The Prestige TV Podcast - ‘Widow’s Bay’ Episodes 4-5: The Witching Hour
Episode Date: May 20, 2026Jo and Rob serve the punch to recap the fourth and fifth episodes of ‘Widow’s Bay.’ (0:00) Intro (27:23) Episode 4 breakdown (38:49) Episode 5 breakdown (39:30) Classic drug-trip episodes (...49:06) Categories Email us! prestigetv@spotify.com Follow us on IG and TikTok! Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast’ and so much more! Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady and Devon Renaldo Additional Production Support: Justin Sayles and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices
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to the Prestige TV podcast feed. I'm Joida Robinson. I'm Rob. We're here. It's Widows Bay Day,
Rob. I mean, the hour is upon us. We're here to talk about episodes four and five.
We're feeling pretty good about the way we're covering Widows Bay, but if I have any regrets,
is that we didn't get to do an instant episode four reaction podcast. We should have been in here
the second the episode ended. With like my little sort of stick figures. I just, I assume you have
them at home. I mean, I don't leave home without them.
Actually, they're in the car right now.
Which stuff?
Okay, so episode four, beach reads.
Episode five, what to expect on your trip?
That's what we're going to be talking about today.
If you, we're not aware, we're covering Euphoria week to week.
We are.
Weird energy on a Sunday night.
Big time.
We come into the studio.
We watch it live and then we record fairly shortly thereafter.
So I would recommend, even if you're not watching Euphoria, maybe tune into those podcasts because...
We basically have Patricia's party energy.
Yeah.
Just our mouths hanging open in a spooky way.
So that's something we're doing.
We're also doing a couple sort of teen show look back episodes.
So we covered Skins, UK, season one, episode one.
Had a great time with it.
A lot of people were very excited that we covered it.
I was very excited that we're covering it.
I would say a small but focal audience.
We're like super stoked that we covered Skins season one, series one, episode one.
Are those our people?
Yeah.
Small but very passionate about something?
We have already recorded our Friday Night Lights episode, which will be running next week.
Yeah.
And then after that, we will be checking in.
on five and six, six and seven rather,
because it's a double drop.
Yeah.
So if you're a widow's bayhead
and you didn't know this,
they're doing a double drop for six and seven.
We think, though we're not sure,
we think we're going to be doing
week to week after that.
But you folks at home,
email us.
Let your voices be heard.
How can they email us?
Prestige TV at Spotify.com.
Leave a comment.
Spam those comments.
Just keep that YouTube episode running
in the background,
whatever you're doing
and keep the views up.
Absolutely.
We'll keep checking in on Widows Bay.
Hit the Instagram likes, share with your friends.
We're outsourcing.
Yeah.
It's not our responsibility anymore.
It's your job to keep the views up.
Though the views were like higher than we thought they'd be.
People are digging the show.
Totally on Widows Bay.
I mean, how could they not?
Okay, so episode four Beat Trees was written by McKenzie Door of fucking WandaVision fame.
Let's fucking go.
The Dark Hole is here.
I'm thrilled.
Wanda Vision, I love you always.
And then directed by Sam Donovan, a severance director, among other things.
things. And then episode five, what to expect on your trip was written by Colton Dunn, who had a
brief role in Parks and Recreation. I know him best for playing Garrett on Superstore, a show that I
actually like really enjoyed. And he's a comedy writer as well. So he wrote that episode and then
directed by Andrew DeYoung, who we've talked about is I thought a comedy director, you corrected
me that that is not really the vibe of his work in general. It's complicated. Did episode five
feel in in tonally in line with what you've seen from Android DeYoung chair company?
among other things that you've seen from him before?
I mean, it has the same whiff of, like, maybe not conspiracy,
but broader suspicion as you're tripping out of your mind
and you don't know what's going on or who you can trust
and all those elements.
But honestly, somehow this felt less insidious
than the chair company did.
So, you know, there are levels to all this stuff.
Even when he's staring into sort of like a blackened door,
the abyss gazing, our guy Tom Lottis,
gazing into the abyss, hearing, like, distorted sounds coming from
and you're like, this is child's play
compared to the chair company?
I mean, capitalism is a hell of a thing.
That's true.
We got a lot of Widows Bay emails, Prestage TV at Spotify.com.
So we're going to hit a brief mailbag.
We're going to check in on each individual episode.
Our fresh as a Daisy takes on episode four that everyone is like still clamoring for.
You joke, but people are clamoring for.
I would say specifically your takes on four.
It was for me.
You are seen and known in this moment.
It is my favorite episode of television this season, this year, this year.
certainly put it up against anything that we've covered,
anything that I've seen so far.
I love Night of the Seven Kingdoms as like a season of television this year.
I thought it was extraordinary.
We, of course, loved, enjoyed covering the pit together.
But as like an episode, an isolated episode of television that I'm going to remember for a long time,
it's going to be the Witch Stuff Go episode of Widows Bay episode for.
I just thought it was extraordinary.
We love to see it.
We love to see it done right.
I mean, we'll get into it in detail with the episode,
but it's just a tonal, tightrope, a master class and character.
It's just such a great episode.
It's so good.
All right.
Jesse wrote in, and I love a theory.
Jesse really came through.
Jesse wrote in to say, I should have sent this before episode four came out because it would have
been more impressive.
But oh, well, it seems to me like they haven't shown Bashir's wife yet because she's going
to be revealed to be pregnant.
And the urgency to move off the island is because if they wait too long and the child
is born there, they're stuck.
Their request for mid-chalkli-ship ice cream was definitely a hit in this direction.
So in episode four on the radio or whatever, she's like bring home some mint ship.
He's like, I'm on it.
This did not ping for me because mint chip ice cream is actually like one of my number one, like, go-to flavors.
I love mint and chocolate together.
I support you.
You don't.
I know you don't.
I know you hate mint and chocolate together.
I'm glad you can have that and I can have the good flavors.
Okay, great.
Anyway, it didn't ping for me as sort of, it's not like bring me pickles and ice cream.
And I'm like, that's a pregnant lady.
But for some people, they're like mint chip.
Or a specific ice cream request at all pregnancy coded.
This is a brilliant idea.
My theory was she's dead.
I far prefer she's alive.
I have butt pregnant.
What do you think?
I mean, you are constantly on dead wife watch.
You know, it's Nolan's season.
That's what I'm saying.
You've been conditioned to look forward in every corner.
Yeah, yeah.
This does make more sense to me.
And it certainly facilitates, you know,
the talk of Bashir and his wife trying to move and get off the island.
And it sort of seems like especially in five,
we're kind of navigating some of that same territory with Tom and his wife, too,
who, I mean, are we to assume, this was my assumption,
that when they are on the ferry where Tom's wife first starts, like,
going blind and having these complications,
that they're going to the mainland, right?
Yes, absolutely.
And yeah, you gotta get the fuck out of here.
Presuming you weren't born there.
So, like, let's talk about this.
The very end of episode five, right?
We get these visions of or memories of Tom
and his very pregnant wife on the ferry.
I don't think the ferry goes anywhere
but the mainland would be my guess.
It could be an island hop and ferry.
An archipelago.
And as long as you stay on the islands, you're fine.
But they're at a certain, like, to use lost parlance,
a certain heading.
Right?
Yes.
That...
Where's the fuselage here?
Right, exactly.
So the theory, the legend we got earlier in the season was if you go to the mainland, you'd die.
Right.
So they didn't make it all the way there.
Tom is screaming for the fairy to be turned around.
So it seems like she went blind on the ferry.
Yes.
Turned it around.
Had the baby on the island.
They said the baby was fine.
Right.
But I think she had him on the eye.
Oh, eventually, yes.
I think they're back on the island.
Like, turn the fairy around.
They're back on the island.
The story was she died in childbirth, right?
Complications from childbirth, but she's alive, though, unwell after the baby is born.
Well, I guess, like, are we to assume that the baby has been born, or is it just the baby is doing fine as a check?
I don't think she's pregnant anymore as she's sitting in that bed.
I'm going to be honest with you, the visual of her sitting in that bed was so terrifying to me.
I did not take a second look at it.
So we have to investigate the tape to see, I mean, just our favorite game here of, like, which woman is.
is showing at which point in which show.
We love to body check women.
That's our favorite thing to do.
A famously fertile ground for discussion.
Absolutely.
So my interpretation was she had the baby back on the island,
but she's not clearly not well.
No.
Right.
We don't know what happened.
And it doesn't seem to be the same story that we've heard.
As is often the case on Widows Bay.
You hear one thing, you see another.
It's true.
If you take certain mushrooms.
Anyway, point being if Bashir, the sheriff's wife is pregnant,
This introduces different stakes to his story, you know, because I love this premise about, you know, especially in episode five, which is all about Tom and his discomfort with lack of control.
Right.
Right.
Again, who could possibly relate?
It couldn't be us.
I do fear, like, hallucinogenics because of that lack of control.
Are you kidding?
There are other drugs where I'm like, sure, that's fine.
But hallucinogens, I'm like, I'm not in control.
I'm not driving the bus.
You know, a fun,
buzzy, heightened state.
Sure.
Yeah.
Complete lack of control and perception
and literally understanding
of where you are in place and time.
That's going to be a no from me.
It's not for Robin Joanna.
That's for sure.
Anyway, but so he's preoccupied
throughout that episode with Evan, right?
So introducing Evan as,
it's a very humanizing thing for Tom, right?
Tom is, in many ways,
a tough character, you know,
is rude, is all these other things,
but he cares so deeply about his son.
Right.
And is so protective of his son and so fearful for his son.
Praying to a God he doesn't even know if it exists to protect his son.
And so introducing this idea of this danger, he doesn't know how dangerous it is out there is what Tom says.
So this danger for Evan, a kid born on this island has never left this island because Tom is so, because this thing happened with his wife,
and Tom is so afraid it's going to happen to his son.
So what is that going to do to a character like Bashir who has a pregnant wife?
And that's really potentially very interesting, you know.
I also love the way both of these episodes are really delving into all of the mythology
and the creepy stuff happening on the island, but in like the stories we tell kind of way.
Right.
All of Patricia's arc and story in episode four is so much about like she is so sure, or at least
telling people that she's so sure that she was visited by the boogeyman.
We can.
Hashtag I believe Patricia.
I'm at the point where like I believe her, but also I wouldn't be surprised if we get a reveal
where it was like a classmate playing a prank.
Like somebody was breaking into her house as a mean bit.
But regardless, it's about like the stories you are telling out in the community,
who you're telling them to, what the costs of those things are.
And so for Tom and Bashir, you would think if something as intense and scary
as what seems to happen to have Tom's wife actually happened,
someone like Bashir would know about it.
But also that's maybe the kind of story you keep very tight, very quiet, all to yourself.
If Bashir and his wife have all of the facts,
they should be operating with a much greater sense of urgency.
It should be already gone.
That's what I'm saying.
Provided that neither of them were born on the island,
which I don't think we know that information.
Yeah, I don't think we know either.
To your point, and I will go back to the mailbag,
but I really loved this interview that Kitty Diplold gave the rap about episode four,
just about how they came up with the concept for the episode.
And it really unlocked something for me about, like,
the way in which they're thinking about these fun horror tropes
and how they relate to these like fully-flux.
out characters that they've created here, right?
So she says, one of the writers had this idea of a self-help book that goes wrong.
And it started a conversation about what are Patricia's fears?
One thing I always think about with Patricia is the thing that is scarier to her than the idea of dying is the idea of dying and no one caring about it.
That brought in the one thing we always started to do when we're using these horror tropes, which is tell the story about a character who is feeling very real human emotions.
The conversation became, what if she had a party?
And we got really into the stress of throwing a party and not knowing if anyone's going to show up.
I've experienced that myself.
That's Kitty, but also Joanna.
I've experienced that.
That fear.
Everyone in the room has experienced that or something similar.
So we just went from there and really tried as much as possible to stick to that.
Even though the book is scary, there's something scary to Patricia in that episode than no one coming to her thing.
Sidebar, I can't remember I've talked to you about this.
I know I talked to someone about this on a podcast, but my friend in college used to call it a Little Man Tate party.
In the film, Little Man Tate, Jodie Foster, she throws this elaborate birthday party for her son and nobody shows up.
And so my friend Sarah in college would be like, what if it's a little mandate party?
What if no one shows up?
That's never happened to me, but it's like, it's a real fear.
But this idea of like, okay, as the writers in this incredible writer's room are plotting
out the season and they're like, let's do a Jaws episode, let's do a shining episode, let's do this,
applying that idea of like what is Patricia's greatest fear to episode five, what is Tom's
greatest fear, lack of control.
Yes.
So let's do a drug trip episode and put him out of control, I think is a,
a really fun skeleton key to unlock the rest of the season as we go through these episodes.
Very much so. Yeah. Interlocking all of that mythology and the trope stuff with the character beats.
And I think specifically for Patricia and something like becoming an accidental witch,
where a lot of witch stories, I mean, we all can aspire to it. But I feel like a lot of witch stories,
and specifically a lot of modern witch stories are about community. Right. It's about covens.
It's about like how do you connect with, you know, your sisters of the dark arts? And this is so much a story about lonely.
and about desperation.
And like she's kind of turning to this stuff accidentally
because she's like been shut out by her entire community.
Thank you so much for talking about witches.
Rob.
It means a lot to me personally.
I love nothing more.
But if you think of something like Anya Taylor Joy in the Vubovovic, right?
Like that film is about, it is about finding another community,
but about feeling on the outside of the community that you live in.
Yeah, but spoiler alert, there is a community to be found.
There is a community to be found at the end of the day.
It's naked, it flies, it's great.
But like, which is rule.
But yeah, it's about being an outsider, being misunderstood, being, you know, all of these things.
Yes, sir.
We got very derailed from the mailback.
That's okay.
We're back.
Sarah has a great email about Patricia's wardrobe, right?
She says, I just wanted to note that while there are many obvious nods to Stephen King throughout,
was I the other one who thought a punch bowl full of pig's blood might be hidden in the rafters during Patricia's toast.
Yes.
One slightly more subtle connection to King was Patricia's wardrobe, top-notch, tank top, and great
pattern-clashing combos.
I particularly love the culots and red cardigan.
She shouts out the costume designer Alex Bovard.
It's no accident that as well as hints of Carrie Prom Queen,
she's dressed throughout like Shelly Duval and The Shining.
Shelly had such iconic style and Cato Flynn has a similar off-beat beauty.
Wardrobe often gets overlooked, but I think they're doing fantastic work here.
Thank you, Sarah, for that email.
But I love that calling out that Patricia's wardrobe specifically, like, you know,
this is a quirky island full of quirky people,
but everyone looks like they're dressed.
Relatively, I would say with the exception of some of Evans' friends,
who kind of look like they could be from the 70s or whatever.
As is our time.
Kate of Flynn, like, as Patricia, is very Shelley Duvall, like, late 1970s coded in her wardrobe.
It's a great show.
And it's a really good call.
And the carry comp is right there.
Oh, yeah.
I mean, the tiara is there.
The tiara and just kind of like the mean girl energy permeating around Patricia.
Yeah.
First of all, shout out the patty wagon, which is the name of.
for Bookmobile, which is incredible.
Not to put you on the spot, but as a book lover yourself,
do you have a name-based pun that you would embrace if you were to drive your own wagon?
I need a week to think about it.
I would love to hear it.
I will come back to your recommendations to prestige TV at Spotify.com.
This is, I would say, you're one true calling, you know?
If I had a bookmobile and was a witch, this is my dream.
Can I tell you?
There's nothing stopping you.
And a bonfire on the beach and potentially vengeance on my enemies?
Come on.
I mean, that's really the icing on the cake.
Oh, on.
In the paddy wagon bookmobile donation box, along with the grimoire that finds its way there, is a copy of a Stephen King book.
They don't show the title just as Stephen King, but it is a copy of The Shining because I did look up which book it was.
I mean, you impress me every day.
Just truly incredible detective work.
That was some real freeze frame Mahoney work, I thought.
But this is the thing.
Once we get into novel book spines, I just simply don't have the point of reference.
Now, you show me a shelf of DVDs from True Detective Night kind of.
And you're like, why are they watching Ferris Bueller over and over again?
I have some questions.
I've sorted through some bins in my time.
That's true.
It's true.
We got a couple emails of people asking, you know, you brought up the great kitty dip old
Babadook tweet, which she was on the script notes podcast and they asked her about it.
So shout out Craig Mason and John August doing the great journalism work.
But how much is that Bobadook tweet present in your mind when you're watching something like episode four,
watching Patricia at a party?
I didn't even quite put it together in that way.
What's so great about the Babadook tweet is at some point in our lives, we are all the Babadook.
Right?
Like, we are all the Babadook in the wrong room.
And so it's just Patricia's turn.
When have you been the most Babaduke in a party, right?
Man, I got to really think about that one.
It's not an overdressed, underdressed situation.
I think it's just you're bringing the wrong energy to this setting.
Yeah.
So there has to be a time.
I mean...
Here's a vision I have of a moment where Rob is the Babadook.
You go to, like, watch movies with some friends or something like that.
Not like your friends that you have, your Leonardo DiCaprio.
marathon with, like, some other new friends or something like that.
Fringe friends.
Perspective friends.
Perspective friends.
They're not paying attention to the movie.
And you're like, heartbreaking.
Why are we chattering when a movie's on?
That's my idea of you, you just like instantly get a hat on your head because you've
bobbedoct yourself, you know?
That was me trying to show some friends, wet hot American summer.
Yeah.
Maybe my favorite comedy of all time.
And like the pin drop silence in that room, I was like, oh no.
Oh, no.
I've really babadooked it.
Do you want to get stories from our listeners when they have Babaduque?
Please.
Okay, Press your TV at Spotify.com if you've ever Bobbadook her that apart.
Not if, when you did.
We know you have.
We've all done it.
Okay.
Gillian wrote in with a question that was sort of like bopping around in my head,
which is that the actor, Kingston, Rumi Southwick, who plays Evan, who we already
said we like really love, he's here playing the son of two very white people.
Aggressively.
Is there something, you know, like, I don't think you get whiter than Welsh, and I say that as a person of Welsh extraction.
Honestly, very true.
So, you know, Gillian was sort of cooking some theories around this.
I have been burned by these kinds of theories in my Westworld days.
I don't think it's necessarily the right track to go down.
But it did, like, sort of raise a question mark in my mind.
And perhaps, you know, the show is just sort of like, we don't care.
Yeah.
You know.
Well, it's certainly a thing to flag.
I think the greater mystery.
around his birth, the incredibly weird circumstances surrounding it.
Right.
That's up for grabs and we're going to be talking about it for potentially weeks to come.
So if you wrote in and a couple people wrote in to note that we did not reference John Carpenter's The Fog when talking about influences.
But I do want to, and I don't get credit for this because I didn't say it to a microphone.
But I do want to say, I did text Rob when we were floating back and forth some inspos for this.
I said it's John Carpenter's The Fog meet Stephen King from this.
That was a joke I made.
But I didn't say it into a microphone, so it doesn't count.
Also, it wasn't a joke.
It's just what the show is.
It is.
But yeah, John Carpenter's The Fog is very much top of mind here.
And then Sophie also wrote in, Sophie is a real horror movie expert, wrote in to say, as an aside of my favorite with throwaway reference to a horror movie, is our girl Patricia's reference to the bogeyman.
One of the things that people in the town of Haddonfield call Michael Myers.
So, like, we were sort of already noting this Halloween reference.
But she says, when Patricia talked about the bogeyman, she says,
to your first two experiences as, quote, the night he came,
which is almost the exact tagline of the movie Halloween,
which is the night he came home, is the tagline for Halloween.
So that's totally one over my head.
Great shout. Great shout.
John wrote in to ask us the larger question of how long should a show run.
I think that's just something I want to continue thinking about as we go through this season.
You and I were asking this question after the first three episodes of like,
how many seasons of Widows Bay do we want?
There's a part of me that wants it to run forever.
But then there's another part of me of like, if it's, you know, if there's mysteries to be solved on an island,
Carlton Cus and Damon Linlough can tell you, there's a limit to that of how many mysteries you can have on a haunted island.
But also multiple seasons.
Of 22 episodes, to be honest with you.
And then if we're doing, if we're sort of riffing on horror movie tropes, how many of those do we have to go through?
There's a ton of horror movies, but in terms of like those tropes, how many of those exist, you know?
It's true.
Do we move away from sort of the like trope of the weak idea?
as it goes forward or, you know,
these are questions for Kitty Diplold and her writers.
But, you know, a question for us is what's too much of a good thing?
I know.
Or something like that.
I think these days were inundated with so much of anything that is even remotely good
that I'm already a finality-oriented person,
despite the fact that we covered TV for a living.
So the deafness with which the show is dealing with its characters
feels so tight and controlled.
And it feels like they just have their finger on the pulse.
of this exact story.
I'm a little scared once we get past the confines of this individual season and story into
what a season two could be.
But also, like, if you've earned that trust, you've earned that trust.
And like, you know, we don't know if there's going to be, say, like, a Dale episode
or a Rosemary episode this season.
But I could see that being something we do in a season two.
We can only hope and pray there's a Rosemary episode.
I'm pulling for my guy, Dale.
I love him so much.
All right.
Check, check, check.
One, two, one, two, one, two, three.
Check, check.
It's a surprising, complicated system.
He doesn't have Spotify premium.
The way after Patricia scolds him and then he starts whispering it into the microphone.
Can we get Dale hooked up with the Spotify premium membership?
It is literally the least we could do.
I think so. Let's call the Swedes to get him on the case.
We mentioned We're New Jersey in our previous episode.
Our listener, Beth wrote in to say, in high school, we drove our car to a legendary spot in North New Jersey, where if you put your car in neutral, it goes slowly in reverse on its own.
like you're being, quote, pulled by a ghost.
It really works and is freaky.
The legends that a family of farmers were killed in a car crash and they haunt the area.
I have to presume, though, Beth did not note this, that you're not on any kind of incline.
Right.
The idea is you're presumably parked flat and all of a sudden, if your car's in neutral, it will be pulled slowly backwards.
Could not be me.
I will not be doing that.
No. Would you do that?
I think that's totally fine.
I'm not going into the boogeyman house, but a spooky magnetism.
What if an off-island girl would be impressed by you doing so?
Something to think about.
You know, it could be negotiated.
But so are you out on anything even remotely spooky?
Like the Winchester Mystery House.
I've been to the Winchester Mystery House multiple places.
Yeah.
What is your mileage as far as that experience?
When I was little, it scared the shit out of me.
And then do you remember that they made a movie about it?
I actually didn't know that.
Oh, yeah.
With Helen Mirren, Jason Clark.
Wow.
They did the junket at the Winchester Mystery House.
I went.
And the only thing that could get me back to the Winchester
Mystery House after being scared shitless about it as a child was a prospect of interviewing Helen Mirren, which I did inside the Winchester Mystery House.
It's really the only place to interview a Dame.
Yeah.
My hair was purple at the time and she said she liked my hair.
I don't think she did.
I don't think she was just like.
It's just the thing you said.
I think she was shocked and alarmed by it.
She said, I like your hair in a way that I think she did not like my hair.
That's okay.
I'm not to choose to take her out of her word.
Okay, great.
Believe a Dame when she says something.
Our listener Lily wrote in, I didn't mention this, but I did know this.
As a fellow Buffy fan, Lily said, I couldn't not point out that the actress who plays Jerry also played Pat, Joyce's empanada baking friend from Book Club and Dead Man's Party, a true icon.
Pat, a legend in this very patchy season two episode of Buffy the Vampire Slayer.
What are you saying? By patchy, you mean unimpeachable.
Haunted exotic mask is not my favorite trope that Buffy has ever used.
I got bad news for you about Buffy in general.
It's not the last time that will be explored.
And then all the more exciting with the Buffy connection, the fact that Jerry is now like one of the Scoobies.
She and Rick have a history.
They really do.
And she is a like Smithsonian level conservator.
She put the gloves on.
And she's a math teacher, I guess.
So she doesn't.
You really can do it all.
You can.
On this island?
You have to do it all.
All right.
Last question.
From our listener singer, are we shipping Patricia and Tom?
I'm not.
Patricia did have a slightly weird energy when she's like, oh, you picked up a woman?
Yes.
Interesting.
And part of that was this sort of like really funny like age stuff.
Right.
But was there some energy from Patricia about that?
I think there definitely could be.
Yeah.
I appreciate their bond nonetheless.
Follow question.
They're leashed to each other inside of this episode.
There's a lot happening.
I love how over Tom's like drug trip shit, she, Patricia, like anytime we check back in with her, she's like, yes, Tom, very good.
Use your crayons.
Use your crayons, Tom.
I'm kind of into it.
I'm going to keep my eye.
I'm not not into it.
But I would say the warmth regardless of when they find Patricia at the end of four and just like...
And they're like, come join us.
Like, we're going to need you.
We need you.
It's a powerful thing to be needed.
I got very emotional about that.
One of our listeners wrote in saying they wanted my Blair Witch story, so I'll just say it into a microphone, which is that when the Blair Witch Project came out, a friend of mine, still my friend to this day, invited me over to his house, made pesto burgers, like on the grill.
And then I had a soapy, which was a white flavor, which is Pena Colada.
And then we went to go watch the Blair Witch Project, and I got tremendously ill.
And in the Chili's afterwards, I vomited in the bathroom.
Was you also went to Chili's?
That was not my.
That was not, I wanted to go home.
Oh, got you.
Because I was ill.
My friends who I were with were like, let's go hang out at Chili's.
And I was like, and then I went into the bathroom and threw up and I was like, I just threw up the bathroom.
And they're like, okay, well, we ordered you a shake.
I was like, cool story.
I'm going home.
I will not be drinking that delicious chocolate shake.
And for the record, that was not a judgment.
This is a pro-chilly's podcast.
But you listed four great tastes that do not taste great together.
The Blair Witch, a peanut colada sobi, a pesto burger, and potentially a chili's milkshake.
I have not had a pesto burger since.
I don't even know if it's a thing.
It's not a thing.
I've not had it since.
A white soapie since.
That ended my relationship with sobies.
I don't think a lot of.
of the, I don't think a lot of like the living world has had a sobis sense.
I don't think Sobe's made it out of the 90s and that's okay.
And I am fearful of shaky cam horror movies ever since.
But anyway, that's my Blair Witch.
And then we ran into a guy we went to middle school with in the lobby and he told us he saw a dead guy under a bridge once.
That's a story that's my Blair Witch story.
What a day for you.
It was a day.
It was a real bad.
So do you think it was the shaky cam specifically that kind of upset your system?
Absolutely.
It wasn't the horror.
It was just like.
Well, I was thinking it was just the Pesto Burger and Sobi Campo.
Well, perhaps if I had gone in without.
that unholy combination in me,
I would have had a better time.
If you would have eaten the same thing
but gone to see must love dogs,
it would have been fine.
Well, that's ill-inducing of its own in its own right.
You know what I mean?
I think if I were ever to see a shaky cam thing again,
and I've made it my mission not to,
I would go in with a completely empty sign.
It would be like water and saltines for that day.
Treat it like a boat trip.
That's how I say you should treat the leverage project.
Spotify, it's Jay Shetty.
Are you one of those media strategy people?
Scrolling through spreadsheets, searching for an audience that pays twice as much attention to your ads than they do on social?
Let me introduce you to fans.
And they're here with me on Spotify.
Trust me, I know fans.
They don't skip.
They stay for hours.
They don't move on.
They manifest.
They're not a demographic group.
They're fans.
Spotify advertising.
You're among fans.
Let's get into episode four, Beach Reeds.
Can I talk to you about teeth in witchcraft and mythology?
I would be disappointed if you did.
Teeth had been an ongoing thing, right?
There were teeth mysteriously on the island when the original settlers got there.
We had the tooth game in the hotel episode.
Teeth are, listen, I'm not a witch, though I wish I was.
In witchcraft in general, one can use fingernail clippings, hair, whatever, to sort of like do a spell to control someone.
So teeth is one of the like sort of key iconic things that you can use to control someone.
That seems harder to get than the other things.
Well, that's what the pliers are for in the teeth game.
Aren't they just?
Okay.
And then in terms of mythology, and I often am, Jason and the Argonauts or Cadmus.
Yeah.
In sort of Greek mythology, there's the story of sewing dragon teeth in a field.
Do you ever learn this story?
No.
Okay.
So Jason of Jason the Argonauts fame was given dragon teeth and told to sew them into the ground.
And if he did extremely strong and powerful warriors would pop up out of the ground.
For every tooth you planted a powerful warrior.
One to one tooth to warrior.
Exactly.
As you would expect and hope.
They're scary, they're violent.
In both the Cadmus story and the Jason story, the solution to not get killed by them is to throw a rock in the middle of them.
and they each think that someone else
through the rock in the first place
and then they all kill each other.
Wow.
And so these guys are dumb.
They're dumb and they're strong.
So the phrase to sow dragons teeth
means to do something that has
that will cause a fight
right in the first place.
Does that have anything to do with this show?
I don't know, but I thought
while we're talking about witches,
I might as well talk about mythology.
We got witches, we got teeth.
There could be powerful
but dumb warriors in episodes.
to come.
I can only hope, you know?
It's July 1st.
That's what we know from the invite, the Evite that Patricia sent out.
Obsessively refreshing.
Sad.
Really tough.
Really tough to watch, honestly.
Yeah.
July 1st.
And then it's one day later in episode 5.
So it's July...
So I guess they're doing July 2nd fireworks.
Yeah.
I guess it depends on maybe it's like a weekend thing.
Sure.
Yeah.
It's the Friday or the Saturday and the 4th is on a Monday and who wants to do fireworks on a
Monday.
Yeah.
I guess.
Or maybe they plan to do it all weekend?
Do we have any confirmation that it's not?
not a few days later?
We do because, unfortunately, I was hoping it was the fourth.
But Bashir said to Patricia, there are some people who woke up in the ocean last night
and they have some questions.
So, yeah.
Maybe that was just recreational, you know?
And they're blaming Patricia yet again.
Sure.
So, yeah.
I mean, you spike the punch one time.
Just one time.
You let all of your friends and, like, neighbors get overrun by the Necronomicon one time.
And this is what happens.
I do have some questions for like how this spell works because obviously Rosemary sees right
through it, you know, the whole time.
Well, she was getting the ingredients.
Well, when you get the, when we get the reveal, honestly, one of the best reveals that has ever happened in all of television.
Exquisite.
Even though you know that like something's going wrong.
Of course.
And a spell is being cast and all the sort of the visual reveal.
Kevin Carroll is Bashir's delivery of.
What the fuck are you doing?
It's so good.
So outstanding.
But when she goes out into the bar and sees sort of the wreckage of the party and there's like little cups turned over with like a little bit of fur and.
scalp in them.
I'm just sort of like, because I was like, okay, as soon as they drink the punch,
the spell is cast.
But presumably it's cast before that because presumably you would not drink the punch
if you saw a bit of a woodland critter floating in it in the first place, right?
Well, this is where I think, you know, the little centerpieces on the tables or something
like that could come into play, right?
There is a general bewitching that has already happened before they ever drink the punch, for sure.
Playlist, who knows what spell were cast.
This is how we do it, ad supported?
Yeah.
That's a bewitching song.
This is not a bottle episode.
I'm seeing this phrase tossed around on the internet.
Not a bottle episode.
Not what that means.
What is a bottle episode?
I mean, it has to be one location.
Exactly.
I guess every episode of Widows Bay is kind of a bottle episode in the sense that they're on
the island.
I think if everything took place in the bar.
Yes, that would be a bottle episode.
But I mean, like, first of all, this can, like, this is Patricia's larger story.
You know, there are repercussions for it in episode five, like Bashirist.
like this is an ongoing investigation into what happened here.
And the episode ends with like the death of another character.
You know what I mean?
Like this is, it's a Patricia focused episode.
Yes.
But it's not a bottle episode.
And I don't think it's like a side quest in any way.
I think this is just all the larger woven tapestry of the island and its history.
Right.
The boogeyman is definitely coming back into play at some point.
So it's just not a bottle episode.
No.
I would say the best bottle episodes, yes, are a self-concats.
contained adventure, but have like good character repercussions that transcend, but not necessarily
plot repercussions.
Right.
And as you said, there are way too many very important things happening.
Right.
And the fact that this episode is an undercurrent where it's basically us checking in with what
Patricia has been doing while the other part of the story has been going on, distinctly not a bottle.
That also makes me really excited about episode five to see sort of like what exactly Patricia
and Wick were up to while Tom was indisposed, as it were.
Die in a fire, Chris.
She almost did.
But die in a fire.
Chris sucks, right?
Chris is the main mean girl.
At the same time, I didn't appreciate in the bar this sort of humanizing moment of like she's like all of my friends died.
So like she's a mean girl.
She's like horrible to Patricia in an outsized like bully kind of way.
In a aren't we all adults here?
Why are we still acting like we're 16?
Right.
But we introduce.
And again, inside of like a 30 minute.
episode, we introduce some dimensionality to this character, this Chris character at the same time.
And to the social dynamics of the island as a whole. Right. Just this idea that it's not that
this group of women is so cliquey that no one can break in. Like we see this woman who just moved to town
and she's like just kind of ushered in and a part of the group now. Yeah. It is so much about
this history and about the idea that, I mean, that part of Chris is totally understandable. If you
were surrounded by that kind of tragedy, especially at a young age, the idea that somebody would be like
trying to benefit from it for attention of all things
would be so distasteful and so enraging that you would...
I mean, I think it would be hard not to carry that with you
for a really long time.
But she does that and then just like making constant mean comments
about Patricia.
I think all of the ways this episode kind of very subtly sees
how much on the outside looking in Patricia is
with basically everybody in this group.
Even something as simple as like,
can you take the photo of me and all my friends?
We're all drinking white, but you can totally open that red.
Please don't open that cabinet.
And I'm like, of course not.
The cabinet full of wine glasses, what the fuck are you talking about?
God forbid.
Yeah.
But yeah, there's just so many ways in which we're told and shown that Patricia's not welcome here.
Doesn't feel like she's of this group, even though she potentially could have been once upon a time.
We also, we called out Cato Flynn as like an incredible performer in the first three episodes, but just like her body language throughout all.
Like when she shows up with the wine in the first place to the party and she's just like immediately awkward and out of place.
And then just everything thereafter.
Her dancing, incredible.
Oh, so good.
And then I just wanted to shout out sort of like the connective tissue between the episodes
because as much as these feel like, you know, the hotel episode, the Seahag episode, etc., the
Bachelorette Party is here.
Yeah.
If you go back to episode three when Tom is asking about Patricia and Dale says she's pretty
caught up in her cocktail hour, right?
Like, that's a fun line on rewatch or watching Patricia leave the voicemail that we heard Tom listened
to in episode three.
It's just like all sort of woven together in a really, really nice way.
Poor went out for the Hussies.
Toby Huss's character is dead and that makes me really sad.
It's too soon.
Way too soon.
I want to come back to him a little bit in the categories too.
Anything else you want to say?
Influences here.
Carrie, Blair Witch Project, Yellow Jackets for sure.
Of course.
True Detective Season 1, Wicker Man, Green Man, Legends, etc., etc.,
anything else that you want to call out.
I mean, I just, all of the witch stuff is so fun.
And specifically the idea of like the punch as potion, the to,
as incantation.
Right.
It's just seeded so well.
But also toast isn't you're going to like roast these, like, light them on fire.
Yes.
Yeah.
Again, like as a laugh per minute exercise, it's a little delayed because everything
that's happening with Patricia is so intense.
But then once the reveal comes and you see exactly what's been happening in the kitchen,
which if we just want to break it down, I mean, there are multiple blackbirds on that
cutting court.
Actually, rewind before that, the way that Patricia is cutting, what we're shown as strawberries,
is already quite upsetting.
then it's revealed to be a blackbird, at least one.
I think there's like multiple carcasses there.
There's some kind of white furry creature.
Oh, this is what you freeze framed on.
Not the Stephen King title, but like the animal corpse.
I need to see the corpses.
I need to see what's going on.
It looks like there's maybe even like a nest of little blackbirds involved.
Also a mortar and pestle of just like bones and spooky roots of a kind that I'm not into,
but it's part of the craft.
I have a question for chef, Rob.
Do you have a mortar and pestle?
Of course I do.
And what's your favorite thing to use it for?
Well, here's the thing.
Are you a garlic masher person?
Economically, it just takes a lot of time.
It does.
So this is the problem.
Morton and Pestel is the ideal way to make Pesto.
For example, for a Pesto burger that will make you very sick.
It's just so time intensive.
It's like, why would I not food process this?
Sure.
So you have it.
It's decorative.
It's decorative.
It's, I would say like it's good for guac in particular.
That, I think, is the best actual practical application for mortar and pestle.
Or crushing spices.
Yeah.
Or which stuff.
How many bones have been in your mortar and pestle?
Zero.
Zero?
So far.
We see the corpses that you have cataloged and quantified.
There is also like a, I don't know what you call it, like a deli sort of like buzzsaw situation.
What is that?
Oh, yeah.
It looks like a meat slicer.
A meat slicer.
Like, but the serrated edges was just like dripping with blood.
So what did we slice?
Well, again, how are you supposed to get through that bone with just like a dulled kitchen knife from the salty whale?
It's just like chopping like this.
Don't chop.
Don't chop your strawberries that way.
Don't do it.
All right.
Anything else you want to say about episode four?
We forget two, five.
I just fucking loved it.
It was so good.
And I will, you know, to revisit the part about Patricia's story, I don't know how to make heads or tales of that just yet as far as what's true or what's not.
I almost don't exactly care or think that we need to know.
It's like the idea that she believes it's true and other people don't is enough tension for me.
You think we're, but okay, yes.
Whether or not she's telling the truth, I could see that being not revealed, but we're definitely getting a bogeyman episode, don't you think?
There's a lot of boogeyman references.
I mean, we visited the house.
Yeah, we saw the house.
I was just looking at the episode title to the last season.
I don't have anything that, like, your baggage, emergency shelter, we hope you enjoyed your time.
Emergency shelter certainly sounds like maybe the cement chair door situation underneath.
Well, it's underneath the salty whale.
We know that.
So it's not underneath the boogeyman house.
But I was going to ask, do you think there's any bit of truth to the story among the teens about like this boogeyman guy couldn't even be killed?
they had to like put him into some kind of cement prison slash grave.
Some real Michael Myers shit right there.
Bogeyman, we await your arrival.
Frankly.
All right.
So what to expect on your trip, episode five.
We've already talked about sort of this like Tom Not in Control thing.
Evan saying one of these days I'm going to leave and I'm never ever coming back.
And that of course is Tom's number one fear, which is that Evan leaves and dies.
Never ever comes back.
Not just leaves, but like his life is.
over, right?
I mean, as we're kind of teased here with everything that happened to his wife or suggested
did, like, maybe there's things that are worse than death involved too.
Maybe death is just one of the outcomes potentially.
Never ever coming back like mentally.
Yeah.
Abrupt subject change.
Inspiration.
So something that I posited to you mere minutes before we started recording is like,
should we check in on some other classic drug trip episodes of television?
I had some time to prepare for this.
You had mere minutes.
What did you come up with that you wanted to talk about?
I mean, as I made the list, I was like, I love all of these episodes.
I know, it's a great trove.
It's a great one.
The first one that came to mind for me was six feet under where Ruth takes LSD.
And specifically, it's another, like, tightly wound.
You would never expect this person to let their guard down matriarch in that story.
Absolutely tripping balls.
Wonderful.
Bojack Horseman might be the saddest trip episode that I've ever seen.
Mad Men, I mean, Roger Sterling tripping out.
Again, heavy mirror involvement going on there in a way that I appreciate.
But maybe the singular one from my experience is,
is there's a whole episode of Cowboy Bebop
in which the entire cast eats mushrooms,
including Ein the Corgi,
and are just off on their respective journeys
over the course of the episode.
Unbelievable TV.
On the animated front,
the Cactus Juice episode of Avatar,
The Last Air Bender, incredibly good.
It'll quench you.
Nothing's quenchier.
So Rogers' LSD trip on Mad Men
is a really good shot.
That season five in episode six,
Faraway Places.
But season six, episode eight of Mad Men
is the crash
when they all take speed
in the office and I rewatched it.
And I actually think of all sort of the drug tree episodes
that I checked in on this morning briefly,
that one seemed to me to be the closest.
Like Matthew Reese's acting and Don Draper's acting
is like very similar.
Yeah.
The auditory hallucinations,
the like sounds of like laughter and gibbering
and like stuff like that is there.
It's a great episode.
Kenny Crosgrove like tap dancing on a broken foot.
Like, you know, what could be better?
but like, yeah, the amphetamine episode of Mad Men is a real one.
There's a very famous and really for a good reason, episode of Roseanne,
where Roseanne and Dan and Jackie all smoke weed and they like lock themselves in the bathroom
and they're just like, it's very, very funny.
Freaks and Geeks, of course, has a great Lindsay Gets High episode.
Would you count the Watchman nostalgia episode?
I don't know if I would, but I was thinking about it in terms of that sort of
like surreal, losing time, jumping through time.
It's a supernatural drug, but like...
Yeah.
I was supposed to say it's already kind of that sort of show.
Yeah.
Again, with that like very subjective, very loopy orientation.
Like, it feels more of a piece with just the rest of Watchmen, to be honest with you.
That's true. That's true.
Spaced, one of my favorite shows of all time.
I actually never seen Spaced.
Oh, you'd really like...
I mean, I'm very familiar with its reputation.
Yeah, yeah, yeah. But like, they're watching Star Wars.
They're stone out of their mind.
And then Simon Pegg's character is like crying.
And they're like, what?
what? And he's like, I just remembered, I've got Jaffa cakes in my pocket. Incredible stone moment.
But the thing that I was thinking about the most, and this is because of it's like the overlap of
this show and its DNA with Parks and Recreation, is the flu episode of Parks and Rec. When Leslie is
like trying to go about her day with terrible flu, including one of these like sort of town meeting,
you know, sort of moments. So I was thinking about Leslie Dope a lot in this episode. Also on like
the movie front, like thinking about like, thinking about like,
Something like Mandy, you know, like a horror movie that is very, like, drug-focused.
I think often about Mandy.
Yeah.
Or like the invariable weight of massive talent.
Like the whole Nick Cage Uvro, why not, you know, it's all...
Whether he's literally or just kind of metaphorically taking drugs is always happening at basically every point in time.
It's true.
Well, did you have a favorite...
My favorite sort of not just the cutting in and out of time, which I thought was so good.
Yes.
But the way that the lights, like, went down and came up on various sequences to sort of take you in and out of time.
I thought was so artistically, like, really interesting.
What did you like about this?
It's the kind of thing, too, where when other shows attempt to do these sorts of time jumps,
it can feel clunky in the edit.
Yeah.
And it really does take, like, a very particular kind of touch to make it feel organic,
to make it feel germane to the story, to make it feel like, again, that you are in for
an artistic process and not just like, hey, we're trying to do David Lynch or whatever.
It's like, this did feel so cohesive in a way that I think it's just like cinematically very impressive.
Yeah.
All of the buttons in.
I don't know if you can button into a scene,
but all of the lines into the scene, like stop yelling him.
Yeah, the unbuttoning.
Stop yelling at me, Tom or like just give me a name or like, you know,
whatever the case may be.
I thought that was really, really good.
Chris Fleming is here.
Chris Fleming, are you a Chris Fleming fan?
I wasn't too familiar before this episode, but I've gone a little down the rabbit hole.
He's so fun here as Todd O'Connor, a shaman slash drug dealer.
I love that reveal when Patricia's like,
Todd O'Connor?
Yeah.
He's like, hey Patty.
Chris Loving's really funny.
I think he's a great comedian.
I don't think I've ever seen him act before.
And not that this was like check off or anything like that.
But I thought he was like really good.
And it reminded me a lot, again, of Parks and Rec when you would like bring in people that I knew for like comedy to do these like fun, quirky characters.
I really hope you see Todd again, you know, and his lizard.
Is that a lizard?
I think he was an iguana.
She has wandered.
She has wanderlust.
Getting 50.
I thought he was so funny.
I thought he was really good.
Here's that thing.
He is very funny.
And like in a vacuum,
I really like those scenes.
I would say of all the actors
and characters we've seen so far,
he felt the least of Widows Bay to me.
There was something about it that was like,
and it's drawn and structured
to be like,
this is a distinct hallucinogenic experience
throughout this episode.
Something about his energy
was just like a little different,
not in an unwelcome way,
but distinct from the other town's people,
maybe deliberately.
Follow question.
Have you met anyone who calls himself a shaman?
Not enough.
Other than you.
I never once referred to myself as a shaman, nor would I.
If you're not a shaman on this podcast, literally what are you doing?
You and I lived in the Bay Area.
Heck, capital of the world where a bunch of white dudes walk around calling themselves shaman
in order to serve you ayahuasca.
Like, I've met so many white guys named Todd who are like, I'm a shaman.
Come have an ayahuasca ceremony in my rec room.
Like, it's a peril of the North Bay, I should say.
I have not partaken.
but I mean, speaking to our issues of control.
I'm not doing ayahuasca.
No, no, no.
But I would love to be somebody's spirit guide
or just, you know, a hand to hold on their journey.
Would you do a better job than Patricia?
I would hope.
I would hope and pray.
Just don't open the door.
Don't open the door.
I mean, they just abandon Tom so quickly at every opportunity.
But Trisha at least had the excuse of like,
she's like wanted for questioning.
You know what I mean?
Like she cannot say no to that.
But like, leaving him with Dale,
presumably not.
telling Dale what's going on?
Dale has no idea.
And he's very worried
for understandable reasons.
When he screams,
it's really good.
Why can't Tom just go home?
He's sick today.
You know, is that out of the realm of possibility?
That's why they put him
in the car with Rosemary.
But again, I would not put him
in a car with Rosemary.
Oh, I don't think anyone put him
in the car with Rosemary.
Really?
Because it takes, if I remember correctly,
it takes place after,
not to step on our future segments,
but my favorite bit of physical comedy
from Matthew Reese,
which is the slow way he slinks
across the wall and then bolts out the front door.
But Patricia's still tethered to him.
Are they literally tethered at that point?
Yeah, she got jerked out after it.
Maybe he's separated.
I don't know.
No, I think he jerks her out and she's like, we're too busy, put him in a car with
Rosemary and take him home.
But like, that's not what I would do with Tom if I were charged.
I just assumed he popped up in the middle of the road and Rosemary's say,
okay, here, here.
Let me take you home.
I also want to shout out, Patricia, before they go over to Todd O'Connor's
shaman then.
And can I just say that his, I forget what he called it, the like,
The peace center.
The peace center.
It's fucking perfect.
That's what like every rec room that a white guy named Todd is like come to ayahuasca at my house.
Like that's what it looks like.
A single lava lamp.
One magic eye.
And a mattress with some loose blankets and an iguana.
When Tom blows the phone call to him and they have Patricia do it.
And she essentially does the Han Solo like, we're all fine here.
How are you?
Boring conversation anyway.
Yeah.
Really funny.
Really good.
Anything else you want to shout up before we get to our categories.
Again, I really like this episode.
I think it just has the unfortunate placement of coming after four.
And so I love a trip episode as we discussed in general.
I love what this means for Tom and kind of like the weird, creepy, dark places we explore as a result of it.
And it's, I mean, certainly setting up a lot of pretty dark roads we can go down over the rest of the season.
I thought the fight with Evan was really good.
Like, that's a real fight that they're having inside of this episode.
He's being like a real dick.
Evan?
This is an age where you just have the hardest time seeing outside yourself in general.
but he knows that like,
he knows enough to say like,
hey,
didn't your friend just die,
but also as being like a real asshole
to his dad specifically.
That's the only line delivery
from this actor that I'm like,
I would have had him say it slightly more sympathetically
because him being like a real shit
and being like,
is this how the phones work?
Perfect and really funny.
Very funny.
But like,
wasn't he your friend?
Like said with like a little bit of a grin
was very weird.
That being said,
you're trying to impress an off island girl.
Yeah.
And I have some theories about these off.
Island Girls, by the way, but if you're trying to impress an off-island girl, and your dad comes up and does the this.
Maybe I spoke too soon about the physical comedy.
All the way around the outside of the car.
I would say, fuck you to my dad if I were like stewing in that mortification.
If you knew he was grieving?
If you knew his, maybe his only friend just died?
Yes.
If I'm a teenager and I'm embarrassed, yes.
That's fair.
There's nothing stronger than burning shame.
Yeah, that is true.
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All right, well, let's go to our categories,
which will allow us to talk even a little bit more
about these episodes before we head out of here.
Best bit of lore.
Got a lot of lore.
Again, these are like incredibly short, funny, dense episodes
while, and we're getting lore downloads as we go.
What did we learn that you thought was most interesting?
I think it's got to be Sarah Westcott Warren's creepy diary.
And, I mean, Jare.
Just plugging it right back in, torn page in all incredible work.
But you and I have been talking about,
we're going to get a full-on flashback episode with how much like the founders have been mentioned,
maybe even more than the boogey man. It seems like we're going to get some glimpse of that life
in that past eventually. I think we saw. So the opening of episode five. Yes.
Is a grubby man in what looks to me like period clothing in the woods, scrabbling for,
that's not Toby Huss. Like scrabbling for some mushrooms. In the snow. In the snow. Don't eat
the spooky mushrooms. Or if you want LASIC for your third eye, eat the spooky mushrooms.
no, it doesn't seem worth it.
I wouldn't do it, but I would be interested in someone else doing it.
My third eye is already wide open.
I'm good on the mushroom front.
No, it's not.
Going back through the footage, I think that's Hamish Linklater, who is in this season.
And based on portraiture, I believe, is playing the founder, Richard Warren.
So, like, the next episode is called Our History.
I would not be surprised if it takes us into a flashback episode.
It certainly seems like it.
I mean, we already have, you know, the weird cylinder around his neck.
What do you think is in there?
I do know it's heart beats in the cylinder my husband wears around his neck.
And then when she's like, but he's here, so JK, LOL, I'm going to bed.
Really funny.
Heartbeats in the cylinder.
Are they going to dig him up?
Well, that's the implication from Wick.
That's what Wic wants to do, for sure.
Let's just dig up this grave.
Let's get in that cylinder.
Let's see what's going on.
The idea of the true site with the mushrooms.
I also want to shout out in the spell book once its true face is revealed.
The C-Hag is in there.
Oh.
So, like, I'm glad we broke the.
a spell by burning the book, but also was there good information in that book that we could have
used before? Oh, you want to use it for good? I mean, it'll be fine. I'm very responsible.
Not at all emotionally vulnerable to manipulation. I'll be fine. The last segment of this podcast
is you outlining what you like and don't like about yourself. That's what we're coming back to.
It's one line for like and it's 10 lines for don't like and don't worry about it. And then the boogeyman
Intel. Anything else you want to say on the lore front? I think that's the biggest stuff for me. It's
mostly what's going on with the diary and what's positioning for us as far as like grave robbing goes.
Favorite city employee.
How is it not Patricia?
Literally every week?
Yeah.
But if it's not Patricia.
I think if it's not Patricia, it has to be Rosemary.
Tell me why it's Rosemary this week for you.
She wants to be supportive, but she has a few qualms.
She's a scratcher lady.
Like, nothing could be more true than Rosemary loves a scratcher.
I love that, like, Tom caused horrible damage inside the gas station.
Yeah, he's banned for life.
She said something about driving the car again.
So the way in which the car is like at an angle and the doors wide open and something like that seems like it was Tom base.
But she's still going to get her scratch her time in, like not to be deterred.
The money's not going to win itself.
Exactly.
I'm going to give it to Dale.
Shout out Dale for the DJing.
Yes.
And then, I mean, spoiler alert for my like favorite spook or haunt or scare fright.
Dale with the blacked out eyes and the mismatched audio.
and I think that Jeff Hiller has an incredible face.
I think he did something like super weird with his tongue
to make him look like especially horrifying.
It wasn't even mismatched audio.
It was like he was doing a weird tongue thing
but also just like not speaking at all.
Haunting. Horrifying.
Horrifying.
So I'm giving it to Dale between the DJing and that.
Those two characters, I think just in terms of temperament and personality,
they've had very limited screen time over the course this season.
But when you think about who would be going along for the ride
as Patricia is like, get me these dead crows.
And also, here's 900 songs with which to DJ this party.
It's like, Dale is just like go along to get along enough to want to partake in it.
And Rosemary is just kind of like gruff and mildly annoyed enough that she would do it anyway.
But also she's like, she knows the sea hag lore.
Like Rosemary knows a lot.
Is like Lock Tom in that room.
It's true.
You know, she knows a lot.
Getting that crawl space.
She's seen a lot.
She cannot, you cannot phase her.
No.
She's just seen too much.
so if you put a head dress on with some antlers.
The headpiece reveal is so good.
It's so good.
When you rewatch and she's like, I'd consider headpiece is like what she says to refer to the tiara.
And it's just a perfect word choice because like I was like, yeah, get that dumb fucking tiara off your head.
Well, especially when Chris and the mean girls were like mocking her about like, what does she have on her head?
It's a tiara.
Turns out it's not.
Well, it is of a kind.
Just a little more antlered than you might expect.
It's a little more yellow jacket antler queen.
stuff. Okay. Favorite obvious joke.
It's the rhythm of the night.
I mean...
The way it comes back in on the...
It comes back for the credits.
It's like, it is an incredible choice.
And honestly, like, it does have a certain
witchy power to it. Yeah, it's a bob.
It's an absolute bop.
I don't know what, like,
Corona and all of them were channeling
when they wrote it and created it in the first place,
but it has a certain power. It has a certain, like...
You think there were bone fragments in their mortar and pestle
when they wrote that song?
I think the entire wave of, like,
Euro house music that permeated
the United States specifically
in the 90s all feels mythical
to me. I think also, yeah, it's got that
chanting quality, the same way
that earlier he plays let's dance
David Bowie, right? So like
you know, which is just like
an invocation of the kind. David Bowie
could have been a witch, I would support it. Probably was.
Patricia
for me, Patricia's circling
her shoulders first in the drawing
in the book. Straight to the shoulders.
It's like what? Is that a posture?
I need to, like, you know, work on my posture.
Is that a posture comment?
I don't know.
And then she just circles like nine other things.
But it's just like starting with the shoulders is really funny to me.
I mean, we all have things we hate about ourselves.
But specifically people who have been so locked in on their shoulders or
people would be like, oh my God, I hate my calves.
I'm like, I mean, no offense.
No, it's often because someone has said something to you once ever.
And like forever you're like, my earlobes are larger than other people's earlobes.
Oh, no.
Okay.
Favorite throwaway joke?
This one's a real throwaway, but it made me laugh a lot.
And it's when the janitor comes into City Hall during Tom Strim and says, oh, somebody's got a full belly.
You got a lot of tea today to the trash can.
So funny.
It doesn't apologize.
It's like, oh, are you okay?
I didn't know you were here.
Yeah, really funny.
Really, really good.
This is less of like a throwaway joke and I guess more of like a delivery.
But again, shout out Dale, shout out Jeff Hiller.
When Patricia asked how many RSVPs are and he hands her a piece of paper and she's like,
there is zero.
you could have just said zero.
And he just says very faintly,
I didn't want to.
I didn't want to.
People pleaser Dale,
doing his best,
even in a dark moment.
I have like 50 honorable mentions for this.
I mean,
it's ridiculous.
I think the illustrations
in the self-help book
about the perfect party
was all like the people
having the time of their lives
dressed in exquisite
like cocktail attire
and then there's a giant pile
of cocaine on the table.
Well, you know.
It's what facilitates these things.
The shoulders, of course,
the speed with which
Patricia shoves her fingers straight down Tom's throat when he wants to purge the mushrooms.
Like, no hesitation whatsoever.
This is why you need a Patricia in your life.
You need that person in your corner.
Absolutely.
What else do you have, Joe?
Lucy Fours is the name of the author of the book.
There's also four quarters, like a little illustration of the four corners on the front of the book when it's in self-help mode.
Even just out with the old in with the U, I would love to see the whiteboard of alternative self-help books that they came up with.
in episode five when Tom texts in on the funeral and you're just hearing this guy tell this anecdote
and afterwards someone says just to remind her it's not mandatory that you speak it's not
similarly sort of off camera when Patricia was trying to get people to stay at the party and she's like
I'm sure the doctor has some fun like medical stories and he's like I'm off the clock and then Ruth chimes in she's like I have one it started in the foot
I also wrote this down Ruth again it's just
batting a thousand every time she pops up every time she shows to be like yeah i'm going home
with three i'm sorry it's rosemary dale like what a iconic the only other one i had was uh when
patricia is crying in the kitchen and someone busts in and she turns it into a a fake yawn
to try to hide her crying that's some like next level baba duking i think is it yeah to cover
your cry with a with a what should you what should you cover it with what's like what's the
appropriate thing well she's right at the fridge i would just like whip the door the fridge open
and like Mrs. Delphire my way through it.
You know what I mean?
I'm just imagining her with the full antler regalia
attempting to do the cry yawn
and this woman's like, what the hell is happening in here?
Would you want it to get like a full sort of flash through the...
I mean, like, thinking about...
It would have been funny.
I guess the whole town is wired for video surveillance,
interesting, but like the reveal of Patricia's sitting at that...
CCTV.
Yeah, yeah, sitting at the table reading the grimoire
until like four in the morning or whatever.
but like to see the grimoire in our hands
or to see the antlers, you know, like to rewatch the episode.
We should say, just in case people were like,
you missed it or we didn't, we didn't, we didn't.
During the dance in the bar,
there's like in the mirror and then one shot
of everyone's standing there with their mouth up.
But I just wanted to say it so people were like,
did you miss this?
We did not miss that.
What is it that's so fundamentally creepy
about people with their open maws?
You know?
It's just, it's scary in a way.
I can't articulate.
I don't really know why.
It's like, to me it goes back to like invasion of the body snatchers.
That's like a body snatcher like the point in the.
Oh, very the faculty too.
Oh, yeah.
Yeah.
It's like all the tentically things coming out.
Addison, you're with us.
Always.
Always.
All right.
Favorite horror movie reference slash Easter egg.
For this, it's sort of the subversion of our expectations around Reverend Bryce.
Where when he's introduced into the story, specifically as Tom's friend, it's like,
I think one of two things is going to happen.
Either he will be the one to give Wick and Tom and their crew the down.
the download on like either severely or maniacly.
Right.
What is happening on the island?
Here's the history.
Here's what I have discovered.
Or he will perform at least one exorcism.
Right.
But no.
He gets the chance to do none of those things.
At a commission.
At a commission.
Another terrifying visual of him having hung himself or just be hung on the back of the door.
Oh yeah.
I mean, it just, the idea that it makes you wonder like what could this man have possibly seen that would lead him to this end?
maybe even enough to want to take some spooky mushrooms yourself just to find out.
Yeah, what did you see down that well?
I don't want to know what he saw down the well.
I think it's going to come back from.
For me, I have nothing better than our listener's suggestion of Patricia's wardrobe.
I think the Carrie, Shelley Duvall, sort of like invocation there.
All right, best haunt, scare, spook, or fright.
I already said it was Dale with his blacked out eyes and unsinked voice or not synced at all.
What do you have?
For me, it is whatever is happening with Lauren.
And that very brief visual we get of her after she's been brought in.
and seen by the doctor,
maybe still with child,
maybe Evan's already been born,
but it's like her sitting on the bed,
mute and like vacant and kind of possessed at the same time
is just like,
her head at just like a slight horror movie angle.
I was shocked to see that this actress Meredith Casey,
who I think is also a comedian,
does not have an extensive acting history
because she has like popped up again
in like a hallucinogenic dead wife sort of way,
mostly to date,
but like this is a physical performance,
even in that split second
that I think
is just the creepiest
image of the show
has shown us so far.
Very tough.
Very impressive,
very scary.
I am terrified
of everything that it portends.
We did ask for
a listener suggestion
for categories
and though I did not
officially like add any
our listener faith suggested
creepiest blink
and you'll miss it moment.
That's probably the reflections
I would think,
right?
I was thinking it was reflections
but also
in episode four
when Patricia first brings
the book home,
she puts it on her bedside table
and she puts her mug of tea on top of it.
And then she goes to, like, do something.
And it's just like all one shot.
And when she comes back in a frame,
the mug of tea is no longer on top of the book
in a sort of like read me kind of way.
The book is like, get this mug of tea off of me.
I'm not a coaster.
Read me.
I thought that was a really cool moment.
I also like her reading the book at the picnic table
at all the bikes colliding around her.
The fight's breaking out.
New England's best kept secret,
a moment where you thought,
huh, would it actually be nice to live here?
Okay.
So the circumstances were not ideal.
Yeah.
Put the bonfire at the beach.
That could have been really nice.
That could have been a really nice time.
I really agree.
Cocktails at Patricia's.
Yeah.
A nice little dance and hang.
And then off to the beach for a bonfire?
That's a wonderful night.
I have a marketing note for Patricia.
Okay.
If you are not,
for no fault of your own,
perhaps the most popular person on the island.
Don't put it on the invite.
Don't say cocktails with Patricia.
Yeah.
Just say,
Sun Telt cocktails, like, you know,
come have some drinks on us,
the town.
Sure.
Free drinks.
Sure.
It's animal.
blood, but like, I wouldn't say cocktails with Patricia.
When Chris is like, you mean the municipal event?
Well, here's the thing.
Who are you fooling?
Like, they know that she works at City Hall.
They know that she would be involved.
Could be drinks with Dales.
Is, I mean, with all due respect to Dalesdale, any more popular than Patricia is?
Yeah.
Maybe so.
I definitely think it.
The Reese piece.
Something about Matthew Reese that you want to shout out here.
Physical comedy.
Yeah, episode five is ridiculous.
A ridiculous showcase for Matthew Reese.
trying to make himself vomit when he can't.
And he's just like, ugh, it's so really funny.
Really incredible.
I mean, he's basically like Charlie Chaplin in this episode.
Like the physical comedy beats like the wide-eyed, like wonder and terror at everything
happening around him.
The absolutely possessed way that he lunges for his loafer in the convenience store as
Amber is the color of your energy plays.
Which comes back at the closing credits.
I love that Amber is the color of your energy place.
Yeah.
Yeah.
The way he looks into the car.
say good night to Little Miss was really funny.
His clapping during the meeting.
With the townspeople.
It was so strange.
I was like trying to analyze like why does this look so strange.
He's just incredible.
He's a master.
The Root doesn't matter.
What is Stephen Root doing this episode that you want to?
I mean, Wick and Jare.
A little history.
Kept me out too late.
I mean, they had something going on.
And maybe what's old is new again.
You know, I think they could have it.
Especially if Jair is going to be part of the gang and helping them investigate some spooky artifacts.
Honestly, I love seeing a version of Wick.
that is still kooky and driven and weird.
Yeah.
But him getting to be like spirit detective Wick.
Different side of him that I really appreciated.
I will say Wick and Jair shot to the top of my ship.
Like if Patricia and Tom are on the shipping list for me, it's like,
Wick and Jair number one.
Who else is on the list?
Evan and the off island girl who might be also the sea hag.
I don't know.
Is she the sea?
I don't know.
Who are these off island girls?
Who are they?
They're just off island girls.
They could be, but like.
Joe, not.
every girl is a hag.
I mean,
something to aspire to.
So the shipping list,
I mean,
yeah,
there's Tom and Patricia.
We addressed that.
I think a lot of people
probably will be invested in that one.
Tom's face and the sea hag
potentially returning.
Who's to say what those kids could get up to?
Tom and his dead ghost wife?
I mean,
anything is possible on this island.
She could return in many terrifying forms.
Yeah, yeah.
And we're rooting for them.
We are.
We want those two crazy kids to work it out, right?
Evan.
Here's what I'll say about Evan.
Yeah.
And you were right to call out that like wasn't here a friend.
The press a button what's the system delivery was like really funny about the phone.
Incredibly funny.
But when when Tom says, I see you calculating how much you can get away with,
which this actor had to convey with just a look.
And he really did.
He does.
He really, really nailed it.
I just think he's fantastic.
I think he's so good.
His physical comedic performance has been great all season.
He also did the exact thing that I remember doing when I was a kid and went into my dad's office,
which is I open every drawer.
and see what's in there.
Rifle through.
And we found in one of my dad's drawers
like a couple of candy bars
and we're like,
he has a candy drawer in here.
Oh, you say we?
It's you and your brother.
Me and my brother both going through it simultaneously.
That's the kind of bit of family lore.
You just never let down.
I went through everything in my parents' closet,
like constantly.
How could you not?
You just got to see what's going on in there.
But we're omitting what is the clear Evan contribution
of these episodes.
While I'm walking away,
can I just yell,
fuck you pig for the girls?
Because here, Joe, on this podcast,
we always say fuck you pig for the girls.
We really do.
We do.
But she were being like, no, the fuck you cannot.
It's really good.
Kevin Carroll's really good on this show.
All right.
My only theory is these off-island girls.
I'm looking askance.
Really?
I mean.
A single girl shows up in the story and it must be her fault.
Who are they?
It must like it's their fault, but who are they?
It's true.
They don't seem to have parents.
They don't have any reason that they've explained for being there.
Well, they're here for the holiday.
Granted that it's only been two days.
Like when I thought it was like a week, you know what I mean?
When I thought it was like the first and the fourth or something like that,
I'm like, how long are.
long are these girls here on this island?
But if it's just been a couple days, like, okay.
I think it's only been a couple of days, and we live in a world now where this is the new Martha's
vineyard. People are just showing up.
They're luxuriating in the fireworks.
Yes. If it was just old Widows Bay,
the Off Island girls are not showing up.
But they're showing up here for the fireworks, and those fireworks are going to happen.
And they did. And they did. All right, anything else you want to say about Weth's Bay?
Just one more thing, Joe.
The sacred geometry of outlining your hand on a piece of paper, a
great recurring gag in episode five, and specifically I would say how seriously Patricia
ponders the drawing in the first place really made it for me.
Well, also, then just the cut to the fact that Tom was doing the same thing, right?
Also, it made me think of you because, like, very recently you invoked hand turkeys.
I did.
Would you like to explain why?
Would you like to explain why?
I would.
I was wearing, you know, a warm colored orange shirt on this couch was surrounded by these
very tasteful pillows that are here at Spotify Studios.
And I was looking a little like a hand turkey with my plumage.
So, you know, it's just, it's been in the ether over here.
Sometimes you're the Babadook, sometimes you're the hand turkey.
You know, these are the realities of-
Thank you to Mary Cheap and Carpenter for supporting this episode.
All right, well, that is it for episodes four and five of Widows Bay.
We'll be back for Euphoria.
We'll be back with Friday Night's.
And we're Widows Bay.
Thank you to Devere Naldo, Jacob Cornett.
To everyone at Sycamore Studios to Kai Grady from afar.
He's in Texas.
And thank you to the many blackbirds who died to make this episode possible.
Thank you to the witches.
And thank you to you, Rob Mahoney.
Thank you, Joe.
In that order.
Bye.
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