The Reel Rejects - HEREDITARY (2018) IS HORRIFYING!! First Time Watching Movie Review!
Episode Date: October 15, 2024TONI COLLETTE WAS SNUBBED!! Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Hotel Transylvania 2 Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects Follo...w Us On Socials: https://www.instagram.com/reelrejects/ https://www.tiktok.com/@thereelrejects?lang=en Another Dramatic Tuesday has arrived & this week, Coy Jandreau & Tara Erickson REUNITE to give their FIRST TIME Reaction, Commentary, Analysis, Breakdown, & Full Movie Spoiler Review for the debut A24 feature from Writer / Director Ari Aster (Midsommar, Beau is Afraid) depicting a grieving family haunted by tragic and disturbing occurrences... the cast features Toni Collette (The Sixth Sense, Little Miss Sunshine, Knives Out), Gabriel Byrne (The Usual Suspects, End of Days, In Treatment), Milly Shapiro (The 67th Annual Tony Awards), Alex Wolfe (Jumanji: Welcome to the Jungle, Old, Oppenheimer), Ann Dowd (Garden State, The Handmaid's Tale), & MORE! Coy & Tara REACT to all the Best Scenes & Most Intense Moments including the Dinner Scene, Are You Okay Mom?, the Support Group Scene, Annie's Possessed Scene, Peter Breaks His Nose Scene, Annie's Possessed by Charlie's Spirit, the Fire / Burning scene, Charlie's Death / Shocking Car Death Scene, & Beyond... Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Let's get hereditary.
Find out what that means in three, two, one.
If you're just joining us,
we just experienced hereditary.
I feel like Satan's in me.
Like we watch, we hurt so many things.
We might have Satan in us.
a little bit from this movie.
Uh-huh.
I need so much, like, joy after this.
I need so many.
I need to go stress eat in and out.
I'm telling you that right now.
I see.
I feel like, I'm going the opposite.
I feel like I need the healthiest meal
of pure, like, good energy.
Like, I feel like I need a salad.
Like, I think I need a...
Salad.
A very light meal.
Yeah.
Sushi.
Something just effervescent.
Oh, my God.
So, that's probably the best.
movie I won't watch again. Oh my God. Like I I personally think that was a masterclass in
horror. I agree. It's one of the scariest movies you ever seen my life. It's one of the most
uncomfortable two hours I've experienced and I never want those visual my eyeballs again. Like
there's so many images I can be like good job. Nope. And I feel like I just live that for two
hours. Two hours of good job. Nope. Nope. It was so good. Like it was terrifying. The acting is some of the
best i've seen in in any genre much less of this genre not to disparage horror acting but the the level
of drama and fear and pathos and even like the technical stuff like not blinking like just
the overall acting yeah this movie doesn't work without everyone being like an 11 and balancing
tones uh the directing we talked about at length being so impressive the writing uh it was so
so tricky to walk the line of like
what level of mysticism and how to make it plausible and like
Joni betraying me will haunt me forever
the lighting was so fascinating because like the use of
symmetry only worked because the light work
I loved it and I need a nice
happy separation from it
I need to do something fun maybe a happy meal yeah
like I need so I need joy
oh my God that was
so much it was just an a thousand like just a thousand out of ten is what I give it and I appreciate
so much the long shots that they have in this movie I mean I was so tense my back hurts
and like my arms hurt like everything hurts because of the way that they shot this
giving us first of all setting up in the beginning just just easing into it giving us giving us
time with the characters without a lot of words.
And then once the shit goes down, the way that they give us that exposition that we're
wondering about with Tony and the sun of like, well, what are they saying to the son?
Are they mad at him?
What's going on?
That monologue is the way that they get it out.
And it doesn't feel like exposition because it's a real A-F.
And Tony does an amazing job at the multiple monologues she has in this.
But the long shots is what I really, really appreciate.
because those take so much rehearsal and time and like you got to it just takes so much more work than that one golden hour. Amazing. Like you got to plan the out of that because the fact that it was which I think was his probably his intention was to get the light in her eyes and then for it to settle enough which means it's just behind the mountain that it's not shining but we're still getting enough light to actually use the shot. I mean you you that's 10 minutes. You need to rely on like what you said.
at 11 actors, like 11 out of 11, just amazing actors to go in and absolutely slay it.
People that you absolutely believe in that go, yeah, you're a one take wonder.
Let's rock and roll.
I mean, it's just in everything.
And if you guys go back, it was, it was, it's not the easiest thing to see.
But there is a huge master shot where we're really pulled out from the house and we're going in a slow crane shot.
You notice more to the right of the screen, but to the left.
Those freaking three people are in the field way back.
And it's insane.
That's what I was yelling about.
And I was like, am I going insane?
I wasn't.
Just everything about this movie and the detail.
The detail that they had to put into the little miniatures that when she crushed it,
I was upset that that kind of work had been lost.
And the amount of tension of just the phone calls of like,
when are we going to get this work and her post-it notes of get the job done.
Everything about it was.
It was tension.
Yeah.
Every step of this movie, they knew exactly what they were doing,
not only adding to the character's information in her life,
that she's an artist with all of that stuff,
but to the overall tension for the audience.
And I will tell you that one of the most insane things is when that little girl
gets decapitated by the poem.
There's so many scenes that are like the most traumatic scene I've seen in a long time
in one movie.
Like there's so many different scenes.
that I was like, well, that's the most messed up thing I've ever seen all in one movie.
And it never felt like it was doing it just to be shock value, but it was so shocking.
Like, the story is shocking.
So there are moments of shock.
But the thing I usually struggle with movies like this is when it feels like it doesn't fit the movie.
This is horrific.
So it all fits.
It all fits.
And I loved Jody until she betrayed me.
Like the amount of times it like took a left turn that I wasn't expecting, the amount of super memorable moments.
the sheer trauma of what everyone went through
like this movie didn't let up for minute 10
like minute one like arguably we opened at the funeral
like it just stayed horrific
and some of the artsy shots wouldn't have worked
in a different film because it had to establish
the bold swings to be artsy in those ways
like the shot at the end when they did like the upside down shot
like a lot of people do that in movies and you're like that's weird
but this it was so art for them throughout
that your world building is so
I agree and the shot when
they're in the bedroom, when they're having a conversation, when she goes, I would never do that to you with her son.
Yeah. And then all of a sudden, we're like, wait, why is he wet? And you're like, oh, it's the memory of when she poured all the oil all over and was going to burn him up.
And that transition is just, I mean, every transition was amazing in this. They did not miss a beat. It was just, I don't know, from start to finish. It's a fabulous movie. But I love that transition too, because they're giving a story.
telling us something because you you always say I mean in screenwriting and improv and stuff
where it's like don't talk about it just show us like we're not going to talk about the character
bring them in somebody be this character right but I like that they they talked about that
very briefly and then they gave us that visual which really made it come to life because
they're having basically the same conversation again they probably had the exact same
conversation after she poured it all over him
and then again after the sister
died
it's just the cyclical
like effect of it is
insane it's just
this movie is
and the Charlie stuff was so disconcerting
like that kid actor was so
and then like details I'm thinking of now of like
they had to have a male
and she didn't want to have
the kid so the grandma forced her
to because they she needed to pass on the demon because the grandma was the demon or like you know one of the
eight big demons so that the kid was born to be possessed but then they possessed the daughter
because that was the milk of the demon like because she wouldn't let the grandma near the son exactly
so the grandma had to get it so he had to wait until later to transfer that that demon over yeah and you
had to kill the the girl who was terrifying the whole time because she was demon so I was right to kill
that kid. Yep. She was demon. I mean, from the second she pops on screen, you're like,
there's something wrong with that girl. Unpleasant to be around. I just did not like her on screen. I was
like, no, this. And then the, like, the image here of the decapitated. Both of these are decapitated
the movie. Love it. The poster gives away. It's insane. When she is on the ceiling,
shut up. The, the, but like the reveal of the kid when he's, and you don't notice until you notice,
and then I freaked out. The scamper by was terrifying.
That running away when he, because he turns his head and you're like, what are we going to see?
It's a jump scare and then you're so much worse than a jump scare.
And then there's plenty of good jump scares on top of all the non-jum scares.
Oh, absolutely.
I mean, when the kid starts smashing his face, when he looks, I don't know how they did that.
With makeup, when his eyelashes are up here in his eye and then they made him have the mouth and start clicking like the sister.
I don't know.
That makeup, that special effect, practical, probably mixed with special.
special was amazing. And when he starts smashing his face, I mean, in that shot, you see
blood, I get it. He really had to like, he didn't actually smash his face, but in the shot when
he's leaning against the desk, you see all of his face like meshed up in there. And that's
the actor that I'm like, yeah, y'all roll hard. Ladies and gentlemen, I'm excited to shout out
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And I think this little girl is from Quiet Place now that I think about it.
Oh, is she?
I think.
And she was so pleasant of that.
She was so cute in that.
I loved her.
Which is so funny.
If that's the same girl, oh my God.
I think it is.
I'm going to look.
I mean, she's obviously fantastic.
Fantastic actor.
But I just remember, like, I was so uncomfortable with her here.
And I remember if that is the same girl, how much I loved her in that.
Now we have to know.
I'm looking it up.
I'm not just on my phone, everyone.
That little girl is she.
Millie Shapiro.
Okay.
It's not her.
Oh, it's not her.
Not her.
She's only got.
What else has she been in?
She has been in Curse the True Nature of Hereditary, 20-minute documentary about Hereditary.
Oh.
A short called Monkey Bars, which came out in 2021.
Was it by Ari?
No, Jacqueline Ziri.
I would have thought so.
Different.
That's it.
She needs to work more.
She is terrifying.
She is, truly.
Man.
Wow.
Man.
This is insane.
This bravo, Ari, and everyone who worked on this,
I see that it has, on IMDB or whatever, it has four stars.
I think it deserves five.
Four is still very good.
Obviously, the people agree with us, but I really do think that this was one of the most tense movies I have watched.
And you guys know me and rocks there are going through all the horror stuff.
You thought you were desensitage.
Remember the open of this?
I am not.
The two funniest things are going to be you thinking you were desensitized and then within 20 minutes
you get the first scream.
First scream.
And then loud.
Me defending Jody is so funny in hindsight.
He was like, thank you, Joni.
I was like, everyone needs a Joni.
I cannot wait for the comments.
I know that people that love this movie are going to be like this.
This is this guy.
It's going to be so funny to see that I was begging for scenes of Jody.
I could be like, bring her back.
And I was like, she seemed to.
In the parking lot, I was like, no, she seems too happy.
I, like, knew.
Then when we saw her in the parking where she was like, I'm so, so good.
And I'm like, oh, God, something's going on here.
But I know women like that.
Like, like, when.
When they're manic.
Yeah, like, I agree.
Yeah.
But I even mean women that are like so excited to share their new hobby, like that thing.
And like, you're right.
Because I think men when they get manic are different about that thing.
But like, there's a thing with women that are like, want to bring you into that thing.
Yeah.
really proud of discovering.
So I've definitely seen people
be like, I got this thing,
let me share it with you.
And that felt like that energy
was really well done
because I was like,
I've seen that and I didn't even
consider the mania a negative.
Man, that was good.
I don't hang out with those demons.
That's for the safety of everyone.
That's for the best
because Jody's a demon seminar.
Yeah, this movie's incredible.
It will haunt me.
I'd never, the image of her head
on the ground with the ants.
The ants.
There's so many images that are seared in my mind.
And then her head was the head on the king.
That was her head.
That was her head all, like, messed up with it.
And you could barely notice it.
And you're like, oh, that's the king that we see in the book.
And then I'm like, that's her head.
Because she was like, the demon had her body the whole time.
She was born of it.
And then breastfeeding.
And having that breastfeeding miniature, I can't be doing that.
All of it.
Amazing job, you guys.
Yeah, this movie.
I feel like there's like four hours worth of terrifying and two-hour movie.
Like there's so many scenes we're describing that are just, and the actual master
class and filmmaking, even if it wasn't a, like, a great genre piece, even just the filmmaking
was so incredible. The filmmaking aside is, is absolutely. It just, if you want to make a film,
this is a really good proof in the pudding of how well if you can do a oneer or a long shot.
How much it connects you to the audience. Gold. Like, and I know that it is difficult to really
get it right. And you have to have, to get a oneer, it's really hard. The, the amount of lighting that you have
do to make sure that we're not seeing equipment and it's still well let by the time we go from
around this corner and out of this room and we got to get the crane over here. I mean, they're
putting us in where you're not imagining how much crew and how many people it took to make that
shot work. It does take a lot. It's not like as effortless as it may seem on camera, but this is
just a true testament to how fantastic they are. Yeah. Like I wish people did it more.
what an experience
this was hereditary
this was I mean I see why
his name is so regarded
I have not seen Mid Somar
is it as traumatic
I saw it so long ago
it is yeah
yeah
maybe I don't want to see it because this
was unpleasantly great
it's not as
like horror as this
it's more
from what I remember
more thriller but they're
is still some weird
ass terrifying stuff that happens
that you're like what in the actual F
but it's not as like
dark in this
I saw it a while ago
but boy oh boy is that a fantastic film as well
this one messed me up well thank you for
watching me suffer
Tara and I need to go do our respective
cleansings one with junk food one with
cleansing salad I feel like I just need
some nutrients because I burn through them all
my back hurts we're gonna
go cleanse ourselves of this
demon that was hereditary the studio the meat i feel like i'm just sage myself i'm gonna eat some sage
yeah uh that was incredible i'm i'm really like i'm saying negative words but i'm saying them
positively that was so rough an experience but such a good like that's impressive that that exists
one of the best horror films i've ever seen um what an experience thank you for watching
please leave a like in this video please leave a comment below please share this with people to laugh at me
for loving Joni.
Go get your spooky
Shegex sweater.
Don't forget.
We love you guys.
Rejectnation shop.com for teas
and Sheijek Sweeters
and I think this might be the best thing
we've watched together.
I absolutely hands down agree.
Yeah, this was it.
This was, man, my back hurts.
All right.
I'll see you guys soon.
Bye.
Much love, Rejection.