The Reel Rejects - SISU (2022) IS BONE CRUNCHING ACTION GOLD!! MOVIE REVIEW!!
Episode Date: November 19, 2025SO FREAKIN' BADASS!! Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Start your online business with a $1 per-month trial when you visit http...s://www.shopify.com/rejects! SISU (2022) Greg & Roxy's Reaction: • SISU MOVIE REACTION!! FIRST TIME WATCHING!... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Sisu: Road to Revenge (SI2U) in theatres this weekend, Coy & John head down the treacherous road into their SISU Reaction, Recap, Commentary, Breakdown, Q&A, & Spoiler Review!! Coy Jandreau & John Humphrey react to Sisu (2022), the brutal and stylish Finnish action film written and directed by Jalmari Helander (Rare Exports, Big Game). Set during the final days of World War II, Sisu has become a modern cult favorite thanks to its over-the-top action, striking visuals, and a near-mythic one-man-army protagonist. The story follows Aatami Korpi, played by Jorma Tommila (known for Rare Exports and Big Game), a quiet prospector with a terrifying past. When he strikes gold in the Lapland wilderness, he attracts the attention of Nazi soldiers led by the ruthless SS Officer Bruno Helldorf, played by Aksel Hennie (The Martian, Headhunters). What follows is a relentless warpath of retribution as Aatami single-handedly takes on an entire platoon determined to steal his fortune. Supporting performances include Jack Doolan (The Boys, Marcella) as the vicious Wolfgang, Mimosa Willamo (Aurora, Bodom) as Aino, one of the women captured by the Nazis, and Onni Tommila (Rare Exports) in a memorable minor role. Iconic and highly searched scenes from Sisu include the minefield sequence, Aatami’s insane underwater knife fight, the tractor convoy ambush, the hanging escape, and the over-the-top plane finale that cements Korpi as one of the toughest action heroes of the past decade. With its grindhouse energy and jaw-dropping stunts, Sisu is a blood-soaked ride that blends spaghetti western vibes with ’80s action excess. Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
Discussion (0)
Thank you to Shopify for sponsoring this video.
More on them in just a bit.
All the housekeeping aside, are you ready for some bone-crunching action?
Sisu!
C-s-o!
All right, gang.
Get ready for some C-sou, one, a two, and a three-sue.
Damn.
I'm so excited for C-Soo too.
I would love if just every single movie
He's just going to a different bank at the end
To cash something else in
He's on a mission to make that jet up
That was insane
That's so funny
I love that they don't pay off the wife thing
Not at all
Like I have no idea maybe that's the next one
And I think
I don't know I guess you could extrapolate
That when he's in that one scene
When he's going to sleep
And he's laying down in that one kind of blown out
building he's in and he hears the crying and stuff like i i sort of took from that that he must
have had a wife a child who died yeah and like the ring and the explosions in the distance like
i just didn't know if that's where he was heading to save them or i guess yeah yeah the astute viewer
would say but also given that we know the absurdity of the film it could have been anything
yeah and i'm like knowing now that there is at least a part two you know they could always
mess around with the lore i mean this man survived a plane crash
with the plane is vaporized and he wasn't he can do whatever he wants well i think they smartly uh you know
obviously there's a height to this movie there's some a level of disbelief suspension despite
a lot of it being very conscientious enough to be convincing but uh yeah like i like that they
saved the most impossible stunt for the very end just strap right in ragdoll your body and hope
for the best and like our only fin i i think that's finish like the only finish in the finish film
is him. I like that the whole film's in English
and he gets this badass guttural
like three lines of dialogue.
What it is a weird like you know any
like I don't know there's all sorts of fascinating
prismic angles to approach any sort of
war movie from depending on like who's
making it and what language is it
in and you know what is the casting
like and stuff and I do think
it's interesting because on the one hand
knowing certain things about like
international movies and stuff like that
part of me wonders if they originally
we're going to have the Nazis speak German
and then they were like, well,
you could do that. Everyone English
and then he gets...
Well, that's the thing is like, it is striking
and you could, if you want to,
extrapolate some kind of choice from the fact
that they've cast all that, because this isn't
an American produced movie, I don't think.
So like so. All the Nazis are speaking
English, which on the one hand is a very
conscientious decision because that allows
you a much bigger reach
on the global market.
yeah and uh you know you can see why they did that and i know that some movies you know run
into problems there if they don't have people who natively speak english and sometimes you know
the accents are uh prohibitive and whatever else this clearly didn't have doesn't seem to
have had that problem but uh it's just interesting to me yeah that you have marked like
you're not going to not notice nazi speaking english especially when you get back and at the
end yeah everyone in finland is speaking Finnish your lead finally speaks it's in his native
language ostensibly like which just
is really cool like it's just a neat thing and it feels to me sort of like them splitting the
difference they're going like yeah we want this to get as wide of reach as possible and because like
the nazis are the people who speak and because all their dialogue you know isn't isn't the rich
stuff about the movie like and then the language is so badass it gives such a payoff to him it gives
him such a unique staple on the film yeah it's like you get to have your cake and eat it too
because you're like, I want my Finnish film
about this Finnish guy to be in Finnish.
Right.
But I'm also going to make this in English to be like
clearly this has become a successful global movie.
Yeah, yeah, like the Finnish women speak German
English to the guys.
But yeah, even when they get back and they're all conversing.
Like, it's beautiful.
It's just like so this is.
It's such a simple choice that's so strong.
Yeah.
And it's just like interesting and it feels, you know,
movies now can sometimes feel like products and movies.
Especially in traditions or of or hearkening two other movies can feel like, you know, one thing or another.
But that gives this a living feeling to it.
And you could feel, when I heard, Girmil Datoro recently has been describing stuff as his things that he puts out as like, you know, handmade art for humans.
Yeah.
And it's stuff like that in a movie like this too.
Make it feel like art.
Yeah.
And I love that the comp we had heard was John Wick, which it certainly is.
But there was so much Mad Max in this.
so much like 70s grind house exploitation film in this and mad max is like ozploitation like the first
mad max was very much a conscious choice to make a 70s ozploitation film and that was made with like
no money and i love the some of the things this felt like and pulled from weren't modern like
john wick this felt very of a certain time and and uh energy and it was a blast i i really had a great
time with this yeah and it also feels like a western because it's you know it's about a guy just
like off in the wilderness mining for gold yeah and then he finds it
just trying to take it back to town to get it cashed in at the bank yeah that's a very
classic western kind of thing and so like there's a lot of the title cards and all that
shit like there's a lot of spaghetti in this like it's fun because it's doing a lot of things
at once and all while being a thing i've never seen which is a finish myth yeah but you know
killing Nazis as i mentioned during the film like that's such a clean like we don't need a lot
a backstory yeah you just make it yeah no matter well depending on where you are on earth i guess now
it's a very easy yeah it's easy it's pretty global you know if you were enemies during the war i guess
if you were allies at the time that's a bit awkward but uh yeah you made a choice there is a kind of yeah
shorthand of like oh the nazis kill them yeah there's not going to be much savory happening
with these guys yeah there's not going to be much uh yeah redeemable complexity and some movies i like
my villains to have shades of gray sometimes if it's a movie like this ultraviolence
and like i want that to be clean yeah and i like that this it's like they're not hyper
dimensional characters but it's also an immediate enough experience that it's not like a thing
that's lacking yeah and the performers are good enough that it you can kind of fill in the blight
like it's just as much as it needs to be and it's a nice tight nine minutes accordingly like the
movie gets to be lean you mentioned it a couple times in there the movie just moves so
you don't need to dwell on anyone too long you just like have this angry violence at them yeah and it just like unfolds and develops and it goes from one thing to the next and it feels like each step of the way he's just figuring out what's next yeah and every time it's it's you know it's you got to be able to sell the myth of this yeah immortal unstoppable guy and without losing the pace yeah and without losing the believability and yeah it's like when he's faced with those trucks in the tank i'm like what the hell's going to happen are they going to take a prisoner and and yeah it's like the way
he whittles them down and the way he kind of assesses each landscape and just goes for how can I
take out a couple guys and get the hell out of here to the next thing yeah and uh and yeah it makes for
a really effective it's it's weird because it's like just on the one hand it's like very straightforward
very tight and very like no bullshit but on the other hand there are like a lot of great flourishes
great details it's thoughtful it lets things breathe and it has beautiful like the movie itself
is shot so stunningly it has so much cinematography that like
I think this movie would have been fun
if they just shot it, but instead they made it art
and then they got violent.
Yeah.
Yeah, this is so wild.
Oh, boy, gang.
Clearly, we did not enjoy this movie whatsoever.
If you couldn't tell from my review.
We've already begun, but if you happen to be watching
at this point in the video, leave a like.
That would be very much appreciated.
That's like gold to us.
Yeah.
We can turn that into bills.
Yeah, we're sifting for likes.
Yeah, and subscribes.
And if you could hit the notification, those are big nugs.
you hit the notification bell and we do
CSU too you'll be the first to know about it
so get on there also
thanks to I already thank Prepper
did I think Prepper thanks to Prepper because
you know I'm sure this wasn't the easiest movie
to cut down yeah the hardest movie to cut down
but there's some stuff in here that I'm like oh I wonder
so yeah appreciate y'all
for getting this visible for the people
and if you happen to be listening to our
discussion here in audio forum on a podcast
platform of any variety
if you could leave us a little rating that would be
delightful and yeah
Let's start with one of our questions here from our lovely royal rejects over at Patreon.
Nick at night, the place for TV hits.
Hey, Coy and John.
Hey, you.
Thanks for chiming in.
I hope you liked this movie as much as me.
Just wanted to know what you thought about there being no dialogue for the main character, pretty much all movie.
What do you think it added to the movie?
Thank you for all the hard work rejects much love.
I mean, that's kind of how we opened the review.
I thought it was such a way to enhance the intensity.
I thought having that it was almost a punchline
of him being the only one in the spoke finish
I thought his voice was awesome and gravely and intense
I love that he was strong, silent
but it was for purpose and for movie aesthetic
I think it really captured a tone
it was really unique so I love the choice
I think it added to it
I think it enhanced it
I thought it was a really smart conscientious decision
to add tension to add a ticking clock element
to add a funny button at the end
like it did everything
yeah this I really love
when people are willing
to let that happen in a movie
and you know
that's kind of a neat thing about action
especially is because there is already
a mythos of like the silent warrior
badass guy
so yeah I thought that the
the actor here
yeah if your actor is good enough to do it
with their eyeballs for you know
two hours hour and a half
yeah he had so much presence
and I really yeah love the choice to make him
you know not me
you know he's not mute but yeah not speaking for
of the movie,
Atami.
Yeah, this guy,
Yorma Tomila.
He's just so expressive
and subtle at the same
times, not over the top.
But yeah, I love that we got this opening chapter
to just observe him out in nature
on his own, you know,
certainly striking of presence,
but also kind of soft in a way
and one with the elements.
And yeah, it adds to this mysticism.
And two, you know, it's like a practical thing.
It's like, maybe he doesn't speak German.
maybe he doesn't speak English you know like I like that that it doesn't matter because what he's
trying to do doesn't really involve having to communicate with them and what he's you know
doing is all physical so yeah I think it's a really great device for visual storytelling it's a
great opportunity for an actor to really show their chops and I thought it just continually drew me
into this movie yeah I kept pulling me into his expressions kept pulling into like the moments in
between it kept making me wonder if he was ever going to speak it kept intrigue up I think
was a great choice. Yeah, and it lets you project stuff, but it also kind of puts you,
you know, without putting you into the Nazis, like, perspective, you know, emotionally.
You are trying to figure him out along with them. Yeah, that's a really good point. And so, like,
that's a way to kind of add to the mythological quality that he has for us viewing it, but without,
yeah, yeah, and also kind of making the tension fun. It's like, we know all these guys are going to get murked,
and it's still fun even though we're still with them going like what is this guy's deal and then i got to cheer when he spoke
like that's such an added element of payoff yeah and i think as we were started to talk about i think it's really
cool that he only speaks a few lines and i assume finish and that they have that passage at the end of the
movie you know once you're at home and everything is sort of a sigh of relief you get the native language
and yeah the fact that he comes in and he just wants to cash out his gold for bills like is heavy is
beautiful. I love that it also implies
he's going to keep moving. I love that it wasn't
to end the thing. It was under the next.
It adds to the myth of him.
It could be as simple as
I've been, I left the war, I
got nothing. I want to start a new
life, give me my gold, or maybe he needs the goal for some
purpose. Reject Nation, when
we launched this channel, I thought learning how to
film and edit would be hard. Until we launched
a merch store. Total panic. But a friend
recommended Shopify and Shopify
made it easy.
And fortunately, they're today's sponsor.
We use them to run RejectnationShop.com and somehow we didn't screw it up.
For those who aren't aware, Shopify powers 10% of all U.S. e-commerce,
from brands like Mattel and Jim Shark to indie creators, candle makers, comic artists,
custom action figure sellers, and podcasters slinging coffee blends.
Bottom line, it's for anyone who is building their dream.
They equip you with stunning storefront templates, built-in email and social tools,
even AI that helps write product descriptions.
It's like having a full business team but in one clean dashboard.
Inventory, international shipping, returns.
Shopify handles it.
You just get to focus on what you do best.
So whether that's selling shirts, books, prints, digital downloads, collectibles,
are starting a weird little side hustle.
Shopify is your launch pad.
So you can turn your big idea into real income with Shopify.
Sign up for your $1.1 month trial at Shopify.com slash rejects.
That's Shopify.com slash rejects.
One more time.
Shopify.com slash.
rejects. Thank you again, Shopify for helping us out of more ways than one.
I like the idea of him just like he's going to the next mission, next thing he's on.
He's been, like, we didn't see him at a place of stability.
We interpreted it as beautiful and blah, blah, blah, but he might have just came from
some stuff, found the gold onto the next.
He just wants to move lighter.
Like, they really give you everything.
Yeah.
So love a laconic or a non-speaking hero.
Love a movie that allows for stretches at a time with no dialogue.
I feel like especially in America, Hollywood.
would we are certainly wary of letting any too much time go by with no dialogue but i always appreciate it
like the the Netflix thing where it's like make sure to describe what the characters are doing because
everyone's on their phones when you watch like yeah it's gotten aggressively worse of over exposition
explaining what's happening like this was delightfully the opposite and at no point did i even think
of my phone no no this was beautiful and i hope in the second movie he talks even less than this
There's two lines, not the three he got.
I hope that when he's on screen, not speaking, they play that, like, extra crazy silence that's
like they've created a room at Cambridge.
Yeah, it sounds like the lack of sound.
Yeah, and it drives people crazy.
You can hear not talking.
I want him to be.
Yeah, I want him to be so quiet.
I can't hear my own thought.
Yeah.
All right.
Brian Nguyen, thank you for chiming in.
Hey, guys, what were your favorite kills, moments, or sequence?
in the movie.
Man, the whole thing
feels like one big sequence.
Obviously, there were moments
that were beats.
I think I really enjoyed
when I kept not knowing
what the next set piece was going to be
and especially like once we got to the plane,
once we got to the hanging,
that whole thing was like,
what could possibly go from here?
I think the,
I think the women taking over
was really cathartic in a way
that I wasn't necessarily expecting.
Like, I knew this was a badass dude movie,
but a lot of times,
that's at the cost of badass women moments
but it also they didn't do
his extreme violence where it felt like
suddenly everyone was a badass they got to be badass
with very simple beats
like there wasn't anything I mean they
literally got a fish in the barrel moment where it wasn't
like well why are they trained assassins like
it got to be again the plausible deniability
just enough where it's all absurdist
but it still felt like
and then he got to be badass in his specific
way so I really like the women with the fish
in the barrel I really liked
the escalate
of vehicles to violence.
I like those always
like another setting.
We talked about like
the actual physical settings a few times
and I liked that those always evolved.
So that doesn't really answer your question
but like yes and.
I mean, yeah,
the scene with the women in the truck
is there's so much across that scene
again from the barrel of the tank gun
coming into the thing
and then him taking out the two soldiers
like the whole sequence
was one of my favorites
is because yeah,
it's like you get these dudes discussing the situation
only for it to like,
interrupt the conversation which I just thought was like a really great it's like no
bullshit and we're getting you know to some fun you know cathartic stuff and yeah it's like you
get enough height with her shooting the driver she gets that marksman moment but then the rest of them
yeah like this might be the first time they're firing a gun or the second or whatever but yeah like
it's totally believable you also buy her as a marksman badass because she carries herself in a way
the whole movie that you know she would be the leader of them like certain things like that
are just enough.
Yeah, and it's like, I love that it's a smart call on his part because he's like, of course,
this would help my mission, but they also deserve to get a little payback.
And, you know, bringing back this tank is probably going to be an asset to our military
efforts here.
Like, you know, it's, there's so much to that.
So that was really striking.
I love the minefield because it, that was the first moment because it was like one of the
first bits in the film where I realized he was going to be thinning the herd.
Yeah.
The whole opening, I was like, oh, he's going to take out these Nazis.
and then he's going to avoid the big group of them
and then he's going to go on a mission.
Once I realized the big group was turning around
and the movie would be him thinning the herd
by way of the minefield scene.
The minefield scene was great
and it was that aha moment.
Yeah, absolutely.
When he thrusts the pickaxe
at the two motorcycle dudes
and they just run off,
I thought that was just a very charming.
Yeah, and I mean the minefield thing,
especially when he starts throwing them at the guys.
Yeah.
When it collides with that first dude's face or whatever,
to go from throwing the rock,
Setting one off and then hitting that one dude in the face was just like, yeah, very, very striking.
Something I hadn't really seen or contemplated before him.
Ripping that guy's throat open and breathing out of it as he's picking him off and the water was great.
Yeah, the settings.
I also want to say.
A plane was crazy.
The, yeah, 100%.
The hanging.
The lighting in this movie reminds me of what I used to think of lighting as being.
Like, we light movies so bland now and we light them so there's like this even finish.
I think whoever lit this film also needs some love
This is some of the does lighting
I've seen in a modern film in a long time
Yeah, yeah absolutely
This is and two really well chosen music
Really well chosen physical effects
And stuff like that
There's like there is CG here and there for stuff
But it's never distracting
But yeah it's never distracting
And there's so much practical blood
And gore effects
That suture was nasty
Oh yeah but hey I mean this film
Like you grab a frame of this
It just looks like one of those movies
That'd be on like a Twitter feed
Of like perfect shots
It's got such beautiful framing and lighting.
Nothing wasted.
Yeah, and him pulling that dude out of the tank and leaving him for them was a really...
See, I love that that became a thing too.
Because, like, in a way, they aren't like the rest of the movie, but like they're still in
conversation via violence as the movie progresses.
And it's really cool because, yeah, it does feel like, oh man, this whole other, he's
gained something, he's empowered these women, they're getting to go home, you know.
Yeah, and they get their vengeance.
Yeah, and it's like, yeah, it's badass, and it's a relief, and it's, like, it's so many things, and it's great, because it doesn't feel like you're losing any one element of satisfaction for it.
Yeah.
But, yeah, there's so much in this movie that's, that's big, big awesome, big cathartic, just great fights across the board.
I feel like, yeah, you could just scrub the movie.
They'd just be like, that scene and the name everything.
It's like, even now, I'm like, I feel like I'm forgetting something.
There's more scenes of the 17 scenes I just mentioned.
But, yeah, a lot of really brutal kills in this movie.
movie all right j rushden question this movie is basically metal gear in finland what's your favorite
shooter game uh actually of that genre metal gear uh metal gear solid i guess specifically i loved
the the cardboard boxes the taking larazepam the intensity of it the i mean that's where i
discovered a lot of you know lore around uh snipers i love that you use the little like you know
d pad to fight the guy psychically like there's so much to that game that is so much to that game that is
genius and inventive.
I'm a huge Metal Gear Solid guy.
I haven't played a lot of shooters since.
That was like in my gaming era.
I was a big gamer, PS2, PS1,
twisted metal, like that era of gaming was my jam.
I started making money off of loving, like, media,
and then games being the amount of time they are made it prohibitive.
So I actually don't game anymore,
but in my youth in high school and stuff,
Metal Gear Solid was a highlight for sure.
Yeah, it was definitely a big Metal Gear
person and I could see how this guy has some you know especially some like snake eater
you know a little bit or well I guess he's even older in Metal Gear 4 but you know I feel like
aren't you in Snake Eater dealing with the fact that he's like the actual guy or he's like
older he's show I never got to that young because they age weird anyway love Metal Gear
it's been a minute since I have been an avid gamer so yeah like I like I loved resistance
fall of man which was like a World War II alien
sci-fi shooter
um you know you got your stuff like house of the dead or any of those like
you know first person pov horror games is always fun uh you know if i'm at an arcade
i always love a time crisis like the first halo a lot when i played it at friends houses
i was a PlayStation guy but when they had Xboxes halo I remember being cool yeah see I didn't
have Xbox so like whenever I would go over to whoever's house to when and Halo would be played
it was everybody else had Xbox so they were all good at it yeah yeah I don't get to
Like, I live it out of the controller.
Like, what is this?
I don't have an opportunity to, like, really practice to get on your level.
Yeah.
I got Doom for my Switch.
Oh, yeah, yeah, yeah.
Wolfenstein is always fun.
Call of Duties were, like, you know, on.
I didn't really play them, but, like, I know there's a love for a reason.
Yeah.
But, yeah, definitely Metal Gear.
Hells, yeah.
Leave us your faves down below.
Just going to shout out to Miriam A, who said,
C-Soo, Crying Happy.
tears in Finland.
I hope you enjoyed this
and shouts out to you in Finland.
I love to go visit one day.
Yeah, do you have it. It's beautiful, apparently.
We can go, did they shoot this?
We could go and take the Sisu tour.
Yeah.
See where he got that gold.
That's right. I'm sure it's there.
John's going to go sifting.
And this is real quick.
Reeves said, no question.
I just want to wish you,
wish all of you a happy Halloween.
I know this reaction will be uploaded way after,
but still, we appreciate it.
We appreciate it.
Hell,
I'm about to go get spooky.
Yeah, that's right, man.
We got to get out of here.
We got spooks to spook.
Yeah, it's time.
We got dastardly deeds
and ghoulish shundertakings.
We got eves to hollow.
We got hollows to Eve.
All right.
Any stray thoughts?
My last thought is that this entire time,
if you go to the poster,
I thought he was wearing a hat,
but it's actually a knife of the reflection.
This entire time, I thought that was the bill of a hat.
I thought he was wearing a hat, too.
It's a knife of the reflection.
Literally this,
moment this in this moment that's so funny last thought not a hat saw this poster i was like
it's the hat poster yeah i'm going to black can play with a hat oh he did stab that dude right
through the head he did like right up top and that's a foreshadow that was very stark that's where
the knife went but it was in the other guy's head that is not a hat that is my last thought
well all right gang oh and him strapping that dude to the bum crazy a plus work crazy work oh my goodness
Excellent sound design pacing, writing, editing, acting, cinematography, lighting, those assistant camera guys, rack and focus, production, like, this is a tour to force, every department firing on all cylinders, handmade art for human people.
This was sick, cannot wait to check out Sisu 2, and I guess, you know, I wonder if we'll get another tight 90 or if it's going to be that thing where they do like, okay, here's a really stripped back, straightforward.
He's going to learn that he's part of a mythic in Norse God lineage and he goes to a crime underground.
There's 10 other families.
And each of them represents a spiritual violent force that has like no translation into other languages.
And then all the women come back and they realize that they were fated to be with them all time.
He also frees some children and they kill the Nazis.
And then after that he goes to the bank and he sets down the giant clothing.
meteorite that just fell from space
and asks them for the gold from the
first movie and it's an easter
because the third movie is going to be
a time jump back to
when he got the gold from the first movie
and then new timeline opens up
and it's only a sequel to part one.
Anyway, thanks for joining us.
Does anyone be able to separate that audio
and hear the two different sagas that John
I have the stems. Oh boy.
I have the stems.
That was that was a
the first that was good we made we made jazz that was truly something that was some jazz if you made
it to this point we appreciate you yeah run your hands across the keyboard a few times hit enter
and we'll catch you on the next one people cheers
