The Reel Rejects - KINGDOM OF HEAVEN MOVIE REVIEW – AN UNDERRATED RIDLEY SCOTT’S EPIC! - FIRST TIME WATCHING
Episode Date: August 25, 2026WHAT IS JERUSALEM WORTH? Limited Time Offer – Make healthy eating simple. Get Huel today with my exclusive offer of 15% OFF online with my code REJECTS at huel.com/REJECTS. New Customers Only. Thank... you to Huel for partnering and supporting our show! Coy Jandreau & Andrew Gordon watch Kingdom of Heaven: Director’s Cut for the first time in this full movie reaction and review. Directed by Ridley Scott and starring Orlando Bloom, Edward Norton, Eva Green, Liam Neeson, and Jeremy Irons, this historical epic follows Balian of Ibelin, a grieving blacksmith who becomes Jerusalem’s last line of defense against Saladin’s army. As they experience Scott’s sweeping medieval epic, Coy & Andrew also look ahead to The Dog Stars, Ridley Scott’s upcoming post-apocalyptic survival drama starring Jacob Elordi, Josh Brolin, and Margaret Qualley. Watch Coy & Andrew react to King Baldwin IV, the “I Am Jerusalem” scene, Balian’s knighting speech, the Siege of Jerusalem, and Saladin’s iconic “What is Jerusalem worth?” exchange! Kingdom of Heaven Director’s Cut Full Movie Reaction Watch Along: / thereelrejects Directed by Ridley Scott (Gladiator, Alien) and written by William Monahan (The Departed), Kingdom of Heaven stars Orlando Bloom as Balian of Ibelin, Eva Green as Sibylla, Edward Norton as King Baldwin IV, Ghassan Massoud as Saladin, Liam Neeson as Godfrey of Ibelin, Jeremy Irons as Tiberias, David Thewlis as the Hospitaler, Brendan Gleeson as Reynald de Châtillon, and Marton Csokas as Guy de Lusignan. Coy & Andrew discuss the Kingdom of Heaven Director’s Cut, Ridley Scott’s epic filmmaking, Edward Norton’s King Baldwin performance, Balian’s transformation, Saladin’s portrayal, the film’s religious and political themes, Harry Gregson-Williams’ score, the Siege of Jerusalem, and the differences between the Director’s Cut and theatrical version. Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Let's go to that kingdom of heaven.
Citizens of Reject Nation, we just experienced.
We didn't watch, we witness, we lived through the Kingdom of Heaven theatrical cut,
which was what an experience.
I'm having a really weird moment where I've heard only legend of the director's cut.
And as we said in the intro, I love that we've only seen the abyss theatrical cut.
And now likewise, I'm so glad I saw this one first because I have something really epic to look forward to and maybe even here reacting if you guys want.
But like that was so epic and that's the like shorter one.
Yeah. No, I completely agree. By the way, Prepper, thank you so much for editing down this video.
If you are able to watch this, it's because of Prepper and also give us five stars if you are listening on Apple or Spotify.
I completely agree with you. Look, everyone that I know that's close in my personal life who adores,
this movie says, you need to watch the director's cut, forget the theatrical cut.
Fair enough, but obviously I don't know.
Well, I can't say fair enough because I haven't seen the director's cut.
I really enjoyed the theatrical cut, but I really do want to watch, and this also applies
for the Abyss as well.
Yeah.
I want to watch the director's cut for both these films, so I'm hoping we get the opportunity
to come back for both these films to do this, but I like that we now have context to
these things, and we have these scenes, and now we can see the contrast and the differences.
I think, again, that made me, and I'm sure.
sure I still would have loved, again, I said this on the intro, I'm sure I would have loved the
Daredevil director's cut no matter what, but seeing what they did, it's like, it also shows
you like that a lot of these, a lot of these production companies, they really like, they
slaughter their own film, so to speak. This didn't feel slaughtered, which is what I'm enjoying
is because if I watched the other one first and then watch this, I'd be like, oh, that was missing,
that was missing. Instead, I was like, we watched this with full experience. To me, this felt like
a complete film. It didn't feel butchered.
agree with that. The only thing
I would say to that, and again, I don't know
anything other than this film coming into it
other than Orlando Bloom and Ridley Scott
and Harry Gregson Williams because I listened to the
score so much before, because
of Pandora, but I did feel the ending
was a little abrupt. I thought
and I understood it, but I thought
that we were going to go back and we were going to
take over Jerusalem in terms of Orlando Bloom,
but also I did kind of like the ending there too.
Having said all that,
it did not really feel as butchered either.
So I'm curious because
so many people have always told me
director Scott forget the theatrical so
again I really do want to see
what the contrast and the differences
are I'm really curious
but I'm not talking about the cuts because I do
I do you know this movie uniquely
has that hanging over it as far as like
you know the differences and stuff but talking about the movie
itself yeah as of this moment
what's on my screen it says William Monaghan
did not know this was the great William
Monaghan
what yeah dude
one of those writers that is just
such a force of nature
It totally makes sense.
I kept calling out how no good the writing was.
So many lines had so much resonance.
So many moments had so much more to say.
But also, in addition to the writing being about great dialogue,
Orlando Bloom acting the silence.
Like all of the writing that wasn't dialogue writing,
the writing that was the arcs and the journey
and all the storytelling stuff that you need actors of this caliber to convey.
I also want to give that writing, it's love.
I feel like a lot of people don't.
Like, you have to write silent films.
Like a lot of people don't give flowers to the narrative and the arcs and those structure things.
So what William Monaghan did here, I'm like a huge departed guy, but very, very incredible.
Do we think it was Ed Norton?
Because I think it was.
We haven't checked yet.
I'm going to just go with you.
I'm not a lot of times I hear someone.
Sometimes I'm good at picking it.
Sometimes I'm really bad.
It's the softness.
There was times I'm like it does sound like Norton.
I'll just go with yes.
I will agree with that.
We're going to find out.
Oh, are we going to just look right now?
I want to know, man.
It's driving me nuts.
Produced by Ridley's Sky.
I was going to say when we get to the IMDB.
No, no, no.
We need to know now.
It's like we're sitting in the theater.
This is the theatrical cut.
I want to know theatrically.
We will see amid credits and a post credits along the way.
Yeah.
When, you know, the King of England comes to recruit them into his Avengers.
Yes.
This, by the way, also was so masterfully edited.
The war scenes, the tension, what they were able to do with the production design.
But that doesn't work unless the editing keeps it taught.
Like this scope was insanely loved.
Costum designer also a lot of love for everything feeling so lived in.
Something is going on in the background, the foreground, the foreground with the extras.
Yeah.
Every scene just feels.
Zein casting.
I recognize that name.
Orlando.
Orlando Bloom confirmed.
I'm so excited to find out this way.
Eva Green, man.
I got to imagine Liam Nees is there?
He was only in the beginning, Jeremy Irons.
Yeah, he had like 15 minutes of screen.
I thought Jeremy Irons was coming back.
Maybe that.
I got to imagine Jeremy Irons and the director's cut.
I don't know if it would.
I felt like he said bye, man.
He was like, I'm out.
I gave Jerusalem my life.
And now I'm good.
David Thuleas was such a scene stealer, as he always is.
Brendan Glees is one of my favorite actors in the game.
Martin Sokis, I definitely know, was one of those faces.
Michael Sheen.
What a snively little Michael Sheen performance.
Five minutes into the film.
Liam Neeson gets the and.
That's so the 15 minutes of screen time.
He gets the pedigreed and was it him?
I feel like he would have been in the open in the first names.
Was that just wrong?
Kevin McKid was the guy that looked really familiar.
It might not have been him.
Nick Collage pre-game of Thrones.
Oh, that was the.
The guy that was coming to recruit him.
That wasn't, all right, I was wrong.
It sounded so much like him in like certain softnesses.
We'll see when the cast comes up.
Oh, yeah, yeah, yeah.
But let's just, yeah, we'll lower it as we watch it come up.
As we discuss. I was hoping, man.
I do agree with you, though.
This, again, I really enjoyed Orlando Bloom as Legolas, iconic in that role.
I did like him in the first Pirates the Caribbean.
I, again, was the point to dislike him in Troy, which came out a year before this.
I really dislike him in that film.
He did Wolfgang and Ridley back-to-back and sword and sandal picks.
Oh, really?
Well, no, trolle.
Oh, yeah, yeah, yeah.
That's a crazy.
Yeah, yeah, yeah, sorry.
That's a character, Wolfgang Pierce.
Yeah, yeah, Wolf King Peters.
I'm so sorry.
I thought you were talking about another Ridley film.
No, no.
But yes, you are correct.
It's commendable.
Yeah, for sure.
Good cardio.
He's like, I just want to stick in this type of war for the next couple years.
Exactly.
But I really just did not know or, and I knew he's a good actor,
but to go to this level of depth and range.
It's just, it really showed me how nuanced he can be in his performances.
And again, there were so many times, like even the first five, seven minutes of his screen time,
you don't hear him say a word, he's emoting, he's expressing himself, but I knew what he was thinking at the same time.
And that's a really tough thing for an actor to be able to do.
And I just, I thought it was just a beautiful way to just show just who he is as a character and just connect with him.
I was immediately hooked to his character, like instantaneously in the first 10 seconds of seeing him.
I knew right away he's a hardened individual.
something tragic has probably befuddled him in his life.
And like, once we got that dialogue explaining that,
I was like, okay, yeah, but Orlando's performance in the first 30 seconds
just told me all that without even needing a snippet of dialogue to tell me that.
And then, you know, Greg always talks about the why and the motivation for a character.
And I actually thought, like, I was, again, connected to his why.
And his whole thing was, again, his son had, you know,
I forgot if they said what happened to his son.
No, it was just in the therapy, he died.
Yeah, yeah, okay.
But then, and then obviously as a result of, I would assume depression,
his wife took her own life, understandably so in that type of situation.
But God does not forgive, apparently, in that situation, okay?
And now, you know, he finds it in his heart that, okay,
now I have to go on this redemption type of quest so that I can,
so that my wife will be, you know, okay in heaven.
and that one day when I go to heaven, I will see here.
And I thought that was, you know,
there's something beautiful and cathartic about that
for him as a character and us as the audience
just watching him go through this journey.
Yeah.
I thought there's something beautiful in that.
And again, I really, really, like,
I know we talked about this a few times, you and I,
that the decision not to take the kingdom
when he had the chance of Jerusalem,
I get it.
It would have been a little evil, if you will,
even though this man had committed
it's so many atrocities because he's a man of conviction.
He's a very noble human being.
He's a man of peace.
He only takes life when his life is in balance or the or lives of of innocent individuals are.
But so many innocents were killed by that decision.
That's why I was like,
yeah,
because of this,
like,
innocence will be,
yeah,
that's why again,
I won't talk about the,
after,
I will only say one more thing about the director's kind of.
Again,
I'm curious if there's any changes because I did struggle with that a little bit too.
Yeah.
innocence will be taken, but again, you are on this redemptive quest, so I guess that kind of
spits in the face of that and you're afraid now your wife, but also too, you said that line earlier,
too, in terms of are you in hell if you are with me in my heart? So can you throw a little
ladder? I mean, is there a little gray area here? I'm wondering if, like, how much of this is based
on a true story and it's, and it's something that we don't have the context for about the real
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I don't know how much of this is fiction versus nonfiction.
I know that, you know, Jerusalem and that part of the world is always in turmoil to this day.
So I think that also kind of informed my experience of judgment of him because it felt like this was a time of peace, reluctant peace, but peace because of, you know, this.
And now we are still, you know, 10 generations later, people are dying still because this one guy was like, I've got this little thing, this little clause, this little morality clause.
and so like I wish that felt a little more lived in
and I wish that felt a little more justifiable
because he's a smart enough person to know the hundreds of thousands of innocence
even in his time and I know the million
and I said millions during the film because I know in my head
millions of lives have been caused by that decision so it was hard for me to
and then the guilt obviously that she felt
Eva Green's character I feel like he should have felt more guilt
like I feel like he was just like I have been somber and stoic
and will continue to be like the guilt
that was apparent to her,
he made the decision
that led to all that.
So that was my struggle,
but that also is,
I'm not saying that makes the movie lesser.
It makes it interesting
that I'm having such a hard time.
Like I gave this,
I think for me,
this is like a four out of five star film,
which is like I,
my average rating is like three and a half
to four, fours on the higher side.
This was so full of scope,
so full of wonder,
so full of awe,
but I couldn't get through that choice
and I love that I'm torn up by it.
Like I love him,
finally got to the cast.
because this movie is so epic there's all of this um it would be king right i imagine yeah
let's see is it in order of appearance maybe because it looks like king baldwood edward yes
you called it you called it wasn't even in the opening credits i was like it must him on one of those guys
i didn't know edward nor i'm proud of that because that was a very after you said that tune i was
listening very clearly and i did i turned the member and i turned you i turned you i said it does
sound like ed norton it did but you call i will give you credit because right when
The crow descends by Graham Reveh.
Did I call that?
Nicely done.
Did I call that?
Do I know my music scores?
Flowers for music, flowers for actor recognition.
That's why we're the geek jokes.
We hear sounds and we know.
I know that sound.
I'm telling when I heard that score, I've listened to the Graham Revell the Crow score 10,000 times.
I know that score.
It's impressive.
Yeah, that's why I go off my references, tangents.
It's not just to sound like a know it all.
It's because I know it on.
I'm just kidding.
But yeah, no, I do agree with you.
I would have liked to see a little more struggle in that decision because I, again, it was.
Or a precedent for why he would make it so clean.
Like, I liked that they set up the, uh, what's a God to a king layup of like if a king tells you to move and you don't.
That is on you and your soul.
I love that that was pre-established.
But in the moment, that delivery of the line felt like it was serving.
We need this to have been a payoff for that earlier moment.
But I needed the weight of after.
made the decision or right before making the decision to feel like he recognized the scope of
he's a smart of man to know what that meant yeah no i agree with you and again i feel like
to your sorry play it again yeah let's watch the whole movie again yeah and i feel like to your
point too i i still like seeing the the the shame of guilt from eva even uh even green yeah and again
i don't know what she could have done yeah yeah and i get that but i don't know what she could
have done because she tried to give it to
Orlando Bloom's character. Why do
I still not know his name by the way?
Baylan. Is that just, that's his name?
I don't, okay. I still don't understand
because if she tried to give it
to Baylon and he rejected it
and then what is she to do at that point
because she has no choice.
There has to be a king, right?
So if she doesn't give it to Gee,
so. Yeah.
Yeah, and again, I thought her
acting was so powerful in there because
I felt for her, even though she
She, again, from her, my interpretation, and I think it's the obvious one, she feels guilty for everything that's happening.
But I kind of wanted to see a little more struggle on, on Baylon, rather, to see that.
But also, too, I wanted more justifiable reason besides the, hey, I've got this morality clause.
You said, I've got my Batman.
I don't kill rule, you know, type of thing, unless I'm Michael Keaton or Ben Affleck.
I wanted to see more of that.
Like, this has got to be more justifiable because he's a smart enough man to know what's going to, what the consequences.
the ramifications are going to be if I turn down being the king here.
Like there was a reason you were chosen and there was a reason why they didn't want Guy to be
because Jeremy Irons, Eva Green, and Edward Norton knew if we allow Guy and the Templars to be,
we're finished, we're done.
There's going to be a lot of slaughter as a result.
But also this is based on truth.
So I'm curious.
You can't change history.
Like you can't, you know, spoilers for a movie from five years ago.
You can't once upon a time in Hollywood this.
Oh, what?
You don't know?
I haven't seen.
I'm going to react to it one day.
Then I will end it there.
But you can't do that.
So I think there's a trickiness with doing something that's based on
on true trotry without giving us a little bit more of the why.
And to speak to Greg's point, like the why, the why, the why, the why.
I get that this is the narrative.
I just wish I'd felt the justification for his intelligence.
Yeah.
Not having that.
And maybe it's because of the hell thing.
But like you said, she's not in hell, she's in his heart.
So I kept trying to find rationales.
That said, that's my only flaw is just wanting, because like, I love the mad king,
Brendan Gleason, like, wanting war and like the fact that he's so evil, but they leaned into it.
I loved snively boy having his reasons and his bigotry leading to, like, the decisions made.
I love the scope of like the movie opens with some fairly epicish and then it only accelerates to the point where by the end,
like, I'm physically tired.
And I really enjoyed the fact that I feel like I've like seen the war.
Like we went out and like lived this thing.
all of that is a testament to William Monaghan and Ridley Scott who like what a duo together.
The fact that that's my only flaw in something of this scale and scope is commendable.
Like usually in something of like, you know, the scope, a villain is too mustache twirly or not poorly enough.
You've got, you know, in this case, we've got real life consequences.
To this day, you know, Muslim culture and Christianity and the things at odds in 2025.
I learn nothing.
As a not religious person, I struggle with understanding even those concepts.
And this movie actually did a really amazing job giving my perspective its flowers and also giving credence to the people that do believe in those things.
I really enjoyed the holiness versus religion concept.
This film is obviously very aware of religion's flaws, but it never demonized the Christians in my opinion or the Muslims in my opinion.
It made it very clear that these two were.
worldviews are this is your God and God is what is bringing you.
And I personally love that the last sentence about God was from the perspective of a Muslim
to a ex-Christian. The God, you know, was with you or you wouldn't still be here.
How do you not see that? And he's like, you know, I just don't believe in that anymore.
And they're both like peace. Like, I like that because I think that is the only hope we have
as society and culture is to go like, hey, you believe that ish. You believe that is.
I'm over here with my stuff. As long as it doesn't harm the other type.
like I get fighting over land
I get fighting over money
I think it's all dumb
but at the end of the day at least
those things to me
my brain goes
okay land is is to me
non-fictional to me money is
non-fictional when fighting over something
that to me doesn't make any sense
I love that the film can justify
that for all parties
and not demonize any of them
true very good points I also thought it was
interesting as well
how that
one character, I assume he was a Templar or whoever he was in Jerusalem,
very snivly type of character as well.
He really didn't learn the errors of his ways and what led to this entire mess.
He kept on, you know, the guy who was like, this is blasphemy, we'll never be this.
And then he always saw like the negative side and everything in terms of from, you know,
the Muslims there.
And it's incredible.
Like, dude, look at the situation right now and look at everything that's happening.
And you still have this chaotic belief in.
everything that, you know, you are holier and greater than everything else around you.
And it's incredible when, you know, again, how you can't, some people just can't be humbled
to see the errors of their ways.
Right. Or see the forest for the trees.
Like, you are having the same beliefs as them that they are wrong.
Yeah. And again, I really, really did like, and I had a feeling, and maybe it was obvious
or not, I don't know, but I really like that friendship that is struck and the parallels between
or bail in the other guy
that he let live and then
again he would you know the line that said you will
see the enemies if whatever
the line was is a great line of dialogue by
Monaghan but I really like
that friendship that even though we were on opposing
sides of this war you know
at the end of the day there's a mutual respect here
right and
there's some some great moments there
between those but also too I love the parallels
that a single decision by the both
of them have some
dire consequences you know
Obviously, you got Baylon's character having the choice to take over the kingdom.
Probably going to have a lot more peace.
And then you got the decision by the other guy who, again, great performance by that character.
I really was connected with him as well.
But his decision to let Baylon live created a lot of mayhem and destruction for a lot of his people as well.
So again, that single decision, even though they're both men of conviction, they're both noble, they're both peaceful, they only defend themselves.
And when prompted, lots of consequences happen from their actions.
It's just, I love that parallel.
It's just really, and it was, again, it was a really unique friendship as well that I appreciated.
And it's great.
I loved it so much.
I also, you know, I joked, not fully joking, but I love the casting of this where nobody felt like they were out of place.
I wasn't around in the 1100th.
But everyone felt like it fit the world, the tone.
Like, obviously the acting was great, but also just everything felt really.
wonderfully authentic to the characters they were playing.
And I think that's also a really essential part of if your production design is good and your
costume design is good, everyone feeling of a certain way in the world.
And I find that I don't, I don't feel that as often with this current era of casting.
Sometimes I'm like, that guy's got a cell phone face.
Like, you know, that guy's opened an iPhone to this face.
This, you know, Orlando Bloom, notwithstanding just being so pretty.
But there's a, there's a Crusader era Ness.
and like him in a knight's outfit
didn't feel out of place
and like everything felt so authentic
which obviously is the Hollywood version of authentic
I wasn't again I wasn't really living in him
but it felt so immersive
and I really love what Ridley Scott does
to make a world feel like every single detail
feels like they focused, they cared about it
they lived in it
so I was really impressed with the nuances
of the writing and the directing but also with
everyone being at the height of their powers
as far as production design
I love when movies build sets and when movies edit
and when movies take every single thing to an 11
and this is one of those examples with the theatrical cut
that I was like everything feels so like this is movie making
like this is a film.
No for sure.
I mean the...
See why dads love it.
Yeah, yeah, for sure.
No, I also love the locations that they went to.
Like again, like you said, we weren't around in the 1100s,
but I really felt like we were in this time period
just from where we shot, the scope of everything,
all the extras.
I think this is one of the biggest thing I talk about.
I mean, you said they probably did multiplying
in terms of you can't have that many people.
Well, I'm fair enough.
But again, because you have so many people really there,
and then if you do the multiplying thing,
it still feels real.
Whereas you see GI, everyone,
I get taken out of the illusion immediately,
kind of going to the Hobbit, for instance,
versus like Lord of the Rings.
But it really had that epicness feel to it
and that time period piece.
And I just appreciate when films can do that.
And also the battles, too.
I mean, again, we're so emotionally invested in the characters.
Now we got action drama, but it too, it's so visceral.
Every hit you just really feel.
Like, I don't imagine what it must have felt like in the theaters when people are watching this.
So, like, it's absolutely epic.
I'm hoping and knowing Christopher Nolan, it's going to have that same type of feel when we see the Odyssey.
Yeah, I'm obviously to the Odyssey.
Oh, I can't wait.
I max.
I'm seeing it every time.
I'm probably going to see it three or four times a minimum, but every time.
I'm going to hunt it down.
Oh, yeah, for sure.
Really quick.
Should we do a little?
Let's do some trivia.
Yeah, but hold on.
I want to do one thing before we get into trivia.
I want to see what this got, budget-wise,
and also I want to see what it got box office and see if you can get that.
I'll get box office if you want to get trivia.
Well, no, you're the one guessing, so I got to do it for you.
Oh, oh, I can't look.
You cannot look.
You cannot look.
Kingdom of heaven.
Kingdom of heaven.
Budget.
And also rotten tomatoes, I will look up for us.
All right.
So what do you think the budget of the film was?
Okay.
This was 20 years ago, 2005.
We didn't make $250 million movies then,
and also money was worth way more.
So I'm going to say not adjusted for inflation, $200 million.
$130 to 135, no.
Yeah.
Okay, I'm going to do adjusted for inflation.
I'm curious what that's today.
What is 135 mil?
From 2005.
2005.
Adjusted.
Adjusted.
All right.
Rividing math, guys.
Is equivalent to $221 million today.
Okay.
Yeah.
And what did you say originally?
I said, I bet it's about $200 million.
Okay.
So my math was, I wasn't as good at inflation math, but it felt like a $200 million
movie.
Yeah.
And then so for box office worldwide, we're not doing domestic or
International Worldwide. Worldwide.
480.
I wish.
2.18.
All right. Let's go to rotten.
This movie lost so much money with marketing.
Yeah.
Let's go to Rotten Tomatoes.
Let's go to critics first.
Critics.
This is the theatrical cut, not the drivers.
Oh, 81.
39.
Yeah, that's shocking.
This got a 39%?
39. Audience.
71.
Woo.
Hey, 72.
You were right on.
that one. Yeah. Right on that one. This got
ripped apart. They ripped. Wow.
All right. From what I was told from a couple people about the
director's cut, if that would have been the cut that was originally chosen, it would have
been nominated for Academy Awards. That's what I was told.
Guys, comment. You want us to watch that one?
No, seriously, we want to watch the director's cut, and I'm sure
there's going to be littered comments. You should have watched the director's cut.
This was a conscious choice. We wanted to.
to do theatrical first so we can eventually get to the director's cut.
We can add down some truth.
Yes, exactly.
We want to do the director's cut.
Let it, but you got to let us know.
Sir Ridley Scott disowned the theatrical cut.
He claims that the director's cut is the definitive version.
There you go.
All right, there it is.
Edward Norton was briefly considered for the role of Guy,
but upon reading the script, he lobbied for the role of King Baldwin because the king
appears behind a mask.
He requested not to be credited, however, his
His name was put back in the video releases of the film.
That means when you see the theatrical,
imagine if we were saying that the era of like,
wait,
where's the King Baldwin?
That's so bad ass to not want to be credited.
To be such a geez,
an actor like,
I am masked and never revealed.
And then not the Christ.
And then because when you see the face,
the makeup,
it's like we can't tell.
That's so sick.
In real life,
Baylon of Ibaylan,
Ibala.
Yeah.
Was a legitimate nobleman born in the kingdom of Jerusalem.
Yeah.
So that was true.
Yeah,
I'm not reading.
That's a lot.
Yeah, we'll be here for like two hours.
I'll just do like two or three more.
The flat, I won't go to the spoilers in case that reveals anything from the director's cut.
So we'll avoid spoilers today.
We'll do two more.
The flag budget for the film was 250,000.
In total, 1,200 flags compromising 650 separate designs were made in Spain, England, Morocco, and India.
That's incredible.
I wonder what those flags are now.
If those, like, museums with, well, this movie didn't do well, so maybe
Yeah. U.S. box office returns were disappointing.
The film did better in Europe and was a huge success in the Arab world, particularly Egypt.
Okay.
After being cast in the role of Godfrey, Liam Neeson realized he knew nothing about the Crusades
and began his research with The Complete Idiot's Guide to the Crusades by Paul L. Williams,
a book Neeson calls extremely informative.
That's fantastic.
And then to what you said.
said earlier, Orlando Bloom had just completed filming Troy in 2004 when he received this screenplay for Kingdom of Heaven and was initially reluctant to even read the script for another historical epic.
Knowing it was being put together by Sir Ridley Scott convinced him to give it a shot.
I don't blame.
Oh, man.
Well, I wish they had released the other cut, but I liked this one way more than 30%.
I gave us 4 and 5.
Yeah, oh, definitely better than 29.
But again, I'm curious when we eventually get to the director's cut, and we will.
Don't worry, guys.
I'm curious to see what we're going to think of the theatrical as well.
It's going to be fun.
And the same with the BIS.
I'm curious what we're going to think.
Because I'm going to rewatch both the night before we do the directors and the night for both the abyss and this.
Oh, wow.
I will watch the theatrical cut just so we can go.
Oh, I'm going to go the other way.
I'm not going to watch these again until I watch the.
Oh, so you'll see the, you'll watch the director and then you'll watch the theatrical.
No, no, I'm not.
This will be the only time I see Kingdom of Heaven until we watch the.
Okay.
we'll have a talk for it.
Maybe I won't do that.
But I think it'd be interesting to compare it because you'll have a recency and I'll have distance.
Okay.
Maybe that is the way to do it.
Comment below, you lovelies.
That is going to do it for Kingdom of Heaven, a movie that deserves much more love, this version.
And I cannot wait to know sometime in the future.
What the other version holds?
Please let us know in the comments below what you thought of this experience.
Please like this video.
And please subscribe for now already.
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You're watching the end of the video.
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Bye.
