The Psychology of your 20s - 456. Why does feeling sad sometimes feel so good?
Episode Date: September 10, 2026Why does feeling sad sometimes feel... so good? Whether it’s putting on the saddest song you know, rewatching a movie that always makes you cry, indulging in a little self-pity or finally lettin...g yourself have a good sob, there is something strangely satisfying about sadness. And psychology may be able to explain why. In this episode, we explore the surprising psychological value of sadness, including: Why sadness can sometimes feel pleasurable The psychology of sad songs and sad movies The tragedy paradox Why a good cry can feel so cathartic Emotional suppression and why it exhausts us Hedonic adaptation and why happiness loses its intensity The surprising appeal of self-pity Watch on Netflix: HERE Follow Jemma on Instagram: @jemmasbeg Follow the podcast on Instagram: @thatpsychologypodcast Subscribe on Substack: @thepsychologyofyour20s For business: psychologyofyour20s@gmail.com The Psychology of your 20s is not a substitute for professional mental health help. If you are struggling, distressed or require personalised advice, please reach out to your doctor or a licensed psychologist. See omnystudio.com/listener for privacy information.
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they mean for our psychology. Hello everybody. Welcome back to the show. Welcome back to the podcast.
It is so great to have you here back for another episode as we of course break down the psychology
of your 20s. We talk a lot about emotion and we talk a lot about mental well-being very broadly on
this podcast. But today I wanted to literally devote our full 30-minute episode to one emotion
and one emotion only, sadness. Being sad in all of its forms, whether it's heartbreak,
whether it's grief, whether it's yearning or loss, is something we naturally want to avoid.
right? You know, there is this core idea that humans run from pain and run towards pleasure. And
sadness is the opposite of pleasure. It's the opposite of all things nice. But we also can't
deny that there is something about sadness that deep down just feels a little bit good sometimes.
Listening to sad songs, for example, scratches and itch, watching sad movies can leave us with
this really intense form of clarity, just letting yourself cry, you know,
or feel self-pity, that feels good. It kind of clears the air sometimes. The reason sadness
feels so nice and kind of like a guilty pleasure is deeply psychological and it comes down to something
known as the tragedy paradox. Basically, what we think hurts us most also seems to give us a lot
of pleasure, but also a deeper connection to our humanness. Even the ancient Greeks, even the
ancient Romans, they spoke about this, they spoke about specifically this human urge to
dangle near the cliff of despair, as they very much, as they put it in a very dramatic sense.
And it is a feeling that we still have today, albeit a little bit less dramatic.
Another important factor at play is something called emo diversity.
Truly enjoying your life and of course your 20s, you know, it doesn't just come from being
happy all the time.
It comes from emotional variety and it comes from experiencing the shift.
between different emotional states that puts the different ends of the emotional spectrum into perspective.
The deep joy of having a truly amazing great day, it just wouldn't be as special if you didn't,
kind of at the back of your mind, remember what it felt like to have a really awful day.
Some research even suggests that people who don't allow themselves to truly feel the full
spectrum of emotions, don't allow themselves to feel sad, actually may be worse off,
psychologically, emotionally, socially, even if they seemingly look happier from the outside.
So today, I want to just explore why being sad sometimes feels so good, but also that deep
psychological, dare I say, benefit that we come across when we embrace sadness.
If that sounds counterintuitive, if that sounds strange, if that sounds opposite to your experience,
I promise the science and the research will make a lot more sense once we get into it.
So without further ado, let's talk about sadness.
Let's talk about why it feels so weirdly enjoyable.
As a species and as a culture, I think it's safe to say we are incredibly wary of sadness.
And we are very, very quick to do anything in our power to just get rid of it.
Get rid of the feeling when it pops up, especially when it pops up on invited.
We quash it with all sorts of things.
We quash it with layers and layers of distraction and with our phones,
with elaborate wellness routines, with plans, with busyness, whatever you can,
whatever you can think of.
We will throw all of our available resources at this dark emotion until it kind of leaves us
alone.
I think the reason we do this is twofold.
A, we have a lot of stigma towards these feelings, towards feelings of sadness, anger,
madness and that's wrapped up in our stigma towards poor mental health. And B, it's because we often
confuse sadness with suffering or with sorrow. And we are really fearful that if we were to let
our sadness get too big, it would transform into this big monster of an emotion that is just
so much harder to deal with. The thing is, they're very different. And this is why it's so important
to distinguish between being sad, the feeling, and a state of true pain and suffering. If we
want to access the benefits of being sad. You have to know the difference. And this is how I would
distinguish them. Sadness is a temporary emotional state. It is usually tied to something specific
that has happened, that has changed, that has been lost. And that might be a rejection. It might
be disappointment that you didn't get a job or that you've missed out on something. It might be
loneliness, homesickness, grief, maybe just the awareness that your life isn't the same as it
once was, it's a very heavy emotion, but it kind of will pass. It softens after a while.
Sorrow and suffering, on the other hand, are what we would call prolonged mental states.
It's just more consuming. It lasts longer. It's a combination of a lot of things, and it tends to
bleed into all other states of being. So what I mean by that is you can be sad, but then you can
go to the movies or go for a walk with your friends and be distracted from that feeling.
And pretty soon you cannot notice that you can shift to a different feeling.
The same just can't be said for suffering or sorrow.
They are always there.
Same with depression, for that matter.
They're just, they're constants for the time being.
The best way I've seen it described is that sadness is like the rain.
Depression is the season of winter.
So on face value, you know, the big reason I think we villainize sadness or any kind of so-called negative emotion is because we associate it with these biggest states of being that feel.
or much more difficult to handle. But deep down, we know they're not the same. We know that sadness
and sorrow are different. And that is revealed to us through our enjoyment of sadness. Our
enjoyment of sadness through art, through self-pity, and through catharsis, it kind of like
sneaks into our psyche, right? There is this desire to be closer to this feeling that we are
told to avoid. One explanation is that there is a fundamental difference between experiencing
sadness and experiencing actual threat. When something genuinely sad happens to you, the emotion usually
arrives alongside a whole collection of other unpleasant experiences. If somebody breaks up with you,
for example, you're not just sad. You are also anxious. You're anxious about what's on the
other side of this experience. You are probably worried that you're never going to meet somebody else.
You're embarrassed about being rejected about maybe not seeing it coming. One of my closest
friends is going through this right now and it's not sadness that is the problem. Sadness is definitely
there. It's just all the other stuff that you don't expect when a relationship ends. Just being sad is
the least of her worries. It's wrapped up in so much other stuff. So sad art, sad music, sad movies
remove a lot of that threat whilst preserving the emotion. If I watch a movie where somebody, you know,
loses the love of their life, I can I can empathize with that character and I can experience something
that maybe resembles grief, some part of me also understands that I'm still safe.
So nobody I know has died. It's a movie. My relationship hasn't ended. I haven't lost anything.
I am detached. Research is looking at pleasurable sadness, as we call it. Talk about this in
terms of psychological distance. And it's one of the reasons that allows sadness to become enjoyable.
We get access to the emotional intensity without necessarily having to pay the real world
price that normally produces it. It's why we all enjoy dramatic entertainment. I would say most of us do
actually, because we enjoy it because it's not happening to us. There's a lot of research to back this up,
which basically suggests when we're listening to sad music in particular, what we're experiencing
isn't actually pure sadness. It's something a little bit more nuanced. So there was one study
published in 2014 and looked at 772 participants from around the world. And it found that it wasn't
just sadness people were experiencing when they listened to sad music. It was nostalgia. It was what
they called the reward of imagination. It was emotional regulation. It was empathy. And most importantly,
it was all of that without real life implications. And if the songs did match a situation that somebody
was going through, it actually provided a bit of a container for that.
feeling. You know, I listen to the sad song. I feel sad for the length of the song. The song ends.
The sadness may also end. This actually makes even more sense when we think of sad movies.
Sad music may give our feelings a backtrack or a soundtrack or a language.
Movies give us comfort and they give us the structure of a story. In all sad movies,
Mali and Me, Shinless, La Land, you know, there is a beginning. There is often
a relationship, there's a loss, there's a reaction and there's an end. It's extremely neat.
And by the end, things are wrapped up. Real sadness is really that way. In real life, we don't
know why somebody left. We don't know what somebody's thinking, whether we're ever going to see them
again, what the lesson was. We don't know when we're supposed to move on. Movies compress
emotional experiences into a story that we can understand from beginning to end. And if there's
one thing the human mind loves, it's that kind of certainty.
and structure. Hence, why we leave the cinema or we finish a movie and we're crying in bed and it feels,
it feels good, it feels nice. There is also an aesthetic component as well. Specifically, we're
moving back to music, sorry, movies to music, back to music. Music makes sadness feel beautiful
rather than just miserable because it is wrapped up in this nice, wonderful, delightful packaging
with somebody who probably has a beautiful voice. Another study from 2015, examiner.
into this further and basically found that often it's the aesthetic experience of music, which is
pleasurable, that mixes with the emotional experience of sadness, which isn't, and it creates
something in the middle. And it's what we would call appreciation. Some people might call it
judgment, but I call it appreciation. And it's a much gentler feeling. It's much gentler than the
full force of sadness. The other thing is that when we're up against a really big, awful
maybe uncomfortable situation or emotion, sometimes we just don't want happiness that isn't
going to be really helpful right now because it feels too inaccessible. Instead, we want to go
further in. We want some emotional depth. We want some emotional clarity maybe. We just want to
feel really moved. We want to feel everything, nostalgic, tender, reflective, heartbroken,
maybe grateful all at once. And music and movies is an incredibly safe way of creating that experience.
because eventually the song will end.
It's going to end.
But it's also nice knowing that somebody else had to feel as bad as we did to make that art.
Like they had to feel so bad, bad enough that they would make music that we are relating to
and therefore we feel less alone.
And sometimes that's the biggest comfort.
I really do think that the biggest comfort when you're sad or heartbroken is knowing that
you are not the only person who's ever lived through this and you will survive.
So this also points to something else happening when we do.
choose sad music, especially when we're already sad. Seems counterintuitive. I think normally we think
about emotional regulation as changing the emotion, taking us away from sadness. So if you're sad,
put on something happy. If you're anxious, put on something calm. If you're angry, put on something
peaceful. You know, take your feeling. Find the direct opposite. Pursue that. But humans don't always
regulate emotion by trying to feel better. We also regulate emotion by trying to feel
understood and trying to have a story for our emotion and trying to put our feeling in its
correct spot, if that makes sense. We want to give our feeling context in order to process it.
We also want emotional validation. That's how we process emotion. And music allows us to do that.
One 2020 paper by the researchers, Arons and Stangler, suggests that why we listen to sad music
is because we want to feel like our emotions are real. And by staying in our sadness,
by making our sadness bigger so that we feel the emotion more, it means that it also feels more
legitimate, that we deserve to be feeling this because we feel it so intensely.
To explain this a little bit more, you know, if sadness is just lingering, sometimes it feels
a bit silly, it doesn't feel valid.
But if sadness feels all consuming and it's loud and it's massive and we really like put fuel
on the fire, it feels less silly in the first place.
It allows for a little bit more emotional validation.
We're very complex creatures, but basically why we pursue sad, art, sad, books, sad, music, whatever,
especially when we're already feeling sad, is put simply because it gives that feeling a distinct shape.
And it gives it a distinct form and it validates it in a way that allows us to make sense of it
and therefore process the feeling or at least feel a little bit good about the feeling whilst also feeling bad about it.
There is another explanation here. It is perhaps my favorite, and that is the catharsis
explanation. And I think it's probably the one that you have heard of before. So we're going
to take a short break here. When we return, let's talk about it and let's talk further about
why we love to be sad. Stay with us.
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so there's another thing that deliberately making ourselves feel sad gives us and that is a release
it gives us a psychological and emotional outlet now this is probably the oldest and most ancient
explanation in this episode one that has existed literally before psychology even existed
before any of this stuff about theories and evidence and science
it came from Aristotle, and he famously used the concept of catharsis when discussing Greek tragedy,
and he proposed that by watching tragic stories this somehow purges or purifies our own emotions,
like pity, fear, sadness, all those things.
What he really meant when he said that, we still don't really know,
but basically in simple English, Aristotle believed,
watching sad stuff lets us get the messy stuff out.
Now, this popular model of catharsis often imagines emotions almost like you're like shaking a bottle.
It's like pressure inside this container.
And if something bad happens, something sad happens, like it builds and builds and builds unless you let something out, unless you do something about it.
And if you don't, it's going to explode.
It's going to explode over everyone you love, over everyone around you.
It's going to be messy if you don't have a release.
This is an incredibly intuitive idea.
And it makes a lot of sense, but modern psychology would now tell us that it's probably a bit too
simplistic. For starters, your emotions aren't physical substances, right? They're not like accumulating
somewhere in the body waiting to be drained. There's not some limit that we all hit. And when we
hit it, we either have to release it and go back to zero or we explode. It's a bit more complex.
You know, expressing an emotion might not always actually help you feel better. There's a lot of research
about this with anger, especially a recent paper that was published, I think just a year in the
Social Psychology Bulletin where they essentially said sometimes venting, sometimes ranting,
sometimes letting anger out actually makes the emotion worse rather than eliminating it.
And we kind of see this for sadness and other things as well.
It's not that it's like releasing it and taking you back down to zero.
It's not that the sadness is leaving your body literally, and that's why you feel.
good, it's more likely that when you get to feel this way, you finally feel safe.
You know, if we only feel sad when we let ourselves feel sad, we'll probably do it when we feel
safest to do so. So that feeling of finally feeling safe mixes with the feeling of catharsis
and also mixes with the end of emotional suppression. The end of emotional suppression is a
critical part of this because it also means the end of all of this effort that's required
to keep these big and heavy feelings in. Suppressing your feelings, it's not the absence of the
feeling. It's not like it's not there at all. It's the existence of one very big feeling or many
feelings that you are actively having to monitor. You are actively having to push down. And that
takes a lot of mental and cognitive energy, a lot. And so when you stop doing that, yes, there is
relief, there might be release, but also suddenly all these attentional and cognitive resources
suddenly become available to you that were previously preoccupied with keeping everything down.
All these resources come back online because they're not preoccupied with this other job.
And now that you've got a bit of your attention back, a bit of your cognitive flexibility back,
you now have the ability to notice all the good stuff as well, to be present, to handle other
things that needed taking care of.
all of that also makes us feel better. Hence why letting yourself feel sad has a paradoxical effect
of also letting yourself feel happy because suddenly you're not just only bothered with not feeling this
way, not feeling this way, not feeling this way, you're allowed to kind of sit in the emotional
complexity a little bit more, which means also letting happiness come in also. This is where I think
the distinction between sadness and suffering from earlier becomes really important. And I know I
talked about it a lot, but it's going to come back and hear one more time. Often the most painful
part of an emotion isn't simply the primary emotion itself. It's everything that we layer on top of
it. I'm sad, but I shouldn't be sad because if I get any sadder, it's going to get worse and then
I'm going to lose control. You know, I'm upset about this, but people have bigger problems. So if I keep
worrying about it, I'm going to be selfish. You're not simply allowing yourself to experience sadness.
you're experiencing sadness plus shame, sadness plus anxiety, sadness plus self-criticism,
and it becomes very complex and confusing.
This is where we need to talk about the value of that thing we mentioned in the introduction,
which is emo diversity, specifically why some of the most intelligent and well-adjusted people you know
know that sadness needs to be readily expressed if they want to function and have their best lives.
So emo diversity is essentially, how do I explain this?
It's like the variety and relative abundance of emotions that make up your emotional life.
The best way to describe it is about, it's in comparison to biodiversity, but for like your
internal world.
So like a really healthy natural ecosystem doesn't just contain one species, even if that species
is really beautiful, right?
It contains a lot of different species that perform a lot of different roles.
including species that we don't really like, like flies or ants or bugs or pests,
they are just as necessary as the butterflies and the puppies and the ponies,
even though those ones seem more beautiful.
You need both for the ecosystem to function if you get my metaphor.
You need sadness, you need happiness, you need all the things.
One of the most influential studies on this comes from a psychologist called Jordie Quaback
and him and his colleagues, they conducted these two big studies in
2014. And when I say big, these studies had 37,000 people in them. And what they found was that
people who reported experiencing a greater variety of emotions tended to report better mental and
physical health, including lower levels of depression, including fewer visits to the hospital.
Emo diversity predicted these outcomes above and beyond happiness. So when they asked people,
how often do you experience happiness? And somebody said, oh, I experience it a lot. That wasn't going to
predict whether they were actually happy. If you said to somebody, how often do you feel a variety of
emotion? Well, I feel it a lot. That was going to predict a well-rounded life. I want to be really
precise here, because the findings do not mean that sadness is the secret to mental health or
stopping you from getting sick and you should be deliberately ruining one day a week as part of a
healthy life protocol. These studies were correlational, but what they did basically show evidence
for was that emotional diversity directly causes better health for a couple of reasons. A,
greater emotional acceptance meant less force. Basically, you are better able to flow with your emotions
and you just have greater acceptance in life. Therefore, those emotions feel less stressful when you do
experience them and they actually pass sooner because if you're not fearful of them, you'll actually give them
space that they need to exist and to move through what they need to move through. Two,
emo diversity seems to give us greater coping skills. You know, you don't learn to cope if you don't
let yourself experience. And so when emotions do get really unmanageable, if you don't have any
skills, you're pretty screwed. And three is contrast. Now, this is probably the most important
concept in this entire episode and one that I've already alluded to. But things,
just feel better when you have something to compare them to. More specifically, things feel better
when you know what it's like to not have them. You know, if we were to just be happy all the
time, our brains would get really used to that. And all that pleasure and happiness would
actually not feel as great. It would feel a lot less good overall. There's a term for this
in psychology. It's known as hedonic adaptation. And it basically says that after a while,
the emotional intensity of even something really good tends to fade as we become accustomed to it.
So if you want a million dollars tomorrow, you would be over the moon. You would literally not know
what to do with yourself. If you won a million dollars the day after that, you'd probably also
feel really, really good in the day after that and the day after that. But what about day three?
On day 300, I don't know if you'd be as excited as you were on day one.
The same way we can adapt to hard things, we also adapt to good things as well.
And this is why emo diversity and also sadness has a vital function,
because it provides appreciation and nuance and contrast to life.
There is no up without down.
And even if that was its only role,
if sadness was to just be a contrast to happiness as a way to make happiness brighter,
it would still be important, but there is a little bit more to it. Beyond contrast, sadness also
feels good because it gives our life meaning. Sadness is a natural reaction to things that are just
sad because we cared about them a lot. It's sad to say goodbye to someone or to a pet or to close a certain
chapter in your life. It's really sad when you are let down by a job or a friend or when you really
wanted an opportunity and you didn't get it. And your sadness in these moments is an indication
of how much something really meant. And I always think as deep as you can grieve and as deep as you
can be frustrated and heartbroken and betrayed is about as deep as you can love and about as
deep as you can be passionate and appreciate what you do have. Sadness provides that.
It provides meaning by showing you what you really care about.
Plus, let's just be honest, sometimes self-pity feels really nice because for once you get
to be the center of the universe.
You didn't get the job, your boyfriend broke up with you, you just get to feel like for a
moment, you know, yeah, I am the saddest person in the world right now.
I do have the worst luck.
Yeah, nobody has it as hard as me.
Now, is that true?
Probably not.
But just for a brief second, our ego gets to just.
let loose against all its better judgment and against all of our typical shame for doing so
and for feeling self-pity, it just lets to have that. It's like a cheat meal for our self-awareness.
We just get to feel really, really shit. And something you may not know is that self-pity
doesn't just feel pleasurable in the moment. It also makes you a better person. Literally,
feeling self-pity, there have been quite a few articles about this, including a very good one
by this psychologist called Nick Wignall.
And he essentially says self-pity reminds us to be empathetic.
It motivates us to be compassionate.
It inspires us to be curious.
It makes us more creative.
I think the reason why is because knowing how rotten it feels to be lonely or to get
really, really let down by something and really going deep into the crevices of that feeling
means that you can relate more when somebody else comes to you and says,
I felt the same way, or I'm having this similar feeling.
We have these very special neurons in our brain.
They're called mirror neurons, and scientists actually believe that these cells are what
allow us to feel what others feel, and they are the neural basis for empathy.
The only way, though, that these neural pathways are built or can be primed is if we
experience the emotions for ourselves.
We do not have the capacity to be as deeply empathetic unless we experience it firsthand.
and can therefore look at somebody else and say, I know exactly where I can feel that in your
body, in my body. So your sadness has a pro-social function in that allows you to perhaps be a
better friend, to be a better sibling, to be a better colleague, child. Now, that as a secondary
benefit, feels pretty nice. There is something really fulfilling about knowing exactly what
words of support somebody needs to hear during a hard time, because those are the words that
you would have wanted to hear. And it is a really nice feeling, really, really nice to realize that
you help somebody and that you could sit with somebody in a hard time and make them feel better.
And I know that that is not a direct positive association of sadness. And I know that's not
why sadness feels great in the moment. But I do think it counts nonetheless. And just to make one
final point on this, one final study, according to some research from Berkeley,
sadness may also help you become more emotionally intelligent overall in a very similar,
in a similar way. So in these experiments, researchers induced either feelings of happiness or
sadness into kind of like a group of students, a group of participants. And then they asked
them, they asked them to detect deception, detect deception in videotaped statements of people
being accused of theft. Now, some of them were guilty, some of them weren't, some of them admitted it,
some of them didn't. Participants who were made to feel sad were more likely to make a correct
judgment. They were better able to detect whether somebody was deceptive or truthful. They had a
higher EQ for the moment. And I think this is the final resounding truth about sadness.
It feels really awful at times. But being able to tap into that state and feel it when you
need gives you access to the full depth of human emotion and the full depth of the human experience.
This is truly meaningful. It's truly expansive and I truly think it's helpful at times compared to
somebody who kind of just ropes off this part of themselves and never feels sad or only feels
sad when the feeling is so large that it's hard to ignore and therefore never gets to feel like
there's a benefit. So to summarize this episode, I want to just quickly say, I am not saying run full speed
a head towards your sadness, bathe in your sadness, indulge in your sadness, constantly,
live in your sadness. But sadness isn't this big evil monster in the emotional closet.
For starters, it's different to suffering. It actually feels really nice at times. Some would say
even pleasurable. And it also feels fulfilling to kind of grow deeper into your emotional state.
It also connects you to a deeper reality about being human. And it provides emotional catharsis.
it allows you to connect deeper with art.
And it also provides that contrast that we know is so important.
It just gives life more texture and flavor compared to just being happy and fine and calm
all the time.
And that my friends is the beauty of this emotion, the beauty of sadness.
It gives you so much more than I think we realize.
Even if, like, and I think that's why you got to let, I know I said don't indulge in it,
but sometimes you've got to let yourself because there is something really.
really special about listening to a really sad song and being like nothing and nobody has got me
the way that this song does in this moment.
Like whoever wrote this song could be my soulmate.
And being able to tap into that shared humanity through your sadness, even if you don't
realize it in the moment, I think it feels pretty good.
And I think it feels a little bit enjoyable.
So I hope this episode has allowed you to reframe this experience.
especially if you're going through a particularly tough season at the moment or you just need a reminder
that it's okay to not be happy and not beat and jovial all the time. I think that's it for me,
actually. So if you enjoyed this episode, remember to subscribe. Remember to follow along wherever
you are listening. Check out this episode and all about other episodes on Netflix. It is the
number one thing you can do to help us and help support the psychology of your 20s.
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If you've made it this far and you're still listening and you're listening on Spotify,
hello, how you going?
Leave a little comment down below.
What is your favorite all-time sad movie or sad song?
And I'm going to put together a little list and post it on Instagram.
Maybe I'll make a little playlist for us to all listen to.
But yeah, leave a comment down below.
Until next time, be safe, be kind, be gentle to yourself.
We will talk very, very soon.
On the new podcast Solita, we share the messy reality of traveling alone as a woman.
I can wait four hours for the next bus or this random dude is offering me a ride on his motorcycle.
I chose option B.
I'm Julie Pinero and I travel by myself because it's a rare space where I can say yes without asking anyone else first.
I'm on a mission to reclaim the word Solita, trading the pity for possibility.
Listen to Solita on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts.
Is there an epidemic against literature?
More specifically, Black Literature.
I'm Jack Quist-Pice Thomas, and on this season of the Black-Lit podcast, we're outside asking why.
They don't want a whole bunch of little Ella bakers, Malcolm Waxes and Martin Luther King's running around.
And when you look at a lot of different cultures, they're like, we need to know where you came from.
And considering this is Black Reading Month, the only real question is,
What are you reading next?
Listen to Black Lit from the Black Effect Podcast Network
on our iHeartRadio app, Apple Podcasts, or wherever you get your podcast.
What up, y'all, this your main man, Memphis Bleak right here.
Host of that Rock Solid podcast.
And each week, we bring in you exclusive looks inside music.
Everything happening inside the culture.
Some of the best conversations were the biggest names in the game.
You had a little bit more pressure to be good.
And they didn't care if you as a girl.
Like, you wasn't getting no points if you know.
Not trash. You better be not just good. You better be great.
Listen to Rock Solid on Black Effect Podcast Network, iHeartRadio app, Apple Podcasts, or wherever you streamed podcast.
Hey there, everybody. Amy Robach and TJ Holmes here from the Amy and TJ podcast.
A lot of times, the story of the day is what we're all talking about and buzzing about.
And yes, sometimes it's Love Island and sometimes it's Serena Robes.
Coming back to the U.S. Open, sometimes it's obsession.
And Spider-Man making box office history.
Hopefully, Rose, people get our point.
Listen to Amy and T.J. on the IHeart Radio app, Apple Podcasts, or wherever you listen to podcasts.
Let's go!
The countdown is on to the most talked-about music festival on the planet.
Let's go crazy.
Our I-Heart Radio Music Festival.
Presented by Capital One, September 18th and 19th at T-Mobile Arena, Las Vegas.
15 artists
Two nights
One Stage
Listen on I Heart Radio
stations across the country
And stream it live on Disney Plus
and Hulu
BTS
Benz and Boone
Cardi B
Sierra
Goo Goo Goo Doll
Kenny Chesby
Ariel
Lanie Wilson
La Cereofim
Major Laser
Mews
Snoop Dog
The Smashing Pumpkins
Weezer
A special performance
by Breakout star Stella Lefty.
I've been back to Boston,
and never seen before artist collaborations
you'll never see again.
One wild weekend.
Are you ready?
Buy your tickets now at AXS.com.
This is an IHeart podcast.
Guaranteed human.
