The Reel Rejects - NO COUNTRY FOR OLD MEN (2007) IS BRILLIANTLY INTENSE!! MOVIE REVIEW!!
Episode Date: October 1, 2025ACADEMY AWARD WINNER FOR BEST PICTURE!! No Country for Old Men Full Movie Reaction Watch Along: / thereelrejects Visit https://huel.com/rejects to get 15% off your order Support The ...Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Ethan Coen's "Honey Don't" out now & Josh Brolin garnering rave reviews in "Weapons," Andrew & Aaron are BACK to give their No Country for Old Men Reaction, Recap, Commentary, Breakdown, & Spoiler Review! The Coen Brothers’ 2007 Academy Award-winning thriller No Country for Old Men comes to our channel as Aaron Alexander & Andrew Gordon dive into a first-hand Reaction & Review of one of the most iconic modern Western crime dramas. Based on the novel by Cormac McCarthy and directed by Joel & Ethan Coen (Fargo, The Big Lebowski), the film follows the deadly chain reaction set off when Vietnam veteran Llewelyn Moss (Josh Brolin – Sicario, Deadpool 2) stumbles upon a drug deal gone wrong and takes off with a suitcase full of cash. His decision puts him on the radar of Anton Chigurh (Javier Bardem – Skyfall, Vicky Cristina Barcelona), the cold-blooded hitman whose coin toss scenes have become some of the most chilling and famous moments in film history. Also starring Tommy Lee Jones (The Fugitive, Men in Black) as Sheriff Ed Tom Bell, who struggles with the moral decay and unstoppable violence he sees in modern crime, and Woody Harrelson (True Detective, Natural Born Killers) as Carson Wells, a bounty hunter caught in the crossfire, the movie blends psychological tension with brutal realism. With unforgettable scenes such as Chigurh’s silenced shotgun and the iconic “call it” gas station confrontation, No Country for Old Men remains a haunting meditation on fate, chance, and justice. Aaron & Andrew break down the performances, themes, shocking ending, and the Coens’ masterful direction that cemented this film as a modern classic. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
Discussion (0)
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I think I've spoken way too long, so we've got to get into No Country for Old Men.
So let's do it here. No Country for Old Men commencing in three, two, and a one.
All right, guys, that was No Country for Old Men. Boy, did it really live up to the height?
What an incredible, incredible film.
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Yeah, just really quick, before we get in the question,
just how are you feeling really quickly?
Yeah, man, that was a ride.
That was definitely a ride for sure.
It was really good.
I really, really enjoyed it.
It was full of really great dialogue,
a lot of awesome monologues.
You get inklings of histories from these different characters.
Yeah, it's a story about,
all these different men in there
their personal parents and their
the determination
to get
the things done that they
perceive are important
to them or value to them and
at least one of them
lost their lives because of it
is this cat and mouse game with
these different people that all want the money
or want justice or whatnot I thought it was
phenomenal. I thought it was a great movie.
Yeah no I thought it was an incredible film too
the only thing I knew about this film
it was just that Tommy Lee Jones was in,
Josh Boland, and Javier Bardem
gives one of the greatest villainous performances,
and that certainly lived up to its hype
as I was just, you know, teasing here
at the opening of the review.
And, yeah, I think Javier Bardem, he is,
he's so calm, he's so sadistic,
he's methodical,
and you just can't take your eyes off him
whenever he's on screen, but also he does
what every great villain does.
You don't justify what he...
I mean, us as an audience, we don't justify,
we don't feel a justification for what he's doing,
but we understand why he's doing what he's doing.
I think those are the best kind of villains,
the way he's written.
And also, too, the way, I think you pointed out best,
the way he can just go from scary to cold in a insta second like that,
it's just, it's really, it's amazing to watch an actor
be able to perform like that.
And the thing, too, that my favorite types of villainous roles
when I watch them on screen.
Heath Ledger is the Joker in the Dark Night,
Ove Here Partime now.
And this, Hans Gruber and Die Hard,
I really do not see the actors anymore.
They are so, like, locked into their roles
that they disappear entirely.
And I'm like, oh, shit, I forgot.
I was watching Avi or Bardeen there.
I forgot this is Heath Ledger.
I forgot that's Alan Rickman there.
They're the character right now.
I could probably ask the actor on set at the time any question backstory-wise right now.
And they would just probably know everything in an instant.
That's how locked into the character they are.
And I just appreciate that type of dedication to the performance.
Because it feels more authentic and real that we're watching, not a movie,
but like a set of events rather that is now masked as a film.
So it was just impressive.
And also I think Josh Brolin really liked this character a lot too.
and, like, he was kind of,
he was just thrown into this circumstantial situation.
Granted, he could have gotten out, you know, at certain times
if he'd, you know, done certain things.
But, I mean, look, he found money, you know, did.
And also, he had a compassionate side.
I also think that he grounded the film in vulnerability.
And I just, I loved his performance.
I actually liked his character a lot, too.
I think, like I said, he had a very compassionate sign to him.
And also, he was a very proud man as well.
I think his wife said it best that he would never ask for help
even if that might have been the wise choice to make
but he survived a war in Vietnam
you can understand where his mindset is at when it comes to that
and he was just trying to look for a better life
and that's what that money represented to him
so I totally get up with the cat and mouse game
between him and Javier Bardeen was intense
it was suspenseful but it was also like
incredible to watch as well being you know
and I think Tommy Lee Jones too
I really appreciate
and this goes for the other two characters
I loved how observant and intelligent he was
but also at the same point
I think he brought a lot of gravitas to the film
I like that serious demeanor that he always brought
but then there was a little bit of humor
in that serious demeanor as well
kind of balanced out the rest of the film
because it's such a bleak and serious film
so I really appreciated his performance as well
but that's our initial thoughts right now
so we do have a few questions here
and as we always point out at the beginning
if you become a royal reject,
you get to drive the narrative of this
and you get to ask us the questions
where we'll shout it out.
We will shout you out individually.
So here we go.
All right.
From Melissa Taylor.
Hey, Roommies.
Hey, Melissa.
Josh Brolin has said that Javier Bardeme was doing...
By the way, sorry if I'm misproncing his last name.
Bardem.
It's me.
You guys know I just...
I can't pronounce freaking names Ardon.
It's okay.
Don't great.
Javier Bardem was depressed during the making of this film because of his awful haircut.
Oh, no, that sucks.
It's like his paycheck made up for it.
He's like, I'm good.
What do you think this particular hairstyle says about the character, Anton?
Oh.
I got ideas, but you go.
I feel like it was definitely a very 80s, late 70s to the haircut.
Good point.
But, yeah, it kind of told me that.
his appearance
there's not necessarily something of concern
he's a man about a mission
and
maybe I don't know
maybe he was
ridiculed for his looks
and he just kind of like went into it
yeah I think
it was definitely a choice
I've never seen a character with a haircut
like that and I think he just added to the
off-putting nature of
his character's not only demeanor
but his appearance you know he just had those
those very cold eyes very like quaffed sort of hair which
yeah it was just so everything about him was creeping unsettling yes it was oh man like
i feel like even if i was on set and i know he's just an actor i'm like i'm i've got
just chills down my running down my spine right now that's good performance by you but i
feel so uncomfortable right now and unsettled but in regards to his hair what it says about
Anton. I like the 70s
80s thing. You just mentioned. Totally agree with that.
I think it just says how unhinged he can
be. And that
he's such a force of nature
and he can't be controlled.
And
yeah, just like
he's just
again, just a force that
not to be trifled with and to be
and he's just like a reckoning even.
You know what I would say? Yeah. Something
else about it is that the hair
was so, so
neat yet something was just so off about right you know so that's like i would say it's
something along the lines of like um what's the words i'm looking for it's it's like
calculated or put together yet obtuse meticulous very meticulous type of haircut for sure
that's that's a great point thank you so much for the question we appreciate it
okay jaden roads thank you for the
question jaden uh i haven't seen this in years but one of the things that did stick out over the years
was anton played by harvard dam he's considered one of the best villains of all times do you all agree
with that statement or do you think this is an overstatement at all he was he was incredible i think
just all the reasons i said i loved how calculating he was methodical uh he could go from uh just
scary uh to cold and then have that that that dribbling smile on his face too like it's it's just one
of those performances where again, you see Anton and there's no Javier Bardem. And it's, I really hope it
doesn't come off as Aaron and I just having a recency bias because it doesn't really feel that way.
This is just like he was just so magnetic while at the same time being so freaking ruthless and
just downright scary at the same time. So, and I think the scariest part for me about this
performance, like this isn't like a Terminator or a joke or even though you can make an argument,
like there could be people who behave like the Joker in real life
whereas Terminator that's an actual machine
even though we're getting to that point in AI and all that and stuff
but this guy could be walking amongst us in real life right now
there are people that can be like this
you know what I mean so that's a scary thought in itself
so yeah I would say it's one of the greatest villains
I've ever seen and I truly don't feel Aaron and I are having
recency bias when we say that
no it's kind of funny
watching a villain like
Vier R Bardem, who's clearly a psychopath, but yet has his own sort of strange morals and how he operates.
And the first thing that comes to mind in watching this is the contrast between a villain like this
and a villain like the High Evolutionary in Guardians 3.
And the reason I say that is because...
It's been a while.
The one thing, when I think of that villain and, you know, Greta, I love him in Peacemaker.
I think the actor's great.
But I feel like the villain, his energy and the way he was represented didn't come across as threatening to me.
It came across as petulant.
And the main reason being is because he screamed so much.
He was like always having temper tantrums.
And for me, screaming isn't a representation of power.
It's a representation of someone in the loss of control.
You know, it means they are asleep to their emotions.
Whereas someone like Javier Berndem's, Anton, he is, he knows.
never yells he never is afraid he's so calm he is smooth and calculated and the thing that
really sets the tone over his character is the scene inside the liquor store where he's just
eating the corn nuts we don't even see him kill the guy he's just talking to him looking at him
telling him to make a choice and that was probably the most terrifying scene in the movie but you saw
how scared that guy was too yeah how much control he had in the situation and i felt like yeah this
is somebody you do not want to mess with because they're
unpredictable and they're
strange and they
will do anything it takes to get what they
want no matter what the cost
and you will never
see them coming and that is the
most terrifying kind of villain. That's a great
point here because that guy in the liquor store
he was like just he was being friendly
just schmoozing the customer
making conversation with him and then it's like
he flipped it on its head to him
and he was like I'm closing he's like
what time do you close
now now is not a time and it's like
he got him he like absolutely like just broke him down
and like put him in such a went from schmoozing a customer to having him
fearing for his life and he wasn't physically armed he was mentally breaking him down
and fearing for his life and the guy again just was having an interaction with them
calmly and methodically that is scary and fascinating if you don't have a weapon in his hand
he was just eating yeah he had the little nuts in his hand
And also, he was nuts.
Very symbolic that he is what he is eating, right?
That's the old saying, you are what you eat.
So anyways, great question, Jaden.
Thank you so much.
We appreciate it.
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Well time, Greg, bottled.
All right, from Kev B.
Was there a scene
where the film's almost total
lack of music, its super
sparse dialogue, or the deliberate
slow burn, hits you the hardest?
How did those choices
shape your feelings or change?
the way you followed what was going on that's a great question kev fantastic yeah i think yeah i think
yeah i think Andrew called it kind of early in the movie that there was very minimal score if any i don't
remember i wasn't i was waiting for it yeah yeah i think it just adds to the the slow yet methodical
nature of the film i feel like because there is no music it adds to the tension and it's kind
of ironic in the sense that you know usually when you're watching something that is scary or
full of tension. It is the music
that makes it what it is, that
adds to that, the loud sounds
crashing, the creepy score,
but yet this here,
there's something so
eerie about the fact that we don't
hear anything. We just hear footsteps
and people moving, which is
closer to how it is in reality.
You know, we don't have a score
following us around in life, but
because we are watching people
in high pressure situations
and the silence of the
situation adds to the internal fear and tension the characters are feeling
which is an audience in the positions of what they are going through and when it is louder
we do hear loud crashes we feel the same effects that the characters are feeling
on the same level because when characters are in a movie they can't feel the score
so I feel like it did a that's a good point yeah it did a it did a really good job of
establishing that the scene that that did that for me um there's a few
the corn nut scene really that was one of the bad yeah that's a good one
oh man it was another scene that got me do you have any of that well while you're
thinking about that i agree with everything you just said was so beautifully articulated uh yeah
music is there you know it's there to make us feel you know what i mean it's it's speaking
without saying anything it's you know what i mean so i was like literally i was playing music for
Aaron and his girlfriend yesterday from Adventures of Pinocchio,
which came out in 1996, directed by Steve Barron,
who did the first Teenage Mutant Ninja Turtles film in 1990.
And I was just asking them, how does this make you feel?
And what they were telling me, I was like,
I'm not going to give you context.
I'm not going to tell you what's happening in the scene.
And they were both very accurate.
I'm like, okay, the score is doing its job.
And by the way, it was Rachel Portman, who did that score.
She's so underage.
She also did one of my favorite scores, legends are Bagger Vance.
I digress.
I'm not getting off topic here.
My point being is, that's what the score is there to do.
It's there to make you feel.
even if you're not watching something so that's why I made that comment so earlier I'm not hearing a score
but it's not taking away my lack of like locking in usually if I don't if I'm not hearing a score I'm not as locked into a film
as long as you insert it in the right spots and I don't even really think I heard much of a score for the whole time for this film I could be wrong
but that's what was again what Aaron just said that was the chilling part of this like I really almost didn't even feel like I was following a film
I just felt like it is an incredible film, obviously,
but it felt like I was watching real-life characters
in a real set of events.
I'm just following along their journey.
But it was paced so, even though it was a slow burn,
it was paced in a way that was very understandable,
but also very compelling.
And I think the choice, normally I would say,
I need to have a score because I'm a movie score freak.
This was the absolute right decision to make.
It adds to the groundedness of it,
because Aaron just said one of the most insanely accurate things
I've ever heard, which is very obvious too,
but I've never heard anyone actually say it
and got a little chuckle on me.
Characters can't hear the movie score,
which is true.
So it makes sense because when they're hearing these noises,
we as the audience are hearing these noises too
and we're reacting like we are there with them.
So I think that was actually a smart decision.
I'm sure, and it was an ambitious decision.
We're not going to have a movie score
for the most part for this film.
what uh yeah i don't know about that you can say that beforehand but you don't know how it's going
to execute when you actually put it on smart great choice yeah and that's me saying that you know
it's the right choice when i'm freaking saying i'm the movie score freak so um yeah it just works
so well in tandem with the film in regards to is there a specific scene
the whole movie um dude that that i'm sorry it's so hard to to go against
that one scene with Javier
in that liquor store.
I mean, that just said everything
about his character
and he didn't have to do anything
with all interaction right there.
So I know that's the obvious one to go with
I don't give a shit.
Another scene is when
Josh Bolton's character,
he has the tracker
and then Anton's at the door
and he's just like sitting there
waiting for him to do something
and then it goes in on the lock
and then it hits him in the chest.
and then Josh Boland shoots him out on that whole entire scene scoreless and super tense
that cat and mouse in that scene I did also really quickly I liked seeing the contrast between
the two of them because one is an extremely compassionate man compassionate man as Josh
Roland is but just even like when it comes to little things and I know he ended up having to go
to the hospital when his wounds got a little too much Josh Brolin but then like even at
the beginning when he got shot I think from the the cartel at the beginning he was
healing up his wounds and then Javier Berden.
They're very resourceful and
intelligent guys. And I
appreciate that about their characters.
So, and yeah, it's
so well written this movie. But
yeah, I'd love to hear in the comments, though. What are
like some scenes for you guys
that really hit the hardest or like
really shaped up the film
for you? Love to hear that. So thank you
so much for the question.
All right. Oh, and I think this one's
also from Kev B. It's trivia.
It's going to be waiting for that one. Yeah.
So we'll do that one last.
Oh, okay.
Resonant Z, thank you for setting in a question.
I saw this movie ages ago around the time the movie came out,
and despite remembering a couple of story beats here,
and they're watching it now, would be like a new movie.
However, one thing I can never forget is the capital bolt...
The captive.
I'm sorry, captive bolt pistol.
It's iconic for the movie.
It was awesome.
There are any other weapons in movies that you can think of
that has become nearly a symbol of the movie.
Something like a lightsaber for Star Wars or Ash's chainsaw in the Evil Dead.
Okay, great choice.
I mean, that, was it the air gun or the captive bolt?
Is that what it's called?
A bolt pistol?
That is awesome.
Yeah, that is awesome.
Obviously, lightsaber Star Wars.
I have not seen Evil Dead, but I'm going to just agree with you on Ash's chainslaw then in Evil Dead.
I'm going to go with Terminator Shotgun and Terminator 2.
that that damn thing is so icon
and the way Arnold flips it around
while he's on the motorcycle
come on I gotta go with that one
what about you is there a specific weapon
from a franchise or a movie
or like that's so damn iconic
that's good
I don't know there's so many movies
I don't know Pudding Tank's belt
because he uses a belt to beat people
okay
nothing is coming to mind
that man's crap
so many movies
you know Deadpool has his two guns
that are pretty cool.
Yeah, do you have any other ones that are...
Oh, besides Terminator Shotgun?
I'll go with Terminator Shotgun
and his other gun that he has
when he goes to the police station.
The first...
No, I'm just kidding.
Other weapons that are so iconic in film.
I'm sure there's like a million choices.
Just when we get asked this question right away,
it's like to think about it on the spot
because we've got to try to be quick with these answers.
I came up with a good one, that Terminator, too.
trying to think what else is a really
good one. You know which one
I really did like? I don't know if you
call it an iconic wecombin, but I thought
Tom Cruise was really sick with the samurai
sword and the last samurai.
Oh, okay. That's a pretty good one. I don't know.
I don't know if you'd call it iconic weapon in all
film, but I thought he was, I thought he did a great
job with that.
Harley's Javelin and Suicide Squad.
Okay. That's a pretty
good one. I was going to say, I know you haven't seen
the Matrix movies, any weapons,
any characters used in those movies?
They're sunglasses.
I know those aren't weapons, but that's just a cool look.
I'll just go with that.
How's that?
The Joker's pencil in the dark.
Oh, that's a good one.
How about a magic trick?
Thank you for the question.
But let us know in the comments.
We'd love to hear some iconic weapons that we probably didn't even mention.
Thank you, though.
All right, from Jay Rushden.
What up, Jay?
The weapon used is cattle prod used for making cows into burgers.
question. What is your favorite? Okay, I was right. What is your favorite place for burgers there?
Just in general, our favorite place for burgers? Is that a lot of good spots for burgers?
I like this place we've been going to lately. OG smash burgers. That place is pretty bomb. And then, I mean, we're going to give you the simple West Coast answer in and outperger. That's pretty great. Easy Street burgers out here is really a bomb as well. If you go to Fleming's, like the steakhouse, they have really good.
I've never had their burgers.
try it sometime yeah most definitely i will have to try that they're having them on a happy hour like
15 bucks i will have to try that um all right well i guess uh will let us know in the comments
what your favorite burger places are we'd love to hear if we have any suggestions aaron and i
can try or any of the other uh uh hosts here on the real rejects we will give them try and give you
our reviews thanks jay thanks jay appreciate you as always buddy all right and our final thing we're
reading today for kev b because it says trivia if time and luckily there is time
So I will read it.
Trivia, during the filming production of No Country for Old Men was temporarily halted
because a nearby shoot for There Will Be Blood involved a large pyrotechnic test.
The resulting smoke from an oil rig drifted over to the Cohen Brothers set in Marfa, Texas, making it impossible to continue.
Why did you say that name?
Make it an impossible?
Wow, that is what I got, have you seen There Will Be Blood, by the way?
I don't think so.
I heard it's an incredible film.
I know it's Paul Thomas Anderson directed in it.
I don't know Daniel Day Lewis is the act, is the star.
I just met the director.
But, wow, that's a crazy story.
I wonder how long it halted.
It's a temporarily halted.
So it's probably just like a day or two or three.
Still, that's wild.
I know they both came out in 2007, to my recollection.
So wild.
But maybe let us know in the comments.
Would you like Aaron, myself, or anyone else on the channel to react to there will be
blood.
Yeah.
So, yeah.
Let us know.
Thanks for, but Kev, thank you for the, I mean, we always love trivia here.
So that's a wild and crazy piece of knowledge, or trivia, rather.
So thank you for sharing that.
Really quickly.
Did you already look up Rotten Tomatoes or no?
I did.
Okay.
I didn't look at just in case.
That's how we know each other so well.
Yep.
That's why I pull my phone up.
All right.
Let's see.
I'll do the critics first.
I'm going to go 87.
Okay.
oh we're just oh you're not going to confirm we're going to go you're going to have me do both audience i'm going to go
that havier bard bar dem performance was so damn electric i feel like this one has to have a high score for that
reason i'm going to go 91 87 and 91 why are you laughing at me i'm laughing because those
scorers are close the exact reverse right not the exact no
So you said 87.
87 critics.
You said 87 for credits.
86 audience.
Ah, I'm always one off, but it's just on the other one.
And critics were 93.
Okay.
So, yeah, you're close for reverse.
In the ballpark of the...
You were just off by 2% flip that.
I was in the ballpark.
Yeah.
Anyways, that's a fun game.
I love the Ron Tomatoes game.
Anyways, guys, this was a tragic.
but incredible ride what an incredible film i i haven't seen a ton of cone brothers films i saw with
fellow geek check i saw fargo go check out that reaction if you haven't that was an incredible
film but this was right up there as well obviously i've also seen i hate myself i always do this
i literally said that big lobowski thank you uh that's an incredible film too but this is right up
there with some of the best uh films of the cone brothers uh you know that they've ever
made. So I'd love to also, I know I've asked you guys several times, comment, let us know this,
let us know that, but let us know what some of your favorite Coen Brothers films are.
And like I said, I don't know about Aaron. I have not seen many of their films. So
if there's other Coen Brothers, you'd like myself, Aaron, any other members of the, or rather
host of the channel to react to, let us know. We'd love to hear your thoughts. And if you
stayed with us this song, Real Rumi and myself, we appreciate it. We love you guys so much.
And take care. Be safe out there. We'll see you later.
Thank you.
