The Reel Rejects - JERRY MAGUIRE (1996) MOVIE REVIEW!! First Time Watching!
Episode Date: February 22, 2025SHOW ME THE MONEY!!! Jerry Maguire Full Reaction Watch Along: https://www.patreon.com/thereelrejects Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.t...iktok.com/@thereelrejects?lang=en Twitter: https://x.com/thereelrejects Facebook: https://www.facebook.com/TheReelRejects/ Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Jerry Maguire Reaction, Recap, Commentary, Analysis, & Spoiler Review! John Humphrey and Aaron Alexander dive into Jerry Maguire, the iconic 1996 romantic comedy-drama directed by Cameron Crowe (Almost Famous, Say Anything...), starring Tom Cruise as Jerry Maguire (Top Gun, Mission: Impossible), a high-powered sports agent who experiences a moral awakening that changes his life and career. The film follows Jerry as he navigates the cutthroat world of sports management, forms a heartfelt connection with Dorothy Boyd (Renée Zellweger, Bridget Jones's Diary, Chicago), and builds a deeper bond with his only remaining client, Rod Tidwell (Cuba Gooding Jr., Boyz n the Hood, Men of Honor), leading to one of cinema’s most iconic lines—“Show me the money!” From Jerry’s epic “Help me help you” plea, to Dorothy’s unforgettable “You had me at hello,” this reaction covers all the most memorable moments, including the emotional “You complete me” confession and Rod Tidwell’s touchdown celebration that cements his legacy. The cast also features Kelly Preston as Avery Bishop (Twins, For Love of the Game), Bonnie Hunt as Laurel Boyd (Jumanji, Cheaper by the Dozen), Regina King as Marcee Tidwell (If Beale Street Could Talk, Ray), and Jonathan Lipnicki as Ray Boyd (Stuart Little, The Little Vampire). With its perfect blend of romance, comedy, and sports drama, Jerry Maguire continues to resonate as one of the most heartfelt and quotable films in modern cinema. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
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With that said.
Show me the movie.
Show me the movie.
Roll the dang bumper.
Well done, Jerry.
Rugged gun, Mr. McGuire.
Oh, my God.
Oh, my goodness.
Yes, sir, he Barbarino
Oh, if you guys are watching this on Apple or Spotify,
listening on Apple and Spotify, it was five stars
because we just watched Jerry Maguire.
We just watched Gerald McGee.
Eric Stoltz was in here.
Stolties?
It was almost Martin McFly.
What a film.
I finished my G-fuel.
Oh, wow.
Well.
God damn.
Guys, thank you.
We love it.
you also before i forget
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well the iron's hot
johnny boy johnny john john
what did you think
of Jerry McGuire.
This was lovely. This was lovely.
And I mean, yeah, I don't have the greatest...
I understand the kind of movie,
the concept of what kind of movies Cameron Crow
tends to like to make.
And I completely forgot there's a Cameron Crow.
And I feel like the main one I would have seen,
I believe he directed, wrote and directed,
almost famous, which is terrific,
which is about like a kid
who wants to get into music journalism,
like, you know, basically going on the road with a band
and coming of age
and learning all sorts of things about the world and life.
and, you know, music in between, all that.
And so, you know, yeah, I think we both had that kind of response at the outset of, like,
I didn't exactly know what kind of movie to expect from this other than some kind, you know,
like a Tom Cruise drama of some variety that would probably be relatively a beat in some way,
shape, or form.
But, yeah, like, the way that this began and clearly kind of showed that, you know, there are,
there are elements of it that are structural and that are, you know, that you can kind of extrapolate
ahead of the story. However, I feel like it does do a nice job of really setting up a situation
that feels like it's sort of unfolding and going from one, you know, sort of tricky development
to the next. Like there was a pace at which things were moving, but also like a natural nature
of the way things were moving. And the fact that it was always kind of going out of its way
to keep both sets of stakes visible.
It's like, yeah, he's got the financial stakes, you know,
the stakes in, you know, his business and his reputation and all that stuff,
but also the stakes on him as a person, who he is and why.
And yeah, and without making it too schmaltzy, I think, yeah,
they managed to have some interesting, yeah,
depictions of friendship, of relationships in a romantic context,
and the way intimacy plays into all of that
and what it really truly means
to be alone with yourself.
And, you know, I feel like we came back to that thread
a little bit here and there.
I feel like you don't get as many, like,
you don't get a moment necessarily
where you're, like, sitting in that meditation
of like, I'm alone in a hotel room,
just, you know, examining my own mind.
But you do get, like, him sort of on his own
in these solitary moments between things,
where all sorts of stuff is happening.
But I would have to imagine that in the position of a sports agent
or whoever it might be that has to travel a lot
and has to always be schmoozing and impressing people.
Like you probably find a lot of alone space
and quiet space in crowded rooms.
And so, yeah, just like to that effect,
I thought this had a lot of atmosphere
and it felt like there is a certain uplift
and there is a certain, you know, like life-affirming
sort of heart-swelling type of quality to it.
But it also felt like a pretty life.
movie, for lack of a more articulate way to put that, you know, like it, it felt kind of messy and
bittersweet the way life can be, and then that helps you to really earn those bits of triumph
at the end. And it was just one of those movies where beyond, like, maybe again, extrapolating
where their relationship is going to go, like you called, they will eventually break apart
this marriage because it's not been quite conceived under the right circumstances, and through
whatever comes of that, they'll find their way back together. But, you know, outside of
of that, like the more sort of
specific details that
make this movie what it is.
I thought we were, yeah, really alive and nicely
observed. What did you think, sir?
I think this is the movie.
I haven't seen a movie with this much
heart in some time.
I think this is probably the movie I've watched
on this channel
with the most heart
at least in the...
Sorry, the synopsis on Amazon
is so silly. Sports agent.
represents an athlete yeah that's that's what we're talking about it that's the movie um yeah man
i had no idea what to expect going into this movie and you know the all like i said at the
beginning all i knew was the fact that he said you completely and i think i didn't know this
going into it but the you had me at hello i've heard that line didn't know it's from this movie
i didn't realize those two lines in the same scene i don't know how i missed that but and then show me
the money i had not heard that one that's that was the big one that i've come to associate with this
movie the only thing i know that's close to that is hey it must be the money but that's that's not
related uh but anyway this movie is it just has so much going on for it and i think the first thing
i want to talk about is one with the performances this is the best tom cruise i've seen and i've
mostly associate him as being an action star and maybe that's just my
lack of seeing early tom cruise work but i just think that he really held this movie together by
being this character that was so pure in his intention and they let you know that from the
beginning but the fact that he has a lot of growth he has to go through and because of the purity of
his intention he has to go through so much trial and so many tribulations to do what he felt
was right which was be somebody honest be somebody who is not representing as many guys as possible
but someone who wants to represent somebody of heart and of integrity and people that he can
really get along with on like a moral standpoint you know and bring that personal touch with exactly
bring those personal touch with and watching him and cuba gooding's juniors relationship grow
over the course of the movie was just really inspired you know like they're two very different kind
of guys but the fact that they both have this thing that brings them together other than the money
but the fact that you know he's right about the fact that he needs to bring heart to his sport
and he needs to bring his love of sport to his life you know it's like almost of a reverse in that
sense and just that in of itself and watching these two kind of come together really was inspiring
him and Renee Zellwiger were also great.
The chemistry between them was just so palpable.
But yeah, I just think overall this story about this guy who doesn't know how to be alone really resonated with me.
I wish we would have gotten to have a little bit more definitive something in that realm.
But I think the fact that they touched on that and that being the lead character and him kind of coming to
and at the end really really made that for me and also the music really added to that heart as
well it was funny it was sincere and just overall I really really enjoyed it the pacing was really
good and it was just one that really felt like a classic it's funny because I would not
expect this movie to be one of those as we're watching oh it's an Oscar nominee
Oscar winner what won the Oscar I didn't know that that's cool I can definitely see
that now I definitely can see that now but yeah very unexpected movie for for what I know
and associate with Tom Cruise also Cuba getting junior just overall was crazy in this movie
I've never seen him like this this is rare for him very rare form to play this like boasterous
kind of raw or just larger than life characters.
and they're both larger of life and larger than life in their own ways and i think the really
impressive thing about this movie as well is the fact that it's able to explore the themes and do
it in a way that is concise with its pace but doesn't feel unearned and even the whole
thing about him proposing to her the next scene they're getting married and then like a couple
scenes later is like did you actually marry her for the right reasons in the moment i was like
This feels rushed, but that was super intentioner.
I like the fact that the movie knew that and expected us of the audience to kind of raise our eyebrows to that as well and question his intention because they established the kind of guy he was in the beginning.
The writing was just super smart overall in the movie.
The fact that they established that you completely, completely, you complete me line very early on and then paid it off in a very cathartic, rewarding way was just masterclass in writing.
And I haven't seen many of Cameron Crome's films, but I definitely want to now because, yeah, he really knows how to make a sports drama, romance, drama movie filled with heart compelling and engaging for two hours.
You know, I think that the cornerstone for movies for me is where movies about heart, movies about character be an interesting plot.
I feel like this is definitely a character-driven movie in the sense that all of the actions
motivated the plot of the story.
And I think when those two things intersect is what makes great movies, you know, and I think
that when I watch a movie that really resonates with me, or when I just watch a movie
in general, I would like the experience of wanting to share that movie with others rather than
just be like, oh, yeah, it's a movie I saw like, oh, it was okay, because I feel like that's
the worst offense a movie can do is the fact that he's watching, like, oh, it's
fine you know just just emotionally indifferent or just like yeah whether whether it's from a place
of of heart or being energized or being scared if it elicits an emotional reaction from you that
is the movie's job i feel and this is definitely a movie i would want to show others i would sit down
and watch like yo we got to watch jay mcguire because this movie was great um yeah like my dad
my friends i'd probably show this to a significant other at some point and the way that this
movie displays love is also really, really awesome, and Cuba Gooding Jr. and Regina Hall's
chemistry was just off the chain. Like, I think arguably they might have better chemistry than
Renee Zelliger and Tom Cruise, even though they were great.
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Thank you.
I mean it.
She was the, when she was on the phone with him, uh, uh, when he's like knocked out on the field, like that was one of the, I think it was then.
Yeah, when she's like on the phone and she's like really freaking out.
like that was the first time I started to get like truly teary-eyed because I was just like
damn like I was so caught up in that moment and and yeah they their relationship and her as a
character too like could have been such an afterthought and even though she's not on screen a ton
her presence is crucial and yeah you feel it and and it speaks to those ideas that like oh you know
there are no small roles like even the the women's group it's like that motif keeps coming back
And, you know, there's a lot of cross-talk and stuff, and sometimes it's used for flavor, but at the same time, there's even something to that.
Like, there's even some, those characters actually sort of become characters by the end, and, you know, the group itself isn't played as just like a gag or a bit.
Just, yeah, like every little thing that's pulled in feels like it's meant to be, to capture some snapshot of actual life, you know, and even characters like Bob Schwarz.
sugar or whatever his name is the sugar guy
jr or bob yeah
Anton sugar
uh
like even he
as much of an unlikable
character as he is isn't like
an insane cartoon guy
he's just a real seeming
guy and I
appreciated in this how
I mean yeah it's like this
this feels
like a more classic movie or like the kind of movie
that wouldn't get made so much now because
it is just like a human
drama d that happens to then focus in on the world of sport like i feel like it could have been other
things even like you could tell a similar type of sport and it wouldn't uh story it wouldn't have to be
sport but uh i thought that was like a really fun just sort of world to steep this in and to use
to create the stakes and yeah like the the whole kind of even if you're not a sports fan i think it's
one of those movies where it's like it's a bit of a sports movie in a way but even if you're
not a sports fan i think anybody can kind of get into and and
latch on to and relate to some extent with, you know, that debate he's having with himself at the
beginning of the movie, which is, you know, it's like they're in this office and, you know,
all these people are kind of peacockish and they're all, you know, like selling stuff and they're
obviously in a business where you have to be charismatic. And so like I could imagine an environment
like that breeding a lot of people who might not even notice that they probably have or, you know,
a lot of situations like that can lead you to kind of being like a jerry in the,
earlier parts of the movie where it's like yeah you're really affable and you're really you know
a good with people in one sense but are you actually able to scratch deeper below the surface or have
you built you know this person and especially in a culture as you know dominated by the worth
in your you know profession you know i can imagine it easily finding yourself in that position
where you're like i don't know how to be alone with myself and i don't know how to expose my true
self to other people. And I thought the mission statement was a fun motif because, too, it's like
how far we come post that early moment in the movie. Like I love how it starts off almost as like
this montage of moments that leads to, yeah, he gets drunk, he passes out, he wakes up, he writes
this thing, he's super amped on it, he gives it to everybody and spends a lot of the movie after
that trying to kind of get away from it. And it's like after spewing all that out in word form,
it seems like now the themes he actually wrote
have to kind of grow into him
for the whole rest of the movie.
Yeah, totally great call.
Yeah, and it's just like there's so many little
great flourishes like that and it's one of those things
where it feels like a whole lot of different
kinds of movie almost and there are a lot of great
short, like there's a lot of really quality
cinematography like you pointed out the music
and the needle drops is very distinct.
I feel like Cameron Crow, if I'm not mistaken,
probably has some rep for being a soundtrack,
good soundtrack kind of guy.
but also too like
things like casting
because I had never seen
we both never seen
Cuba Gooding in this
capacity which was neat
and I don't know as much of the context
I don't have like the
the comprehensive Cuba Gooding Jr.
You know Phil Mogg under my belt
to know if this was in contrast
with like roles you would have seen in playing at the time
and I don't know how much research I'm going to go back
to for that because of all this
ditty stuff that he's embroiled in now
which is like which is
makes me sad because I'm like, oh man, like he's so great here.
But also you have like a Jerry O'Connell who at the time I feel like would have been
an actor of, you know, at least approaching the A-list if he wasn't already on the A-list.
Like Jerry O'Connell being the star player who he gets screwed over with, you know, when
they have that whole thing about his dad and you do everything on my word, my word's strong as
oak.
And you think like, oh, Jerry O'Connell, he's got to be a big deal to this.
then they, you know, the whole deceit transpires and they lose him.
And like, that piece of casting is effective because then you say to yourself, like, oh, damn, like it, the impact of him losing his star player carries.
Yeah.
And then when you see him in a later scene, you know, giving the interview, you're like, oh, okay, like smart.
I would have expected Jerry O'Connell to be much more of a character in here.
But the, the playing off my knowledge with the casting is like a fun choice.
It's like a cool choice.
Yeah.
And the relationship between René Zelweger and Bonnie Hunt, I thought was great.
Yeah, love their sister.
That's another character.
Yeah, like, I love that character.
And that could easily be a wet blanket, like dragged to watch,
annoying character in a lesser movie.
And that's, I think that's one nice thing.
It's like barring, you know, sugar, everybody else gives you a glimpse of like an actual,
something approaching an actual person.
No matter what you might think of whatever character they are at the outset.
And I think that was a nice choice.
And then like having his coach, his like motivation, you know, peeking in throughout the movie.
Like they just came up with these really fun and interesting wraparounds of like, oh, you have the teachings of that, you know, the coach, the mentor, the guy who, you know, he took so many of his philosophies from and is now trying to live up to the philosophies of or trying to glean the true, you know, wisdom from those.
rather than the surface wisdom from those.
Like, I thought that was great to have those peeking in throughout,
have the women's group peeking in throughout.
And even with the kid, like, and the way it used situations.
Yeah, he was great too.
Loved him.
And that could have been super cloying.
And I think, like, it's a great example of a moment that this movie is kind of steep.
Like, that moment where they're on the bed together and they're starting to talk and the
kid comes in.
And at the same time, you know, she says, like, give us a minute.
And he says, yeah, come in for a couple minutes.
and that's like such a great moment because I'm like part a piece of that is good like a piece of that is like oh yeah like on the dad's side on the you know like greater picture side it's like yeah I embrace you come in you know we can put this on hold and it's like you want to see that from like your potential husband father etc but you know that in that moment he's also using this as an opportunity to skirt you know the real convo to be avoidant yeah yeah and it's like one of those things where
you're like damn like that's a nuance it's a real nuance like i'm on the one hand i'm glad he invited
the kid in on the other hand they probably should have taken that minute i like the act not the
timing of the act because it was like almost i don't think weaponizing is too strong a word but
he utilized the opportunity to not have to address the thing that made him uncomfortable
and and and yeah and and and in not having to address it he's also kind of further deflecting by
doing something that on the surface and and not even only on the surface
but at least it appears like a good benevolent like oh yeah that's what you would
theoretically want but with yeah the greater nuance here we know that that's not actually the
best choice yeah he's a better father than a husband yeah and like that's and two i thought that
was great they're sitting on the couch and he's drunk and the kids just talking and they're like
it was that moment where i was like oh yeah you of course the person who's getting you to open up the
most who you seem to be easily most easily able to identify with and like see the
eye line of is literally this child and that says a lot about you you know and that says a lot
about the character and I thought that was a moment where they didn't have to do that they
didn't have to like put a neon sign around that but it does hit where you're like ah that's
clever that's fun that's you know they're so charming together and yet that also speaks to
you know kind of where he's at emotionally speaking anyway yeah this is a movie I'd love to
back and kind of yeah further drink the nuances and the flourishes of because yes it's like i
feel like again there are certain kinds of movies i feel like the people usually take edgy
satire and go you couldn't make that now but it's like this is the kind of stuff i don't expect
to see made now because no it is just like a human store like there's not really a lot of flashy
shit to sell about this other than the cast at face value which is why i wouldn't think it'd be
like a popular movie but it's just a good ass movie it's just a great movie but yeah i agree i can't see
them making a movie like this and it like being and it being super successful financially maybe
like critically obviously sure but not being yeah like a top like something that had i feel like
an a list cast like this would open something like this up in a bigger way yeah in like mid 90s or
whatever right right and it feels very over its time but it's great well yeah i felt like we could talk
about this movie forever i loved it i know you loved it
You have any closing thoughts for us?
Just Cameron Crow, at least as of this
and almost famous props for being able to deliver
that nice little middle area
between like there's a bit of like peripheral magic
but it's just the right amount.
Like it feels just enough bittersweet life
to read as like rather authentic
or more authentic than you would expect.
But it's got just enough of that movie magic
to be very satisfying.
100%.
It's not the most, like, out there
you could never predict
where this is going to go kind of thing.
And there are a couple moments here or there.
They're like, you know, the magical timing
of, you know, happenstance.
But it's like just the right amount, you know?
So, yeah, I was quite taken.
I was also quite taken.
Were you guys taken by Jerry McGuire
and all of the things that happened inside of this movie?
Do you want love?
Let us know all the things in the comments about this movie.
We'll see you guys in the next one.
Doses.
David Gandy.
David.
David.
David.
It's a classic name, David.
Well, okay, I'm going to guess what David means.
John's going to guess what David means.
And then we're going to see whoever is closest to your actual name wins.
I've been losing nonstop.
I think it means a warrior.
I think it means dove.
Doves, though, the flock of doves.
I think you're right.
We'll see.
Moment of truth.
Hebrew name, David.
It means beloved.
Beloved.
It comes from the Hebrew word,
Dod, which originally meant to boil.
But in biblical Hebrew terms,
it means to love.
Oh, David beat Goliath with love.
He did.
And a very high-velocity, small rock.
Probably got right in there.
Those are the coolest animated things I've ever seen
in a Catholic school.
This is one of the most badass Bible moments.
Yeah.
Damn, underdog, it's okay.
Didn't realize secret sequel to the drummer boy.
Yay.
That's who he was.
He gave up the drums, and he picked up a rock.
Ben, your drum, I tell you.
It would have been cool if it was Cain.
He's a descendant of Cain.
Oh, my God.
Here to avenge my father's misdoings.
The Rock.
My forefathers misdoors was.
yeah instead of my brother i will kill this threat to us all anyway that's some fun bible fanfic
for you yes congratulations you're in the action bible now