The Reel Rejects - LANTERNS EPISODE 3 REVIEW – JOHN STEWART’S ORIGIN CHANGES EVERYTHING! - DC STUDIOS
Episode Date: August 31, 2026JOHN STEWART’S PAST MAY HOLD THE KEY TO THE ENTIRE MANHUNTER MYSTERY! Greg Alba, John Humphrey & Coy Jandreau continue their Lanterns reaction with Season 1 Episode 3, “OutKast,” as the HBO ser...ies explores John Stewart’s mysterious childhood and his connection to the Green Lantern Corps. Aaron Pierre’s John Stewart confronts revelations involving his parents, the Guardians of the Universe, and the deadly Manhunters hiding on Earth, while Hal Jordan faces the consequences of seeking answers from Sinestro. From young John learning about his destiny and the surprising significance of birds to new clues about his unusual powers, Greg, John & Coy break down the episode’s Green Lantern mythology and major DCU implications! Lanterns Episode 3 Full Reaction Watch Along: / thereelrejects Created by Chris Mundy (Ozark, Criminal Minds), Damon Lindelof (Watchmen, Lost), and Tom King (Mister Miracle, Supergirl: Woman of Tomorrow), Lanterns stars Kyle Chandler as Hal Jordan (Friday Night Lights, Bloodline), Aaron Pierre as John Stewart (Rebel Ridge, Mufasa: The Lion King), Laura Linney as the Guardian (Ozark, The Truman Show), J. Alphonse Nicholson as John Stewart Sr. (P-Valley, Just Mercy), Jasmine Cephas Jones as Bernadette Stewart (Hamilton, Blindspotting), Kelly Macdonald as Sheriff Kerry Kane (Boardwalk Empire, No Country for Old Men), and Ulrich Thomsen as Thaal Sinestro (Banshee, The Celebration). Cairo Cash Lee portrays young John Stewart. Greg, John & Coy discuss John Stewart’s origin story, his parents’ connection to the Guardians and Manhunters, the meaning behind the episode title “OutKast,” young John’s mysterious destiny, the expanding Green Lantern Corps mythology, Hal Jordan’s connection to Sinestro, Aaron Pierre’s performance, and how Episode 3 could shape the wider DC Studios Gods and Monsters storyline. Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
Discussion (0)
Citizens of the Reject Nation, we are back for episode three of us wearing green because
lanterns.
We have all really enjoyed this show thus far.
Each episode has ended with quite the cliffhanger.
I'm very excited to see where we are today with Sinestro.
But before we do, how are you?
Good sir.
I am feeling brightest day at the moment.
Feeling happy to be with you guys.
Excited for more quality home box office entertainment.
Gee, how are you doing?
Dude, I'm how
Nice. Nice.
I'm going to steward us into this
introduction. We're going to watch our introduction.
Three, two, one.
I think that's my favorite episode of the show.
That was fucking amazing.
There was so much going on in every scene
and the casting of this show, immaculate.
Holy shit.
John started last time.
Greg wants to go last.
I'll start.
this show.
I plug into Patreon.
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So please join the Patreon
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keeping us safe in Blackest Night,
in Brightest, holy shit.
I am so excited to talk about this episode
because I think it is
very much akin to the thing
I loved about Watchman,
in that it really knows
that complex subjects
are complex enough to warrant time.
It took its time.
It had,
incredible
deft pacing
and use of language
that sometimes
counteracted the emotion
on display and to act
when what's on the page
is saying one thing, what's on your face is saying
the other thing and then there's also an arc that
needs to say a third thing is
why I think Watchman is one of the great
pieces of art about
not just comics but
humanity and
I thought you know this show was going to be
an incredible representation of maybe dealing with the consequences of what it was to be a cop
and the scale being space or what it is to be a black man training under a white man that has
this, you know, gung-ho attitude and you're straightened up and how that relationship goes
in a very surface way. That is how I've always seen the two of them, but I knew the show would go much
deeper, I didn't expect it to recontextualize John Stewart's origin in a way that I in three
episodes prefer this John Stewart to, I think, everything except Mosaic, which is my favorite
John Stewart story. And this could easily pass that by the end because it is so
terrifying to me to think about the consequences of each and every one of my actions as someone
recently married looking to have kids soon. And I've been thinking as someone just like,
how do I get off my phone so my kids don't see me as a glowing face? And how do I make certain
language choices so that they hear these words and know that, you know, not to use them? And I'm
trying to put those things in myself now because I know it's only going to get harder when I'm
stressed and raising a baby and all those things. So I'm already in the cocoon. And there's so much
about this that I had never even considered in John Stewart's backstory of his being raised
in an environment that was so loving and full of violence in order to squeeze out fear and the fear
that everyone would have to feel all around the family unit. Like the brothers would
know so much fear. The people around them that knew their family would know fear. They would know
they're ostracizing themselves. They would have to have such force of will to commit to this mission.
And you read that and it obviously translates as, wow, I'd be hard. But like, that's about, you know,
the extent of it. And there are different origins and there are different journeys with John Stewart.
but you know unless you really sit with the page and resonate with it for me as a consumer of art
i connect to actors more it's why a lot of people get bothered by my not connecting to animation
is i personally coy jondro loved to look in the eyes of an actor that is just killing the game
giving me something from the page that i didn't see and i don't get that as often from drawing and that's i
know ironic considering my love of comics. What Watchman did was contextualized things in the original
comic for the modern day that brought me new depth to both the comic and the story in real time.
What this just did was recontextualized John Stewart in a way that I thought about my future
children and thought about how the environment they'll inherently be in is something I'm already
curating and that
element of pushing it to an 11 and
what genre content can do
is make these most extraordinary circumstances
affect you and that just
that just made me love John Stewart
in a brand new way and that was fucking amazing
that was that was a perfect episode of TV
for me
agree that was that was quite good
it made me I started to appreciate
I like when you're watching a show like this and you can
start to this feels like a
classically
conceived show in a sense that
Like every episode thus far of these three we've seen has felt like kind of functionally distinct.
And like they chose, okay, so the first episode, obviously we're going to get, you know, your odd couple chemistry down and do some place setting.
Second episode, we're going to establish these characters more on their own individual terms as well as continuing the growth of the story.
And then the third, we're going to deep dive into John's perspective, his backstory, his, you know, answer all the questions of like how he got here.
And I think, yeah, the way they depicted this was really lovely in its nuance because you could easily fuck up a kid like that a million ways.
And they managed for me, anyway, for my taste, to draw a plausible scenario in which you're like, this is so beyond the pale of what you'd ever have to consider.
It's kind of messed up.
But I can see how he wound up this way, given what they've shown us.
I like that you get, you know, these cultural ruminations, obviously, from not only, you.
just a regular Earth perspective, but cosmically too, you know, and watching this family unit.
It's nice to, like, I think they've chosen some nice ways to avoid getting too melodramatic or too, like,
oh, this tearing our family apart.
Like, you know, it's happening.
But, you know, there's still love and fear kind of percolating all around.
You know, we don't know a ton about what his relationship is like with his brothers these days.
But, like, you know, to get to the present and be like, oh, shit, both parents are still here, you know,
and it seems like the brothers are around.
Like it just paints what felt like a living family story
rather than like a bunch of tropes.
And it, you know, presented this like strange impossible situation
and, you know, brought you further and further
into the reality of it.
And I like the sort of loopy, timey whymishness
and the whole awkward like,
so we are kind of adjacently responsible
for your dishonorable discharge in the first place.
You know, like, there's some fun, like, your bureaucratic stuff around the edges.
And, yeah, this just constantly took emotional opportunities to surprise me.
And I like that, you know.
I also love how the two endings tie together.
Yeah.
I really love Sinestro saying, like, you know, the thing you have to fear second most.
And then the first being John Stewart.
And that's getting an hour to explain that one line and how we now have so much more John Stewart.
Like, that context of who he is is so much richer.
And you can think ahead, like, okay, I can see how maybe the two of them will get pitted
against the you know powers that be in some way or another ethically but gee how you feeling
feel like they should have come out all at once yeah yeah if we were talking about all eight hours
i'd have way less problems with it yeah yeah oh it's just so weird how they have that question
posed about like the difference between programming and being raised and i'm like he has no
awareness that he was like programmed
that's the entire like it's kind of like the thesis of this episode because it's like yes this
fucking lantern shows up and says there's a lot of potential and what your child can be and then from
that moment on they literally like created a program to manufacture him into mr fearless guy so
that way lanterns would be like hey you'll be the next lantern a lot of it is also
embedded in
personal
reasons
of cultural aspects
I can never truly grasp
however from the character's perspective
of the parents
like of being black people
at this point in time
and then them also feeling
like they've had to just rise above
certain occasions and then to take the
idea of like this white man
took our opportunity and he wasn't afraid
naturally because of the fuck he got to grow
as a white boy out of here and they've like grown up in a society where they were taught it you have to survive off of being afraid it's such a cool way to do it and i love that the show is not afraid to go there and not afraid to lean there it's like you can either completely be scared of doing it or go all the way but when you go halfway you're not making anybody happy yeah you're just upsetting all the people that are going to be upsetting and then you're
disappointing the people who wish from one more you know yeah so it's like might as well just
upset all the right people you want to upset anyway yeah and then go all the way and then uh the people
who recognize this as a commitment to the character psychology uh let them see it and i found this to
be a great character deconstruction of of him that also then makes the previous two episodes even
a cooler and better and the and it makes the dynamics between them richer and you understand it that
much more even even from like howell's perspective to a certain extent of that little
bud in there of how like he's aware of like i know what the fuck's going on here like i'm not
stupid yeah like if there's one thing i love about this show is like the characters are not
ever stupid whenever they think they have like a will being pulled over them or they're being
lied to in some way they they call it out and right down and then the start of their dynamic is
like oh yeah it's bullshit i know what's really going on here and i love that that is like
the root of their training session and also how what they included of him because it's like it's what the way
the show pitched it at the beginning is if you remember that opening scene is is like oh he must
have admired hal jordan and maybe loved him yeah like i want to be a green lantern the very
opening is him watching the show and that is a different scene now and like there's no mom and it just
seems like this dad was kind of a fucked up guy
and did all this shit to condition him.
Yeah. And the whole, it's like the irony
that all this stemmed
because they were afraid.
Like all their actions that the mom and dad
have done in their life has been
because they're afraid.
And then they were afraid for his future.
So everything about making him fearless
was built out of being afraid
and that got projected
onto him. So it's like
sometimes they're stating like especially the mom who i love the way they did there there was so much
nuance there i love that she would sometimes make like incredible points that you can't argue with
and like just pure logic and facts of what they grow up in and the society that they're
and embedded in at this moment then you look at the action like but yeah you know there's still like
his kid didn't have a choice though like you did you robbed him of choice and even when you're like
now that we've programmed you you have a choice which way you want to be it's like we fucking programmed him to like what other choices you're going to make at this moment in time all all choices have led to i got to make mom and dad happy and it's so it's just such a fascinating thing and then to cut to like john stewart in the interview and you see the spots where he's even blinded to a lot of the psychological conditioning because he's been blocked off from feeling like fear teaches a lot and then when you rob someone from
feeling fear, a lot of that comes with like a detachment process that can occur.
And you're completely rob me.
Like, I understand.
I know, like, you know, I don't like being around people who are way too living their life
by fear.
I can't stand out on a personal level.
But at the same time, when you're just trying to, like, when you're doing it this way,
you're like, you just, like, isolated this kid.
He's completely isolated.
All he's got is you two.
Like, he's got only YouTube to talk to.
And also, like, you put him in a fantasy world where everyone's going to feel like this kid's
crazy if he says this shit.
you know even though he's not so it's it's just a fascinating depiction and it's like i i admittedly
being totally honest when it comes to green lantern i've only really paid attention to like hal jordan right
i've always seen john sir's like ah yeah he's second fiddle second place guy but it's like hal jordan's
the main guy and i'm and additionally i've never really been like a huge green lantern fan or some
shit like that i was like hell jordan fucking greenlander that's the one and then eventually this guy takes
over so when i came into the show it was mainly like hal jordan that i'm most interested in and then this
episode made um john stewart much more interesting to me than hal jordan now and i didn't think the show
was actually going to do that that was part of my concern with man of tomorrow was like am i going to end this with
like wishing Hal Jordan was in Man of Tomorrow.
Yeah.
You know?
And this got me very excited at him being in Man of Tomorrow now.
And instead of feel like I'm going to be missing out on Hal Jordan because I was like,
I didn't even notice.
It got to the point where we got so accustomed.
I was so engrossed.
And when he shows up at the end, it's like, kind of a surprise.
Like, oh, yeah, Hell Jordan.
Yeah.
Yeah.
Yeah, it's a good sign when you're like, oh, shit, I haven't thought about him at all.
Yeah.
Hardly.
Yeah.
Yeah, I thought, I thought this was great.
I agree.
the editor of the three so far
it's definitely like kind of like
not even by a not even close
it's like definitely the best one so forth
I think they've each gotten better for me personally
and this one is a good step even above two for me
yeah that was that was really special
that that reminded me of the writing
and watchmen that I remember watching
watchmen and just being bold over by certain lines
of dialogue but they weren't so good
that it made the rest of the episode feel poorly written
like it would just be like and then we'd go back
to like great writing and then every so often to be like
that's a crazy concept and this
felt like that.
Yeah.
Coy watches the watch.
I do watch the Watchman.
Man, I love that show.
And this is, uh, this is, this is right there, guys.
Uh, I, I'm gonna say it.
We're, we're at episode three.
If this stays as good through weight,
might be thrown Superman for me for the DC,
the new era because this,
this is hitting all the things I want DC to do.
I'm really happy.
So, uh, yeah,
that is gonna do it for this week.
We'll be back with episode four next week.
Let us know in the comments,
which of these episodes.
you've been vibing with.
Let us know some of the themes and ideas
and concepts that resonated with you
in this episode.
Check out the Patreon
for all sorts of goodness
that we'd appreciate very much.
And go be a good person
that doesn't instill fear,
but also be fearless adjacent.
Just left it, just a little bit.
Jason.
All right, we appreciate it.
We'll see you soon.
Bye, rejection.
