The Reel Rejects - 2012 MOVIE REVIEW!! (2009) FIRST TIME WATCHING!!
Episode Date: October 20, 2024IT'S THE END OF THE WORLD AS WE KNOW IT!! Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects American Reunion Full Movie Reaction Watch Along: https://www.patreon.com/thereelr...ejects Follow Us On Socials: https://www.instagram.com/reelrejects/ https://www.tiktok.com/@thereelrejects?lang=en Having lived through the end of the Mayan Calendar back in 2012, John & Aaron Alexander are BACK for another Sci-Fi Sunday giving their FIRST TIME Reaction, Commentary, Analysis, Breakdown, & Full Movie Spoiler Review for the Disaster Epic from veteran blockbuster Director Roland Emmerich (Independence Day, Stargate, The Patriot, Godzilla 1998) and starring John Cusack (Say Anything, High Fidelity, Gross Pointe Blank) as a frustrated writer struggling to keep his family alive when a series of global catastrophes threatens to annihilate mankind... the film also stars Chiwetel Ejiofor, Thandiwe Newton, Amanda Peet, Oliver Platt, Woody Harrelson, Danny Glover, Morgan Lily, Liam James, & MORE! John & Aaron REACT to all the Best Scenes & Most Action-Packed Moments including the Yellowstone Erupts Scene, Something Pulling Us Apart scene, The Sinking of Los Angeles Scene, Do Not Panic Scene, the Get to the Plane Scene, The Ark Launch Scene, & Beyond! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Aaron.
John.
Do you have anything to tell the people before we hop into this?
Remember the 2012?
We survived the end of the Mayan calendar.
We survived the end of the Mayan calendar.
made it to the end of the world and we began anew, how do you feel?
Oh, man, I feel good. I feel renewed. I feel fresh. I feel like you should give this
five stars on Apple and Spotify because we're about to get into it. Also, you should go to
rejagnation shop.com. That's what? Let's get some teas like these. Gosea portrait
and other shirts and a whole bunch of other shirts. It wasn't in a piece.
Ha, ha, ha.
Who?
Amanda Pete was his wife, his ex-wife.
I was like, I know I know that face.
I knew Amanda Pete.
Fandy Newton or Tandy Newton.
I don't know if the age is either or not.
Before she switched back to Tandyway.
Because now she's Tandyway Newton, yeah.
Really?
Yeah.
No more recent credits, yeah.
I'd not know that.
Wow.
That's pretty cool.
Wow.
Okay.
So, we both went into this blind.
I know anything about 2012.
And now that I've seen it, what a ride.
What a ride.
What a ride.
It was a good time.
It was big.
It was explosive.
Morgan Lilly.
Shadows of Morgan Lily.
She's been in stuff.
Yeah.
Oh, see, I liked it.
I liked it more than I thought I would.
It had a lot more heart than I thought the movie would have.
Yeah.
That visuals were incredible.
And all the characters were surprisingly human.
You know, I thought we were going to go into this with these steady sort of set archetypes.
And it kind of blurred the lines between that and had a lot like a something of a message.
you know, about humanity kind of banning together what people do in desperate times
and, you know, how we kind of overcome the odds of being in the end of the world.
And I think that at the end of the day, this was had a lot more heart than I thought it would have.
And I think it was going for that epic feeling kind of akin to an independence day about, you know, the thriving heart of the human spirit.
do I think it executed
it as well? No, there's a bit of
some things that were like
I don't know that I believe that
But you know what? You gotta suspend some disbelief
With every movie
This movie required a little bit more than most
But you know what? At the end of the day
We had a good time
We had a good time with this one
I would definitely watch us again with some friends
Drinking some stuff
Laughing at some ridiculous things
But you know
It didn't
The amount of heart the movie had
kind of justified the experience and I'm someone who
likes my heart, likes my characters while also being coupled with the big
plots and the action. I think, you know, with the inundation of
information, it was like a, not harder for me to get into, but I was
like, okay, this is very exposition heavy, but once we got into the character
stuff, once we got into the destruction, I was like, okay, I'm in, this is
crazy. Patrick Hogue. Sorry, not the same one that we know, but there's a guy in the
credit is called Patrick Hogue, so I'm going to take this opportunity to shout up.
Patrick Hogue, continue. Shot him out. But yeah, I had fun with this one, and it was not what I was
expecting, but good time nonetheless. Johnny Boyle, what did you think? I actually have a question.
Yes. Not as iconic, certainly, as an Independence Day. However, you recently, as of shooting this,
saw the day after tomorrow. Yes. I believe it's also an Emmerich joint. It is. Which do you prefer between
these two, 2012, and the day after tomorrow? I would say 2012. I'd say I like this one more than Day
after tomorrow and I think
solely for the fact that we
those phone calls man
phone calls really did it the phone calls
were legitimate no I feel like the relationships
were stronger in this one I feel like that I felt
the devastation
a little bit more and I feel like it had
that thing that I like about Independence Day where it is
these different characters in different parts of the world
that have these different connector
points and
yeah ultimately had like a
strong a couple of strong
leader figures within it and
And I don't think, even though the Day of For Tomorrow was an ensemble cast, I felt like this felt like, even though the stakes were different or the threat itself was different, had that same sort of triumphant at the end of the day.
We have survived the onslaught that has been put against us or put before us.
And yeah, I think I definitely enjoyed that more.
Have you seen Dave for Tomorrow?
I have. I saw it once, I think, in the theaters, and then I reviewed it when you guys did the video.
So it's marginally fresh in my mind. And yeah, I would say this movie certainly, it's like that movie is like inclement weather and this is more like semi-cosmic, but still pretty physical circumstance.
So in a way, it almost feels like they're two similarly minded movies or just like the kind of disaster you're experiencing feels like it's in some.
way similar but this feels yeah like a more polished smoother version in terms of the balance
between the destruction and the disaster with the characters and the circumstances like i thought
this is a long movie it is and once you get to the arcs you know use it's one of those movies
it's long in a way we're like i don't begrudge it because once you get to a certain point you're
like i get it we have to do a certain amount of things before this is done and of course
course to drive home the overwhelming devastation you kind of have to make things go too long
or at least I could see why that would be justifiable in making things be a little bit thick
in terms of what you're taking in and even despite it again feeling like a five or six act
movie in some ways like yeah it didn't it didn't get boring or drag but there are times
toward the end where you're like yeah we got to get through these things we got to clear these
obstacles and it's all effective like yeah it's not quite as tight and iconic as an independence
day and certainly you know you have the benefit of aliens in that movie but for something that
yeah wants to take this cultural moment that we were all sort of engaging with at the time of like
oh is the world going to end in 2012 the Mayan calendar ah uh you know as a movie that takes that
and runs with it i thought it was relatively conscientious in the way that it hid the ground
running, but
yeah, I don't know, it felt
kind of like one of those moments
where you're like, yeah, Roland Emmerich by now is kind of an
expert at this stuff. He's done this a bunch of times
and this felt like, for the most part,
it had a good balance
of character
stuff or just characterization
amid all of the plotting and all of the chaos and all of the world
hopping. And it's like, you know, you have a couple
people who feel like your mainer
characters like John Cusack or Chua Tella Geo4,
but it does feel like an ensemble
and like the cutting around is
interesting and I thought that
yeah I've seen other stuff and even other stuff
by Roland Emmerich where the characters feel
way more heightened or cartoony
and I yeah I really liked
that they bothered to have
characterizations that didn't feel
solely trite like even
the shitty Russian guy is
like kind of a real guy though
like you get it and you get why he would be petty
in the ways that he's being petty
the boyfriend, the Gordon character, doesn't suck.
Like, they have a believable kind of tension
and, you know, them making the effort to kind of get to know each other
or make, you know, peace with the situation I thought was a nice touch.
Chihuahua Tjiafore and his dad was a nice touch.
You know, the president.
Like, there are characters who you'll forget about for a while.
But even that, I'm not so bothered by in a movie like this
because, again, there's so much going on
and there are certain characters that are obviously more important than others.
And even, you know, the cell of, like, washed up writer slash cracked wheelman, John Cusack can, like, navigate through, you know, any of these situations by the skin of his teeth.
Like, the movie does a good job selling that stuff to you, even if it is, like, you know, insane.
And it's also a movie where, like, early on, there are moments where, like, yeah, you can tell, like, some of destruction is, destruction is entirely CG.
Right.
And there are moments where you can tell that.
that, but for when this was made and for what they're depicting, I thought the effects for the most part were great.
And it's one of those scenarios where for what they were doing and the mass scale of destruction they were depicting, I'm like, yeah, you need the CG to be able to depict this.
So even if there are times where he's driving through the city, you're like, yes, this is a CG car, this is a CG everything.
Even that stuff didn't take me out or clash or feel like, oh, this hasn't aged well.
and so like it's one of those instances where like even if you can tell the effects have aged they still feel groundbreaking for the time or at least like top of the line for the time and what a great cast like they this is another kind of movie where they gave everybody just enough in the script I feel like to work with everything got at least a little bit of an interesting circumstance like again their family dynamic and like the weird sort of mixture it becomes when it's you got you know
Gordon and Jackson and their whole thing, but then you've got, you know, the Russian, you've got Yuri and Tamara and their kids and blah, blah, and like all that stuff, yeah, like all the clashing of people and the clashing of ideologies and the chaos kind of red, and even Oliver Platt's character, you know, despicable or unlikable. He's not despicable. He's just unlikable in a way that makes sense, but yeah, is in the wrong spirit for humanity.
You know, I like that theme of, you know, we got to try and work for each other, not just, you know, save our own asses or get selfish and lose our heads about it.
And I thought, you know, it did a nice job of depicting what probably would be a lot of the response or the attempt to corral a situation like this, but also bringing it back around to, you know, taking the risk in order to save lives and, you know, bolster and grow, you know, the endeavor of humanity or to at least, you know,
salvage that and remember
I like that thing about like you know society
a culture
a society is you know people coming together
to make life better for each other
and that's what we got to try and remember
even in this
even in the face of you know
world destruction
yeah that's what you would
would hope for the world right
yeah we have stuff like
like international relations and like
just caring for one another like the old
passion like caring for your your neighbor
you know no matter what
you look like where you come from and all the other factors that make us different together
we are still unified and have that common we all bleed the same blood and i like the fact that
these roman emrick movies tend to be about that unity and yeah he is not michael bay he makes
movies on the scale of michael bay uh no and and he proceeds you know the height of michael bay but i feel
Like, you know, they operate on similar levels of awe, inspiring spectacle, and devastating destruction.
But I feel like Michael Bay movies, there's, like, a much greater sense of contempt for humanity, whereas Roland Emmerich movies, I feel like, have a much more hopeful view on humanity, or at least a more compassion.
Like, for sure, definitely.
Even in other Roland Emmerich joints where, you know, characters are a bit more flatter cartoon-like, I feel like there is a general eye on.
You know, there's a general benevolence toward humanity rather than like a, you know, glee in the suffering.
Yeah, you know, like Roland Emmerich is a master of this stuff for a reason.
And even if this movie isn't like heavily regarded as like one of the best, you know, big spectacle action movies of all time.
Like this, I think this definitely hits the mark it's supposed to hit.
So wait, Michael Bay made Armageddon, right?
Yes.
And then Roland Emick made Deep Impact.
Did he?
I'm pretty sure I just saw it on the thing right there.
Did Roland Emmerich make Deep Impact?
Wow.
Oh, wait, wait, no, no, no, no, Mimi Leder made Deep Impact.
I don't even know who.
No, what's up?
Deep Impact is a movie.
I saw that growing up when those two movies were out, and I probably haven't seen it since then.
Yeah, I can recognize some similarities between a movie like.
that in a movie kind of like this or
like Armageddon obviously those movies came up at the same
time so there is an obvious comparison
there and I feel
the yeah because there is this
like thematic thing about him having
its ensemble cast and kind of having it
be a external threat
about humanity coming to
base
its own mortality and
not going quietly into the night
or whatever yeah yeah
like one it's like there's two
things you know you're going to get from rolling average movie
It's one, the utter destruction of popular monument and then the prevailing nature of the human spirit.
And that's what you're going to get at the end of the day with these movies.
But I think the execution of those things and its success varies from project to project.
And I think something like Independence Day is like the peak of that.
I think the day after tomorrow is like more middle of the road.
And I feel like this fits in somewhere nicely in between those.
And I really enjoyed this one.
Is it a little long?
Yes.
Is there some disbelief that you got to suspend?
Definitely.
But, you know, it's entertaining.
And yeah, you can't fault in its own internal logic.
Exactly.
And I would, you know, if they were to revive and to have like a special series of
blockbusters or roll in Amher movies, even specifically.
to bring back for something like a 40x or a D-box this would definitely be a top one I would go back to rewatch for
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Yeah, and I feel like this is a movie I would indicate when, I feel like I should make a list
like this is the kind of movie i would indicate in a conversation about how like you don't need
to make one of these movies like the deepest thing ever but like a little characterization
and a little like care for how you write the characters goes a long way you know just enough
for us to sprinkle a little bit of care you know yeah it's like it's written just enough in
the characterization for the actors to again take that run with it and shine and two you know
this movie had slightly less
of that peripheral magic I might
associate with a Roland Emmerich movie in the
sense that you did lose Gordon
you did lose Tamara, Tamara,
whatever her name was. Like you lost
people. Yeah, and you lost
dad, you know, like you lost
a lot of people who you might
expect to magically make it
somehow and that lends a bit more
weight and so there's a little bit of both. You know,
people scrape past the odds
and do the impossible
thing, but also some people don't make it in ways
that are kind of believable, again, within the internal logic of the movie.
So, yeah, it's an example of a movie I would point to and go, like,
this is mostly focused on what we're all here for,
which is like, you know, the crazy spectacle of this what-if scenario.
But it's got just enough care put into everything else that it's like it's a real movie.
And it's not like mad deep, but it's got a few themes.
And it's got some fun and interesting character.
Like Woody Harrelson, I thought, was really well used and like a perfect.
casting great wig on him and and like moments like that leave an impact where you're like oh yeah this
guy is like a strong presence and then he gets devoured up by the you know erupting volcano there and
you're like yeah you know and that adds to the stakes into the just unsettling nature of it all
and you really did feel the scope and the scale and yeah this was this was really well done like yeah
I'm not necessarily sure I'm going to like put it on again tomorrow but like as far as big
blockbuster disaster movies go I thought it was pretty good
Like, this is better, actually, than I thought it would be.
Like, I thought this would be more silly, and I would enjoy it more for, like, the camp of it, which is certainly there.
But, like, this was, like, kind of horrifying in all the right ways, surprisingly touching it moments.
And I liked a lot of the people and the cast and the characters, again, even if we aren't getting, like, mad deep with them, the family stuff.
The kids were really good.
And, like, this is the kind of movie where, you know, the child performance.
performances don't have to be amazing, but like, this is a low key. I was like, I really believe
them, both of them. Like, they're great. And I'm not even really focused on the fact that
these are child actors. I'm just kind of in the moment, in the scene. And that's great. And even
like the little things, like, he meets Chihuatl Egya for in the beginning. And he's like,
oh, I've read your book. I love your book. And, like, they don't really ever see each other
in person again until, you know, ostensibly the end. And then he's, you know, giving his
book to Tanny Newton. It's like, there's so many little threads like that.
clearly somebody put care
and I would love to go back and look
at the Roland Emmerich movies
writing credits now because I'm like I wonder if that's
him if that's partly him because he's on the script
for this and I feel like I associate
again I think that distinction
is apt it's like you know he's on
Michael Bay and Roland Emmerich
represent kind of two points on a line
for me in terms of how these kinds of
movies get made and what the spirits feel
like and I mean certainly
they both revel in action
and destruction but Roland
Memoric movies just make me feel so much less sleazy, and like, even when they are dire of circumstance, like a movie like this is, there's still like a good nature underneath them and like a fun underneath it all that, I don't know, kind of resonates outwardly to me, but I don't know, I guess that's just how I respond spiritually to this guy's work. But yeah, it's better than I expected. I like this movie, actually. Let's read a little trivia before we.
GTFO. The great disasters
of the Galactic Alignment
in 2012 were supposed to have occurred on
December 21st, the day of the solstice.
The filmmakers decided to move those events
up a few months to midsummer.
This relieved them having to decorate
the sets for the winter holidays.
They didn't want to make it a surprise Christmas
movie. That would have been a funny
layer to have. Shane Black's
2012.
Oh, here's a thick boy, but
I guess it's relevant. The doomsday
theory arose from a non-mobile.
Maya Western idea, not a Mayan one.
Wow.
And I've heard a lot of people say,
it's not actually,
well,
the whole Mayan calendar thing
wasn't them predicting
the end of time.
I feel like it's just
they needed to make another calendar.
They just need a new calendar.
But anyway,
Mayas insist that the world
would not end in 2012.
The Mayas had a talent
for astronomy,
and enthusiasts found a series
of astronomical alignments,
they said,
coincided in 2012.
Once every 640,000 years,
the sun lines up
with the center of the Milky Way galaxy,
on the winter solstice, the sun's lowest point on the horizon.
The last time that happened was on December 21st, 2012.
The same day, the Maya calendar expired.
The modern doomsday myth was bolstered by several ostensibly scientific reasons for a disaster,
including a pole shift, the return of planet X, what the hell is that?
Or some sci-fi shit, or the Sun's sinister counterpart nemesis, a galactic planetary or other
celestial alignment global warming global cooling a massive solar flare or a new ice age none had any
basis in real science for example the galactic alignment between the sun and the earth and galactic center
happens every december oh good the best alignment was reached in the 1990s and was accompanied by
its own set of doomsday theories alignments since that have been increasingly poor yeah wowies
follow the tracks the film was banned in north korea because 2012 marks the 100th anniversary of the birth
first great leader Il Sung Kim
several people were arrested
for watching pirating copies
of the film
that's wild let's
go when Jackson read
a plane he gives the pilot his watch
is a payment tells the pilot it was given
to him by his editor when he thought he was going to be
someone and what it's worth and that it's worth
something the watch is a classic
pilot mark 16
and sells for at least
$3,000
so that guy
swapped his plane for $3,000
bucks. I have a feeling the plane was worth
slightly more. The character
of Charlie Frost seems loosely based on
volcanologist David Johnston and Harry
Glicken, my favorite volcanologists.
Johnston was killed
in, oh, RIP,
in the eruption of Mount St. Helens
in 1980, he was able to broadcast
Vancouver, Vancouver, this is
it as a warning before he died.
Glicken was killed by a pyroclast
flow on Mount
Unzen in Japan in
1991 he was so eccentric and disorganized that the u.s geological survey only offered him temporary positions
despite his incredibly thorough research on mount st ellens that is wild and i gotta imagine on
this earth there are probably a handful of kooky scientists out there i do wonder what kind
of pirate radio that character had because it a broadcasted very far and b i'm like
they're trying to kill people who are spreading the word i guess they're just banking on the fact that
like no one believes them no one's going to believe you because you're crazy so you don't have to
die whatever i like if the signal is that good they must be able to pick it up the government
whoever's paying attention out there uh but anyway we'll do a couple spoiler facts too
originally harry helmsley blue mancuma uh was to have survived in the film as dad in the end
he calls his son adrian she would tell a geofor alive and well from his cruise ship which was merely
run aground by the tsunami rather than capsized and sunk.
Also, Adrian finally got so fed up with Carl Anheiser, Oliver Platt, and his cold reasoning
that he knocks him down.
Both scenes were filmed, but deleted from the movie.
They were added as bonus material on the Blu-ray edition.
You know, I'm going to go on a limb and say, actually probably solid choices, not to include
those, even though I am sad that Dad didn't live.
in the theatrical version of the movie
that would have been really nice to have him
but I feel like in a way it's
almost more impactful
the way this went down
if the stakes are made real
by stuff like that
and as much as I wanted to see him
Decc Oliver Platt
it probably plays better that he didn't
like he would have been
it wouldn't have ruined anything
but I feel just like as the character
I'm like spiritually it's probably the right choice
like we get it we all want to punch it
It would have been gratifying, but I understand.
In the film, a Pope is shown to die in a massive earthquake.
The original script called for it to represent Pope Benedict the 16th,
but the filmmakers felt it would be too offensive,
so the Pope was only shown from behind.
Ironically, Pope Benedict's 16th ended up abdicating only two months after the presumed setting
of the apocalypse events because he knew that shit was coming.
He was getting out of here.
Yeah, body count, let's go.
6.4 to 7.6 billion.
Unclear if the African continent flooded or not.
They said it didn't.
Said it didn't.
Africa was good.
Spoilers. Africa was good.
That's right.
We're all going.
Yep.
If tickets for the arcs cost $1 billion per person,
less than 2,100 families in the world would be able to afford it.
At one point, Carl claims they can save around 400,000 people in the arcs.
It means most passages of the arcs were politicians, scientists, doctors, technicians,
or useful people, and not millionaires, as most people think,
or billionaires as it should be.
The film contains various references to the biblical flood.
For example, Jackson's son is named Noah.
Oh, I should have clocked that.
Damn.
Damn, we are idiots.
Didn't think about it.
The cruise ship where Adrian's father, Harry performs, is called Genesis.
Ah, that pinged in my brain, and I should have to cut that too.
Yeah, it also did.
Yeah.
And humanity is saved by the use of arcs.
which is the most obvious one.
Yeah, not too bad.
What do we got?
Do we got any other good ones?
When Adrian arrives at the copper mine
near the start of the movie,
car hits a puddle and capsizes a toy boat.
This is foreshadowing the capsizing of the boat
on which Adrian's father works.
Look out now.
During the destruction of the Sistine Chapel,
the cracks forming of the roof,
formed directly between God and Adam
in the creation of Adam,
symbolized two aspects
related to the Bible. The transition between
the first and second chronicles of life
specifically breaking the connection
between humans and God and the God's
reversal of creation of humanity
in Genesis 6 through 9.
Roland Emmerich getting biblical.
At one point, the president
of the United States says his wife
suggested a lottery so people had a chance to
board the arcs. This is a clear
reference to deep
impact another
doomsday movie.
Well done. You brought that up.
During the destruction of L.A., Gordon's Porsche Cayman falls into the earth after getting pushed by Jackson's limo
upon fleeing from the Curtis 50-cent Jackson residence.
This foreshadows Gordon's own death as he falls into the gears later in the film.
Wow.
See, that's the thing.
You don't have to necessarily make high art in terms of what you're going for thematically
to, like, make something that's really well-tuned still.
shit like that all these little foreshadowings like that's classic cinema to me like threads like that that happened through the movie that you might miss but you can look back on and go oh it makes sense like it's good like even a movie like this when you put that kind of care into it like that's i feel like the depth people are asking for when you like you see one of these that's flat or something like that and people go like turn your brain off i'm like you shouldn't necessarily have to or turn it necessarily have to or turn you
your brain off in the right way.
Wisconsin is referenced three
times at the start of the movie.
The old woman insists that she and her husband
moved back to Wisconsin when Dr. Helmsley and Mr.
Anheiser discovered the magnetic poles have shifted.
And at the end, when Laura finishes,
farewell Atlantis, because
Cusack saw it coming. We were all going to be
Wisconsin's in the end.
Final fact, when Yellowstone
begins to explode,
Jackson 50 Cent Curtis and his
daughter jump into the Winnebago
and race back to Cessna,
When the RV jumps the fissure on the runway,
the right axle breaks or bends rendering it impossible
to make the steering maneuver that follows.
That's one thing my dad used to point out
to be in movies all the time
is whenever a car takes a jump,
and you guys have probably, you know,
heard me say this, but like so many movies,
you will see the car land and the front end
completely, like, buckle.
You'll see, like, the joint where the hood meets the windshield,
like completely crunch upward.
And then in the next shot, like the car's fine,
and you're like, yes, that car that just made the landing is not any more drivable.
Like, you would not be able to drive that.
And they have a new car now in this next shot.
So, you know, oh, and some theaters apparently started the film at 2012 on the 24-hour clock, which is 812 p.m.
So that's pretty fun.
Anyway, you have anything else to tell the people before we go out into the world?
Oh, no.
2012 was a fun time.
I'm sure it scared the crap out of people.
People that watched it when it came out, and Roland Emrick, you are interesting for doing that.
That's true.
That'd be, this was a strike while the iron is hot kind of thing.
Like, part of me is, like, how long before, because I think this actually came out in 2012.
So, like, how long before, they started the movie in 2009, but this movie dropped in 2012.
So I'm like, when did they start writing this?
Because when did the whole, like, oh, do the buying calendar, 2012?
Like, when did that get really popular in culture to the point?
that they would be like we got to i mean like i hope it came out the day that they predicted the day
was going to oh god if only i feel like it probably came out during the summer it probably
coincided with what they changed the day to not december 21st or whatever but uh but uh uh
yeah the what were we take it back so no i was saying that like yeah it was an interesting
choice to drop it on 2012 and no that's right yeah i'm like because this is the
kind of concept where like you can imagine
a thousand indie horror movies
be like oh we got to use this
2012 concept well the iron's hot while it's still
before or almost or
is 2012 so like something like
this that would take so much time and resource
to shoot yeah I'm like
how far ahead did you plan this because when it
came out I was like damn perfect
timing you know I didn't see it
but perfect timing
anyway gang what's your favorite
role in Emmerich Joint where would you rank
2012 among the
Roland Emmerich joints. Would you rank it number 12?
Would you rank it number 2? Would you rank it number 20?
Leave it in the comments and we'll catch you for the next
disaster movie.
Hug your loved ones.