The Reel Rejects - FRIENDS Season 2, Episodes 1, 2, 3, 4, 5, & 6 REVIEW!! First Time Watching!!
Episode Date: October 28, 2025THE ONE WITH THE BABY ON THE BUS!! Friends Full Episode Reaction Watch Along / thereelrejects Receive your New Customer offer + 3-month Unlimited wireless plan for just 15 bucks a month ...at https://www.mintmobile.com/REJECTS FRIENDS Season 1, Episodes 19 thru 24 REACTION: • FRIENDS Season 1, Episodes 19, 20, 21, 22,... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ ONWARD toward Season 2 as Aaron & Johnald RETURN to continue their FRIENDS Reaction, Recap, Commentary, & Review!! Aaron Alexander & John Humphrey react to Episodes 1–6 of FRIENDS Season 2, diving into the next hilarious and heartfelt chapter of the iconic ’90s sitcom created by David Crane and Marta Kauffman. After the unforgettable first-season finale, the new year brings big changes, new relationships, and plenty of laughs for everyone at Central Perk. These early Season 2 episodes include some of the show’s most memorable and highly searched moments — from Ross’s return from China with Julie, to Rachel realizing her feelings, Monica’s breakup struggles, Joey landing a big TV role, Chandler’s office romance, and Phoebe’s quirky musical performances. The legendary ensemble features Jennifer Aniston (The Morning Show, Marley & Me) as Rachel Green, Courteney Cox (Scream, Cougar Town) as Monica Geller, Lisa Kudrow (Romy and Michele’s High School Reunion, The Comeback) as Phoebe Buffay, Matt LeBlanc (Episodes, Joey) as Joey Tribbiani, Matthew Perry (The Whole Nine Yards, Studio 60 on the Sunset Strip) as Chandler Bing, and David Schwimmer (Band of Brothers, Madagascar) as Ross Geller. Packed with classic ’90s humor, heartfelt moments, and timeless chemistry, these episodes mark the beginning of the Ross & Rachel saga that would define the series — reminding fans why FRIENDS remains one of the most rewatchable sitcoms of all time. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
Discussion (0)
That's annoying.
What?
You're a muffler.
You don't hear it?
Oh, I don't even notice it.
I usually drown it out with the radio.
How's this?
Oh, yeah.
Way better.
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I feel kind of creatively charged up.
So, you know, it's a good place to be meeting up with your friends.
And without further ado, let's freaking watch.
It would be lovely to go on to episode seven.
We've got to paste ourselves.
We don't want to get through it too fast, wind up with no episodes left at the end of the show.
Like, where did it all go?
Where is it? We ate it all.
It's all right.
We can't do that.
We've got to leave some delicious morsels for us all to look forward to.
However, if you happen to be watching this right now, at this point in the video, thank you for being here.
Thanks.
Thank you for getting friendly with us.
and a big thanks to the folks over at Prepper for chopping together these reaction highlights for you week in and week out killing the game just pulling in that footage and going and it just comes out beautiful on the other side also you could be so kind as to leave a like on the video subscribe hit the notification bell so you'd be notified when the next time so you can be notified the next time one of these friends video reactions comes you away that's right happen to be listening
to the after
show portion of this, the review, the
talk on
any podcast platform
of your choosing. If you leave
a review, that would be much appreciated.
Arun.
Jonaldi.
We've got some questions
to get into, but first off,
how you're feeling right now?
After six episodes of Friends
Season 2. I'm
feeling fantastic, friend.
This was fun.
You know, the show is consistent.
We're tackling new dynamics.
We're tackling new themes.
We're tackling money problems and babies and jealousy in reverse and manipulation.
It's been a good six episodes.
It's been a great couple of hours.
I'm really enjoying it.
I'm thoroughly enjoying these most recent episodes.
And I look forward to watching more.
But before I dive into the other things that people are sending us,
Johnny Boy, how are you?
feeling, Brando?
I'm feeling, man.
I'm feeling good.
We've been through so many hijinks,
so many jokes and bits
and gags. We've had guest stars.
We've had hilarious bits.
I got to actually, it's funny,
you will
sometimes see us on camera with
notebooks or, you know,
pads and taking little, you know,
uh,
and there are times where I just want to
be able to write and aside and be like,
this was particularly,
funny. Remember this joke
because there were
you know we laughed throughout these but there were a couple
that like I'm going to have to go back
and dig back for it because there were some really
like clever and choice jokes
and some fun games in these episodes
especially with like
yeah the whole conversation between
Monica and Rachel that's as if
it was like about cheating
when it's just about them like going shopping
and establishing a friendship or
you know the there were a lot
of those like inverted
situations where it's like one
the seriousness and dialogue of one type of scene
applied to something innocuous or silly
I thought it was a really fun thing they did
a handful of times across these episodes
but yeah it says continuing to be a very
joyful
experience here I love the
friends and I liked seeing them
confront some adversities this week
work out some conflicts within
the group everyone got a new
haircut yeah he said goodbye to
Mr. Heckler
I'm going to miss them.
He's great.
My favorites.
Soma, we heard the iconic smelly cat.
Like, shit's crazy.
Yeah?
Gang, we got some questions from the patrons
jump into
before we go into a, you know,
hours long, deep dive
into every moment
breaking down each joke,
plot line, and performance note.
Kicking us off today.
Oh, wait, no, it's,
there you go.
Every video, got to make
sure that we're on brand. Stephanie
Wharton, thank you for chiming in.
Appreciate you being our friend
along this journey. Now that you all have seen
episodes, 1
by 24 and 2 by
1, what do you think
of the classic, quote, airport chase
for the loved one trope and how it
was used in this instance? Also,
any thoughts on how it speaks
to the pre-9-11 time it was
filmed in? Oh, yeah.
Oh, yeah. They can't do that no more.
You can't just walk up on the terminal or even on the plane like you could back in the 90s.
You could walk into the lobby of the airport or you could walk back out.
Pretty much.
Pretty pretty much.
But yeah, I thought it was fun.
I thought it was really great.
You know, I kind of missed that time.
You know, I wish I got to experience that as an adult.
You know, people just like waiting outside the terminal for you.
I think I have vague memories of coming home.
from Ohio or my family used to live and my dad would be at the end of the terminal I think that's I think
that's a thing maybe my memory's lying to me but I really dug it here how they book in you know or they
book into the season of the first one with that and then literally start us off with the resolution
of that scene in the beginning and then how that sets the tone for Ross and Rachel's relationship
in this new season um and yeah I also think that it's
speaks to we were a lot more lax
before 2001
before September 11th, 2001
but yeah, I like
the trope and you know
I don't know if there'll ever be a day that comes back
but you know I'm happy we can still see it in movies
and shows. Yeah, yeah I have
that same kind of like vague
recollection at the back of my mind of like
oh yeah you know like kind of
any step of the way you might be able to
encounter somebody who's just there to hang out
out with you or to pick you up or whatever it is and now yeah if you aren't flying you might not
make it past the curb most of the time and uh it's just yeah fun you know the further we go on the
more of a you know i think when that was more possible in actual life the trope would become a
little more like ah you know it's cheesy blah blah blah and now because it's no longer the
norm it's kind of a charming relic of the past uh that yeah
you would never see today.
So, yeah, I appreciated it,
and it made for a really nice wallop
because, too, after everything with Ross
pining for Rachel in the first season,
for her to be the one making this realization
and running to the airport, you know,
and we're like, oh, hell yeah,
it's finally going to, they're finally going to, you know,
give it a try, you know,
and then he gets off the plane with Julie.
It's, you know, it's a nice, you know,
opportunity for some awkward comedy.
And a bit of blood in the show.
Do you need a bit of blood?
Leading it from the forehead.
You got that cool zebra pattern
Blanky, or not Blanky, Band-Aid
because you got the Blanky, I was looking at the Blanky.
I do.
You try to wrap your head with a blankie.
It's so warm and it's so soft.
Josh, John washed it.
I did.
Brought it in and watched the blanket.
Smells good.
It smells so fresh.
Get yours of Regination.com.
Yeah.
Every one you order is washed by me personally.
And every kiss begins with K.
But yeah, too, there are a lot of establishing shots.
that feature the Twin Towers.
So it always kind of roots you in that time and place.
And watching this, I kept forgetting, like,
oh, I think they did film.
Like, any show that's about New York,
there's a part of my brain that's like,
did they shoot this one there, or did they shoot it here?
And now I'm like, well, there's a central perk on the Warner Brothers back lot here.
So, like, I'm pretty sure they would have shot a lot of this here.
You know what I just realized?
Is that this show is going to go on past the point of 9-11.
So they're probably addressed at some point.
Probably well.
Yeah, that's going to be crazy.
But, yeah, like, seeing the back lot and I feel like this was shot out here.
Comment below if you know.
It was like Brooklyn Nine-Nine shot out here.
There were certain exteriors at times where, is that downtown LA or is that New York?
Yeah.
Is this a back lot I've been on before, or is this, you know, an East Coast backlog?
Either way, yeah, a very charming use of the trope and, you know, a fun start to the Ross Rachel saga, I understand, is a big through line of the show.
there we go
recalibrate my brain
for the clap
san rack
Aaron and John
now that the show
is settling into a rhythm
with the writing
what are your thoughts
on elements like pacing
joke writing
how a plots
how A plots
engage or not
with B plots
etc
especially interested
in how you both felt
about the one
with the five stakes
and the eggplant
which saw the writers
tackle
income inequality
between the friends
I really liked that episode
I think that was my favorite of the six
because it was like oh
we're still a comedy
but we're dressing like real things
within friend groups
and I feel like the way that they
navigated that was interesting
because I thought they were going to come
to the happy go lucky resolution
where they all end up going
to hooty and the blowfish
but no they stood 10 tones down
and like no we're not going to go
and we don't want your croupity handouts
and yeah that's just a very real thing
in the real world
so I appreciated it.
But to answer your first question,
I thought it's, you know,
they're getting real tight with it.
Getting real good.
I felt like,
and even those first few episodes,
it's like where we were season one around this time.
I don't know if it's,
how much of it is the writing.
Should I stop?
Okay.
I don't know how much of it is the writing has improved
and, like, found the rhythm
versus how much of it is being accustomed.
to the pacing of the show but it feels like these first six episodes went by really fast
and they found it kind of like got this comfortable thing of having these characters all
paired up in different scenarios and having it feel satisfying whereas maybe those first six
episodes are like okay this is like it's fun but this is a lot but I didn't feel that sense
of minor overwhelmedness yeah these the first six episodes of season two I feel like they
they do have like a
stride of sorts being
established certainly and I mean part
of that is just because the
you know cast is so
I mean they've had
a lot of chemistry and have been very
fine tuned up till now
but I feel like
you know obviously you're at a point where now they have
like a cruising out to tune
a rhythm that's been established that's you know
now in the place where you can really start
honing it and finer tuning
it and it feels like the writers are
well in step with that and they're probably at this point a little bit more attenuated
to writing for each person's specific voice and stuff like that and yeah i thought there were a lot
of really fun games that they played across this and too i i'm continuing to admire
the way that they have certain again serialized elements is julie just a way for one of these
or or you know she's not in the few i think she's like in half of
them or at least like
because there was that bit where Ross was like
oh I miss Julie and and
I was like
they're not just going to like
write her off you know
in a single line or something like that right
I feel like there's got to be some kind of at least
I don't expect Julie to maintain for the whole show
they said she was in like she went somewhere
she's on a trip she's away okay
but yeah like this idea that he's got this
girlfriend now and there was that
whole thing where like Palo comes back for a second
and
even the more
episodic stuff of like, oh, Chandler
trying to date and things like that.
Like they, they nicely
make these so that they can easily be taken
always, you know, just in
isolation, but also
yeah, like I think they
use the serial
story, which
is often one of the A or
a adjacent plots in a way
that kind of nicely, you know,
bolsters, gives things like a backbone to hang
stuff on, but then also, you know,
makes for other games within the B plots and stuff.
And, uh, you know, I, I really enjoyed a lot of, like, especially that one, uh, uh, uh, the one we were
just talking about with it, where they're talking about the friend group and the, and the money
and all that stuff, five stakes in an eggplant. Like, I really liked that because, yeah, that one
was like very funny and it didn't like stop fully to be a very special episode of, uh, but
it still like didn't mind seemingly you know just being candid about a conversation and letting
them not agree and realizing you could still have fun even if everybody's not on the same page
or the one where mr heckles dies i thought was like a nice one because that kind of trickles
into some of the other kind of you know more silly plot stuff but even like you know rachel
and monica dealing with the lamp and everything like is a bit innocuous but even then that's
getting to the deeper point of the idea
that they need to kind of reauthor the space
and accept that it's both of theirs
and it's not just Monica letting Rachel borrow a room
or whatever, especially if she is
like they're paying half the rent and stuff.
So yeah, and like they all go over to Ross's
at one point for another
like dinner thing
and I feel like they've been doing nice
to like expand on stuff and you see like
oh yeah how they take care of the kid. The kid factors
in some of the time but not all the time
it's not like every episode has to deal with the kid
and so yeah I feel like they've done so far nicely
to be adept at jumping back and forth
between a bunch of the things that they have established up till now
that they have at their disposal
while also not losing sight of the heart and soul
of just having fun with everybody quipping and bantering at each other
and two I mean this had a lot of things where like
people were trying to get back at each other
or you know are dealing with direct interpersonal conflicts
Rachel and Phoebe, you know, having to do, having to, you know, kind of confront this idea of like, well, the business wants to hire a different kind of musician and, you know, they don't want to pay you. And so there's like personal anger, but there's also, you know, anger at a bigger situation than that. And I don't know. Yeah, they, these episodes, like, had actual conflicts. I mean, them leaving the baby on the bus is mostly funny and doesn't amount to, like, much true conflict. Yeah. But, like, a lot of what we did here, I think, nicely.
found more ways of incorporating dramatic ideas or things that friend groups might go through,
but in a way that, yeah, doesn't feel like it's clashing with the comedy or taking you out of the fun.
And it makes it kind of nice in that you can let the characters grow to a degree,
but not so much that it messes with, like, the things that need to stay constant for episodic comedy to work.
yeah
I feel like they
they're finding that
that rhythm between like
obviously the things
that are more heightened
like episode six
and then obviously
the way that
things like the
the one with heckles dies
and I would end it
like a very
I don't know
what's the word for it
not solemn
it wasn't sad per se
but just like
a reflective
reflective sort of tone
and then obviously the one
with where Monica gets fire
that one was like
sort of a sadder tone
and then the one
the one with the baby on the bus.
I don't think that one's like the most entitled sitcom episode of it.
Because everyone's going through like a wacky situation in that episode.
Even though obviously they go through a wacky situation every week.
But I felt like, yeah, there was more wackiness overall with everybody.
That one was the most sort of like all the plots feeling a bit isolated from each other.
because, yeah, you have just the funning games of Joey and Chandler around town plus baby.
And some nice stuff with, like, Monica and Ross being brother and sister.
I think, like, that was kind of the nice, heartfelt thing.
And I do like the resolve between Rachel and Phoebe.
But it did, like, of all of them, does feel like the most, yeah, like,
and I think it's fair for a show like this was as many episodes as there are a season to have that,
where it's like, yeah, this is a fun one.
And, like, it's not like we're not going to have a lesson or people aren't going to go through something touching.
But, like, yeah, there are going to be three wacky plots
and they're all going to kind of only really collide
in that these are, you know,
in everyone's common spaces at one point or another
or characters are touching base sometimes.
Whereas, like, the, you know,
the moment where Hekels dies is really nice
because, like, that whole thing is, like,
Chandler gets reflective and he starts to kind of
contemplate what he wants, and then Monica and Rachel
have their own thing due to this.
And, like, yeah, that was, I think,
to your question, a nice instance.
of like the circumstances of an episode permeating all the plots versus one like the sixth episode,
the baby episode, that feels very much like this is an episodic totally.
It's not, I'm not calling it filler, but it's kind of like when anime shows like jump back
and forth between these are the more intricate ones that are more like plot oriented.
And here are ones that are more just like, oh, here's some fun bits of the week.
Yeah, it didn't, it didn't, it was fun, it was sitcom in the sense where it was purely a situational
comedy and that nothing necessarily progressed the overarching arc of the season or the
development of the characters yeah just straight things uh joey's taylor very funny that was a funny
that was that was wild and hilarious uh had been tragic the amount of of a big deal uh they made
over the breast milk was very funny and very wild the whole thing with ombray i thought was
hilarious that that subplot relatively detached from things very funny yeah
And the one with Phoebe's husband, honestly, weirdly, that's one where I kind of wanted,
I liked the game of him being like, I'm straight, and I'm coming out as straight, and like my brother's straight, my parents are cool.
Like, very fun stuff, and part of me almost wanted a little bit more.
I just, not that it didn't do much with it or anything like that, but I was like, I kind of want to know more about this facet of Phoebe's life and this Steve's on guy.
Yeah.
I probably we just get little random nuggets of Phoebe's interesting life throughout the course of the show.
And they're typically like one-off things, you know?
Yeah.
Like, yeah, she doesn't really have any overarching stories, at least thus far in the show.
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And the thing about the five stakes and an eggplant one is that it's kind of neat in that it has a strong, a plot that affects everyone, and it's an interesting, you know, philosophical debate of, yeah, how do we as a bunch of friends of different means, you know, corral to have the best time together without having to worry about money.
But like the whole Joey, I mean, the whole Chandler subplot of that is, you know, totally detached pretty much from all of this.
So, like, that episode has both.
I'm very confused.
Maybe there's a piece of information we missed.
I'm very confused about Phoebe's whole job situation.
Because the whole reason why Rachel and Paolo broke up is because Phoebe is a massage therapist.
And Apollo, like, touched her while she's getting massage.
But then she's working for Chandler and, like, later in the season.
Yeah.
And now she's on the side.
I was like.
And then she's, and we've seen her at Central Perk, but it's not been a very strong idea of, like, this is a source of income for her.
yeah you know like what is your situation girl because i feel like massage therapist typically make
pretty good money and that's one of those things where yeah i'm like is is the game of it going to be
that we're always kind of like what is your deal do you have a different job all the time or or yeah are we
going to get a more solid portrait of phoebe as time goes on and we still don't know where she lives right
yeah no he's the only friend who's place we haven't seen i wonder if that's going to be a thing later
in the show but uh but yeah this is a very interesting you know it's it's hard to
all the like stuff you'd study on a first watch but I do appreciate the kind of interesting you know we're watching one of the most highly beloved and rated sitcoms ever so you know you can't not pick stuff up so curious to yeah continue observing also thank you guys for tuning in to our first six episodes as a time of recording this only the first six have been released and yeah we're getting a lot of love a lot of feedback and we really appreciate it I'm happy that this is is paying off thank you for welcoming us to your central perk
Nikki Son Risa, thank you for chiming in.
Hey, Aaron and John, I really hope you're still loving this show
because I'm enjoying watching you watch it.
We are having an absolute blast.
In the one where Heckels dies, Chandler has a strong reaction to his death
and reflects a lot on his own future.
Have either of you ever had a moment like that
where a life event really put your life into perspective?
How do you think this will affect Chandler's character moving forward,
if at all?
RIP Matthew Perry.
that is right. That was not very
long ago at the time of recording this.
This episode always makes me sad
now remembering Matthew and yeah
I hadn't think about that.
I hadn't thought of it in the moment but that is a really
I imagine I don't know
comment, you know if this has been
your experience but I have to think
that people who know the show really well
probably have pulled that moment
in particular as kind of a nice little
reverie for him
because yeah it isn't really sweet
and it's one of those things that
elevates a show like this where yeah like he has that little aside at the very end where he just
observes the room and it's empty and there's like an interesting kind of light about it and he lays the
resets the you know broom back up and uh and yeah has this moment for this guy who was always kind
of a thorn in their side but you know who he saw a lot of himself in and uh yeah i thought that was
a really lovely thing and again i'm sad that that uh you know actor ostensibly won't be back
because he's a very funny character when he would pop up.
But I thought that was a really strong, a nice device for him to be like looking through the yearbook.
And like they do a lot to be like, ah, you know, like we find some funny stuff in his place.
And he leaves them all this junk.
And, you know, there's a lot of humor.
But yeah, him flipping through the yearbook and being like, hey, this was his life and someone should have this.
Like someone should kind of, you know, commemorate this with a little bit of, you know, empathy and, you know, just carrying on of his.
his spirit for a little longer who knew him.
And I guess we're the only ones who knew him.
Yeah.
That's a good question.
I think when you, thank you for the question, Nikki.
Two things kind of came to mind when you presented that.
The first being a couple years ago, someone in my family was diagnosed with Parkinson's
disease.
So I, when I found that out, I really did put in perspective, like being grateful for, you know,
autonomy your body and you know just utilizing it when you have the ability to and then the second
thing which is more recent I think it's public knowledge now was the passing of Angie's father
and you know I lived with him for about a year and it's just yeah it's a strange sad and surreal
feeling like knowing somebody was with you and then seeing them not be there with you.
So yeah, really just kind of puts things perspective and then this is the finality of life
and being able to be grateful for what you have and then, you know, preparing for the future
in the event of, you know, things not going according to plan.
But yeah, I would say those are the two things that.
That really affected me, and that showcased a different perspective within my line of thinking.
Yeah, I mean, definitely throughout life, I feel like the older you get and the more, you know, harsh realities you have to contend with, you know, the more this kind of happens.
But, yeah, especially lately, just people I know have been experiencing loss.
and that even in just observing that and being there you get reflective
and I mean I've lost family members in not
not super recently but also not that long ago so you know
being there for yeah memoriums and you know
reuniting with family that you haven't seen very much like it's interesting
because yeah it gets you reflecting on the important things
and about making time and about you know
doing the effort of connecting to the people that are in your, you know, family or the family
that can be found through a group of friends. There was a guy I knew who I was striking
up a, you know, there was a guy I knew for many years, you know, in somewhat passing, but who
every time I saw him would be like, you know, really jovial and we would always end up talking
and, you know, we had reconnected not long ago in the past couple of years and, you know, had
been talking a lot creatively and I was really excited to kind of like jump in and collaborate with him and just you know kind of you know one of those things where you can kind of tell about a person like oh yeah we're supposed to be buds and then yeah very quickly he came down with um a certain type of cancer and in a month he was or or we discovered that he had a certain type of cancer and then you know a month later he was gone and uh you know that's one of those things where he's like a pretty young dude and and
any brush with mortality I think
just puts you in a reflective place
and it's one version of that
when it's a grandparent or something
it's a whole different version of that
when it's like a peer or somebody
kind of on your walk of life
and yeah
or even just like
if you ever like almost get in an accident
but don't you know like those things
get you reflecting or
even just the passage of time
like yeah like I definitely have moments
like this, and it can come out of someplace random, you know, just driving past, you know, a human
moment somewhere, or it can come out of, you know, like a real big life event. And, I mean, certainly,
yeah, like, you know, just seeing Andrew go through what he has been going through a recent,
you know, my, my partner lost her best friend, you know, not long ago, and that's been a,
yeah, a hard thing to, I mean, you know, certainly,
is doing the work and coping, but there's all sorts of times where, yeah, it's still hard and it's still painful.
And, yeah, so there's, yeah, I'm not sitting in dour or, you know, kind of melancholic reflection all the time.
But there's definitely, I think, a lot of that moment that Chandler has and the way he is struck by that, that I have felt, you know, that life perspective.
and it's hard because, yeah, it's like you want to kind of maintain that vitality and that sense of urgency to make sure that you live richly and express to the people that you care about.
And it's hard to maintain that when you're kind of back in a casual spirit or back in, you know, the flow of things.
But I don't know if it'll affect, like I don't expect a major difference in the character of Chandler, but I expect this show to do some coming of age for everybody.
And I have to imagine that this is one of those, you know, bricks along the road or, you know, up of the wall of, you know, Chandler's growth.
And I have to imagine that, yeah, like there will be at least a small smidgen of that spark of like, you know, got to live.
Got to do it while you can.
Yeah.
And I also think it'll inspire him to, you know, eventually realize that he doesn't want to just play the field all the time.
But he does want to settle down.
And he does want to find love, consistent love,
and kind of put the nitpicking aside.
So eventually, you know, I'm very curious to see where these characters go
from season one to season 10 and how much they change over the course of those 10 years.
Here, here.
Thank you, Nikki, for the reflective question.
And that's like any good sitcom, you've got to be able to, you know,
get a little dramatic or get a little serious, get a little heartfelt once in a while.
So heck yeah.
I have one rhythm for everything.
I think it's that, because it's, yeah.
Anyway, Flev Doran, thank you for chiming in with your question.
Good tone shift here.
Would you guys taste test your future baby mama's breast milk if they asked?
Yes.
Yeah, why not?
I do it.
I'll try anything once, most things once.
Yeah.
Come on, Mama, give me that titty milk.
What is?
yeah i mean i'm not like you know it's not uh it's not a thing of mine so i'm not i'm you know
relatively i'm not excited about breast milk as a concept i'm glad for babies uh but yeah i try
why not how'd you feel if you just like surprise squirted in the eye or something i don't know
i guess i would laugh yeah it would be it would be a little absurd because it's not within the
realm of like very common sillies but you know be pretty silly yeah that's her
back, you're just like, you're like being playful
and dissers, just like, yeah, I gotcha.
You're like, like a clown flower.
Yeah, a lapel flower.
Just a little, a little cloudier.
Yeah, I'm not, that is the funny thing.
It's like, I guess I could see how somebody would be as weirded out as they were,
but I'm like, come on, guys, it's not that big a deal.
It's like a couple drops, like, because Ross at the end of the episode, like, chugged.
He gets like a few swings.
Oh, yeah.
I'm like, I don't think you needed to go that hard, but well done for, you know,
mind over mattering.
making him for all the times he denied himself.
Yeah, exactly. He's making him for lost
childhood.
Jay Rushden. Oh, and
yeah, leave all your guys' thoughts. Are you
breast milk people? Are we missing
out? Should we find a special
cafe that makes their lattes
that way? Jay Rushden
closing us out.
Ever deal with a smelly cat?
Random question?
Not yet. I've dealt with smelly cat before.
Yeah. Here or there.
I mean, like, I know one cat.
one of my favorite cats in the whole wide world.
He's a very tiny, cute creature
and a very, you know,
unique personality,
you know, a little bit skittish,
a little bit dainty.
Doesn't come out for a lot of people,
but, you know, once you've earned her
approval, you know, is
quite talkative and bubbly,
but she can wreck a litter box.
I'll tell you what.
Wow.
She can fill up that room.
I've dealt with some smelly cat,
but it wasn't an animal.
Hey, yo.
Hey, hey, I know what they were feeding that cat
Or maybe I don't, I don't know
That was the problem
But yeah, I've dealt with some smelly cats over time
Not in any way that was like chronically bad
Or where the cat was like sick or something
So that's good at least
Yeah, no cat suffering like intense indigestion
so that's good
but let us know
your smelly cat experiences
down in the comments below
and thank you all for joining us
for another block of friends
for a feature-length binge
any other stray thing
to throw out before we go
get my real allergy shot
make sure
your tailors are
doing your right
oh my God dude
and your hair cutters
that that frigging
Dudley Moore
cut that she gives
the way they handled the haircuts
I thought was very funny because like in the
first episode half like
you know two thirds of them have new hair
and then there are in the intervening
couple of episodes they're like
fun little games and explanations
as to why Monica's hair changes a little
bit after and somebody else's hair change
even Mr. Heckles had his hair
change. They had it longer this time
anyway leave us your thoughts
guys leave us your
favorite moments your favorite episodes your favorite
jokes from this block and we'll catch you
for episodes 8 through 13, 13 next week.
Be well, people.
Hi, I'm Gene Chatsky, longtime Today Show financial editor, author of Women with Money
and host of the Her Money podcast.
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