The Reel Rejects - REJECT RECAP: Moon Knight Ep 2 REVIEW & Credits Discussion - PODCAST

Episode Date: April 6, 2022

Greg & John are joined once more by Coy Jandreau to discuss the second episode of Marvel's newest Disney+ series starring Oscar Isaac & Ethan Hawke. In episode 2, "Summon the Suit," Steven Grant's world continues to warp as he discovers his relationship with Layla, the sinister intent hiding behind Arthur Harrow's prophetic demeanor, and the true nature of his alternate identity as Marc Spector, avatar for Khonshu... We even get a Mr. Knight appearance! Watch the Reaction Highlights on YouTube or Stream Along with us at Patreon.com/TheReelRejects Learn more about your ad choices. Visit megaphone.fm/adchoices --- Support this podcast: https://podcasters.spotify.com/pod/show/the-reel-rejects/support Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello Megafone. Ooh, hello anywhere podcasts are sold. Guys, oh, more than Megaphone. It's on Spotify, it's on Apple Podcasts. Does this assuming we have to change the intro? I don't think so. Hello Megaphone. Yeah.

All right. Anything goes on the podcast. Are we recording yet? Are we allowed to swear? Beow, meow, meow. Yeah, yeah, yeah. Naked ladies in the building. Wish you guys can see what we're seeing.

Traffic on the 405 is looking crazy. We're going to watch the Moot Night episode two today. And yeah, we do, you know, we give our full, we got a reaction up on YouTube. And then normally, if you want to watch that, you can go over there and watch that. But if you want to just the review portion, right when we're done watching it,

talk a little bit during the credit, Of course, gather ourselves for approximately three hours, and then we talk some more. And that's where you're going to get today after this intro is done. We're going to be joined by our friend Coy Chondro, if you wanted to discern the voices. This is Greg's voice. I am John's voice. We do not have a sample of Coy's. He's the fast-talking guy.

He's the fast-talking one, and he has an Armenian accent. Yes. If your heart rate is high, Coy is talking. So, guys, keep, uh, keep, keep listening. Yep. Hey. We're professionals. All right, guys, roll that intro, John. Yes, sir.

I don't hear an intro. Bow, pow, do, do, do. If you guys could see my expression, you would see disappoint. Use your imagination. All right, let's go. So there is no opening credits. It's just the Marvel fanfare. There's no title sequence.

Let's the show speak for itself. I think it's the first Marvel show to do that. I think that before they shot anything, they got in a room and said, yeah, before we write this first episode, let's make a shot list of how many cool symbolic mirror moments we can have. Put each amount per episode. They're like, we gotta spread that over six. We have 60 shots, let's do like 10 an episode from here on out.

Minimum, that was the most frequent note was just, can we get more mirrors in here? Can we get more reflective surfaces? It's got more mirrors than the matrix. More cracks on this one. It's, you know, his inner turmoil is fertilized through the range. He himself is breaking from within. We need to see that crack in his psyche in this mirror. I mean, it's always beautiful to look at it as much as I'm making a sarcastic little jest.

It's always beautiful to look at. What a show. used at the appropriate moments. I love the way they, like, locked off the camera when he's kicking the pyramid there. Like, you just get every impact of the force of his anguish. Because, like, he's kicking himself in a way. So it's like, you get the feeling of you and the POV of being kicked. Absolutely. I've also definitely met Ethan Hawke's character. That's definitely, he's doing such a good job with that, like, cult leader. What the hell are you getting at here? Koi just said he was part of a protagonist. Yeah, he's the good guy. Cults are good.

Oh, post-credit scene, credits. That's my post-credit scene. Look at all the straight face from that. We had it. You guys had it. You're immediately broke. We were ready. I can't believe I brought this joke.

Yeah, because that's the joke we need to bring back. That is the joke. Commitment. The co-producer son. Danielle E. Mon, holding it down. Oh, Sarah Haley Finn was a consulting producer. on this one. She's a casting director. That's interesting. I'm glad they gave her more power. She's really helped shade this universe. She should get more credit.

Set design! Wow. There were V-effects in the show? That was all practical. Everyone who worked on the mirror. Is there a mirror section? The mirror wrangler. The senior mirror wrangler. Behind the scenes are going to see like a bunch of grips.

Brought people being like, we use like 48 mirrors per episode on the show. The mirror buzz shot the show is insane. Most mirrors used ever in a show ever. We actually have the actor stand to the left of camera and we shoot into a mirror to catch the performances. That's actually Oscar Isaac's face the other way. Yeah. The reason it looks strange. Everything's flipped in the show.

What? Still going with this credits show. I'm here. He's sound really over it. Now we're here. We've got to commit to it. We haven't even gotten to the... Let me see if there's a post-credit scene. I want to see who dubbed this in Brazil.

I don't think there's a hit. Mirrorist. Yes. Good job. It's important. Yes. We'll pay quit by the hour. This is a choice.

This is truly a choice. It's worth the hour. Just play credits out of you. I mean, talk about it, let's just experience the credits. be the end of all our videos. Us watching the credits. That's the reaction. That should be the end of the video.

Maybe you'll encourage more people to appreciate all the people's time and efforts that go in. You realize I have that little... Yeah, it's a healthy in the first one too. I like that. I ignore my mental... Health? You see, people say mental health, and that always sounds negative.

If you say mental health, it's like, that's something that needs to be worked on. Okay. Just mental state. Is it healthy? Is it not healthy? physical state is it healthy is it not wouldn't you say your mental health does always need to be worked on of course that's not what I'm saying nine times I'm telling someone says mental health oh it's going to kind of associate yeah the connotation is you need

to work on your problem right right as opposed to your mental health should always be addressed and mental health should just be a category of like health is it healthy or not healthy well you know here in America we're just learning about mental health so obviously we're only going to talk about it when it's a problem I don't need to work just looking into it My mental state is at a great health. Always. Always at a healthy all-time high. All right, guys.

Let's review this. Let's. All right, I liked the order last time. Please. Take over my body. I'm just dazzled. I'm really enjoying the evolution of this show. And I appreciated in this episode how much they really clung to

and drove home. I feel like there could have been too much of the Stephen and Mark debate, but I really love how throughout this episode you have that at play. As the end comes up, Stephen actually gets a few licks in. He's kind of feeling it.

He's coming around to the life that he has been plopped into, but then ultimately does give over control to Mark, and it's the beginning of what I would imagine could be some kind of interplay that's a little more amicable between the two or at least a little more lucid between the two. Just even more of that dynamic between him and Ethan Hawk

from the last episode to this episode. Like, I really cannot say enough about just how much I'm enjoying this thus far. And two, I mean, what, crap, I'm blanking on her name. But, you know, the addition of Layla, there you go. Duda-d-da-d-d-do-do. You know. He reads the comics. I mean, honestly, expert writes the comics.

I didn't ask for this. I'm just gonna go on record right now. I feel like a John episode five, he's like, I'm not the one who's saying. Just take the body, guys. Put me in the reflection and I'll just be quiet. But no, yeah. Comic John doesn't know a mustache.

I just picture like Comic John is the exact same, but like mustacheless. And then I got white chaps on. Oh, nice. That's my outfit. And a big whip. But yeah, no, no, no. I like how this is sort of gradually growing.

growing it. You get that pitch. A fight club meets Indiana Jones. And, you know, I feel like it's getting to that, but it's taking its time. It's growing gradually. It's doing that with a lot of thrilling and tense action and stuff like that. And one thing that struck me in this episode was out of a lot of the Marvel stuff, this has a better grasp on humor, circa, character perspective, rather than let's pepper in a joke that someone wrote as punch up or something like that. like you said, that 90s action fantasy horror vibe where, yeah, he's a fish out of water. So, of course, there's going to be some humor that comes with that. And I appreciate that that levity is able to balance off against what could potentially be one of the more cultish, sort of darker corners of the MCU thus far.

So I think the end of day's flavor really works for this. And I wouldn't have expected that if you told me it was a 90s horror thriller type show. would have been like that's like what you you clarified twice because for some reason that connotation is like a demerit but in this case it's really not like it's a very positive thing it's like when you watch one of those from the knives you're like that's just good yeah you go back dark city's great yeah so like spawn director's cut isn't as bad as the theatrical but like the faculty final destination like there's there's a great genre of crow yeah yeah but i think that really works with what you're saying with the humor sensibilities is that

since Moon Knight is a funny character, but he's not Spider-Man. Moon Knight is a funny character, but he's not She-Halt. There's different types of humor to make these characters work, and this one does feel very authentic to not only the show, but to what I sense of the character, and it doesn't feel like it's like, oh, it's been dark for a while, make a joke. It's, this is something this character would actually do. I never would have imagined Mr. Knight this early,

nor would I have imagined Mr. Knight rolling up his sleeves to be for a comedic effect, because when we all saw that Mr. Knight poster with the sleeves rolled up, we were like, oh, badass. And then they used it comedically, and it worked really well. So I really enjoy the fact that that costume could be the badass suit or it could be what happened where it's like, I need a suit.

Like, it's in universe humor that's landing really well. To me so far, the moments between Stephen and Mark are in this episode the most accurate how the comic felt to me. But like the scenes of them talking and interacting and fighting for control, there was a few moments where I could almost see the square panels, not speech bubble panels, but the square panels that Moon Knight uses to like keep everything going. the narration panels yeah so i felt the narration panels happening in real time and this episode

maybe more than the first one felt like a comic the sweeping shot where konshu moved three times felt like a pop pop pop panel from a book where it'd be like he's here he's here he's here like it's overused it's a trope but like a comic come to life in so many ways like it's so pretty a living comic a living comic i got the immortal words of jill schumacher it's very good it might it might overtake loki if it sticks the landing i'm gonna say it again What do you got? For the third portion, we both have to do the slow... Oh, Kareem.

It's cool. Naturally. What do you think? It lost me. I'm not a fan anymore. This is all trash. Do you have friends directed this? Yeah. I'm like so proud of them. Crap directors.

I'm gonna tell them. Just saying. crap or crap you guys suck no this is this is some of my favorite uh so far i love how it's not even acknowledged the mccu like it hasn't even done any of that right which for some people automatically means it's good for me i think it's cool because it really makes it its own thing like we've we've talked a lot about different genres that it's sort of implemented here throughout i was even getting vibes of like the movie ghost in a lot of ways you know like having the We've seen ghosts, right?

We've seen ghosts. We've seen ghosts. Yes, it's a ghost, ghost, in the pottery, yeah. Just trill a glow. Kicks the paper on the train of some place station. That's some Swayze and the Swayze. Little bit of Swayzee.

This is why we decided not to tell that episode three and four. She did say I'm to her like, like this is not it. Little bit of one. A little bit of Swayzee. But there are elements of ghosts in here. You know, I think with the quality, think about, what do you mean? Sure. Watch me. I'm agreeing with me. Watch me go. All right. I think there's shades of it. There are shades of like with Layla and Stephen that kind of remind me of like, whoopee trying to communicate with Demi. And then also with like Stephen going around, but he's got like a ghost falling him around telling him what to do as well.

Has that vibe. But I think also even with Mr. Knight, they implemented like a tone and genre style that I just didn't expect. It felt something almost akin to like a Fred Astaire movie in someone. ways. I loved how in that fight the way he is with his kind of suit and the way he moves around kind of like a dance out of like a 30s movie. Then when he's they're fighting the jackal, the both of them, the fact that they chose not to show the jackal, it was working on so many levels for me. It was like watching the, because the suit kind of reminds you like the invisible man for some reason. And then you're watching the invisible man fight something invisible. And then the way they're moving around fighting it, you're just watching the choreography of the stunt work. It really gets the shine word.

Usually, if you can see the jackal. Yeah, you're distracted by the visuals around you and it made it work much stronger. You're also seen it through the perspective of how everyone else is seeing like this weird chaos. I'm like, this is just a crazy man, right? This dude belongs in the Loon bin, you know, that kind of vibe about it. I thought it was really strong. And the Layla relationship, I became more interested in her when she showed up and was Wabash and I really like the way Stephen Grant. The way Stephen Grant has an affinity towards her is what was maybe lacking in the marriage between Mark Spector and her.

Yeah, you know what I mean? Yeah. And so I liked having that extra layer to establish with like, oh, maybe she might fall in love with Stephen, you know. I've also enjoyed that Mark's like not the greatest, because like in the comic books Mark Spector is kind of a dick. Because Moon Knight can be kind of a dick. So it was nice. Trachula, you nerd. Yeah, like that guy.

You owes me money. So I'm enjoying that we have. a very likable protagonist and an unlikable protagonist as one protagonist because like I see the need for Mark, but he's a Swiss Army knife. So far I'm not like, oh, I'm supporting Mark. Like I don't trust Mark Spector and I like

that because I'm rooting for our more squirrely guy because of how endearing he is. Whereas Mark, I was afraid, would be more interesting and I'd be less interested in Stephen and I'm not yet. They both serve a different narrative purpose. And I was also telling John before, I really liked that this show

as you said, isn't connect to the MCU because a lot of times like once a comic gets into the hundreds people are like oh i can't jump on it's too intimidating it's a new arc you could show this to someone that's never seen a marble movie and it's an approachable you really can you people say that all the time about like every marvel property now but this one this one you really can this is a new number one i think it's so true though i've watched a few marvels with my family and that is often a distinct barrier and this is a show i've been sitting here going i could easily put this on and everyone would have fine time just like they did with loki yeah and loki's got even way more of that sort of like ah the

marvel universe but it's doing it in a madcap way whereas this is just very much focused on what it is and what is doing yeah it's got like that mummy returns about absolutely like mummy returns more than mummy i would say yeah yeah yeah i said at the top before the credits even happened that like this reminded me of justin and aaron's work before i knew this was one of their episodes because it's half mohammed i believe is the name uh and then half justin and i could tell some of their shots but it works so well for this universe that's kind of like what i wanted to have edgar red sandman like where it would be a stylized choice in the marvel universe this felt like one of their movies while still working because marvel let them and it still also feels like

the first episode like the tonalities totally play here for their universe and i'm excited for their loki know even more their thing that they directed before was like uh good times they did yeah yeah yeah yeah yeah yeah yep you really get that kind of like paranoid Yeah, Adam Sandler came in the case. Everyone's really gross. Yeah, you ought to effort. Yeah. To agree at each other.

I didn't think I'd like Sandler's conscious voice but work. I'm casual. You want to me, ha. You're like me. I really also, it's just a tiny little moment, but I really love when Layla. I'm glad. We're going to film the third one today. I can tell.

We're going to do it all in the sandbag. It's all good, sways. It was a tiny, tiny, tiny little thing, but it really struck me when Layla calls him Stephen for the first time. She's accepting him. Yeah, yeah, yeah, yeah. I love too that how hard they make it,

because he doesn't understand what's happening to him, and I like that it's really hard for him to get across what he's going through without being like, I don't think I have a split personality. Like, I believe the strong. in his being like so overwhelmed and perplexed trying to communicate what is happening clearly you know the interplay of like okay mark just keep making whatever weird choice you want to make and then finally it comes around like okay maybe this is more than i bargain for more than i

gave it credit for or something like that you know i also really like that i was reluctant for mark to take over every time then at the end when mark did it felt like the villain when winning a little bit like when we lost even to him i really liked that i was like no no no no we need the guy that's like less in control back, but we also see why we need Mark, and I love that last shot in Egypt. That, to me, with him sitting with the drink, looked like Mark Spector. Like, it was cool to see, like, that's the comic to me. Well, it makes me wonder then if the third episode is going to dive heavily into, we're going to do much more Mark Spector's perspective.

I think we're going to have him in Egypt and things like that, you know, and it's going to be, like, leaving off here, I really liked that, you know, he takes hold, and those last final moments do give you a sense for him as a person. It felt like a strong character introduction so that now, next time, yeah, we can really dive in and learn who he is and then have two fully formed characters in one body. Yeah, and that's some fucking acting, man. We said it in the last

episode, but Oscar Isaac, every, his eyes, like, there's so many moments. There's cross talk in that which is all editing, but still, like, is so good. And I know that people, some people have problem with the accent, I love it, because it distinguishes them so completely that they're literally in the same outfit, so it'd be

really distracting if they sounded the same. And you also don't want something that's like too similar, and you have such a dichotomy between these two characters. It is two separate performances, down to the mannerisms, down to, like, there's just so much. I don't agree with that you this crap. I think we should have a Minnesota accent. Can one of them have a mullet? I think so. I agree. Well, I think you guys touched on two points of what is, how you talk about his perplexity and the

complexity of his situations, is that is first and foremost in scenes that often present humor because a part of the, a lot of the humor that came out of this one is, oh, it's a fish out of water story. Something that I didn't actually anticipate, even though the trailer's really that cleared even the first episode did, but I'm like, oh, wait a minute, yeah. This is like the breaking act to funning games. This is the fish out of water tale here. And even in the scene with Arthur, when he's at, is like little, all the zealots and stuff, the humor that comes through there does not feel like primary. It doesn't feel like, who talks first? Do I talk first.

Huh? Huh? Star Wars Oscar Isaac! Doesn't feel like where this joke come from, right? They fly now. They fly now. Classic Oscar Isaac. Jesus.

But how good the script is, is a testament to them getting Oscar Isaac back. Because he was like, you guys screwed me with this in the same studio, in the same thing. So I see why he signed on for this, because we all talked like, I can't believe he's back to doing franchise anything with Disney. This is the opposite. They're letting him go. Well, I think the way they work with the humor, and I think what they've done narratively with Mark Spector, because, John, if I'm not mistaken. Yeah, yeah, yeah, yeah, I'm listening. Sorry, I need you to clarify.

I'm here to check you. Don't worry, don't worry. In the Moon Knight comics, it's usually Mark Spector is the protagonist that you follow. Yes, that's, you are correct in a human. Oh, my God, I only... Your reputation is intact. I read a sentence, and I tried to retain it. And the sentence was Mark Specter's...

The sentence was... As far as he got. So, well, this really would have been like a swan. Because then I realized I was reading a different company all together. What a strange thing? No, what I'm saying is that what you were talking about with Mark Spector of like, you feel like he's not really a good guy and they're leaning into that. They've done this cool narrative trick where they'd switch the perspectives.

They switched through the primary person as you're going to be following the protagonist, so to speak. And they're doing that thing with the supporting character, Mark Specter, where he is like the tough guy, asshole, but you know there's a good guy. Yeah, we'll uncover him next to be gone. Moon Knight. And he is slowly going to be showing that. He's like the closed off, like the Wolverine, broodish, Batman-ish kind of guy. But, you know, he has the quote-unquote save the cat quality about him

because he literally saves our protagonist. Stephen's the cat. Yeah, Stephen's the cat. He's like saving our protagonist and also maybe do these experiences. I was asking like, what will the arc of this show be? And as I'm watching this, it's like, okay, it looks like Mark is going to have to learn to be a bit more vulnerable. And Stephen is going to have to learn to quit being such a wimp in a lot of situations, you know?

Like, he's not a wimp, but he's learning to stand up for himself, to fight back. And I think that's what makes you root for him so much. And I do like the idea of having one character have to go two different directions in his own arc. They learn from each other. They're going to learn from each other, yeah. And then the third act, we get a cabby. They're going to learn the best of both worlds and know what they're going to do? They're going to stand in front of a clean, unbroken mirror.

It's just going to be a one great big mirror, not a crack in there. Yeah, it's going to be amazing. Very excited for him to them. And then Layla is totally Karen Allen. What's her name? Yeah. Oh. Yeah, yeah.

Yeah. And you're at the comics. Marion Davies or Marion Crane? Marion Crane, that's what it is. She doesn't have a Rachel Weiss look about her, which is funny. You mentioned the mummy. Like, she's got that, like, badass Rachel. Well, I thought it was smart is that she actually kind of looks like the person Stephen was going to take on it out on a date with.

Yes, that was clever. I thought it was her at first. I like that he's got a type even though he doesn't know a subconscious has a type. Like he literally has other side, both of them like this type of. Well, it seems like Mark, here's what I'm getting from the relationship. Mark is an asshole. That's all I got. Now, Mark is an asshole.

And it seems like the Stephen personality is all derived from the good that he sees within Layla. Oh, yeah. I mean, if you're looking at, like, oh, all the French poems, like, Mark, you don't like that shit. You don't read this flowery crap. You're always watching football and cleaning your butt. You know, that's what you're doing all the time. That's a really good note. I like the French where he's trying to form this positive self, perhaps.

Say hieroglyphics, the accession with the Egyptian stuff. I like that. That's good note. Yeah. I don't think it's a note. I think it's right there. It's an officer. It's a mirror of the things he loves.

And Kanchu is going to be like, On my planet, I am considered being dangerous. You. When they were talking about him and that, I thought his voice was going to pop in. Sometimes Tom Hardy does a little sidework for. Steve. Stevens. Yes.

We need brains, Mark. Well, I think it was so cool how Arthur Harrow knew so much about what was going on. I loved how he was doing like a play-by-play, too, of what was happening. Like what Conchie was probably saying, like, this is all predictable. You don't need to trust him. I know better. But it seems like they've really established that. This guy has no interest in serving some higher God.

Yeah, I like him Merkin that fool by himself. And that showed us like, hey, he's not in it for actually, even in his mind, the selfless reasons. Like, he wants to be the judge. although I did like it a little bit more when he was doing it for to serve I like the idea of like two gods battling it out like two belief systems I think I'm waiting to see how they'll elaborate on that note because yeah that that last beat where it's clear like oh no like there's something interesting about having him be you know as he is presented yeah servant a leader somebody who is compassionate for the people that he at least has seen to be worthy and good and blah blah but then yeah to see that that moment passing this, you know, this homeless guy who didn't deserve to be wasted. You know, and he didn't even, well, and he doesn't even do the... Did not weigh him. Doesn't weigh him on the scales, man.

And so, yeah, that's like an overtly villainous deed. You don't see the compassion, and the compassion was interesting. Yeah, that's the one thing that I am curious to see go forward is I was sitting here admiring this going, wow, I especially when he does the play-by-play, I'm like, well, this is a nice subversion because, you know, they're already at odds, but to have him be able to have him be like, no, no, no, I know what you're going through. And I can also make this seem even more like a psychosis you're experiencing or something. And also being the former moon knife. Yeah, absolutely. I thought that was quite compelling. And, you know, I'm sure that will still

hold in the dynamics when he meets with Stephen and Mark and all that. But yeah, having that extra look behind the curtain of what the rest of the characters don't really know yet is, yeah, I'm curious to see if they'll still be able to keep the character of Arthur feeling as rich and interesting as a villain or if he will sort of start to slope into you know i just want to be a god you know can't wait for midnight suns this there's so much ghost rider that like pulls from this kind of mythology that this because of this you can get ghost rider to feel very natural in the mc u as much as this is removed from the mccuh it really allows for an entire new corner like guardians did he like conscious head on fire you're halfway there it is boom fire you like the skulls on fire

i'm good fight he's trying out you know get that and marvel r-rated supernatural door open i did work this week like let's just not acknowledge you in this one yeah i wonder if it ever will like if we get to episode six and there's any like how baller with that he's the leader of the that's that's what would make it more rewarding when he does crossover with someone yeah that because of the fact that none of it was ever mentioned before and in the books like whenever he's there it's like oh shit's getting real moon nights here there's been times he's teamed up but that was all on his head they didn't team up with anyone yeah so is that right john You are doing so well.

Don't even sweat again. That was the second sentence. And then Moon Night wasn't with the Avengers. But it would be so cool. It would be so cool to have a character who you never know when they'll show up in the greater universe and when they do it does come with that like, oh, dang. Yeah. Like there's a tone shift happening.

Like a bright, like, it's very presentation. I think these are two of the best outfits I've ever seen in Marvel. Mm-hmm. The Mr. Knight and the Moon Knight? I think they're both phenomenal. Yeah, and I love the cape. And I can see where it's sometimes CGI, but it really makes the imagery of a cape singing.

It's not easy to have a cape. Like, in a universe that's grounded, it's a cape. I mean, there's shots where it's definitely practical. But it's like running on rooftops and stuff. There's London. You know, it's definitely CGI. It's just cool to get like the CGI. It just parts of it feel like a little bit of American World Wolf in London, too.

I like that, yeah. Oh, yeah, good call. There's a lot of things here. Your friend's going to watch this. I feel like we said a lot of good things. Hey, we like your work and they have those things. I'm sure they have plenty of time to watch us 23. And good job on good time and uncutely.

Yeah, guys, yeah. Remember that time? The reason Robert Pattinson is the bad man. You did this. Matt Reeves saw your movies. In real life, watch Spring and the Endless. Justin Herner incredible. Oh, the ones by the Safty Brothers.

Yeah, the Safty brothers go one. The Shafti brothers are known for their love crafty. Yeah. That really dark energy that weird sci-fi. Safi. Absolutely. Yeah. So they're going to watch this?

The sci-fi dafties. Just tell them to watch the review. I've said a lot of positive things. I'll make sure they see that this part, though, that you ask. I can make a cut down of just what I said if you want. We're not even here. I'm going to make sure they know that you read those two cents. Crop it on my face.

Just you're going to praise them and their work with Robert Patton. I'm just making sure they know. I'm going to make my own super cut of just people checking with me to make sure the comic book references are on points. So that I can. remember this one day for the rest of my life. Send that to everyone in town that you are the comiclinic. This will be my new Schmodeown Free For All. It was the one day, the one time.

Rosed to the occasion. Oh, God. All right, guys. All right, it's done. Don't show your friends as part of the video. Tell them when it gets the 24 minutes to fast forward. That's it. And enough.

Two times speed. Once you hit 24 minutes, make sure to fast forward a little bit. Yeah. Anyway, we're done. Solution 3! Another! No, no, no. We'll look very different next time you see us.

I'll have a beard. Dude, you better now. It's on the record. Catch you.