The Reel Rejects - A KNIGHT OF THE SEVEN KINGDOMS EPISODE 2 REVIEW – THIS IS PEAK COZY WESTEROS!!
Episode Date: January 26, 2026SER DUNCAN GAINS ENTRY TO THE TOURNEY + THE FAVOR OF BAELOR TARGARYEN!! A Knight of the Seven Kingdoms Full Reaction Watch Along: / thereelrejects Visit https://huel.com/rejects to get 15...% off your order A KNIGHT OF THE SEVEN KINGDOMS Episode 1 Reaction: • A KNIGHT OF THE SEVEN KINGDOMS Episode 1 R... The world of Westeros CONTINUES to grow as Greg, John, & Michael Tessler UNITE to give their A Knight of the Seven Kingdoms Reaction, Recap, Analysis, Breakdown, Commentary, & Spoiler Review!! Greg Alba, John Humphrey, & Michael Tessler react to A Knight of the Seven Kingdoms Episode 2, the latest chapter in HBO’s Game of Thrones spinoff adapted from George R.R. Martin’s Tales of Dunk and Egg. Set decades before the War of the Five Kings, the series continues to explore Westeros from the ground level—through honor-bound knights, political power plays, and the personal cost of ambition. Follow Michael Tessler:r:https://www.instagram.com/mjtessler/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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How are you, G?
Oh, dude, I'm doing Splendacular.
Let's watch episode two, guys.
Because sometimes I sneak past you.
That was another...
I can't say that either.
Can't say that either.
A lot of C words you cannot say.
Yeah.
You can say?
Sorry.
This is a test of the automated curse words.
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all right michael how you feeling man i really love this show yeah elaborate a little more why well for
one um it is so nice to just not be worried about the entire state of the world of westrose and to just be on
this jaunty little adventure uh and i i think sir duncan is just such a lovable
two-fus and it's so hard not to root for him and i think egg is just such an excellent little
brilliant silly magical whimsy just like the perfect foil to sir duncan um this episode in
particular like as a big lore horror i loved seeing i appreciate that they don't feel the need to say
everybody's names and you just see the sigils and the different houses and um and so like if you're a
super nerd you're able to appreciate the brilliance of like oh house tully eating the head off of a fish
and then throwing it is wonderful because you know they're the lord paramounts at the riverlands
um and then it was uh sort of i think the ultimate differentiator between the hedge knight or a knight
of the Seven Kingdoms and Game of Thrones.
When we hear a Tully say by the old gods and the new,
it is a very distraught Catlin Stark during the Red Wedding.
Begging.
Meanwhile, this guy's like, by the old gods and the new, poop.
And that juxtaposition, like the fact that that future Tully came to mind in that horrific
scene, I'm like, this show is so much lighter and fun.
And I love this just like.
They're exploring this world in such a fun way.
Even egg being like, you blackfire bastards.
I mean, it's such a wonderful thing.
And I have to say something I was most excited about in this episode was the creation of the sigil and the story behind that.
You know, I tried to do it myself yesterday or whenever we watched the last episode, you know, when we saw the shooting star come down because it's just such a special thing.
And if you're rewatching Game of Thrones
Keep an eye out because Breanne of Tarth
Stumbles upon that shield
Sigil in the show
I don't remember that all.
It's there by the blink of an eye
I don't remember most of games.
All done. Yeah, I think about it all the time.
What did you guys think?
What are you, John? How are you feeling, man?
Yeah, I'm continuing to, I feel
very similarly to Michael
but with all the less like knowledge of the lore, obviously.
Like this, you know, this is more my flavor of show,
and I am also kind of marveled at the way in which they are willing to create something like this
that feels also kind of of a different tradition of stuff.
Like in British telly, I'm used to seeing more paid to going into time periods like this
and putting the resources into bringing them to life.
And, you know, doing that here.
hear in a way that certainly gives you a certain level of carnage and action.
There's a joust and that scene is really intense and it feels like you're one of the people
running around in the chaos half of the time and you're really plugged into how the crowd is.
It's like it's got spectacle and it's got the irreverence that a show, you know, some other
show of an older tradition might not have.
But also it has some of the cozy tones and it has just a lovely way of like I like stuff
like this because it helps make all the other things of the grand.
greater more, you know, momentous pieces feel part of a more living, breathing world.
You know, like it adds light to the map and it just makes it feel like an alive place
where, yeah, there are people who are not concerned with the literal state crafting and all
that stuff who are just trying to make it by.
And yeah, I love the performance of Sir Duncan so far.
And especially seeing him play off egg that much more.
This episode was really fun, getting to know what their dynamic will be.
wondering what the deal with egg is.
Just, you know, who is this, you know,
mysterious lad.
But, uh, do you have any predictions?
It's got to be important somehow.
It's got to be someone's house.
I don't know, take your roulette wheel.
I guess anytime someone is notably bald, I'm like,
are you hiding blonde hair under there?
But, uh, but I mean, it could be anybody, you know,
And I like kind of not having a great idea of that now.
I like that John is Ned Stark in season one being like, I have to figure out, is Joffrey a bastard or not?
Opens book, blonde hair, blonde hair, blonde hair.
Oh my God, we figured it out.
He's a bastard.
That's John's logic in trying to figure out, ooh, is egg.
Yes.
He could just be a kid.
He could just be a kid.
And I'm excited for, I, you know, I like that I don't care if he's anything important.
Yeah.
I'm happy that he could just be a kid.
I know that this is the kind of universe where he could probably be somebody important.
But at the same time, I like that it's just the right amount of cozy and just the right amount of thronesy, you know.
How are you feeling, gee?
I feel like it's a very fun show.
It's a really great characterization.
I like what they've done with Dunk because.
I think they've they lean much more into the sensitivity of this guy like there was the horse scene that was the most telling to me because I remember the horse scene being like a moment where it was a disconnect for me when I was like well that definitely wouldn't be me and that tells you something about this character it's very transactional yeah yeah that's exactly that's the exact word for it you know and for him to have because I think in the book he actually shows like three horses or something any any I think he
brings him, it's been a while.
And he,
he exchanges, he sells one,
but it is just a transaction.
And to take the riding,
put it down to just one horse,
make it a personal sell,
put the weight of it,
even him talking to the horse
about possibly buying him back.
I'm like, yeah, this is exactly
the characterization
they've done differently for him
to make him more soft.
But what I love to
is the inverse,
where I thought,
and during the joust
scene because as cool as the jousting stuff looked and there were some stuff that was definitely
like CGIed but I was like appreciative of the CGI because they because it's at night they were able to
mask it like pretty well yeah it's one of the rare times I wasn't really thinking about it at all
there's like one shot move the movement I think really it helped with that yeah there was one shot
where it looks CGI and I was like I don't care it looked good yeah it's still better than
John Snow's rubber sword during the battle of his yeah well there was a little yeah well there was
like it was a shot where he I think it's when he's like getting back up on the horse or it doesn't
really matter like it was well done it's like it looks cool it's remember that shot in like the two
towers when uh legolus gets on the horse in that like weird way i don't know if you guys remember
that shot yeah he's it looks like they reversed the frame or something that's exactly what
yeah that's a little bit what i was thinking about here was like whoa that looks cool though
like and but that scene was to show the the fear as well of what dunk was going through and
I like the interpretation because to me it was reading as like a panic attack that he was having
going in there.
And I love how instead of him ending on the note of, I don't know if I can do this, I'm scared.
He uses it to, you see the way of how he's become who he is because he finds a strength.
He's like, I'm going to honor this.
Now I have a mountain to climb and now I'm on a mission.
You know, like they lean into the fact that he's like super tall as a thing to make fun of him about.
It's the thing they call out a lot in the material,
but here in this world of the show,
it's never used as a way to intimidate.
You know, it's just a way to make fun of him
and bring him down.
And so I love how they're slowly letting him morph
into like tough moments.
Yeah.
Like with the tug of war.
And then like at that very end to have the monologue
and show the moment where most stories would be like he's just panicking
and we're going to end on the fearful note,
but instead to end on the note that he's going to do legacy.
You want to say it's interesting.
It's interesting because I interpreted that entirely differently.
Which moment?
The perceived panic attack.
And like when he was...
So when he was watching the joust, he was aroused.
I think when he had those visions, I think what he was most scared of, what was creating the anxiety is the thought that his entire existence and legacy is going to end up in the mud on a road.
I felt like that was, yeah, and I think we're on the same page.
No, we're having a fight.
We're fighting right now, Greg.
Yeah.
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I'm just a bad lesson.
I mean, that extra layer to that.
Yeah.
I don't think the fear it's,
self of the joust. I don't think that's what made him anxious. I think it was more the what my life
will be if I don't give myself this opportunity. And even more so, I mean, sure, this guy spent the
majority of his life sort of living in real time, seeing that his mentor, his really his only
family is by and large, by societal standards of failure. You know, but at least he was a good person
that, you know, gave back when he could and tried and, you know,
but realizing that this person that was so important to you,
in the end, amounts to the level of nothingness
in this society that is all about status and legacy.
I think that's such a beautiful sort of thing for him to have to contend with
because it forces him to not just do it for himself,
but also do it so that this person that he loves.
It's like, you know, when they talk about like,
There's the first time you die where you physically die and the second time you die is the last time anybody ever says your name.
He is on a quest to make sure that that his master doesn't have a second death.
And I think that's beautiful.
And I like that as a wrap around throughout the episode getting these.
I like the motif these first two episodes have had where you're cutting to him in these little brief moments,
which utilizes a particular kind of humor that's very now in a subtle way, the cutaway.
but and sometimes they're very silly but sometimes they're very sort of thoughtful and uh and yeah as
you know this contemplation of yeah my whole everything i know came from this guy and this guy is
you know perceived status i'm learning to be sort of disillusioned about but also wanting to do it
justice is yeah a nice new one well it's also the the the the looking past the initial
perception of how someone comes across, you know, like when you look at Sir Arlen, there's a lot of
things where you wouldn't suspect this guy to be an honorable hedge knight, you know? He seems like
disgusting. But he's actually got like a really great heart. And then when Duncan, people make
fun of him all the time, call him stupid. And then you have even Egg here, who is talking about
his shortcoming of literally being like too short to rise to the status he wants to be. And it's a lot
And then to your point, too, you know, like,
I was actually hearing something about it briefly today of how, like,
kind of counter, it's not a counter to what you're saying,
but it kind of is like, we're fighting against.
It's what I love about with the depiction of this show.
So it's just he wants to, like, honor the legacy.
It's a much more personal type of legacy.
It was just to honor because fame and popularity and all that.
That's also, like, fleeting.
Like, you know, and like, you know,
even like the most famous people now in,
in this world now,
like the most famous
really can think of
in like 30 to 50 years
most people won't even know their name.
You know,
like people think of anyone now
like Ryan Reynolds even.
Like I bet you're like 50 to 60 years from now
there's going to be so many people like,
oh,
people are going to be like the creator of Mint Mobile.
I like classic films like Red Notice.
My point with that is like
I like seeing just
Ryan Reynolds, if you hear this,
we're so sorry.
I thought that a way to single you out of all the famous
stuff, all right, Barry is great.
But like the whole idea of like in this world
that is often depicted in Game of Thrones,
is often depicted as a very cruel world.
And he's surrounded by cruelty here.
But you get these doses of surprise niceness,
you know, like the blacksmith.
And just his entire mission here at hand
of this one guy who's entered in the attorney
and he says to all he wants to honor his master of people
looked down upon it didn't even like bother to bat and i remember who this guy was even though
he fought some really important significant fight i think that's the brilliance of and i'm i'm gonna
go out on a limb and say that george r martin sort of had this in mind when he picked this time
period do you know like other than having read the books do you know any of these other
Targaryians
Barapheans or
like all these noble houses and noble names
These people are all just like
I never fucking heard of them
And I think it's sort of a very clever thing
Because you know we all know DeNaris
We all know that's why all the Targaryans are named Agon
Yeah
For real
Aagon Aron
Aron
Damon
Darn
Lagon
Cheagon
Bragan
Raygarn
Raygar
I think the brilliance of this is that even though in this moment they seem so powerful and they seem so influential, we have the benefit as an audience of having a glimpse at the future and realizing that nobody remembers them either.
And that's sort of, I think, a very beautiful, you know, which is why I appreciate that in Game of Thrones there is that little slight ode to sort of.
Duncan the tall.
Spoiler alert, John, by the time of Game of Thrones, Sir Duncan the Tall is dead.
Wow.
He doesn't live to be 130 years old.
No.
No, I actually, I only think there's one character in this that is also in Game of Thrones.
Oh, fascinating.
Well, I'll be on the lookout.
You know what I like?
You know what I like. This is my last thought.
I know which may now.
All right.
I'm going to be on the lookout.
I want to be on the lookout.
It'll be on a second.
It'll be the most.
It'll be a fun character, I'm guessing.
It's just weirdly enough,
Hodars just there.
Why not?
He's holding the door for the Lord's as they.
Can we really quickly,
I just want to say,
I absolutely loved the hand of the king,
and I loved the juxtaposition of those characters.
I love seeing the tension.
And it's nice because I feel like
we're not going to spend too much time there,
but just enough to be like,
oh, this feels, it feels right.
Well, I forget.
forget everyone's names.
That's okay. Me too.
The hand, yeah, that's why I feel like a Targaryen or something.
Brother Targaryen.
Amen.
Not going to be the King Targaryen.
But the, yeah, the Hand of the King, who was really nice to dunk.
What's cool is he was so nice, but the world of Game of Thrones has programmed you to be like,
but what's this guy's real?
Well, his real angle is the more leverage of names he remembers,
is the more efficiently evil of a hand of the king he can be.
I mean, you have Taiwan, Lanast,
there's like no shortage of really bad hands.
But I've always found that role to be so interesting
because, like, sure, there's the king,
but the hand is the one that really controls.
What did you think of him, though, John?
Did you find him, like, sincerity?
You feel like there's a discus something malicious up here?
That's one thing I, like, why do you mean?
you said that thing about like, okay, what's this guy's deal,
though, what's his angle?
Is he going to come back and be some kind of snake?
You know, he's the key to getting Duncan into the tourney at this point.
But, you know, and that's been fun about this show so far is every time,
and especially watching romance lately too, we've been in this mode where like every time I'm like,
oh, God, some terrible is lurking around the corner.
Usually actually in this show, it turns into something thoughtful or something wholesome.
And because Game of Thrones has that all the time,
that's sort of like tragedy could strike at any moment.
I think the interesting thing is he's in that position, right, of he has nothing to lose.
Like, worst case scenario, Duncan dies during the tournament.
It doesn't mean anything to him.
Best case scenario, Duncan wins and is now forever indebted to him for being the one that got him in in the first place.
And I think, I don't think there's necessarily like, yeah, it's nice, but his intentions always have, by virtue of the position that he's in, he's always fact.
and how can I leverage this?
It's also not so subtly imply that, you know, there's a
some tension within the house.
Sure.
You know, and like, not to get in the weeds,
but like I appreciate that Blackfire rebellions come up now in both episodes,
but like being a darker-haired Targaryen is not a good thing for a Targaryen
that wants to be in power.
Sure.
Sort of the visual of, oh, you're not, you know.
So, anyhow.
All right.
That's our thoughts, guys.
What are your thoughts?
Leave them in the comments below.
Are you enjoying this show?
I really hope they are.
Please enjoy the show.
If you feel like it, I don't want to tell you how to feel.
Please clap.
We'll find out.
Well, thank you guys for being here.
Thanks, Michael, for bringing your A game.
Thanks, John, for bringing your egg game.
My A.G.
My A.
Thank you guys for being here.
We'll see you all very soon.
Peace.
