The Prestige TV Podcast - ‘Your Friends & Neighbors’ Episode 8 With Bill Simmons

Episode Date: May 23, 2025

Bill Simmons joins Jo and Rob as they post bail to recap the penultimate episode of ‘Your Friends & Neighbors’ Season 1. (0:00) Intro (1:02) Bill makes the case for why it’s a great show (11:54) Who’s the guilty suspect? (20: 13) The drug-fueled clubbing montage (23:57) Amanda Peet’s career (32:49) Unresolved threads heading into the finale (38:52) Is Apple TV+ back? Email us! [e-mail] Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast’ and so much more! Hosts: Bill Simmons, Joanna Robinson and Rob Mahoney Producers: Kai Grady and Donnie Beacham Jr. Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hi, everyone, it's Amy Poehler, and I'm launching a new podcast called Good Hang. In preparation for that, I asked some of my friends to send in some videos and give me some advice. Just be yourself, and the guests will come. Don't be the celebrity that this is their like sixth thing they're doing. I love true crime and cooking podcast. Is there any way you could combine the two? Well, everyone has an opinion and a podcast. So, join me for Good Hang.

It's rough out there. We're just trying to lighten it up a little. This episode is brought to by Viori. When it comes to clothes that score high and both comfort and style, Viori is my MVP. Sunday performance joggers, oh yeah. They have the perfect.

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I'm hosting just because Rob Mahoney and Joanna, they needed somebody to set some picks and grab some rebounds. Good to see both of you. You guys have been recapping this show all season. I've been jealous.

It's a show that I like more and more every episode. And now after eight episodes, we've gotten to the point that, dare I say, I think this is like kind of a great show. Tell me why. Is that too strong?

Sell us. Tell us why, Bill. Here's what I'm looking for from an Apple TV show. Tell me. Are you keeping my interests every week? Do I know where you're going? Do you have a couple actors that I like, are you keeping me on my toes? Am I having a good time when I'm watching it? This show checks all the boxes for me. I don't think it's succession. It's not going to, I don't think

it's going to win the Emmy for Best Show. But I'm having a really good time with the show. And that's why I wanted to join the recap, Joanna. Well, here's my question. Last time we talked, you told me this was like a background show for you, that you would like watch it and sort of only had to partially pay attention. Do you feel like as the season has gone on and has captured more and more of your attention? I feel like that shifted. It is gone from, what did I say,

the look up, first look down. Yeah. I find myself looking up almost the entire show now. Is it the murder mystery that did it for you or what do you think changed it for you? So I made a basketball joke when we were texting about this show is a little like the Denver Nuggets where it's top heavy with its star.

but I really like Ham and Pete. I think they're just great on this show, and I think that's why I like it so much. Rob, is that you like the nuggets parallels with the show? I wouldn't say the bench is deep. No. I think there's some people that can come in and some air ball, some threes in short doses,

but I think the stars, I think it's just a really good vehicle for both of them. They're both great. And when they're in scenes together, it pretty much always pops. Like those two characters work together. Those two actors clearly have a lot of chemistry. it's when you weighed into

the equivalent of giving like Jalen Pickett 20 minutes in the middle of this season. There's too many characters. There's too much bloat. Joe and I have been talking about it for weeks. We got an email from Abby asking us who we would excise from this show. If we had to chop a character off,

if we had to send a character to Mandyville, who would we send? I got to say after this week, I don't know what's going on with this Elena Chivo storyline. And I hate to lose like the outsider perspective on this ultra-rich neighborhood and just like get rid of all that stuff. But I have no idea what it's for or what purpose it's serving within.

I show that otherwise, like I like the murder mystery. I like the John Hammam, Amanda Pete stuff. There's just all these extraneous threads that I don't really get. It's funny you mention that because every, that's a classic example of I'm looking down and going through emails when we're doing the Atlanta Cheva. I just don't really care. Yeah. And anytime we're back with the friend group and the neighborhood and the wealth and some of

the shows about them, like way more. said Joanna. Yeah, no, I agree. Like, I think I might cut the Elena stuff. I might cut the Barney's home life. There's just like a few, there's, like, Barney works. Yes. As, like, the friend's sidekick.

He's always really fun in the scenes that he's in. And then we're trying to deepen his storyline by taking, like, going into his home life, meaning his in-laws and stuff like that. And I'm just like, I'm not that interested with love and respect. And so, and most of the stuff with the kids, like most of the kids' storylines, I'm just sort of like, I don't, you know, we cut away in this episode, we cut away Hunter, like, listening to music on his headphones, you know, in a balcony in his school. And I was like, what indie movie is this that we have just like left the show for? Like, so, yeah, when it boils down to Amanda Pete, John Hamm, Olivia Munn, like, you know, when you're at the core, it works.

And there's just so much spread around it that doesn't work for me. So that's where I am. So all the, I don't, as you know, I don't like most kid characters and TV shows. I always feel like they get them wrong and they're not realistic enough a lot of the time. I do understand what they're doing with the kids in this show and just like I watched a pilot again to get ready for this. Try to figure out after eight episodes, how true was the pilot to what we're watching now. The show is really about like what happens when you hit this point where you peaked. And, you know, like when you think about like the first 10 minutes of the.

pilot. And it has that great scene in the bar with him and the younger person who works in his office that they're eventually going to end up with. It was a scene at the bar. Was it a great scene at the bar? But there's a lot going on in there from his handside that really, there's a lot of context that I didn't catch the first time. They're basically setting up the whole show in that scene. And his life's about to basically, the rug's about to be pulled out and he doesn't realize it yet. But Then they have that part where it's like you buy your first house and it has the montage of how your life changes. And then you end up here.

How did I end up here? What did I do now? I just spent the last 20 years putting in all the time and all of these different things. And now I'm here. And I think that's what the kids kind of represent. It's like not only am I here, I had these kids I put all this time into and now neither of them like me. And I have, I can't connect with either of them in any way on top of all this other shit that's going. on. So I don't know. Maybe it's something at the right age for a show like this, but, because I've seen it happen with people I know where you're at a point professionally and personally. And you're just like, fuck, what was the, what was the point of all this? The way you put it is like you've peaked. I think it's also just sort of like, and when you reach that peak and you're like, oh, this is it. This is what I've been working for. Like that this idea, and it's in the pilot, this idea that you've been sold a false American dream, this idea of like, you go to the right school.

You work hard enough. You've got the two kids, the hot wife, the nice house, the nice car, and you'll be happy and fulfilled. And you have stuff. Yeah. And you're stuff. And you're just empty inside. Oops. Like, I thought this is what it was all about.

It's not what it's all about. And that, if the arc of the story is Coop figures out what it's all really about, this sort of American beauty storyline, etc., etc., that's fine. But then it's just like, I think it's also trying to be. too deep and too shallow at the same time. Does that make sense? It's really trying to have its caviar and eat it too. I would almost prefer, I think, the shallower version of the show, the show that's not quoting Oscar Wilde and having big meditations on materialism. Just revel in being indulgent. I think the show is better at that. I think it's better at like the cocaine bender part of this

than it is the like, let's think about our lives part of this. That's what I liked about episode eight is it leaned into it. Stuff is, I think, the kind of secret driving force of the show. Because it gets mentioned in the pilot, and then they mention it in the last couple episodes, too, and especially Barney, where he's like, it's a point of all this. Yeah. Why do I have this? And then you think, like, Ham's character, part of how he kind of gets stability over his own life again is he starts stealing this random stuff from other people that he knows that they don't really care about, that they got for, like, status or something. some sort of dumb reason.

And he's stealing it now so he could, you know, get some money back and some control of everything. But I think that concept's really interesting, too, especially when you get older. It's like, why do I have this? What did I care about this? Why did I collect this? Why do I have 12 watches? You know, this show's like tapping into it.

And it's doing it pretty clumsily, I agree. But it's tapping into themes that I think are pretty interesting for a TV show that I haven't seen yet. I have a question for you about the, like, as a father of kids. part. Do you, you know, I have gotten emails from listeners who are like, hey, you're not a parent, so you have no idea what you're talking about. Fair. But like when you get- Oh, it's always tough. That's always a tough take of, you know, you don't understand this world because, let's like, all right, settle down. Yeah, yeah. Anyone can have a kid. But I'm curious for you as like a father of

kids in like the same, like almost the same age range. Like the college trip episode, the like car scene where he's yelling about, you know, remembering them and they're like undying love when they were kids and now feeling so distance from them. Is that something you like, not like do you connect to you personally, but you're like, that is a feeling that a lot of people in my age have about their kids or how did you feel about that? I actually thought the college scene was the best episode. I mean, that college episode. I thought start to finish. But the reason it was the best episode was had the two best people on the show together all the time. And that's, I just want to see that. What a formula. What if the show was just that? Go figure. That worked really well.

Yeah. But what was cool about it. And I identified with a little of it is when you have little kids, you're spending, you're just together as a unit for, I don't know, 12 years, 14 years, whatever it is. It's just the three of you, the four of you, the five of you. That's it. Like, you're like a pack. then what happens is the pack starts to, you know, people go this way. Maybe somebody gets a driver's license. Maybe somebody goes off to college. And this happens where, you know, everybody kind of scatters. So putting them in the car together on this trip where they're like not kind of used to being together as a group like that anymore, I thought that was really interesting. Like that, to me, like whoever is doing this show is clearly trying to say stuff about things that have happened

of them in their life and, you know, things about parenthood and peeking to early. I don't know. I like, I'm kind of admire the swings that it's trying to take, but I do feel like the second season of the show is going to be better. This is what we were talking about. We really agree. Like, I think, I think they're figuring out as they go this season, what works and what doesn't.

And we all agree. We know Amanda Pete and John Hamm work. And I think we all agree that Olivia Munn works and stuff like that. And so they're, if they could just focus in on the central. story. Though I don't know where we go, like, it's too early to think about this because we still have the finale to go, but I'm curious, like, how does this, what's the longevity of the show? Does Coup keep stealing? Is he going to jail for murder? Like, where are we going with a story? He hasn't stolen anything for how many episodes down? It's been a minute. Yeah, it's been like three

episodes. Yeah. So it was like, because that seems, that was like the show we were sold. Gentleman Robber, like Guy robs his friends in the, in the neighborhood. So, like, is that the premise going forward, are they just going to like zag on the premise and say that was a hook to get you in, but actually that was just a brief phase in Coops' midlife crisis and he's going to do something else with it, you know what I mean?

Season two is going to be the insurance fraud season. Season three is the racketeering season. You know, like there's many criminal enterprises to undergo. As far as the core of the show, like, I think Sam is an interesting character to bring up with Olivia Mun just because will she be on the show? Did she commit murder? We're so convinced

she's the murderer. Bill, don't you agree? I'm so confused. You just go for likely suspects. It can't be somebody we don't have any history with on the show. So it has to be somebody we'd know. I kind of think it's going to be someone we don't know. You think so? You think it's being random?

I mean, let's run through it. Sam, we are being sold guilty pretty hard from Olivia Munn's performance, kind of over and over and over. All the circumstantial evidence kind of points to her in a way that makes me think it's not her. But we have no plausible alternative we've been presented. So as a jury member, I'm looking at Sam. Right. If it's not Sam, is it like an unnamed mafia member?

We've been told Paul was like looped in with organized crime in some way. Did he just like get whacked because he didn't play along with whatever was happening? Is it I just literally don't even, is it one of the kids? This is Apple. We know what they're capable of on this particular network. I just don't know if it's not Sam. Who is it? Bill, you say that like you're surprised, but presumed innocent did the,

It's the kids storyline. For them to do that card a second time, I'm like, Jesus. Really? We're going to do that? They're like, the kids are not all right and let us tell you why. I mean, the idea that what about the idea that Sam hired a hitman, that Sam engineered it but didn't pull the trigger? What do you think about that? And could we still have Sam on the show if she hired a hitman to kill Paul?

So she might have done it, but not in cold blood herself. And thus, like, can go like Scott Free from the trial? Right. I don't know. What do you think, Bill? Rob makes a strong point. It's too much circumstantial evidence pointing to Sam. It feels too easy.

It's a lot. Be her, yeah. So we have two episodes left, right? One. Just one. It's a nine episode season. Yeah. We're going straight to trial in episode nine.

We got it. Nine episode season. Yeah. What the fuck? I don't know. Who has a nine episodes? I've never heard of such a thing. It's either eight, ten, or twelve.

Apple is quite whimsical sometimes with their season links. So, yeah, it's a nine episode season. It's only one more episode to, like, either wrap up the murder mystery or, you know, spill it over into season two. Stepping back big picture. Yeah. You create a show like this and you spend like a year working on the pilot and you're creating this. And the pilot, I think, was really good.

I think we all like the pilot. It's just, it's a fun watch, even though there's a lot of characters in it. But it's smart. It lays out what the show is going to be. So they spend a year on that. And then I think you have to do the document that spells out. here's what's going to happen the rest of the season. So if they buy the pilot,

and I think Apple probably greenlights the whole season, but they green light this season, we already have the pilot. Now you get a writer's room, you've got to go, and you've got to do the whole thing. So they know where this is going in the pilot, and there's only one episode left.

That's why I'm like, maybe it just is Sam, you know? Yeah, maybe it's that simple. Maybe there isn't like one more twist coming. Maybe it's just Sam. The only other one from everything they've laid out, knowing that they probably have sketched out at least the first season, and then they have no idea what's going to happen. There's no way it's Barney, right?

No. I think Barney's got to be safe. Because he's a little crazy, though. He's a wild card. Barney is interesting. Nick is another one that I've seen floated around. I've seen this too. That would solve some problems for Coop if Nick is taken off the board entirely, I guess.

From a motive standpoint, what are the reasons? Sam Clear's motive, right? She hates him. They're going through a messy. Of course. It's like whatever. $20 million, all that stuff. Coupe has his own motives potentially in terms of whatever.

We know Coop didn't do it because we were with him. So everyone else is like everyone hates Paul or maybe he's got money problems. But again, like if it's someone in the neighborhood, that makes no sense to me. So then it would have to be to Rob's point just like some random guy he owes money to. Maybe it's the art dealer's psycho. I agree. They can't do that. I agree.

But there's no track on anybody else. You know? That's like to get a house. Although here's a piece of evidence for Nick in this episode. He is so generally unbothered by the fact that the woman he was trying to spend the rest of his life with has just cheated on him with her ex. Once he gets it out with Mel up front, he just goes and hangs out with Coop for the night and they're just having a night out on the town. Clearly he's a sociopath who's capable of anything. That's all I'm saying.

There is a degree of removal from reality. Wow. Well, you go either. sociopath or bad actor. It's always a question. It's always a question you have to ask yourself. The thing that Rob and I have been fixating on is, like, for the gun to get in the trunk of the car, it has to be someone who knows, as we do, as we've seen all season, that the latch on that trunk is faulty. And so it could be Nick, because I think Nick has seen it.

But, like, it's certainly Sam has seen it. But not a random mafioso. Like, whoever has that gun has to be someone who knows they can get it into the drug. trunk of Coop's car. Can I present one more possible murderer? Please. Torrey's college boyfriend whom Coop punched in the dick. Oh. He has seen the trunk pop open during one of those sequences at the house. Clearly has a motive. He's gotten punched in the dick, I think,

now several times. He's working some stuff out. Maybe he's trying to frame Coop for murder. Yeah, the question is, was his role in the show just to be punched in the dick over and over again? He's the punched in the dick guy. So it's a tough part. Is that just the character description? Like 20-something. On the call sheet. Willing to get punched in the dick multiple times. His agent selling him for other roles.

He's the punched in the dick guy. Yeah. Did he see him? He got punched in the dick by the John Ham. Wait, the framing John Ham with the gun. It's funny that we're calling him John Ham and not Coop. But I just like, he's just John Ham. Every time I see him in anything, I'm just like, that's John Ham.

Yeah. But it's funny, the framing piece of it maybe is a bigger clue. Because now it's like who has. Who has a real reason to get him in trouble, which would be the second husband would Manda Pete's boyfriend or husband? Are they married? No, the boyfriend. Yeah, he would have the most reason to try to fuck Coupe over. He's already taking everything he could take from him.

The reason I'm suspicious is like the timing of it in terms of Sam finds out that they're on to Coop at the police station. And that's when the gun makes its way into Coop's car, which is why I feel like Sam had to have put the gun in his car. Whether or not she's the one who pulled the trigger, I think, is a question I'm willing to ask. In terms of who put the gun in his car, I feel like it has to be her. So, yeah. But you too likes Olivia Munn as Sam, I think, more than I do. I do for sure. Okay, tell me what you don't like about it.

I just don't think she's as good of an actor as him and Pete. I think she's got a pretty limited ceiling for where to go. Whereas I think that's a great part. And if you put, like, put Carrie Coon in that part. Well, this is an unfair comparison. I'm just saying. Put Carrie Coon in my job and she's better at it. I know.

Not to sound like I'm on first take, but I think there's a lot of meat on that part. Let's take Carrie Coon off the table. That's unfair. Who else would you put in that role? I don't think it's unfair. This is an Apple show. They spend crazy amounts of money. The morning show has a budget that's bigger than the Knicks.

Like, they have the money. Would you put Leslie Bibb? Could you put one of the other fancies in there? Could you put Leslie Bibb in that role? No, because I, I think I need some different, some different gears with the character that I'm not getting. I don't, is she evil?

Is she nice? Is she a victim? I can't read it because she's playing every scene that, not to sound like Martin Scorsese, but she plays all the scenes the same way. Even the coffee, coffee fight. Real low point of the show is the coffee shop fight. But that should have been a cool scene.

It was not. Because you have people videotaping it. It just, I don't know. It got kitchy. It got very kitchy. Yeah, it got very kitchy. Absolutely, absolutely. Are you looking for support in your weight management journey?

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meets coconut milk and golden brown sugar. Don't miss Sol de Janito's limited edition perfume miscollection only at Sephora. What did you think of the clubbing montage, Bill? I mean, that's why I'm here. Okay. Not here in the podcast. That's why I'm here for the show.

It's like they kind of ran out of ideas for episode eight. And they're like, these three guys, one of whom just cheated on the other guy's current girlfriend, who's his ex-wife, whatever. And they're fine now because he punched him, face once and let's go do cocaine. It's a touching portrait of male friendship, I would say. And Barney, who's like,

I think you're up to shit. You kind of got me run over by a car in a certain way from a certain point of view. Let's go to the club. And then we've got those two randos who work for Kuuk who are like, we've got a bunch of cocaine. I thought it was great. I had a great time for 15 minutes. We ended up in a country club. We're driving a card around.

It's all of it, I thought was really compelling. But I have lower standards than both of you. When the two finance bro showed up and Coup hits him with the look with the cat dragged in, just an all-time white guyism. I'm like, okay, we're in the zone now. This show understands what it's trying to be

and understands what it is. When they're on the golf course and Coup is talking about how he doesn't even understand the rules of the world anymore, he thought he understood them. Bill, that was me after game one of the Eastern Conference Finals. I don't know what is possible. I don't know what world we're living in, but we're here. And I thought Barney had a really good...

I think Barney's a good actor. Who's that actor? Oh, yeah. he's really good and he's a he's like a writer and an EP on the show as well so like his monologue was really good and kind of summed up where we were after eight episodes with the show itself like what's the point of all this I don't know I didn't expect that to come out of him um no Barney's been consistently great I really like that actor I just don't think I need like again his home life but I really like all of his scenes with I agree John Ham do you know who um I can't tolerate and I just

I'm going to out him right now. We got a lot of texts from Jacoby about this as well. Is the detective character that they brought in at the end of the season? I'm just like, what's happening here? What is this energy? Why are we doing this here at the end of the season? I don't understand it at all. It feels like generic AI detective.

It kind of does. There's another person that I think is actually really good. Is it cat? The attorney? The attorney, yeah. I think she's great. I agree. Yeah.

Yeah, she is great. And part of my issue was half watching the first couple episodes. that I forgot she was sleeping with her boyfriend. And I was like, oh, yeah. But I think she's really good. I like her. I think so, too. I think, like, having her as an actual character on the show

beyond just mom who's sleeping with her daughter's boyfriend has been a boon. And having her, like, kind of dragged into this situation against her will where it's like she has this self-preservation instinct to not be outed to the neighbor. And so she's temporarily aligned with Coop. But then you also have this part where Coop can't tell her the truth because he doesn't want to, like, fuel the gossip machine

about what he was actually doing at the murder scene. And so then I think that puts those characters at an actually pretty interesting impasse. Rob, is this why you want the court case to be season two? You just want it to become the cat show, essentially? I mean... So you want a trial, season two? When she gives Coupe the speech about how, like, she doesn't think a jury will find him to be truthful, like, we are just literally doing presumed innocent.

Like, we're just beat for beat, setting it up. Sounds great. I enjoyed that, and I would enjoy this for... Do you know what I think they should really do? They should make season two, like a cross-exit. It's a presumed innocent, you know, your friends and neighbors crossover court case season. That's a great idea. I agree.

Let's franchise that. Absolutely. Jake Gyllenhauls all of a sudden in the show. Let's go. I would watch it. The guy who had the heart attack, but it turned out he just said indigestion. He's in there. Bill Camp, what is he doing?

Sirens? Get him over here. It's not a heart attack. I just, it was that burrito. Did you want to talk about the Amanda Pete of it all? Do you want to get your Pete takes off? Yeah, I do. Okay.

It's important. All right. I'm a huge fan. I think her career is really interesting. It's almost like to dive into sports for me and Rob, but it's the athlete that I just felt like never found the right team, but was always really good and everybody always appreciated them. And I think what's interesting about her career is she never had the one thing that you would say, like, Like the obituary, like Tom Cruise dies. And it's like Tom Cruise, Star of Top Gun and then they'll have Mission Impossible.

I think everybody would have a different one. I was telling Joanna that one of my wife's favorite movies is a lot like love with her and Ashton Coochard. It's a weird one. I know. That's a classic. They used to play that on Comedy Central all the time. Did they? It's a rewatchable.

It was always TBS, TNT, Comedy Central. It's got great music. and she's just amazing in it and she's so good that Ashton Coucher is actually good in it and he's not a good actor but he's good because she's good she had the whole nine yards

which I think was when she really hit and she's been in a bunch of stuff she has a family like she really scaled back from acting because she was raising kids but I see her in this show and I'm like man there's I just think she's been really good now

for 25 plus years and I wish there were more things we could point to where like she was awesome in that. She was awesome in that. I do feel like for a while, for I don't know what reason, like she was on Brockmeyer for several seasons, but I think for like a while she became like David Benioff's wife

was like the thing she was most known for, which is totally crazy. Or like absolutely insane. For me, the number one. And this isn't fair because it's definitely supporting role. But like what goes at the top of Amanda Peet's obituary, a really morbid way to think about this, is something's got to give.

She's really, really good in that movie. Supporting, but she's really fun and good in that movie. Rob, what's your Amanda Pete? Is it Studio 60? No, Bill mentioned it. It is the whole nine yards for me. A movie that I think does not get the respect it deserves. It's a huge movie.

If we're setting up the template for like suburban malaise plus murder that is this show, a lot of it is right there in the whole nine yards. I think part of the reason you would cast her in a part like this is you know she can play this sort of off-kilter walking the line toned. pretty well. I actually think other than, and I say this term, not because I like this term,

but because I think the show would call this a cat fight in terms of what happens in the coffee shop. It seems to really revel in this idea of like, these two ladies are hitting each other and we're putting it on the internet.

Other than that, I actually think the Mel stuff is pretty good on balance. I think some of that is like, I think Amanda Pete is really good, but setting up this idea that that is a self-destructive character in her own right.

Like, she's on like a parallel journey to Coupe in which Her pain is linked to him and obviously related to their relationship. But that character has a lot going on. And Amanda Pete, as a performer, has a lot going on in a way that I think has really sold me over the course of the season. You know, fist to cuffs be damned. We've talked, Sierra and I talked once about Studio 60 on this feed actually after Matthew Perry died. And the first few episodes of that show are fascinating because all the bones are there for a show that should have been on for a long time.

And there's a lot of self-inflicted errors. But what's interesting about her rewatching it is Amanda Pete's great in it. And Matthew Perry's great. And in a weird way, it was the best either of them had been in like a real big thing like that. And what's weird about that show and her is that she gets pregnant in real life during that. And it kind of changed how they had to do the show because it was supposed to be this whole moonlighting cat and mouse game with her and Matthew Perry. And then she got pregnant in real life and they had to kind of write around it. and then Sorkin started doing Sork and stuff.

And then all of a sudden, the show's just canceled. Yeah. But when you watch the first couple episodes of that show, like, you know, there was a reason. There was a her versus Julia Roberts argument for a couple years there about who was in the late 90s about it felt like they were on each other's corner. Wow. Really? Yeah. After whole nine yards, it really felt like Amanda Pete was, I think, going to become a massive star.

An incredibly beautiful jaw-based assessment of two actors is. Well, they looked alike. Yeah, I mean, there's no question. Like she, and Julie Roberts was a little older, but it was like Amanda Pete is now coming, and she's the next version of Julie Roberts and get ready. But, you know, Sandra Bullock took some of those spots. Reese Witherspoon took a couple, and she just never quite happened. I think you both are right in terms of identifying that, like, Amanda Pete, like, I was

going through her roles, and a lot of the roles are like wife and girlfriend. Like, that's a lot of what she's. played. But like, it has to be something, I think the word Rob just used is like off kilter. Like there's something slightly unhinged about her energy in a great way. And like if Mel were just Coop's wife who cheated on him because she felt neglected or he wasn't checked out of their marriage or she was going through her own midlife thing or whatever it is. But like Mel who vandalizes cars and steals things. and like all of that stuff is,

I still don't really want to have a meal with her, but I am interested in her. She's an interesting character, yeah. I think that's the threshold that the show is trying to reach. Is like, can enough of these people be interesting while also being damaged and kind of weird and sometimes unlikable in their way? And it seems like there's a wide range of opinion

on Coop with that, Bill, as far as like, some people really, like, resonate with him or like, we've gotten some emails and comments that are straight up, go Coop. I'm like, I don't know what show you're watching. with all due respect. But I think we kind of waffle episode to episode where there's sometimes where John Hamm is like undeniably charming

and there's sometimes where this character absolutely sucks. Jesus Christ, poop. Yeah. So where are you, Bill? Well, I think that's an important point going back to Amanda P. too. We shouldn't like her character. Like think about fundamentally her character starts cheating on her husband with one of

his best friends. And then takes all his stuff and kind of sends him down a spiral. She should be the villain of the show And I don't feel like she's a villain at all Because I like Amanda Pete And then you look at John Hamm It's like this is fundamentally like not a good guy Why am I rooting for him?

But that's the TV conundrum of the last 25 plus years I'm rooting for this person That's definitely not a hero Making excuses for their conduct But this is such a different proposition for me than Don Draper Because like John Ham is Don Draper I am rooting, I'm endlessly fascinated by Don Draper, I am rooting for him.

For Coop, I'm kind of like, I'm glad he got arrested. And like, I don't want him to go to jail for murder he didn't commit. But like, you know, this guy needs, like, to your point, if the whole point of the story is like, this guy lost everything, lost his wife, lost his kids, lost his house, lost his job, lost his car, or no, he has his car, etc., etc., how can he get it? What lesson does he have to learn to get it back? Then shouldn't we be rooting for him to, like, have a. rude awakening when he's in the jail cell he's like this is the most honest moment I've ever, first honest moment I've ever had or something

like that. No, you know what I'm rooting for him to get out and start stealing shit again? Does that make me a bad person? No, for the fun of the show, I need season two to be him stealing more stuff. And like blackmailing his neighbors into doing things for him. Like that's, I need the stealing to resume.

That's what I need for the show. Definitely. Absolutely. Stealing plus blackmail is an interest, like if he has kind of his tendrils in this entire community and is like manipulating all these people for his purposes. I was like, we set up earlier this season. He's seeing, you know, the SAT answers or the exam answers in the droids. He's seeing all this information as much as he's seeing all this like very expensive stuff.

And I would love to see the show capitalize on that more as as it has with Kat. Well, so the two fundamental questions are, is everybody else going to find out he's been stealing? Because he tells his buddy when they're just hammered at the golf course, but he probably forgets. He's conked out. He's out. Yeah. Also, we should say Barney, like, also says.

as during that conversation, basically I wouldn't care if you did commit murder, to which I was then sent down a spiral of, do I want the ride or die friend who doesn't care that I commit murder? Or should I be bothered that my friend would not care that I committed murder? Yeah, that's Joe House for me. He wouldn't judge either way. No. Joe, what's your feel?

I would care if you committed murder. See, I feel like that's where I want to be. I want the kind of friends who would care. But the two things that haven't been resolved are the, when will people find out? that he's been stealing shit. And then who murdered, who murdered Paul? Not to bring my like nerdy ringer first stuff into this,

but this is like any sort of superhero show where it starts out, like someone has a secret identity, their or thief or whatever. Coop is Daredevil. Yeah, Coop is Buffy the Vampire Slayer or whatever. And then like brings a couple friends into the group. And then like at the end of the show, everyone knows that this person is a superhero. But at first it's like, who are they bringing in?

So like, Elena's in on it. Right? Yeah. But, like, is Barney, I want Barney in on this so that he can, like, wash the money. I want Mel in on this so that she can, like, get her shoplifting jollies off. Yeah, like, exactly. So I want the criminal enterprise to grow a bit as we move forward to the show. That's what I.

Yeah, I wonder if they've structured this out or not. I don't know. There's a chance that was just like, hey, we can get John Hamm. He liked the pilot. All right, let's try to figure out the end. But they don't, like what you just laid out where this becomes basically, Ozark. Yeah.

And it's Ham and Barney are just running this organized crime ring with their instilling from everybody they know. It's like, okay, I would watch that. Yeah. That sounds great. You heard it from the two finance, bro. As soon as Coop left the office, everything went downhill. You know, he has a managerial mind.

He has a mind for organizing people and things. Well, this is another thing. Did we bring those guys in this episode to let us know things aren't going well at the office so that Coop will be offered his job back? before the season is over. I had that thought too. Seems possible. It feels like he actually comes back.

He gets his job back. He actually has real shit. And then he also has these skeletons of the stuff he's done. But is it like, does he want to steal anyway? Because once you've had a taste, you can't walk away from the life of crime. That's how I feel. I feel that every day. Yeah.

Every time I walk into a target, I just want to still take some toothpaste. And they started locking the cabinets. Bill, were you ever like a shoplifter? Oh, good question. Never. Not once. I stole, when I was six, I stole a pack of hockey cards once from a drugstore. Yeah.

I actually stole three pack, or football cards. And I put them in the closet. My mom found them. And I immediately broke down and confessed. And that was it. Immediately. Life of crime. That was it.

I was done. I was like, I'd be a terrible criminal. I folded in five seconds. Well, think about this, too, compared to where we're going in season one. We know they already picked up season. two before we ever saw an episode. So that makes me wonder was this, did they have the

first two seasons figured out? So everything we're laying out is where we're heading. Sometimes they sketch the whole series out. More and more, like, networks want that. What's your whole series plan? Yeah, but you can't do that sometimes because if you have a character that doesn't work and those are in big plans for season two,

season three, like I would imagine they're probably not feeling like Amanda Pete's boyfriend is going to be a massive part of season two. Yeah. This is not the Nick show. Absolutely not. It is not. Although I have to admit,

getting the scene last week where he was being questioned by the police while shooting free throws was just something I've never seen on screen before. So, you know, we're creating new avenues for procedurals here. It feels like he's getting a little better than he was the first couple episodes. He's now passable. He can hit a corner three every once in a while now. It's about all he can do. One of our, yeah, how much.

much is Ali involved, the sister stuff? Like, how much is that? You talked about earlier about stuff. I'm not positive. I'm care about. Allie's another one. She can go, unfortunately. Yeah.

I mean, like, Al, I think they gave, we talked about this at the beginning. I think they gave him Allie, that sounds like a terrible way to put it, to make him more likable. Like, he's nice to his, you know, troubled sister. And so he's not like a complete asshole. But her side plot with this dude. Bruce. Good Lord.

Deeply boring and terrible. Don't like it at all. Incredible episode for Whole, though. Yeah. Great vinyl. Joe and I were just talking about this, Bill. Do you think Bruce feels whole-coded to you? Is that a guy who would be into Courtney Love or not?

Does he have hole on vinyl? Bruce, that guy. Didn't feel that way. No. Absolutely not. I think he might actually like the Backstreet Boys and Syncera might have been super exciting for him. Skipped grunge to boy bands.

Yeah. Or he might have just like kid rock right away. Oh, wow. Who knows? I said blink 182. Yeah. Blink 182, right. Yeah.

He has the Can't Hardly Wait playlist on his Spotify. Exactly. Well, just adding extra songs to it. Yeah, I don't hold. He did not seem like a whole guy. No.

Absolutely. We're a lot of whole guys out there in general. I mean, they basically had one album. A real rare breed, honestly, and I don't think Bruce qualifies. Bruce,

the quarterback does not qualify. I have some questions about, now that I know it's, season finale. Yeah. What do we know about the season finale? Is it an hour and a half? Is it an hour?

I think it's probably maybe a slightly longer but normal length episode. Not a double, Joe, right? No, it's not a double. I can look it up while we're talking. What else do you? What other questions do you have, Bill? When does this show come back? I think the turnaround could be fairly quick for something like this, right?

It doesn't seem like a super heavy lift in terms of production design. Obviously, you've got to get the schedules aligned, but it's mostly Ham and Pete and presumably Munn if she comes back. Otherwise, I think you can get these people back in relatively short order. Because Ham's shooting morning show right now. And I know this because he was on Amy Poller's pod, which is a great podcast you can find on the ringer. There we go.

How about that cross-promotion? He was in front of a big red hot balloon doing the video part in the beginning of the Paul Rudd thing. And it was between scenes on the morning show. So that means they haven't even started filming this yet. I think you can get it next year, maybe late next year. You could get it next year. Bigger question is Apple kind of back for TV.

Are we in a better spot with Apple in summer 2025 than we've ever been where it's not actually surprising when they have a show that I like? It's like a 61 minute finale. Okay. So a little longer. Yeah. A little longer. This last episode was like 48 minutes or something.

Well, so you're not a severance guy. What else are you? And you're a morning show guy. I'm not a severance guy, but I appreciated the content and what it meant to the ringer. Like, as you know, I root for content. You are a studio guy. You like the studio? I watched every episode of the studio.

I wasn't always doing backflips about it. But I thought it was really interesting. I thought it took some swings. I don't know if I'd watch every episode 10 times. I think Severance was such a massive hit for them that they are sort of drafting off of that to a certain degree. So I think people like, when you have such a massive hit, like that, people get used to coming to the platform. And so then they start like, you know,

this is every streamer's dream. Then you just start clicking around, what else do you have available? I'll watch the studio. Oh, I like John Hamm. I see his face on this tile. I'll watch your friends and neighbors sort of thing. So like Apple, I think it's really dependent on whether or not they have one of those tent pulls.

Do they have a Ted Lasso? Do they have a severance? They've got these like high highs and then just sort of these other things that burble along below the surface. which is like something you could say about a lot of places, but not something like HBO, people are always going to be interested. What is the new HBO show? I'm probably going to like it sort of thing.

But Apple, it's really dependent. Honestly, this should have been an HBO show. I think it should be a Showtime show. Oh, it would have been a 2012 Showtime show. Yeah, you're right. The Cocaine montage felt like pure Showtime to me. There's something about that comp, though, about like a 2012-ish Showtime show into the Apple TV model.

Like this, there is a broad, like this is solid. You know, like this is a between 6.5 and 7.5 most weeks, like pretty watchable solid product that I feel like Apple is turning out on a pretty regular basis between like this presumed innocent. Even some of the stuff like silo or hijack. Like there's a lot of stuff that's in that range of just like, I like watching this just fine.

And am I going to think about it a ton after it's done? Probably not. But I've had a decent enough time with it. They're good at putting the one star that I know who the star is. Yeah. Yeah. Vince Fawn. What has he been up?

Let's watch Bad Monkey. You know, like, sort of thing. Yeah, yeah. So I don't know about back. Like, Apple is just always kind of here. But also then I'll get, I'll get ads for an Apple show that they're like the fourth season. And I'm like, of a show I've never heard of and don't know anyone who's watching. Yes.

And it's starring like Eric Banner or something. It's like some big star who we really like. It's like, I just had no idea this existed. No. Do you still feel like the world exists where, because this definitely used to be the case. where each network had a specific show that felt like a show that they should have. Like, for example.

Showtime. Like the affair felt like a Showtime show and not an HBO show. And I have no idea why. Right? Wedes felt like a Showtime show. It would have been weird to have that on HBO. Now we have more streamers. Like, hacks really probably is a 2010 showtime show,

not an HBO show. But now it's, I guess, a Mac show. I don't think it would have been an HBO show. There's some show that HBO has coming with Rachel Senate.

Yeah. You heard about this? Yeah, yeah, yeah. Where it's like basically Girls in Silver Lake. And it's like, that's definitely an HBO show. That would be weird if it wasn't an HBO.

But do you feel like there's still delineation like we used to have? I mean, I feel like I know what an FX show is. Right. And like I, but there are some things where there are some platforms

are still just throw everything at the wall, see what sticks. So there's no such thing as a Netflix show. There really is no such thing is an F-O-Share the one that I have no handle on. Yeah. And it's almost like the algorithm is creating it.

And then, like, Paramount, I understand what that is. HBO, I understand what that is. And F-X, I understand what that is. Hulu is another one where I'm like, I don't know what a Hulu show is. What is? What is F-X on Hulu? Like, I have no idea of the differentiating points between those things. I can't unlock Hulu for the life of me. You go there and it's like, a high school shop teacher's been murdered next on a five-episode documentary. It just feels like true crime crossed with, I don't, not sure what, and then weird movies. Yeah. So, Lulu's confounding. They don't have an, well, right now the Handmaid's Tale is their identity, but they don't have like a consistent brand identity.

Netflix on purpose doesn't have one. But I feel like Paramount has one, FX has one, HBO has one. And then Apple is like kind of chasing whatever hits, you know. So Severance hits, and then they're sort of like, are we the sci-fi? Are we the sci-fi people? And so they put out a bunch of elevated sci-fi that is all kind of okay, but not great. And so then the morning show hits, are we the glossy celebrity first adult drama place? You know, so I think they haven't figured it out.

And I'm not sure they're going to because as a tech company, I think they're always like trending first, not a story first necessarily kind of company. So I don't know. That's my... See, I feel like they're star first. Yeah. I feel like they want a star for the square at the top Apple TV. And it's like, that's Reese Witherspoon. I know who that is.

There's Vince Vaughn. I know who John Hamm is. When they did, when Apple TV did their launch event, which they did in Silicon Valley, and they like flew up all the LATV people to come to this event. And they did it in the middle of a product launch. They did it in the middle of like, this is our arcade. This is our credit card. And this is our TV.

And here's Steven Spielberg and Oprah Winfrey. and Jennifer Aniston, like, these are, we've got all, we can afford all of the top glossiest thing. And then Ted Lassow, which wasn't even part of that, came out of nowhere. And that's the thing that made their brand, something that people return to. So it's like, they don't know, they've got shrinking so they can put Harrison Ford out there. But like, they don't, they have no sense. Presume innocent, Jake Jell and Lowe. Yeah, they have no sense of what to push and what not to push at Apple.

Things come and go and it's baffling to me. I thought you said the perfect word for Joe, which is glossy. Like, it is star-driven. It is shiny. There's, like, a certain quality of production. Like, it's clear that these shows are not cheap to make. Like, they pour a lot of resources into them. But they also don't look the best all the time.

It just looks professionalized and a little bit generic. I would say, ultimately, they churn out, like, a generic kind of show. That, again, it is quite watchable that would appeal to a wide enough range of people or at least hit a certain part of, like, the four quadrant demographic that Apple needs to hit. I think they're pretty good at that machine. It just feels like a machine. Yeah, and we talked about the basketball parallels of a show like the show we're talking about today where you have, you spend the money and the two stars. Yes. You have to kind of cut costs, especially if it's a big cast, whereas like if it's HBO, like they're every single part that

they're casting, they're really putting thought and money behind. And plus you have the NBA equivalent. of like the really good player who is willing to play on a veteran minimum for the HBO show. You know, who will take lower than their rate to not be a star for a supporting part. And then here you get, with all due respect, Mark Tallman. You know, it's just like this is the way it goes. You know what? The one show that's different than that is Morning Show, where they can get real stars to come in for three episodes or a little arc and they're like famous people. You know, like, him was like barely on that show last year, but he was on it.

Yeah, ditto landman. That seems to have been partially what Ham has been up to. But I fully support it. Keep getting those checks, John Hamm. I think that when you think about something like White Lotus, a show that we all covered, and you think about how they cast that show, they're less interested in like, you know, we've got this star and more like we're going to turn these people into stars. So like Patrick Schwarzenegger, Jason Isaacs, Parker, Posey, all these people. come out of, you know, Amy Lou Wood, you come out of White Lotus season with your stock way higher than when you win in, which is not the Apple model. Apple's like, is your stock high

or is there a nostalgic stock for you? Because like Vince Vaughn's stock is not necessarily high, but there's a nostalgia factor of people like, I love the wedding crashers. Like I want to, I'll watch whatever this Vince Van. Oh, and Vincewan gets to do exactly what Vince van can do in this show. So they're just going to feed that to me. I know that I like, I know the taste of it. I know I like it. I'll watch it. And, like,

HBO, for the most part, not always, but for the most part, is trying to, like, create stars out of their storytelling. So.

well, in the show padding, the episode padding, is the other issue. Like, you're talking about stuff you could excise from, from this show. Yeah. I think this could I think you could have gotten away with seven with this show but six maybe but seven feels about right then you'll see some of these Netflix shows

like my wife and daughter were watching this Netflix show that's like number one on Netflix about the missing au pair it's in another language it's one of those where the person's mouth is moving but that there's English you can watch a sub title you're a dub come on

my family is a dub family, not a subtitle family. Oh, no. Because subtitles involve my daughter looking up for more than 40% of the show. But that was a show. I think it was like four episodes. And it seems like, you know, outside

America, there's more experimentation with that, where it's like the, almost like adolescence, which was, you know. Well, that's, and that's how this all started is like, you know, as you know, and I love to talk about this, we used to have 22 episode seasons that were just like consistently premiering every fall.

And we were kind of chasing the UK model of the six episode or 10 episode season that premieres every couple of years. Like that's, we stole that from the Europeans. And it's no surprise to me that they're still doing it better than we do it. You know, it's their model in the first place. I feel like Friday Night Lights was one of the last ones. That first season, which I just rewatched, it's 22 episodes. It's like four seasons in a season. They're doing, there's so many different things, plots.

and you kind of can't believe they did it that way. It's like you just, the O.C was another one, which we talked about. Or it's like, you just shot your Wad on four seasons of material in nine months. You know where to go. Friday Nightly, it's such an interesting case because they like did that.

And then their second season famously flounders. And then they figure it out and they bring it back. Right. Which is not always the case. Well, the writer strike happened, which helped. People graduated. And then they put some real thought. They made shorter seasons for DirecTV, which helped.

We get East Dillon. That's the thing. They have to really reinvent the show, like mid-stride because of that. And I think that's one area where, especially if you're writing like younger characters, like a high school-based show, it kind of makes sense to do one really long season and pack it all in while those actors are kind of in the zone you need them to be. I wonder about that with your friends and neighbors, too, as we're talking about, like, what plot threads are still going to be on this show?

Is Tori going to be on this show if she goes to college? Is she just going to be off and comes back occasionally? Is she going to be pulling our attention? Is she a junior or a senior? I think she's a senior. Well, she's deciding if she wants to go to Princeton, right? She's taking the SATs. Yeah.

No, she's deciding on where to go to college next year, I thought. Yeah, I think it's next year. She's a senior. Okay. Yeah, because, I mean, they're visiting. I think unless she's especially precocious, which I don't get the impression that she is. I think she's a senior. Okay.

I'd like to volunteer my services for my imaginary sports movie TV consulting company. Uh-huh. I just was really appalled by some of the tech. Venice in this season. Not hams, I hope. He's got a monster for him. Ham actually plays so I was fine with ham but the prodigy

the prodigy daughter some of the grips on the rackets were a little suspect. I just had some Western, that should be continental. Speaking of Apple, I have a really important question for you, Bill. Have you checked out any of the trailer footage for the Owen Wilson Golf

show stick? And will you be consulting on the golf grips on that show. I have only seen the trailer. I'm obviously intrigued. This is a world that feels like it's been sitting there ever since Tin Cup for a TV show. Rob and I were talking about whether or not to cover this. And I was like, Rob, I am the world's number one Tin Cup enthusiast.

I really want to cover this show. Is this an audition for the rewatchables? I think it is. Wow. I didn't know anything. But I love Tin Cup. I'm a big fan. No, but Tin Cups are a great example of that was a movie

that also would have been an awesome TV show, which is the sweet spot of a sports movie. I would have watched this for two hours. I would have watched it for 12. So, yeah, I also like Owen Wilson still. Of course. I think that's a good example of, if you're building a show around somebody,

I still feel like he's got some stuff in the fridge. You're like, were they in wedding crashers, put them on an Apple TV plus tile and I'll watch it. There's a few people like that. I thought Vince Vaughn and Nanas. I thought he was good in that. I like that movie. Did you watch it on Netflix, the Italian grandmothers, Susan Sarandon, Talia Shire?

Come on. We got to catch up, you know? Wow. AI definitely wrote that. AI definitely wrote. That's fine. Susan Sarandon Talia Shire are Italian grandmothers. She's 78 years old.

Still crushing it. Susan Sarandon. Still got it. That was free advice for Apple. Just literally cast anyone who was in Wedding Crashers. Like, I will watch the Rachel McAdams show. I will watch the Christopher Walker. can show. I will watch the, you know, the Bradley Cooper

show, whatever you want to do. Ila Fisher, of course. Like, let's do it. When do you age into your officially the star of now? Like, is Jennifer Lawrence, it's still like two years away from, she's an apple? She's at, she's at Cam with Robert Pattinson right now. I think she's got like 10 years before she's on an Apple show. She's still a movie star. Because you would have said Natalie Portman, no way, but then she was on Apple last year.

She is, here she is. And there's Kate Blanchett, too. Like, I guess it's not really a matter of your stardom. Maybe it is an age. I think if once you hit the bottom of the barrel for wedding crashers, should you move on to old school? Like, where do you go if you're an Apple algorithm casting? I don't know. Well, I will say they've stumbled into some smart genres. Right?

And they're taking a bunch of swings spending a crazy amount of money. So the batting average is probably, it's probably worse than we realize when you think of all the ones that have just come and gone. the shows we haven't covered on even on a podcast like this. And Andy and Chris will sometimes do like the obligatory segment but not want to keep going. But I think Apple's batting average feels a little higher, but I don't know if they're just making more shows. Okay, here's my question. Here's an Apple brand that I'm circling.

Is Apple the platform for like highbrow dads? Because Paramount's got like that's the dad beat, right? like the standard dad beat. But like hijack. Is that highbrow though? I mean, I think it's glossier. Glossier than what Taylor Sheridan is doing. The liberal dad?

Like, I don't know. No, this is a good point because your friends and neighbors is this a 50, is this a 50 state show? Yeah. Whereas landman's a 50 state show. Yeah. So it's like, but you're like, Bill, you're watching your friends and neighbors and you're like, this is for me. And I agree.

It's for you, Bill Simmons, and I love that for you. But then, like, so what is that consumer that they're going after? The West Coast Elite Dad? Is that who you are, Bill? So there's a really interesting scene at the beginning of the eighth episode with the five women on the sauna. Yes. Yes.

All. And first of all, I actually thought that was a really good, well-written, well-acted scene. I was like, who are all these people? Can they be in the show more? But this whole, there's this whole world. of these people, their kids are kind of grown up and they're all hanging out with each other and they're just gossiping about everybody.

And I thought that tapped into that. And then, of course, we never saw those people again. I mean, they've been around the margins, but like I agree. I really liked this on a scene a lot. Because there was that party scene too that they had when Ham's kind of thrown them back. And I was like, this is need a little more of this.

Yeah. Which I think, this is why I think season two of this show will be better because they're going to lean into all this stuff more and they're going to get rid of this stuff that doesn't work. I hope so. I hope so. Maybe a full trial season, you know? We'll see.

Maybe there'll be something for everybody, including me. And the presumed innocent crossover that we deserve, Peter Sars Garden is below tie. It's all I want. Can't wait. Joanna, one of your best ideas ever and you've had some good ones. Yes. Oh, thanks. In the 90s, when they would do the NBC crossovers, those were like unbelievable.

Or like when Ali McBeal is on the practice. Yeah. Yeah. That stuff works. I was just thinking of the day. Do you remember that, I know that you're a Friday Night Lights Wedger, were you a parenthood watcher, Bill? Yes.

Remember when Landry was on Parenthood? Oh, yeah. He showed up in a late season to record in the Braverman recording studio. Bizarre. No, they stole a few Friday Night Lights people because MBJ was on there too. No, but they stole the, they used the actors, but this was like, it wasn't just like, oh, the actual Landry. Yeah, you're right.

Yeah, you're right. Like Chris Victorius showed up on Parenthood to like record an album. I loved it. So yeah, give us presumed innocent plus your friends. Was it shared showrunner, shared EPs? Like they had some comment. Jason Cadem's. That's right. It was on both. Yeah. The first time that ever happened, my favorite show over the White Shadow, the center on the

white shadow ended up on St. Elsewhere as the janitor in the hospital. Oh, no. Warren Coolidge. And his basketball career had gone sideways and he was just working as a janitor. The same character? And the same guy was, it was Gwyneth Paltrow's dad was the showrunner of both shows. Bruce Paltrow? He created both.

Bruce Paltrow. So we created a white shadow. This was the star of white shadow. And then ended up as a janitor and sent elsewhere. And it was like, you can do this? You can take a character and put them in another show. It was like fucking amazing. So anytime they do that, I think it's always exciting.

I agree. I want the Chicago P-Dification of all of the Apple properties. All of these characters can show up on any show they want. Like interview Coupe as a murder suspect on the morning show. Like, I think there's lots of room here for people to cross over. That's a universe breaking prospect, though, because John Hamm's already on the morning show. How do you have, how do you have, how do you have, how do you have, how do you have? Yeah, that's very easily.

Michael B. Jordan just did it. Like any, any great actor can double it up. Okay. Double ham is never a bad thing. I would see. All right, we wrap it up? We did it. This is good.

Thanks for having me. So you guys are covering the season finale. I feel like I'm higher on the show than Rob, though. I think that is true. I think you're higher than both of us, but that's okay. Okay. I'm enjoying, especially the murder mystery part, do I have any confidence they're going to landed in the finale. I do not. But I can't wait to be surprised. I can't wait to see what happens. All right. Keep your fingers crossed. Thanks to Kai for producing as well. And we'll see you

next week with the finale. You two. I'm not going to be on that. I just want to get my takes off. Good to see you. Good to see you, Bill. Bye. Ryan Reynolds here from Mint Mobile, the message for everyone paying big wireless way too much. Please for the love of everything good in this world, stop. With Mint, you can get premium wireless for just $15 a month. If you enjoy overpaying, no judgments, but that's weird. Okay, one judgment. Anyway, give it a try at mintmobile.com slash switch.

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