The Reel Rejects - GEN V SEASON 2 Episode 1, 2, & 3 REVIEW!!
Episode Date: September 17, 2025WHAT A CLIFFHANGER!! Gen V Season 2 Full Reaction Watch Along: / thereelrejects Visit https://huel.com/rejects to get 15% off your order Starlight cameo in Gen V Season 2 Reaction, Rec...ap, Commentary, Analysis, Breakdown, Ending Explained, Theories, & Spoiler Review! We catch up with returning heroes like Marie Moreau (Jaz Sinclair), Emma Meyer (Lizze Broadway), Jordan Li (London Thor & Derek Luh), Cate Dunlap (Maddie Phillips), Sam Riordan (Asa Germann), Indira Shetty (Shelley Conn), and Polarity (Sean Patrick Thomas), even as the show reshapes its core after the loss of Andre Anderson (as confirmed, not recasting), while introducing new faces like Dean Cipher (Hamish Linklater) and Thomas Godolkin (Ethan Slater). We dig into the jolting Season 2 premiere: the devastating changes in the school, Arlo’s mysterious power shifts, tensions with Godolkin’s leadership, the creeping threat of Supes vs Citizens, the Campus hazing, and how the show crosses over with The Boys universe via cameo teasers from Starlight, Black Noir, The Deep, and Edgar. We suss out big moments — Marie’s evolving morality, Jordan’s internal conflict, Dunlap’s loyalty flip, subtle world-building cues, and what the Godolkin-Elmira dynamic foreshadows — including theories on how this will set up future arcs, impact The Boys lore, and lay groundwork for redemption, betrayal, and public exposure. If you love character-driven superhero drama, shock arcs, twisted school politics, and crossover universe intrigue, this one is packed with gold. With Peacemaker Season 2 out & Marvel Zombies releasing, good time to be in the superhero genre Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Got
I found it
All right ladies
gentlemen
We just watched the first three episodes
of GenV
Season dose
Season dose
Here we are
Here we are
want to thank prep for writing down these highlights this show is a pain in the buttox to get up
and as many of you have probably heard there's some channels much bigger than us who have actually been talking about how
youtube's demonetization age restriction policies i've just been a i'd up like a mofo it they don't
make a lot of sense and yes this channel has definitely been subject to that as of late and so
hopefully we've been able to bypass the artificial intelligence
All right. Well, I'll go to, let's go to John first, John. So, you know, we had season one, and then they had to pivot a little bit because of the passing. And now they have had this Andre element. I forgot the character's name for a second.
Andre element. I always just want to call him chance, too. So I was like, what is it?
Andre, the character, implemented here. How are you feeling about the direction that they've taken so far?
here, um, even with an obstacle they've had to overcome. Yeah, I like the way generally in the
writing they, at least to me, feel like they tend to meet things head on and they don't tend
to dawdle with a lot of developments and stuff like that. And while obviously I, I understand,
you know, that I think they've risen to this occasion with a lot of grace, I would say. And yeah,
having Andre as this presence that is constantly, not constantly even, but just like appropriately,
consistently touched upon as this sort of spiritual driving force for the season and also remembering
him in this very sort of just heroic light is both a lovely tribute to chance per domo but also
yeah i think it's something that allows your mind to fill in the blanks with what actually happened
there you can kind of paint the picture in your mind's eye as to how the physical situation went down
but I do appreciate the sort of slingshot
and the sense of, like, vital urgency
that his loss has brought our main remaining characters and whatnot.
So I feel like they've done a nice job of, you know,
meeting our super unfortunate circumstance
and utilizing it dramatically in a way that doesn't feel ghoulish.
Yeah.
Because it could, you know, like, obviously it's better
to acknowledge it in some fashion,
but, you know, you also have to be conscientious as to how you do that.
And I think they have, for the most part, been conscientious about that.
And it's interesting to then watch his father take on a bigger role.
You know, it makes me really curious as to what changes they had to make.
But, yeah, I think they've done a good job with that so far.
Yeah, the changes feel so natural.
It doesn't feel like they definitely had an original plan and they had to pivot.
You know, like it seems like they have the – I feel like these three episodes have worn its heart on its sleeve a lot more while keeping the political motivations and such.
And for Koi, you know, you didn't have an opportunity to rewatch the first season,
but you are a big comic fan.
And this season has remained politically charged.
As always, how are you feeling with its commentary so far?
I was going to say, when you were speaking to the pivot, they had to do, you know, losing chance
and making the Andre character, this hero that's sacrificed himself and making that on the forefront,
the ability of this writing team to really have heart while being so.
brutal is really like a special balance because it doesn't feel like they're pandering to the
actor's loss it feels like it's a very heartfelt memorial to him but it doesn't feel like it's
also ghoulish and i and i feel like that's part of what the political commentary feels like this
season um that balance of heart but we live in a dark world and the boys almost feels
uh a little more aggressive like this show is obviously aggressive it's in the boys universe
but the political overtones feel like
they're sympathetic to the plight
of the leads in this show a little more
like there's a little you know
this is a less mean
yeah that yeah like I'm trying to find a way to phrase that
it's not as me it's it's a mean show
that isn't as angry at its protagonists
because I feel like the boys is like
punching the boys and the seven
and everyone's just like ah
whereas this show this season feels like
they're going through it and it empathizes with what they're going through, especially politically
and especially with chances passing. And I think that's a really hard line to walk. I've really enjoyed
its ability to satirize both sides of the political spectrum while still being very clear
about where it stands politically. Like it doesn't think one side is infallible while the other is
wrong. It thinks one side is evil and the other side has problems. And I really, I really
appreciate that. Like, and it's a really hard line to walk and I'm enjoying it. Yeah, because definitely
makes fun of both sides. Yeah. While still acknowledging, like, I think it's a very dangerous
world we're in, in our world, wherein, as soon as you say, um, words like by partisan or
centrist, you are immediately judged as or more harshly as people that align politically.
pick aside and I don't think this show is the show very clearly has picked aside but it's not at the cost of picking a side pretending the side it's on is clean and and that is something that I'm navigating as a human being that is trying to be more informed that doesn't think that I don't think either political party is in a good place and I don't want that to then become people thinking I'm apathetic and it's a hard thing
to do. So I'm really impressed
with that. Yeah. I mean, it's
really easy to... Dancing a line. It's really
easy to like be against the side
and then become tribalistic about the side you're on.
Right. And this show is not
presenting itself in a... It's like it
has a side, but it's not feeling like tribalism
at the same time. It's not blind,
which is really hard to do.
No, and I think to your other point about
its empathy, I think is because
they're they're allowing
especially this one I feel like
they feel more like children
at least I mean like the perspective
like you they've really shined a light
like they're still young
they're still coming in yeah you know
there's still people who have been
they they were forced into this position
they were drugged and then you're watching
to take the starlight element
and the star lighters which was
in her first season and the boys was
about defying
you know
the conforming
to what the media
manipulation was
and to be her own person
then you're seeing
like how these kids
in college
are trying to actually
be heroes
you know
and to honor that
through the passing of Andre
and show that
Andre was a hero
we have to do the right thing
and be heroes
and like this is a very like
this ending notice
such an aggressive way to like drive that home that we're and even in with you know
andre's father and Marie and the crowd and like no shit no that's what are you doing this is
like you're gonna get us killed right now um but then proven like no this is what a real number
one hero would do they wouldn't be doing this for the brownie points they wouldn't be doing this
for the ranking selling out to the stupid speech yeah they'd be actually uh wanting to do the right thing
and even if that means putting a target on their back
it is a really because we know the world
of the boys so well and I think they've done
so I think like them doing that it is
make it actually is like really scary
it's very different because you feel like
you're connecting to the youthful side of
and that sometimes is fear
and alienation and uncertainty
whereas with the boys they're all grown
so you're like all right what are we gonna do next
we'll get to figure it out like there's a little bit more
of an assertiveness yeah and I really like that
this season
like the new Jordan Peterson character
and certain characters that are
so sure
of themselves it makes that
vulnerability and naivete
sing even more because these
our characters, our leads are constantly
having to pivot and all the adults
in the room are like, this is the way it is.
Yeah. Well, I think the boys is also
very like testosterone.
Yeah. You know, it's called the boys.
It is.
Even though there's some
like strong female characters.
That, that, this one is masculine energy.
Yeah, it is a very, like, masculine-driven show.
And John, earlier, while we were watching this, you said something about, like, how the Kate's unfolding and how you feel like we're going to be dissecting.
What, did you want to elaborate a little bit more on how you've been feeling about Kate?
Yeah, I just got this inkling.
It's my hope, I suppose, that, yeah, you know, she's in this position where it's both easy to be like, you've been super messed up.
and like the way you frequently kind of expect people
to just water under the bridge.
Some of that shit is like a little convoluted
in the right way, in context.
But with the way things have been progressing
and the sort of desperate, it's weird,
like watching she's clearly more towards this side
of the spectrum that is indoctrinated toward Homelander
and obviously she and Sam have this internship
with Vought and whatnot, but I don't know,
like the further she goes.
the more I get the feeling she's going to become this sort of like chaotic I don't I don't know if I'm using the spectrum right but you know like a chaotic neutral character who finally learns not to be under the thumb of either ideology and to not be wielded like finally recognizing all the ways that she's been wielded by people and maybe breaking free from that and carving her own path and you know not that that's always going to be copacetic to the rest of our leads but she's become becoming increasingly potentially fascinating
to me and I think that especially
these notes here and with the development
at the end of this episode, the acknowledgement
from Jordan, yeah,
it just makes me
anticipate like some good drama
hopefully off that character, some good
nuances and whatnot because she is
quite tragic despite
some of the villainy she's been
either directly responsible for
or, you know,
vicariously responsible for.
You know, and I'm glad and I'm, I shouldn't
be surprised because this writing
is often nuanced, but I'm really impressed that
Sam and Kate didn't just become
villains. Because I really was afraid
when they showed up in the boys as villains
and that's from the perspective of the boys.
They would have just appeared. You wouldn't have any association
with them. It was great because it felt like a comic
where you're like, I read the other one so I know
who they are. But if you had it, you just
have that like, we're bad guys. And I'm glad
that now that we're back to the show, they're really
not letting Sam just break and
become, his powers are so strong.
It'd be such an easy villain. And I like
that they manipulated me into fearing that
They might let that go that way, and they're not.
Yeah, I think they've been really intimate, like, on the internal of who they are as just the human being behind them.
And the way they've even stipulate, what is that guy who you're obsessed with?
Oh, I ban, I think he's the best new edition of show.
Oh, Jordan Peterson.
Is his name?
Mike Flanagan?
They called him Dr.
Gold, when she saw him in the picture.
We'll just call him that for the sake of the review.
Is that his name on the current?
Yeah, well, it's gone that for the sake of the review.
Dr. Gold for now.
Dr. Gold, the guy from the Mike Flanagan world.
who's so good
oh you still haven't seen
the midnight monologues
I gotta see it
I want to say it
is that like a nickname
people have been
is that a Nickelodeon show
I wish I could take that
I've heard it called that
I've heard it called that a couple of times
he's got some
amazing monologues
Haymish Linklater
I think is the actor's name
you see if I can confirm
he's incredible
he's so
he's so fun to watch here
did he's the person
I think his name is
Hamish Linklater
he is incredible in that show
but the way how
while you're looking at that up
The way how he specifically highlights that people are using,
your worth is based off of your powers.
And then even when Sam, when she goes to confront Sam,
or not goes to confront Sam,
but she meets with Sam in the dorm,
Sam is just only after her for her use of the powers.
And it just has you like drawing that linkage of everything.
Everything comes back to the powers when I really feel like she was actually trying to,
in her own way, she is trying to help them.
And then she felt betrayed by them.
They left her to die.
And I like the complexity of that because it's like of two minds.
Oh, at least when I'm watching it of.
Oh, yeah.
You know, yes, Kate did do a lot of messed up stuff, but she's trying to help.
So I actually do get why she feels like she's been totally betrayed because like while we're watching it, you were even going like,
well, we did all this messed up stuff.
Kate, with all the manipulation and everything.
And I like that this show creates an actual debate as an audience member of like, well, are they in the right for letting her die?
Yeah.
you know yeah and i mean that's that's a situation where i think it's it's not good there's no good
or bad value but it is interesting to let in that moment you watch them contemplate like we should
do something right we should and their hesitation passes for long enough that they're like
well i don't know now you know i guess we got to go and it's like it's convincingly messy in
that moment but yeah no i agree and i i think when you're out of the moment of the immediacy of
the show it is kind of that's again that's that's the stuff that contributes
that feeling of yeah from her perspective and from what we see of her when she's not with them for her motivations to be clear to them it is all the more tragic because you can sense that deep deep down she just wants to do right by them and to stop hurting yeah i mean all these characters are outcasts who have not been truly loved and i and i would say like andre was the only one who actually had a decent relationship with this even though there was like
functional you know even there's dysfunctional there were problems he he admired his dad you know
whereas everyone else has got like a really messed up dynamic with their with their parents
and speaking of which um the situation memory are our main character here coy what did you think about
that final monologue scene that she actually had there man uh that actress she is i mean watching
the first season i was like okay this is going to be someone that's going to have an incredible career
um but that i think was the
oh this is why they're the lead scene like that was such a powerful performance uh i thought the
immediate bond with her aunt was really special i you know i i i i delicately i have some friends
that were born addicted to things because of choices their parents made and i am really
enjoying the commentary on addiction and the parents taking a drug
And that being kind of processed in this character.
Like Marie is processing lineage trauma and processing, like, you know, being injected with this thing that wasn't a choice of hers and, like, processing all these things that I don't see a lot of media address.
So, yeah, I think the spicy topic of, you know, the trans-tastic and the things that we're addressing for the first time.
Like, we don't see, not for the first time ever, but we don't see trans characters in superheroes.
content. We don't see certain things done in TV, but I think there's a really beautiful
undercurrent of Marie of people born into addiction, people born into having chemical dependency,
people born into things that were outside of their control. And I don't know if I'm reading
too much, but I really like felt that in the scene with her aunt because, you know, the aunt
had lost her family in, you know, Marie's mom and dad dying and had regained some of that
family in her sister. But she's been looking for her sister since we met her on the show.
so it's this whole family was destroyed by a drug moment in the metaphor and um it just speaks to me as as someone that has people that have been in those environments and and uh i feel like we don't see a lot of that that isn't as judged like when you see um crack baby in a in a piece of art it's not ever with reverence or respect to the baby and i'm like yo that baby didn't do anything wrong so i have a lot of respect for the show uh for always surprising me with its new
to the point of like having something that's that um layered be respectful yeah
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well and even the stuff I was surprised
that they went as far as to have the little starlighter meeting
and for Emma to straight up be like
hey I admire your spirit and all that
what action you're taking actually
probably isn't going to help
in fact it might get some innocent people hurt real bad
in a way that you could be trading
for much more effective action
which, you know, is not a direct advocacy for, like, violent action,
but it's, like, just about there.
It's also, like, if the same punishment is coming.
Like, if you're risking your life, risk your life for more.
Yeah, exactly.
And I agree, and I think that's something that's also terrifyingly topical.
Yeah, a lot of great stuff here.
Hamish Linklater, indeed, Cipher is the character.
I'm trying to figure out.
I'm trying to figure out who the aunt was because that performer, she is great,
and I know she's been in stuff.
Yeah, I love the conflict in there.
because you think she might just be like some uptight bitch or something.
Yeah, totally.
And then you're like,
I see the fear,
the distance,
but also the longing.
Like,
it would be complicated.
It would be complex.
It's such a good performance because the dialogue is saying one thing
and her emotionality is saying the other.
And then some of the dialogue will say what she's acting.
Yeah.
Well,
in that last scene when Maria is,
you know,
unloading on her,
all she,
she's just listening.
And she's giving without being like,
you know,
over the top and,
and hammy.
she's giving a lot in that moment and yeah i thought that whole scene was really lovely and i do
appreciate you mentioned these episodes being or feeling skewing more intimate just like more
little nuanced moments of expression and i feel like that has been a nicely consistent thing
across these episodes that's the monster of two of her arc the i i love the irony i like pointed out for a
brief second when we were watching it when we were watching it is how i don't remember what episode
it was it was something somewhere in the first season we're like it was the first time you meet all the
parents and she was saying how she killed her parents and kate was the one being like no you're
not responsible like it's your parents fault why they died yeah and that's something that she has
not been able to take ownership of and the irony of how they were letting kate die and kate's
viewed as the villain to them and then kate and now she is there pretty much giving the monologue that
Kate was saying she should embrace this entire time.
Yeah.
Showing that strength and showing the worthiness of that.
And, oh, I love the reveal, too, that their parents actually had good intentions about having her.
Yeah.
Because everyone's always like, yeah, we've got to make like a moneymaker here, you know.
We just want to have a baby at all.
Yeah.
We just want to have a baby for the profit.
And they were just trying to, they couldn't conceive.
And it makes you kind of wonder the lineage of, like, were they always having trouble conceiving?
you know and that was the other thing i mean about respecting the situation like they don't even
villainize the parents in that parallel of that thing i'm reading into like yeah i think it's
really beautiful that that it really is a a victimless crime because even the parents that died
like that she didn't mean to marie's circumstantial yeah exactly and is that the implication
there that they like couldn't conceive and so through this procedure they took their genetic
material added the add in v to keep compound v factor and then that's what brought it all together
and that led to them being able
to like naturally conceive her sister
that's what I gathered is like
after they had one kid they were able to have one
naturally and that's that miracle baby
jab yeah
yeah very I mean I'm uh I'm always
impressed the writing uh also acting wise like
both the the Jordan actors
uh really really
viving with them the season we gave marringer flowers
but I think all the leads are really crushing it
the girl plays cricket um I'm
Judith Scott
Judith Scott
especially the girl plays
cricket like they what a what a
flip they've done with her character
who was all about like social media
attention now she's out yeah Jordan
wanted to be number one now they're out yeah the
carrying over it's cool what they've done
like a lot of times with these season two
is often I find
that they'll go let's get new
characters in here yeah really hone in
on them and now they're like
let's just further explore
our main characters that's why they're our main characters
yeah we don't need to distract from
And then what's developed that.
But they have brought in new characters that are interested.
I think Dog Knott's a cool character.
Yeah, I want to see more Zach.
We didn't actually really talk about his performance.
Hamish Slinklater.
Hamish Slinklater.
Man, what a joy that guy is.
Every time he's on street.
I'm like, he, he, he, he.
Oh, my God.
I'm sorry, I've just figured out where I know her from.
She's in Dexter for like four or five episodes in season two.
So you just saw her.
When they get the new chief and then LaGerta,
there's there's yeah it blew my mind it's attached to a minor but mind blowing to
yeah um but she's been in tons of stuff uh but yes yeah continuing i mean i like how because
there's always someone in the lead and they we had a great dean from last last go around so
to do this version where every bit of his humanity is is calculated and performative uh almost like
Every single line just seems like calculated and how he does it.
But also not calculated in like a stiff way.
It's like the reactive buttons of like the ultimate sense of control where you even still don't know what his powers are.
We don't know.
Does he even have powers?
Is he just brilliantly?
Yeah, 4D Chessified.
For him to be a doctor and like there's such a great mystery around him.
Usually the doctors are just doctors.
They're not, they don't actually have powers.
Not even, uh, Dean Chetty had powers.
So, like, this guy very well could have built in some immunity to himself where he's not able to be affected by, you know, like when Kate had her powers and stuff, he's because he is the doctor.
But I love how every part of him just feels like a true sociopath, where every response is a way to manipulate in a way that doesn't feel like cheeky.
Yeah.
You know, he's very, he does seem like more of an actual.
villainous Magneto.
It's so, you know, but he's got to have powers
somewhere, because he's so anti-human.
Yeah. So I imagine he's a
soup. I love the slow reveal of it, though. I love
that we're three episodes that we have no idea what you does.
We don't really know what he actually does. His power is acting.
And that fascinated, like that was a
great sequence because that's such a great commentary
on master races and any
culture that is veering toward
the foisting of a master race
of some kind is, yeah, it all becomes
like the second you lose any of those traits,
they're going to toss you on the pile, no matter
what they promised you and uh yeah like he's got this great blend of like really fun odd
mannerisms that feel at a breath both genuine but also like he is performing differently for
everybody and like when he talks to kate toward the end when he's so just kind of like mellow and
detached like you almost get the sense that that's him yeah well is this sort of blank
i loved his line about uh self-harm that's very human of yeah yeah so dismissive yeah just
the superior yeah it's and so it kind of makes you think that there might be that that element
where perhaps they will have some good from being under his tutelage she might be able to
the same same thing with um you know we keep calling her cricket uh that sounds like a
emma thank you name emma with emma and marie of two people who have often had to harm themselves
in order to use their powers perhaps through the tutelage they might be able to not
have to resort to that at all but you know clearly there's got to be something it's also a cool way to
see powers level up like it's you know marie is going to level up her powers i assume because of
that line of dialogue but what a fun thing to see her whatever it's going to manifest as or whatever
level up because you know sequel seasons need to grow and sure what a cool way to have the villain
be your educator like it feels very snape when we thought snape was the bad guy like to have
the dark protection be from like this villain but it grows the hero i think it's really fun to play
with like moral shades of gray and i think what we just had jordan do at the very end here like
what a great cliffhanger of that morally like you you did go back to the school you did you know
you were willing to play this facade but up until a point and you just found your line and what london's
doing the actress london thor uh is doing as jordan is so great because you know we see the the
the male jordan represent certain things but whenever there's strength it's her yeah and and you
pointed that out but i was trying to figure out what the the the core was and and london's doing like this
really great sometimes subtle sometimes very on the forefront just strength work uh and i think it's
really great and i want to see more of uh of zax uh you mentioned uh i've heard his character name but
that that the wolverine character is a blast dog not dog nod yeah yeah dog
um well before we exit out of here is there anything you guys are not uh driving with or not
enjoying as much or anything at all oh this pacing's a little uh at times um what's the what's it
it's not meandering uh it's trying sometimes the pacing is a little like okay we were just going
super fast and then we've skidded to a halt and i think i i at points i'm like a little whiplashy from
like where we are and now we're here and then i'm like okay is is it slower pace or were we just
so kinetic that this feels off so i've just noticed the pacing a couple times in this first three
episodes that like i don't think the show is poorly paced overall but i think there are moments
of poor pacing uh that have that have kind of taken me out my suspension of disbelief has been
removed a couple times i just noticed like oh shiny and that that is new uh i don't know where i don't
have a moment but i definitely was aware of like you know i could eat yeah i'd agree i actually would
agree on that i think that might have been what was sort of it's not the word's not missing um
but yeah i i guess when i compare it to the first season i really felt like by the end of the third
episode of the last season it was like wow what uh we've been building building building and and and right
Now, I mean, they're technically doing that still, but I guess the direction is not as clear to me yet, but that's not really a criticism.
That's what I mean.
Like, mine isn't a big.
It's just a little asterisk.
Yeah.
And on the heels of something like a peacemaker season two, which like, to me, takes a minute to like clarify to you like, oh, this is where we're headed.
And, you know, this kind of has a similar thing.
It's a little more momentous at the outset because of what you have happening in between the seasons off screen.
but yeah there is that sort of like oh i kind of see where we're headed now and thankfully at the end
of these three episodes i feel relatively locked into what the major kind of action of the season
is headed toward perhaps but uh yeah it's mostly if i had gripes it's mostly like little
editing things or i don't know like they're little like nitpicks and stuff like oh okay so
how did like starlight come find you and and that sequence was neat but at the same time i was
sort of feeling like the oh yeah we gotta have somebody
from the boys in the episode we gotta have a cameo
and it makes the most sense to have Starlight
obviously and it's just nice to see
Catherine Moriarty but that didn't feel like
the most natural sequence to have
in a you know
writing fluidity standpoint
I'm kind of wondering about the Sam stuff
are we just going to like
go backwards but then he was
bonding that's what I was saying I think we're getting a
really interesting thing where we assume something of Sam
and I think they're going to subvert us
I hope so
I hope so
Anyway guys
We got a few more episodes of the boy
Not the boys Gen V
A few more weeks of Gen V
Now weekly not a chunk
Yeah
Yeah I don't know why Amazon does that
I don't
Here's a movie
And so Amazon always does right
You usually do like the three episode
Than one a week
And then one one one
I'd rather one one one than get it all at once though
Always I think it allows conversation like this
It's just very consistently
Like why don't you just make one long
Yeah.
What if you just did a two-hour premiere?
I guess it hooks you into committing.
I guess, yeah.
Next time on.
It does provide, yeah, like the, here's a, yeah, three-episode mission statement,
and that's a substantial amount for you to get your, you know, questionables out.
And then if you're going to continue, then obviously by this point you're going to do it.
It makes you want to finish it because you've already committed.
Or they could just put out the whole season of a horror theme show, not in October and just dump it at once and I don't have a time on Halloween for no reason whatsoever for the first.
TV and a Marvel show to come out with Marvel zombies
in September. They could do that instead.
I don't know why.
If it was weekly, it would literally undone Halloween
but couldn't do that. No.
It's impossible. We don't have the infrastructure.
We have the same and service to ignore.
Well, thank you guys
for being here. Thanks, Koi and John.
We'll see you guys from next week's episode.
Don't forget to subscribe and leave a like.
Peace.
Woo!