The Reel Rejects - CHILDREN OF MEN (2006) IS ABOSLUTELY INCREDIBLE!! MOVIE REVIEW!! First Time Watching!!
Episode Date: June 10, 2025ONE OF THE GREAT SCI-FI FILMS OF OUR TIME!! Children of Men Full Reaction Watch Along: / thereelrejects Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Child...ren of Men Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Roxy Striar & John Humphrey as they plunge into Alfonso Cuarón’s haunting dystopia Children of Men (2006). In a world where human infertility has led to societal collapse, disillusioned bureaucrat Theo Faron (Clive Owen, Sin City, The Bourne Ultimatum) is roped into escorting Kee (Clare-Hope Ashitey, Africa United, Resident Evil), a miraculously pregnant refugee, to safety. Along the way, they’re shadowed by Julian Taylor (Julianne Moore, Boogie Nights, Still Alice), the fierce former activist intent on safeguarding humanity’s last hope, and pressured by militant enforcer Luke (Chiwetel Ejiofor, 12 Years a Slave, Doctor Strange). Veteran activist Jasper Palmer (Michael Caine, The Dark Knight, The Cider House Rules) provides crucial refuge—and the film’s bleak, immersive vision of 2027 Britain is punctuated by stunning long-take set pieces: the devastating car ambush, the desperate street massacre in the refugee camp, and the epic Bexhill Beach battle shot in one continuous, unbroken shot. Don’t miss Roxy & John’s breakdown of these iconic scenes, the film’s relentless tension, and its powerful themes of hope, redemption, and the fight for humanity’s future! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter: https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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It is the cold
habitual
And it is the
cold of
the cold
at his
summit
Cozlight
T'envee
a while
responsible
You have to
have the age
legal
for consuming
the alcohol
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Let's
let's children
some men
Then when you do
Roll the boat
Oh my goodness
Oh my goodness
Did that win a bunch of Oscars?
I would be fascinated to know
I'm looking forward to trivia on this one
It certainly should have
Yeah 100%.
I guess we can
It's another one of those movies
Like oh I need a second to put my brain back together
Yeah let's talk about it
Roxanne
we
beheld the children of men
baby Diego
didn't die in vain
how did you feel
oh that movie was amazing
I mean I thought that that movie
just knocked it out of the park
it makes so much sense that it was a book
because sometimes we try to
rush scripts to screen and this
came from source material and clearly
Alfonso Corom was like
yeah this is the project I want to do
and bring this to life and everybody had
It's such a seemingly
like personal connection to this story
and you can see this being our world.
Yeah.
The performances were stellar.
The cinematography was out of this world.
I love the musical choices in this.
Usually I don't point out the lighting in a movie,
but holy crap, I thought that that was just like
the cherry on the cake or on the,
cherry on ice cream?
On the Sunday?
Sunday.
Cherry on top.
Wherever the cherry was, it was chariing.
The cherry in a Shirley temple.
This is like, honestly, I'm not even kidding.
This is one of the best movies I've ever seen in my life.
Absolutely.
Agree.
It's funny.
I can remember the last time I said this.
But every so often, it doesn't happen often.
But once in a while you'll see something and you'll get to the end.
You'll be like, I think I just saw one of my favorite movies.
Yeah, that was like perfect.
The story.
And like even Marika, which we'll talk about everything, down to the last, like Marika seeing a
baby and being like I will risk my life to save this child like just that like instinct in her
no matter the circumstance or language barrier or whatever I understand this and I'm going to do
all I can for you. And when she takes the baby and leaves to the door and you were worried and I just
knew I was like there's no way she knows this is the babe and her mom like it just yeah I was
emotional throughout it too when when marika came and she took um what's the guy's name who speaks
him third person oh sit
When Sid was like
When Marika comes and beats him
That's when I actually got teary
Because I was like look at her like
Giving up everything right now
Because we know they have this working relationship too
And she's like I don't care
I will do whatever it takes to protect
It's like when you see those mothers
Lift a car off of a kid
And you're just like what
It's strength
It really reached a point where like
I'm trying to remember where the exact moment was
But there was a switch that flipped
And just like for the rest of the movie
there on out i was just kind of like generally emotional yeah they had us by the they had us by the
tears by the throat like tear ducts yeah that was just i think that that movie was i mean yeah i thought
that was like the most amazing movie it's crazy because before this we were what is this
bono no no no who is this i'm not sure we'll have to check the
end of the credits um we were talking before hand and spoiler alert we were talking about whether
we were going to be watching this or megamont yes and you were like no i think this is supposed
to be like a great movie and i was like is it we're like let's just give it a shot yeah are you in the
mood for cinema or are you in the mood for you know like a fun good time and um but i did not
expect this to be this like yeah i think prior to this maybe my favorite movie i've ever watched
on the channel might be society of snow with you sure because that's
that movie just really moved us both also.
Totally.
And in a different, but in a spiritually similar way,
it really puts you directly next to the characters so much of the time.
But this one might be my favorite movie I've ever watched on this channel.
And seriously, like, I feel like this is like a top 20 movie of all time.
I would agree.
Because this is a movie, this is the kind of movie that to me is sort of rare in that it has
a little bit of a lot of disparate elements that all kind of come together.
It's like it's got this interesting sci-fi concept, which is like cool and engrossing on its own.
But then it also has, you know, a very, I guess, aware political sort of undercurrent to it because there's so much about, you know, refugees and fertility and, you know, the commodification of land and resources and all that.
stuff and then you also have and bureaucracy yeah so you've got like that commentary happening you've
got the cool like sci-fi concept and then you have like great attention to character details
and great performances and juicy roles for everybody on screen like I was sitting here going
this seems like an actor's dream and then I was also like this seems like every department's dream
because like there is a high concept sort of you know in the conceit that like yeah we're in this
dystopian near future where nobody is you know where infertility has uh you know is become like
its own epidemic uh and like there's there's there's like stuff that's cool about that and there is
like action and it is exhilarating but it's also like it carries weight in terms of the
just emotional lived experience of the characters plus you know the subtext and context that's
you know happening alongside all of this and they managed to weave all that together into
something that felt just so fluid like it never felt like it was taking a break to be like
here's our political message or you know and taking a break to be like well here's some levity
for you like everything felt like it happened so naturally and I loved how this this movie
I'm trying to think of any other movie that I felt this way about like there's a number of
moments where it's like you'll be following
Clive Owen, like when he's outside the window
listening to them
talking about the real
reason we're at the farm, you know,
when he overhears the next
layer deeper of the truth. Yeah,
it's like we're on him and we're watching him for a while
and then we're doing this scene, you know, like through
the window and we're kind of panning back and forth
a little bit and it's like you're witnessing
Clive Owen's part of the scene,
but you're also witnessing, you know, the
other information happening over here
and it's like it'll have this
brilliant way of in one shot capturing
the way two things can be happening simultaneously
that are pertinent to the story
and there were a number
in the ending the credits of the kids again
and so many shots that would be like
you know you're that that scene in the living room
where Michael Kane's retelling the story
of his kid and we're
just watching him re-experienced
this and the rest of the ensemble is like
out of focus shanty
shanty shanty God
like even to the end of the credits this was just like
so crafted.
2007, wow.
Yeah.
And so, like, even in a shot like that, you've got the ensemble mostly out of focus
in the background, but they're all still alive and, you know, both of those scenes
that are happening are just as engrossing.
And, like, there's so much interesting, again, interplay between the storytelling, the
blocking of the characters, the performing, the camera, like, everything felt so
collaborative and so kind of interlocked, you know?
And, like, the production values and the locations.
are so lived in and it's i you know i think any dystopian semi future movie you know always gains
something from having that lived in quality where it's like it's a bit run down it's not like a
shiny polished future you have little things that are futuristic like the glove or whatever
but like this felt like a really tangible like this could just be reality you know completely yeah
and i'm i'm glad that they show like one of my favorite shows of all time is leftovers have you ever seen
I've heard so many people.
This is so up your alley, you would love it.
But what I really appreciate when movies shows do something like this is when we don't spend
too much time trying to figure out what happened as opposed to living in the reality.
Yeah.
You know what I mean?
Like this show, this movie could have been like.
I don't need the prequel where they're like, let's find out how people, you know, went infertile.
Right.
Like it's been 18 years.
So I'm sure there are people who are looking into that.
But I don't need this movie to spend time explaining to.
us why people are infertile or the theories behind it you know there's like one throw a line like
whether it's this this or this um and i think that that is so much smarter because sometimes in our
reality we don't know why something is happening we just can only can deal with what is in front of us
yeah and the one thing that i do feel like keeps humanity typically is the children right
like why anytime you hear any politician whatever side speak they say well we need to clean up the
streets for the children we need to clean up the library for the children we need to like
whether it's excuses are real everybody's always for the children we need to deal with this for the
children and if there are no more children yeah where does our humanity go then there then what is
the purpose of creating a better world yeah what's the purpose of dealing with global warming what's
the purpose of dealing with any of the ills that plague the earth and the imbalances that make people
suffer right and you also think about
It just, this was such a thought-provoking piece because you also think about, okay, so when, like, she, he's saying she needs a doctor.
Yeah, okay, because it's been 18 years, doctors are a little more difficult to find probably because.
Well, on this kind of doctor who knows anything about babies.
Yeah.
And so, you know, they would have had to have been a doctor.
They would have had to have been like a 30s or 40-year-old doctor when everything happened to still be probably practicing, like know anything about this.
And not only that, but as the generations grow up without babies, eventually it's going to be a world full of 80-year-olds, nobody younger than them.
No doctors left who have familiarity with any, you know, just like thinking about all of the things that this would mean.
So what would a baby actually do?
And the desperation, if you know that there's somebody who is fertile and then what does happen to her or her baby who is a woman or a girl.
Well, and if the baby, you know, it's like if she was able to conceive.
of a child and she gives birth to a girl could that girl carry on that's what i'm implying right so
like when they when he said it's a girl um to the uh uh chilewell who was uh dying what was his
character's name he's yeah whatever he said leo or whatever he says it's a girl leo or whatever um
it's like the women in this universe who could do that it's it's it's it's
it's giving handmaid's tale, you know, like what could have, whatever it is.
So just the fact that.
Well, and that, and that I think that moment, too, it has, it pangs a little bit of that sort of like, we always assume it will be a boy child to lead us to, you know, salvation or to, you know, arise to some sort of mantle.
And I feel like it's a very fitting choice because, yeah, he's trying to spearhead the revolution, the uprising and thinks that, yeah, we will have this, this boy child, you know.
And not that it even, like, changes much in context.
I don't think that it's a girl.
But, yeah, it did kind of ring that bell a little bit.
Yeah, just hits a little different.
Yeah.
Yeah, just, I thought that this was, like, I don't want to even say that, but like, kind of a flawless movie.
Yeah, I mean, there's not really anything that pulled me out or that dragged.
Like, you know, there are moments where you could notice a bit of ADR, I guess.
Yeah, for sure, for sure.
And especially because 2007, so audio a little different now.
The egg was CG, you know, like I.
Yeah, for sure.
But other than that,
you're talking about the mouth.
They're passing it back and forth.
I thought that was a ping pong ball.
That was an egg.
It was it?
I thought it was an egg at first.
It could have been a ping pong ball.
I really don't know.
It got very round.
It was so round that I thought of a ping pong ball,
but maybe it was supposed to be an egg.
I feel like a ping pong ball would make a lot more sense
and would track better for how fast they're spitting in each other.
So maybe I misread the shape of that there.
Because it certainly looked more round.
when it was CG than it did initially
when she put it in her mouth
so I don't know
I feel you
but yeah it's like
I can only think of course
I'm not saying flawless
like there are little nitpicky things
that we could
like I forget what it was
but there's one line in it
and I was like that was kind of funny sounding
but those yeah
those are like little things
that like just pale in comparison
to the multitude
of impressive and moving work
that was culminated here
and the part that you cracked up at
in my head I was also just like
floored by but so realistic
they all take this moment for the baby
and then
they just go back to fucking shooting
Yeah and it's like everybody snaps back
And it's like it's so it was so well done
Because a moment like that could be cheesy
In the wrong execution
And it's like to go from the transition
Of yeah everybody takes pause
You go from all this chaos
To the people inside
You know the more sympathetic side of this battle
The refugees the people who just want a place to live
you know are all taking pause and taking a moment away from shooting to let them through and then it's even more you know sort of moving when you're like even damn even the soldiers are you know at least taking a moment for this and you know part of your brain goes like well wouldn't any of them be like grab it but at the same time they're not necessarily portrayed or communicated as being like you know ranking officers or somebody like that who would have like a conniving reason to do that and so yeah it's like you have this uneasy silence as you move
through that moment and it just lets that silence speak for itself and then yeah that mortar comes
through and you're just like I guess that's what would happen is if we just go right back
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up in the bank account look a little bit better.
It's so familiar to life where you have these real moments that happen
and you think, like, I will never be the same again.
This is so meaningful.
Yeah.
But then we just go back to our lives.
And it's, it's just enough because, yeah,
it's like if they all put down their guns in that moment,
it would be maybe a little too much.
Right.
It's tragic that they do just go right back.
But, like, God, the contrast, yeah.
And it would be just like, I guess we just go back to it.
Yeah.
Yeah.
We're all going to tell this weird story about the baby we saw today.
Greg told us before this.
He was like, you guys are going to have a lot to talk about afterwards, probably.
And I was thinking myself like a normal movie.
Yeah.
I feel like I could talk about this.
for an hour, but I do want to also look at the
Oscars thing. Yeah, yeah, see what it
would have won for. I mean, I think the
cinematography was really stand out, and I think
now that I, now that
we're here, I feel like people maybe
have mentioned the car scene
that kind of sounds familiar to me. Like, that
was, there were so many great long
takes and things that
would be like a play, basically, for the
actors, but it never feels like you're
just watching, you know, a play or something like that.
No wins. Wow.
Three noms. Sure.
Um, so it was nominated of the 2007 Oscars because I guess it came out in 2006.
Um, yeah.
Best writing for adapted screenplay, which as you saw, there was five scribes.
Yeah.
Um, best achievement in cinematography.
What the hell beat that?
Yeah.
What?
Um, and best achievement in film editing, which Corona was one of the two editors on this.
I believe.
So, but I, I need to see what won cinematography in 2007.
Because both the cinematography and the editing on this are fantastic.
And two, I mean, we live in a time now where long takes are prevalent, but they're also, and inspired, I would imagine.
There are many movies that have done them before this, but I feel like this is.
For editing that year.
Okay.
It was nominated was Babel, Blood Diamond, United 93, Children of Men, and the Departed.
I love, I'm from Boston.
I like The Departed.
I love The Departed.
I don't know.
Oh, that was for editing.
let me see first cinematography because I don't know how you beat this movie I mean sorry to interrupt no you're good I mean like how do you beat this movie for anything I want to see what one best picture this year I want to see everything what what are the winners yeah because like even the this the like the long takes they would do like we're used to seeing more and more of those now and I'm sure partly inspired by a movie like this among others but like these days I feel like you're a lot more aware of when they stitched that stuff together and I thought this was really impressive because they did so many long takes
that seemed very authentic
and they knew when to introduce a cut
or when to look away
and yeah there were so many moments
I would find myself going
oh this is still just one long shot
and they've just been panning to do the editing
and like especially when the blood was on the screen
it was like oh wow we've been here for a minute
yeah it's like it's so impressive
but it's also not really that
in your face about what it's doing
it's just like once you notice it
except for maybe the car scene where you're like
how on earth
with the way that works out
and like the camera gets out the car at one point
you're like how do they how
okay so this is an impressive year
for cinematography I've actually never seen the winner
but I hear it's unbelievable
Pan's Labyrinth
okay all right
I mean I have not seen it either
and yes I could fathom how that would
I hear that is incredible so
all right departed one for directing
which I remember that yeah I feel like
this is just like
this is I mean like no shade of the
departed it's a beloved movie i like that movie a lot too but this i feel like this this is one of
those strange cases where i'm like every department clearly contributed massively like you can't
take one leg out of any of these but at the same time like it takes a master to pull all this
together the way that this came out totally this is still when there was only five nominees for best
picture so this year what was nominated was the departed babel letters from eurajima little miss
Sunshine and the Queen.
I just like don't understand a world in which children of men is not an Oscar winning movie.
Yeah, that's wild to me. It's because that is like truly to me that was so good.
Because this is the, again, what does this have on Rotten Tomatoes?
Yeah, look it up because I mean this is, again, it's it's that thing I was trying to sort of articulate before that I don't feel like I quite got at.
But yeah, it's like this is one of those rare movies that has, again, it's got the cool sci-fi hook.
but it's like it's got enough that anyone could enjoy it I feel like you can enjoy this if you're just a casual movie fan and you just want to see something that's got like an interesting again concept and conceit but is just really well executed but if you're a cinephile or you're you know a fan of weighty meaningful projects it has that too and so I feel like it's the rare case of something that could easily please and move a crowd normally but also speak to yeah
Somebody who really wants to dig in and find, you know, some richness in their stuff, too.
And it's like that I feel like is kind of like the ideal sort of movie to look at for an Oscar.
Not to say that like every movie should be that.
But I feel like if you can strike that balance, like that is absolutely worth applauding.
And especially if it's as good as this is.
Totally.
But this is why I think hindsight is 2020 on things like I think the Oscars should be done five years later.
Sure.
That's when they should be voted on because we just don't know.
It has a 92% on Rotten Tomatoes.
It deserves a 100.
No joke.
All right, let me hit you with a couple trivia before we get out of here.
In the movie, the infertility crisis is the result of women being infertile.
In the original novel, the result is of all the men producing no sperm.
Interesting.
That is interesting.
Okay.
Writer and director Alfonso Caron stated that he didn't want to make a film that ends when the credits roll.
He wanted to make a film that when the final point.
credits role. That's really the beginning of the film.
Hey. I feel like he nailed that. Nailed that. Holy shit. That's what he set out to do. Boy, oh, boy,
did he do that. Sir Michael Kane plays an award-winning political cartoonist in his house.
You can see some of the cartoons of the background. They were drawn by Steve Bell, an award-winning
political cartoonist for the Guardian newspaper. Well done.
Writer and director Alfonso Caron said in one interview that he wanted to shoot this movie,
like the Battle of Algiers.
Okay.
1966 rather than Blade Runner,
1982, almost like a documentary
about something that happened back in
2027.
Funny.
I mean, great call.
And I feel like, yeah, it absolutely does have that
feeling. It feels like you are watching
from the perspective. It's weird.
It doesn't feel like there's a cameraman
there to me, but you do feel like
you are present, you know, and like you're just
observing all this. And like, it's so chaotic.
and everything that's happening is always overlapping.
It's like you're always aware of like the political unrest and the situation,
you know, with all the, you know, collapse of the world and the refugee crisis and all that.
You're always aware of it and like there are always people in the street and they're always dogs barking.
And they're always, everything they introduce is sort of always coming at it.
Like, it's really overwhelming in that sense.
A few more interesting things.
Theo does not use or even touch a gun at any point throughout the movie.
I guess that's right
Yeah
I didn't even think about that
Sir Michael Kane
Base his performance on
John Lennon
Midmovie
You and Jasper and Miriam
are talking about
good teams
Theo and Julian
and Jasper mentioned
Lenin McCartney
beforehand possibly a nod
definitely
I mean in the soundtrack
obviously
It was crazy
Yeah it shouts out to the music
Both the choices of needle drops
I thought were really nice
And some really beautiful
score elements
You know, like those pulsing, swelling, unsettling choir vocals and, like, even the noise elements they would throw in.
I love Michael Cain's, like, crazy, harsh, like, industrial grind music.
Yeah, yeah.
The opening terrorist attack in Fleet Street was filmed only two weeks after the real thing happened to devastating effect in London by Al-Qaeda terrorists.
Wow.
That would be such a wild thing to film two weeks after.
Yeah.
A writer and direct Alfonso Caron chose not to read the original novel.
Let's go.
As he feared it would compromise his vision for the project.
Wow.
So how did it get to him?
I wonder that if he wasn't sitting there reading it going, I got to make this.
Like, that's crazy.
I don't know, but the author's name is P.D. James, who was reportedly very pleased with the finished movie.
I would be too.
I, yeah.
Having not read the book, yeah, I hope so.
There's about a hundred more pieces of trivia on this, but the one that I'll leave you with is strawberry cough is a real strain of Marijuana.
I have heard tell that it might be.
Cough?
I love.
And like that's the thing that.
Like even that was like a little through.
Like I love when a movie like movies like this don't have to take time for little bits and jokes like that.
Even Sid mentions it, you know?
And it's like little human elements.
This movie shut me.
F up. I was in a jokey mood
today and then I was like
I don't even care what mood I'm in today.
Yeah, no, that's the power of something
great. Like, yeah, when you see something great, like
no matter what mood you came in with,
they can leave you in a good mood walking out.
And like, yeah, this is a movie that
I want to keep talking about.
100%. Like, I'm going to go tell everybody, like, have you
seen children? Like, I cannot wait to discuss
this with people. I cannot wait to, yeah.
I understand that it came out.
Over, well over a decade, almost two decades
ago. However, I'm finally caught up.
and uh and damn yeah damn but now you have to watch leftovers that's your next assignment yeah people
do love the leftovers and hey i mean props to the cast on this because like again this seems
like an actor's dream this seems like something that would be the perfect cross section of play
and movie and uh and yeah you mentioned like where's clive owen been i know he's been in stuff
lately but it's been a while yeah since i feel like i've really seen him like as the you know
lead i said where's clavo and you said what that that's him
But, like, great lead in this.
I love the, you know, the whole starting off with the youngest person motif and all that.
Oh, I just watched him and murder at the end of the world.
Oh, yeah, yeah.
Okay, yeah.
You were right about the TV.
I completely had forgotten about that.
American Crime Story, Manchir Spade.
I don't know, some of these shows.
We are watching to do.
But, yeah, he's got the perfect kind of demeanor for being that guy who you could believe, like,
maybe used to be an activist, is now a bureaucrat and is, like, sort of, yeah,
doesn't really have anything to believe in or to live for and now has been given this purpose
and then like the actress it was key uh all the other you know people populated you know you got
your charlie hunnam in there i couldn't believe that yeah or the the craziest one to me was
ed westwick which i was like sure what let me even make sure that was right one scene with
dany houston like yeah julian more like and it's another one where yeah it's like there are
moment like it's cool that a julienne more would agree to do something like this because like that's not a long lasting amount of screen time but it's a very impactful character and because she was such she's such a celebrity we assume she's not going to die yeah 100% like this was really well chosen in terms of all the cast because yeah you believe everybody and every role gave every i imagine that every role had something for people to chew on and make their own no matter how small my god what do we got
this is like the greatest ever let's hear so pam ferris is the one who was playing miriam okay
the one who unfortunately gets pulled off of the bus with the braids and yeah she is trunchable
in matilda bro damn in the in the in the original movie like the marr wilson movie oh my god
i could see her holy shit all that all that that was absolutely that is the most crazy reveal of
all time. That was the greatest discovery. I'm so glad we didn't leave before we just got that.
I mean, I have to look up, Trenchbold. Oh, my God. Oh, my God. You know what this reminded me of
low-key was like a more, yeah. Oh, my God, that's so wild. You guys might not be able to see this,
but come on. This kind of made me think of 28 days later, just with like a way more human threat
instead of zombies in a way
like the production
like just the
I don't know the vibe of this
uh trunch bowl's crazy that's crazy
it's crazy can't talk trunch ball
and I love and that's I love stuff like that
and too again like a movie like
this is a great opportunity to yeah
showcase an actor you might have seen before in a
totally different light like character actors my dude
yeah
and apparently she's been a bunch of other things
too that I've seen and I have not been paying
attention well and she was in Harry Potter
and the prisoner of Ask a
band she was aunt march oh okay sure i can's got to see her in my mind's eye yeah man well done
i mean like that's yeah this is like the perfect vehicle for like a whole bunch of character
actors you might have known and too to see this in 2007 before some of these actors were
popped off were popped off or or when some of these actors were more in their prime like yeah
all that stuff is really kind of fascinating to just behold and engage with but uh but yeah gang we did
this is one of the best movies
high five what'd you guys think
leave us your children of men thoughts
and we'll catch you on
on mega mind
very similar crowd
yeah if that's even the next thing
that we shoot that gets released
because you never know
that could get released before this
yeah but oh god
thank the cinema gods
shakti shakti shakti
and we'll catch you next time
be well
bray
How are you feeling today, my man?
Comment below.
You know, dude, here's what I'm thinking.
We are in a crisis right now of we have no babies.
Not enough.
We have no human beings around.
So we need to mine your sperm and we need to make sure we can produce a lot of brays.
Because we get the sense that you are the kind of person, a woman, we want the sperm from.
Get braid.
You got, like, you know, strong genetics.
You're an athlete.
You're highly intelligent.
You're a scientist.
You're an artist.
There you go.
You have all the makings of a successful man.
So, Bray, thank you so much for helping us keep Earth going as Earth is slowly collapsing.
Really appreciate it.
Then we're going to hibernate.
Not hibernate.
We're going to migrate all your guys over to Mars.
with our new leader Elon.
Colony of Bray's.
Thank you, Bray, for serving this country and the world.