The Rest Is Classified - 60. The Truth About UFOs: The CIA's Alien Obsession (Ep 3)
Episode Date: June 29, 2025In 1955, a United States Senator claimed he saw a "greenish-yellow ball rising rapidly" over the Soviet Union. Was it a Soviet secret weapon, an extraterrestrial visitation, or something else entirely...? And why was the CIA so intent on keeping its UFO investigations under wraps? From the early days of the Cold War, the CIA found itself drawn into the burgeoning world of UFO sightings, not because of aliens, but due to a deeper fear: what if these unidentified objects were Soviet aircraft or a psychological warfare tool designed to disrupt US air defences and undermine society? This chilling possibility led the agency down a path of secret monitoring and debunking, a path that inadvertently fuelled the very conspiracy theories it sought to suppress. Join Gordon and David as they uncover the CIA's surprising role in the UFO phenomenon, from their secret U2 spy plane tests to the farcical attempts to silence witnesses, and explore how their efforts to protect classified programs only solidified public belief in a grand cover-up. ------------------- To sign up to The Declassified Club, go to www.therestisclassified.com or click this link. To sign up to the free newsletter, go to: https://mailchi.mp/goalhanger.com/tric-free-newsletter-sign-up ------------------- Get our exclusive NordVPN deal here ➼ nordvpn.com/restisclassified It's risk-free with Nord's 30 day money back guarantee ------------------- Order a signed edition of Gordon's latest book, The Spy in the Archive, via this link. Order a signed edition of David's latest book, The Seventh Floor, via this link. ------------------- Email: classified@goalhanger.com Twitter: @triclassified Assistant Producer: Becki Hills Producer: Callum Hill Senior Producer: Dom Johnson Exec Producer: Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
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On July 18th, it's the Blue Crew to the rescue.
It's smurfing time.
Hefty.
Can you even lift, bro?
Glouchy.
I hate the radio. Quiet. I have something important to tell you. I have no idea what he just said. And smurfing time. Hefty. Can you even lift, bro? Glouchy. I hate the radio.
Quiet.
There's something important to tell you.
I have no idea what he just said.
And smurfette.
That's how it's done, boys.
Smurfs.
Only in theaters July 18th.
About an hour and a half out of Baku,
Senator Russell, who was not feeling well,
was resting in his compartment when the lights turned out.
He suddenly noticed a greenish-yellow ball rising rapidly.
He rushed into the next compartment stating that he had seen what he thought was a flying
saucer.
The rest of the party turned out the lights and looked out the window, but saw nothing
and was initially skeptical.
However, suddenly a second ball was noticed rising rapidly
and then the other members of the party were convinced.
The second object was initially seen at a minimum altitude
of 700 to 800 feet, while the first object
was initially viewed at an even higher altitude.
The object gave the impression of whirling
and appeared to follow a single trajectory
with no break in its flight pattern.
About five to 10 minutes after the sightings
and after the subject had returned to his own compartment,
the guard came in and pulled down the shades.
Welcome to The Rest Is Classified.
I'm David McCloskey.
And I'm Gordon Carrera.
And that, dear listeners, was a record
of a 1955 CIA interview of Senator Richard Russell, United States Senator,
talking to Herbert Scoble Jr.
who then was the assistant director
of scientific intelligence at the CIA.
It was an interview that was only fully declassified
in 2022, thanks to the efforts
of a website called the Black Vault.
And we are on part three, Gordon,
of 17 of our exploration of the wonderful world
of UFOs and secret intelligence programs.
And this time, Gordon, finally, now listeners, of course,
who have made it through the first two episodes
will notice that we have not spent a lot of time
have we talking about the central intelligence agency, much to this
co-host chagrin and dismay.
And this time we are going to focus on what the CIA knew about UFOs and
how the conspiracy spread.
That's right, David.
And you seem to know quite a lot about this subject as a former CIA officer,
given that you're wearing again, a lot about this subject as a former CIA officer, given that
you're wearing again, a tinfoil hat, although a slightly different one from the last time
we recorded an episode.
It is different.
And what did you need to improve it?
My children came into my office yesterday and someone stomped on the other one that
I had so lovingly made.
And so I've crafted another one, which I think looks a little bit more Handmaid's Tale, perhaps,
in its conical shape than the other one did. Watchers on YouTube or wherever you're watching
this can be the judge. You know, this one is actually, Gordon, it's substantially warmer.
I think there's sort of a heat dome that's building up in here that's even worse than
the one I was wearing for the other episodes. If you pass out, I'll just keep going and I'll
just keep going.
Just kind of wave and shout.
It's true that neither of us have blacked out while recording yet.
No, unlike some of those pilots who were going up to chase the balloons in the previous episodes.
But this is the first time.
And also, if you suddenly disappear, it'll be yet another alien abduction.
Because of course, a reminder that if you want to hear David's alien abduction story,
that is available to declassified club members, as well as the rest of the series.
That'll be episode 18 in the capstone of the 17 part series. So the Central Intelligence
Agency, one of my favorite topics. How did the CIA get involved in UFOs?
Yeah, why and how? So we talked last time about the Roswell incident in 1947, this raft
of sightings which happened at the start of the Cold War. So the US Air Force is starting
its own project to collect information. Now, of course, one of the questions of why is
the government collecting this information if they know, as we heard last time, that
so many of these things are secret spy balloons like Project Mogul, which was the kind of reason for Roswell. And the answer, of course, is that there's that tiny bit
of doubt in their minds, tiny bit of doubt that maybe there's something else, not necessarily
aliens but perhaps foreign aircraft or foreign weapons systems which are being developed.
And it is the era of kind of quite rapid Cold War development in technology,
the belief that air and space is the future. The US Air Force, of course, is relatively
new, growing fast, wants to project power, also keep its budget. There's an incentive,
I think, to suggest that all kinds of interesting things are happening in the
skies and that they need programs to kind of keep on top of it. So the real fear, I think, is not so
much what aliens might be doing as what the Soviets might be doing. That's more terrifying than it
being extraterrestrials, is it just being the commies. And it reminds me, I guess, of maybe some of the justification for the initial foray into MKUltra,
the CIA mind control project
that we mentioned in the last episode.
And in that so much of that initial research
was sort of grounded initially in kind of a fear
that the Soviets might be doing it, right?
So, I mean, I guess here there's a parallel
that even though so many of these sightings,
if not all of them, can be traced back to balloons, Air Force kind of experimental crafts, things like that.
But what if?
But what if, exactly. And that what if is pretty powerful, it turns out, in the 1950s.
So the Air Force have got these successive projects, and they've got great names. The
first one is called Saucer, which is not a very-
Little on the nose, I would say, for a code name.
Yeah, but then called Sign, which is maybe better, you know, kind of signs from above
grudge, which I think is a weird, that's kind of that suggests someone didn't want to do
it to me. And they said, I'm going to go, I got sent to do this, this UFO program, and
it's my grudge. So that's what I'm going to call it. And then blue book, which is the
kind of most famous one that lasts through the 50s to kind of collect these things.
But of course, as we said, it's not just the Air Force.
The CIA wants to get in on the act.
Now, it's really interesting, I think, because it's not so much the aliens.
It's again, what could earthly adversaries be doing with the possibility of UFO sightings. So in the early 50s, Edward Tauss, who is the acting chief of the CIA's weapons and
equipment division.
That's a good title, isn't it?
Sounds like a good division.
That has been disbanded by the time I joined.
That's too bad.
That's like to sign up for that crew.
But they look at it and they say most of these UFO sightings could be easily explained, but
they should continue monitoring.
And there's an official CIA history paper on this, which is great, which is declassified, which is agency officials accepted the Air Force's conclusions about UFO reports. In other words,
they're mainly understandable, but they concluded that since there is a remote possibility that they
may be interplanetary aircraft, it's necessary to investigate each
sighting. So just that remote possibility CIA thinks we've got to do this. So they form
a study group, move to a different division. But here's the key fact is that they want
to keep it secret. I mean, it's the CIA, so everything's going to be secret, but they
definitely don't want the public or the media know that they are doing this and investigating it. That's going
to be one of the problems. So they reckon there's a kind of one in 10,000 chance that this is really
kind of something that's really a big threat. Big if true. Big if true. That's fair. So they put
together a panel of scientists in 1953 and they start reviewing all the cases. So they look at
the motion picture film of a UFO sighting in Utah the previous year in
July 1952 and one in Montana from 1950 and they conclude that the images on one film
were just caused by sunlight reflecting off seagulls and that the other ones at Great
Falls Montana were sunlight reflecting off the surface of two US Air Force interceptors.
So they unanimously conclude there's no evidence of a direct threat to national security or extraterrestrials.
But, but this is the key bit.
Because of this kind of competition with the Soviet
Union, they still see that there is a kind of national security
danger in the world of UFO sightings.
So one of the things they look at is they look at the Soviet
press, they see no reports of any UFO sightings. So one of the things they look at is they look at the Soviet press, they see no reports of any UFO sightings and they go, is that, that's strange.
That free and open Soviet press. Yeah.
So they go there already, they go, well, that's strange. Is something going on there? So I
like the way that's an indicator of something. But what they're worried about basically is
that the Soviets could be using UFOs as a psychological warfare tool.
So there's lots of ways they think they could be using it. One is to exploit the kind of sightings
of UFO and all the fear of them to disrupt US air defenses because if US air defenses are kind of
overloaded with people saying they're seeing UFOs, then you won't know what's real and what's fake, will you?
You'll be kind of lots of false signals, and then the Soviets could kind of hide within the noise of all that UFO sighting, some real attack plans.
So that's one of their worries, which is a kind of use of UFOs for kind of confusion.
But the bigger one is that they fear they're going to use UFOs to undermine government and society. In other words, that lots of people will end up wearing tin foil hats and taking this issue
seriously and that will degrade the quality of US democracy.
Now I'm pleased to say there is no sign of that happening, especially not on this podcast,
but they say they believe the Soviets could use UFO reports to touch off hysterical mass behavior, which might threaten the orderly functioning of government.
I find this quite interesting because that's what they're worried about is the use of it in this Cold War context.
And so one of the CIA's assistant directors actually says we need to bring this to the National Security Council.
And then also there's some stuff going on in the UK because
they learn the Brits are also looking at it.
Shameless, shameless plugs for your country.
Not just the CIA, because none other, none other than the legendary, those who
know their second world war spy history, a man called R.V.
Jones had created a standing committee in June 1951 on flying saucers. Now, R.V. Jones is a
legend in British intelligence because he was the kind of man who basically helped develop and
find Nazi planes using advanced technology and using radars to detect them, finding ways to
confuse German radars, ways of defending our planes. He was the kind of scientific whiz
linked between the air ministry and MI6, who played a really important role in the war. He actually
also had some role in the pigeon program, but that's a separate story. Now we see why Gordon
included this paragraph in the script. This is the pigeon commentary. I don't think any pigeons
were ever confused for UFOs. It's a different story. But it's interesting. So Jones is looking at this as well. So British intelligence is also looking
at it. But their conclusions are similar to the CIA. They're basically, most of the sightings are
not enemy aircraft, but kind of misrepresentations of natural phenomena. But the British noted that
during a recent air show, RAF pilots and senior military officials had observed a perfect flying saucer.
And Jones says, we're having trouble over in the UK trying to deal with public opinion
on UFOs. And the public was getting convinced they were real. So on both sides of the Atlantic,
you've got this slight fear that this is getting out of hand. And you know, it's the era of
McCarthyism and the CIA panel are even worried that some of the UFO groups
are being run by the kind of Soviets in some way to subvert American society.
There's these groups like the Civilian Flying Saucer Investigators in LA and the Aerial Phenomenon
Research Organization in Wisconsin.
The panel is saying, we need to monitor these groups, because what if
this is part of a Soviet subversive campaign? It's a bit like, you know, the Reds are using
Hollywood and they're using the UFO reports all to kind of undermine us, to destroy us from within.
So this is where I think the CIA's interest is kind of really interesting, because you can see
why they might get involved. So they basically dismissed the idea that any of this stuff is real, right?
And it becomes a psychological warfare, sort of information warfare tool or a potential
tool by the mid to late 50s.
Before there was social media, there were UFO reports in order to undermine American
democracy. There is an overlap of interest, I guess,
in theory, between a group of people interested in, quote unquote, covering the truth about UFOs
and the Soviet Union, and that there would be a shared interest in the diminishing of trust in
US government institutions, and probably a desire for transparency of really kind of
secretive organizations that of course the US government prefer to keep their programs,
their intentions, their budgets, their capabilities secret.
The Soviets would have an interest in one of these interest groups being able to sort
of pry it open.
You can see the parallel.
Making fun of it a bit, but you can understand how in the context of the 50s,
some of these groups would look like subversive Soviet influence campaigns.
The CIA panel is going to recommend that the National Security Council actually kind of
debunk UFO reports and have a policy of public education to tell people that there's not much
evidence for this. It suggests using the mass media advertising, business clubs, schools, and even the Disney corporation to get the message across. So I love
this idea, they're going to go to Disney. There's no evidence they did and say, please, can you help
us dismiss the idea of UFOs? You're like, most Hollywood film studios and entertainment companies
are like living off this stuff. They're not going to be aligned to that objective. Yeah. No, it's a
hard, a hard sell. And then there's another story, kind of wild storage, which fuels the
interest. And you read at the start about the recollections of US Senator Richard Russell
seeing a flying saucer. Now what's interesting about his recollection is that that is in the
Soviet Union in October 1955, when he comes back and he says, I've seen something.
And there's lots of questions about what the Soviet Union might be doing.
They got the flying saucers or something like that. And it's a pretty influential guy. So the
CIA decided they better talk to him. So they send Herbert Scoville, who's the Assistant Director of
Scientific Intelligence, I guess a pretty senior officer. And he goes to see him and he says,
the testimony of Senator Russell does not, in my opinion, support the theory that the
Russians have developed saucer-like or unconventional aircraft.
It's quite possible that the object scene where the exhaust of normal jet aircraft in a
steep climb.
And he goes on to say it's possible the aircraft were short or vertical takeoff variety aircraft.
So the CIA are kind of investigating these claims, but I think because he's a powerful
senator they probably don't want to.
Yeah, you can't just dismiss it.
Yeah, you're crazy.
So maybe there with the CIA on the case of the UFOs, let's take a break and afterwards
we can look back at how they're going to fuel the conspiracy
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Well, welcome back.
The CIA is, of course, worried about this potential for panic, this widespread belief
in UFOs, including among members of the American Senate.
But of course, like any good intelligence agency, Gordon, as soon as the CIA gets involved
and tries to sort of calm everything down, they're
actually going to have the exact opposite reaction.
Isn't that right?
And the involvement of the CIA in the story is going to become one of adding fuel to the
fire.
I think it's fair to say.
Yeah, exactly.
If they're worried about someone undermining trust in government, I'm afraid that their
investigations into it to stop that are going to end up having that effect.
It's a kind of tragic blowback from the CIA operation.
So what's interesting is a few ways in which they're going to fuel the idea of UFOs.
One is actually some of their genuinely secret classified programs.
So from 1954, the CIA is partnering with Lockheed's advanced development facility
in Burbank, California,
which is known as the Skunk Works, featured in the last TopGov movie amongst other places
where they're developing advanced fighter jets and things like that.
I think Tom Cruise flies one, doesn't he, at the start of the...
That's right.
He flies one.
Is it going Mach 10?
Yeah, something crazy.
It was based off of a plane that was allegedly in development at Skunk Works at some point.
So this Skunk Works real thing, August 1955, it's testing a high-altitude experimental aircraft,
which will become known as the U-2, not the band, the aircraft, which could fly at 60,000 feet.
And so in the mid-50s, most commercial airliners are flying between 10 and 20,000 feet, so much
higher. The idea is super secret, high secret high altitude plane, fly over the Soviet
Union, take reconnaissance photos so high it's not going to get spotted by the Soviets
and air defences and Soviet fighters can't get up high enough to reach it. So it's in
a way it's the successor to some of those spy balloon programs that we were talking
about in previous episodes. So the U-2 is going to be able to do that thing, but in
the form of a manned flight. And at this point in the mid fifties, the CIA is running U2 test flights
around the country.
Yeah. I mean, I guess, I guess you're testing it over our space, right? Yeah, exactly.
And so of course commercial pilots and air traffic controllers and now reporting a large
increase in UFO sightings. And so these early U-2s are silver,
the later painted black,
and they reflect rays from the sun.
Feels also like a small logistical mistake there
to have painted them silver.
I would imagine that makes it look like
one of like a fireball going through the sky.
Yeah, exactly.
Yeah, okay.
Exactly.
It looks like a fiery object to anyone seeing it,
which, you know, is kind of suspicious.
So the Air Force are running this Blue Book program that I talked about, which
is to kind of collate all the sightings.
And they have a kind of secret channel to the CIA because they're basically
able to say internally, well, we can attribute about half of all the UFO
reports from the late fifties through the sixties to kind of U2 and other reconnaissance flights.
So they know it on the inside that that's what a lot of these sightings are. But of
course this is a secret program. So the public can't be told that this is actually what's
going on. And you know, there's later the SR-71 Blackbird, which is also going to be
trialed. So this kind of secret program, again, by the CIA is going to fuel the idea
that they're UFOs and the secrecy around it is going to stop it being possible to dismiss
it. And instead they'll try and kind of explain away the U2 sightings by linking them to natural
phenomena like ice crystals and something called temperature inversions. So there's
some genuine reasons. There's also some other crazy projects is a canada british us thing called project why.
Which is a vertical takeoff and landing thing and it is literally a flying saucer so they were proper kind of programs which were being run covertly by lots of these governments which explain it.
these governments, which explain it.
But that's not the only way the CIA, unfortunately, fuels the conspiracy, David.
What was the CIA supposed to do there?
You can't let word of the YouTube get out. I mean, you probably don't even want that spread deep into the Air Force itself.
Right?
I mean, that has got to be one of the most classified platforms the agency is
developing in the, in the mid fifties.
So you shouldn't have had it painted silver, I guess, but you
have to test it in the US, right over US airspace. So you're kind of in a tough spot. You can't
tell people what it really is.
But there were other cover-ups as well. So the CIA is doing this thing where it's investigating
it. This is great story, which is reports emerge that these two elderly sisters in Chicago
have got a tape recording of a UFO.
And the CIA goes, we should look at it.
So a CIA officer goes to see them, but he goes undercover.
So he doesn't want to reveal the CIA,
because the CIA are trying to not reveal that they're
investigating UFOs because they don't
want to spread the conspiracy.
Right.
You want to keep everything calm.
Everything calm.
So instead of the CIA officer goes see these two sisters, pretenses from the Air Force, and this is great account in a CIA declassified document.
In trying to secure the tape recording, the agency officers reported that they'd
stumbled upon a scene from arsenic and old lace, that the only thing lacking was
the Elderberry wine, one of them cabled headquarters. After reviewing the sisters' scrapbook of clippings from their days on
stage, so clearly they used to be actresses or stage performers, the officers secured
a copy of the recording. OSI, which I guess is the Office of Scientific Intelligence,
analyzed the tape and found it was nothing more than Morse code from US radio station.
But the tragedy about this is, so that looks like just CIA undercover officer goes, fair
enough.
But the problem is that the sisters were really excited that the US government had taken an
interest.
It validates their suspicion that it's UFOs.
So they're telling people in the UFO community and a UFO expert kind of hears about it.
And so then he goes to the Air Force and says, well, tell me about this officer who came
and tried to find the tape.
And the Air Force of course are like, we can't say anything because it's the CIA really.
So they're kind of like, they try and kind of stay silent.
So then the UFO expert goes around saying, well, there must be a secret CIA program because
he's worked out. It's not really the Air Force.
So he writes to Alan Dulles, the head of the CIA about this.
And the CIA officer then has to go undercover again in Air Force uniform to meet the man in New York, to try and put him off by telling him the tape was destroyed.
telling him the tape was destroyed.
Now that doesn't, that doesn't strike me as the best way of putting him off by
a lying again and B telling him the tapes being destroyed, which obviously just makes him more, even more obsessed with the idea that there's a kind of government
coverup and the CIA have a secret program to look for, for UFOs.
So you'd have absolutely fueled it in that one moment.
Each step in this progression though, in this particular story makes sense.
Doesn't it?
Because if you have these two sisters who have this tape, I guess if you're the
agency and you're running U2 flights and all that, you're thinking, well, they
might actually have something that if it fell into Soviet hands, could be quite
damaging, like they could have something that sort of reveals state
secrets about the U2 or some other program.
And so you send somebody and then they end up
with this useless tape.
And then all of a sudden you have this UFO community
who thinks, oh, the US government.
It's one of these things where by the end it's farcical
and it makes no sense and it's absurd.
But each individual step I think makes a lot of logical sense.
And also I'm just kind of pro cover-up, you know, so there's that too.
But this is the irony is that by the 60s, so this is all happening in the 50s, and they're doing all
these investigations and they're also kind of trying to get hold of photos that people might
have been taken, but again they're trying not to admit that it's the CIA who were looking for them.
By the time it gets to the end of the 50s, they've basically lost interest in this at
the CIA.
And they kind of decided, yes, we don't think there's anything there.
But at this point, the public is starting to realize that the CIA has been looking.
And so the more these little bits of information leak, like the sisters and the photograph,
and the fact people don't reply to requests for freedom of information and things like that, the more people become
convinced there's a cover-up and people are saying, well, what is the truth? The CIA is
hiding this. And of course, we're now getting into the kind of era of JFK assassinations,
of conspiracy theories, of the notion of cover-ups. So the fact that there was a secret CIA program
and that it's not been revealed is now seen as part
of the cover-up for the fact that there must be UFOs.
And the kind of pressure is gonna kind of grow on that
to reveal the truth.
And so the idea is the CIA must be part of the great cover-up.
Which it kind of was.
Kind of was.
It was just covering up really top secrets pipelines.
And just general investigations.
But my favorite theory is that President Kennedy
was assassinated because he planned
to level with Premier Khrushchev of the Soviet Union
about UFOs.
So the idea is he was about to kind of reveal
the truth about UFOs to Khrushchev.
So he has to be killed.
And that also Kennedy had confided about the aliens
with Marilyn Monroe, obviously in one of their trysts. And so she also had to be killed.
It's starting to feed into the grand conspiracy, isn't it, that you have, that there's something
there. And the pressure is growing on the state to answer and to say, what do you know?
And so the papers are starting to get into it. There's a big New York Times article, I think end of the seventies, suggesting the CIA had done some investigations.
So Stansfield Turner, friend of the pod, who's then head of head of the CIA actually has
to turn to his own offices and go, are we in UFOs? You know, he's like the CIA director
is like kind of having to check with his team. Like, I'm going to say, is there something
here?
And the answer is no. And I guess there's a persistent Cold War concern that the Soviets would have common cause,
we were talking about earlier, with kind of UFO interest groups in the States, right?
In revealing state secrets or in just sort of questioning, I guess there is something to that,
right? The idea that the CIA can't be trusted, that your sort of security institutions can't be
trusted, they're covering something up.
That's a helpful cultural meme to have out there if you're the Soviets, right?
So that's got to be a persistent kind of fear of the agency throughout the Cold War.
Yeah.
So by the time you get to the 80s, I think there's again, you know, there's very little
interest but there is this counterintelligence concern that maybe also the Soviet Union and the KGB were using American citizens and UFO groups
to try and obtain information on sensitive US weapons development programs, things like the
stealth bomber and the stealth aircraft, or the vulnerability of the US air defense system. The
only real concern seems to be, well, are some of these people being used by the KGB?
In other words, to go out and look for stuff for them,
which is really US top secret programs.
And the kind of UFO thing is just a cover for that.
And that seems to be one of the only concerns
that they've got in the 80s,
is that maybe the Soviets are kind
of able to use this in some way, or maybe there's a way in which they can kind of try
and penetrate US air defences by mimicking being UFOs or something like that.
So there's a little bit of interest, but really by the time you get to the 80s, there's not
much going on, I think, in the CIA.
But the problem is the idea is embedded
in popular culture by now.
Well, Independence Day.
Great film.
Great film.
And I will say, I was frustrated, Gordon, at how few of the opening quotes for this
series are lines from Independence Day.
I mean, there's so many good ones.
There's the great inspirational speech by Bill Pullman, who plays the president of the
United States, that you did not use. I mean, it is to that point, like the premise there, right,
is that aliens have been discovered by the US government kept that, you know, bodies have been
kept at Area 51, right? I mean, it's exactly out of kind of the Roswell lore.
And you've got Mulder and Scully in the X-Files in the 90s as well. So, but now we have been dismissing this a lot.
Too much, I would say.
Too much. I know. And I think even when you look at these reports, they're pretty clear.
The 95% of the sightings are something kind of boring clouds, balloons, secret military programs.
A lot of birds.
A lot of birds, pigeons. But there were five, you know, maybe 5% or so, which they just couldn't resolve.
And I think that's where it gets interesting because in terms of government studies,
publicly, at least it's quiet and it's going to be quiet for a while.
But in recent years, we've had a resurgence of interest in this and of taking it much more seriously, haven't we?
That's right. And maybe there, Gordon, we'll leave it.
And when we come back next time,
we will undoubtedly reveal the truth behind those small
percentage of UFO sightings or UAP sightings that the US
government has not yet been able to solve.
We're also going to talk about whistleblowers,
alien extraterrestrial whistleblowers, Gordon,
and what the Chinese are up to in the skies.
But if you don't wanna wait,
nothing good ever came by waiting.
You can join the Declassified Club
and get access to that right now,
plus a whole bunch of other goodies.
Go to therestisclass classified.com and sign up for
that club or not. And if you don't, then you can, you know,
listen to it later. Yeah, and get visited by aliens. Maybe the
consequence. That's right. And you'll you'll miss out on all
the fun. So with that, we'll see you next time. See you next
time.
See you next time. See you next time.
From Wondery, this is The Spy Who.
This month, we open the file on Oleg Leleyn, the spy who saved MI5.
Leleyn's actions changed the course of the Cold War in the 1970s,
a Russian who defected to Britain after being caught in a love affair that shook the world. His actions triggered the biggest removal of spies by
any government in history. It's a story of an overstretched security service in need
of a win and a covert plan to bring catastrophe to Britain's streets.
Follow the Spy Who on the Wondery app or wherever you listen to podcasts, or you can binge the streets.