The Prestige TV Podcast - ‘The Rehearsal’ Season 2, Episode 1: Can Plane Crashes Be Funny?
Episode Date: April 21, 2025Charles Holmes and Jodi Walker brush up on their Fielder Method and marvel at the show’s prophetic theme of aviation disasters (4:16), debate the first episode's MVP candidates (18:51), and discuss ...Nathan Fielder’s questionable need to build a fake airport terminal (32:18). Plus, can we still be surprised by what’s to come in Season 2 (43:31)? Email us! prestigetv@spotify.com Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast’ and so much more! Hosts: Charles Holmes and Jodi Walker Producers: Kai Grady and Donnie Beacham Jr. Video Supervision: Chris Thomas Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
Discussion (0)
Welcome to the prestige TV podcast, the fake airline terminal of TV podcasting.
I'm Charles Holmes from The Midnight Boys.
Poooooooo!
She's Jody Walker from We're Obsessed.
And together we are here to talk about one of the curse, most cursed TV shows, not the cursed.
The rehearsal.
Certainly not the most cursed.
Honestly, fair enough.
The rehearsal season two, though.
First of all, Jody, how are you?
are the vibes in your in your home,
your apartment as fucked up as they are in mine
after you watch the first episode.
Well, we are coming to you
from a series of three interconnected studios in L.A.
that are replicating my home here in North Carolina
and Charles's home away from home
at the Spotify Studios.
Hell yeah.
To be here.
I will say it's no, it'll be no shock to you
that as a 32-year-old man who lives in L.A.,
I'm in the Nathan Fielder.
Hithe. Like, he speaks to me, you know? Like, the women...
Did you wear your hoodie just to make sure that we knew?
Yes. Here's the thing. I would love next Halloween to just go as Nathan Fielder with the
laptop. I feel like all the honeys will just be like, that guy's vibe, exactly. We love it.
I had no idea how much I had missed the laptop sling until it showed up. I believe for the first time
amongst flames, which felt fully appropriate.
Yes.
And yeah, it's a perfect simple Halloween costume.
Were you actually, one thing I was surprised about before we kind of dig into the episode
is how almost in my mind iconic the rehearsal has become.
Because at first in the first season, the laptop sling was just a bit.
But the minute you see it for the first time in this, you're like, oh, we're back in this world.
Like, now you understand the mechanics.
And I don't know if we've ever talked about it.
What were your feelings about the first season of the rehearsal?
Oh, I love the first season of the rehearsal.
Like, when I tell people about it, I get a kind of awe in my voice that I'm honestly not proud of.
Like, I think of it as one of, like, the great works of distorted genius on television ever.
Can we call it an achievement?
Sure.
I think that something was achieved
if nothing but people's immense discomfort
but inability to look away.
It was so unexpected.
And I think that's what's made season two.
It's like, what's coming?
I just, I did not know what to expect of season two.
I think following the premiere,
I know a little bit more what to expect.
But season one spends so much of the time
kind of unraveling the premise.
It's not.
a success other than perfect, perfect trivia participant core. No, the rehearsals don't work.
You know, like it's not so it was so bold and confident to just come back into season
two in this premiere, cold open basically, and explain nothing. And to not be like, you know,
I know this didn't totally work last time. I'm not sure if we cracked it. We may have ruined.
a few kids' lives. It just comes straight back in and is like, and now we're just doing it
bigger. Probably the way to fix it is just to do it bigger. High stakes. Did you last time with the
rehearsal season one, did you think that this was something, a premise that could be repeated?
Because I remember coming out of that season, the first season of the rehearsal basically
ends in this place where Nathan Fielder is almost having an existential crisis about,
fatherhood and his place in the world and the things that he's putting all of these people
through. And then when they're like, all right, we're doing a second season. I'm like,
where is there to go? And when we get to this where it's like, we're taking on airplane crashes.
I was like, what did Nathan Fielder know and when did he know it was my main question there.
Well, well, before you go on, when did he know it? When did Fielder know? When did Fielder know?
It his prescient ability to be six steps ahead and one step behind on screen, but always,
always ahead is, I think, the genius and is, you know, I think also earns the criticism that
season one got, that this is cruel, that this is, could be an act of arrogance, that this is, you know,
kind of like taking the worst of reality TV in terms of manipulative.
and coercion is kind of because he's so smart and he knows what he's doing and he knows
what to expect. But I think to answer your original question, I did think that, see, I did not
expect this from season two. I'm not one step ahead. But I thought he could do it all over again
because you never know what's real. That's the compelling thing of it is you don't know if Nathan
having the existential crisis in season one is Nathan, or if it's Nathan Fielder,
or if it's real, or if it's a play, or if it's in service of entertainment, or if it's in
service of growth.
And so it does kind of give the ability to hit the reset button, but that's not what he did.
He has not hit the reset button, gone back to episodic.
And certainly, like in Nathan for you, there was growth.
there was a slightly serialized aspect, the sort of series finale that a lot of the rehearsal
comes out of, you know, it's sort of built to that point. And I guess I thought maybe,
you know, season one starts episodic and turns serialized. I didn't totally expect season two
to, I think, go full serialized. So I felt like there could be a season two. And I often compare,
in my mind at least
this show
the rehearsal to like jury duty
which is it's kind of like
the good place version
that that feels difficult to repeat
because a lot
of people knew about it
and you were
you were fooling someone
who was cast
specifically to be fooled
and to be cool about it at the end
here or at least in season one
these people had
presumably signed up for what they were doing.
And I think there are a lot more people like that
who do not know about the rehearsal.
Like I think there's still a pure world out there
where you can get rehearsal participants.
I mean, we still, we got moody, you know.
It's serialized, but we got moody.
To your point,
uh,
the one of the most brilliant introductions I've seen in a while in the TV show
is these two airline pilots are,
We start with them in a plane.
They're talking back and forth.
Unfortunately, they crash.
And it's revealed that they're in kind of like a volume type place, like the type of place where they shoot like the Mandalorian.
And you could see whatever on the screen.
And their crash ends with a fiery blaze.
And Nathan Fielder coming into the screen, almost doing the thing that we're talking about, which is, is Nathan Fielder the devil?
Does he know what he's doing is evil?
Does he know?
Like, I'm not saying it is, but there is this sense where you're like,
please don't tell me he's about to do an entire season
about airplanes falling out of the sky in 2025.
Please don't.
And then you're like, oh, he's doing that.
He's doing it and he's trying to solve it.
Is he the devil or is he God?
So is this a construct that we take on?
I don't know.
So can, could you explain, maybe act like I'm an alien on a,
planet Earth, which I sometimes feel like, how would you explain the elevator pitch of the
rehearsal season two? Season two is, I guess, you know, season one was about taking humans and helping
them practice uncomfortable situations so that they can do them in the most successful way possible.
Season two seems to be about taking humans and manipulating them and their emotions to make the most successful situation possible.
Like it does feel like it's kind of inverted the script of rehearsing so that we change the situation in season one.
And now we're rehearsing so that we change the people in order to change the scenario.
I think. But to me, the premise is growing. It is not outlined in the same way that it is
outlined in season one. Well, even in season one, I feel like there is this level of we're slowly
getting the rehearsal aspect building and building and building. And part of the comedy is like,
he's building this, uh, this fake bar. And he's hiring all these actors and how far is he going to go?
And in this premiere, it was so funny to be like, oh, it's totally normal for him to build a fake Panda Express because the guy's just like, I also want to bring this up.
One of our main protagonists for this episode, Moody says what terriaki glazed chicken is one of the healthier options.
And I'm just like, as someone who gets very high and goes to Panda Express fairly often, I was just like, I don't know if that checks out.
I don't know if there's anything healthy at Panda Express.
Am I being close-minded about this?
I guess if you really want to get into this and the diet culture that I was raised in,
is like, I was like, my guy, I know that you are not actually versed in any healthy ways
because he didn't just say terriaki chicken.
He said terriaki chicken and white rice.
Anybody who's watching it's doing brown rice, you shouldn't.
Don't do that.
But white rice is healthy in this household.
Fuck it.
That's exactly right.
I said diet culture, Charles.
I just think, I think like that so quickly just told us a lot about what we needed to know about Moody and like kind of the point of adulthood in which he's in.
Yes.
Where he's like taking stabs at health, stabs at relationship, but lives in his parents' house is fully a pilot.
He was this, I'm going to say it, a surprising pilot to me.
I don't know if the show is this evil, but there was a level of him like, did you guys pick this cute kid for a very evil reason?
Because I was just like, there was a moment.
I was like, this is the man my like, my life, like the hands that my life is in right now.
He's so young and precocious.
And just, I'm just like, this is the type of person that if I was the parent, I'm like, you can't go around and.
a man like Nathan Fielder.
He's not, the vibes aren't great.
He's going to destroy you.
But he walked, but Nathan, and you know, we'll get to this, but he walks into that
house and there's like when he's listening in on the call with Moody's long distance
girlfriend, when the camera pans out to reveal that Nathan is laying on the bed, shoes off
literally like twiddling his feet.
Like he's kicking his besopped feet.
That's, and I actually found in that conversation,
what felt a little bit like a rare glimpse of perhaps Nathan Fielder and his actual ability
to probe people, make them feel comfortable, get information out of them. Because when he is
observing that call with the girlfriend, he's kind of like, what's going on, man? Like, why do you feel like this?
Why do you feel like you can't talk to her? It almost feels like he's talking to a friend.
And I don't think you got any of that in season one.
What you did get in season one, I think, and kind of like to go back to a bit of the elevator pitch, is this premise that Nathan in season one in early season one learned how to do rehearsals that replicate the physical space, the conversation, the map graph of where things will go and how to react to something.
But he forgot, and we learned this in the core episode of season one, he forgot to account for
emotional response. And we see him try to learn that as he goes along. He tries to rehearse
emotional responses. What he seems to learn at the end is that he can't really do that and that
a lot of life is about the surprise of an emotional response. The genius then of this season is not that
he's kind of picking up a premise that he's already dismantled.
It's that he's seemingly found the one situation, commercial aviation disasters, where a rehearsal
could actually be the difference between life and death.
Yes.
Which I think is how he describes rehearsals to his fielder method students in season one, that
if they make a mistake, it could be the difference.
between life or death.
And I just, I would love to know the process of how he landed on this.
Like how he figured out this pattern in aviation crashes, which are real.
The ones he's naming are real.
Wait, did you actually, did you Google any of them be like, did this actually happen?
Yeah, Charles.
I'm a journalist.
Yes.
They all have Wikipedia pages.
I'm a former journalist as well.
And I'm just like, I trust you, Nathan Fielder.
I don't need to fact check you.
Charles. Yeah, I mean, I trusted it. It wasn't like I didn't think so, but I was just, I was curious.
Because, because the way that Nathan wants to study humanity in this series, I want to study Nathan.
I want to understand how he found this premise. And then, as with so many things of his
elaborate setups, you're like, is it sheer love?
that this happens to be a major talking point in 2025.
I mean, yes, it is.
He's not like a psychic.
Yeah.
But the fact that he found something that could benefit from a rehearsal,
according to the actual board member from the NTSB or whatever,
is just really impressive to me.
Well, if you're in the writer's room,
the thing that, the question that I keep circling,
back to is, are planes falling out of the sky and crashing?
Actually funny.
Because the first, because he makes a joke in the first 10 minutes where he's just like,
it's been 10 minutes and there has not been one laugh.
And I was like, like, I know it is cliche to say you're cringing out of Nathan,
anything Nathan Filder does.
But there was a moment where I was like, not clutching my pearls, but I'm like,
these are real crashes.
And like he is, he is casting fake actors to.
read real transcripts from the black boxes of the pilots that were like recorded before these
crashes. And I'm like, this is so, so tasteless. But I'm almost, I'm, I'm just so intrigued by
that tastelessness of a comedian being willing to even go there. Because part of me would be like,
these people, people died. This is a real thing. I don't know if this is okay. Yeah. I think I
loved what to me, I was calling that like the Barbie moment when he's like, we're 10 minutes in
and we haven't laughed. It reminds me of in the Barbie movie when you're, they're zooming in
on Margo Roby's face and you're trying to sit and she's saying that she's ugly and she's worthless
and you're just looking at her and thinking she's so beautiful. And the Helen Mirren voiceover
comes in to say, we obviously cast the wrong person to be able to pull off this monologue.
That's what this felt like to me. I was genuinely thinking in that moment,
Wow, we're pretty far into this.
And we haven't really gotten to the punchline, the twist.
No, I'll say I hadn't laughed.
And I'm curious to know if you like clocked your first laugh of the episode sort of like,
because we did spend those 10 minutes, those first 10 minutes in chaos, in fire.
But I was smirking a little.
No, I was dying.
The reveal of when they crashed the first time and Nathan,
nothing pops in, I laughed because it's literally, like, I was just like, I remember thinking
Nathan Fielder is the devil at the exact moment when he got. And that was like, that was the first
time. But to your point, that whole, like, I was also clocking where I'm like, I'm smirking and I'm like
nodding along, but I'm not laughing out loud. For me, there was a slightly amping up of the
humor of your right to point out that these are real people, which you didn't even know,
because you didn't go to Wikipedia.
But these are real, real losses of life, real disasters.
But the continued joke of him popping up within the fire, like, and with the laptop
sling the first time, like, the way that it keeps happening and he keeps circling was
really getting to me.
But I appreciated that he pointed out that this is technically a comedy series.
and we there have been there have been zero laughs there have been several smirks but zero laughs
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Well, if we can segment the episode maybe, because I wanted to kind of figure out who
the MVP of this episode was, I think the early contender, we talked about him a little bit
is Moody. Because I think that
the genius of Nathan Fielder,
who was the character in
season one where he goes to
his house and he's like obsessed with
like numbers and shit?
And you're just like,
Nathan. Robin. Yes.
who crashed his
scion. It's got some letters. He crashed his
at 100 miles per hour. And you're like
and he keeps saying it.
Nathan Fielder has a V. Because I think
he's actually from profiles
I've read and different things.
you see of him.
Like, I actually think he's a very awkward person just in general.
I think part of his humor is the way that he can immediately connect with someone else
who might be a little bit awkward or a little bit innocent.
And to your point, bring something out of him.
Like, that's actually the most human side, I feel like a fielder where it's like he does
seem interested in what makes kind of like people tick.
And I think Moody is the perfect, is the perfect protest.
for Nathan Fielder's show because he's so innocent and so lovable.
And there's a part of him being like my sweet, sweet Panda Express Eating Boy.
Even the talk on the bed with his Starbucks girlfriend was sending me.
To me, they like repeated the repetition of Starbucks, like the way that even when they start
the serious conversation when they're in the plane later and he's like, so like if hypothetically
you were to have a customer and she's like at Starbucks.
Like the way they just keep saying Starbucks to me was the like
Siont TC at 100 miles per hour that hit so hard last season.
Just so funny.
So the other MVP candidate for me was was Starbucks girl.
Was that his actual girlfriend or an actress?
That was really hard for me.
I have like a really, obviously any lover of this show is going to have like a pretty
high tolerance for discomfort.
That is the sort of make or break for if you enjoy or don't enjoy Nathan Fielder comedy
and especially the rehearsal, I think.
This was the only moment for me where I was like, I want to put it on two times speed,
was the introduction of that girlfriend.
From everything I know about the rehearsal, she would be Moody's real girlfriend.
But it didn't seem like it.
They didn't touch.
At one point it seemed like they gave like a buddy like, hey, good to see you.
And I was like, this has to be an actress.
This can't be his real girlfriend.
They look like they just have met.
I found it most generously uncomfortable and least generously a little suspect.
The just generally how it rolled out.
I did have the thought that she could be an internet girlfriend.
like they met long distance, they've never, they talk and they get on the phone and they're like,
hey, boo, but they don't really know each other.
Whoa, whoa, whoa, whoa, whoa.
He said that he had met her the last time in January and it's now mine.
I mean, I don't, you know, like he said he'd met her, but I just don't know how real.
I think it is possible that this is a mostly, you know, just an on the phone.
phone relationship where she's like, oh yeah, I get, I talk to this guy, he's a pilot, whatever,
and Moody's like, this is my girlfriend. She works at Starbucks. I'll put it, I'll put it to you this way.
I can't say much, but the minute they started talking, I was about like, I was like, Moody,
I've been the other guy at Starbucks. I'm just like, get out. You're handing out inklets left
and right, Charles. You are on gel at Starbucks. When she said, Angel gave me this thing.
I said, that's a Charles Holmes move.
I've ever seen it.
Okay, wait, we can't move on though because my, I loved Moody.
I was discomfited by the Starbucks girlfriend, but I loved.
I'm going to call him John G.
I didn't quite catch his last name.
But the National Transportation Safety Board member.
I have his name.
He is John Goliah, I think.
He was a board member for a board member for a.
a former board member of the National Transportation Safety Board, and he is daddy.
I'll just say.
Obsessed with him.
Because you make a great point that, like, Nathan does, is awkward.
He does have this ability to connect with other sort of uncomfortable people.
When he says at one point in the airport, he's, like, talking to anyone is always hard,
no matter how close you get to them, just, like, confidently says that.
I'm like, I could talk to a stranger for hours.
That's not my life experience.
But it is the Nathan Fielder life experience.
But what I also love is when Nathan comes into the presence of a like deeply confident and capable person.
I think last season that was like the Jewish tutor who had many twist interns.
Yes.
And this season, it is John G as I call him, who could still have many twist interiors.
turns, but what does he say? He says
when he's
giving the speech that he doesn't
know is a setup, he's like, bureaucrats,
they don't have any backbones.
That's never been my problem.
My problems, I maybe have too much
backbone. And I didn't have
any questions. I was like, I completely
believe you, that backbone is solid
as a rock. And
it is you, the loss of you,
not the loss of Pete Buttigieg, which
is the reason that planes keep going down.
I mean, I will say,
a laugh out loud moment for me is when John G
comes back to the episode and they go to one of the
trainings that they have in real life. And like,
Nathan is being his like polite self. And what does John
he said? He's like, basically this, this professor is boring
shit. Nathan cues it up in the voiceover. He's like,
he's like, John took me to see this and he thought it sucked.
And then you hear John go, this guy's a boring professor. It's just
so funny. He's got nothing but criticism.
but he's right about all of it.
Once you start getting sort of the participants,
the like the real people, John Moody, the girlfriend,
the real LOLs start rolling in.
Like you pointed out with Moody.
When they are in his hotel room,
and first of all, the visual introduction of Nathan sitting on the toilet,
the closed seat toilet, watching him brush his teeth is perfect.
and much like reality TV, the best moments of this show, I think, are really made in the edit.
Like, they are made in how this is put together, not the actual plot sort of.
And then the kind of plot you can't expect, like, no one can script that Moody cannot put that ironing board down to save his life.
That said more about his character and, like, how young he is, because I've been in that same exact style hotel running,
for some shit and I'm like fuck this ironing board like I have places to I was like leave cash on the desk
and get out of there like leave a cash tip don't put the ironing board down I mean even like one of the
funniest moments from this episode is when Nathan is basically telling him like hey man if you ever feel
like you're getting nervous and you need to take back control grab the staling grab the yoke and seeing
this kid grab it and I'm
I'm just like, this is the most excruciating.
Like, when I tell you, I was like, I, this is why I hated this the first season and loved it in the same measure where there's parts of it where I'm like, I'd rather fucking like sticking a needle in my eye than watch this kid do this.
It was that conversation in the plane was just unnerving.
I don't I don't know what they're trying to accomplish.
I well, I mean, should we talk about the rehearsal?
As someone who falls in love with baristas constantly,
I kind of wanted Nathan to be like to Moody,
hey man, you know what it is.
Even when he calls the girlfriend,
their conversation is so short and clipped,
I thought the same thing you did where I'm like,
this can't be Israel girl.
Like this has to be some internet thing.
Because even when Moody is just like, yeah, you want to, you want to see my Batman Legos?
I'm like, this is on HBO, man.
Like put the fucking Batman Lego.
As someone on the Midnight Boys, I know what happens when I have to invite a lady over.
I'm just like, you know what?
Throw a sheet over the Batman Legos.
Yeah, I'm just like, we're putting this in the box.
Sorry, Bruce.
Sorry, Robin.
You'll come back out.
No, he wanted it to be known.
He was like, this is who I am.
He said, I don't know.
if you want to get the Batman Legos.
It's so sweet.
Even the way Nathan is like he lives with his parents.
I'm like, we didn't.
Because at first when I saw the house, I'm like,
damn, maybe paying a pilot as well.
No, I will say that like he is a young pilot.
And so he's not getting any, you know,
like he's getting the worst of the worst shifts.
It's hard to be a pilot.
I could understand how he would maybe not really have
like a permanent girlfriend that he sees all the time, but I was still unmoored by the
relationship with the Starbucks girlfriend. Also, if we're going to be real, if you're a pilot,
here's a thing. I love my job. I love podcasting. It's so much fun and great. There is a,
there is a time when I'm out when when people are like, what do you do? A nice hot young lady is just
like, what do you do for work? And I'm like, I'm a black man podcasting. I literally have to be like,
I'm a podcaster.
It's not about relationships or how women aren't shit.
And they're like, well, what is it about?
And I'm like, you know, superheroes.
And you just see their eyes glaze over.
That's my cross to bear.
If I was a pilot, bro.
Like, I'm just like pilots, flight attendants, the stories I've heard from homies are just like,
hey, I'm in your city for a day or two.
People are like, they see the uniform.
All bets are off.
I'm like Moody.
You should be the man, bro.
You look great.
You love Panda Express.
So you're wild pilot oats, you know?
It's a great lead in.
Yeah, I would likewise like to introduce myself as a pilot instead of a podcaster and blogger.
But here we are.
You still use the B word in 2025.
I don't say it.
I don't say it, but it's true.
You're more than a blogger.
We're more, we're more than our blogging selves.
Honestly, fuck that.
I'm proud of blogging.
I'm proud of podcasting.
Yeah, that's what I'm saying.
And I'm tired of the judgment and the ire.
That is thrust upon us.
People need podcasts to listen to.
People need blogs to read.
You know?
Yeah.
Make us subjects on the rehearsal.
We're worth it.
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So the other, my last
MVP candidate, because we've done Moody, we've done John,
done Starbucks girl.
The pilots were hilarious.
Every single pilot that was because once again, you're like, is this happening when they
reveal that they told everyone they hire from the pilots to the people flying to follow
actual people?
And it's revealed that one of the pilots follows a guy to his hotel, knocks on his door,
and then goes into the room.
I'm like, is this, is this legal?
this seems like stalking.
This doesn't seem okay.
It's the fielder method, Charles.
It is well established that there are some ethically blurry lines within the fielder method.
But boy does it get blown up in this season.
I mean, I do feel like we have to explicitly talk about the premise and the actual
fight, the rehearsal that comes into play in this first episode.
the general idea presented by Nathan to John G.
Is that the commonality between many of these most disastrous aviation crashes is that the first, what are there?
What are there?
It's the captain and the, it's like the captain and I want to say I have it here.
It's like the first, it's the first seat.
Let me see.
Moody is the first officer.
Yes.
First officer.
So many times the first officer knows that there's going to be an issue, can see it, but does not have the confidence or is shot down by the more senior officer.
And if the first officer felt the confidence to literally take over the yoke and go back, turn around, steer the plane to safety at the moment that they know,
knew that something was wrong, then many of these flights could be saved. And I loved the moment when
John G was like, you're on to something here. Like, it was like he knew it, but actually Nathan had
put this thing together with all his little files, all his little three ring binders, all his
little tabs, and all of his attempts to be serious, which is kind of other than the rehearsal
itself, the through line of this serialized premise of season two is that,
Nathan has stumbled onto this thing.
It is serious.
It is life and death.
And he both wants to take it seriously, be taken seriously.
But he is a comedian who has been hired to make a comedic reality docu-series or whatever the
hell you call this concept.
So that rolls into meeting Moody, who is the perfect candidate for needing to build confidence.
Yes.
to approach, let's say, a more alpha personality, much like Starbucks girlfriend,
much like a pilot, the captain.
And then Nathan sets up the rehearsal that will show him, that will show Nathan, not Moody.
Nathan is the one who needs to experience this rehearsal.
How captains and first officers relate to one another.
I'm going to say I had a bit of a gripe here.
Why?
Like, I can suspend reality to be like, sure.
Nathan, for his, you know, high concept rehearsal practice, needs to build an entire
functioning bar that he eventually gets a liquor license for because he's developed an
emotional attachment for it.
But the idea that to understand how first officers and captains,
meet one another, he needs to build a fully functional airport terminal, including a fully functional
Panda Express, and not just build the structure, but hire 70 actors trained in the fielder method,
fly them to Houston to study their primaries, not just fly them to Houston, also hire a 24-7 travel agency team,
so that if they need to follow their pilots to continue to study them and go inside their hotel rooms,
they can book a flight 20 minutes before those prices. I'm just what, and we don't know how many people
are really taking these flights. Some of this could be fudged. Some of it. Some of it. Some of it could be fudge.
The airport is real. There was Lomaine in those Panda Express.
bowls. And my thought is just that what he could have done to understand that was ask Moody,
because that's what he ultimately does. I mean, when the rehearsal once again fails.
I love that part. I love burning, you know, Warner Discovery's money. But I think if I could go
Galaxy Brain, what I think potentially the season might be because I haven't watched ahead is that
weirdly this almost seems like meta commentary on which everything is on Nathan Fielder himself and a show like Nathan for you where it's like he basically breaks down this thing of like we can start saving lives if first officers are more willing to take control when they realize that to your point the more alpha senior person who is all bravado is about to steer them off the cliff and there's
political implications, there's social implications, but I think for the Nathan Fielder Project,
to me, that actually is his comedy. When you go back and you watch the best episodes of
Nathan for you, you're always like, why did this person go along with Nathan? Why did they go
along with this big, dumb plan, whether it's shit-flavored ice cream or rebates and all this shit?
why didn't somebody just take the control and be like, why are we doing this?
And I'm like, I like that as an idea.
I don't know if that's what the season will be about, but I do like Nathan kind of poking at this.
When someone puts a camera on you or has some level of power or some level of fame over you,
there is a level of you to just shake your head and be like, all right, I guess I'm along for the ride.
So I totally agree.
I think the difference here and the further meta commentary, because there are always several layers,
is that Nathan in this case is the one who looks foolish.
I don't really have a question about why Moody would go along with this.
You know, like it's kind of no skin off his back.
Like he's them building this airport.
I mean, I would love to see if he had any questions because seemingly he did not.
Clowns in his head, literally, we haven't talked about the clown.
Just all vibes, you know, whatever.
I'll do what this guy says.
I'm probably getting paid.
Nathan is the one who shouldn't be doing this.
And in this case, Nathan is the one and the sort of meta-commentary that I assume and hope will present itself over the course of the season is that Nathan is in his head.
Nathan believes that he has to take the reins.
He has spotted this serious problem.
and he has to make people take him seriously.
And what's a great way to be taken seriously?
Build a three warehouse long replica of an airport.
This is the most serious rehearsal we've ever done.
Don't worry about the fact that it is completely unnecessary.
Like the airport does nothing to advance the premise that at first officers could learn,
to harness their emotions and be more confident.
And let's face it, this is something that could be accomplished in therapy.
But because Nathan has identified the specificity of it, he wants to accomplish it with rehearsals.
And this is his practice.
This is science.
So like I do like that aspect that because he's in his head about it and he wants to be taken
seriously he does this insane and unnecessary thing, which is what we saw unraveling in the
first season, sort of.
This one is starting at that level.
And it's like starting at sort of life or death stakes.
I mean, there was, there's even this moment where, uh, when he's on the bed with Moody,
he does almost a very un-nathan thing where it's like Moody is describing this very complex
worry that he has that his Starbucks girlfriend is hitting on or is being hit on and is going to be
taken away by or fall in love with one of her customers. And Nathan is being almost too mature in
this moment. And he's just like, why would you worry about that? That seems very, very weird.
And the cringy part is like, if that is indeed his actual girlfriend, the very thing that Moody
was scared of happening, you're just like, oh, this might actually be happening. And I,
I do. That's so interesting to me how it's like I started feeling like in this episode, even the
conversation that Nathan has with one of the fake pilots where he's just like, wait, did I actually
say anything to you when I got in here? And the guy was like, no, you just kind of gave me some
instructions and walked away. And you're like, I was like, is everybody just Nathan Fielder?
Is everybody just this awkward? And is society just built up of all these many Nathan's in their head,
trying to like rehearse or change things that are out of their control and they're just like,
you know what, I'm going to just sit and not actually say hi to anyone.
Well, I mean, yeah, who among us hasn't tried to control a situation that is out of our control,
but also who among us hasn't regretted not trying harder to do something about a situation
where we did have some control or we had more control than we realized?
And I guess the idea here is that these first officers could be taught and to rehearse their emotions
to couple that with rehearsing their physicality and to pull back on the yoke when they feel like someone is telling them that something is out of their control.
but they actually know that it's in their control.
And as always, at least what we know from season one of the rehearsal,
Nathan, the sort of character that he is on screen,
is learning that lesson at the exact same time.
And, you know, he has this whole inner monologue going on
and this kind of crisis of confidence of,
I am a comedian, people see me as a comedian,
which is obviously a bit of a farce as well.
because he introduces that idea when he's listening to John G. Give his speech. And he's like,
he's like, when approaching a serious man or when introducing a serious man to a comedy television show,
Nathan says in the most serious voice possible, as the most serious man. Like, this is a serious man who is presenting this stuff to us.
But he's having this crisis of confidence around, can I be taken seriously? Can I approach something?
seriously. I don't think I have the awkwardness that is often the through line of the characters
and the people within Nathan Fielder's shows. But I know what it's like to feel like you're
only valuable for your more clown-like qualities and that if you write a couple funny blogs,
you can only write funny blogs forever. First of all, Jody, you are not only one of the most
talented people at the ringer. You're one of the most talented
people I know. But Charles,
if we both, because I felt
it too, like you are spitting. Like,
you know, everybody just sees me
as Coke baby Chuck the hater. And I'm more
nuanced than that, all right? You are.
Thank. So
honestly, my last question for you, because
you're cooking and I can't, I can't
really top that. This is amazing.
Is there
a possibility that season
two of the rehearsal
can surprise us in the same
way that season one can because I remember the slow burn of season one of the rehearsal.
People be like, what is this laughing but not knowing?
And then when it hits, it's like everybody in my life is like, yo, what the fuck is going on?
I can't believe this.
And I think the curse was even more exaggerated where it took until the last episode for
people to be like, wait, what?
Huh?
Like this was what I was watching?
Do you think that Nathan Fielder can perform that.
magic trick one more time. Are we too on to him and his little trickster awkward ways?
I mean, I think the really positive outlook here is that he's already started us in a very different
place. So like the idea that there could be another sort of big twist and the twist in the twist in
season one sort of being that we go from what we think is going to be a new rehearsal every week to
you know, the wild character of Angela, Nathan grappling with fatherhood, children going into slides
as teenagers and coming out as six-year-olds, 20-year-olds dressed as babies so that child actors
aren't harmed. Like, the way that that season unraveled, we're just already kind of in a
different scenario. I mean, I think it's notable that this premiere actually started out not with
rehearsals but with recreations.
Yeah.
Like we're already sort of upended in what to expect.
And I definitely think that that can be accomplished by Nathan Fielder is to like expect the
unexpected and you still won't get it.
Like you, there's no way to guess I feel like what is going to happen next.
And I also feel like the groundwork has really been laid.
that the premise of the rehearsal and what a rehearsal is has changed.
Because I really love how it was seated throughout the episode that now the sort of average
rehearsal that we were, the kinds of rehearsals we were dealing with in season one are just
like a commonplace part of Nathan's life.
Yeah.
The reveal that when he is talking to the United PR representative and you're like,
this isn't going well, and then he gets up, goes down the hall, and you find out that
it's a rehearsal. He's talking to one of his actors down the hall, but he cuts it off. It's not going
well. He has not perfected the rehearsal. He is not ready to make this call, but these rehearsals
kind of don't matter to him anymore. He's moved on to bigger, better things. He, if he can get the
confidence, is ready to save lives. Like, he is ready to change the face of aviation as we know it.
And I think that starting on that level is, I don't, I certainly don't know where it goes next.
Here's the thing.
I believe in Nathan Fielder.
But if I believe in anyone more, I believe as a first officer, you were the greatest pilot ever.
I would never take over the controls because you're always going to land us where we need to go.
Charles, you know that you're the captain.
I'm just an extremely confident first officer.
Oh yeah, you're just like...
I've been through the fielder method.
You're like, he has crashed us so many times.
I am not afraid to be like, hey, yo, relax.
But, yo, guys...
No, but you know, if you forget my favorite joke,
I'm definitely going to shout it out.
Yo, Jody, thank you so much, guys.
We'll be here checking in on the rehearsal season two.
So hop in the plane.
We will try to get you there safely.
And if we don't, well, you always have the memories.
So thanks, everyone.
We'll see you again soon.
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