The Reel Rejects - THE DEVIL WEARS PRADA (2006) IS VICIOUSLY PERFECT!! MOVIE REVIEW!!
Episode Date: November 26, 2025FINALLY WATCHING THIS CLASSIC!! The Devil Wears Prada Reaction, Recap, Commentary, Analysis & Spoiler Review! The Devil Wears Prada Full Movie Reaction Watch Along: / thereelrejects Grab... Our NEW Stranger Things 5 Inspired Tees https://www.rejectnationshop.com/ Greg Alba & Andrew Gordon dive deep into the iconic fashion-world classic as we revisit Miranda Priestly (Meryl Streep — Sophie’s Choice, Mamma Mia, Don’t Look Up), Andy Sachs (Anne Hathaway — Les Misérables, The Dark Knight Rises), Emily Charlton (Emily Blunt — Oppenheimer, A Quiet Place), Nigel Kipling (Stanley Tucci — The Hunger Games, Spotlight), Nate (Adrian Grenier — Entourage), and the entire Runway Magazine chaos ahead of the newly announced The Devil Wears Prada 2! We break down every legendary moment — from “That’s all,” the Cerulean monologue, the Paris Fashion Week betrayal, Miranda’s divorce revelation, Andy’s makeover montage, the Runway editorial politics, to Andy finally tossing her phone in the fountain. We also talk fashion symbolism, character arcs, toxic workplace themes, and why this film remains one of the most fiercely quoted movies ever made. Whether you're searching for Devil Wears Prada reaction, Miranda Priestly breakdown, Andy Sachs analysis, or Devil Wears Prada 2 updates, this commentary has you covered with humor, insight, and full fan-favorite appreciation. Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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We'd love to have you.
Anywho, Andrew, you ready to finally watch this movie?
I am ready.
Let's do it.
Let's do it to it.
See if the devil really does wear Prada.
Thank you so much for being here.
This, I think, I don't know what category this film is.
Is it a Romance Saturday?
I don't really know.
Anyway, we have some questions from our Royal Rejects
because if you are a Royal, you get to participate in our review.
I only got a few.
However, I think we should give our thoughts first
and then go into somebody's more specific question.
I really enjoyed the film
It makes me never want to be in the fashion industry
I'll say that for it
But I think it's a as Greg pointed out
A very cautionary tale
On the price of ambition
I think having ambition and goals
Is a very smart thing to have
If you're going to pursue anything in life
But what is the cost of it right
And we saw Anne Hathaway
At the very beginning of the film
She was a very kind
endearing and sweet person. And it's not that she wasn't that as she was progressing throughout the
film and becoming more married to her career. But what was happening to her personal life as she
became more married to her job, her personal life was suffering as a result. So I don't think
there's anything wrong with having devotion to your work. I think that's all and well and good.
But are you willing to give up your soul rather? Are you willing to change as a human being and
become something else. I think evolving and growing is totally a valid thing that's good to do.
I think we should always be open-minded and look to be, look to do the uncomfortable thing so
that way we can grow and evolve. But at the same point, we shouldn't change in a way that
we're no longer the same kind of person in the positive ways where it negatively affects our
personal life. And I felt like a lot of what Andy was doing when she was
doing this. It wasn't even a job that she really initially wanted to do, but I'm glad that she
found herself a little bit in the fashion industry. She found something that she
grew due to her skills, you know, from Stanford law. And she just had this natural bind
of being resourceful. She gravitated towards. But I like that in the end, she was smart enough
to know, hey, look, this woman has gone through her second divorce. She's very mean-spirited and cold.
She's got some humanity still left in her.
I could see she's crying over her divorce.
If she had no humanity, she wouldn't even be crying.
So, but I don't want this life.
I've already lost one of the great, like I've, I had a man who was one in a million,
and I've already lost him because I was so buried to my job.
I don't want to become this.
Yeah, I'd like to be in a career where I'm successful,
but not at the price of my soul and my personal life.
So I'm glad she recognized that in the end,
and I like resourceful characters who are intuitive
and are very observant like that.
The performances in this film from Anne Hathaway,
who is not only so beautiful in the outside,
but her character is so beautiful in the inside.
And I'm glad she didn't let that go to waste in the end.
That was awesome.
I love Andy.
She's such a sweet and welcoming and beautiful character.
And I like, too, the way that Emily treated her throughout the film,
and she really actually did care about her,
even when Emily was still in charge of her,
or even when she took her place,
Like, she didn't actually want to make that decision to, you know, take her place in Paris,
but she still cared enough about her to go to the hospital and check in on her.
And then once she was done with the job, give her the closer pair.
So she's a really kind and endearing person.
I really care about her character a great amount.
What could you say about Merrill Streep?
What a performance.
I love that her character was really strategic, really precision-based, and also didn't rely on volume.
Like, you could, she was very soft-spoken, but you're not.
could really feel a lot of the venom through her through the soft-spoken tone of her voice and
she's someone like i would literally need to wear brown or black pants around because like she
had that body language and facial tone and expression and she just gave it off through her
incredible performance what can you say she's incredible in this movie i really also emily blunt
the way she was able to have the the spunk and sassiness and also the the comedic timing was
so good. I didn't know Emily Blunt was funny, but she was hysterical, I thought, in this film at times. I was like, she had Greg and I really laughing out loud. And I thought Stanley Tucci, I love that, especially in such a cutthroat business like this, it's nice to know there's people out there who actually do care. And especially for someone like Nigel who got screwed in the end to have someone like that who's in a position of power and being able, not a full position of power, but a higher up rather, but to be in a position where he's a mentor.
and a caring individual.
I think that's so important,
especially in jobs and stuff like that,
to get a little bit ahead.
You need that type of support system in place.
So I really enjoyed this film a great deal.
And also like the chemistry between Adrian Grenier,
Nate, rather, and Han Hathaway.
If I had one little complaint,
I would have said I would have liked to spend
a little more time with them.
But yeah, those are my initial thoughts, Gregory.
How are we doing?
Good, yeah.
Uh, there's not really much more to, to add on to that.
Uh, you pretty much said it all.
Shets, I'm sorry.
Right there.
It's a good movie.
It was a little bit, it was moving.
You don't have to be sorry.
Uh, what do you mean by you wanted more from, what did you want more from Adrian?
I just would have liked to have spent more time with them.
Just, I mean, we, obviously the time we did get to spend with them, you see, like, she's
constantly disappointing him because she's not there.
and she's married to her work.
So, yeah, I get that.
But I just would have liked to have gotten to,
just as I pointed out,
spent a little more time with them.
But that's just a little minor complaint.
Nothing like that devolved in how I felt
in my experience in the film or anything.
No, okay.
No, I like that.
Yeah, the movie was a really good movie.
It was surprisingly...
it had like is weird because it's most of it is rather predictable but the even in spite of it being predictable
it's rich in its details and for a movie about fashion which is all about details it's good to have
a story that is layered in its main characters that you're following from maryl streep and
hathaway and even emily blunt and exploring the nuances there because like the men in here are kind
of one note you know like like uh one guy just trying to like sleep with her the whole time sexy and
then the other guy is just like the coolest most understanding boyfriend yeah and apparently
from some royal reject questions that there's as other side where people think he's not supportive
I think he was kind of supportive of a movie,
but maybe I misinterpreted that?
It was obvious that she was a slave to her job
and becoming something she didn't ultimately want to become.
And he saw that in her.
Granted in relation, I mean, yeah,
there could be a little bit more depth to the relationship
because people grow when people have individual careers
and individual lives doesn't mean.
And then you're a couple, you still grow.
And sometimes you can grow apart.
and then what kind of couple
there's couples who endure during that
or you grow apart
but sometimes you grow separately
but you're also growing together simultaneously
and you know
a story's not about their relationship
though that's like the B story
to all of it
in terms of like the main story at hand
it was kind of a riveting movie
the entire time the energy of it
right from the get go it was kind of
it's kind of like hooked in immediately there was a there was a panache to it there was a
there was there was a there was like a fun anxiety which is kind of a sentence i don't often say
like anxiety is not a word i associate to be fun but this is how to have fun and it managed to
keep like multiple layers going in its emotion where it could be anxiety tense and fun at the
same time like i think the most emblematic moment of that is when
Emily Blunt gets hit by the car because that whole scene is is like, ooh, you're on edge.
Oh, this is uncomfortable.
You have to say this whole, you have to have this whole moment where you're, you have to have this whole scene with them when you, when she's the uncomfortableness of the tension of like, I have to communicate this message to her.
And then she gets hit by a car, which is like a shocking moment and a tense moment.
But it's also like kind of funny that it happens just because of how absurd.
everything has become and how about landish and big everything has become and they did this thing
throughout the whole movie which is you have anne hathaway's character and you're watching this
from her perspective so you're you're with her and when you're with her in the beginning
i kind of share the same opinion as her of this is ridiculous like this is all fashion
this is not a big deal this is that people are making the most dramatic
intense conversations out of the tiniest things possible but then as you get more absorbed into it
those things that you're judgmental about and find little suddenly you're into the trauma of
of it all you feel the magnification of it and that's a really that's a testament to the movie's execution
on what they're doing so i was really surprised by how fun is
it was, how heartfelt it is,
and how tense
the experience is called the Devil Wars
Prada, and it's like, it's got its
cheesy moments, but the cheese
compliments, the cornyness, compliments.
Yeah, well, yeah, totally.
What are you going to say something?
No, no, no, continue. I'll say it after. Go ahead.
No, you can go ahead.
I was just going to say to your excellent
point, I think some of the lines put it
in perspective of just like
how fashion can be so important to some
people like Miranda is talking about like you make fun of fashion but look at all the
stuff you were wearing we had to pick all this out in a room just so you could wear this that
is you know what you are that in that sense and then also too Stanley Tucci is that conversation
he has with her and saying like you know a six year old boy who was sneaking off under the bleachers
when he was supposed to be at soccer practice or whatever like this is actually important stuff
to certain people so you know it's what might be funny
or made fun of for certain people
is a very
gets really absorbed for others
and is actually
something that others like really
some people that take for granted
certain things others like really
is something that helps them move in life
excuse me makes them feel alive
so I think the film
was very poignant about that
and really did a great job of executing on that message
and I just appreciate that I think that's why
what we do here is so important I've seen so many
messages of people saying
hey I'm going through a very tough
time but like the rejects you guys
help me get through it I love watching movies
with you guys and like those touch me I love
messages like that like how art can bring
us all together or could be
fashion you know just any any different
things in life I love hearing stuff
like that so that actually resonated with
me those two different
point of views from Miranda and from Nigel
yeah definitely
and I like how
Nigel stays
still after all this
and I like how Emily Blunt
even stays and it shows
that sometimes
at the end of the day this movie's about
choice. This movie's saying
that we we choose it
whether something's like
bad or toxic
or whatever
we're choosing to be a part of that
and we have a choice to
not be a part of that
as much as we tell ourselves
we don't
like Anne Hathaway in this movie
who's constantly feeling like she doesn't have a choice
she realizes she does
and that's usually what a lot of our situations are
are there times where we don't have a choice of course
and then they're but most of the time we do
when we think we don't and I like how they
and the other part is too is even though
Stanley Tucci and Emily Bunt choose to stay
that doesn't make them bad they're not bad people
it's just the path they've chosen it
They've chosen this world.
And at the end of the day, as much as the dialogue is very cynical of this world.
They like it.
It's the world they like.
It's the world they want to pursue.
It's the world they actually want.
You know, and if it takes to be a certain kind of person to be in it, even if you feel like you'll never really rise.
But it's also saying that in order to rise in this world, it's not ideal.
You know, a lot of people have like an idealistic way of viewing how rising through the rings can be.
But they're ultimately saying it has to be cut.
throat. I do wonder what this equal.
Yeah. No, and to your
point as well, like
sticking with this path when you
were being constantly spat on
like Emily and
also like Stanley Tucci's character
and paying your dues at the
cost of ambition, if you
can still keep your soul intact, I think it says
a lot about you as well as an individual
and what your values are.
I think so. Yeah. So I think like
I find that so to be fascinating
as well. And that internal
look we got rather from Miranda's character at the end where you pointed it out like where she is
looking out at Andy and Andy is looking out at her like this is what I could have become and then
Miranda is looking at her like this is the life I could have had I could have had I could have
been with a man I mean she did have a family and kids but she didn't prioritize that she
prioritized work and being cutthroat and making the the slash cutthroat choices so that's the
life she lives it's the life she lives
man yeah and we're gonna do what you gonna do life like him for you but i know i like i actually
kind of love the movie i did too you know what stood out to me in the first 10 minutes you're like
usually i need a warm-up to get into i'm like nope i'm into this right we filmed so many movie
reactions and it normally does take me like you were in like 20 minutes you'd be like okay
i'm here i'm in i'm in the world and i was like i'm kind of just like lost in this right now i was
I was there with you, I think maybe
Anne Hathaway's suiting up right away
in the beginning of that's a different
thing. Yeah, man, and it's also
really well directed, so that's a really good move.
For sure. Let's read some questions here. Let's do it.
J. Dell.
Hey, J. Dell, thanks for being here.
This is
one of my favorite movies. Did you
know Merrill Streep chose to make
Miranda's voice calm and low
instead of loud
just to quietly command the room.
Yeah. It's true. A lot of people
assume when you have to command the room,
you've got to go loud. But sometimes
when you're going loud, if you really want someone to listen,
you can go quieter.
I think it's scary being quieter?
Do you think that made her scarier
than if she's got a full boss from hell energy
or would you prefer to more explosive Miranda?
I mean, yeah. Oh, sorry, go ahead.
No, that's all right. You can go ahead.
No, I was just going to say that, look,
when someone gets explosive
that can be definitely more scary
but I think in order to grab one's
attention and to
still be on the fearful
tactical side like I think it's more
strategic to be calm and still
get your point across is by
being more quiet and to
really grab people's attention like that
and to still commandeer
the room so I think that was
such a damn smart and wise choice
and I think that speaks again to
the prowess and the wiseness of
Meryl Streep as an actor, she must have read the script,
got into the character of Miranda,
got into the narcissistic personality of someone like this
and someone who is a mean bitch boss lady like this,
like I think someone like this would be a lot more commandeering
and commanding with a more low voice
and that body language prowess as opposed to shouting.
It really honestly, if she would have shouted most of the film,
I'm like, I'm kind of bored of this
of her yelling the whole movie.
like this is so much more like it's so much more mesmerizing to watch her in that quiet tone and scarier to be quite honest but how do you feel
i wonder if this question comes because in the book she's boss from hell energy i don't know i didn't even know
there was a book well i know there's a book because i was that bars and almost said the devil wars prod a two
book i was like oh it must be based on a book and then the opening credit said it was based on a book ah miss that
i was looking too much at anathaway's panties it was actually during the situation
shots whatever i was thinking about it then the uh the the idea if she was like loud i don't think that
would make sense uh because this character is all about control and a person who's in control
wouldn't be losing their temper sure a character who's in control that is truly the devil is the one
who can be like soft spoken yes and is it a constant state of commanding so yeah i think she made the
the perfect right choice for it because it's also manipulative and it's deceitful because you can say
something nice in that tone and then the very next sentence have the same volume and say something mean
like oh when she checks in the work and she says like can you go pick up this thing and then
I want you to get and then the very next line is oh I want you to also get the Harry Potter
manuscript you did something fall in your head like there's something falling your head less something
like that you know yeah so i think there's there's uh i think the way she did this performance was
she was perfect in that this is like a perfect performance yeah for sure all right valerie fisher
valerie thank you so much for being a royal reject for asking us a question we appreciate you
the uh hi gregg and andrew hi valerie i love this movie thank you for reacting to it i have heard
debate on that miranda is a villain while others have said no she's a tough business woman
what is your opinion
Greg you want to take it away
well
I don't feel like she's the antagonist
yeah that's what I would say to
but I wouldn't call her a villain
yeah they portray her as human
and she's not a very
kind person
and yeah talking about
like if I knew this person
in real life I or if I
there were someone I heard stories about
I would I would say
they are not a good person
I would say they're not a good person, which is true.
But does that make them a villain?
Yeah, they're the villain of this story.
They're the antagonist of the story.
Yeah.
At the same time,
she's like, that is the business world.
Yeah, exactly.
She's portraying what it takes,
especially in like the New York scene,
what often it takes, is that right?
I wouldn't call it right.
For sure.
Is it ideal?
Definitely not.
you know it's it feels like very totalitarian it's it's awful um but no so i wouldn't chalk it up
as something as simplistic as she's a tough business woman so give her a pass yep nor what i
chalk it up to she's just a villain because she's anything but you know cruella toville
she's she's actually yeah she's nuanced she's in the right line between tough business woman
and sure and villain because yeah you have to it's the movie's kind of saying it or
to survive in this world you've got to be willing to step over people and sacrifice your integrity
and values in order to keep advancing and do you really want that so in this world and that world
does exist in real life she's just a part of that pie yeah no absolutely she's the antagonism
and she's not evil she doesn't skin dogs she doesn't kill people but she walks all over them
she will sacrifice people if need be to get where she needs to get to to advance to where she
needs to be. So that is clear. And look, it's a good throat business, the fashion industry. And they
made that crystal clear. And if you want to make it in this business, that is what you need to be.
And that is what she was. And I think Anne Hathaway is a representation of what she used to be when she
first started versus what she transformed into. And Anne Hathaway was like, as we pointed out earlier,
a cautionary tale to what I'm becoming, what I don't want to be. And, you know, I think the film
just did a great job on executing on that.
So I would not call her the villain,
but as Greg pointed out earlier,
I would call her the antagonist of the story, for sure, no doubt.
Agreed, agreed.
Laura 6.18.
For The Devil Wars Prada sequel,
what storyline or plot beats
would you like to see revisited and expanded on?
What new aspects of these characters you want to see explored?
I love this classic movie so much.
Hope you enjoyed.
Thank you, Laura.
SR 618 for the question.
We appreciate you.
I want to see Miranda is retiring.
She wants the greatest disappointment
of all time Anne Hathway to take the job.
She rightfully should have taken
in the first place that she gave up on.
I have no idea what the storyline should be.
She's going into her retirement home.
She wants to get her husband back.
I have no clue.
Just the fact that we're going to get back
into the world with these two characters
is going to be fun enough.
So if they feel like there is a story to implore or explore rather,
great. I have no idea what it's going to be.
So I would imagine, though, she's at the end of her rope.
They already tried to replace her at this point with Francois or whatever,
and she screwed over Nigel in the end.
So we're what?
We're 20 years removed from this movie.
I've got to imagine they're going to stay on that timeline.
So, you know, Miranda's another 20 years.
I don't think age is obviously that big of a factor when it comes to this.
but the point I'm making is she's a little bit older,
so I don't know how much longer she's going to want to keep doing this,
although I guess until they say you can't do it anymore,
but she did say I'm going to do this until I don't want to do it anymore.
Not sure.
We'll see what they do.
I just want to get back into this world.
I don't really, as long as it's a very immersive storyline,
and it's compelling.
I'm down, and I just want to see a little more.
Hopefully Nate comes back.
We get to spend a little more time with Nate.
That's what I want, Greg.
What do you want, Greg?
And Devil We're Spotted, too.
I imagine Ann Hathaway is like a successful journalist by that point or like doing
maybe doing an editorial piece on her or maybe she's retiring and she's going to write the book.
Maybe that's, I feel like that would be a cool story, actually.
She's getting a book about Maria.
Writing the biography book or something or getting into the fashion, like the writers have to work with the fashion world.
I don't know.
I don't know.
We watch a lot less trailers now, which pisses off.
lot of people but we watch a lot less trailers simply because of this reason like it's more fun
i don't i like going in blind the less we know the more fun it's been so the channel's just
changed yeah more and you know unless the trailer feels like an event trailer yeah like an avenger's
doomsday like that makes sense of the fucking that we gotta watch it's like it's an event trailer
yeah but most of these trailers nowadays i'm like ah we can wait yeah i'm not gonna lie to you
i did not see one piece of footage for predator badlands i went in not knowing a thing and i'm
like holy shit that was so much fun going in blind and what an immersive amazing experience like
i love this so having more of that i'll try to dodge this trailer for as long as possible the only
time i catch a trailer now generally is what it happens to play before a movie i'm watching
yeah you're like that the most of the time i'm i'm usually showing up but before the movie starts
but anyway uh thanks for the question thank you so much let's move to j rushden
all right j rushes what up jay question is that
they're a clothing ad you actually remember and what do you think of the american eagle ad with
sydney swiney i don't think i saw the sydney did you see the sydney swiney ad was like causing
controversy caused a whole bunch of controversy for some reason that i didn't understand i honestly
don't even remember what the ad was i just remember she was really good looking in the ad i mean
that's what she's there to be hot in the ad yeah i don't think i saw it either
I think Cindy Sweeney's kind of a boss, man.
She's a badass.
Is there a clothing ad I actually remember?
No, I remember ads of like, I remember like the Carl's Jr. commercials of like, if it doesn't
get all over the place, it doesn't belong in your face and like the model eating it at a car.
That's what I remember.
In terms of like clothing ad, I remember like Old Navy where they're dancing.
That's the only thing I really remember.
I can't tell you of a clothing ad actually or a fashion ad.
I've got the memory of a teaspoon.
I don't, I, I, when it comes to clothing ads, I, I, I don't remember.
I'm sure if we looked up some clothing ads from like the 90s or something, maybe something
would pop up, but in the moment right now, I'm sorry, Jay, I do not.
I remember the Nike ad with the basketball.
That was cool.
They bashed the ball around screen movie, too, makes more of it.
You know which trailer.
Is that Nike?
I don't know if that's Nike.
Hey, you know, you know, which trail or ad I do remember from, I think it was Nike.
It was Michael Jordan's Nike, right?
Yeah, Michael Jordan's Nike.
You know which one I do, remember?
I want to, was it, I can do anything you can do better.
Remember that one?
That was a good one.
I know that's nothing to do with clothes, but that was a good one.
Nicky San Risa.
Hey, Greg and Andrew, I hope you both enjoyed the movie.
My question is, if you were to give an opportunity to work for someone like Miranda
for just a year to gain experience, would you do it?
Do you agree with Andy's trying to shut the job change,
or do you think that change helped her grow as a person?
would i work for someone like miranda hell no hell no love you gregg you're a good man uh no i would
not work for her i look i would i would love to gain knowledge and grow and evolve as a person
and i am a very ambitious person gregg and anyone here on this channel will tell you that but i am
not sacrificing my soul or working for someone as heartless and someone who will use me as a pawn
and not give two shits about me and i don't even care if you do
don't give two shits about me, but I'm not working for someone like that.
I'm good.
Do I agree with Andy's friends that she let the job change her?
Do you think the job, or do you think the change helped her grow as a person?
I think a bit of both.
Definitely changed her a little for the worse, but also, too, it gave her a little bit of
perspective on what she did not want to do and who she did not want to become.
So I think that was a growth in itself and gave her not only perspective, but made
her very objective and observant rather
to what she wanted to pursue in life
which was already journalism but
yeah I think this was everything happened for a reason
and yeah that's what I would say
what about you Gregory no not a million years
I've worked with bosses way less bad
who I hated
and quit I moved
from a shitty apartment because I hated the landlord
yes I've had shitty landlords
they're the worst I would never
foot up with someone like that
that's not it's not my personality
five days seven days a week
and I would also I would probably like
lose my I would lose my temper and
say something I know me too did I would
lose my temper yeah and
like screw everything
for myself so no I wouldn't
do you agree with Andy's friends
shut the job change her
I mean
yes to both of course
it's not black and white she did
grow I think she gained
resilience, belief.
She was a character who was quitting a lot, as established by her dad.
She also found self-confidence and self-appreciation,
while also sacrificing other qualities of herself that she maybe shouldn't have.
So, yeah, it was a little black and white.
It wasn't black and white.
It was nuanced.
And I think it was a good depiction.
Very human.
I mean, I don't care for movies predictable.
As long as the journey there is detailed enough.
And there was not everything was predictable.
Definitely.
once you're enjoying the ride by a car yeah that was a big surprise right there that was
did not predict that one coming at all yeah that was crazy anyway guys uh that's it for today
jadele i know you asked a couple of questions about um Nate but I think we already kind of
covered that he was not unsupportive in any way he was the definition of supportive she missed
his damn birthday for crazy sakes come on but what do you guys think about the devil wars
prodda are you excited for part two did you read the book I wonder what the differences are between
the book and the movie i'll be looking that up thanks andrew for being here and showing your
sensitivity always let's get down to business we'll see you got soon rejects peace
