The Reel Rejects - HOT FUZZ (2007) IS HILARIOUSLY AWESOME!! MOVIE REVIEW!!
Episode Date: May 31, 2025THE GREATER GOOD!! Go to http://thrivemarket.com/ReelRejects to receive 30% off your first order AND a FREE gift when you join Thrive Market today! Hot Fuzz Full Reaction Watch Along: / ther...eelrejects With Simon Pegg returning to theatres in Mission: Impossible - The Final Reckoning, Greg & Aaron continue their CORNETTO TRILOGY Binge with a Hot Fuzz Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Join Greg Alba & Aaron Alexander as they swap London’s rainy streets for the seemingly sleepy village of Sandford in Edgar Wright’s 2007 action-comedy Hot Fuzz. When top London policeman Nicholas Angel (Simon Pegg, Shaun of the Dead, The World’s End) is transferred to the idyllic West Country, he’s paired with bumbling local cop Danny Butterman (Nick Frost, Paul, Attack the Block). But Sandford’s picture-postcard charm hides a dark secret—and Angel’s meticulous policing uncovers a string of “accidents” that may actually be murders disguised to maintain the village’s Perfect Parish Award. Rounding out the stellar cast are Jim Broadbent as the genial but suspicious Inspector Frank Butterman (Iris, Moulin Rouge!), Timothy Dalton chomping scenery as elitist Simon Skinner (James Bond in The Living Daylights, Licence to Kill), and Olivia Colman bringing comic flair as pub manager Dorothy “The Heat” Lintott (The Favourite, Broadchurch). Rafe Spall stands out as self-important councilman Michael “Lurch” Armstrong (Jurassic World: Fallen Kingdom), while Paddy Considine impresses as paranoid farmer Charlie Wainwright (The Bourne Ultimatum, The Outsider). Greg & A-A-Ron break down every memorable moment—from the frantic supermarket aisle shootout and the legendary “gravy train” pub brawl, to the adrenaline-pumping car chase through Sandford’s narrow lanes and the explosive finale in the village church. Don’t miss their take on the film’s razor-sharp editing, signature Wright-Jedward humor, and the way Hot Fuzz brilliantly subverts buddy-cop tropes while delivering some of the most highly searched-for action-comedy sequences of the 2000s! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Aaron, you ready to do this?
Let's wrap.
Let's go.
all right well we just watched hot fuzz uh if you guys enjoyed the video please
leave a like on here also um you know this is where's that i don't know your bills there
say it erin say your thing oh yeah man ring that bells and get notified anytime a new video
is coming out and of course prepper thank you for any now these highlights these uh
your turn around's been incredible so really appreciate all the hard work you guys are doing
yeah well we have a couple of questions for patrons that we will get to but i want to hear
your thoughts first aaron what are your honest thoughts in this movie i really enjoyed it
that was a lot of fun i really appreciated all of the references and the love and homageing to
these other films a lot of which i've watched on the channel so it's kind of cool almost like a
full circle moment getting to appreciate things i saw heat on the channel why didn't see the bad boys movies
And I also haven't seen the point break.
But, you know, the movie also gives more context with those.
But I did see Bad Boys, just in my own personal time.
But anyway, I thought it was a really strong second entry from Edgar Wright.
And it was different enough from Sean of the Dead where I didn't feel like I was watching the same thing.
I never remotely felt that.
But you do see like sort of parallels and contrast between those two films.
but for this movie to stand on its own I think did a really great job with
Simon Pegg and his his arc about you know him being so so stiff and then having the
counterbalance of Nick Frost character so you kind of soften them up a little bit but
still being the only person really trying to figure out what's going on and
having these other people kind of join him at the end there I thought that was really cool
I thought the action was really strong and yeah I just enjoyed it overall
I think I like Sean of the Dead a little bit more than this one, but I think I had more fun action-wise with this one.
But overall, yeah, I had a great time with it.
What do you think, man?
How do you feel it?
Yeah, I like the movie a lot.
I know for sure I would put Sean of the Dead in my personal preference.
I would put Sean of the Dead above it.
But it's not about comparing it to Sean of the Dead, like because I was fully aware we were walking into something like entirely different.
The first thing that really sit out to me is, of course, Simon Pegg as Nicholas Angel, such a cop name.
And it's really, I see it with, like, myself with so many movies that we watch or shows where it can sometimes be hard to, like, not think about the other character that they were playing.
Because in our time, like, the uploads might be spread a week apart, but we shot Sean of the Dead just yesterday.
Yeah.
And, you know, like, here's an example.
I can give you. I watched the show Jessica Jones, which has David Tennant as
Kilgrave. And then, like, a year or two later, I watched Doctor Who and got to the David
Tenet. It was hard for me to not think about Kilgrave, even though it's a completely different
character. I had all this association with it. And to watch Sean of the Dead yesterday,
vastly different character and not vastly different in terms of like their hair or mirror and
whatever it is they're vastly different overall and i didn't think about sean once when watching it i was
able to nor did it seem like simon peg was ever acting you really did the role you know like there's
this adam samler movie called um you don't mess with the zohan have you seen them i'm familiar
with it i've never seen it well he did like a lot of rigorous training for it it's the first movie he
ever got like buff for he did like actual fight training for and it still feels like
like Adam seven playing a sketch character though at the end of the day even though he really
committed to it all around still felt like doing a sketch character but i wouldn't even say that for
sim and peg in this that's that's my point it still feels like a fully three-dimensional character
and uh i think nick frost is is a little bit more similar to ed and uh sean of the dead but
he's not like repulsive in this movie he's not like a gross vulgar slacker or some shit you know
uh he's he's just a a boy with
little motivation and stuff but the fact that they're it's that what they carry over is people who are
very different but have some unusual similarity and their unusual similarity is like they both
give each other what what they're what they kind of need you know um that something totally like
you know on his name uh in the movie what's the cross character name um danny danny okay um and like
Danny allows him to have a life where Danny gives him the gift of being able to, you know,
actually chill out a little bit, have some fun, get some laughs in his life.
Watch some movies.
Watch some movies and find and not taking himself so seriously in other parts.
And, uh, Simon Pegg, Nick gets to inspire him and help show him the ways to become in a better cop and being able to,
but together they get to be the action heroes that they like in the movies.
And it's kind of cool how the movie.
really earns its finale like there's a such a big setup to it and it showed me it hit me when
he uses the rifle the air rifle on the on the game that they don't even show him firing that
like they reserve that whole thing with him using any weapon till the very end and i've loved
that attention to detail it's uh it's another movie where i think they there's so much detail
way more than i think um sean the dead is because this one has a
it's so rapid throughout and it is like a lot more dialogue to keep up with but by the time it gets to by the time you're in the finale it's like they've they've they've tied up everything there's a lot of loose ends that no there's no loose ends and everything is like completed it's a perfectly wrapped gift package you know um yeah it's it's super tight and he's one to not set up things for no reason and then having those things come back only makes it more satisfying even if they're like
really tiny things, you know, like the fascist and hag at the very beginning when they come in
and then how that came back in the finale was really funny. Also the thing with the bomb and the thing
with the guns as well and the geese. Like that's what makes for more rewarding experiences
because you ask your audience to pay attention, you don't spoon feed them. And when you do
finally come back for these things, it only feels that much better and is that much more rewarding
because you were uh you trusted the director to you know have patience and
deliver at the time they wanted to yeah they could have easily solely made an action comedy
but they made sure to actually throw in like detective work to make it a true investigation
movie as most of the movie is more investigation what the hell's going on here murder mystery
slasher vibes you know and i i thought that that
was like a i thought that was a smart way to get you hooked into this because this is a different
type of cell than like a sean of the dead which is very straightforward you know zombie apocalypse
right and here it's like i don't even remember what the trailers were for this movie i'm not sure
how you really pitch this without giving away so much of what happens in the finale because the finale
is like jam packed with action i will say i think i dawned on me right now one of the preferences
is that i think that i have over it um and i'm only using it to illustrate a point is that
and it's not a bad thing though is that sean of the dead to me was definitely honoring the movies
that it was inspired by but it really still felt like it was 100% doing its own thing whereas this
one definitely is doing its own thing uh i do think it is a lot more overtly um showing it's
inspirations though like it's so much more kind of they they border more into spoof at times more than
i felt like the prior one did and again it's not a bad thing it's just a different film and i i like
the uh i like seeing like a love letter type of film but again like the buddy cop side is very
different usually in a buddy cop movie characters when they're teamed up they're they're kind of like
bitching at each other a lot they're arguing it's argumentative and then eventually they you know
get to like each other and they really bond or some shit think about them all think the weapon rush hour
48 hours they all do that and this one their dynamic was very different and so that allowed for
a unique version of a story right yeah yeah you never really see someone like that the hyper efficient
cop with the kind of slacker fanboy and then balancing each other out in that kind of way
Because, yeah, you normally got the, you know, the straight edge one with the one that's, like, more loose cannon or more off the cuff.
Like, yeah, like you said, like rush hour or high noon or Shanghai noon and films of those vein.
So, yeah, I enjoyed it.
You know, they, those two actors just work so well together.
It doesn't matter what their dynamic is.
They find a way to bring those characters in a way that feels organic.
And I appreciate it.
um what do you think about the action scenes uh i liked i liked the way that edgar wright was able to utilize his quick cutting style to make the action like hyper um hyper alive hyper edited and some of the points it got a little bit hard to tell what was happening or just like it was just uh cuts were a little too quick for me but i think overall the uh the kinetic energy of the the section of the movie that
that it was one, homage, but two, using that to kind of have this culminative moment
largely was strong.
There's just a couple moments where I was just like, oh, my gosh, it's a lot happening.
Yeah, this one's a little bit more time capsule in category, right?
Like, this, I think you appreciate it more if you have an awareness,
and they call out some of the movies directly, you know, like Bad Boys 2 and Point Break,
because yeah there's a lot of
Michael Bay in here and there's a lot
of Tony Scott
especially who did
Man on Fire, Domino
a lot of those like Denzel action movies
and yeah like the I don't remember
them as like a story or movie
but I did that visual type of style
like when they're holding up the
when they're arrested what does that call
the mugshot moments yeah that type of editing
is very much like that was
Tony Scott, who I was obsessive in the way he does it.
It's like a very specific style that he had.
And yeah, so like those influences are strong.
And I think the sound design is such a character in here.
Like sound is a punctuated thing in all of Edgar Wright films and definitely Sean of the Dead.
And I felt like it was more of a character more so here.
Like almost every single thing had a sound.
It was like kind of meant to be more over the top, I think.
you know like you'll just hand someone something you know and it's and it's uh not even like a close
up on the hand or something it's just a quick little moment there's so much or a guy will put his
hand on the shoulder or knee or something and then like constantly and i started to wonder if there
were sound designs that were like okay when he does this any single time he pops up in screen
does this we're going to use this sound design and i thought the sound design character of choices were
great the editing as consistent as always like i don't understand how eager right shoots because there's
so much coverage at any moment and to hyper edit that is uh seems like a really big uh undertaking so
whoever his editor is uh kudos man because that's a fucking hard ass job timothy dalton what you think
i thought it was hilarious yeah yeah he was uh he was over the top and and charming yet nefarious
at the same time which is an interesting line to walk you know i think it definitely plays on
some of the expectations we have of of him and his career in that regard but yeah i thought it was a
a really fun antagonist to the film and i thought it was going to be the thing where he was so
overt that he's not actually going to be the villain but the fact that he still was one of one of
the antagonist and that was more so the twist uh still made the movie interesting so i enjoyed him
good what did you think i mean he was one of my favorite parts of it i love timothy dalton i think
he's such a captivating actor and yeah like doom patrol penny dread felt like i've actually
never seen his bond movies um so i'm but i'm only like indoctrinated into old man timothy dalton
and i i like uh anytime he's on screen he he has this like magic pull you know he really
understood the assignment here and the rest of the sporting cast too i think there's a a pretty good job
I feel like I should have liked the Andes more
considering how much time was given to them.
And I don't know.
I didn't find them like particularly funny.
Yeah, they were all right.
Yeah, I'm surprised by the lack of use of Olivia Coleman.
Granted, I imagine the point in her career.
She's not what we know her to be today.
But she's such a strong actress.
I think they could have utilized her a little more.
Just a bit, just a bit.
And so to get it straight, to keep their idyllic town in order to win this contest, that's why they were killed with everyone.
This is wild.
I could have.
Such an insane motivation.
Yeah.
It is interesting, like how complicated of a mystery it was unpacking and then how simple it actually is, you know.
I was wondering if there's like a bit of an actual commentary they were attempting to make in some way.
yeah because when he does his police work his uh his end of the movie quote unquote of like this is how i figured it out and this is your motivations like you think it's gonna be about like real estate and like all these things like no we just didn't like them because it kind of they're kind of screwed up the vibe they're ruining the perfect image in order for them to win this contest and i like how there's only a subtle moment where you see the judge is there not subtle but it's a short moment or do you see the judge is there and when this town is under crazy destruction
you know showing that you guys aren't getting what you want it and even the swan thing coming back
was so smart all these things that feel like innocuous uh the movie even sold me more on things
that might have just been for bits or to feel innocuous but then they end up turning out
and there's something that's actually kind of uh very important for what's to come and i think the
violence even though this is not the horror one i think the violence here's kind of shocking more
shocking oh yeah did it fell on his head yeah or even the joke with the under the chin with
teet all and i'm like that's a fucking gross
sort of like
Sean of the dead to me the only really gross
one was the guts one
you know
the dude's bag yeah it's like one death but here
there was something like when the thing
when the thing falls on is but it still feels like
so heightened in Sean of the dead
and you could tell it's like makeup
where for some reason
when that thing falls and crushes that reporter's
head there's something that felt more disturbing
about it to me than the other ones yeah also the
head's just like immediately cut to the
heads on the ground was oh god not expected yeah that that violent with it there is something uh very
striking about this one for sure yeah that's a trip i want to read some uh trivia actually
yeah trivia yeah we never do trivia i know i know this is one where i actually want to check
it out a little bit and uh i didn't find it as funny as i was like it's pretty i think it's
funny um yeah i guess i didn't find it like hilarious but i thought it was there's funny really
funny hilarious and i found it really
funny
yeah i feel like
the with shana the dead
it was balancing more tones
but it was hitting all of them
pretty successfully like i feel like shana they were
dead definitely had more heart
you know this one had more action
and was like uh more
revolving around its mystery
but i do like the sense that both those
characters lost their
relationships in the beginning of the movie for their
sense of uh of negligence
towards their partner but for different
reasons the first draft of the script included a love interest named victoria for nicholas she was
cut from subsequent drafts but a good amount of her dialogue was given to danny often without any
modifications i think this is one of the earlier bromance movies you know before judd apato
and seth rogan and that made it like super clear it's romance uh okay nick frost only agreed to do
the film if he could get to name his character he was at last
also asked to watch over 20 action films to warm up for the role he only watched one bad boys too
that's so funny when in costume nick frost and simon peg often were assumed to be police officers
many strangers asked them for directions and instead of telling the truth they went along with it
they claimed it made them feel more powerful oh he got right originally wanted to call it hot fuzz
with two teas and simon peg objected fearing he would have to explain the additional tea and hot in every
single interview about the film and god damn that is true i don't get the two tees even i don't even
understand what it means yeah the two t's okay here we go uh i was i was when i was watching the movie
i brought something about this up a simon pegg and echo right interviewed many real i was saying
like it seems like they had to get the dialogue down and the research stuff that's why i said at
one point they did they get a cop consult and they're saying they interviewed many real police
officers while doing research for the film many lines of the film
such as I prefer to think my office is out on the street
came directly from those interviews.
The stylized scenes of Nick doing paperwork
were inspired by the officers noting that paperwork
is a huge part of the job
but is never depicted in cop shows and films.
It was another thing.
Like at the very end we were saying,
I was like, yeah, you never see this part.
The visual style was inspired by Tony Scott's films.
Roger Ebert's bigger little movie
Gloucesterbius also used as a reference source.
Oh, sweet, sweet.
Simon Pegg lost over 28 pounds.
And preparing for the roll.
All that running.
It wasn't a good shape.
Yeah.
Semi pack out weapons training, of course.
Wouldn't expect nothing less.
I don't know.
Do you want to see?
Hold on.
I can pull rotten tomatoes.
Do you want to guess what they got?
I'm pretty sure it's pretty high.
I would say it's like a, I would say it's like 90% on running to me?
I imagine it's high.
I imagine like the praise.
He's going to beat me to it.
No, I got it.
I think the audience would put it at like, what did you say it was?
90% critics, 85% critics, 95% audience.
you said 90% critics yeah you're very close on both 91 for critics 89 for audience
there you go yeah yeah that's a lot of love a lot of love a lot of love well um yeah overall
really enjoy the hell out of the movie uh let's ask there's a couple of questions here that
we told the patrons are shooting schedule and there's uh one comment here that is super duper nice
uh dab slobog gregg and aaron reacted to one of my favorite movies of all time LFG
fuzz is a desert island movie for me legitimately every single time watch the movie i find a new joke
or something to appreciate so if and i just realized you shot them today we ain't seeing them for
three months damn it you are wrong you don't know the upload schedule i know nothing i hope you
enjoyed this reaction my friend thank you for supporting us at patreon and crabman says after this watch
where would you both rank this among your favorite buddy cop films whoa that's a tough question
There's a lot of really good buddy cop ones.
Well, what's your favorite buddy cop one?
What'd you say?
There's so many.
Okay, I've topped my head.
I'm going to say rush hour two.
Rush hour two is really good.
So that's top for me.
But there's some good ones.
I don't know.
There's, I haven't seen the lethal weapons in a long time.
That's a, that's a toughie.
Oh, eight?
Let me see.
Let me try to do this.
my head here a little bit um i would say i want to say lethal weapon is number one but it's
probably rush hour one i'd say rush hour one i'm trying to think like specifically cops
rush hour one or does just look at the franchises there's rush hour that this is really hard
right the shanghai movie is um because i'm bad boys bad boys is fun you know we have four of those
is i wouldn't put like rush hour i don't have high regard for rush hour three um i like
the weakest of the trilogy yeah and then like let the weapon i don't know i'd probably put this
out like okay there's rush hour one and two or somewhere there lethal weapon uh those four
movie after those yeah and uh i've ever actually revisited the bad boys movie so i might want to do that
but i i don't i don't recall like being super in love with the bad boys movies remember like really
liking them um i've seen each of them once but i i had a good time with with all four of them
i think i like three the most i remember three having the most heart yeah you know ripd that's number
one yeah i'd probably put this like somewhere there it would be after the lethal weapons and rush
hours that i love that's where i would put it yeah also i've never seen rapd but uh you know let us know
if you have in the comments.
Jeff Bridges and Ryan Reynolds.
Yeah, this one was really good, really strong.
I got to brush up on my history and my buddy cops,
but I'm sure this will be up there, at least in the top 10.
And that's a tough question.
It would be, yeah, after the first two rush hours for sure,
the first two lethal weapons, I'd say best case, it's like fifth.
Yeah.
Anyway, guys, thank you so much for being here.
Keep a look at us as we wrap this up here with the final one in the Cornetta trilogy.
that one i really thought i remember uh a lot more with this one i thought a lot and and it was
incredibly like not coming to my mind and i the greater good line i was like the greater good i
knew that was from here um but why the town was killing people i i could not recall at all yeah
i want to say i saw this in like 2010 but i also did not remember the only thing i remember
I mean, how's it?
And World's End, yeah, that is a...
That's a blank for me.
It's going to be like a blank slate for me.
All right, guys.
We'll see you soon.
Omni Media.
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