The Reel Rejects - JUSTICE LEAGUE: CRISIS ON INFINITE EARTHS - PART 2 (2024) MOVIE REVIEW!!
Episode Date: July 2, 2025THE CRISIS CONTINUES!! Justice League: Crisis on Infinite Earths Full Reaction Watch Along: / thereelrejects Visit https://huel.com/rejects to get 15% off your order MEETING JAMES GU...NN | Superman Interview: • MEETING W/ JAMES GUNN!! Superman & DCU Pre... Justice League: Crisis on Infinite Earths Reaction, Recap, Commentary, Analysis & Spoiler Review!! Coy Jandreau & John Humphrey return for the next chapter of DC's epic animated trilogy with their Reaction, Recap, Commentary, and Spoiler Review of Justice League: Crisis on Infinite Earths – Part Two (2024), directed by Jeff Wamester. Picking up from the cataclysmic events of Part One, this installment finds the multiverse on the brink of annihilation as the Justice League races to stop the Anti-Monitor’s plan to erase all existence. With Earths collapsing and timelines unraveling, the League must rally heroes from across the multiverse in a desperate stand for survival. Part Two features several highly searched and talked-about moments, including the League’s explosive assault on the Anti-Monitor’s fortress, heartbreaking multiversal character deaths, and the show-stopping arrival of the Spectre, voiced by Lou Diamond Phillips (La Bamba, Prodigal Son). The film's emotional highlight arrives when Barry Allen attempts to stitch broken timelines back together in a sequence packed with fan-favorite cameos, cosmic visuals, and pulse-pounding action. With each moment building toward the final confrontation, Crisis on Infinite Earths – Part Two delivers emotional stakes, character growth, and multiverse-shattering consequences. Join Coy and John as they break down every mind-blowing twist, heartfelt farewell, and epic team-up in this penultimate chapter!! Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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uncut, unfiltered, and other 90s, edgy, gritty words of un.
I think it's time to un to a new planet.
We're going to un...
To crises?
A new crisis?
New crises on HBO maximum for animation Monday.
Let's do it in three.
Two.
Un.
Pretty cool.
If you were just joining us, we just watched.
the second part
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Crisis on Infinite Earths.
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rejects. Heck yeah. John
Coitus. We got questions?
We got questions, Coy.
What do we got? All righty, all right.
Crisis on Infinite
episode two talking gibberish kicking us off thank you so much john and coy with this being a three-part series
and you now just watching the second part do you guys feel that it's starting to get lost in the sauce
with all the cameos and other versions and losing sight of the actual story or do you think it's
adapting the comics pretty well um i think the story itself is kind of about the overwhelm of the
sauce uh the whole you know what i mean like i can see that the whole point of crises is to like
streamline continuity so i think you've got to make it like a big explosion implosion like that's
kind of the idea is like wow and in a medium where like outlandish circumstances characters and
at all are the norm yeah to imagine that yeah sauceing it up is kind of the play here the only way to
go so i think getting lost in the sauce is part of the journey um i i haven't read this comic in years um it
was one of those comics that, you know, you kind of have to read to consider yourself a comic fan, like
InVicrisis.
What is a crazy?
You got to re-up your comic fandom by reading this every five years.
Every, without fail.
I just reread Superman birthright and, oh, good God.
I've been trying to reread one major Superman comic a week leading up to the movie.
So my 50 to 70 new comics and then also a Superman iconic run of like 10 to 12.
So I'm reading, but Crisis, I remember, you know, is one of those books you read when you, like, discover
the scope of comics like it's an event
book that is as like formative
and the reason I bring that up that I haven't reread it
is I
remember thinking it was overwhelming
then but I remember thinking what a cool way
to make continuity linear
and that's kind of what this feels like
and that's why I bring it up is like
the emotion and feeling of like overwhelm
and then linear is what I'm getting out of this
so obviously in a different medium
there are a lot of cameos and things
but like it doesn't feel like it's heavy handed
Like, it doesn't feel like it's doing it for the sake of, you know, pause screens.
So I haven't minded.
Yeah, I would say I obviously not having read the crisis arc.
And actually, after we're done with this, I would be very fascinated to do so.
Yeah, this to me doesn't feel like it's getting too lost in the sauce,
partly because from what I do understand about this, you know, event.
Yeah, it's supposed to be this sort of big, huge, convoluted, you know, convergence of
so many things that I would have to imagine
have sort of gotten a bit out of hand
if you need to do an event like this in the first place.
And I like so far the contrast
between the two chapters that we've seen
because the first movie is a lot of sauce
and is a lot of like, whoa, now we're over here
and now we're over there.
And then all of a sudden we're in, you know,
the satellite and there's a bunch, a bunch,
a bunch of characters to look at and to point at
and to be like, who's that?
Why is this mummy guy?
Mommy Guy Coy.
But yeah, I really like...
Look up who that was because it vexes you so much.
Like, is it dead man, lady?
But yeah, I like the contrast
and what this is building to so far,
and I like that this chapter is weird.
If this felt like the first one,
I might say yes to your question,
but since this had a contrasting pace and rhythm to it
and did allow for a good amount
of breathing room amid all this chaos
for my taste.
I feel like it's kind of hitting
the way I imagine it's intended to.
And yeah, I don't feel like so far
it's become overwhelmed or exhausted by the sauce.
In fact, I feel like as of this chapter,
it's kind of focused that sauce beam
just a bit.
I mean, while still maintaining,
I think you would still want,
I still enjoy in this installment,
you know, a certain amount of like,
oh, cool, this character who we haven't spent as much time with
or, oh, this character who was like,
in a few shots in part one is now, you know, like Psycho Pirate is in the first chapter,
but isn't like the major player that he is here.
And that was really fun and interesting because I'm like, damn, you know, I get to meet
this, you know, guy on these terms is pretty wild.
So, yeah, so far I can't speak to the adaptation, but as, you know,
is a mummy girl in D.C., but she's not credited for being an infinite crisis.
So, like, I'm like, I didn't see her.
and I'm like, I don't know.
Never know. Part three, I'll point around.
Let us know if Mummy Girl, because there are
two Mummy Girls in D.C., but I
didn't see her so. Sorry to interrupt. It was vexing me.
No, I was just wrapping that thought up.
Yeah, I can't speak to the adaptation itself.
But so far, yeah,
I like the amount
of, you know,
what amount of tempering
of all of that we have had thus far.
And I think, yeah, this being a more focused
installment is helping to
earn some of that, you know, mad cap.
sort of like, oh, God, this guy and this guy,
and now we're on this earth, and we're on that earth.
So, yeah, I'm feeling pretty good.
Kev B, if you could, thank you, by the way, for chiming in.
If you could pick any one of the alternate Earths to live on,
which would it be?
And do you think you'd end up being a superhero
or just the person who's really good at running away
from all the universe ending disasters?
I mean, everywhere we've met is pretty dire.
Yes.
The voids of space.
evil Western universes,
various metal universes.
None of it looks habitable.
Like I think by nature of comics.
We're going to Themistericoi.
We're going to be living in an domicile.
I don't want to be trapped in my room.
We're making sandwiches and opening beers, all right?
I'm out.
I kind of liked the Atomic Nights world.
Not that it looks fun to live there.
I need plumbing, John.
I need plumbing.
All right.
I'm going.
And Krypton, and hope that it's one that has a few years left.
I was going to say, can I choose Kara's, like, will dream sequence?
Kera.
Pre-exploded dream sequence, Kara, I'll go with.
Is it Kara Kara?
I always say it wrong.
Technically.
Carl.
Carl.
Carl.
Carl.
Carl L.
Carl L.
But yeah, I'd say.
Carl L.
Always getting that guy's mail.
Damn it.
Carl L.
Coming at me all the time.
It just doesn't change his address.
just cut to a guy who looks just like Superman
with even bigger curl.
But a mustache.
Henry Cavill's mustache,
Carl L.
Hey, at the top of this,
and to speak of how far we came,
I almost forgot we got a Joker briefly.
We did at first.
With a mustache.
At first, I thought it was mustache Joker.
And then I was like,
oh, no, that's Gordon.
That's Jim Gordon.
That isn't a play on Batman 66.
But yeah, I think Krypton pre-explosion.
Okay, okay.
Yeah, if I remember, I mean,
we've been to somebody,
the gorilla world.
I feel like going to guerrilla world
would be pretty fun.
I'm just so aware of sensations and I feel like it would smell.
It was smell.
I just, I think that way.
I'm like, I don't want a smelly world.
Yeah.
I want plumbing.
I don't want too much smell.
I don't want a dystopian.
I don't be in the West.
It looks too hot.
Let's go to Earth 3 and have no more problems to worry about anymore.
We can go to Earth 2 and hang out with Judd.
I'm just trying to be comfy, guys.
I'm getting old.
I want to be comfortable.
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Daffmare.
Hello, Koi and John.
Hello.
With watching this movie, hello to you.
And thanks for stoking the fires of Convo.
With watching this movie, I was wondering,
what alternate versions and universes of characters have you found the funnest to watch
and or read so far?
I loved the deceased story, and one of my favorite versions of Batman is Terry McGinnis in Batman Beyond.
I really enjoyed seeing Batman Beyond, even if he only got to speak literally one day.
I'm a big Batman Beyond guy.
I always have been.
I love that show, and I like him in the comics.
I did like Deceased.
I'm a Big Gotham by Gaslight Guy because I like that era of Letricia.
Deceased?
Deceased a zombie, Deseecheseech.
universe. Let's go. I gotta read that shit. Pretty great. Tom Taylor. Um, alternate universes
that I enjoy. Um, I liked the dark nights of steel run where they are like knights and
medieval and all that. That's one I tried to remind the other day and I just remembered it. Dark Nights
of Steel was really cool. Okay. Um, I, yeah, those are the ones that jump out like the medieval and the
metal and like the intensity and Batman Beyond. I like futuristic stuff. I was going to say,
the time of this coming out,
we will already have posted
War World, and
I mean, that heavy metal
Batman long hair sequence
was pretty sick.
And on that, and throughout
this, this, you know, recent stretch of the
DC movies, we've been talking about some of the, like,
yeah, else worlds that we've enjoyed
or whatever. I think thrill killer is really
fun. I brought that up in another
talk that we had,
sort of 50s Deco
with some cool flips on the characters, or
sorry, 30s, 40s, 50s, somewhere in there.
And then, as we've brought up here,
I definitely did enjoy at least peering in on the Atomic Knights universe.
And I also, too, we didn't actually see it,
but I just very much got a kick out of psycho pirate being like,
I came up with this silly-ass name for your silly-ass universe.
It's just very tickled by that.
Earth 8, I think is the name of it.
Like, they tried to, they made effectively the Marvel universe and the D.C. universe, and that was fun and cheeky.
Kingdom Come is, like, classic for a reason. Kingdom Come is so good. There's so many.
Yeah, I was going to say, you're an embarrassment of riches. And I mean,
Absolutely, it's great.
Harketing. I want to read those after hearing you describe them.
So good.
Like that, that sounds right up my alley and that plays off of, again, what we saw in the, in the Warworld movie.
Like, I actually really liked all three of those, you know, flips, you know, Western Wonder
Woman and
Yeah, Western Wonder Woman,
yeah, the heavy metal Batman story
and then like Superman 50s diner Twilight Zone thing.
Injustice also got huge.
Injustice, the video game is also like a four,
like huge omnibus volume size, DC alternate universe.
And how could we forget?
Because I guess it would be an alternate version or universe.
Batman Ninja Turtles.
Batman Ninja Turtles.
Maybe the greatest DC animated film ever made.
Absolutely.
And Malik B.
What do we got?
Thank you very much.
Since D.C. has adapted this event across two mediums now, two media,
the CW's Averse and the WB animation.
Do you think this is something that we could see in live action within the next 10, 15, maybe even 20 years?
I'd say 1520.
I think you want to lean into the nostalgia of the current Snyder universe when it's not the main universe.
Like you need to give the DCU time to thrive and then like a nostalgia wave has to come after.
Like the point of these is to like clean up universes
So it has to get big enough to be weighted down
So I'd say like 1520
But I think we get a DC Marvel before that
That would be wild
That's my big new Hail Mary
I think in our lifetime
We get a DC Marvel crossover
And this isn't me knowing anything
I'm not like I have not seen a schematic
At DC Studios but I do think that's
I think the writing's on the wall for that
Because I think Marvel needs it
Absolutely that would be
Unprecedented
And yeah to imagine that we could
even reach a point at which the movies are
justifiable in doing an event like this is pretty well. I'll make you go after
Secret Wars. You got to go DC Marvel. That's what I'm thinking. I'm doing the
trajectory. I can't even
imagine. Maurice Gray Jr. wants
to know for Koi. Do you like the versions
of Pariah and Harbinger used in this adaptation? I do, but
they're definitely not the characters I know, so it's a little distracting.
I think they work, but Harbinger's
kind of just like a
DSX Machina
she's out of here and something's
gonna have it got to go like and that
doesn't feel like a character as much as a
tool for the story
so yeah it works but you know
I like comics a little more
alright all right
all right just making sure we don't have any
more here
um do do do
shib it to be
we're our good
coitus thank you guys
for chiming in for stoking the fires
with your questions
just going to give some stray thoughts
before we boogie on out of here
how you feel in two chapters in
I liked this one more than the last one
this one felt more like the comic to me
because it was like a bit more somber
it also felt like it had a bit more control over its narrative
as much as the comic and this
is like big big narrow
there still needs to feel like it's got a rhythm
and I did feel like the last one felt
like it was a little like weighted by the volume
of what it had to do in one arc
so this one felt like it had more of a pulse
and I liked that I liked the tone of this
I liked the dread and foreboding and atmosphere.
It was a very good second act just in general in structure.
I'm really curious with the climax and like the build
because obviously we're at that point now getting into the third act.
So I thought they did a really good job with these cast of characters.
I thought they also picked characters well to be excited about like to see the bat family plus Batman beyond
to see like certain characters fighting.
Do you use Kara that way?
Kara.
All that.
It really worked for me.
So I dug it.
And monitor, I actually knew of the anti-monitor before the monitor.
Like I remember reading.
anti-monitor in a comic and then discovering
monitor and I was like, oh, so
this was fun. Oh, you got the inverse
experience. Yeah, I discovered a monitor.
Yeah, this one had a different
vibe to the
sensation of being like, I gotta
go back and rewatch this again and like
get all of the details
because when it's hitting you the first time, obviously, it's a bit
overwhelming. But I would absolutely agree.
Like, I liked the first one in the first
part does a lot of stuff. I enjoy
and I have fun with, especially
in the moment. But, you
Yeah, I would have to say that this one, it's like the first one, I think, to that question that we got earlier, does, in hindsight feel like kind of a whole bunch of stuff and a whole bunch of the sauce?
And like, it's a good setup because it gets you, like, the stuff that really sticks is all the major stuff you need to know going into this.
But yeah, the adjustment in pace and tone, I thought was really nice.
And I really liked the sort of centerpiece of monitor and Karakara at all pronunciation.
And yeah, this deceit, this sort of like, I rescued you, but I also didn't stop your world from being obliterated and I've been out here for so long observing, what is the cost of that? And now that I've finally grown a conscience and taken a direct active interest, is it too late? Is that part of the dooming of all of this? Was that like a secret final ingredient or something? Yeah, I like as far as those kinds of, like, you know, obviously like an omnipresent observing character can be.
I would imagine perhaps dry if you don't write it the right way
and you know you got to have them be sort of like
detached and stoic but I really like the characterization here
I liked him you know
doing the energy intakes with Kara
you know eating food for the first time and forever
that was just a neat earnest moments
yeah and then to pull in yeah character like psychopirate
and to you really hone in on his ability and see why
they would be like this situation is so desperate
we need your power in particular but
also like the treachery and watching, you know, that crucial error as, you know,
monitor takes that leap of faith that doesn't pay off, you know, that backfires in that,
yeah, uh, uh, psycho pirate goes full psycho pirate. Uh, yeah, like, I really like the air and
the atmosphere that this managed to bring whilst also having a whole bunch of worlds to cut to.
And I too appreciate that, yeah, there are a lot of characters. Yes, they're like, oh,
Batman Beyond and, and they're peacemaker in the background and all sorts of stuff. But I feel like
this could be way more confusing and overwhelming
if they brought in like a whole bunch of
Wonderwomen and a whole bunch of Batman or a whole bunch
of Superman. It works having Hippolyta and then
Wonder Woman and that sort of thing. Yeah, to be like
that's not your hippolita, you know, and you
still get the fun of like each universe's
crossover and variations, but
keeping the core characters
that we are focusing on
regardless of
universe, you know, kind of
keeping those
sort of constant and not convoluting
them too heavily with variance, I think is a
nice choice here that they easily could have indulged in for the worse.
Sure.
And yeah, yeah, yeah, I like the way the story is unfolding.
It really does feel like there's some massive, unstoppable phenomenon at play.
Things feel desperate.
And, yeah, I'm just, I'm fascinated to see where it ends because I don't know.
I mean, I assume they all have to band together and punch the big guy.
Got to punch a big guy.
But, you know, I am hoping, I would imagine that there's got to be some more, you know,
wibbly wobbly timey whimey superhero
to bring in for sure
There's an iconic moment that occurs
One of the biggest moment in comics
Of the era
Okay
And you'll reckon
What I'm saying now
I'd be like that was it
That's what he's teasing
So that'll be next week
On Monday we'll be back for
The Big Moment of Crisis
Coming up next week
And also like the timeline
narrowing which I think is very interesting
considering in our timeline
The DC animated stuff
You know obviously everything is becoming DCU
So is this the end of the tomorrow verse?
Is this a big shift that's about to happen?
So we'll find out next Monday, you lovelies.
Thank you for joining us for this.
Please like, comment, subscribe, all the things.
Thanks to our patrons for sending in the questions
that guide the conversation.
We'll see you next Monday for our animation goodness.
Appreciate you.
Bye.