The Reel Rejects - THE LAST OF US 2x05 Blind Review!
Episode Date: May 12, 2025THE VIRUS IS AIRBORNE!!! The Last Of Us Season 2 Full Reaction Watch Along: / thereelrejects Support The Channel By Grabbing Yourself Our TLOU Apparel: https://www.rejectnationshop.com/ ... Save & Invest In Your Future Today, visit: https://www.acorns.com/rejects Visit https://huel.com/rejects to get 15% off your order In the aftermath of Abby killing Joel / the Joel Death Scene... Roxy, Tara, & John RETURN for The Last of Us Season 2 Episode 5 Reaction, Recap, Commentary, Analysis, Breakdown, & Spoiler Review!! In this exciting and emotional next episode of The Last of Us, we dive deep into the intense moments that follow Joel's shocking death at the hands of Abby (Kaitlyn Dever). From Ellie’s fierce confrontation with Nora (played by Shannon Woodward) to the tease of the powerful Bloater and the introduction of the spores / airborne infected, this episode is full of pulse-pounding action & unforgettable moments including Pedro Pascal’s Joel cameo - Ellie’s emotional and brutal showdown with Nora - A terrifying tease for the Bloater - Jesse (Ian Alexander) reuniting with Ellie and Dina - The intense Stalkers fight scene - Epic battle with the Scars & more! The last of us stars Pedro Pascal (Fantastic Four: First Steps, The Mandalorian, Game of Thrones) as Joel Miller, Bella Ramsey (Game of Thrones, His Dark Materials) as Ellie, Kaitlyn Dever (Booksmart, Dopesick) as Abby, Isabela Merced (Madame Web, Dora and the Lost City of Gold) as Dina, Gabriel Luna (Terminator: Dark Fate, Agents of S.H.I.E.L.D.) as Tommy, Jeffrey Wright (The Batman, Westworld) as Isaac, Rutina Wesley (True Blood, Queen Sugar) as Maria, and Young Mazino (Beef) as Jesse, The Last of Us Season 2 Episode 3 continues to deliver intense, heartbreaking storytelling while faithfully adapting the game’s bold and emotional story beats for HBO. With new factions rising and tensions running high, the journey is only getting started! Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter: https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Let's not prolong the inevitable.
More heartbreak, I say.
Yeah, let's torture ourselves.
Why not?
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Guys, we don't have an ending with no music anymore.
We got soul back in our lives.
We've got things to hope for.
We've got violence going on.
We've got a lot happening.
That's right.
Tara, I'm coming to you first.
How are you feeling right now after that episode?
You know, to be honest, I didn't look away from that.
I was like, Elle, get it.
Go ham on this girl, golf it out.
I know what Rossi's saying.
We shouldn't be like them.
I was like, hell, I don't give an F.
I wanted her to be in absolute pain.
for what she called Joel and then especially she freaking keeps going when Elle's down there and she calls
her she's like you bitch you killed us both I'm like oh I hope whatever that I am all freaking for it
I'm all about it and I am so glad that um that Jesse came back I think that's really exciting
obviously he's like Tommy's with me I wonder where Tommy is sort of hiding out if he has a safe place
for them to go because that would be good news for Dina so that Elle may have some hope so that
they could all see each other again.
But I do find it very intriguing to be able to see the scars and what they do, how they
find people, how they punish them.
Your people is just, yeah.
Because I know the whistling people.
I know the whistles now.
High one to the left and if it goes twice and it meets this, John, just so you know.
That one's good.
The high, long one.
Bad news bears.
Afraid of you.
I know it.
Afraid.
And for them to do the...
It's how Tara and I communicate.
I wish I could do a real high-pitched long one, but I can't.
It was great.
I liked it.
I mean, this episode had really, really great effects.
I loved seeing, obviously, we get to that room where she says we had to block it off because
it's in the freaking air.
And then we see how it's in the air.
how inventive and cool was that looking?
I mean, it was horrifying, but also awesome.
There's people up in there still alive,
surrounded by cordyceps, breathing and out,
and they did an amazing job with those effects.
I just thought it looked,
I thought it looked like a mix of practical
as well as special effects,
and I thought they did a really good job with that.
And I'm just still really glad.
We did get one more kiss in there.
Like, it's very cute how they are,
um sort of painting the picture between ell and dina because they see this the smart one and before
they split up they kiss again instead of just being like all right peace we got to go to work um
which i just thought was was really sweet and who knows how long i don't know i don't know if because
this show is just like f you and f these characters we could lose them at any point i hope i mean
an arrow in the leg isn't going to kill you so hopefully it doesn't hurt dina um well
We'll see.
John.
Cook them.
Cook them.
This was a really good one too.
I like this episode a lot.
Yeah, this is interesting because I think it plays, it's continuing to play on that thin line of motivation.
And I mean, it's confirming certainly something that we've had suspicion of.
But I wonder what Ellie truly means when she says, I know, like, you know, I know what.
I know what Joel did because that seems to be, you know, the looming, again, given the prologue, given the ending of season one, the prologue of season two, you have this suspicion that, yeah, this day where Joel makes that lie is the day that this rift begins to grow and- But she knew.
And yeah, and you always have, like, I don't know if she knows like the full and complete context, but it certainly seems like, yeah, she would be capable of figuring out.
He probably murked all those dudes and got me out of there.
And if he did that, it's probably because it was going to be a big threat to my life.
And so that moment was like wrenching, badass, scary, tense.
And yeah, like, the interplay of cruelty is interesting because for us, the audience, we're obviously, we've been on the journey with Joel and Ellie.
We love, love, love, Joel.
And so we feel Ellie's righteous indignation.
But she's going up against people who have the same motivation.
And, you know, Abby's dad, this surgeon who.
at least was the one person capable
of potentially synthesizing a cure
like I understand what a doctor by the way
one person yeah well you know
they're hard to come by in the after times
but yeah like as much
it creates this dual sensation
where on the one hand you want to see her
let some rage out and you want to see
all of these guys
you know incur some kind of comeuppance
and granted abbey is like the most
direct source of
her rage and ire but you know there's this weird thing you're watching with nora where on the one
hand you're like god damn it like you know you don't talk about joel like that but given her
perspective like of course she probably has the hatred in her heart to you know do the name
calling and make it extra not petty but just yeah more person letting your personal rage
influence you know how you're handling the situation and when abby is you know wailing on her
leg, you know, part of you is like, get her, you know, like, make her suffer the way we have
suffered. But then at the same time, or at least for me, at the same time, you're like, but you are
descending into the same level of cruelty and you are committing to the cycle of violence.
And I think the big, a big part of the debate of this season is that question mark of,
does it matter who started what? And, you know, how do we act about that? And if we just succumb
to our personal vendettas
then it's just going to be
and it's like that kill bill thing
you know with like the one
assassin's daughters in the room and you know
that little girl like the bride says that thing
they're like one day you're going to come after me and I'm going to be ready
you know and so like I think it is
it's fascinating because it's
a roar shakier version of this
kind of story than we're used to seeing because usually
it would be like oh whatever
character our protagonist is going after
is more plainly just evil
whereas the wolf's
you know, you have the question mark of their morality and their codes and their whatever based on, you know, these glimpses we've got of them through from the outside through other events. And we see them in conflict with the scars. And we've had interesting views on both of them. But then, yeah, you just have this isolated experience with the personal angle of Joel and Ellie and all that. And yeah, like the question of the violence versus the, the, the, the, the
intellectual question of the, you know, morality and the, I guess violence is not like
altogether moral ever. But, uh, yeah, the moral question mark of should we, you know,
feel as much catharsis as we do when Ellie, you know, gets to let this rage out, you know,
should we feel the way she feels or should we all look higher and go, wait a minute, this will
never stop if we don't stop it, you know? Right. Yeah, I think it's just really interesting. And yeah,
also to then, you know, them exploring the basement levels.
I thought the build up to that was really cool.
And I'd forgotten.
I was like, what, what could this building be?
And then I remember like, oh, yeah, but they keep talking about the hospital and.
And then Tara said out loud.
Yeah.
It's in there.
Yeah, yeah.
And then, you know, you have that tease of like, well, there's something in a basement
somewhere that's bad.
And then, yeah, once you get there, you're like, oh, shit, of course.
They wouldn't need to patrol the hospital because that's probably like one of the core
hubs of everything.
Yeah.
But having them walk around it, yeah, the way they do the particulate in the air when you're in the basement, you're like, man, I would not want to breathe down there.
Like, you just, even if it was just dust, like the way things are floating and you've got all these people grown into the walls and there's like exhaling these like almost smoke rings of, yeah, just like infection of, you know, viral fungus is really striking.
Man, I thought this episode was, there was so many great things about it.
the first of all the fact that we have jesse back and potentially tommy i'm really excited about
i thought that they were going to come save us because of that tommy monologue that he gave about
why you you don't go to save the debt go after vengeance you go to save the ones you loved
then of course if he was going to go then jessie was going to go too yeah it's really
interesting right now that uh dina and jesse are together because your baby is inside her
and you're you're trying to carry her to safety we don't know actually what
ended up happening there.
So I think that probably next episode we'll see what ends up happening.
Do they end up making it out?
I'm sure that they do because otherwise they wouldn't have done that off screen.
So you've got that whole thing.
We know Tommy's on the horizon, which is exciting.
And then we've got these two groups that are both our villains, but are each other's villains
as well with the scars and with the wolves, which makes for an really interesting dynamic.
And at the same time, having the ultimate villain in your basement now in the air, which is on top
us seeing that there are so many of the smart ones now too so just the the threats keep growing and
building and are taking over the world but at the end of the day ellie still cares about this one
thing and she is given the opportunity by dina to turn back and she can't do it she can't pick
going to live happy life with my baby and my wife in the future and live out our days she won't
be able to live until she kills the people that killed Joel.
Yeah.
And that's how she says, we got to keep moving forward.
And Dean is not going to leave her.
So I think all these choices make for a really strong episode.
And I think that it's interesting too.
Earlier on, we get the I love you, I know moment.
And then we get a second I know moment.
And it's at the end of the episode, we've been wondering this whole time, what does she
think?
What does she think?
And you don't know if she's going to explode or not kill her or what.
And she does the thing that we've all felt in our hearts this whole thing.
time she says i know i know what jill did i know and i've always she's always known it now it's been
confirmed which is a little different than knowing something and like hearing it confirmed but i was
so glad the show went in that direction she's a smart girl we hear about her smart in this episode
she's smart what did she think he just like tiptoed on it just all happened like that barely
got you out of there no she knows she knows that's why she says swear to me she wanted to him to
tell her the truth and but she knows so for all those reasons this was a really really
really good one. Let's talk about that ending moment though.
Because she's, Ellie is taking Nora to town with this pipe.
She's piping north. She's laying a pipe.
Yeah, that's right. And then we jump cut. We, we like smash cut to Ellie asleep, opening her eyes.
And there. And there's Joel in kind of a haze. Are we supposed to think of this?
that something, that something happened to Ellie and that's where she is in our mind. Is this a
flashback? Like, why do we only get 30 seconds of it? And then also, just speaking from a
production standpoint, we have to have him for the next episode, right? Because why would they
have paid him just to come back for 30 seconds? Right. On set, you know, I'm sure they must have
had them for longer than you got. You guys had them on set for one day. That's all you got.
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Like, it does feel like the kind of thing that suggests like, oh, the next episode's going to start with this or be some bottle fantasy episode or something or just him being back and them cutting to the future and everyone living happily ever after, of course.
That one.
I wonder if what it seems like is if you chart Ellie's, you know, Ellie is she's good at packing down her emotion.
right? And right before they leave on this trip, you know, she's like about to kind of start weeping. And then Dina comes and she's got to kind of quickly like, okay, back to business. And they visit Joel's grave. Like there are these little bits and pieces of the emotional experience of this of her confronting the real pain and trauma inside over this, you know, horrific event. And so it's like when she starts wailing on Nora, it feels like that's another moment where she is actually confront.
and processing what's really going on inside and because this is such a significant step
toward her goal, even if she's not really getting the info she needs. I feel like in a way,
maybe that is opening her up to being able to confront the idea of Joel again because so
much of this mission feels like it's a, you know, it's a way to keep distracted. And I have to
imagine that if she were to arrive at Abby and kill Abby, that's when it would all come out,
you know and this is just a yeah a little leak of that emotion coming out i agree is it possible
though that this is cordisaps related she's breathing in the air and could this be like
hitting her like a drug or she's having visions yeah because we don't really know how we've seen
with a bite but we've never seen this kind of thing yeah that's a good question i mean it could be
anything and i like being i i like the disorientation of that and it's kind of a fun button to throw
on a show like this where it's like, oh, here's this tender beat.
And now we're cutting to black.
And what does that even mean?
Right.
I feel like I wouldn't be surprised if they are having it to where she's wailing in on
Nora and she saw that exact thing happened to Joel.
I would not be surprised if you would have sort of an out-of-body experience where you saw
that happen to the person that is the most important to you in your life.
and you are now getting a sort of catharsis,
vengeance out on this person,
giving them exactly what they gave that person in return
that you could be taken to an out of body sort of like disassociating.
Yeah, it could be, could possibly be.
But just one more thought that I forgot to say is just I really,
really liked Dina's tiny monologue about her family
because it, for me, when I saw,
see Abby go for that and I just go hell yeah beat the absolute living crap out of her I am on I'm on
the verge of just going I don't give an F if it's not right or if if it's totally wrong because you know
what I'm also with what Dina said she's like had I gotten there early and and he had gotten
away I would hunt him for the rest of my life yeah and you better believe that's me yeah like
You come after somebody that I know or a family member that I love and I don't catch you.
Yeah, I become a liability.
Absolutely.
Like, I'm going to jail.
You're dying and I'll die in the midst.
Exactly.
She says, we didn't kill you.
She said maybe you should have.
Exactly.
And I love that because, and Dina is in this exact same headspace.
She is able to put herself in L's shoes in that moment to explain.
I'm not just doing this because we're now lovers and we now know that I love.
love you and you're my best friend i'm doing it because i understand your point of you and there's
no way that i could not understand it and i am now on their side and i'm like i don't care i'm like i
can't tap into although i should be able to because they're all humans i can't tap into norris side or
abby's side about her dad i don't care i'm like literally beat them all up i'm so with i i feel the
same way you do, but unfortunately, when you are somebody's ride or die, the second option is
die. And I do unfortunately believe that we are on this path of vengeance. And I don't know
that there is a world in which Ellie, Dina, and baby all make it out of this. Right. I know.
I know. Scary. And that's scary. It's like, as I am you, I am the same way. And if that's what
happened that's what happens you know it's kind of like um what jol says if i don't make it i don't make it that's what
he said last remember the last we saw him when he's like i'm going to ride back if i don't make it i don't make it
right and that's how they're feeling right now if we don't make it we don't make it but at the same time
if they could if they could be better than us yeah if they could be better than their being
then they could just live together happily but they can't make that choice here and that's why jessie's
like do i look like i want to talk to you guys right yeah you're right now i'm at risk now
it's not just even you guys so and now
more on Tommy and more people yeah
yeah because if you go it's not
that simple because you know like and there's
so much in the show about like
people and and in a lot of
stuff like this you'll have the character
who you're following who's
you know the loose can and the impulse of the one
who just gets fixated and has to get this done
but who also then will be like no but
I want to protect everybody else and keep them
shielded from this and when you have a bunch
of those characters then yeah you have this domino
effect of like well yeah if
and Dina go out, then surely Tommy's
going to follow and Jesse by proxy
is going to follow. And yeah, then
yeah, I guess it's doing
an interesting illustration of just all the
different moving parts that surround
a single minded motive
like this. Because it puts the whole really
strong characters of the town, the strong
people of the town in danger.
So it's like with what you're saying of like
Jesse's real strong, Tommy's real strong
and though, and like obviously
Dina and L, they're like the strong fighters
right, that you're like, well, you're taking
them out of the town so they can't like help it but also i'm like glad they're on it i yeah man
okay so much is happening damn there's just yeah there's a lot going on um i'm glad that i feel
fully invested in this show still though i was concerned that after the loss of joel that i wouldn't
feel this invested and one thing about the show is that it is fully gotten by the throat right now so
that's pretty cool that this is where we are i didn't know if i'd be here again so hey
Thank you, too. T. Liu, the last of us.
Don't forget, if you want all the people who know what's going on, then check out the gamers' reaction with Greg and Aaron and Andrew.
They have played the games. They know what's up and they do their reactions on Sunday nights.
We're the Monday morning crew who have no freaking idea.
No idea.
Ain't no games being played over here.
Nope.
We play no game.
Playing straight.
Thanks for being here.
We'll see you later.
Next time, Rejects.
Thank you.
Thank you.