The Reel Rejects - DOCTOR WHO 15x1 (2x1) Breakdown & Review!
Episode Date: April 12, 2025DOCTOR WHO RETURNS W/ A NEW COMPANION!! Choose Your Doctor with our NEW Doctor Who-inspired T-Shirt at https://www.rejectnationshop.com/ Doctor Who Full Series Watch Alongs at: https://www.patreon.c...om/thereelrejects With the latest season of the Disney+ / BBC crossover underway, Greg & John REUNITE to give their Doctor Who Series 2 (or 15) Recap, Commentary, Analysis, & Spoiler Review!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. In Russel T. Davies' "The Robot Revolution," Ncuti Gatwa's 15th Doctor RETURNS for another spate of Wibbly Wobbly, Timey Wimey adventures as he collides with a familiar face in newest companion, Belinda Chandra (Varada Sethu - Andor, Jurassic World: Dominion), a nurse kidnapped by robots from outer space after a mishap surrounding a personalized star certificate... The Doctor embarks on an epic intergalactic quest to free the citizens of MissBelindaChandra & get his new friend back home to Earth in one piece, but as with most things in the WhoNiverse, it looks as though that may be much easier said than done... The new season picks up after the Doctor's adventures with Ruby Sunday & the Joy to the World Christmas special and promises a host of whimsical adventures into both the distant future & recent past. Can the Doctor return Belinda Chandra safely home? And why does she bear such a striking resemblance to BOOM's Mundy Flynn?? Join Greg & John on the TARDIS and find out!!! Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Anywho, Doctor, are you ready to this?
I'm so ready.
Let's all on Z.
Let's go.
All right, ladies and gentlemen, we just watched episode one of season two.
I guess.
Still confuses the fuck out of me.
It's prepper.
Thanks for writing down these highlights.
I know especially with BBC, it can be a little bit of pain in the end.
asked to get public so thank you for all your hard work on this all right well uh johnny boy
gregory uh please man as the man who interviewed these two what did you think uh what did you feel
how do you feel how do you feel post go there you're feeling okay neutral a little overwhelmed
or whatever the hell you were feeling how you feel it feel pretty good i feel i mean i had a lot
of fun just now like that was definitely a fun ride of an episode uh you know
not without a couple of comments I would make on it,
but as a season opener that, you know,
comes at you with a lot of energy and a lot of color,
I thought it was a lot of fun,
and it was a very fun note to start off on
whilst also having, you know,
at least a bit of portentousness.
And, you know, in that little back and forth that we had briefly,
you know, they did say that...
What is portentousness?
Something portentous just means like it seems,
like there's something looming in the distance and you know it seems like something is about to
descend upon the circumstances or whatever you know a portent is like maybe an omen so yeah like
you know i thought that they the transition between those two flavors could have been a little
it's got that thing that a lot of it's like a classic doctor who ism where you're like if there's
like an extra act here to transition us from one uh set of circumstances to the next tonally a little bit
because this has to be its own episode
and then the CODA sets up
like the rest of the season
so I feel like
if you didn't have to do that
you might be able to make her
turn toward taking
the big responsibility
a little more
finessed
or make it feel a little more finessed
but I loved the back and forth
between the two of them
I thought the production value
was really fun
and yeah for like a bouncy
sci-fi you know
hey we're back kind of episode
this was a lot of fun
you know and while it's not
maybe perfect. It was very appealing
and I like
I like what they're laying down here
even though there are aspects I think could have been finessed
or given a little extra breathing room
but then again that's like again a classic
kind of thing to say about a Doctor Who episode
especially premiere. Yeah totally
so how would you say you're feeling
post reaction
I like the last half a lot more than the first half
there's elements in the first half I do enjoy
I think visually from beginning to end
it was consistently appealing
the aesthetics of the future
oh not the future but the planet
the belinda planet that they're on
oh i love the retro vibe
uh it felt like very classic
in in the most classic of senses
you know even right down to the kind of ships that have the
oval UFO type of shaping to them
yeah a very childlike wonder
to the crafting and there's sort of thoroughness to the
Yeah. And there's a cleverness in a lot of the language, too. I like the whole every ninth word and picking up on it. This is something that I think is really easy to overlook. And especially when you call attention to it, you usually point out when it's bad. And rare is the day where it truly shines. And I think the editing in particular, and so many of these sequences really shine. Like the editing is one of the stars of this episode to me. What do they call it when they're going through the time?
flexi
part of those like skip edits
yeah but was that whole process
they assigned some like
silly word to it say
it was like getting
smushed
some one of their
some one of their made up words
yeah yeah so like that whole sequence
too and the way that was edited
was great with a nice usage
of sound design as well
that really allowed for these like
sharp cuts to really land like
when the doctor is going back
and explaining like what he landed in here
and the way they do these like quick cuts to the past show
and then even using moments of silence
like when the Shannon
Sharon was around
when she dies
yeah like it was really obvious she was going to die
and then the doctor's no is silent
you know and to have Belinda
I think the way the fleshed out Belinda's interest
because you could tell she's distrusting.
You could tell she has a difficulty with connection
in certain regards.
And when she sees the doctor crying,
our doctor, or shoot deep, often cries,
and to have it have an emotional moment
where it causes a sort of conversion
to trust a little bit more
because the thing that tethers them
in terms of the heart or hearts is the people.
And she sees that he really cares about
the people and yeah so i think there's a lot of great things there i think a lot of the flaws if you
know us at all you probably know what we'd say yeah flaws we'd find or things that particularly
i wasn't a big fan of i felt it was really i thought this was a really really really rushed
experience and it feels like you're running through a theme party
yeah yeah as if you've like you're familiar with them in some way and i know it's it's it's
the new companion episode i especially feel though when you're introducing a companion you have to
take a little more time because like they gave so much attention to ruby yeah it's our whole own
spotlight episode and i think if for any new companion they're kind of deserved that
of course over time we will get to know her we it's doctor who we've been through a billion
seasons together like we know we know but
I think for your first one, though, it's important to really get you to connect with her.
And I think they were hitting certain things that on paper sound like good beats to hit for a character.
The selfless act is going to turn myself in, quippy banter.
And I, you know, don't take orders from anybody and I don't let people talk down to me.
Yeah, there's a lot there.
But I think they, the reason I say the second half was the second half breathe better.
Yeah.
and had scenes that allowed a little bit more.
But at the same time, it was such a,
such a shift in pace that it,
I was still in like,
we're moving fast,
we're moving fast while the scene was moving slow.
And I was like,
okay,
I need to slow down.
Yeah,
totally.
And it was a bit of a whiplash of an experience for myself.
So I do think that it's interesting to say
that the editing really shined in terms of,
the impressive editing moments
yet
it's also paste weirdly
and not good in my opinion
it feels like the editor
like did a really good job
of like stitching this thing
together like you it could be
more incongruism more kind
of dissonant and yeah
there's you do
beg that level of breathing room
and that level of finesse again because
yeah like you want to get endeared to
blend and you watch her through so
many it's it's like if the emotionality of that we're hitting more i guess you wouldn't you wouldn't be
zeroing in as much to the editing like it's it's weird because the editing is very cool in style but it's
also like one of the better aspects of the episode overall and like the performance is really
appealing and obviously we love watching shutigatwa do his thing and i really like uh you know
what what the blint like what varada setu brings as the character what's her name varida setu i believe
Varda Sato, okay.
Which I'm sure my pronunciation is great.
But, you know, I like the performers that they are,
and I like the connection to boom and all that stuff.
But, yeah, like, as of this episode,
there's not, like, enough time to, like, sit with her in any one experience
to, like, really feel like you're in her shoes,
or, you know, you have quite an eye line with her,
and I'm hoping that they said, like, they're...
The story of her and them will be, like, a big thing of the season.
So maybe their plan is to spread out that endearment
over time and maybe we're not as of this episode
supposed to have like the full picture yet
which is neat I
I the only scene I loved
yeah the only scene I loved
because everything else was like
nice and cool looking and had
moments that was they'd have like
a moment I love like I love the editing
on the ninth word right? Yeah
it is the scene though at the very end
when
Belinda
is being told about the boom episode
and her descendant.
And he's like, it's fate.
We're connected.
And how she flips it immediately.
Yeah.
Of you're not, I mean, as a guy I identify with that.
Sure, sure.
On this side of like, never taking someone's DNA or something like that.
But on the side of, oh, I'm doing this great thing for a woman.
Oh, oh, whatever mind.
I have not seen this from woman's perspective.
Yeah.
So even though there's more.
with and that i think that is part of what they're what they're doing yeah especially we're also
they have a planet of incels thing you know so there the the i'd like how she immediately
flipped that and got to the whole like you're actually like a dark soul aren't you there's actually
a darkness to you yeah to get to that quicker and for the assessment she makes to feel like a
logical assessment that does grant her more agency and now she's being forced to companion yeah
not choosing to companion based off of the setup.
I think that's a really unique dynamic to have unfold as opposed to another.
Like, yeah, it is fate.
Oh, wow.
Yeah.
So wonders.
And like as cool as this is, oh, my God.
Yeah.
I think there's a lot of, you know, repetitive beats we go through with companions.
And I thought they did a nice way of laying the groundwork for something different.
Yeah.
And to position her in a way where she.
she's resistant towards it like she's kind of like a prisoner right now and like not not a prisoner
she's trapped but she's not a prisoner there's a difference yeah she's she's caught up in this weird
yeah malady of a situation and like I appreciate a companion that's in that sort of like
martha donna yes even clara sort of spectrum where it's like they will push back and they have
you know a good amount of their own headstrong view on things uh and yeah it's like I like what
this i like everything on paper and when they're setting up and the idea of all that
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and yeah I just feel like the episode could have flattered just the again like the endearing parts of the character we know what her qualities are very clearly through all this action but there's so much action happening that you don't really get much of a character beat and then by the end yeah it's like I can see the nuts and bolts of like yeah I like this setup I like this idea of like well the next adventure whatever that may be is going to be one that's sort of reluctant because it's like well we have to go somewhere because we can't go where we need to go and uh and yeah I
like I have I have a lot of hope and I'm still like really excited for the rest of the season and I loved again the amount they put into this but I am always kind of fascinated when you get a especially a season opener like this that does feel like yeah just so it just has this catapulting speed and this sort of rhythm that's that's like it's yeah I don't know it's like it's like when the beat overpowers the rest of the song
a little bit yeah you know yeah yeah it's like when you're at a concert and like i hear everything but
the vocal yeah yeah yeah and i'm like i like a lot of this stuff but like there's there needs to be
something to tie it together as a as a song and yeah like i think the tender sides of belinda would
be nice to get at some point and like hey maybe next episode yeah yeah yeah well the other part
that would have me curious when watching this is for us it's a streaming show
imagine it still airs on television whatever network TV or cable TV is in the UK that BBC is like
a televised thing is a commercial breaks and I don't know how it works and and this show doesn't seem
like there's commercials yeah so I I don't know what that is because my mind is going I don't know
why you didn't let this expand I that was literally thinking about that I was like maybe because I think
they do run it on TV and maybe that's the constriction is like it needs
to be that tight 45 whereas yeah because you're like it's on Disney plus now so couldn't they
just do it at whatever runtime they needed to you know like an hour or whatever yeah but i don't
know how it works on bbc if there are commercial breaks yeah i gotta imagine it's probably that
yeah yeah and and the aesthetics the the the production design the production design is is gorgeous
here beyond the cg i constructs of stuff the the actual costumes that the the
that everything that should have made this feel lived in it didn't because of the detachment
through connection of other variables that we have already pointed out but there's a lot of
good effort put it i would say it's got everything but the lived in yeah sadly like when you
go to the there's always that missing little spark that you can something can't even quite
like verbalize that let something feel lived in right and it usually will
some breathing room and like when they go to the owl generator room i thought that was like a
gorgeous looking room and it was the closest i felt like coming to a lived in moment and you see the
the the owl what he has become i thought that design was great and part of what and again this
probably just this is probably like for a few who would who be aware of this or feel this to me
whenever they kept cutting back to owl reactions i felt like they didn't fit he's a
very evil guy yeah he's just smiling at like every single thing and it was the same thing we're
looking i got to the point where i thought was this an animatronic yeah because it wasn't lining up
and they kept cutting back because they needed a cut to him every accusation's like yes this was my
evil plan yes tell me more of my accomplishments yeah it was the same thing every time and i thought it
wore a little thin while while a lot of great ideas and a course when like the
the kaboom happens and all those crazy you know cosmos visuals out of yeah out of the who
directed mandy who's that you know that panos cosmos montos type of a style yeah like i like i liked
all that of course you know again like a lot of it's not i would say like i'm like a 70
no i'm like a 65 percent on it like a 65 it's got so much yeah want to give it like so much
works. Yeah. That you want to give it. And it's just a couple of things that prevented from
tying all the way together and really feeling like, yeah, we're locked in. I feel like I need a
little bit more to get locked in. But I'm still like, man, way more than Space Babies.
Yeah, I was gonna say. I was gonna say. I was like a way. Space babies is still like the
bottom of the two for me. This is still way higher. Well, I don't even remember the name of 99% of the
episode. But you remember Space Babies for how much I was like, this is not my jam. And you'll remember
this one robot revolution as planet of the in cells yeah that's that you're probably right about that
being the original title for that what's what they said in the writer's but i i i still i still enjoyed it
and i love the world of doctor who yeah the big practical robot suits and stuff and the big old
timey space guns yeah yeah this is a show i get defensive for you know like i scope out a lot of
channels and and videos of of content since last time we did doctor who i feel like i've changed a lot
as a person i feel like i'm like so aggressively acting working on myself constantly and and in i don't
feel like i've ever lied to you guys uh with doctor who i feel like there might be versions of me where i
perhaps wasn't as honest with myself first as long as i'm also myself i'll be honest and i have like
checked out like other channels that you know uh i'd like to get opinions that often differ from mine not to
fight you're going on the doctor who jubilee episode yeah yeah
i like i like to hear other things and this is one in particular this series i i find myself
getting defensive internally forward like i can listen to another video from someone else who's
like the complete like oh my god gay doctor yeah yeah yeah yeah i could listen to that and
sometimes they're criticizing the show and i go oh actually i see what they're what they're saying
like in terms of like the writing and stuff and then other times when they they get all
but hurt over like politicide stuff or or shooty gawas having a good time not one white person
the main cast or something i'm in an episode like this you know or she's woman's bleeding to us uh you
know yeah they're taking the piss out of of men yeah this show in particular is is one for some
reason i'm finding myself where you can hear about them from all kinds of properties but doctor who
is one where for particularly shutti gawah i'm pretty defensive for yeah i never to the point where i feel
like I have to argue with someone or go in the comments and defend his name. I do think, though,
that he is an amazing doctor. I love watching. I love watching. I adore his doctor. I like how he
brings out the childlikeness, but the darkness is also very believable. And like the crying that I know
has been sort of made fun of, even, you know, present company included in that. I think, though,
that does speak to the child in him that he is bringing out of.
the doctor and I love the
variety. Oh yeah.
That he provides too
beyond the wardrobe.
One. Yeah, I think he's amazing. I think he's an
amazing doctor and he is
it is interesting to have an experience
where I'm like, oh, I'm feeling that that fandom
that fandom defense that I often
get mad at when I say something and they get
I'm like, yeah, I'm like, oh shit, I don't feel it for him.
Well, because you know a lot of people are not
fairly giving him the chance that he deserves
and acknowledging that like
we've experienced this with every doctor
to some degree but with Jody Whitaker especially
where it's like she's not the problem
she's actually pretty great in this role
and you know obviously different flavors
but I feel like it's it's interesting to take in a doctor who
because the more of it you watch
the more it becomes also this odd exercise
when you go to talk about it
because the up and down roller coaster
of like what type episode are you going to get
and that applies not only to tone or time in place
but that also applies to like
does it breathe? Is it one of the rushed ones?
Is it one of the really like cacophonous, you know, shrill, garrish ones?
Is it one of the ones that like, you know, does a bottle and takes it slow?
And so, like, there are moments where I'm like, I'm not even that upset over whatever
criticisms I had about this because I'm like, these are the kinds of criticisms I've
used to from such a long-running show that they become somewhat endearing.
So especially when people, and granted, the newer you are, the more you're prone to, you know,
feeling strongly.
but yeah like when people dog pile on this show or don't give it the proper chance or don't take it for what it actually is it is kind of a bummer
absolutely because there's so much great work and yeah like sometimes you get a rushed episode because that's doctor who and like not to give that an infinite pass we're not we're pointing it out but you know like yeah there's still so much to appreciate beyond that yeah that thought i just the thought that i just the thought that i expressed now that we're going into that kicked in for me when he's encouraging her to get inside the tartis and he's having a lot of fun
I'm like ah yeah that's really fun
I'm like no other doctor would do this
and that's the kind of crap they clip out
and
yeah like and no matter
the episode around it though
it's stuff like that that I love
like even an episode that I have gripes with
I'm like I always love watching him
and the things that you can tell
he must have brought spontaneously to the role
that's why it's I feel like
there's an impact when he gets super serious
then yeah
because he's so giddy and fun
that when he gets super serious, it is alarming.
Like when he's freaked out about this situation.
Like, whatever that was happening with Capaldi,
it's like, this guy's always a Comrade.
He's always in a bad mood.
He's seen too much.
When it's happening, particularly with him,
like there's such a slingshot that you,
as an audience member,
you take it very serious because then the fear kicks in
that he's feeling, the peril.
Like, I don't ever feel like I've quite felt that
with any of the doctors more than shootigabwe,
that when suddenly he's becoming intense or scared,
I'm like intense and scared.
Yeah, yeah, you believe the mavety.
Well said.
But what do you guys think?
Leave your thoughts down below.
Keep a look out next week.
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