The Reel Rejects - JACK REACHER: NEVER GO BACK (2016) IS UNDERRATED?! MOVIE REVIEW!!
Episode Date: April 4, 2025BETTER THAN YOU REMEMBER?! Jack Reacher: Never Go Back Full Reaction Watch Along!! https://www.patreon.com/thereelrejects With Tom Cruise appearing at CinemaCon, Mission: Impossible - The Final R...eckoning on the horizon, & another fine season of Prime Video's Reacher in the bag, Greg Alba & John Humphrey return to give their Jack Reacher: Never Go Back Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Download PrizePicks today at https://prizepicks.onelink.me/LME0/RE... & use code REJECTS to get $50 instantly when you play $5! Join Greg Alba and John Humphrey as they break down the high-stakes action and suspense in the 2016 thriller, Jack Reacher: Never Go Back. In this electrifying installment, Tom Cruise returns as the formidable Jack Reacher—a former military investigator caught in a dangerous conspiracy that forces him to clear his name while confronting ghosts from his past. Tom Cruise (celebrated for Mission: Impossible and Top Gun) brings his signature intensity to Reacher, while Cobie Smulders (The Avengers, How I Met Your Mother) stars as Major Susan Turner, whose determination and grit add an extra layer of spunk & intrigue. Danika Yarosh (Heroes Reborn) brings the film its heart, and the film’s ensemble is rounded out by Aldis Hodge (Hidden Figures, Straight Outta Compton, Black Adam), Patrick Heusinger (Stranger Things, The Following), and Holt McCallany (famed for Lone Survivor and The Shield), & More! Greg & John dissect every thrilling moment—from explosive fight sequences and high-speed chases to the film’s clever plot twists that challenge Reacher’s unwavering moral code. Whether you’re a longtime fan of the franchise or experiencing this adrenaline-fueled thriller for the first time, this reaction and review offers a deep dive into the pulse-pounding drama and riveting action that define Jack Reacher: Never Go Back. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Thank you, Rejects.
So let's swing into action.
Let's go back to never go back.
One last back.
Let's go.
Jack Hitcher.
Who the hell will pick up a hitchhiker these days?
I know.
Why would you be stupid to do that?
If he was like two and a half feet taller, I would pick him up.
Ain't that the first.
fucking truth yeah yeah yeah yeah all right oh my god we did it we did it we went back we did what
we were never supposed to do ain't that the truth that the truth oh one second one second
all right well gang we just watched jack reacher never go back and i want to say thank you to
the first time i was seen him but the paramount plus is playing images of this show called
mob landing. This looks pretty cool from just the
images. It does. Yeah, this is some striking
stuff. I'm like, damn, I kind of want to watch
this show. I kind of want to join the mob now.
It's a guy at Ritchie show? Cool.
Yeah. But Tom Hardy.
And Pierce Brosnan. It's streaming now.
Okay. Sweet. Good to know.
Well, we're just going to watch that during the review.
Well, we watched Jack Richard and Ever
Go Back, which was 12 minutes shorter
than the first movie.
That I've just learned this fact now.
And it fell longer.
This is a fascinating experience to go back to because there is a certain amount where you are like,
oh, yeah, you know, actually, this is better than I remember.
But there are some ways in which you're like, but I understand why this is not the like solidification of this franchise.
I think it's a good movie to walk into with certain expectations.
Again, Prepper, first off, thanks right now on these highlights.
Don't want to forget to say that.
it's one of those films where in our perspective in my POV maybe not yours they're not it is
probably stronger when you have some expect some lowered expectations going in and I think
I forgot that you had watched it too when it first came out and I didn't like it very much at all
the first time I watched it and I don't remember what specifically
it was about it because i forgot about all this daughter shit this is i remember coby smolders being in it
but i don't remember any of the daughter stuff however i'll say that the first hour of this especially
was so much better than i expect than i remembered it being everything prior to new or the second
it's pretty much like two chunks before new orleans and after new orleans and everything
before new orleans i didn't find half bad and i particularly kind of wished we got a little bit
of the approach that jack reacher to that tom cruz took to jack reacher applied in the first
movie where he's like significantly more stoic in this one yeah to the point where there are
certain times in the last half of him going is he just tired i know it's just tired like checked
out of this because the first hour i thought it was very intentional and then there's other moments
in the last hour where i but by the time it gets to the closing moments i do think it is a bit of a he's a little
empty he's a little sad he's a little lonely and this was his moment to experience like what it
might be like to have a family in its own weird jack reach her way right that's not the military family
but here's a woman here's a kid and now it's a chance to play dad for a little bit on this trip
and provide some of that heart so i get why he would re-team with edwards wick who did last samurai
which is one of his more heartfelt dramatic roles something tom cruise hasn't done in quite a while
and i think i understand wanting to hire him to be able to provide some of that for this experience
like let's do something very different where the first one's very much a film noir a little bit colder
in this small town he's a little bit more distant even though he's more
tom cruzie in the first one yeah he's more kept at a distance he's more mysterious
and here there's like no mystery to him at all like zero yeah
and he he he weird but weirdly you feel like you kind of I don't know even there's like so much more distant in terms of his stoicism the way you have the Kobe smallers and the daughter play off of him feels like you kind of connect with him a little bit more yeah yeah that's probably the simplest way of putting it humanizes him a little bit more um and yeah like I said we've been through I think what also helps is we've been through three seasons of reach her in one season we weren't big fans of
Yeah. And so we know Reacher is not like a perfect world.
And Jack Reacher won. It was very different than the shows in a lot of ways.
And the show in a lot of ways. And so this to me is just like another version of a Jack Reacher.
Because every season of Reacher show feels different.
Yeah.
And the movies don't feel the same to each other either.
Yeah.
And I imagine Tom Cruise was going for that original plan that he had a Mission Impossible before Chris McCory just
became the main director but there was a time and mission impossible where every single one of them
felt completely different and the constant was tom cruise and maybe ving rames and now i think that was
the approach they were going for this but perhaps it just didn't click because i think
it's a fine piece of of tell of that i keep going like an installment of reachers
it's good tv it's good tv decent television yeah yeah yeah but there is there is such a unique voice to the
movie and unique atmosphere and style where none of that carries over and nor do
something that feels unique this kind of feels that they're going for what a lot of
other action suspense movies do already yeah and instead of having it it doesn't have
its own unique voice no granted still serviceable yet it's it serves it gets the job
done but even in the action realm the action none of the action is any other
than like a couple of violent blow moments.
Yeah.
There's no action scene.
There's no particular set piece where you're like, oh, but it has the fill in the blank.
It has the cage fight where those five guys attack, you know, it's like there's nothing.
Yeah, it's like very standout or particularly creative.
And even, you know, the New Orleans, you know, Halloween time setting is like a neat piece of wallpaper, but like especially the way that fight ultimately goes down.
like you're pretty removed from that and it's not really there's no like oh man he's got to get into costume to
freaking hide out or something like that or you know there are a lot of things i think they could
have taken slightly better advantage of it's odd because yeah like i remember the the thing i
remember the association i formed originally was like oh that was not good but like kobe smolders
kind of carried the movie and and yeah this time was like way more rounded but i think it does
suffer from a lack of like
rhythm like I felt
like the pacing was kind of
there's a point at which it kind of got
monotonous it's the first time
this unlike the last one
this one felt
like they truncated a book
yes
yeah it has this thing where
you're going through events pretty quickly
but it doesn't feel all that like
momentous or propulsive at times
like they're rampant
yeah and it's like you know we have to
do a certain amount of like physical combat to get to the end of the story and there comes a
certain point where you're sort of you know just kind of watching and waiting for different
beats to come around so that we can finally get to the reveal and I think that's another place
the movie suffers is like the mystery at hand feels a bit I almost feel like run of the mill is
not the right word because like there's some like you know every reacher story is a crime
procedural to some degree this is well-trod and dramatic entertainment
territory. So, you know, we're always dealing with shady, you know, black ops guys and military
agents and, you know, different, well-connected, shady business folk and whatnot. But there's,
yeah, there's something about, like, I think they had a lot of the pieces. And this carried over,
like, the sense of casting, especially with, like, the head goon guy. Like, at first when I saw him,
I was like, oh, this guy's not going to be as stand out as like Johnny Courtney wasn't the first one.
But by, you know, a few scenes of his end, you know, he was.
was pretty gripping.
Are you standoutish?
Yeah.
And even the girl who, you know, could be the daughter, could not be the daughter.
I liked her.
I liked Kobe Smolders.
Aldous Hodge for his, you know, presence.
But even that, like, there was, there was a constant feeling of like, I would love a little
bit more and I would love, yeah, a sense of rhythm and a sense of flavor.
And I thought that it's like the first movie is so striking and so composed and you have
this quality where you're like, this is way better than I expected it.
to be and this one feels more like just like a straightforward adaptation of an airport novel
which is yeah it's weird it's like in hindsight and then experiencing it with fresh eyes
you're like yeah this is all right it's decent um but i feel like it's not probably the outcome
that they wanted and i'm surprised because like you know i edwards wick is not a director
who i know the full filmography of like intimately but i
like Last Samurai has a stronger sense of tone
and a more striking sense of direction
whereas like this felt like it could have kind of been directed
by anybody and
yeah like yeah just kind of everything about it
is sort of like yeah it's got a lot of the reacher stuff
just in more generic packaging
and yeah with a tone that's like
moving along and it's fine
and it's not like you know
really slow and dragging
but it's also not like
really gripping to the
point where I'm just like effortlessly pulled in throughout it.
Whoa.
I think it's really affected his directing career.
Crazy.
Because yeah, he did last samurai.
I was like the, I mean, okay.
Blood diamond.
Oh, he did glory.
Oh, shit.
Oh, snaparino.
Glory.
A fall.
Courage under fire.
The siege.
Okay.
And last samurai.
Blood diamond is a great one.
Defiance.
I haven't seen that, but that's a,
no people really like that movie.
They did Jack Richard and ever to go back.
And then he's only done like a couple of,
he only did a couple of other movies after that that haven't gone.
And what's trial by fire?
Jack O'Connell, Laura Dern.
I don't even know what this is.
And another movie called The Way,
it's an episode of television.
It's not even a movie.
He only did one movie after that.
I think this really kind of mess his career up in some way.
That's wild.
I wonder what this cost.
Or like, broke him in some way.
Yeah, it's interesting.
I mean, because.
Even what he has upcoming is a TV show.
Whoa, what happened?
I wonder, I would be very fascinated to know.
I would also wonder, because, like, at the time in his career in which Tom Cruise would be making the last samurai, certainly he's got a lot of clout, I'm sure, to throw around.
But that's also, I feel like slightly maybe pre the phase where Tom Cruise, like, if he's on a movie, he has, like, all the control.
So I don't know.
Maybe it was, like, figuring that out or something like that.
Like, maybe there was something in the mixture of their sensibilities that flattened this out a little bit?
So, it only cost about $60 million.
Whoops.
Yeah.
Earned $58 million in the U.S.
And internationally, $100 million.
Oh, yeah.
I mean, they didn't do great.
No, no, I doubt they made their money back.
Yeah.
Yeah, it's not good.
It's weird.
Yeah, it's one of those movies where they have a lot of,
good parts assembled a lot of interesting casting choices and stuff like that and yeah a lot of good scenes and a lot of hints at stuff and as much as like oh give the stoic action guy a daughter figure is a trope like i like that's what i would do like i like the stuff like that and yeah it's like on the one hand i could imagine a version of this movie that does have like a certain amount of like touching character elements with you know all the cool badass stuff or a version where it is like a little
little bit cheesier but like more pronouncedly so and that could be you know as much as that's not the
quintessential flavor of jack reacher you know you could still find a fun movie out of that or something
that at least within its own confines feels unified and you know grabs you or whatever i don't think
that it's it's a i don't know i'm getting distracted about what i see on screen here well there's i don't
i feel like while tom cruises the personality of jack reacher shows the closest we got to seeing
like a true who makes jack reacher jack reacher was the scene in the breakout yeah when he when he
sure he gets an action scene everybody takes them all on but the part of that is the a big part
what makes jack reacher jack reacher is his hyper intelligence and as hyper intelligence is not
really uh one of his instruments in this movie didn't feel like a big part of a big
mystery really like there is a convoluted you know military crime plot but even that felt kind of
deta like it's he behaves more like reacher and yet i felt way more out of all the reacher things
we've seen like i was watching action guy do action stuff yeah until the conclusion yeah that's what i
mean yeah like he gets like a moment here there like oh he sees he spots the guys in the plane and
he's determining him by the hair cut or whatever yeah like fun fun little stuff like that and
In the first 45 minutes, they have this thing that does not continue to carry through
where you go into Jack Reacher vision mode of how he sees a crime.
That choice, yeah.
And they just totally drop it.
I think there's like a clear shift in the last half of this where it suddenly becomes
like a very different movie and a way that doesn't feel like a very different movie.
But it becomes more Kobe Smolder's POV, which isn't a bad idea.
They should give her Detecto Vision too, though.
I know right.
like pink and gauzy because she's a woman i think the movie lacks personality and that's his biggest
misfire is it's there's like i said there's no real voice behind the direction of it that being
said if you isolate some stuff i think colby smoulders is great as we were talking during it that we
kind of wish maria hill was a little bit more like this totally and i think her chemistry too with
tom cruise is pretty solid i like their scenes together i like i like the individual of rosam and pike
more in terms of like what that does for the narrative of that story yeah i enjoy watching colby smoulders
more though their chemistry and their chemistry is better yeah and to i mean different kind of
character but like she really apparently came to play and like came to hang and like really
seemed like she put in the work to look you know believable next to again tom cruise who we know
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It's also one of those movies where there was,
there were points where it stopped feeling,
like I was in the world of a movie
and more like I was watching people run around
and I think literally
every time they would cut to
and now they're running did feel
it was an element of the movie
that did start to feel like a bit of a meme
in a way where you're like
oh the tone is not
fully coalescing
to make this as like cool
and thrilling as you want it to be I'm just kind of
you know focused on the fact that they're like
jogging and it's Tom Cruise
yeah and and there are
elements of like the voyeuristic cinematography that enhance some of those
paranoid aspects of the movie but especially in those scenes it kind of did start to feel like
oh they just sort of spy it on tom cruise when he went out for a jog or something like that's about it
yeah that's about it yeah they span a lot of locations and the editing is kind of all over the
place in this one it's very much like there's so many scenes in here and there's no real like
scene work scenes outside of a few moments where the one that surprised me that
I didn't expect to connect to, but ended up, it's weirdly coming back to me now that some of
the daughter stuff. I think I didn't like it at first. I feel like, I think it's not starting
to come back to my brain. And, but when we first, as I was coming out of my mouth, I was like,
wait a minute, I think I'm starting to remember the emotion I felt about that. And I think I didn't,
I don't remember enjoying it. I think I, I mean, I enjoyed it this time around though. And like,
I even like the final scene. Like, the attempt around it, I really like the attempt to it.
where jack we're going to go the last one was he's mysterious this time it's going to be a little bit more personal but we're not going to get too personal because we don't want to like ruin any of that part of the appeal like a james bond and a jack reachers you don't want to know them too well and this one i think was that attempt at doing that and perhaps like when tom cruise you think about some of these behind the scenes production stuff where tom cruise applied that methodology for mission impossible three we go we're really going to get you
to know Ethan Hunt this time you know really you need to know that that personal side to him
and you can see some of those seams being weaved here I suppose it just doesn't actually click
as strongly bad guy bad guy was that guy was cool bad guy was surprisingly engaging to watch the
entire time anytime he showed up on screen and his motive to find it's like a cheesy motive
of where he finally has sport he finally has a prey that he can they can be on his
equal terms I don't feel like they pay that off super strong in terms of like the ultimate showdown or the tit for tat no I mean we had a great and granted in the show of reacher you don't really get that till the third season with someone where they have a whole show to build that up to and I don't know maybe having a little bit of history there between them might have helped elevate it because this guy's like man this reacher seems like he's the ultimate thing but it's coming right after a scene where he took on Kobe smolders and Tom Cruise and kicked both of
their asses that to have that line of dialogue like oh i think you actually kind of undercut it
because of that when maybe it might have been more effective if it seemed more like an equal match
yeah versus you just whoop their asses you both and there's two with him you know yeah yeah it's
like there's a skewing of the stakes and i feel like two in his perform like that guy whoever that
actor is i feel like his performance was the pitch i felt like most things in the movie ought to have
been matching because he could sell things nicely but he also had just enough of that sort of like
deranged glimmer without being like a scene chewer or anything like that he felt like just
this side of larger than life and too like a formidable foe and it's like if the movie like we don't
need deep deep deep dives on any of these people but i feel like yeah if they had really given him
one extra layer of character to really make him like this memorable like again even jai courtney
He was, like, in the context of that movie,
not the most major player in the first one.
He still, like, stands out for more than just being an actor
who I liked watching.
You know, like, he fit really well into the role of his character in that world
and also was, like, a standout physical presence for Tom Cruise to square off against.
And this, like, had that, but at the same time, it's weird.
Like, everything else felt a little more drab in comparison.
to him so uh hey we we predicted this oh the scene said in washington dc we're not filmed there
oh we're not except for green screen and plate yeah there's a power he looked in louisiana when
they were running and they ran to the cab it looked keyed and yeah definitely it's a little
outline here yeah it's it's like this is one of those movies where i feel like you could
keep most all of the bones it's mostly about the tones like to tie
it all together and to really have made it sing
uh yeah it's like if you you took mostly the same
stuff and applied like that guy's energy to it this might be
a banger so this was the 18th book okay and one shot
is the ninth book damn well and two like the one shot
has that element of like even though jag racher and and uh that guy
bar whatever his name was you know the guy who's being framed they don't like
know each other well reacher still like knows of him or there's a moment where he's
like, no, no, no, you need to understand something about this guy.
And I feel like if the movie had done that with him for the other guy, like, we just watched
season three of Jack Reacher, and that season demonstrated a really great ability that I'm sure
is, I would imagine as president in the books, uh, wherein you build up characters simply
through other people's purview on them or their assessment of them.
And, uh, I don't know.
This is, this movie almost felt like it lacked like a full perspective.
I don't know quite whose perspective I was watching the movie from.
And I know that like, I guess omnipotent perspective is kind of it.
But, you know, I don't know.
Even in the first movie, you feel like you're on the, you're along the ride with your
eyelines and with Jack Reacher.
Yeah.
And in this, I feel like I was just kind of thrown in the car with everybody and was, I was
here for all of this rather than being like swept up in the momentum of it.
And, you know, with these kinds of movies, too, I think you just want to feel like
the movie is kind of smart.
And this one didn't really feel smart in any way, shape, or shape.
It didn't feel like clever.
It didn't take me by surprise very often.
mystery didn't feel like oh i got to figure this out or i'm so dizzy but i just got to keep up because
there's too much to you know when it wasn't exactly like fun cheesy either and the last the last
law of new orleans stuff especially just kind of feels like dour it gets your hopes up and then and then
yeah it just feels kind of they're in the hotel room and they're you know really it's weird like the hotel
rooms it's weirdly though the hotel rooms i thought were like the most uh emotionally engaging scenes
it really felt like they came out with some kind of like two and a half or three hour movie that probably had like a whole plot line about reacher struggling with his propensity for violence and whatever else and his brand of justice but it feels like they removed all of that and basically made his personal story like minor chemistry with cobi smolders plus this possibility that maybe being a dad could be cool because this girl uh did what i would do yeah so like i like i like
I get why revealing the character too deeply too much is probably not a good idea, but like, or, you know, you would want to parse in that out over time.
But I feel like there were some easy ways they could have, you know, yeah, enhanced the reacher perspective or made his character more engrossing.
This is so weird because, yeah, it's like there's so much about this.
It's like pretty good to fine.
But that just makes it stand out more.
I think because the first one is like surprisingly good, it makes what doesn't quite click about this one.
it's like it's fine
it's like it's kind of it's fine
as a totality
you know like there's a lot of good pieces
but it's ultimately just like kind of fine
and it's kind of anonymous
oh well
yeah
I give like a 5 out of 10
yeah no exactly
it's like right in the middle it's like there
there's enough good things
and then enough other things that balance each other out
50 50 yeah I'd give like
I give the first Jack Reacher movie
like a 7.8 yeah yeah yeah like a high seven-ish yeah it's pretty high for me yeah yeah totally and there's a lot
like there are scenes in that movie that I would gladly just like look up on YouTube again yeah and I do think
that you know and the thing is we like the stoicism that Tom Cruise is bringing him but
reacher also does have a sense of humor to him yeah he's right and that's missing he's sneaky
he can be dower and he can be very serious but yeah he's got that sneaky humor he just seems like so straightforwardly serious in this movie it felt like they wanted to have some kind of not exactly one to one but yeah like an m i3 level like no man his soul is being tested by this like this like i don't know you could have done some kind of but the plot setup doesn't really warrant that no it's like i get why this would be one of the later books because i can see how in a series like this after getting to know this guy and his routine for a good amount of time then going oh man
man, he might have a secret daughter.
That's crazy.
Like, to do that in movie, too,
when we've just met this character
and are still establishing what the episodic flavor could be.
Yeah, it, it, I think that's maybe a story choice
that maybe was a bit pretty,
like anything works when it's good.
But yeah, I feel like given the fact
that they probably wanted a franchise,
this didn't serve to humanize the character.
It actually kind of had the opposite effect.
oh well what are you going to do thank you guys so much for being here glad we can go on this whole full reacher journey we've watched it all we've seen it all i would still show up for a part three please even with the reacher season the reacher series running hey this movie was released october 21st and i get it now it's a halloween movie it really is oh damn die hard of of halloween that's wild just reacher never go back that's that's
funny. Yeah, man. Every year I'm going to dress up as Jack Reacher now and fly to New Orleans and recreate these scenes. But it doesn't have, it just happens to be Halloween. It doesn't feel like Halloween. It doesn't feel like Halloween. There's so much you could do with that. There is so, so much you could do and have fun with and still maintain a certain level of grounded, you know, rye realism. Yeah. Like there's so much that New Orleans offers you and.
ah now we're gonna do and as a Halloween kid you know it just it hurts my soul a little
thank you guys for being here thank you so much thank you um leave your thoughts down below
on jack rich or never to go back rank all the books and we will be see you guys too thanks
reject nation reach reject nation see for jack reach for season four next year
who peace