The Reel Rejects - THE PRINCESS DIARIES (2001) IS A ROYAL DELIGHT!! MOVIE REVIEW!!
Episode Date: May 3, 2025ANNE HATHAWAY'S BIG SCREEN DEBUT!! The Princess Diaries Full Reaction Watch Along: / thereelrejects The Princess Diaries Reaction, Recap, Commentary, Analysis, & Spoiler Review!! Start ...your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Visit https://huel.com/rejects to get 15% off your order Join Aaron Alexander and John Humphrey as they step into the royal world of Garry Marshall’s 2001 family/coming-of-age comedy, The Princess Diaries. When shy San Francisco teen Mia Thermopolis (Anne Hathaway, Les Misérables, The Devil Wears Prada) discovers she’s heir to the throne of Genovia, she must undergo a whirlwind transformation under the watchful eye of her grandmother, Queen Clarisse Renaldi (Julie Andrews, Mary Poppins, The Sound of Music). Alongside Mia, Héctor Elizondo (renowned for Pretty Woman, Chicago Hope) brings warmth as loyal bodyguard Joe, while Heather Matarazzo (celebrated for Welcome to the Dollhouse, Scream 2) shines as Mia’s best friend Lilly. The film also features Mandy Moore (known for This Is Us, Tangled) in a delightful supporting turn, and Robert Schwartzman (star of The Darjeeling Limited, Sharpay’s Fabulous Adventure) as Mia’s adorable crush, Michael. Aaron & John break down every unforgettable moment—from the iconic makeover montage and Mia’s first clumsy steps into royal protocol, to the grand Genovian ball and the touching father-daughter reconciliation that defines her journey. Don’t miss their thoughts on the hilarious driving lesson sequence, the empowering graduation speech, and the film’s timeless message about embracing who you are—inside and out. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
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Uh, yeah, we'll just watch
the Princess Diaries.
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Johnald
Arun
What did you think
How do you feel
After this movie
This was
This was absolutely lovely
You know
I remember being a youngster
And it's coming out
And you know
At the time
You're like
That's not for me
I'm not a princess
Yeah
And I don't care
About what they write
In their diary
Or how to become a princess
But this was lovely
I had such a great time
Watching this
And this is the kind of thing
I feel like
have gotten to share some fun
movies of a particular stripe
in that, you know, not that they're
like, obviously there are a lot of differences,
but this made me think of like watching
the parent trap or watching like 13 going on
30 where it's like you have these movies that
are like really well
rounded. Like they're, yeah, it's a coming
of age story and there's a bit of
romantic comedy or
whoa, what we got? Bloops.
Oh! Oh!
Do you hurt yourself?
Not right.
Just the one.
Just the one.
Just the one bloop.
That's what we needed.
Yeah.
So it's like you've got this romantic comedy a little bit, mostly a coming of age story,
partly a romantic comedy as well, or at least some element of a romance movie happening.
And this is just really well-rounded, I thought.
Like, again, this is about a two-hour movie slightly under that.
But this really felt like it just had enough time to really breathe and to really set everything up
and to really feel natural, like, all of the different ebbs and flows of the story and the
character relationships, for the most part, felt very natural and well-observed and realized.
And, like, this had a lot of grace.
Like, it was fun and funny at times, but also it was just, like, really, I don't know,
I keep coming back to that, like, just well-rounded, like, you know, minus, like, you know,
the Mr. Robot doesn't think doesn't really turn into anything.
But other than that, like, everything else gets tied around really nicely.
All the supporting cast is really well-chosen and, like, all the different presences.
like it has to juggle a couple of things because not only is it like a coming of age high school movie,
it's also this, you know, ascending to, you know, some sort of status or power kind of situation as well.
And I could imagine a version of this that would be jammed with too many things or a version of this that's a little too madcap or whatever.
But like this, yeah, had the right tone of comedy.
It was the right tone of touching.
It was the right kind of earnest while also providing that contrast you need between like the regal.
poise that it takes to be a royal versus, you know, just the laid-back carefreeness slash
anxieties of being, you know, a kid or a teenager. And, yeah, I thought this did the school
stuff nicely. Like, yeah, there are some tropey characters in there, but a lot of the performances
and especially the characters who matter more to the immediate plot, you know, her friend,
you know, Lily, her boy who works at the car shop and all that stuff.
Like, you know, they felt really genuine as presences on screen.
And then, yeah, you have, like, Mandy Moore and her gang who are a little bit more like, you know, movie characters.
But it felt appropriate for them to be a little bit more like movie characters because they're not the point.
And, you know, they do serve to be these foils.
So I'm okay that we don't have to get, like, super deep into who those guys are.
Like, yeah, this seemed to have, like, the right focus on the right things.
And it really nicely presented this argument about, yeah, like,
wanting to live a normal life and just be, you know, out of the spotlight and just, you know,
find your own way versus, yeah, being, you know, sort of introduced to this huge responsibility
slash opportunity, you know, this whole other life and world. And, you know, this is the little
debates about like, why didn't, why we didn't tell you about this and her response to that.
And, you know, the debate and the sort of arc from her going to, from completely opposed to this
to like open to it to kind of accepting of it and then the debate at the end of like no but this is
becoming real do i actually want this or not i'm freaking out like all that stuff felt just like
really natural really genuine and was really lovely to watch especially given that the performances
are so natural and so lovely too and i don't know if this is anne hathaway's first movie but this
is definitely like a splash like she definitely like everybody on the supporting cast i really
enjoyed and obviously julie andrews is a veteran is you know one of our you know
Hall of Fame, great actors.
But, you know, Anne Hathaway, like, she's got to be able to carry this movie.
And I can absolutely see how this at least made her a star, if not, you know, if this wasn't her first film, I could at least see how this was the one that, like, catapulted her to, you know, the road that, you know, led her to where she is now as an actor.
And, yeah, like, this was just so nicely hewn.
And, yeah, big props to Gary Marshall.
I feel like this flavor is, is his bag.
or at least that's what I associate with a Gary Marshall movie and I thought this was
yeah really well done what did you think I thought it was lovely I had a really good time watching
it I think you know echo similar sentiments that you had shared there yeah I thought all of
the supporting cast is really nice I thought that just the energy and the vibe of the movie was
really really light and really fun it really gave us this beautiful sense of what the city
first of all what her world was like you know really
like getting that feel of what San Francisco was like, but also just all of her supporting cast
and just the weight of what it would be to have something so life-altering come within your
sphere in the middle of you trying to figure out who you are as a person in life.
And the reluctance to the call makes total sense.
You know, you're just trying to figure out you, and here comes the responsibility of
the fate of an entire nation.
And how people react to that around you.
Exactly. And I feel like Ann Hathway did such a good job at walking that line between someone who was nerdy and kind of clumsy, but also being super endearing at the same time.
And I like the way that even through her transformational phase, she was still her.
You know, the physical didn't change the internal, at least not for the negative connotations, which we would assume, what happened.
And it's funny that even though her external changed, the immediate reaction of the world around her was one as if the internal had changed.
Like, oh, she's a pretty girl now.
Oh, she's going to be with, we want to associate her because she's, looks like one of the popular girls or even her friend being kind of jealous and scared that she's going to abandon her.
Also, if that kind of makes sense when somebody goes through a major life change like that.
And I'm happy that she didn't kind of let the princess thing in the.
The reframing of her parents kind of get to her head.
I like that she maintained her authenticity throughout.
Well, except for, you know, she utilized the opportunity of that.
Not her changing things.
She's better than other people, but her stemming from that place of insecurity and feeling
invisible, now having the light on her to then see Josh and go to the thing, but then
realizing that's not what she wants but i don't think that's ultimately representative of her becoming
another person but her more so fulfilling the things that she never thought was possible and then
realizing okay no the the life and people i have my sphere are more genuine to who i am as a person
so i really like that aspect of things yeah i thought the julie andrews was very nice he was
very um authentic but also very regal and super charming as well and i like that she was this guiding
force for her to kind of
gracefully transition into that
even though obviously there was a little bit of
riff there for sure and the mom was super nice
I like the relationship with the mom I didn't even remember
I have vague vague vague memories
of maybe watching this as a kid but I didn't
watching it right now I don't remember anything about it
and I had no idea there was a mom character in this
so yeah I thoroughly enjoyed it man
I think that it's awesome that the
coming out with a third one.
I hope that you guys really like this.
We can watch two.
Yeah.
Yeah, I'd be excited to watch part two.
I mean, like this works really nicely as something that does not need to expand.
Right.
But I would happily come back to this world and these characters.
And, uh, and yeah, I would agree.
Like, her transformation over time feels very natural and even, you know, it's,
it's a natural part of the story of, you know, having the high school glow up that you
get suckered into the popular sphere.
whatever or you lose yourself a little bit.
But I thought that this had a really nice way of handling that where it didn't feel
like, yeah, she became a totally other person or something like that.
Like, you get how it really felt like somebody just caught up in the excitement of like,
oh my God, this guy I've had a crush on forever wants to go to this thing with me, you know,
and I'm forgetting about my, you know, commitments I made to my other friends and stuff
like that.
And it, yeah, just felt like a real human portrayal of that whilst in fitting with, you know,
the tone of the movie.
and I feel like it would be easy to lose yourself
like have her become like a total mean girl
and then have to be redeemed like it's not that
it's it's yeah she does a couple of things
that are kind of shitty you know as a friend
but it's yeah drawn in a way
that just makes a lot of sense
and that feels very natural
and to that thing with her friend with Lily
when yeah she is like really
laying it on thick when she gets the new hair
and she has to tell her off like that stuff
like their relationship got me teary at one point
when they're on the court later on
when she's like doing the big apology because like yeah I thought that that friendship was really
natural again it was like a really natural feeling thing and that could have become even more of
sort of like a big blow up like oh I hate you but it's not like and and the ebb and flow of
their dynamic together felt like again two people in high school coming of age who are yeah
navigating this and sometimes they don't make the best choices and and yeah it didn't feel like
movie plot mechanics so much it felt like
They actually, that's the thing.
It's like the runtime, I think, allowed them to really just gracefully do these things.
And I appreciate that because this is one of those movies that, yeah, like, I watch and I think to myself, like, yeah, obviously, it's a family movie.
It's probably aimed at younger kids or younger people, tweens, people, the age of Mia.
But at the same time, this is one of those movies that I feel like just works well as a film in general.
And you could show it to anybody.
Yeah, anybody who's open to it might probably like it.
And I, too, love that they did, you know, just naturally make the setting such a character without going, like, too Hogwild with, like, making it a travelogue.
Like, you just really got the flavor of being in San Francisco.
And, you know, that's a place that all, that has, like, a cinematic history anyway.
It's been lensed a lot of times in a lot of notable movies, but especially because you have this idea of, you're going to this, you know, faraway place, you know, between France and Spain.
whatever they said, you know, it's cool to have a setting that is so kind of counter to what
you would imagine Genovia to be, but that has this real sense of life. It's got a very unique
architecture and stuff like that. And it does have that trope of like, I don't know exactly.
I guess her mom seems like she does pretty well for them because they live in this like beautiful,
multiple stories, sort of like art den. But even that was like nicely lived in. And I wasn't
distracted by the fact of like, how can you afford this
freaking firehouse in San Francisco, which is not
a cheap city to live in?
But yeah, there's just so many flourishes and so
many details that were really nice. And then, yeah,
you have some like funny stuff with the other
royal people who are, you know,
on hand to be like, how
undignified.
But yeah, yeah, yeah. I thought this
did nicely, like this
prioritized the right things.
And I thought it made for a very fun and
enjoyable, but also touching experience.
agree. So if you had to guess,
what do you think the critics gave
this one? $200 million
budget. Do the critics?
We'll do critics and then audience.
90%.
90%? 90% critics.
Okay. Is that Franelanza? Yes.
49%.
What? They didn't like this at all.
Damn. It was very divisive
back in 2001.
Damn, I should have gone with my earlier
guess of 80-something percent.
which would still be off.
I'm surprised.
Damn,
45.
What do you think audiences
gave it?
85.
68.
People didn't like this.
Damn.
I wonder why.
I don't know.
That's so lame.
A charming,
a familiar makeover movie
for young teenage girls.
That's what they said.
I mean,
maybe it's because I haven't watched
every charming,
you know,
makeover girl for teens.
But I don't know.
I thought this, yeah,
did a...
I've seen worse
versions of this you know yeah it's not reinventing any of the wheels necessarily but it is i thought
it rolled them nicely and gracefully and i thought again everybody they got together to be part of
this was game yeah you know it's a fine movie it's a fun movie yeah 58% fresh
or 58 critics said it was fresh 60 said it was rotten wow it's pretty cheeks
pretty booty cheeks bummer bummer yeah all right yeah let's get a little triv did she actually
fall on the steps in that scene i want to know i want to know as well what would you guys rate the
movie are we totally off base here i mean they the thing is you know this i guess must have at least
been popular enough that they went on to make sequels and stuff like that i feel like yeah this is
i can see this become being the type of movie that uh isn't um as well received
at the time and then probably picked up appreciation as it went as time went along or something
like that i don't know because also too early 2000s disney i feel like that's there are many
eras of disney and i would be curious to go back and see like you know what else was happening
what else they were trying to do at the time um but yeah let's get to the trivia let's get to the
trivoli uh because too i know there were some like there are certain movies from this era that
got a lot of reworking and stuff like that.
And even in the animated department.
Hey, it's the first.
It's the first fact.
It's the first fact.
The scene where Mia slipped and falls on the bleachers was real.
And Hathaway had slipped in a puddle while doing the scene.
And director Gary Marshall thought it was so funny.
He inserted it in the final cut.
There are a few moments like that.
I'm happy.
But yeah.
Seems real.
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The picture of Mia's deceased father next to her music box is Ann Hathaway's real life father, Gerald T. Hathaway. He also appears to be writing the letter to her while fishing. That's so cool.
That's awesome.
Mia's cat, Fat Louie, was Anne Hathaway's pet in real life. Four different cats played the role. One who allowed people to carry it, one who could sit still, another who would jump, and the last one who sits on the envelope at the end of the movie.
uh i did not realize those four cats no so which one of them which one was her pet
yeah those those facts seem contradicting was it the jumping one was it the mat the the letter one
all four of them were her cats when meas uh when mea accidentally sets the man's arm on fire
flames were supposed to go out when he puts his arm in the ice bucket but they didn't and hathaway
panicked and threw the glass of water on it which was not scripted so yeah like they they seem to really
welcome those genuine moments
during auditions
and Hathaway fell out of her chair and was
immediately given apart as
Gloomsey would be a thermophilus.
That's great. That's amazing.
Oh, my God.
Oh, apparently we had a cameo from
Lauren Maltby, then Disney
Channel movie surfer
helped edit one of the trailers
for this movie and had a cameo in the beach
party scene. Go,
Lauren Maltby. I remember the
movie surfers. I think
If I'm not mistaken, I didn't really know him very well
and I don't remember what his name was,
but there was a movie surfer
who went to our school growing up or whatever.
Oh, no way.
Gary Marshall wrote the retainer scene
after learning Anne Hathaway had worn a retainer when she was younger,
but found it difficult to speak while wearing it.
Hathaway brought in her old retainer for the scene,
and now that retainer is in the Smithsonian Museum.
That's right.
It was Anne Hathaway's idea
that the brush should break in her hair
at the start of her makeover,
and this is the theatrical movie debut of Anna Hathaway.
I wonder if she maybe had some TV credits or something like that.
When Michael, Robert Schwartzman, comes with Mia's car.
Mia is watching one of the deleted scenes from the movie.
It was also Hathaway's idea to have the poor strip on her nose during this scene.
That's bonkers.
How did they get that?
Because at that time, it was just film.
They would have had to have developed that film and then put it on a tape or something.
Yeah, that's interesting.
uh that's fun uh let's see anne hathaway had to wear a thick clip in hair piece to give her as much uh a hair hair hair hair a much bushyer appearance hair paste became known as the beast by casting crew her pre makeup i uh pre makeover eyebrows took an hour to apply as each tiny hair was individually glued on jesus christ church i mean you know that makes sense i guess that's good attention to detail uh one of the waiters in the dinner scene when mea breaks
the water glass says it happens all the time.
Same actor played a waiter and Pretty Woman, 1990,
and said the same line when Julia Roberts flings the snail
and the waiter catches it.
Both movies were directed by Gary Marshall as well
and featured Hector Elizondo and Larry Miller.
So, shared universe.
Let's see, the autograph seekers, Lily and Charlotte,
are Gary Marshall's twin granddaughters,
also one of the buildings in the school.
I caught this at one point, yeah,
It was named Lily and Charlotte Grove building.
Dame Julie Andrew's jewelry and tiara for the final part of the movie was $500,000 worth of diamonds on loan from Harry Winston.
Anna Hathaway's tiara was made specifically for her and was considered cheaper, considerably cheaper, because instead of diamonds, her tiara was comprised of cubic zirconia.
Fake?
Fake?
Oh, I need to apparently, ooh, let's see.
Her dress, the Perry Winkle one, is a copy of the dress from the Cron Princessin Victoria of Sweden War to the Nobel Prize Gala in 1997.
Oh, golly.
Let's see.
Let's go down to the spoilers really quick.
And I also want to check on the on-screen relationship between Queen Clarice Rinaldi, James Julie Andrews, and Joseph Hector Alessando was not script.
The dance scene and the underlying affection was added by the two.
According to Hector Elizondo, we felt that a romance after 50 was important to tell,
and it can be sensual and sexy while keeping your clothes on.
I thought they...
That was nice.
I thought they nailed that.
I think they did too.
That was beautiful.
This is a lovely little thread, and it was all it needed to be.
For the first act of the movie, Queen Clarice Rinaldi wears only black and dark outfits.
Right before her dance with Joe, he says, you've been wearing black too long.
after the dance scene, Clarice starts to add more color to her wardrobe.
It was later revealed in the movie that her husband, King Rupert, had passed away the previous year,
as well as losing her son, who is Mia's father.
This means that at the start of the movie, she was still mourning his death,
but as she falls in love with Joe, her personality once again becomes alive and colorful.
That is lovely.
That was so sweet.
That is beautiful. I love that.
Last thing I'm going to check.
Bonjourno, Principais.
Every time that guy said that, that's all I can.
think of was Roberto Benini.
It's a novel.
Okay.
Well, that would make some sense, too.
Not bad.
Not bad.
Meg Cabo.
Have you had any other things adapted?
Maybe Ice Princess.
Descendants.
Okay.
A lot of Disney's.
Let's see.
I just want to check on that.
One lady who was in the friggin thing.
Bonnie Arons, it was her.
Baroness Joy von Trojan.
Oh, I think if she's the nun.
She's in a bunch of stuff.
She's the nun.
She's the nun.
Yeah, she's in a lot of, like, horror stuff.
And, and, yeah, she does, like, character things.
And, yeah, she is, like, the nun.
So I thought that was just a funny, just, you know,
cool to see her in actual just face and on screen for real.
That's right.
She's in the fighter.
She's in a bunch of drag me to hell.
That's right.
Yeah.
I know who killed me.
I want to watch that movie.
Anyhow.
Gang.
Yay, you got any other stray thoughts before we go to the royal coronation?
I don't think I do. Do you have any more thoughts?
No, just the critics
don't know what they're talking about, man.
They're losing it. They don't know.
They don't know what the people like me love.
Well, anyway. People like me, people like Kim,
people like us, the people like you.
Gang, what did you think of the Princess Diaries?
What is your Rotten Tomatoes score?
Should we watch the second movie? Is it good?
I won't trust the Rotten Tomatoes on it now.
That's the problem. It's like it could.
Sequel, maybe it's not that good.
But also, if they give it like a 45%
I'm like, well, that's what you said the first time.
Exactly.
They're tripping.
They're tripping, guys, but we're not tripping.
So until next time, we love you and we'll see you in the next video.