The Reel Rejects - EUPHORIA 2x1 & 2x2 REVIEW – FEZ JUST WRECKED NATE & WE ARE FREAKIN' SHOOK!! – FIRST TIME WATCH
Episode Date: March 31, 2026SEASON 2 BEGINS WITH A FREAKIN' SMASH!!! With HBO's Euphoria Season 3 Trailer now out, Tara & John give their EUPHORIA Season 1 reaction, recap, commentary, analysis, breakdown, & spoiler review! ... Euphoria Full Reaction Watch Along: / thereelrejects EUPHORIA Special Episodes 1 & 2 Reaction: • EUPHORIA SPECIAL EPISODES REACTION – CRAZY... EUPHORIA 1x1 & 1x2 Reaction: • EUPHORIA 1x1 & 1x2 REACTION – THIS PUSHED ... EUPHORIA 1x3 & 1x4 Reaction: • EUPHORIA 1x3 & 1x4 REACTION – THAT CARNIVA... EUPHORIA 1x5 & 1x6 Reaction: • EUPHORIA 1x5 & 1x6 REACTION – NATE & MADDY... EUPHORIA 1x7 & 1x8 Reaction: • EUPHORIA 1x7 & 1x8 REACTION – RUE HITS ROC... Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 Tara & Johnald return to Teenage Hell to continue their EUPHORIA Season 2 reaction, recap, commentary, analysis, breakdown, & spoiler review! Weeeee!!! Tara Erickson & John Humphrey react to and review Euphoria Season 2, Episodes 1 & 2 — “Trying to Get to Heaven Before They Close the Door” and “Out of Touch.” The hit HBO series created by Sam Levinson (Malcolm & Marie, The Idol) returns with a darker, more chaotic energy as the characters spiral into new highs and devastating lows. Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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When WestJet first took flight in 1996, the vibes were a bit different.
People thought denim on denim was peak fashion, inline skates were everywhere,
and two out of three women rocked, the Rachel.
While those things stayed in the 90s,
one thing that hasn't is that fuzzy feeling you get when WestJet welcomes you on board.
Here's to WestJetting since 96.
Travel back in time with us and actually travel with us at westjet.com slash 30 years.
Hey, I'm Seth Shackner.
Check out my new show, Breaking Down the Biz.
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Let's make sense of this industry together.
Yeah.
Let's jump into season two.
We watched the special episodes just recently.
Those were amazing.
And oh, Tara's got a queued right the heck up.
I do.
So let's do this thing.
Three, two, one.
Guys, hi.
Well, if you made it to this point without overdosing or dying of sheer.
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just be held. And speaking of the experience,
we just be held. Tadda!
Yeah. Season two,
how are you feeling so far?
I feel pretty good.
Pretty good.
This is still,
yeah, this is a toughie.
The fact that Nate,
I don't know what he's going to tell him.
I assume that Nate is going to have to lie
his dad and say that he still has it
but then I'm like how do you do that? Because dad's going to be like
okay then give it to me. I don't know how that's going to
go. Um, but
Nase is going to give one of his monologues again
where he's like here's what's going to happen. I'm going
on this tape otherwise you're
going to do this and if you do this and I'm taking
this tape to the police and I'm going to tell them
this and then that's true. That's true.
And you know what? That was one of my
my most favorite parts of this
episode where I was like, dang, he
told him the full on truth and now
now dad is fully
aware of how effed up
this whole situation is because he thought
he's just what you're just
going to show up and shoot
Fez like bro
you're now the reason for all
of this yeah uh and
I just think it's also wild that
Nate that we're getting to Zepso where the writing
is is that Nate
can be more of himself and open up
more to Cassie and that he's almost like more
in love with her of course he's not going to tell
Cassie that but like whoa
this
this is complicated and then of course on top of that cat doesn't even like even even anymore i hate it we
didn't get to enjoy that at all not at all we got to enjoy them getting together and now it sucks now it's
done now he's just he's boring fine and boring and sweet i hate it done so sad done so very sad
although that scene uh where yeah she's being sort of berated by like all the different voices in her head
and all the different like societal voices
about self-worth and body positivity
and all this shit.
Very, very nicely handled scene.
Oh, God.
This is a lot, man.
This is, yeah, I mean, they're full throttle.
This is the euphoria you know and love.
Yeah, and Ruth's high as fun now.
Yeah, high as kite.
Not, not sober, not at all.
Carining.
Yeah.
Homie, what's his name?
it's it's uh it's uh her buddy her buddy with the drugs i like their vibes together but i'm very
afraid of what his presence is going to do i agree because i think he's not wrong when he's like
you think we bring out the worst in each other or at least like i don't know it seems like
whatever she's learning with him is necessary in that you know he allows her to tap into a
side of herself that she can't with jules because she has to not be the
addict with Jules. And with this guy, she's free to be a part of herself that, like, she says,
like, I feel like I can be fully me when I'm high. And that's, that's tough. So I understand
what the character represents, but I'm really worried about what that will culminate with,
especially because, yeah, like the reunion of Jules and Rue so fraught at first with all this
sort of unspoken, just like, oh, you know, like, we're both really defenses up, hackles raised.
you left and
when did you relapse
you know right when you let all that stuff
harsh
uh freaking we got the
fess deep dive love that
that was great hard story
but uh but I loved
I loved his grandma
it was cool to get to see her
in her element
cool a role for that actress I'm sure
uh yeah
freaking Cassie
Nate
I'm terrified
Cassie Maddie I'm terrified
uh
I don't know.
It's fascinating the way that Nate and Cal are such dominoes for so many things.
And then Cal is just sort of this looming ghoul who like juts into the story every once in a while.
And then like to watch him go back and forth as Nate also grows and finds himself is fascinating.
Because for him to be like, sit out.
I am in fucking control.
And then Nate's like, I got your tape.
And he's like, I'm sorry.
I just want to apologize.
I don't know what I'm doing here.
Yeah.
Like his fragility
like as alongside his like hypermasculine stoicism is fascinating.
They normally are.
When you're hypermasculine like that, you tend to be very fragile in the inside,
which is why you're a bit of, some of them are a bit of a prick to other people who don't match up to what their standards may be.
Yeah, it's fascinating to watch him have the same vibe, but then you calibrate your brain.
And you're like, oh, he's freaking out.
He's just very stoic while he's freaking out.
But what he's saying is clearly, oh, shit, I'm not in control anymore.
Right.
And, yeah, it makes me worried and sick inside.
But these questions that we have from our super royal sexy rejects are going to get into the meat of what there is to talk about with this episode.
Let's just jump in right now.
Let's do it.
Jaden Rhodes.
Hold on.
Let me blow this shit up so that it's big and easy to read.
Here we go.
All right.
Sorry.
Your clap was good.
I was talking.
over it. All right, take it away.
Jane Rhodes, I think the first
episode was one of the best of the entire show.
It just really felt captivating. And
the ending with Fez and Nate was awesome. I'm curious
Fialgree. And do you like the start
of the season? And I'm
going to just pull in Pierre right now.
Pierre the Rejects
also asks, what did you think of
the beat down that Fez
gave Nate? I don't think
that
and then we'll jump into Malik right
after this because we can use this as a jump
jumping point.
But first and foremost, the beat down.
I will use this as my happy place.
If ever the show gets to be too much.
Oh, it will.
Every 10 minutes or so.
Yeah, 100.
I had to call on it throughout the second episode.
I had to be like, you know what?
Just imagine that bottle smashing on Nate's face and him going down and nothing.
Just fess just freaking like very cathartic, very.
very cathartic moment.
I'm not a violent person,
but I have, you know,
be held in this life once or twice.
I have beheld a circumstance wherein I could feel the vibration in Manukes
where you want to, you know, just like cave a face.
Totally.
And what Fez got to do there.
The Lord's work.
So very cathartic.
Love that.
The first episode, though, very strong, I would say.
Yeah, I agree.
I think the beat down definitely.
made it. That whole party was focused on us
kind of forming relationships being a little
uneasy about obviously
Cassie and Nate, but then we get to see Lexi
with Fez. But then it all goes to shit.
When he takes off his sweater and he's like,
Ashley, go get to car ready, the beat down is what makes that
episode. Right at New Year. Yeah. Totally. I love
the way that scene played because, yeah, they get up and you're like,
what's going on? Some is wrong here. So it was weird. Like, what's the
vibe? And then yeah, he walks up to the counter
and the way they have that exchange
and the way you think
is going to be cool.
You got any resolutions?
No, what about you?
Yeah, I got a few.
Like, you know, they're having this double speak
convoy that says a lot of stuff.
Yeah.
And then, yeah, then he,
it was a very good punctuation moment.
And as a season starter, I really liked,
yeah, starting off with the Fez Deep dive,
having that bookend a very significant,
I assume they ended the first episode
with him beating Nate down
because that will be a thread that's going to be hugely significant,
and that's probably going to ripple outward greatly.
I'm very worried for Fez.
But, yeah, like, transitioning out of his backstory into the party
and then the sort of onset of nerves and anxiety that comes from that,
seeing the way they handled Rue and Jules getting back together,
I thought was really well handled in the way they shot.
That made it sort of very dissociative at first and very sort of in the aloofness
that they're both feeling and then, you know, kind of opens up as they actually start to
communicate with each other.
I thought that was nice.
Lexi and Fez love that.
So I love what Mon Apoteau has been doing.
And she's been kind of like a, a like, she's been here since the start.
And it's like not one of the most focal characters, but she is like a really steady character to follow.
And she's one of the characters who gives me respite.
Yeah.
And so I like that they're together.
She always has.
I like that they're flirting with being together.
And that whole scene in the second episode where the shop was very tense.
And I'm sure that her being there was very helpful for him not dying.
Right.
But, but yeah, I thought that was a very strong first episode, I would say.
And, yeah, like, it's hard because to do a reintroduction, a first episode, a, like, sort of pilot and also, you know, to, like, start off with a bang, but also continue and set the, you know, tone and, like, sort of pilot.
and also, you know, to like start off with a bang, but also continue and set the, you know, tone and stuff like that.
Like, you know, that's a bit of a balancing act.
It's a big call to answer.
So, yeah.
Love the beat down.
Good ass first episode.
Malik.
Take it away.
How bad do you think the aftermath will be after the New Year's Eve party?
Well, yeah, yeah, yeah.
Not bad at all, Tara.
We're good.
Everyone's resolved.
You know, honestly,
I kind of think
because we're,
we already got to watch episode two
that the fact that Nate told his dad,
like, listen, we're in the shit because of you
and like, she didn't know you're filming her.
That now I'm like,
now he might not go after Fez at all.
Like now I feel like we have a one-up
a little bit on the dad.
And I feel like Fez, he might not go after Fez
because Fez is like he's going to know like we can't I'm a little excited to be like okay
how are we going to use this one up now that dad knows that other people know the information
word has been spread yeah uh that I'm like okay there's that's got to make him less powerful
and I would like to see how that goes I have so many ideas in my head and I'm fascinated and
terrified to entertain any of them
because yeah like I think they've done
some foreshadowing here of obviously I don't know
if freaking cow's going to go murk-fez at some
point certainly feels like that
and they leave off with that very paranoid
like he's casing the house with a shotgun
and so yeah
I feel like that's going to be a big ripple
throughout the season obviously you're setting
back up Jules and
Rue you're showing you know
the other girls and their
friendships with each other both and their
personal struggles and you've got cat
and Ethan and all that's everyone's set up nicely um but yeah it's i really uh part of me is like
is cow ultimately going to realize he can no longer control Nate try and kill Fez and then pin that
on Nate because people would believe that Nate would have the motivation to do that like I I
I don't want Fez to die that's that's that's uh that's my worst fear in the aftermath of new
years um I think what I would want is feds to kill Cal and go all right.
Well, I'm fine with that.
Yeah.
I really am.
Yeah.
You know, we can just have him.
If we can just get like, you know, Nate and Cal to, you know, try and stake out Fez's place and then Fez and Astray can take them both out.
Right.
And we're good.
Then we're really good.
Then everyone heals.
Then the show gets boring, John.
That's true.
We can't have that.
No, we can't.
I can only assume it's going to get a lot harsher before it gets a more fun.
J. Dell.
After Ruse's intense opening.
monologue about Fez and the chaos
of the New Year's party. Do you think
Rue genuinely believes she has
control over her addiction at this point, or is she
just convincing herself?
She does.
Oh, God.
She does not have control over her.
I think she's fully aware
of the game that she's playing.
And I don't think she has to convince
herself of anything. I don't even think she was trying
to convince herself. I think she knows exactly where
she's at. And when you're at a point
where you don't feel like you want to be here
anymore, there's not a lot that matters.
So you don't have to convince yourself
of anything. You're just going to do
or you're going to do anything that makes you
feel good, even if it's bad.
That's why she's hanging
out a lot with Christian.
She's not thinking,
you know, if you have to think back
about what, you know, her
sponsor said is like drugs fundamentally
change who you are as a human.
She's not thinking on a normal
human level. That's not
what she's going to be capable.
love right now. Yeah. Control
costs a lot of energy and resilience
and it takes a lot of motivation and I feel like
what Rue really wants at this moment is to let go.
You know, I don't, I feel like she's a character who is exhausted
of regulating and she's said, you know, I feel the most
myself when I'm giving myself over to the addiction.
So, uh, so yeah, I mean, I think there's an attempt to sometimes
to delude herself
for that whole thing
about like,
I'm good at my job
and like,
clearly there are times
where I'm like,
you're not as good
at your job as you think you are.
Which I'm sure is true
of many addicts.
But yeah.
Her job,
when she goes,
that's how we know
how not serious
she's taking it.
Yeah.
It's like,
she's in that meeting.
I think she selectively believes
that she has control
when it like is what she needs
to, yeah,
it's when she's got a scheme.
But I think deep down
she knows she's,
she's diluting herself.
I agree.
Selena, I've been enjoying rewatching this show
with you both, been loving your reactions.
Thank you so much.
My question is, how are you enjoying the cinematography?
I think the way they used colors and lighting is amazing.
Also, how satisfying was it to watch a naked,
beaten up with the first episode,
you think as well deserved, love you both, X OXO, XXO back,
Selena, yes.
I love that everyone's here for the Nate Veedale party.
Yes, who are we?
If that's all we watch,
I'd be like, the best show on the internet
because I have,
vengeance. I always want vengeance and I got it.
Dude. Satisfied.
Ooh, all right.
We're rolling in Latin. I like it.
I wonder if GDT saw this episode or saw these couple episodes and was like, oh my
God, with that scar on this face? I can't do a Garumo impression. I probably shouldn't
try. But yeah, like I like that he got all franked up.
Yeah, yeah, yeah. The cinematography is gorgeous.
I think we sit through a lot of these episodes being like, this freaking shot.
and that freaking lens flare
and this color choice and you were
pointing out like the times where in camera
they will change the light
to yeah like black the whole background out
and create a spot on Rue or whatever.
Yeah. In one transition which is
phenomenal. Absolutely. And the
different like oneers where they're going
through the party and changing scenes
actively. That's one thing they
their oneers are great. Yeah. That's something
they teach you is like when you're doing
camera movement
over a prolonged period of time,
especially what you kind of want to do is weave together a number of different frames.
Even if you're moving, you kind of like, this is frame one.
And we kind of move on this general idea.
And then we move on to frame two.
They're really good at doing that stuff.
They're really good at doing stuff where, like, they were in the midst of one of those shots.
And you're watching, like, with the divide through a wall of like Cassie and McKay or somebody
are over here.
And that's the main scene.
But then if you care to look, you see Nate over here, just like, lurking.
lurking.
And so there's, this is a, like, music video directors must do so much of this.
But yeah, I, this really feels like crafted and you can feel the, like, playishness about the stuff they do in camera.
And again, the way it's like, shit, how much choreography and practice did you do to get this flare absolutely right?
Yeah.
And the film grain, they toss over certain things versus other things.
You could go on.
Like, this show is this cinematography.
nerds dream in every sense of the word in terms of like lenses and focus in terms of lighting choices
in terms of cool angles in terms of like here's a crane or a dolly or some shit yeah totally and a lot of
that has to do with the DP and the team the lighting right but then the second part of it is like he
was saying but if you're to look further in the background that's like a first ad's job so it's
like obviously the first team that they that they built here to make euphoria is a great team
Because you see it in the details, right?
That it's like a DP can't control all of that.
You have to have a really good gaffer.
And a director has to have a really good first and second AD who's in charge of setting up the extras to go,
you're moving here.
I need you.
I'm in Video Village.
I'm looking.
Director is here directing the main part.
And sure, he's going to have ideas he or she about what may happen in the background.
But that's the first and second AD's job.
And like in you saying that, I'm like, oh, the team that they.
built here for euphoria specifically
phenomenal yeah in terms
of craft like tour
to force and and two i mean you're also
talking about you have all these
it's like yeah it's all the
additional hands that you imagine
must go on to this and I had a thing i was
going to add to what you just said about like the a ds
and stuff yeah but it eludes
me it'll come back uh but yeah
suffice it to say like
incredible work and
yeah it's one of those shows where like
so little is
wasted.
Yes.
And it's a show where it really feels like the style is super hypnotic and permeating.
So it easily feels like style over substance.
And yet when you're engrossed in it, you're like, nothing is really wasted here.
And nothing really feels like nobody thought about it or like it was just off the cuff.
Yes.
You know, every shot feels somebody drew that, thought it out.
It was put on a storyboard.
And if that one slide on the storyboard.
storyboard look like a snooze they're like no yeah it's gonna be backlit the sun's gonna look like
it's shining and they're like but we're at a party and you're like it doesn't matter we're gonna have
an arm in the background and i'm talking about when when rue and jewels are backlit when they
first have that kiss at the party it's like the the orange lights coming at them and all you see
is kind of arms where you're like wait are we still at the party are we in a dream and then you
realize no they we're making this a motherfucker moment moment yeah yeah yeah
Yeah, I agree.
Yeah, absolutely.
Every frame, a painting, and they shoot, like, really well for the edits and all that stuff.
Like, yeah, can't say enough.
And also can't say enough about how satisfying it was to watch Nate get the beat down from Fez.
Jay rushed in.
Question.
What's up, Jay?
What, if any, of the characters, are you most like Tara?
Oh, interesting.
Yeah.
What if I was just like, Roe?
Nate.
You're the need of this channel.
You're always pushing people in the corners being like,
here's what's going to happen, all right?
Here's what you didn't know about how I've drawn this whole conspiracy around you
to wreck your fucking existence.
I can get these people in gear.
I will tell you that.
You can.
I can.
I can wrangle them.
I mean, I really do like...
Your Fez's grandma.
That's the best choice ever because I really do love her character.
Like, I love her.
In the flashback, right?
You're flashback grandma.
Flashback grandma.
You're a kiddie car in the, yeah, your big ass, like, cool Pimpmobile.
Totally.
I'm fucking grandma.
Like, I'm going with it because her attitude was so great.
She's like, she's not putting up with crap.
And she takes the freaking kid as like, she's like, oh, he's here as a, what was it?
Like a tradeoff.
But it's funny, the way they shot that specifically is that she's still like a good grandma,
even though she's bad.
It's like the same thing as Cassie's mom, right?
They're bad, but like we're displaying this badness of her smoking.
But the kid is in the bath, right?
She put the kid there.
It's not like Fez is giving the kid a bed.
She's still taking care of him.
She still loves Fessiex.
She's like, listen, I talk to your dad.
Like talking to the dad was like shooting him twice.
I love that.
I love that.
That's everything I want to be.
And if you really effed up, I would love to be.
Boom, boom.
I would never do it.
But like, I want to.
Dude, yeah.
You were right.
Who about you, though?
Oh, me?
I'm probably like Lexi or somebody like that.
Like, I'm probably like one of the more low-key characters.
Totally.
You totally are because, and you know what's so funny is because I was, I was literally
like maybe Lexi because like I'm not into like, I'm not like doing cocaine and like getting blasted.
But he's right.
I'm kind of like, you know, I got some level of savvy, but I'm also over here being like,
Yeah.
So this is a little like a lot over here.
I'm gonna, yeah, kind of, I'm not gonna be completely away from the trouble.
I'm gonna, you know, live a little too, but I'm also not trying to, I'm not trying to live in a Grand Theft Auto Fantasy in the way the rest of you are.
And he admitted during this episode that he's also deeply shy.
So it fits with her in being like, you know, where she's kind of like cute and smiling, like with the compliments, like that vibe there.
She got style.
And yeah, she's like a little bit shy reserved,
but you can tell she kind of wants the adventure too.
Yes, yes.
So, yeah, I feel like Lexi and me, we vibe.
Yeah, I get that.
I get that 100%.
And also I'm neat.
Anyway.
Malique with some trivia, let's go.
What do you think of Elliot being in the mix between Roon and Jules?
That's a lot of trivia.
That's a question.
That's an overflow question.
Elliot is his name.
We talked a little bit about this.
Oh, yeah.
I called him.
Christian earlier. I don't know why. My bad.
Christian Slater.
Elliot, I like him as a presence, but I, like we said before, I am a little bit worried that
they're not a great influence on each other. I feel like he represents her shadow that
she needs to integrate. And I feel like in ways she can do that with him, but I am very
afraid of what this means for her in Jules because even though their love has been rekindled
to a degree, like this is still like a kind of intimacy that is
going to conflict. Absolutely. I mean,
Ellie, coming into the picture to me, especially
her being on the bed and him going,
we're not good for each other and her saying, I'm okay
with that. That's the beginning of the end of her and
Jules. That's the mix.
That's what we're adding. We're adding the drama juice.
Yeah. Hondo P.
J. Dell closing us
out with another question when Nate
finally confronts Cassie about
their situation. Do you think Cassie is more
afraid of losing Nate or more afraid
of being alone and judged by
everyone else.
That's a great question.
Well, the way she looked, the way
she looked at him
when she was in the truck,
right then,
I think she was more afraid
of losing Nate than
judgment from
anyone. I think
that her addiction
to Nate has taken over
what her friendship would mean to her.
Yeah.
Because she cried when she heard
Remember when
When Maddie said he just sent me
The most beautiful message
And she looked at she was about to cry
Yeah
Because it hurts her because she wants that from Nate
I do to think that's still a good question
Jadel like she probably is still
Doesn't want to be judged
And be alone and all that juice
I think Nate is more of an addiction
To her now
Yeah she's Cassie as a character
Is getting more interesting I think
Like in the first season I was sort of like
I understand what they're giving us with her
But it took a while for them
to start really like giving you a window into her feelings and her perspective and her emotional journey.
And so, yeah, I think that's all in the soup. I think all of it. It's like when you get caught up in
Nate's orbit, I feel like that's a bespoke experience for everyone. And it's probably very intense
for everyone. So I think there is some level of like recognizing the energy that Nate's putting
towards her. It seems very strong and potent and he has this sort of like, I love you, you know,
kind of thing going on. Yeah. So I think there is some fear of losing him. I think,
I think they're good at drawing the nuance of like, you know, she's sitting here going, I'm always in a relationship and I'm thinking about, you know, being celibate for a while and just kind of like, you know, detaching myself from this whole pursuit. And yet there is also a part of her, clearly through this experience with Nate that wants to be wanted and that wants to be had and all of the other stuff. So like, I think there's a little bit of it all. And I know that the peer pressure element of like, you know, because she has her friends around being like, you, you're never going to stay single. Like.
Right.
Yeah, I think it's all of it.
And I feel like she's a character who's very much struggling with her own identity and her place in the world and her sense of value and how to feel and be in touch with that.
And also where romance and attraction plays in because those things are always just those programs are always running despite what your motivations might be.
So, so yeah, I like that she's gotten more interesting as of, you know, the way the story has been drawn.
And I think they're good at again depicting that mess of like.
here's my cognitive motivation versus here's what I'm feeling and where my body is telling me to go.
Totally.
So I feel for her, it seems like all the situations she winds up in are pretty harsh now.
And like that whole bathroom thing was awful.
I was actually getting overwhelmed a little bit in a sensory fashion.
I saw you.
Me too.
I was getting agitated by like she just won't stop pounding on the door and won't stop like yelling and yeah.
Then hiding in the tub and the whole rag thing and just then they're smoking.
and it's like it's all like Cassie is in a horror movie
and then they're in the freaking
development play it's just like yeah
there's a lot of weird
covert overt overt horror movie isms going
totally anyway we're having a blast gang
do you have anything else to tell people
no loving it can't wait for more we're loving it
McDonald's they don't sue the founder of McDonald's
for making Fez's dad fat so
or whatever the metaphor was so
we will sue them on his behalf
protect Fez at all costs
we love them and we'll see you next week for episodes three and four be good make good choices go to church
and confess your sins amen amen
