The Reel Rejects - BACKROOMS MOVIE REVIEW - KANE PARSONS HORRIFIED US! - FIRST TIME WATCHING!
Episode Date: July 18, 2026YOU WERE NEVER SUPPOSED TO FIND THIS DOOR… Tara Erickson & Roxy Striar experience A24’s Backrooms (2026) for the first time, reacting to Kane Parsons’ feature-length expansion of his viral Backr...ooms analog-horror series. In this Backrooms movie reaction and review, Tara & Roxy follow a mysterious doorway beneath a furniture showroom into an endless liminal maze filled with disorienting spaces, disturbing discoveries, terrifying creature encounters, and unpredictable jump scares. They also react to Backrooms: Everything Must Go, featuring 16 minutes of bonus footage, while discussing the unsettling ending, found-footage influences, massive practical sets, and visual effects that bring Kane Pixels’ internet phenomenon to life. Backrooms Reaction (Full-Length Watch-Along): / thereelrejects Limited Time Offer – Make healthy eating simple. Get Huel today with my exclusive offer of 15% OFF online with my code REJECTS at https://www.huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show! Directed and co-scored by Kane Parsons, with a screenplay by Will Soodik, Backrooms stars Chiwetel Ejiofor as Clark (12 Years a Slave, Doctor Strange), Renate Reinsve as Dr. Mary Kline (The Worst Person in the World, A Different Man), Mark Duplass as Phil (Creep, The Morning Show), Finn Bennett as Bobby (True Detective: Night Country, Warfare), and Lukita Maxwell as Kat (Shrinking, Generation), alongside Avan Jogia (Victorious, Zombieland: Double Tap). Tara & Roxy react to the furniture-store basement portal, the maze’s iconic yellow corridors, the film’s unnerving monster sequences, its blend of psychological and science-fiction horror, and Kane Parsons’ evolution from Blender-created YouTube shorts to an ambitious A24 feature. Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter: https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
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More on them in just a bit.
I set the vibe.
Hey, Tara.
I want to take you into the backroom and...
Oh, where is that going?
Look at her go.
And watch backrooms with you.
Yeah, okay.
All right.
I'll accept it.
This will be our first backroom together.
Here we go.
Three, two, one.
Let's go.
Oh, that was really good.
All right, Citizens of the Reject Nation.
You guys just forced us to watch backrooms and boy, oh, boy, did we?
Oh, we're going to talk all about it before we do that.
Don't forget to like, comment, subscribe if you haven't already.
Also, Tara.
Oh, yeah, sorry.
Ring the bell.
Ring the bell.
Can you hear me?
Yeah, perfectly.
I can't hear myself at all.
Like, comments, subscribe, and then you just say nothing was like,
were you in the backroom as far as like?
I was, I was.
Ring the bell, okay?
We also want to give a big shout out to our patrons, patreon.com,
slash the real rejects
where you can take up
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is where Greg and John
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yeah I got my reject
shout out to you guys at home
I read all the comments
and I want to know
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so leave a comment in
I will see it
so be kind
if you're stoked that the Cheejects
are back
don't forget to write that down there
also let us know
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we've been seeing
we Tara and I have been
filming a franchise
together that's going to be dropping either before
or after this. And if you're part of Patreon,
you know that. But for those
of you who have been like, where have our she-jewks been?
We are here and get
used to that, babe.
That's my girl full life.
So, did I have to tell the people
anything else? Oh, follow us on social media.
At Real Rejects. That's where that good, as my girl, Tara
says, extra juice is.
All right. All right. We are, one of the cool things you guys
can do. It is Lakita. I could call her
Lapida. Sorry, Lechita and Actwell.
Lechita.
So Finn Bennett, can you put, click on him for a second?
I recognize him from maybe Game of Thrones or something.
What is it?
True detective.
Wait, scroll down.
I think it's from something else.
Oh, there.
Oh, a Knight of Seven Kingdoms.
Yes.
Okay, so I was like, he looks like the guy in Game of Thrones.
I never watched that.
You've been seen the Spinoffle Game of Thrones?
No, I've never watched a Night of Seven Kingdom.
That's the Spinoff of Game of Thrones.
Oh, it is?
I'll watch it.
It's very, very good.
Oh, yeah, because I think I was holding off watching it because I wasn't sure.
I had to do it for the channel.
Okay.
Got you.
All right.
Excellent actors in this.
We will talk about all that.
We do our reviews based on your guys' Patreon questions.
So we will get to those momentarily.
And thank you to everybody.
Oh, I don't know.
We don't have any.
We don't.
See if they had some for, check if they had for Jackie and Greg.
And we can, I would just command.
Good idea.
Yeah, just command out the name of the movie we just watched, which is back rooms.
Oh, did they not have any either?
All right.
Well.
I'll look up on
Okay girlfriend
If we don't have questions for you guys
Tara and I will predict what you guys are to ask
We're also going to go over some trivia on this
I want to learn a little bit more about Kane Parsons
Because he is so effing young
And all of that good stuff
But before we do any of that
Just pausing and coming to you Tara
How did you feel about backrooms?
Dude I freaking
I loved it
It was creepy as hell
I couldn't guess any of it
really good practical effects,
especially with the large fire at the end.
I feel like, yeah, it was giving,
not succession, frigging severance.
Yes.
But it is wild that at first,
when he goes, I like to hurt people,
I guess, just the way that I'm built.
He didn't say I like to hurt people.
He said, I do hurt people.
I hurt people.
it's just who I am.
It's just who I am.
And I said out loud, I hate when people say that.
Right. Because that does bother me. We get that all the time.
Like people who are just like, that's just who I am.
Right.
You know, like, if I'm like, oh, I'm a tea drinker, not a coffee drinker.
That's just who I am.
If I'm like, I hurt people, that's just who I am.
Like, if you're okay with being somebody, but that's why he was like, that's why I'm fine being alone.
So I don't hurt people.
That's why I gave him the benefit of the doubt because he, like, I don't like somebody who does.
acknowledge that they hurt people, but at least he was like, so that's why I'm alone.
Exactly.
But we should have been harsher on him because that was crazy his role play.
But then I was like, you know, it is to his therapist.
And sometimes we say things to our therapist that we wouldn't say in real life.
So I gave him the bed of the doubt.
I was wrong.
I was wrong.
Keep going, Tara.
Sorry.
No, it's fine.
I mean, it's just wild that he says that, you know, out loud.
And then, yeah, sure.
He's like, okay, that's why I'm alone.
I'm like, okay, when, when, we.
But also, let's go back to the fact.
you're like, I hurt people.
And like you're not like, you, you didn't initially say like, well, how can I change it?
Until we're in the freaking back room at the very end and the therapist is tied up.
And then he very genuinely says like, how can you help me or something?
I forget the line, but it was very, very genuine after all the creepy shit happened.
And he brought the two kids into the shooting, the camera kids down there like, this movie is wild.
I don't even know how you even think up this plot because it doesn't really.
you're not, it doesn't really make full sense
although it does.
It's sort of like, it's a back, it's a back room.
It's a back.
I don't know how to describe it.
It's a freaking back room.
It's wild.
Well, I could do wild.
There's a bunch of shit happening.
I don't know how you come up with the idea, but I love it.
So not to bring it up, but to bring it up in this context for a second.
The two biggest horror movies of the year that I just keep hearing people talk about are
obsessions and obsession and backroom.
Oh, yeah.
Those are the two that everybody continued to say,
like you have to see these two movies.
And number one,
they both come from directors
who come from the YouTube space.
Yeah.
Which I'm really excited to see how many people
who are such diehard fans of cinema,
such diehard fans of movies,
are getting their shots,
creating such original pieces of art
like obsession or like backrooms,
which really don't,
even though they kind of have simple concepts,
they don't remind me that much of other things
in terms of like their original story.
even though they borrow from things.
And I understand why, Tara and I both understand
why everybody loved obsession.
And now I really understand
why everybody loved backrooms
because while this had severance vibes at first,
it really takes its own, like,
you know, the more you remember things,
the more they become misshap in.
And like, I really,
the changing perspective shifts
between first our first protagonist
and then our second one
and then like really
deciding to double
down with that. I just think that this was very unique, very original, never boring. It kept up its pacing. Artistic, the design of this was
absolutely wild. Crazy. And I feel like the entire time I was watching this, I was like, what the fuck is happening?
Every guess I made was wrong, which I know might annoy some of you guys at home. But for me, is a sign of a really
interesting movie. The fact that I kept being, you were like ghosts. I was like real. And it wasn't either of those
thing. It's like, yes, it was more
in the supernatural vein in some ways, but then
actually at the end, when Mark Twas talking about it,
he's like, we've never seen anything like this. And I'm like, oh, is
this actually like, is this
a commentary on aliens?
And you, I feel like, where are we and what
is this place and what are we saying? And so
I think this is one of those movies I'll be thinking about for a long
time to come, which I really love.
I want to get to some of this trivia.
Yeah. Because we're so curious
about this. This is coming
from IMDB. It says the production built around
30,000 square feet of back
rooms, which led to some crew members occasionally getting lost on set.
Oh, my God.
I can imagine that because they all looked so similar.
30,000 square feet, dude.
I actually love that.
So many square feet.
That's so fucking cool.
I'm curious where they shot this.
Where were the 30,000 square feet?
Yeah, because that's a lot.
That is a lot of room for that.
Yeah, that's where probably a lot of the budget went to.
This next one's really interesting, too.
The backrooms is a concept originated in a four-chain thread in 2019.
The thread featured a single still image of an empty yellow room that in red.
If you're not careful and no clip out of reality in the wrong areas,
you'll end up in the back rooms where nothing but the stink of old moist carpet,
the madness of mono yellow,
the endless background noise of fluorescent lights at maximum humbuzz,
approximately 600 million square miles of randomly segmented empty rooms to be trapped in.
God save you if you hear something wandering nearby because it sure as hell has heard you.
Whoa.
That makes...
Okay, 4-Changy.
2019.
Damn.
You want to hit me with this next one?
Yeah, A-24 discovered
Kane Parsons Online.
Loved the idea of the backrooms,
a 22-creation.
They pitched the movie to him a while back,
but it was put on hold
because of the Hollywood Strike.
It was later revived with Parsons
set to write and direct the film.
So I saw he co-wrote this.
They said they loved the idea of the backrooms.
I'm looking at what initially,
originally titled Backrooms,
22 TV series,
analog choros series revolving around
a mysterious alternative.
alternate dimension known as the
background's creator was Kane Parsons.
So he must have done this
because it says it's an analog horror series.
So he must have done this.
I'm guessing on his YouTube or something.
Totally.
And it was him.
Okay, a bunch of other people.
Listen, wow.
So he was the star of it
or he was the scientist
in his own in 17 episodes.
Yeah, cast yourself when you can.
I wish he was in this movie.
Mark DePlast offended,
Kane Parsons from online rumors
that he did not actually direct the movie.
I'll talk about that in a second
if you didn't hear that.
De Plas relied, replied to a user,
hmm, with all due respect,
I don't remember seeing you on set.
When I was there, Cain was 100% in control
more so than any directors,
three times his age.
De Plas added, you may like this movie.
You may not, but you should know
that Cain Parsons is the one and only director.
Hell yeah, Mark, come through for that.
So this was going around about this movie.
This was also going around about obsession
that neither of those two YouTubers were
were the actual directors
and they were using them a name.
But I know people who were on these sets,
who were like it's just the biggest crock of shit.
Yeah.
And I feel like with Kane Parsons age,
it's so wildly impressive.
Impressive at 19, K Parsons is a young director.
That's crazy.
Starting production after graduating high school.
It's crazy.
So I do understand why your brain could go to like,
could he have possibly done this?
But he did.
So he did.
And listen, at 19, could I have done this?
No, could I do this today?
Probably not.
Maybe.
I definitely can make a great movie.
today, but I don't know about this. The level of
this type of movie and working with this kind of budget
as a first time filmmaker at 19, that is above
and beyond impressive. I just think people need to remember
that like I feel like people who are in the comment section thinking, oh,
there's no way someone at 19 directed this. People are, it's all
cover up. And I'm like, just because you couldn't do it or you don't
know a lot of people close to you or that we do in the universe
doesn't mean that it can't be done
and I do like that
Mark Duplas came through for him
because I didn't, you guys know
I don't read anything about any movies
because I don't want to be spoiled
but my point being I think that it's really admirable
that Duplas like stood up for him
but then also that you know
Kane I'm imagining just a kid
on YouTube
having an idea that goes
I'm going to make a series
and just continues to do it
I'm sure Rossi gets the same
but there's people who continually reach out
to me as well they're like
hey do you have advice on like how I can make
my short film or how I can make this and I'm like
you just have to do it
just do it just make a thing and I feel like
that's probably what Kane was doing for so
so so long that of
of course he had put in his 10,000 hours
so he graduates high school he gets a
I don't know how many millions of dollars
this was but a million
millions of dollars budget and
has to make it work
but also he has producers.
It's not like when you're a director.
When you get millions of dollars,
you have 824, there you have it.
You have a line producer.
You have a bunch of producers
and a bunch of people that go,
I am going to help you make your vision
because your vision,
what you put on YouTube is cool.
Not to mention he,
when you cast really strong actors
and so maybe he doesn't have to be an actor's director as much.
He can really be like focused on the aesthetic
as whatever it is.
I'm super with you on that.
And I do think it's really frustrating.
Like people who think they know things as facts that weren't somewhere.
It's like, what?
You can't just, it also can ruin somebody's life when you make up rumors about them that aren't true.
And people, I just think that that's so, so ridiculous and disrespectful.
And huge props and credit to Kane Parsons who clearly wrote and directed this.
Hell yeah.
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Love you.
This is coming from the spoiler section on IMDB.
It says Director King Parsons confirmed in an interview with BAFTA
that the fly that shows up during Mary's initial entrance in the back room
was an actual fly that just showed up on set and wouldn't go away.
And they had the idea to incorporate it into the story by including it in several moments,
including the pivotal moment of Mary seeing it fly through the wall.
Oh my God. I love that that they just incorporated because I love it.
I thought it had to do with the rats and the fly and the whatever, but I wonder if when she was looking at him, we were in a close-up shot, the fly landed on her.
And a fly is very horrid. S that's a fly is always used. Like that if that was the real one, that landed on her during that take. I love that.
Tara, looking at some of these other things, let's see, in POV scene, Clark running away from the pirate Clark entity, the shop briefly shows some rooms that are recreation.
the original images composition posted
from the four chain thread.
There's also seemingly stuff about this as
the infamous backrooms bacteria
are not shown or mentioned in the film so I wonder
where that was mentioned. Maybe it was in the series.
The bacteria are giant misshapen
black figure-like entities
that are fast and violent. Director Kane Parsons stated that
he wanted the still life or still life
to be focused on as the threats in the
film instead not using the bacteria in the film
to possibly avoid confusion about what the entities
in the backrooms are and look like.
Listen, I don't know about the backrooms
bacteria, but I think that was smart because there was already so much going on in this.
There was a lot.
That I don't know that we needed to do that.
Right.
And this is a kind of movie where I'm sure that you guys at home, because like Tara said,
we don't look things up, so we really don't know things going into it because we don't want
to get spoiled.
So I'm sure you guys have so much more knowledge than we do about this movie, the making of this
movie, Kane Parsons' involvement in this movie, how this movie came to be with somebody who was
so young, all those things.
So leave it in the comments.
Totally.
I would love to hear more and learn more about it.
I also think that this movie is about remembrance and, like, being remembered.
Like, if you think about COVID and how the world has changed, even L.A. is still changing,
where it's like restaurants, underground, you drive by places and they're, like, boarded up or there.
It doesn't exist anymore.
We don't have Walmart anymore.
We don't have, like, a Kmart there.
Like, it's weird.
And so at the very end of this movie and seeing these places, when we go to her, she's obviously now being misremembered that when,
when as time goes by.
It's like that would be the last thing that anybody wants.
Everyone always says like,
oh, I just want to be remembered in like the right ways.
But not everybody can remember you exactly how you're going to want them to.
And it's a very scary image to leave us with.
100%.
What you're saying is spot on terror.
And I think that's a really,
because I always try to get with the lessons of in films like this.
And I think that that is definitely part of what this is about.
It's about, you know,
the ability to change willingness.
to change and who should change or not change.
And if we are capable of that,
it's definitely about remembrance
and what that does down the line
as we continue to tell ourselves stories
or recreate things.
I also want to point out that I did not see sentimental value,
which was nominated for multiple Oscars.
And she was...
I've never seen that.
The woman who played Mary is the star of that.
And I heard that she was amazing in that.
So that must be...
How they found her or got her or something?
Well, that was only last year,
so I wonder what they filmed...
first, however, I'm just glad to
just do a little bit of looking
up of things. She was also in
presumed innocent, which is a
in the television show, presumed innocent.
Haven't watched that either. And that's probably
where I was like, she kind of looks a little bit
familiar. Lukita, we already talked
about being from shrinking. Finn,
we already looked up from multiple different
things. Chibatel
Ejafor has always been fantastic.
He's an amazing actor, but I thought that this was his best
performance that I've ever seen him in.
Well, I don't know, because
he's been in some like really, really unbelievable movies
like 12 years of slave and whatnot.
But I thought that this was the most shocking performance
of his where I was like that was not what I...
I know he has ranged, but I didn't expect it.
I did not expect the turn he took.
We haven't seen that.
Because he was so unbelievable.
Yeah, he just was so...
He was really grounded in it.
And especially when he gets vulnerable at the end
when he's like, I...
Can you tell me how to change or whatever?
And sweating through it and be like,
it's, we...
When he's talking to the,
the pirate guy and he's like, it's just how we're wired.
I'm like, oh my God, this is crazy.
This is nuts, man.
It's just, it's crazy.
That's the kind of performance I would wish would get an Oscar nom.
I doubt that he would go because I don't know if this is a big enough movie.
However, I do think that Indy from Obsession is probably going to get an Oscar nom.
So we'll see how they honor horror this year.
Right.
I'm curious, how does IMDB describe this movie after therapist, patient disappears into a dimension
beyond reality.
She must venture into the unknown to save him.
Do you see how this?
She doesn't really say, you don't know.
She does not.
See how this, though, describes this as, like, from her perspective, that's so interesting.
Yes, because we really start in his for the whole time until we snap to hers.
We don't really start in his because we...
Oh, right.
We start with the kid.
With the kid stuff, but...
Yes.
And we should have known we were going to come back there.
We start with Nars or whatever that guy.
Yeah.
Yeah.
We start with him and then we go to the her...
We have the her kid stuff, but we were in his perspective for so long that...
Yeah.
really thought that this was his movie for a second,
but it was not.
It ended up being,
how and where it ends.
That was so freaky.
Any final thoughts about backrooms?
I just think, like,
it's wild that he's going to be the one that
wasn't going to change,
didn't change really at the end.
He kind of asked for it,
but when he goes to the party,
he goes, hey, we're just wired this way.
And I'm like, oh, so you're not going to change,
but the people around you who maybe are trying
are all misremembered.
But also think about what the lesson of that is, though, is he said we're not going to change and he dies.
Yeah.
If you're not evolving, you're dying.
Yeah.
And he says the pirate, we're not going to change.
And the pirate says, okay.
Yeah.
Then goodbye.
Totally.
Like, not that the pirate was good, but just saying that's what happens when you stop being willing to.
You don't evolve.
Yeah.
Right.
It's, yeah, I agree.
I think it really is, has some sort of a message, just about.
about being remembered and how you want to be remembered and that everyone, you know,
there's a lot of things that will be misremembered and either in a sentimental way or in a
negative way. And as you drive around your town or just look at people, this back room is almost
the back room of like a nostalgic part of your life, which is a little weird. It's a little weird.
I love it, but it does bring up a nostalgic aspect of it. Going into this movie,
Greg was outside and I was like, how is it?
And he was like, it's really weird.
And I was like, huh, because I haven't heard much about it
other than it's amazing.
Yeah, me neither.
Now I understand, he said it as a positive,
but now I understand, like, this is a weird-ass movie.
This is a weirder movie than obsession.
This is a much quirkier movie.
That's like a more straightforward, like,
you get what you would,
careful what you wish for.
Totally.
This is a much more like the maze of this room,
the maze of your mind.
You don't know where it's going.
what the fuck is happening.
Exactly.
It's crazy.
We couldn't call any of it.
No.
Except I said ghostly when he went through the wall.
And Roxy still was like he's not ghostly.
And then she was right.
But then I was wrong.
But look at that.
We're freaking pirate and this other weird stuff.
Try to come at me and tell me that's not like some paranormal normal shit.
Hold on.
Hold on.
Okay.
Hold on.
Come at me and try to tell me that's not some ghostly shit.
Hold on.
Mm-hmm.
You said ghostly when the lights flickered.
Yeah.
Not when he went through the wall first.
Because the lights kind of turned green out where we had seen the issues with the circuit breaker and you said, ghost.
I did, girl, because I'm going to tell you right now, you guys won't believe me.
My aunt constantly texts me all the time.
And it's like, she'll send me a video and she goes, look how the light's not on.
What?
It's going to flicker.
And she's like, I know it's my sister, which is my mom.
So, yeah, the ghost we live it in the lights.
And here's why I said that because they were flickering.
and I'm like, yeah, I get that they do that.
But I feel like when they flickered,
the guy had already turned off and on the breakers.
And breakers just make them go off or on.
Not like, da, da, da, da, you know?
So, if you've made it this far in the video,
I also want to tell you guys about something.
They might be, they're asleep.
If you made it this for the video,
right before we leave, I'm going to tell you guys something.
This is important for people who are like me.
What are you going to tell them?
I love LaCroix.
We are not sponsored by them, but I love LaCroi,
but this pineapple coconut flavor.
Is it good?
it tastes like sunscreen.
Oh, not good.
Because pineapple coconut.
And let me tell you, like, I love the orange cream, the lime.
Everybody knows I love so many of these.
If you, like, want to feel like you're on a beach but, like, sweating and sunscreen
in your mouth, this.
And if you made it this far on the video and you heard me talk about that, then comment
in the comments.
Drink it if you want to feel like you're out of Caribbean.
Include the word coconuts in your comment.
And then we'll know that you know that you made it too.
the end. This is good rocks. And this is how we know. If you use the word of coconut in your comment,
somehow, somewhere, then we know that you're a real one. If LaCroix makes it this far, she likes the
tangerine cream, that's the only one that she likes. No, wait, only one. I like a hundred of them.
The tangerine cream is your favorite. Or tangerine cream is so good. Orange cream is our favorite. I like a lot
of them. She does like a lot of them. She's obsessed with the Crois. This one is like sunscreen in my mouth.
And it's just that's what it is. And coconuts in the comments, if you made it this far. And if you
didn't, then I don't know that you're a real one.
Okay.
Oh, God, not die.
Um, she Jex out.
Later, Rejects.
Bye.
