The Rest Is History - 319: Hundred Years' War: Triumph of the Longbow
Episode Date: April 6, 2023State of the art military technology. Blind battle commanders. Iconic kingly lines. Tom and Dominic continue to delve into the 100 Years' War, as they patriotically explore the mighty battles of Sluys... and Crécy. *The Rest Is History Live Tour 2023*: Tom and Dominic are back on tour this autumn! See them live in London, New Zealand, and Australia! Buy your tickets here: restishistorypod.com Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Thank you for listening to The Rest Is History. For weekly bonus episodes,
ad-free listening, early access to series, and membership of our much-loved chat community,
go to therestishistory.com and join the club. That is therestishistory.com. I thank you, said the king, for that you have delivered into my hands
one whom I had vowed to punish,
in that he has caused us more scathe by fouler means than any living man.
Twice have I sworn...
I can't wait for the sentence, Dominic.
How could he have written this without...
Go on.
Without actually laughing.
I should explain to the listeners
that this is about the tenth time Dominic has tried to read this.
Come on.
Okay, give us a sentence.
Twice have I sworn that Peter the Red Ferret shall hang
for all his noble blood and coat armour
if ever he should fall into my hands.
Now at last his time has come.
Sire, murmured Nigel, it ill becomes me to cross your royal will. The dark,
plantagenet wrath gathered upon the king's high brow and gloomed in his fierce, deep-set eyes.
By God's dignity! No man has ever crossed it yet and lived unscathed.
How now, young sir, what mean such words to which we are little want?
Have a care,
for this is no light thing which you venture. Nigel faced the
king with a face as grim as his own.
You may not put to death the
red ferret.
Yeah.
So that, Tom Holland,
was a reading from Sir Nigel
by Sir Arthur Conan Doyle.
And what a treat for all the listeners that there are going to be two more of those. was a reading from Sir Nigel by Sir Arthur Conan Doyle.
And what a treat for all the listeners that there are going to be two more of those.
Does the Red Ferret appear in the next two as well?
What, next week?
Yeah.
No, no, no.
The Lord of Gros Bois appears.
Listen, so that was the fate of the Red Ferret.
There's a massive disagreement between Sir Nigel and the King, Edward III.
Tom, you talked last time about how much you loved that book, Sir Nigel, when you were growing up.
I can't believe that you're desecrating it with your laughter.
Well, I know it's a whippled way.
It is. Yes, it is poor.
So we're talking about the Hundred Years' War.
Last time you gave us, I thought, I suppose I'm biased because it's kind of my podcast,
but I thought it
was a brilliant summation of the causes of the hundred years war it's incredibly complicated
story the relationship between france and england philip the sixth i think is philip the sixth isn't
it um french king philip of valois yeah increasingly fat and depressed yeah but who has disgraced
himself by his provocations against against the rightful king of France.
Yeah, the gallant Edward III. Anyway, Edward III has launched this sort of slightly preemptive war,
hasn't he? He's concerned about Scotland in the north. He's got France across the channel. You
entered the last podcast by saying everybody in Europe basically thinks the English are going to
lose. They're the massive underdogs. France is six times richer, many times larger, the home of chivalry, of gallantry, of the knightly code,
all of that kind of business. How does Edward Tom think he's... I mean, what's his strategy?
How is he going to play this? Well, he spells it out actually in a letter to the Pope,
no less, which he writes a couple of years after the start of the war. And he says that
his aim in
fighting the war is we only make a shield against him who leveled a deadly blow at our head. So
that's Philippe Valois. The best way to avoid the inconveniences of war is to pursue it away from
one's own lands. It makes the best sense for us then to fight our enemy in his own realm,
in alliance with the power of our allies, rather than to wait for him to batter down our front door.
Okay. Yep.
So to do that, basically he has to prevent the French from landing in England. And so he has to win control of the seas, but that's a challenge because ships are very, very expensive. So ideally
you'd be looking for a kind of knockout battle where you could perhaps demolish the French fleet.
And actually the year before he wrote that letter to the Pope, there'd been a sign of how dangerous and precarious the situation is for England when
the French, I mean, they burn Portsmouth to the ground. I think they leave a single church
standing and then they attack Southampton. So this is a real danger for the English.
And the other thing that he's saying is that he's going to attack France in alliance with the power of our allies.
So he has these three kind of semi-independent realms in France.
So there's Aquitaine, which he's defending.
There's Brittany, where he has very kind of close allies. And then there's Flanders.
And Flanders, of course, is the closest theatre of war to England.
It's the easiest for him to get across to.
And it's also
France's richest province by far. And so by attacking that, he will force the French king
to focus on that rather than attacking Gascony, which is a long way from Paris.
And Edward, as his predecessors on the throne of England have understood,
recognises that the key to winning Flanders over isn't necessarily to target the Count of Flanders,
who's an ally of the French king, but to target the cities where the weavers live because they are dependent on
the supply of French wool. So these are the Ghent and Bruges and Ypres and all these places?
Yes. So 1337, Edward bans wool exports and this imposes massive strain on the various cities in Flanders. And by December 1337, basically, the whole of Ghent is in a state of revolution.
And it's led by a guy called Jacob van Atevoldt, who is a merchant in Ghent.
And he basically makes the economic case for allying with Edward.
He says to his fellow weavers and merchants,
without the goodwill of the King of England, we shall die.
For Flanders lives by making cloth.
Cloth cannot be made without wool.
It follows, therefore, that we must make a friend of England.
And the other leading cities in Flanders say Bruges and Ypres.
I mean, they all hate each other, but on this they agree.
And they basically say, the cities, that they will be neutral in the coming conflict.
And Jonathan Sumption, in the first volume of his immense history of the Hundred Years' War, describes this as one of the few examples
in history of a wholly successful economic blockade. So it has exactly the results that
Edward wants. And Edward is hopeful that things might go even further because van Artevelde is
quite keen actually to have an open alliance with England. But the problem with that is that if the
various Flemings do row in openly behind Edward, then that puts them in breach of their oaths of
loyalty to the French throne. So what's the way around that? Well, the obvious way around that
is for Edward to lay claim to the French throne. Oh, because then they're not... So they take their
oaths so seriously because they've sworn them in the Bible or something.
Yes, they do take it seriously. Yeah, well, they'd risk excommunication.
Right.
So Edward isn't yet ready openly to declare himself King of France.
But in the spring of 1338, he sends ambassadors to Paris where he addresses Philip VI, not as a king, but as Philip of Valois, and delivers a formal announcement that Edward
is intending to conquer our inheritance, so France, by our force of arms.
But it's so interesting that that's a tactic in the war rather than the reason for which
the war is fought.
It is.
It's a symptom of war rather than a cause.
Right.
Okay.
Absolutely.
But of course, Edward faces this problem that England compared to France is very, very puny. And his strategy basically requires him to... There are four theatres of war. So there's Scotland, the Scots are misbehaving up in the north. There's the south coast of England. So that's getting raided all the time. There's Gascony, of course, that needs defending. And now he's opened up this fourth front in Flanders. And this needs money.
And so Edward borrows vast, vast amounts from various Italian banks and he also borrows vast amounts from the various cities in Flanders.
And the cities in Flanders knows that Edward,
basically Edward can only pay them back
if he starts winning storming victories in France.
And they demand a surety that Edward crosses to Flanders and stays there. And so he does that. He victories in France. They demand austerity that Edward crosses to
Flanders and stays there. He does that. He invades northern France in 1339. He's trying
to provoke Philip into battle. Philip doesn't take the bait. Basically, by January 1340,
Edward is really facing problems because his debts are just piling up. He's stuck in Flanders. Back in England,
Parliament's becoming very resentful because Edward is demanding that they vote him more
money and it just seems to be a kind of bottomless hole. There's popular resentment in England.
People are starting to write abusive poems about him and about the war. And so Edward,
to try and kind of rally the cause, in January, he openly declares himself King of France. And he is backed in this
throne by the Count of Hainaut, who is the father of his queen, Philippa, and by Ghent and all the
various cities in Flanders. But in England, it's very unpopular because the English don't like the
idea of their king becoming King of France. So it's not a rallying cry.
Because they think they'll be relegated.
Yeah, they do. And so Edward realizes that he's got a real problem in England. And so basically,
he's got to go back to England to sort it out. And the Flemish cities impose really humiliating
terms on him. So he's able to go back, but he has to leave hostages, including several of his
leading nobles. But also Philippa, his wife, his queen. And this is when she gives birth to her
third son, who is called John in
Ghent, which is why he comes to be called in due course, John of Ghent, i.e. John of Gaunt.
So he'll become a kind of famous player. I never knew that, Tom.
Yeah. So that's the reason.
I've really learned something tremendous. John of Gaunt is actually John of Ghent.
Yes. So that's where that comes from.
Crikey.
So basically, Edward is facing the collapse of his entire strategy because he can't afford it.
And you might think that this would be enough to bring him to terms,
but he's still absolutely determined to carry on the war. He's still absolutely determined that
he's got the right strategy. And what are the reasons for this? Well, I mean, there is no
disputing the fact that he is probably the biggest lad ever to have sat on the throne of England.
I mean, he's very, very good at certainly getting his immediate circle on his side.
And indeed, this is why he goes back to England, because he's confident that his kind of glamour, his charisma will succeed in winning his subjects back to his cause.
So just for the listeners' benefit benefit he's about 26 27 at
this point i think he turns 27 in 13 39 or so so he's a he's still he's absolutely in the prime of
life yeah serial tournament winner yeah lover of gallantry all that kind of stuff he's got this
sort of jfk style glamour i guess well our theory and glamour because it is camelot i mean it's
overtly camelot so i mean shortly after he's overthrown Mortimer, who'd been blocking the throne for him, he goes to Glastonbury to pay his respects to the tomb of Arthur. And the various lads, his friends who had helped him to overthrow Mortimer, are kept around him rather in the way that Arthur keeps the Knights of the Round Table around him. And in 1337, when the war begins, he elevates six of them. He makes them earls. So the one who will
become the most famous is the fifth son of the Earl of Hereford. So very low down the pecking
order for that family. But he's created the Earl of Northampton. And it's very much the idea that
you get in Shakespeare's Henry V, where he talks of we few, we happy few, we band of brothers. This is what Edward III is all about. But as you said, he's also very, very good at dazzling his people with tournaments and all the kind of Camelot stuff. So that's great strategic genius in the Hundred Years' War.
His strategy is right.
And even though he's got money problems, he's right that denying the French access to the Channel ports, which is what the alliance with Flanders has brought him, is really key.
Because that means that basically the English are safe from invasion.
So that's its first target. But on top of that, he has, I mentioned
at the end of the last episode, he has a secret weapon. And this secret weapon is the longbow,
which is a word that is kind of brought into common usage over the course of the 14th into
the 15th century to describe a specifically English bow that is about the height of a man, maybe even
higher when strung. And they're so long that they can accommodate kind of very, very long arrows
because you can draw it all the way back to your ear. So that gives it much greater velocity.
And Dominic, I'm afraid that I have to introduce some maths at this point.
Maths. This is a first in the rest of history.
Yeah. So I'm going to read a sentence from an essay by Clifford Rogers, who brilliantly is professor
of medieval history at West Point, the military academy in the United States.
So very interested in weaponry.
And he says that the exceptional thickness of these bows is crucial because the draw
strength of a straight bow rises proportionally with the cube of its thickness.
So that, for example, 30% greater thickness equates
to 120% more power. Did you understand that? I did. I followed that very closely.
So they're very long and thick bows, basically. And incredibly powerful. So they have incredible
penetrative power and they can penetrate through chain mail. And that's the key thing.
So obviously people had bows before. But you're
telling me that all the bows that people had previously employed from the Romans through to
the Franks, to the Normans and so on, this had not occurred to people before to have bows of such
size. Well, there is controversy around this. It probably won't surprise you to learn that there
are revisionists who claim that actually the longbow is nothing, that it's just another word for bows that already existed.
But I think that's improbable, both because the word longbow does get introduced because of the impact that it has.
And also because you do at the beginning of the 14th century, you start to get both manuscripts and illustrations that are referring to bows that are clearly longbows.
So the earliest manuscript to show a longbow is about 1305.
The first document that unambiguously describes a longbow, it's in a murder indictment that
can be dated very precisely to the 4th of July, 1313.
And so what that suggests is that I had always thought, this is what I read when I was a
child with my Hundred Years War Obsession, that Edward I had always thought, this is what I read when I was a child with my 100 Years
War obsession, that Edward I had picked it up from Welsh fighters in his wars against the Welsh.
Because the Welsh are very famous because of Agincourt and whatnot.
But it turns out that this seems not to be the case. It basically seems to have been invented
in the first decades of the 14th century, and it seems to have been targeted against the Scots. So it may be that
it's a response to Edward II's war going badly against the Scots, Bannockburn and the aftermath
of that, an attempt by the English to basically consciously develop a weapon that will enable
them to redress the balance of war. And certainly at the Battle of Halland and Hill, which is where
Edward III wins his first great victory against the Scots outside Berwick. Henry of Huntingdon, the chronicler, specifies that it's the ability of English archers to
penetrate mail that comes as a shock to the Scots and basically kind of leads to their route.
The sense that this is something new. And so I think that we did an episode on Trafalgar,
and the whole thing about Trafalgar was that Nelson could be confident that his mastery of naval warfare was in every way superior to that of the French and Spanish.
That the Royal Navy's ability to inflict carnage on their enemies was quantitatively greater, qualitatively greater.
And this essentially is what Edward III also has.
He has a military technology that he knows that if he can bring it to bear on his enemy, he can essentially annihilate them. And this is in the context
of medieval warfare is very unusual. Very, very decisive battles in the Middle Ages are rare.
So Hastings stands out precisely because it is so unusual. It's the exception that proves the rule.
So Edward's aim is very radical. And there's a kind of pleasingly Nelsonian quality to his first great victory in
the Hundred Years' War, which is that it comes actually not on land, but at sea. In June 1340,
he's brought the news that a great French fleet has descended on Flanders. It's enemy territory
to the King of France. It's anchored in the mouth of the River Svin, which is opposite the port of Sluis, which today is landlocked
because of the estuaries silted up. Back then, it's a major port. Edward has brought this news,
and he promptly empties all the harbours across England of shipping. He packs these ships with
infantrymen, so men-at-arms, but above all with longbowmen. And he sails for Sluice.
And when the French had brought news of this, they decided that they're going to
adopt a defensive strategy. And so they draw their ships up in three lines and they've got
some absolutely massive ships. One of which is Edward's flagship, which had been captured. So
very humiliating for Edward. And they put them in the front row, and then they chain them up, and then they put another line, and then another line.
And the aim with this is to create a kind of absolutely impassable barrier so that the
English can't force it. But Edward has the advantage that is provided for him by his
longbowmen. So the English fleet closes in on the French lines, which are absolutely immobile.
And the French have crossbowmen.
So the crossbows are kind of mechanical, have bolts, very powerful,
but are very slow to load and can't fire as far as the longbow, as it turns out.
So essentially, they can't reach the English ships,
but the English ships with their archers can reach the French ships.
And this kind of rain of death descends
on the french a contemporary who saw it says that it was like hail in winter just on the longbows
tom can i ask you a quick question about the longbows so the people on um they are trained
longbowmen they've been training at home yeah and the bows fame i mean the story is always that
they're made of you is that is that right That they're made of you? And they are literally the height of a man. So they're like five foot 10, six foot or whatever it might be.
And why is it that other people haven't copied the English? So for example,
why don't the French have longbows? Because there seems to be a technology
that is distinctive to the English. They've developed it in the north of England. They
haven't yet had a chance to unleash it and to demonstrate what it can do. So the French don't even know what's coming? They don't really know what's
coming. And on top of that, I think that one of the reasons why the English king and the English
nobility are so invested in using infantry as opposed to cavalry, which is the way that
traditionally knights display their chivalric prowess, is that they've suffered the humiliation of the Battle of Bannockburn and defeat at the hands of Scottish
infantrymen. So the lesson that they have learned from their defeat in the Scottish Wars of
Independence is that infantry, and particularly archers, can defeat charging cavalry. So this is
a lesson that they have absolutely internalised. Whereas for the French, I mean, the very idea
would be a kind of heresy. So they're just not prepared to grapple with it.
And it's at the Battle of Sluice that they first demonstrate what can be done with this weapon.
Because the reign of death that falls on the French at Sluice is such that by the time the English ships close in with the French ships and grapple them, people are dying all across the decks.
And the men-at-arms can jump onto the French ships, clear them, seize them. And then the ships in the first line are so massive, so high, that the archers can then step onto them and just kind of rain death down on the other ships because the Flemings who are in alliance with the English, they see what's going on and they pour out a sleaze and they attack the French in
the rear. And it's an absolute bloodbath. And the slaughter carries on well into the night
and Edward's triumph is total. And Edward actually captures one of the admirals. The other two have
died. And this is a guy who's been leading raids along the English coast. And so rather than ransom
him, which is what convention would prescribe, Edward hangs him from the yardarm of his ship.
That's a pretty bold statement.
It is absolutely a bold statement, yeah.
Yes, it is. And what Edward is doing is marketing himself, not just as the leader of a terrifying
war machine, but as a man who is prepared to inflict terrible punishment on his enemies.
He's absolutely sending a marker. So that combined with
the annihilation of the French fleet, I mean, Jonathan Sumption describes it, says that the
French had suffered a naval catastrophe on a scale unequalled until modern times. I mean,
so basically until the time of Nelson. Isn't there some tremendous story about
the King's jester telling him the news or something?
Yeah. So people are very nervous about telling Philip VI what has happened. And then the story
is that the jester is pushed into his presence and he cries out, oh, the cowardly English,
the cowardly English. And then the king says, well, why were they cowardly? And the jester
replies, they did not jump overboard like our brave Frenchmen. Tremendous stuff. And the corollary of this great victory
is that it repairs Edward's prestige just when he needs it to be repaired. But at the same time,
it gives the English control of the channel. And so therefore, Edward's strategy of taking
the war to France is enormously facilitated because he can be confident now that the war won't come to England. So from this point onwards, he can hit the French at will,
effectively, because he has control of the channel, right? I mean, this has completely
changed the course of the war. Isn't there a claim, Tom, which I always enjoy, that the fish
at Sluice had drunk so much French blood that if God had given them the power of speech,
they would have spoken French.
Oui, c'est vrai.
Well, French fish, who'd have known it?
Right, should we take a break, Tom?
And then you can return by picking up the story
after the Battle of Sluice,
because I think we're heading
for an even more exciting battle.
Yeah, an even more crushing victory.
The Battle of Crecy.
This is a tremendous story.
All right, we shall see you after the break.
I'm Marina Hyde. And I'm Richard Osman. All right, we shall the rest of the entertainment.com that's the rest is entertainment.com
welcome back to the rest is history uh you'll be relieved to hear there's no reading about the red ferret uh to queue up after the 27 takes that the initial reading took.
But Tom, we ended last time by talking about the Battle of Sluice.
Tremendous victory for Edward III.
He has established this strategy of annihilation.
He basically doesn't have the resources, does he,
to do your traditional medieval war of kind of capturing a castle here,
a castle there, bringing the enemy to terms.
So what's his plan, would you say, from Sleuths
onwards? I think his plan is a kind of force de frappe to corner the French army and to inflict
such a devastating defeat on it that Philip will be brought to terms. So very like Nelson. I mean,
it's a kind of Nelsonian strategy, only he wants to adopt it on land. But the problem is precisely
that he does have to bring Philip to battle. And Philip is kind of wise to the dangers of that. And so basically there's a kind of dead
lock and both sides are in a bad way. So Philip has lost the Battle of Sleaze. He's lost naval
control of the channel. His lands have been wasted by Edward who keeps kind of marching in and
burning everything. So he's really lost face. He's lost prestige. But Edward III, the Battle
of Suisse doesn't help him with his finances. And so he actually ends up declaring bankruptcy
and it precipitates the world's first great banking crash. So we've got all this kind of
stuff at the moment with Credit Suisse and all that kind of thing. Deutsche Bank. Well, it was
Edward III who set off the first one. So yeah, two great Italian banks are kind of brought crashing down in ruin.
And you get the first Italian contemporaries condemning the bankers for their greed and
stupidity.
It's the first case of this.
But isn't this a foreshadowing of how the war will end, Tom?
Because isn't this a classic case of one of those wars that um the french have so many more resources and really you know military historians would
often say it's finance it's industrial capacity it's all these things that actually wins wars
so you can fight against that for so long but you have to keep winning and winning and winning once
you start to lose yeah you know the front the french can afford to lose battles yeah and they're
still in the game the english cannot really afford to lose battles, and they're still in the game.
The English cannot really afford to lose any.
And so Edward, despite his great victory at Sleaze, signs a truce with Philip.
And again, he writes to the Pope saying, basically, I haven't got any money.
It's the money that's the problem. But the war kind of rumbles on in the other great semi-independent fiefdom in France,
which is Brittany.
Because in May 1341, the Duke of Brittany dies
and the succession is disputed. So there's his half-brother, John de Montfort, who is
very pro-English, and his niece, Joan. And Philip VI takes the side of Joan,
marries her to his nephew, who's a guy called Charles de Blois. And he summons John de Montfort,
so the rival to paris
under assurance of safe conduct and promptly arrests him which is not good behavior is it
it's kind of what i expect from a french king there yeah but john de montford luckily has a
tremendously cool wife lady de montford who bravely holds out um invites the english who
comes sailing over edward iii comes across in person. Great success. So the
Earl of Northampton, the guy who has been made an Earl by Edward back in 3037, he captures Brest.
And that's absolutely key because that is a port that controls the headland of Brittany sticking
out into the sea and thereby makes the sea route from England to Gascony and Bordeaux secure.
So that's a great strategic success.
And 1343, there's another treaty signed. And basically, things are starting to look up for
Edward because he's now got his alliance in Flanders. He's got all kinds of footholds in
Brittany. It's starting to look good. And he's starting to put flesh on the bones of his claim
to be King of France. And he knows that the more successful he is, the likelier it is that Philip is going to have to
meet him in battle when the truce ends, which it actually ends in 1345. So Edward repudiates it a
year early. And he sends an army to Gascony, planning to lead another into Normandy, but the
terrible storms and then everything goes tits up in Flanders because Van Artevelt, the merchant from Ghent, who's very much his right-hand man
there, gets killed by a mob. So Edward has to go to Flanders to try and sort it out,
which he does successfully. But it means that his invasion of Normandy is delayed for a year.
So it's 1346 is the year where he decides that he's going to launch a full frontal invasion
of France. And at this point, he's going to launch a full frontal invasion of France.
And at this point, he's thinking one battle, use the longbows, beat Philip,
and the war is done and dusted.
Yes. And so this is the largest expedition that he's organised. And whereas previously he'd been
largely fighting using continental allies, so Flemings or allies from the German Empire or
Bretons or whatever, with this one, the majority of his troops are going to be English. So he's taking the flower
of English chivalry, but he's also taking a huge contingent of Longbow men and men at arms.
And the aim is to inflict such damage on France that Philip will have no choice but to meet him
in battle. So it's kind of all or nothing strategy. I mean, because England doesn't
have the manpower of France, right? So if Edward loses, he can't go back and dredge up
another X thousand. So sorry, actually say X thousand. How many people are we talking about?
Would you say by and large in these kinds of armies? Probably about 8,000 men.
Right. Edward's leading about 8,000 men. Yeah. I mean, obviously the French will be able to
muster vastly larger numbers, but Edward is relying on the fact that he's a better commander and that his men are better.
But it is a huge gamble. I mean, not least because the risk of an English defeat is that Edward
himself and he's taking his young son, Edward of Woodstock, the Prince of Wales, the man who in
due course will come to be known as the Black Prince. So he's taking him as well. So if Edward, the Prince of Wales and the Flower of English Chivalry get taken prisoner,
I mean, that will bleed England dry. So it's a huge high stakes gamble that he's taking,
but he's prepared for it very, very comprehensively. So he's taking large numbers of
arrows. And he's also, for the first time in a medieval campaign, taking field cannon.
So he's got a hundred small cannon. Previously, they'd only ever been used in sieges. He's had
powder prepared in the Tower of London, kept dry, brought with him. So it's all or nothing,
basically. So they leave early July, 12th of July, they land in Normandy, actually next to the beach that in 1944 will be called
Utah Beach. So great broad beach. The landing, unlike in 1944, is unopposed. They land on the
beach. Edward knights his son, the Prince of Wales. So very, very powerful moment. And he
brilliantly, he declares that he's launching this invasion, which is very sweet of him, out of compassion for the wretched fate of the people of France.
Oh, he's doing it for compassionate reasons.
He is.
He's doing it to be kind.
And so the moment he's landed, the English just start looting, burning, destroying everything in their path.
So often the way, Tom, are people who proclaim their own kindness on social media.
Yes.
So he's doing it to be kind.
And he just, he's, he just, he marches through.
I mean, Normandy is some of the richest arable land in France, burns it all.
Yeah.
And he embarks on what is called a chevauchée.
And a chevauchée is basically lads on tour burning everything, kind of 15-mile band around the movement of the army.
And he advances down the line of the River Seine,
heading towards Paris, because he knows that heading for Paris, Philip won't be able to ignore that. So Philip is brought the news of this. And on the 22nd of July, he takes up the great
royal standard, the Oriflame. And this is the marker of a French king who is taking war
seriously. And at the same time, he sends messengers to Scotland
to summon David II, who's gone back to Scotland to invade Northumbria. So the weasel Scott in
Henry V's words. He also summons troops from across France. While he's waiting for these
troops to come, he orders all the bridges across the Seine to be cut so that Edward,
who's on the south bank, is basically left with the choice of attacking Paris, which will be murderous because he doesn't
have enough troops to get involved in street fighting in the city, or to retreat to Normandy,
which would obviously be an enormous loss of face. However, Edward isn't going to adopt either
policy because he's convinced that it should be possible to find a crossing.
And so in that conviction, he carries along the Seine very, very pointedly burning and looting all the royal properties that he comes across and trying to find a bridging point.
So they arrive at Rouen and they find that the bridge has been lost there.
And there, there is a tremendous display of English heroism from a man who is, do you know
what he's called? Well, you do because you've got my names. Oh my word. He's called Sir Thomas
Holland. He is. What are the chances? So this is one of the leading figures of English chivalry.
All of these podcasts have been building up to this moment, Tom.
So Sir Thomas Holland, he's standing by the ruined bridge at Rouen and he sees the French
on the far side and he bellows at them over and over again, St. George for King Edward,
which I think is admirable behaviour.
Does he fight anybody?
Well, he can't because he can't get at them because the bridge has been cut.
Always the way with Tom Holland, all talk and no...
No, no, Dominic, because you will see that Sir Thomas Holland acquits himself very,
very well in due course.
He could be.
Anyway.
If they ever do a hundred Years War film, Tom,
it would delight you to know that he could be played by Tom Holland,
the well-known Spider-Man.
Or me.
Well, or you, but are you not a little Tom Holland now?
Or Tom Hollander.
Maybe.
Yes.
Anyway, go on.
So the English, they continue going towards Paris,
and they come to a place called Poissy,
which is a few miles outside Paris.
And the bridge there has been broken, but engineers
inspect it and they tell Edward, actually, I think we can repair this. But this is very kind of
on the bridge stuff because once they've done that, it will require English troops to cross it
in the assurance that they will basically be sitting ducks as they cross it. So, very, very
perilous. But the guy who steps up to the plate is the earl of northampton
now the guy who was ennobled as a thank you yeah yeah his sort of pal his pal yeah and they they
um they get over the crossing they engage the french in uh brutal hand-to-hand combat and they
hold them back as the english managed to make a crossing. The English do indeed have
many casualties, but not as many, it turns out, as the French, because all the holding force on
the north side of the river are wiped out and Edward is able to get across. So this is a great
moment and Edward now decides that he is going to head towards Pontier, which is the estate that
is his inheritance as King of England. It's been confiscated by Philip, so it's been annexed. By going to it, Edward is basically making a
statement that he is going to his own, but it is also land that he's familiar with.
So he knows the terrain there. The problem for him is that to get to Pontier, he has to cross
another river, the Somme. And he gets to the banks of the Somme and he again discovers that Philip has destroyed all
the bridges. However, there is a ford. So this is a place called Blanchetac, the white spot.
And at low tide, it's Blanchetac because there's a white stone can be seen and you get across.
And they get there and they discovered that it's guarded by 500 men at arms,
by 3,000 Genoese crossbowmen.
But again, Northampton steps up to the plate.
So he takes 100 longbowmen, 100 men at arms across the estuary.
The longbowmen rain a fire on the French guarding the northern bank.
More and more English pile up behind it, storm up, 2,000 Frenchmen killed, entire English
army cross, just as the last Englishmen get to
the north bank and the high tide makes the ford impassable. So it's kind of a bit like Moses
crossing the Red Sea, that kind of thing. So again, Edward has made it across and he can now
head into Pontieu, his own duchy, and he makes for the great forest of Crecy, where there is
a position that will entirely suit
the kind of battle that he wants to fight. Meanwhile, the French are coming on,
chasing the whole time. So meanwhile, the French are crossing the Somme and news is brought to
Philip that Edward and the English have stopped at this hill by the forest of Cressy, about 10 miles
to the north, and the French start to move towards it.
And Edward has drawn up his men in three lines,
so his knights and his men-at-arms.
So about 8,000 to 10,000 men in total.
So the first line, the first battalion, is commanded by the Prince of Wales.
Who's 16.
Who is 16.
And so he has a man with a wiser head by his side.
Oh, no.
That man, Dominic, is Sir Thomas Holland.
But of course.
It's good of you to be in the front row, Tom.
Yeah, I'm there.
The second one is commanded by Northampton.
Right.
Who's done tremendous service already.
And the third is commanded by Edward III.
Yeah, who's commanding the reserves, basically, is he?
Yeah.
And Edward puts the archers and the cannon.
You know, the French have no idea that the English have brought cannon with them
because they've been strapped underneath the underside of the wagons.
But the powder's been kept dry.
The cannon are there.
So archers and cannon are put in two great kind of clumps on either wing.
And the archers dig holes and the archers dig trenches
with spikes in front of them. And they put the wagons of the wagon train in front to create a
kind of barrier between them and the French forces. And it's a very, very strong position.
And Philip arrives on the morning of the 26th of August, and he recognizes that it's a strong
position. And it's exactly the kind of battle that until now he has refused
to join. But he also knows that he just can't afford the loss of face that would result from
refusing Edward the battle. And even though there are lots in his council of war who urge him to do
precisely that, he decides that they will fight and that they will wait for the late afternoon
so that as many people who are coming to join him can arrive, but that they will
fight it that day. And so he likewise draws his men up in three divisions. He's got about 25,000
men. So more than double. It's about three times the size. Yeah. Three times the size of the English
army. So he puts his Genoese crossbowmen at the front and the Genoese crossbowmen normally would
have kind of wicker shields
that they would put up and fire from behind the shields.
But these are left behind in the baggage train that hasn't yet arrived.
So they are without their protection.
And they are commanded by John, who is the blind king of Bohemia,
who we mentioned in the first episode.
Tom, I'll say it right now.
Madness to have a blind man.
I don't want to be ableist,
but I wouldn't put a blind man in command of the first rank of Miami.
Yeah, but he's a great knight.
He's a great knight. He's a great knight.
He's a paragon of chivalry.
And that counts for more than being able to see.
I was going to say being able to see is the absolute.
No, being a paragon of chivalry is much more important.
Well, we'll see how the battle works out for him.
We'll see how it goes.
Then the second division is under the command of Philip's brother,
who is a guy called the Count of Alençon.
So Alençon is a fiefdom in Normandy that traditionally is awarded
to the kind of second-ranking royal in the French family.
So that's the marker of the Count of Alençon's status.
And the rearguard is commanded by Philip VI himself.
So the Genoese longbowmen advance to get within reach of of the
english as they hope and it starts to rain and this is a disaster because it means that the
cords on their bows start to slacken but what about the longbowmen surely their do their strings not
slacken as well no because they've prepared for it and also of course the range of the longbow
is much greater than the range of the crossbow.
So basically, the Genoese, without their shields,
they can't fire arrows.
They're not within range of the English.
They get absolutely murdered.
And their commander can't see.
Their commander can't see, exactly.
Exactly.
And so all the knights who are on their horses
under the command of the Comte d'Alessandre behind
are seeing that the Genoese are being useless. They not don't seem to be firing lots of them are starting
to run away and this rumor goes around that they are that they're cowards or that they're traitors
you know that they're in the pay of the english and the the count of alanson basically gets fed
up with it draws his sword um says they're all cowards let's let's ride them down um philip behind him gets terribly
excited starts yelling in a loud voice kill them kill this riffraff kill them all kill the riffraff
they're doing nothing it's such a french thing to shout isn't it
the battle starts going badly and and basically saying you know they're absolutely useless they're
in our way trampleample them down.
And so the whole of the French cavalry starts careering across the battlefield, galloping down the... At their own troops.
Well, they're Genoese, so they're expendable.
And they're just, you know, they're archers.
So that's...
Poor tactics, Tom, I have to say.
And Edward has brought so many arrows that the arrow rain just keeps falling and falling and falling.
And the French discover, as the Scottish knights had discovered earlier at Halladon Hill, that these are arrows that can penetrate their armor.
And, you know, they are, horses are collapsing, knights are being horribly wounded or killed.
There's a brilliant description by one of the French chroniclers who says that they were tumbling over each other like a vast litter of pigs.
So kind of crashing down on top of each other.
But some of them do get through.
And of course, they attack the front English line, which is commanded by the Prince of Wales.
Yeah.
He's only 16, but he's already much taller than anybody else.
He's a very physically prepossessing looking chap.
And so he becomes the focus of the French attacks.
At one point, his standard is dropped. It gets picked back up again. Messages go,
you know, are sent by Sir Thomas Holland, who's there trying to look after the Prince of Wales,
to Edward III saying, you know, could you send some reinforcements? And this is where Edward III
delivers one of the most famous lines delivered by any English king, where he turns down this
request and says, let the boy
win his spurs. Do you know, I remember doing this at school when I was about 10 and that line,
I loved, I mean, I loved the Battle of Crecy, but that line, the let the boy win his spurs,
I just thought that was absolutely tremendous. It is. Everybody comes out so well from that.
Yeah. And as we've always said, we're a very patriotic podcast, so we're going to enjoy that.
So the French keep attacking and attacking and they keep getting wiped out and things get so bad that it's obvious they're going to lose.
And at this point, John of Bohemia, that paragon of chivalry, decides that he's let France down, he's let Philip VI down, but worst of all, he's let himself down.
He's absolutely let Bohemia down.
And so he orders his squire to basically point him in the direction of the battle.
And he just charges in.
Is he even going the right way?
How does he know?
Well, you can hear the sound.
So he charges into the melee, waving his sword around.
And that's the end of him.
Oh, he's killed.
Meanwhile, Philip VI gets struck in the face with an arrow.
He has to be led away.
The Aurorflame is left trampled in the mud.
It's an absolute, it is exactly what Edward had wanted.
It is a killing field.
And as the sun sinks beneath the West, darkness spreads over the battlefield,
sounds of screams of the dying and the wounded.
Edward orders a great windmill on the hill to be filled with brushwood and set on fire so that the English will have a focus, but also they can see the scale of the victory that they've won. Tom, why on earth did Gibson waste his energy with Braveheart?
I don't know.
This would be a tremendous film, wouldn't it? And Edward comes and finds the Prince of Wales and embraces him and declares,
Fair son, God save you.
You are my good son and you have acquitted yourself nobly today.
You are worthy to keep a realm.
And the Prince of Wales has been given the ostrich feather crest of the fallen king of Bohemia.
Ich dien, I serve.
And he gives it to Edward, and Edward
gives it back to the Prince of Wales.
And that's why the Prince of Wales to this day has the feathers.
Has the ostrich feathers.
And that motto, Ich dien.
Exactly so.
Exactly so.
So all very stirring.
In the morning, a fresh contingent of French come up, get wiped out.
So that's even more who've been wiped out.
And the French casualties
are stupefying. I mean, thousands and thousands are dead. King of Bohemia is dead. 11 princes
are dead. The Count of Flanders is dead. The Count of Alençon, who had led the disastrous
charge, is dead. An archbishop is dead. English casualties, 300 men.
God, this is brilliant. This is one of the best episodes we've ever done, Tom.
And so I mentioned about the similarities with Trafalgar.
Ian Mortimer in his book, Perfect King, about Edward III,
writes that the importance of the Battle of Crecy cannot be exaggerated.
It was the first major battle between two well-resourced martial kingdoms
in which victory was obtained by projectile weaponry
rather than hand-to-hand fighting.
In that sense, it marks the advent of modern warfare,
which is a very kind of striking claim to make.
But, you know, in the sense that from now on,
basically it will be first longbowmen, then, you know,
rifles and muskets and rifles and so on.
So, I mean, it's kind of interesting.
It's a brilliant demonstration of the importance of technology, isn't it?
I mean, because basically the English are grossly outnumber brilliant demonstration of the importance of technology, isn't it? I mean, because basically, the English are grossly outnumbered.
They win because of technology, you know, strategy,
that sort of, rather than martial, I mean, ironically,
given that we remember Cressy for kind of martial valour
and the heroism of the Prince of Wales and whatnot.
It's actually not won by that, is it?
Right.
And so that's kind of the immediate impact of this,
is that firstly, it is a demonstration by Edward III
that his chivalric prowess is now greater than that of France.
So that's an incredible bragging right.
But you're right that the victory has basically been won by archers,
by yeomen and peasants, not by knights.
And Edward's genius really is to kind of fuse the stories that
are told about the Prince of Wales with the achievements of the Longbowmen. And that over
the next two decades will be a kind of very potent combination, a kind of very potent myth.
This idea that knights and yeomen in the English armies are fused in a common sense of purpose.
But the challenge for Edward obviously is now he's won his battle. What next? I mean,
he hasn't become king of France.
So what's he going to do?
So his plan is to win.
In the aftermath of this, he wants to win a permanent foothold in northern France because
the problem is landing on Normandy beaches is always risky.
So he has targeted a place called Calais, which is very, very well protected.
It's kind of surrounded by marshes, very high walls,
commanded by one of France's best soldiers, a man called Jean de Vienne. But Edward is determined
to seize it. It's a very, very long siege. It requires all his administrative ability,
his strategic ability, his organizational ability. It involves blockades, naval blockades,
the transfer of troops and foods and supplies and arrows and all this kind of thing.
So incredible figures between July 1346 when he starts the siege and September 1347 when Calais finally surrenders.
England's port supplied Edward with 853 ships manned by 23,907 seamen.
Very precise figures reflective of the kind of the paper trail.
You need some kind of bureaucracy to do all this.
And while this siege is going on, there are two further incredible triumphs that set the
seal on this Annus Mirabilis.
The first is that on the 17th of October, David II, the Scottish king, who in obedience
to the old alliance has invaded England, is met at a place called Neville's Cross, an
English army led by two lords, Neville and Percy,
who in the 14th century and 15th century particularly will become massive players.
Yeah. The great Northern magnates.
The great Northern magnates and the Archbishop of York. And the Archbishop of York has taken
with him the banner of St. Cuthbert from Durham Cathedral.bert, you know, he gets in behind England
because the Scots
are absolutely wiped out
and David is taken prisoner.
He's found hiding under a bridge
and brought to London.
They should have just stopped history
then, shouldn't they?
Well, no, because there's more to come,
Dominic, there's more to come.
Because England had won.
So the following year,
20th of June,
so in 1347,
Charles de Blois,
who is Philip VI's candidate to be Duke of Brittany,
is defeated and he's taken prisoner and taken to England. So the prisoners are stacking up.
Philip VI, meanwhile, has attempted to relieve Calais, can't do it, so retreats. So that's
another humiliation for him. And on the 4th of August, 1347, Calais surrenders. And it's an unconditional surrender.
And in token of this, Jean de Vienne and six of the burghers of Calais.
So not burghers as in, you know, Big Macs, but people who are kind of leading merchants, that kind of thing.
They come out from Calais, they're bareheaded.
Jean de Vienne is holding his sword backwards as a kind of symbol of his acknowledgement that he's been defeated. So he's riding out. Behind him, walking
barefoot, come the burghers, barefoot, only wearing their shirts. And they're wearing halters around
their neck, which is kind of symbolic of their acknowledgement that Edward has the right to hang
them. Edward says he is going to hang them. His wife, his queen, Philippa, begs for mercy. And this is what queens do in the Middle Ages. Kings are very stern. Queens beg for mercy. The king then gives in to the queen and everyone is satisfied. So Edward has simultaneously been able to demonstrate that he's a figure of terrifying determination, but also that thanks to Queen Philippa, he's going to show mercy. So he lets the people of Calais
live, but he expels them because his aim is to reestablish Calais as an English city. So people
from England are given all kinds of trade deals and rights to live in Calais. And so there's a
massive population transfer. So Calais is to be an English city. It is given a garrison that is the largest
concentration of troops in any urban settlement in Europe. So it's an absolute triumph. The scale
of English success is everything that Edward could have wanted. And so, of course, in the autumn of
1347, he is looking forward to continued successes, perhaps over the winter, perhaps into 1348. But Dominic,
something intervenes. So am I right in thinking, Tom, that hundreds of miles to the south,
in Messina in Sicily, a Genoese ship lands at pretty much that exact moment.
Pretty much as Calais is falling. As Calais is falling.
And on board the ship, some of the sailors are carrying an unknown and utterly deadly disease.
Marked by black buboes under the armpits.
I mean, that really, if this was a, you know, we were joking about it being Game of Thrones or being a Hollywood film.
But that is the ultimate twist, isn't it?
That you can just see the picture fading on the scenes of celebration and then a kind of epilogue or a post-credits scene of this.
The Black Death.
The ship arriving.
The Black Death is coming.
And that changes everything.
And actually, I would love to hear what happens next,
but we're not going to, are we?
We're going to wait till next week.
We are.
For those of you who are members of the rest is history club i know people love hearing
this again and again so i think we should give people what they want tom um that's what we want
for those of you who are members of the rest is history club you can find out what happens next
does the black death make a difference to the course of the hundred years war spoiler alert
it changes everything you can hear that right now
if you're not a member of the rest is history club and you could of course join up at rest
is history pod.com but if you don't want to you'll have to wait till next week and that's so and
and next week it's not just about the black death it's also about the black prince the black death
and the black prince very good tom i like like that So we will be joining you next week
With The Black Death and The Black Prince
And the next, and most importantly
The next exciting reading
From Sir Nigel
And when I tell you that this is the moment
Where Nigel meets
Raoul de la Roche, Pierre de Bras
A free vavasor of the noble
Count of Toulouse
You will know how exciting that is
a very debonair man Tom
and he and Nigel become fast friends
as you will remember from your
childhood reading, so there's lots to look
forward to next week and on that bombshell
we will say au revoir
Au revoir
Thanks for listening to The Rest Is History.
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