The Reel Rejects - WHY DID I GET MARRIED AGAIN? REVIEW – The Original Cast Still Has The MAGIC!

Episode Date: September 10, 2026

ONE DESTINATION WEDDING. THREE GENERATIONS. AND EVERY MARRIAGE IS ABOUT TO BE PUT TO THE TEST! Limited Time Offer – Make healthy eating simple. Get Huel today with my exclusive offer of 15% OFF online with my code REJECTS at huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show! John Humphrey, Aaron Alexander & Jon Maturan react to Tyler Perry’s Why Did I Get Married Again? on Netflix, the highly anticipated continuation of the beloved relationship drama franchise. The original couples reunite in Italy for Jasmine’s destination wedding, but what should be a beautiful celebration quickly becomes an emotional reunion filled with unresolved tension, unexpected romance, family secrets, hilarious arguments, and difficult conversations about love, commitment, and forgiveness. Why Did I Get Married Again? Full Movie Reaction Watch Along:   / thereelrejects   As Angela and Marcus prepare to celebrate their daughter’s big day, the entire group is forced to reflect on how much their relationships have changed—and how much of the past still follows them. The wedding brings together familiar faces and a new generation of couples who are beginning to experience the same challenges their parents once faced. From romantic complications and surprising connections to explosive outbursts and heartfelt revelations, everyone’s marriage is tested in ways they never expected. In this full movie reaction and review, John, Aaron & Jon break down the returning characters, the new relationships, the biggest emotional moments, the funniest scenes, the wedding drama, and the themes of family, trust, communication, and generational cycles. They also discuss how Why Did I Get Married Again? compares to the previous films, whether the reunion lives up to the original movies, and which couples have experienced the most meaningful growth throughout the trilogy. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Follow Jon Maturan: https://www.instagram.com/jonmaturan/?hl=en Learn more about your ad choices. Visit megaphone.fm/adchoices

Oh boy, it's that time again. It is that time again. I have a question for you guys. You know, Sheila and Mike clearly didn't work out. We had emotional cheating going on the last time. We had trust issues the last time. So I'm going to ask, 16 years later, why did I get married? Again!

Again! I don't understand, but you know what? We're back for the third one. You know, who I am, I'm Aaron. I'm John, and that's also John. Now, you say that we're both, John. We're both, John. Why we got married again.

Again. Let's go. We're here for sponsoring this video. More on them in just a bit. Oh, man. Yeah. You guys, thanks for finding out why we got married again. Again.

Ooh. If you listen to this on Lappable to Spotify, make sure you can go and give us five stars. And not to mention, if you're watching it on YouTube, make sure you like, comment, subscribe, or ring a da bell so you can get notified anytime of new videos coming out. Not to mention you can get shirts like these. over at our shop, origination shop.com. Look at those. Look how pretty

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You can send us questions that will guide our review. And, yeah, I'm talking, you're talking, they're talking. We're all talking with each other. It's a beautiful synergistic experience. Absolutely. Hazzah. And without further ado, let's get into the review. Let's get into that review.

All right. Johnny Boy. Or John, John, John, John. Wow. You can't call us both Johnny Boy. I know. It's a little confusing. I know. I was like, I call you Johnny Boy.

That's a little confusing. No, it's a little good. No, no worries. We're Johnatello. Yeah, that's right. That's right. Um, uh, this was fun. No, I, this is, uh, yeah, I, I, I would have to say this was a fun little ride.

It was cool to revisit the old cast and get the next generation of the new cast. And, um, it wasn't as, um, I don't know how you feel about this, Humphrey, but, uh, it wasn't shifting in tones, significantly. You know, it was pretty focused. Right? I gotta say. No whiplashing. Crazy. Which, again, truly insane.

That's a somewhat of a criticism for all the other Tyler Perry movies that we've seen, and that's kind of his style. But that's, yeah, actually, could we get some more tonal whiplash in here, please? We should get more. Yeah. What's going on? No, yeah, I enjoyed it. I think you and I can agree.

We bumped into the little bit of the dialogue because it was kind of cheesy and exposition. What are you talking about? And it was a little preachy by the end of the middle. Is Tyler Perry ever told and not shown? But yeah, it was entertaining. I wasn't wooed by it. But like, I'm surprised it wasn't like there was no big crazy reveal other than like the STD stuff. But even then, that was a little tame for what Tyler Perry is known for.

ultimately I want to go to Italy and go to a wedding but cool little movie I did miss Patricia and Gavin and Gavin died Gavin died all miss Gavin Gavin's ghost is not going to appear in the movie The fourth one's going to be why did I get resurrected

Yeah If we did a full swing of like a supernatural that'd be cool If they did it like an addendum movie to this movie. And it's just like it's like a bottle movie where it's just Patty. It's Patricia at whatever palatial home she lives in now. And she's just being like haunted by the ghost of Gavin. And then it becomes like a spooky love story. Yeah.

Like yeah. Like yeah. And then they repair their marriage in the afterlife. Exactly. Yeah, yeah, yeah. But the saddest thing is that he's still dead. So we can't really. enjoy the repairing of the marriage.

So, uh, no, but yeah, this is, uh, this was really cool and fun. Um,

um, um, nothing else to say other than, I didn't have too many problems with it. It's kind of what Tyler Perry is known for in terms of a lot of the dialogue I bump into and, um, and kind of, um, Hey,

we didn't talk about Jesus hardly at all. I know, no, no, yeah. Yeah, yeah, it wasn't very really just,

which is really good. But like, the very end felt like a lecture, about like, hey, we're not perfect. I get it, but it was kind of like forced and everyone forgave each other. But I think I had that criticism with all the other movies in the past. Otherwise,

I want to go to a wedding. I want to go to wedding. How about you guys? How did you guys? I want to go to, yeah. I like this one. I like the movie. I mean, I have enjoyed all of the why did I get married so far. I think, you know,

why did I get married to is the Guardians two of this franchise. just because of how sort of like unruly that that movie's structural elements are and how kind of dark it goes at times this yeah of the three is the most streamlined the most

focused and I guess you know I appreciate in this kind of compression of the timeline getting to yeah see the the approach of Tyler Perry gestate in three different kind of parts of the timeline jumping through the

progress and so like yeah in some ways i think the first movie has the most vibrant back and forth between the tones and it compared to a lot of other tyler perry movies had a much smoother means of transitioning between those elements i appreciate the second one for the mess of it all it's one of those movies that i think like has the kind of upsides and downsides of like the mess to how it's presented and what it's getting into some of those things are features some of those things are bugs. I think this is way smoother than that. I think, like, yeah, there is some element of the tonal, I won't call it whiplash for this purpose, like the tonal contrast, you know, some part of me does miss. The other part of me says, like, well, yeah, like for the

third installment of a long-running thing that checks in over time and then we got the new generation. I don't mind that it's more, a bit more focused, and I'm used to these movies being kind of direct in what their messaging is. Right. And, you know, you always get at least a couple of like real good, dramatic scenes. You get some outlandish comedic beats and, you know, some nuances

here and there. So, like, this is one of the smoothest in execution and presentation, I think we've seen. There's almost nothing too inexplicable about this. It had a couple surprises here and there, which I still appreciate. But I think,

solid work from everybody involved. I would say that Taraji P. Henson, it took me a while to really start to care, you know, and to feel like she was blending into the movie. But it did reach that point eventually once we actually got her story going. I feel like it doesn't do as much

in the first half to really... It's weird. It's like the movie has to do two jobs because it's like it's got to check back in with everybody and set the new status quo and what's changed in the meantime and what's going to change in the now time. And then it's also got to introduce you to her and it. And it does like a

little bit of intro, but really once they're in Italy and we were starting to meet her new man and stuff, like then once all the actual circumstances come out, then it becomes interesting and she, you know, gets to shine as well. But, you know, there was a part of the movie where I was

a little bit distracted of like, okay, I'm aware of Jan Jackson's gone, I'm aware that Taraji's here. And I'm aware that you all know each other because that's what you've told me. Yes, right. But I don't necessarily feel in touch with that or like, oh, like, I don't know. I think there's a way you could maybe add a new part to the ensemble or swap somebody in it

and pretty early make it feel like you really know them. And I know that part of the choice is, you know, we all like people know, Taraji P. Henson, she has an immediate association for a lot of people anyway. So that's a way to skip past some of that legwork. But I was concerned early on when it wasn't in the text. Sure. But, you know, she eventually got to, you know, do some really nice dramatic scenes and stuff like that as well. So I like this one.

I thought it was pretty good. What about you, sir? I would have to agree to some of the things that you said. I felt like I did like this one more than the last one. I don't think I like it as much as the first one. But I feel like there were some strong elements here. And I feel like in some ways Tyler Perry has learned and known these, you know, these characters in other ways. I feel like

he wanted to make a movie that was I'm not bigger than what the budget required, but I feel like, you felt like everybody got like good time and it was well balanced. I feel like it was a little overstuffed. I feel like there's a little too

much stuff going on. In the sense that, you know, they wanted to have this movie that was examining these characters from the last movie, but also through the lens, not only of their may have as both of how they parented their children. But I feel like the children really didn't get a chance to be full-on characters in the movie. I agree.

And I, because there were certain things that we would touch on, like the fact that, you know, Marcus's son and Raj's, Marcus's daughter and Raj's son were, you know, having some sort of issues who didn't really touch on that until the later part of the movie. And I feel like in a movie where they were treated as primary characters, we would have explored that a little bit more. I felt like the stuff with Terry and his wife's children would have been explored more because they kept poking fun at the kids but never really got into who they were as characters. Never really addressed it, yeah.

And it felt like the beginning of the movie gave us that one scene where he's like, oh, man, my heart got broken. He's with MJ or Marcus Jr. And the other two kids, but we never really got that POV of them again after that scene. So a movie didn't really feel like it had enough room for both the new cast and the old cast to be treated on equal ground. And I thought it was going to be more like a more not literal passing of the torch, but when the movie started, I thought we're going to get like equal time with the parents, equal time with the kids. But it really was all about the parents because that's what, you know, most people wanted to see. But if you are going to establish interesting things with these characters, you should treat them as full characters.

Right. And I don't feel like the movie had enough room to do that. Not to mention this whole thing with Marcus being this overprotective father of the daughter, but we didn't really see any of that in any of the movies until this final scene where he's given this speech. Yes. And I was like, where the fuck was this the whole time? That would have been an interesting thing to have this antagonistic relationship with Roz's kid. And then therefore she has an antagonistic relationship with him.

But then you also have the stuff with Roz's husband or ex-husband who was not here the whole time. So this movie had a lot more storylines going on that it could. that it had didn't have enough room to contain and I felt that as we're watching the movie but not to say that I didn't enjoy it I just felt like maybe we could have I don't know added some more runtime for these other things because I thought that we were as much as we talked about um the guy who was getting married to raza's son's father I surely thought he was showing up at some point but he just never does and I'm like who is this man who is playing this guy right but we're we'd really don't get the room for that. So I will say I like what we did with what we saw, but it felt like there was definitely some stuff on the cutting room floor that would have been interesting to explore. There have been days where I'm halfway through work,

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and also for supporting my health. Let's go. I agree. I don't know about you guys, but like a lot of the, yeah, a lot of the storylines, like, who's Jill Scott's character? Sheila. Sheila. Also the stuff with the Alzheimer's.

went nowhere. Had one scene. Yeah, right. They hadn't a lot of ideas on... Yes. But they didn't pay off any of them. Or at least some of them. It had no like narrative like...

Functionality. It just like... We're sad for her and that sucks. And that's life. But why would we share that in the first place if we're gonna tell a story, right? Like I don't know. I didn't feel for any...

Like, yeah. That threat especially. Because she was like, that's where I'm taking so many pictures. And like that's a character choice that carries through the movie. But it does feel like... definitely the thread

that is like, oh, this is like an emotional thing that's happening. And there's just not time to deal with or address that or to like pay it off somewhere. And like it's interesting because this movie is in that position of potentially. This is an interesting one because

sitting here listening to your POV, like I totally kind of see that. And this is one of those movies to me that could have appeared in like multiple forms. And whilst watching it, I wasn't actually that concern just for my own sake of like

having an equal balance of the next generation, but in sitting here, I'm like, but of course, that's kind of what you would imagine, or that's, you know, one thing that a lot of movies right now are doing because we do have a lot of legacy sequels where it's like, oh, and we got the next generation in here. And so it's like

I wasn't necessarily bothered by not having as much of them. However, I think that's a legit complaint because the more I see, here in hindsight and think about it. I'm like, they did a fair enough version for what mostly compliments and feeds the story

of the parents that we've seen so far. But I do think that it would have been even, I would, it's like, I think this is balanced in a sense that is relative to previous Tyler Terry. You know, it is jammed with some stuff

and slight on other stuff for sure. And I thought the younger cast did a nice job everybody. And I thought they made their scenes count. It's an interesting aspect of this that I'd be interested to hear more people's takes. Definitely. Yeah. Because, like, they got a capable cast of young performers who I easily could have gotten very endeared to

or cared about the relationships between with the older generation care. Because especially, like, them reaching out to Sheila and, and Terry's wife. Or Diane. Yeah, Sheila and Diane. Bam. Yeah, like, reaching out to them and not their parents. Like I thought that was a whole interesting thing. Like, you know, reach out to Auntie instead.

Somebody who's like been there but is not like your exact, you know, disciplinarian or whatever. Yeah. And the other kids like, you know, Tyler Perry, it is literally like this is just a detail. This isn't like a story. Right. And yeah, you do kind of wish that even though we don't really know those characters. It's the problem of these movies is like so many of them have it now where it's like, yeah, we're all here for the original ensemble.

So there's like a weird walk to not eclipse them with new characters, but then we get a lot of situations where you're like, but I don't really care about these new characters because we really spend time with them. And I think that this is a situation where that's, I think, you know, a fair criticism. I liked the young performers for what they got more than some other examples of this. Like they felt more appropriately part of the story than other attempts at this thing I've seen. Right.

However, I think that's a legit complaint. Yeah, I mean, what I will say positive is I felt like the senior cast did a great job with making these characters still feel like these characters, even though time has passed. And, you know, keeping up with some of those, you know, tropes. We didn't really get a solid bit of, you know, what I'm saying, but I feel like, you know, we got the one kind of. Yes, very small, yeah, yeah. He passed it on. Yeah, but Mike has returned to his status quo from the first movie. Right.

I feel like they didn't really know. too much of what to do with with Sheila and Troy. I felt like they were just kind of there other than dealing with Marcus and Angel's kids because it seemed like they're going to do this thing with the Alzheimer's, but then just kind of dropped it. And to, in addition to... Troy's just chilling.

Troy's just chilling. Literally, Troy's arc is just being mad at Mike, and that was part of his arc from the last movie. Right. Or issue in the last movie. Sheila and Mike are both, like, minus the Alzheimer's thing, are both just maintaining in this movie. Yeah, right.

Literally, like literally Troy, or I should say Troy, Sheila, Troy, like his whole thing is,

yeah, I hate this guy, but I'm just going to manage that and that's just a continuation of where I ended up in the last movie. Exactly.

Yeah, Mike is going to enjoy here. Sixteen years later. And it's weird because it's like, on the one hand, you want Mike to be here to cause trouble. And I like some of the echoes

of the previous, like having the whole thing coming out at the rehearsal, I thought was like an effective scene. But I am a little sad that we just had to like, at early on, like okay i feel like we've kind of averaged out movie one and movie two mike but then at a certain point it just feels like he's movie one like yeah right yeah and it's like the movie two

bothers at least to throw a lot of nuance at that story yes definitely so it's kind of odd that now all three of those characters are sort of over here yeah i think i think the storyline i would have liked to have seen a lot more of was the one with um with terry and diane's kids because they didn't really get anything to do yeah because they're like yeah we feel like we don't get to live up to our parents because they're so they're so perfect. I didn't see any of that shit in the movie. Where did that come from? And then they began making fun of his son so much. I was like, what's his deal? I was like, is he gay? But like, no, I guess he's just bad at dating. Yeah, yeah. Do anything with that.

And then they, and then their daughter at one point is like, and I also date. Yeah. And that's it. I was like, I guess. They mentioned in the airplane ride, oh, how many times she's gotten her heartbroken? Yeah. And like, We don't address or unpack that. And like, what? But, yeah. Like, I would have liked to have seen, because they established that Marcus and Angela's daughter and Terry and Diane's daughter have a friendship, have a relationship. Right.

We didn't really get to see any of that. Yeah. So I feel like for the magnitude and the amount of story that they wanted to tell, maybe this would have been stronger for a mini series. Oh, yeah. But for what we got, it was a good time. No, there is a series based on this. Oh. Because this film marks the first on-screen appearance of Michael J. White and Tasha Smith as Markis and Angela since their roles in the spin-offs series for better or worse.

I knew about that. I knew about that show. Is that a thing? I didn't even know what that. Yeah. It came out after the second movie, I believe. Is it? Look it up real quick? It's just them.

Yeah. I don't think the other cast are in it. Oh, wow. No, so Mike's not in it. It's fucked up. Six seasons. Whoa. Okay.

Yeah, they had a full-on show, man. Wow. Interesting. In 2011 and 2017. Let's go. Okay. Okay. Okay.

Nice. Okay. After why did I get married, too, on TBS? And then the O network on the third season. Nice. I wonder if any of the characters from the movie are in it. It seems like they just had a whole on spin-off. Yeah.

Is it canon? And are we supposed to do homework to, I mean, if we were to watch that show, would the third movie be? Like, would have it like... Are there kids? And are their kids? It's in the show. Yeah, yeah, that's the question.

Because, I mean, yeah, we got, I mean, it seems like it's building out Marcus and Angela's lives. And all these supporting characters seem to be characters from their world. Interesting. Marcus Williams Jr. Okay. Oh, is it played by the same guy? I guess so. Is this Bobby J. Thompson?

No. No. Because I think that's him up there. That guy. Yeah, that's the son. Da Vinci. Da Vinci. Okay. Oh, wow.

Okay. Well, they recast him. That's messed up, dude. I mean, but I think he was like younger and then that's his adult version. That must be the case. Yeah, I mean, it's been some, we've had some time past, you know? Is it okay if I get a little vulnerable? Yeah. And I'm going to take off my critic hat.

Like, I know I'm like critical. And your glasses, too. Okay, cool. I'm going to fake. I'm going to fake. Because he doesn't like him. It's fake. I'm going to be honest.

And I think this is what, uh, I've always. always gone into reviews or watching you know watching with you guys or you know for the channel very like i'm i'm analyzing a lot of the the the objective filmmaking right and like i maybe i'm i'm encouraged to do that because you guys are really articulate with how to uh to dissect a movie which i'm learning and i love i love you guys for you know accompanying me and teaching me indirectly but i'm gonna be honest i'm gonna be really vulnerable i i actually was really invested in like not being critical about the movie, but

like, Taraji P. Henson's storyline, mainly because and again, I don't want to give too much and I'll exercise some discretion out of respect for the parties involved. I was kind of seeing a woman 20 years older than me

and that storyline, like the small conversations about the age gap and stuff, kind of hit hard. Not like, and it was not like, I was getting emotional or anything. I was like, damn, that that's real stuff because I lived it. And it's, I don't want to get, you know, too personal. But like, it was interesting to be like, oh, I'm really connecting with this movie.

I'm not trying to dissect like, oh, cool shots and like dialogue. As much as I still was doing that. Yeah. I was like. But that's, that's cinema. That's beautiful. Yeah. And like, yeah, maybe I have in the beginning, it was hard to even conjure some of my thoughts because

I was like, I'm kind of leaning still and still ruminating in that, that storyline. mainly because a lot of their stuff was a real conversation that that woman and I had. I mean, that's no longer a thing. I just want to put it out there because I know this is going to be on the internet. So, but like it was, yeah, I've had my fair share of that stuff. And so to be on a review and watch, this is the first time I'm really like, oh, this was very reflective of real life as opposed to really dissecting a movie and, you know, all the technical stuff. So, which is a strange experience. I mean, I appreciate, like, once that story really, you know, started to reveal itself,

like, that became one of the most interesting elements of the movie and in a good way to finally be like, I see. I see why you brought Taraji in. Yeah, that was for sure the point of connection. Because, yeah, even though they were trying to do this thing about, like, talking about the double standard of, you know, her dating a younger guy, whereas Mike was dating a younger girl. I feel like in the way that it was presented One it was that one

That storyline wasn't earnest Whereas you know Mark Mike's was purely about his ego And wanted to feel young And kind of speaks to like maybe the What's the what's the story I'm looking for I guess difference sometimes You know guys dating older women versus

Double standing here? Younger girls dating older guys Just you know wanted to be taken care of versus like him like wanting to be that figure of of taking care of her in her life in the ways that he could instability yeah so I thought that was interesting because yeah I kind of agree with you in the first half

that was kind of having trouble connected with him like why is she here obviously you know we know her connector point within the narrative but them trying to establish like oh yeah you know Ronald we've known her for years I was like no don't pull that shit on me yeah that was Jimmy Jackson last time you ever mentioned her off screen somewhere You know, that's why, inevitably, if you're ever going to do one of these ensemble pieces,

you got to start just, like, referencing characters we're not going to see. Just in case we have a sequel where we need to pull in some auxiliary friend. So we could be like, actually, two movies ago, they mentioned this person in an offhand comment. So they must be friends. Little Easter. Yeah. Hey, guys, but maybe if we watch the spin-off better or worse, maybe that's where Marcus really cares about his daughter. This would hit harder in the movie.

Maybe. There you go. There you go. I think we should all watch it on our own time. I was like, you guys want to watch us. I don't think people are going to watch. If you guys want it that bad, yes, please. You got to prove to us that you're going to watch those videos.

Show in numbers and likes and comments. Yeah. Grow this channel. You got to find a way to deliver those views ahead of time. So we can get into that. No, definitely. Absolutely. React to it back in the past.

I love the weekends to watch these, though. Hey, you know, I gotta say, you know, no matter what the quality, no matter how many of the attempts translate into actual, you know, fully formed successful ideas, these are always a joy to behold in some way, shape, or form. They're very alive. They take a lot of different places. They're handmade. You can tell that's a particular set of people made this, and I appreciate that. So thank you guys for just continuing to indulge it. in this. Absolutely. Thank you. Thank you so much for watching and spending some quality

marital time with us. Do you have any final thoughts for you get out of here? Oh yeah, that time motif? Where did it go? Because they kept mentioning time. I don't know why like, hmm. It didn't really like I know Alzheimer's yeah, but he also like Diane mentioned to Terry. Oh, you're like easy to read like a clock or whatever. Oh yeah. This clock. Maybe you were smarter than Tyler Perry. It's a reference to the Doomsday clock because Mike will return in Avengers Doomsday. With the wig. With the wig.

Except it'll be made of power stones or something. He hides it in there and the girl. It's funny to me that, you know, a filmmaker who has been dogged in the past for bad wigs got a wig that looked pretty decent to be a bad wig. He heard the criticism. I'm like this bad wig looks more convincing than half the wigs that you tried to sell his regular hair. That wig was half the budget. He was like not, not this time. This wig that everyone in the script is going to clown will not be clownable for real.

Right, right. He actually replicated Italy in his studio. Yeah, he is. That was all in Tyler Perry Studio. That was in the Georgia. Movie magic. That was all, uh, on the volume. Yeah.

Big peach-shaped volume. Big old peach. All right. you guys. Let us know if you'd like to why did I get married again?

What was your favorite part? Did you agree with criticism? Did you disagree? Let us know in the comments below. We'll love you.

We'll get married and we'll see you at the wedding. Yeah. You know what I'm saying? No what I'm saying?