dish feed to hear Rob and I talking about a little
hallmark film called Christmas Above the Clouds where the main character's name is
Elenizer and yes it is a direct take on the Christmas Carol.
Also a work of brilliance and I would say by comparison much more chaste than the portrayals of
Ebenezer Scrooge we get in the chair.
I'm also really about men being obsessed with legacy but go on.
You know it all ties into itself but yeah I think you're so right that there are certain
guard rails with some of these characters that are urging us to move on and kind of nudging you back
towards the plot. And ultimately, I think what keeps this thing on the rails and kind of turns what
could be a sketch show or just like all of these bits into something resembling a plot is they
have just chosen to shoot it and score it as if it's the parallax view. But everyone is yelling
all the time. And as we were talking about kind of the way that nothing is spared in this show,
it kind of is like the breaking bad of comedies in a certain sense. Like there is no crumb left
on the table. Everything is kind of coming back telekinetically or not. I'm just, I remain incredibly
impressed with the structural obsessions of what it is that's going on in the show and why I can't
begin to wrap my head around it. Yeah, I think that's why I keep going back to like that the
best thing season one has done is teach me to trust it because I don't totally understand
how this is like a functioning ecosystem.
I don't totally understand how they're making it work.
And there were low points for me in this season.
Like I did really find episode five very difficult.
When I knew that I was going to be rewatching it at two times speed,
I was also thinking, oh, no, thank you so much.
But I did and I noticed some things I missed.
So I was glad that I did.
You're professional.
I'm a professional.
I'm going to watch it all, you know, two and a half time.
I think that like there there were sometimes maybe where it didn't work for me perfectly,
but maybe like there are some people where like episode five is their favorite style
of Tim Robinson comedy.
I told you this offline like my favorite thing to track throughout the season and like
my favorite Tim Robinson comedy is all of the little ways that he lied.
when he is like caught in a situation.
And that really I think it's almost always at work.
And I do think that points to for me,
this is not exactly a like workplace comedy,
but it is a lot about work.
And a lot of Tim Robinson's comedy is a lot about work.
Like I really loved the Detroiters.
It is designed in a different way
is much more episodic than serialized.
But that is like another another show,
about ambition and real talent at times.
I mean, I think I like, I love that we meet Ron absolutely knocking it out of the park.
Like when he gets up before the inciting event, when he gets up on that stage and he gives
his speech, does he repeat certain words like 17 times?
Yeah, he's not a professional speech giver.
And it's really rousing and it's really good.
And these people at work trust him like the people at home do.
and he's a really capable person who is maybe capable of greatness.
But what if the greatness he's capable of doesn't bring something better to his life?
What if the like regularness that he's capable of is what actually brings something to their life?
Like not all people.
A lot of people are probably capable of greatness, but they're not capable of managing it.
And so I really-
Jody, that's fucking deep.
And as I said it, I was like, where do I fall on the scale?
Oh, no.
Something to think about.
No, you are both great and managing it beautifully.
I can attest to that.
Thank you.
I mean, I do have a podcast about Hallmark movies.
So I think, you know, the greatness is there.
So I love the workplace stuff, the strangeness that it brings.
I love the show's commitment to basically everyone else at work being happy.
Like everyone is.
sometimes like he will walk into an office and everyone is just laughing.
It is they,
they're not,
they are exploiting the weirdness of other characters,
but not exactly the discontent of other characters.
And that,
like,
makes for a really fun time when there are kind of these like,
one dimensional weird people and this two dimensional weird person.
And what that leads to is,
as I was saying,
like my favorite part,
my favorite thing that he does is tell these insane,
unbelievable or,
insanely minute lies to cover up the weird things that he's doing.
Do you have a favorite one of these?
Mine is more a big lingering one.
And I don't even know if it's a lie so much as just something he hid but did not need to hide,
which is when he finally does get this burner phone to communicate with Mike and he puts
it in a water bottle for absolutely no reason.
The noisiest water bottle in the world.
It just creates the hilarious like audio cue every time it goes off that then sets every
scene it's involved in into overdrive. But it's just like there are things like that that are happening
for no conceivable explanation other than it aids the bit. It makes everyone in the scene more
on edge. It forces him to like try to get in and out of conversations where as a boss like he should
be listening to the fact that the people around him are having a tough day or are working through
this or that or maybe he abandoned them to get into a car accident. And yet he's just got to take that
call because this is what drives him. It's so incredibly specific, the humor. My favorite little,
I have so many, but my favorite little lie that he tells is when he is like rooting around
under the car, I think to find the pipe that Mike hit him with. And someone asks him,
like, Ron, what are you doing? He says, I dropped a freaking Hershey's hug somewhere. He's like,
do they even make Hershey's hugs anymore? And then he goes on this whole elaborate thing of like,
and I'm going to need something sweet later.
Like I pack spaghetti for lunch.
I'm going to need something sweet later.
I got to find this.
Hershey's hug.
That is a beautiful mind that could be used in many beautiful ways.
And the question is, is he using it in the right ways?
When the weird HR guy who keeps hanging around the office later catches him in his new
office before he's outfitted it with like Persian rugs and gorgeous, you know, mid-century
modern like record cabinets, he catches him in there.
with a full chair on his lap and a screwdriver.
Upside down.
Upside down on his lap.
And he says, what are you doing?
And he says, he says, just call him my mom, relaxing.
Both of those things simultaneously.
Just call him my mom relaxing with this chair in my lap.
I just love him.
It's truly an unhinned show for in exactly that kind of way and that they're able to replicate it and replicate it.
And I agree with you, there's ways in which your mileage.
may vary. There's going to be things that are like a little too weird or not quite your brand of
humor. But that office stuff I think is so comfortable. I think the stuff at home is just like a nice
place the show can return to as we address. And if anything, I will say that's the moment I knew
this show had me is when Ron is having a heart to heart with his daughter, Natalie, and she
grabs his phone for a second and seems to be typing into it. And I honestly reacted,
oh no, Natalie is in on it with TECA. Oh, no. Rob,
What is wrong with my brain that this show has convinced me that a shadow chair corporation is guilty of a level of conspiracy that would infiltrate this man's family.
Honestly, you know, tough but fair.
It's like there were a lot of moles in task.
I actually do not begrudge you thinking Natalie might be in on it.
There were so many moles.
But ultimately, it was just the well-meaning concern of a daughter who's seeing her dad go off the deep end investigating something.
something that like, yeah, maybe a little corrupt, but ultimately is not corrupt in quite the way
he envisioned.
But then, Rob, correct me if I'm wrong.
I did get a little lost in the Natalie stuff.
She's ultimately, she is worried about him, but then she gets pretty into it in a sort of real way and doesn't want him to stop.
I think she eventually comes right to the idea that he's making some good points, whether it's
about pharmaceutical drug smuggling or not.
But it's also like this is one of the constant themes of this show is like what do Ron and his kids kind of have in common?
What do they share? What are they doing? And it's like, you know, it's a daddy daughter project ultimately. It's a heartwarming thing where he's just leaving his son to flounder around failing to explore his artistic dreams with an alcohol addiction. Like isn't being fully supported in his stop motion dreams.
That's what I'm saying. If you if you as a father don't support your son and his stop motion animation,
a surrogate father will.
You know, another middle-aged man will stumble into your home and into your fridge and do that
for you.
Where does Tara the maybe to be daughter-in-law fall in terms of side characters?
Because I would say I also had some like least favorite side characters, which again are like
in the grotesquery are sort of difficult for me.
Like Stephen, the guy who is like a big part of like episode four and five where things really
start to get unhinged, who's the guy who did work at.
techa and was working in the nude.
He was kind of a tough thing for me.
And forgive me if I'm wrong, it's, it's his mom in the hoarder house that is screaming
for popcorn.
That's right.
And that was a really low moment for me.
Yeah.
I didn't like that.
I just could not deal.
I didn't like that at all.
That was like a little too.
I did like every time though that Ron would walk into like a very disgusting house and
be like, oh, oh, it's so dirty in here.
Except like he did it in that in that house.
But when he walked.
into Mike's house.
He was clearly kind of appalled,
but like he can ignore it there
because Mike is briefly his family.
And when Mike goes over to the sink and he's like,
ah, there's barf in here.
And then goes in the refrigerator to,
it's just,
it's so much.
But yeah, like didn't love,
I think like those characters
are a little harder for me.
But Tara,
who is an unlikable character?
Yes.
Oh man, she just cracked me up.
And like that's like so,
strange, so weird.
Who is that actor,
Greece writer?
It's just so, so funny in that role of having
like these really specific,
these really specific things that she bears down on and like that she
knew she wasn't going to be able to get her leg on yellow and twist her
because she knew her knee would give out and they made her do it anyway.
And then even like that her dad is kind of the specific brand of awful too.
Yes.
He keeps like testing all the stones being like,
this one's loose.
this one's loose too also loose and Ron's like stop testing the stones
he's dissing their dead dog repeatedly for not being well behaved
she's like well if you didn't know him not great you can you can absolutely see where
Tara gets it I think the line that Tara had about how she's essentially eating a live
pickles that are giving her incredibly vivid dreams which is like I could just run back on
loop I think and she's so important because she is a character who even all of our other
insane characters are sort of rolling their eyes at yes they're all saying God Tara is the
worst isn't she because of all of these things. And they are right and that endears us to
these insaneos so much. And yet what do we know about Tara that she seems incredibly content
and happy with her job as a food photographer for Wendy's? I believe. A very rom-com-ass job,
if I have ever heard one. I would love to see more food photographers in movies. I think too many
podcasters in movies right now, too many influencers. Let's get some food photographers in the
mix, please. And like when I was young,
When I was a teenager, we were all like, I want to be like the person who names OPI nail polish
because they all have these like very punny names.
And that's also one where you're like, I want to be the person who like photographs, you know,
fast food food.
Like what a strange job to have.
And I'm sure little Rob Mahoney was like, I want to be a podcaster.
I bet you knew about it even back then.
I was ahead of the game.
I was just talking into a, you know, a hairbrush in my bathroom, just being like,
here are my NBA takes. Let me tell you about Wilson Chandler. I love imagining it. Um, but yeah,
like we know that she is weird, but she is passionate. And what we also know is that that old man in
the basement who becomes friends with Seth is her friend who is teaching Seth, his new passion,
stop motion animation. Yes. There's like this very like light undercurrent of. And I mean,
this is another thing that I talk about as someone, you know, like who, and I assume you're the same,
I work in my passion.
Like, I love writing.
That's something I would do anyways.
And I happen to have turned it into a job.
And not everyone can do that or should do that.
And it's not exactly like necessarily great to do.
It also means that like, I don't have an outside passion, you know?
It's all right here, baby.
And there is some part of this show that is about that.
Like, can you balance living in a capitalist society with having a passion?
Can you combine them?
Can you balance them?
What can you do to be happy?
What I'm hearing is is a man allowed to have a hobby, you know?
Like, he's just trying to blow off some steam after work, breaking into various factories
and offices.
Like, is that so wrong?
And a man is allowed to have a hobby.
And that hobby is Reddit.
And I think that he could find a real true crime community on there if he'd just stop trying to do this all by himself.
He really could.
Honestly, if he just translated, there's one scene where Ron rather than screaming repeatedly is just typing fuck, fuck, fuck, fuck, fuck into his computer.
If he just did that on Reddit instead, I suspect he would get some very well-meaning DMs being like, dude, are you okay?
Yeah, and like, I don't want to direct him to Reddit.
I think there's a lot of darkness he could find there.
But maybe he could find a community that's, you know, that's.
like, yeah, bud, let's knock this out and they get to the bottom of it. And either there is
something or there isn't, but he doesn't have to feel so isolated. And he doesn't have to get
wrapped up with Mike, who I'm still holding out hope could be okay, except for that whole
try to kiss his heart daughter thing. Yeah, what is it that makes you think he could be okay?
I just, it was really sweet how he gave Seth the Kong and how he wanted to. Oh, man, but so many
of the things I thought were endearing are really recolored by that reveal because there's a moment
where we see Ron observing a save the date that's still on his refrigerator. And what I now know
is that was the save the date for. And it was kind of like, oh, this man's been invited to like one
wedding and it really means something to him. His desire for relating to other humans, his desire
for companionship is very endearing and is very compelling. It seems that he is not capable
of going about getting those things
or showing interest in those things
in a healthy way.
I don't feel great admitting this,
but I started to find it very endearing
the way he was always so enraptured by women's beauty.
There were like several different moments
where like when he saw all the head shots
where he was like, oh, she's gorgeous.
She couldn't be a part of this.
She's gorgeous.
And then when they start seeing all the like photos in the games,
he's like,
You've got to look at these girls.
They're gorgeous.
And I just, I thought that, like, his blanket, like, finding of beauty was kind of lovely.
And now I feel differently about that.
I mean, is he still an ally?
Question mark.
You know, we'll see in season two.
Do you think he ever watched a version of the Christmas Carol that wasn't the porn?
I really hope so.
I really hope that's now where he's getting his, like, Dickensian information about the story structure there.
I don't know.
Maybe there's more going on in the porn parody than we've been led to believe.
He mostly just listens.
But that one he watched.
He mostly does just listen.
But yes, I think ultimately that juggle and balancing act of like Mike is the guy who
chases Ron down in a parking lot and beats him in the head with a pipe.
And then we come to really feel for that guy and bond with that character.
And then you are forced to reconsider everything he's ever said and every detail and every story.
He had that story about how his ex-wife had been like feeding him sexual stamina pills that made him smell like a duck.
And I'm like...
And then she'd get mad at him for smelling like a duck and he'd say, it's the pills.
It was the pills.
Was any of that true?
Was anything Mike ever told us ever true?
I just feel so betrayed.
I think it's his version of true.
Rob, I also think that like legally doing this chair company podcast, if we don't talk about
in terms of our favorite random side characters, the man at the shirt store who keeps say it,
Because it made me think of it chasing down.
I mean, I can't believe like that happened in the first episode, chasing him down with the pole.
So then Ron gets his shirt because any good con man knows if a guy's coming for you and you're wearing a short sleeve button down, you unbutton that shirt.
He's going to grab a shirt.
He can't get you.
When he takes, when he back, puts the pictures into his phone with the tap, backtracks the pictures, finds out where that shirt was bought.
Arise at the shirt store.
I have like never seen a more immediately compelling performance.
than that man at the shirt store who's like, oh, yeah, he's at his limit.
I know a guy who's at his limit.
I was like, where did they find this alien?
Like, if I just looked at those lines on a page, they would be so normal.
And the absolute strangeness, the week that episode came out, I was quoting that
all weekend long time.
Oh, yeah.
He's at his limit.
Look at these buttons.
You see these buttons?
And he puts it over the ball.
Was dead.
I don't know how they turn these people up for all of these shows, for everything Tim
Robinson does.
And this is sort of the parallel, right?
If the friendship version of the dynamic is like Paul Rudd is the normal guy,
and then Tim Robinson is coming in as just like something very of a different universe,
if you make Tim Robinson the normal guy, anyone by comparison has to be just completely
off the deep end.
bizarre in their delivery and their acting in their makeup styling like the guy who turned out to be
Amanda's boyfriend who was demasks at the end I don't know what they did with his makeup but it was
truly terrifying and that's one of those things where it's like we have done this physical beat and
it will not be explained. Nope no explanation necessary. I think he was going to take off a second mask
but he's just Amanda's boyfriend and he seems to have gone to Dr. Miami and had a few tweaks. He had
that Canton, Ohio, Dr. Miami experience, Dr. Ohio, Dr. Canton. Yes, I mean, his assistant
who is just so, like, and so delightful and so pleasant and he just hates her. Glow Taboraz,
like, just so funny. And when she says, like, I went to a new church this morning and I want you to come
with me. Every, like the, the lines get colored in so quickly. It is a really, it's an efficient
use of time and energy. And again, the mind goes back to like, how do you do a long distance run
with a series of sprints? I don't know. And I'm like, do I want completely new strange
side characters? I don't know if the lady with metal in her body, I don't know if I need to
find out more about, I do need more Douglas. I'll tell you that much. I mean, he just wants to have
a good time. Like, he just wants to have the mistakes party. He wants to dress like a chicken sometimes.
Like, he seems to be supportive of mostly everyone around him. He wants you to know that even though
he wasn't able to choose the food, he got out of the freezer when he was trapped under the refrigerator,
which is clearly sort of a stressor point. Like, the way that Douglas victimizes himself,
I find so fascinating. Like, he actually is.
a victim from having been trapped under a refrigerator, but the thing he finds most offensive is that he
couldn't choose his food. But he does want you to know. You're telling me that wouldn't be horrible.
That would be awful if you didn't get to choose your food out of the freezer.
I think it would be awful to be trapped under the refrigerator, but I don't know. And then he becomes
so obsessed with like ADA compliance, which, you know, well, he should be. But his, that was a,
that was like a perfect example of using a perfect strange character, like just the right amount.
Oh, yeah. And in that kind of modulation, I do understand how you can fill out the office with enough of these performers who just give it a very distinct look and feel. I think Joseph Tudisco, who plays Mike, I mean, it's basically like a two-hander of a season, ultimately. It's a buddy cop dynamic that they've created. And I say stumbled into, but this show is so deliberate. That performance to me is on another level that you can get that much screen time and usage and laughs and terror out of an actor that people have,
probably never seen before outside of like being a random bus driver or delivery man on blue bloods.
Yeah, totally. Yeah, I saw someone know this on Twitter. Like it's not my original observation.
But when you look at his IMDB page, it is like cleaner, delivery man, bus driver, taxi driver.
And those are all, I'm sure, I bet you anything that he brought a lot of color to those small
roles too because he jumps off the screen. But like to get to watch him in this extended format in this.
And I wonder what his, you know, what character background work he did if he all, if he believes this man to ultimately be like capable of, of goodness or if he does see him as a madman.
I am so curious to see what season two looks like and feels like. As you said, like the the legs on this thing are so hard to anticipate what are like appetite for exactly this kind of comedy and exactly the sort of cadence is going to be.
I do feel like the formula though
is sort of infinitely repeatable
you go to Canton
you go to Delaware City
like there's always a new place
you could just pop up in
and find more of these people
and these characters
but in that case like is
Ron the same or
do you
well he seems like changed forever
by his experience in the first season
how could he be the same
is Tim Robinson Ron
in the second season
or is this like
you know
an anthology series
or do we take Ron to his limit?
Like, he's already there.
The buttons are busting.
And now is next season about Amanda's telekinesis.
I believe that that really could be pulled off.
But I also, I'm just like I'm not sure what I want.
I think I want to go into season two with a yellow bracelet.
like open to making mistakes, but maybe not looking to make mistakes.
I think that's the right mentality.
And if you watch the season and enjoyed it, email us at prestige TV at Spotify.com.
If you do have like a specific idea of what you want from this show, like I find the mystery
of it and just like being like blindsided by a lead pipe every episode to be the joy of
watching it.
But I'm curious if people have a different experience, Jody.
Maybe there is a viewer of the chair company.
It's like I need to see Tim Robinson do X.
Yeah, and I'm curious if there are people who love, I think you should leave, who this didn't work for.
Like who didn't enjoy the serialized format.
And in that case, what it was, because it really did work so well.
And I like, I really cherish having both things, you know, like getting, getting to do, getting to see what Tim Robinson does with some time on his hands.
and the ability to like, you know, forge a family structure.
And, you know, I just, I really, yeah, like, that's, I'm realizing now that it's a pun.
But that is the word that came to mind is I really cherished this season.
Look at that.
I think we just wrote the headline of this episode.
Thank you so much, Jody, for that.
Once again, I love it and I hate it.
This is who we are at this point.
Is there anything else about this season of this finale you want to shout out?
You want to recall your favorite bits that we didn't get to recount in.
glorious details or anything else that comes to mind for you?
I think the look in Joseph Tedesco's eyes when he grabs the steering wheel to pull a little
prank on Ron is like one of the funniest things I've seen on television this year.
Just like that it's all you also have to imagine it's a light nod to the steering wheel
flying off from I think you should leave.
Yes.
What if the steering wheel?
wheel just flies off.
I'm trying to think if there were any other side.
That also feels a light nod to the show itself.
Like the show feels like literally anyone could grab the steering wheel at any time.
And they like it.
And it's a joke.
And it's like it's a prank.
It's a joke.
It's not like it's not insidious.
Or is it?
Or is this guy a monster?
I think it's all a little insidious at the end of the day.
Unless it is wholesome family time or just office mates looking out for each other.
Everything out there in the world is scary.
Like, you just don't know when a guy is going to stumble into your garage and just slowly
knock over a cardboard box because he has the power to do it.
The small man showing back up, LT, I think, later to ask Ron for a job at the professor's
office where he works.
Just so good.
The woman at the, I'm just naming people now, but the woman at like the county clerk's
office or whatever where he, I love all those.
Mr. X where he thinks like, oh, Douglas isn't there because he got him in trouble, but actually
he was trapped under a refrigerator eating foods that he only kind of wanted. When he thinks that
he got that clerk in trouble because he was asking for this particular deed, but actually her
boss was telling her that she needed to go home and take a shower because she smells bad and then it
becomes like increasingly pressing that she that she leave to take a shower. I really felt
for her. I did too. Again, instant.
instant empathy for that character.
And she appreciated having Ron in that moment who, like, was a place of sympathy.
And he says, like, your boss really shouldn't talk to you that way when he has been out
there just leading his employees into car wrecks and then abandoning them and then gaslighting
them about it.
And I just, that is the stressor of the show is that, like, he really, he is, Rob, he is
capable of greatness.
He was a really good boss.
Which part of that is greatness, do you think? Not that part, the part before where Jamie loved him.
Like, he was a good boss. He was a really good dad. And he can still be those things. But the greatness that he is seeking is not the greatness that he is capable of.
I think this is the problem with the greatness in all of us. You know, that same ambition that is reaching for the shovel to build the mall that will define our legacy is the same hand that reaches for the last half of the devil's egg when we know that it's not good for us.
Like, what are we to do but reach for it?
So I wonder if you had any moment in this season of insane television where you recognized yourself in it.
I don't think there is a lightness in you that I don't think that you could have.
But the way that he got about the about that devil being taken from him and then taking it home, I saw myself in that moment.
Jody doesn't waste food.
And it's, I'll eat it.
I will eat it.
I'll eat it if it's just a defiant practice and it will ideally not make me sick in an abandoned
warehouse with a big ball in it.
But I like and also I also loved.
I mean, that's the opening scene of the show, right?
Is where is Lake Bell attempting to give that toast and the waitresses hovering around
and it starts distracting him so much that he just can't take it.
And he interrupts the toast to say like, do you need something?
And then she does.
which is like to express admiration for his son,
but it completely derails the dinner in the way that, you know,
this cheerbreaking completely derails his life.
And it also, I don't know if it's a nod to this,
but I appreciated the light insight into Tim Robinson,
who a clip that sort of like goes viral on TikTok pretty often is him on the Seth
Meyer show talking about a time that they were at dinner and a waiter told a joke
that he didn't find funny.
And it was like lightly at his expense.
about being a vegetarian and the whole table of like Seth Myers and like comedy writers laughed a lot.
And in Seth Myers, just like, and you didn't think that joke was funny.
And he was like, I don't know why you laughed.
Like it wasn't a great, it wasn't an impressive joke.
And thinking about the push and pull that someone like that might have with someone who is
briefly allowed to enter their life in an intimate way.
Yes.
I just thought it was a great way to kick off the show.
It's a masterful first episode.
And I think for what this show is, they didn't land the plane in the finale because they basically, if not crashed it, like flew it into the Bermuda triangle or something.
Yeah.
It's going into a totally different place.
They did a yellowjacket.
It's just, it's crashed landed and there are survivors and we'll see who eats who next.
That's exactly what I want to see.
And I'm thrilled to be along for that particular ride.
I'm thrilled to do this pod with you, Jody.
Thank you so much for doing this.
where can people find you other than teaching the life of the party class?
Oh, well, and actually I will go ahead and tell you up front that it's kind of a scam.
You'll never get to level six because you're too dumb.
But other than teaching life of the party class, you can find me at co-hosting.
We're obsessed with Nora Princeati on the Ringerdish feed.
And right now you can find my very special holiday podcast breaking down honestly like a similar level of insanity of the, you know,
100 plus original holiday movies that come out every holiday season on a little podcast called
Binge Miss, also on the Ringer Dash Feed, where you can find Rob, you can find Joanna,
you can find so many other amazing ringer friends, and it's just so fun.
Would you say any of those Christmas movies of this year's lot have approached the level of
darkness of the chair company? Is there a sinister underbelly to any of them? Oh, we did. I feel like
Kate Hallowell and I talked about
Mary Little X-Miss on Netflix
and that is really like about
the dissolution of
heterosexual monogamy and marriage
in our current society ultimately.
And so that's pretty dark.
Next week coming up on Benjamas
is time travel week.
Both films about time travel.
and I think if you'd like to see Charles Holmes spin into a level of darkness, that would probably be aware.
Honestly, one of my great hobbies is watching Charles slowly devolve in Tim Robinsonian fashion.
So I look forward to that.
I'm going to be back here on this feed with Joanna a few times this week.
We have our usual pluribus coverage coming up later.
We're going to be around to talk about a few of the greatest TV episodes of the century as part of our coverage here at the ringer.com of the great TV episodes since the year 2000.
so stick around. We'll be right back.
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