The Rest Is History - 537. Emperors of Rome: Claudius, Paranoia and Poison (Part 4)
Episode Date: February 6, 2025Following the bloody assassination of the twenty-eight year old Emperor Caligula, Rome found herself without a leader. Who then should fill the enormous power vacuum left by the death of an emperor? S...hould Rome return to a Republic? Then, one overlooked candidate - a scion of the hallowed family of Augustus long lurking in the wings of imperial power - unexpectedly rose to the fore: Claudius, Caligula’s uncle. Famed as a drooling idiot all his life, Claudius’ apparent shortcomings had kept him safe from the ruthless ambitions of his family and enemies. But his life of anonymity would now be brought to an abrupt end, with a shocking coup led by the Praetorian Guard. The Praetorians, one of the most potent forces in Rome, feared the loss of the emperor’s patronage, and so pulled him out from the curtain behind which he had been hiding, carried him to their camp, and declared him emperor. The reign that ensued - described in gory, glistening, salacious detail by the Roman historian Suetonius - would see Claudius dismantle his mask of imbecility to reveal himself clever and studious, but easily duped by his advisors, freemen, and wives alike. It would see him claim the conquest of Britain, increase the strength of the Roman army, fall foul of the senate, play cuckold in one of the most famous sexual scandals of all time, and marry his niece. All the while, the shadows of Nero’s rise to supreme power were lengthening… Join Tom and Dominic for the mighty conclusion of their journey through the lives of Rome’s first Caesars, as described in rich, technicolour by Suetonius, climaxing with the epic reign of Rome’s most unexpected emperor: Claudius. Pre-order Tom Holland's new translation of 'The Lives of the Caesars' here: https://www.penguin.co.uk/books/279727/the-lives-of-the-caesars-by-suetonius/9780241186893 _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett Editor: Jack Meek Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices
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When the conspirators who were lurking in wait for Caligula moved everyone else along,
on the grounds that the Emperor wished to be alone,
Claudius retreated to a wing of the palace known as the Hermaeum, and not long afterwards,
alarmed by the distant shouts of, Murder! crept away to a nearby balcony, where he hid
himself behind the curtains hanging in front of the door.
There he cowered, and as he did so, a soldier who happened to be wandering past noticed his feet
and dragged him out intending to ask him who he was, but then as he sank to his knees in terror,
recognised him and hailed him as Emperor. The soldier then led him away to where the other
Praetorians were all milling around, uncertain what to do. The soldiers put him in a litter, and
because his own attendants had run away, took it in turns to carry the unhappy and fearful
man on their shoulders to their camp, and all the crowds they passed on the way pitted
him on the assumption that he was an innocent being bundled off to execution. Received within
the ramparts, he spent the night under the protection of the Praetorians,
but in a mood of relief rather than of any great expectation. But as the next day passed,
so large crowds of people gathered outside the Praetorian camp, agitating for a single man to be
given rule and calling for Claudius by name. These chants prompted him to allow an armed
assembly of the Praetorians to swear allegiance to him and to promise each
one of them 15,000 Sesterces, thereby becoming the first of the Caesars to
win the loyalty of the military by paying them a bribe. So that last sentence
I'm not sure whether that's really
true, but that's Suetonius in his life of Claudius as translated in the New Penguin
Classics Edition by our very own Tom Holland. And Tom there, Suetonius, has taken the story
forwards from where we left it last time. We left it on a cliffhanger. The Emperor Caligula, mad or not, definitely a populist, has been
assassinated by Cassius Caria and the Praetorian Guard and the question is, is
Rome going to turn back the clock 60 years to the time of the Republic and
all the chaos at the end of the Republic or is it going to continue with the
family of Augustus known as the Caesars?
So take us forward, what happens next?
Yeah, well, it's the pressing question, what happens next? Is an eligible Caesar to hand?
Or as you were implying, might it be time to turn the clock back, to go back to the
republican system of government? And what makes that question even more pressing is the fact that, as we've been saying throughout
this series, the autocracy of the Caesars is not formally a hereditary monarchy. In
fact, formally it's not a monarchy at all. And so there are no rules governing the succession. That said, it has come to be accepted that the emperor
should be a Caesar. So that means an heir either by adoption, as was the case with Tiberius
or by bloodline, as was the case with Caligula of the deified Augustus, the first of the
emperors and who is now a god. So the question then
is what are the options? Who is there on hand? And I suppose the obvious question, which
we didn't touch on in our episode on Circular, is has he left any children? And although
he's only 28 when he gets murdered, he hasn't stinted when it comes to having wives. I mean, he's burned through
a lot of them. And his last wife is the one that actually seems to have been his great
love and she's a woman called Melonia Cisonia. And she isn't particularly young. She's not
particularly attractive, but she does seem to have appealed to something very deep and
colligula. I mean, he really knows. Well, actually, I think we can have a fairly
good idea what it is. They both seem to have certainly have had a taste for
dressing up. Lucy Worsley. Well, to a degree. So when he goes riding off to
see soldiers or whatever, he dresses her up in a military outfit as well. So she
clearly enjoys that. But he also gets her to pose nude for friends. So to that extent,
she's not like Lucy Worsley, but she's clearly, she's a fun girl. She gels well with Caligula's
inimitable madcap sense of humor. I think it would be fair to think she's a zany funster.
Right. And she has given him one child, but unfortunately for fans of the Bloodline
of Caligula, that child is a daughter and Caligula has named her after his
beloved sister who died and whom he deified in his grief. So he calls her
Julia Drusilla. And she's a lovely sweet-natured girl, isn't
she by all accounts? Yeah, so this again I think is one of the, I mean very funny bit
from Serotonius. So this is Caligula talking about Drusilla. There existed no sure evidence
that she was indeed his child, he believed, than her temper, which was so violent whenever
she played with other little children she would scratch at their faces and jab at their eyes with her fingers so daddy watches
on, oh chip off the old block. So what happens to them? Well according to
Suetonius they get murdered along with Caligula. He says that they've been
accompanying him when they run into the Praetorians but Josephus, the great
Judean historian who has very precise information about what happens,
he reports that they weren't with him, but when the news came that he'd been murdered, they come
and seek out the body of their husband straight father, and they find him and they kind of lie
prostrated with grief, mourning him. And this is where they are found by a Praetorian who has been sent to dispatch
them. And Cezonia looks up at the soldier and she's, you know, sobbing and she says,
finish the last act of the drama. So again, this idea that everyone in the house of Caesar
is an actor on a stage and the Praetorian duly does as he's told. He slits Cezonia's throat and
he picks up a little Drusilla and he smashes out her brains on the side of a wall. So that's
the end of them. So they have gone and there are no male descendants of Augustus at all,
full stop. And there's no male candidate with the blood of Augustus in their veins to succeed
Caligula. And so it's not surprising that there are many in the Senate who do think,
well, this might be the time to bring back the, the Republic to kind of wake up from
this terrible nightmare that we've been living through. And so that evening, you know, the
soldiers come, the guards come and they say to the consuls who've taken control of the
city now that Caligula is gone and they say, what's the watchword? And they say liberty.
So it's all very noble and upstanding. And the next day they have a kind of very grandiose,
florid debate on the need to restore the Republic. Words like liberty and various other abstractions
are banded around with great
abandon. But while they are having this debate, they are forgetting the fact that there are
other players in this crisis. One group of which of course is the praetorians, the imperial
guard who some of whom had been prompted to murder Caligula, but who absolutely do not
want to see the overthrow of the monarchy
because they depend on it for their status and their income. So obviously they don't want to
republic, there'd be no role for them. And the other kind of player in the drama, of course,
is the people, the mass of the Roman people, who likewise mourn Caligula. They're very upset that he's gone. And they too want a Caesar,
because it is Caesar who keeps them fed above all. It's Caesar who organises the grain supply.
And it's Caesar who keeps the masses entertained, who provides the gladiatorial shows and so
on. So they likewise don't really want a republic.
So let's get back to this moment of the curtain. This bloke in the Palatine, the Praetorian,
he sees these feet sticking out under the curtain. He takes Claudius to the Praetorian
camp and presumably the Praetorians at this point are thinking of Claudius purely as their
puppet. He's somebody from the family, so they feel a sentimental attachment perhaps
and they think we need a figurehead. Here's this bloke, who cares what his backstory is. He's got the right bloodline. Great. Bring him in.
Well, we'll discuss in due course, I think, whether it's just luck or whether it's perhaps
something slightly more organised. But yes, you're right. They find Claudius. Claudius
is a part of the August family. He's quite old by this point. He's born in 10 BC. So, Caligula is murdered in 41. So he's into his fifties.
And people may be wondering, well, I mean, if he's in his fifties, he's a member of the
August family. Why hasn't he become emperor before? Why isn't he the obvious candidate?
And I suppose, you know, why hasn't Caligula killed him?
If he's an alternative Emperor.
And actually, I said he's got the right bloodline, but that's not quite right, isn't it? Because now
it comes back to this issue that Suetonius was very interested in with Caligula, which really loomed
large for Suetonius then, and I guess must do now again, which is exactly whom are you descended from? Yeah, this really, really matters.
So who is Claudius?
Um, so to answer that, we need to go back to the scandalous marriage that, uh,
Augusta's had with this woman called Livia.
So Livia is a Claudian.
She had previously been married to another Claudian.
She'd had a baby boy,
Tiberius. She's then pregnant by her first husband when Augustus decides he really wants
her and marries her. He's in a position to obviously impose his will. So Livia is massively
pregnant when she marries Augustus and shortly afterwards she gives birth to a second son who is called Drusus. And Drusus, like Tiberius, is a tremendous war hero. He's entrusted by Augustus with
assorted German campaigns. He invades so far east that he reaches the line of the Elbe
where he sees the ghostly apparition of a huge woman telling him to turn back. But he's
very dashing, very heroic.
And then he dies young, which of course confirms his kind of reputation in the hearts of the
Roman people. And it's all kind of very, you know, early years of Rome in a story by Livy.
Tiberius escorts the corpse of his brother back to Rome on foot, weeping the whole way, very, very kind of heroic tableau. So Drusus is much
admired, much loved. And fortunately, he has given the Roman people another war hero because
Drusus is the father of Germanicus, who we talked about in the previous episode, the
father of Caligula, very dashing, perfect in every way apart from his spindly legs, absolute war hero again, and everyone
loves him. However, Germanicus is not Drusus' only son. So he has a second son, and this
is Claudius. And Claudius, as we said, is born in 10 BC, 1st of August, at Lugdunum,
which is Lyon in Gaul, the kind of the great cult centre for the Augustan cult in Gaul. And Claudius is born, Drusus
dies the following year in 9 BC, and so the infant Claudius is raised by his mother, Antonia,
who is the daughter of Mark Antony.
So just to recap for people who don't know the family tree in front of them, Claudius
is the nephew of Tiberius. He is the brother of Germanicus who never got to become emperor.
He's also the grandson of Mark Antony. I mean, he's very well connected. Yeah. And he's the
step-grandson of Antony's great rival, the first emperor, Augustus. So he has all
kinds of connections, although the crucial one, the one with Augustus, is not a blood
connection.
Yeah, and that wouldn't be an absolutely hopeless problem because Tiberius wasn't, but he gets
adopted and in the Roman system, if you get adopted, then you do become the son. I mean,
there's no, you know, I mean, as good as being a kind of blood, a blood son. So it would have been possible for Augustus or Tiberius at some point to
have adopted Claudius, but they don't. And why do they not? Well, the words of Suetonius,
for almost the entire length of his childhood and adolescence, he suffered from a range
of chronic illnesses. These left him
so impaired both mentally and physically that even once he had come of age, he was regarded
as unfitted for either public or private duties.
Right. And what are these illnesses?
Well, so Suetonius goes on to list them. He has weak knees, which gives him a kind of
hobbling, almost kind of limping gait. His laughter,
Suetonius says, is an unbecoming bray. It's a bit like Kamala Harris.
I was about to say Kamala Harris. People gave her a lot of hard time, but I didn't mind
her laugh actually. I thought it was quite endearing.
Well, you might have liked Claudius's then.
But I wouldn't say hers was a bray. If his was a bray, I would dislike it because I don't
like a braying laugh.
Okay. Well, Suetonius says it was a bray. So obviously it was because your Tony is, is never wrong.
So Tony says he stammers and twitches.
Yeah.
And when he gets angry, he drooled and snorted mucus.
And I hate that in a man, Tom, that's the snorting of mucus.
And apparently Claudius gets angry quite a lot.
So there's quite a lot of snot flying around the Palatine.
Yeah.
So clearly he, he suffers from various ailments and disadvantages and people might
be wondering, well, do his grandmother, Livia and his mother, Antonia show him sympathy
and compassion or are they monstrously ableist? And I'm afraid to say that they are monstrously
ableist. So Livia is so mortified by having this grandson who kind
of twitches and limps and blows snot everywhere that she can barely bring herself to talk to him
and generally communicates with him by kind of sending him written missives. And again to quote
Suetonius, his mother Antonia used to describe him as a monstrosity of a human being, begun
by nature but only half finished, and would accuse anyone whose stupidity she particularly
wished to emphasise of being a bigger fool than her son Claudius.
But actually I tell you he's really nice to him, and this bears out my view that actually
I think you're very hard on this person and you paint him in an unduly dark light, and
that is Augustus. Augustus is ultimately
a kind man and is lovely to Claudius.
Except when slaughtering senators.
Yeah, but who cares about them? He's very nice to Claudius, isn't he? He's very nice
to Claudius.
He's not very nice to Claudius.
Yeah, but compared with the rest of the family, Tom.
He's nicer than his mother, for sure. I mean mean Augustus agrees that it would be embarrassing to his
regime to have Claudius kind of exposed to the public eye, but he does kind of recognise
qualities in Claudius.
Read Tom to the listeners what Augustus wrote about him.
Right, so this is a letter quoted by Suetonius. I mean I love it when Suetonius quotes letters,
you feel you know really up close. And yeah Augustus wrote to Livia, the poor boy has Quaterat Demonstrandum. There's another letter where he says, it's amazing, I went to hear
Claudius give a talk about some academic subject and it was brilliant. Amazing.
Okay, now you said to give a talk about this academic subject. Now it's true,
you can be academically very prominent and a complete and utter fool. And I think we can all
think of people who tick that particular box. But you, this business that Antonio said, Oh,
anyone who's really stupid, I call him a bigger fool than, than Claudius and Claudius is an absolute
dribbling idiot. If
he's a dribbling idiot, how is it he's giving academic lectures? I mean, again, people who've
spent time at our great universities may find that question easy to answer, but no doubt
you all have your own answer, Tom.
I think that it is a kind of general assumption in the Greek and Roman world that if you look
like an idiot, you are an idiot. That's, that's
the kind of core assumption. They're not very woke at all on such matters, but it's evident
that Claudius, despite sending streams of snot everywhere when he gets cross, is very
intellectual academically able. So he's fluent in Greek, he's very knowledgeable about literature and precisely because he's
not allowed to enjoy public life. You know, he's not allowed to go and follow in the footsteps
of Germanicus and lead expeditions into Germany. So that gives him the chance to spend, or
I guess if you're a Roman aristocrat, waste his time on scholarly pursuits. And the mark,
I guess, of how much he wastes his time, of how contemptible a figure he is by the standards of
the Roman aristocracy, is actually he becomes a historian. So he's a total loser.
Yeah, a slobbering, twitching, socially incompetent historian. Who would have thought it?
Thank goodness there are none of those left anymore, Tom.
And Dominic, the other possible point of comparison with historians that certainly I know is that
he writes enormously long books. So his editor says, so here's a commission to write history
of the Etruscans. Could you keep it down to two books? And he writes 20 books. And he gets commissioned to write history of Carthage,
make it one book, eight books.
Sometimes it's good to write an improperly immersive, well textured history. And that
takes multiple volumes. What can I say?
With chapters on snooker. And do you know, Claudius would have loved all that because
he's very, he's, he, he writes a. You know, he's interested in pretty much everything.
And he's a historian.
He's a contemporary historian.
He is a contemporary.
He writes about things within living memory.
Yes he does, which is very foolish of him or brave.
And I think this may be one of the reasons why his mother and grandmother think that
he's an idiot because he writes a history of Rome from the assassination of Caesar.
And so Tony says he was regularly criticized by his mother and grandmother for covering the events that
followed the murder of Caesar. And so because he felt unable to write about them frankly
or truthfully, skipped to the subsequent period of peace which followed the civil wars. So
obviously, the story of how Augustus comes to power, there's a lot of murder, there's
a lot of killing, there's a lot of bloodshed. And basically, Livya is saying to him, you know, just don't go there. We have drawn a
veil over all of that. And here you are trying to... Yeah, that's mad for Claudius. Just don't do it.
That's absolute rank idiocy. I mean, that is rank idiocy from him to rake all that up again.
But he does write it. And he actually, you know, he gets to give a public
reading. So it's like he gets invited to a, you know, a literature festival or something. And he
he starts reading it. Then just, just, just as he started reading this, I'll quote again, quote
Sotanias, a great gust of laughter swept the audience when a bench broke under the weight
of an enormously fat man. And even after everybody else had calmed down, Claudius found it impossible
to put the incident from his mind and would periodically collapse into fits of giggles.
Oh my God. So I'll tell you one thing, Theo would never forgive me if I didn't remind everybody that
this is actually what happened to our erstwhile producer, Don Johnson, when we went to New
Zealand. Remember he sat on that bench and it collapsed?
Yes, I do.
Yes, outside of the home of a New Zealand farmer who had just been showing us
around a cave complex with glow worms.
And it had been in the family for 150 years.
That was literally the best thing that's ever happened to Theo,
watching Don break that bench.
Anyway, let's move on.
So, Claudius leads, you know, he leads this kind of essentially inoffensive life of the
scholar, except watching people break benches and he has to be told often about writing
on sensitive subjects, but he doesn't get into trouble. There's no kind of risk to him
or anything. But then in 37, Caligula, who is of course Claudius' nephew, and I'm aware for listeners
that it is quite complicated keeping all these relations in the head, but Claudius is Caligula's
uncle. So Caligula comes to power, and by this stage, Claudius is in his late 40s. And
Caligula's succession is both good and bad news for Claudius. So it's good news because
Caligula doesn't really respect the Senate. And so he doesn't mind having Claudius enter it.
He appoints Claudius to be his co-consul when he comes to power. And so at last,
Claudius has become a senator. And in due course later in
Caligula's reign, he gets a second consulship. And when Caligula is absent, Claudius presides
over kind of public entertainments, public games, and so on. Which must be proof that Caligula
thinks of his uncle as a harmless fool, because he wouldn't be promoting him in this way as a
potential rival, if he thought he was a serious, formidable
person.
Yes, I think that's right. And I think that Caligula finds it funny to have Claudius in
the Senate and also on hand because then he can bully him. So there are lots of stories
that again have the kind of the smack of truth that Caligula will invite Claudius to a dinner
party. Claudius is quite old.
He's also very, very fond of a drink. And so he's very prone to kind of falling asleep
when he does all the other, either Caligula and the lads will pelt him with olive stones
and bread rolls and that kind of flashman style, flashman style. And there's also this
great gag, which, which the Tonyist reports that that they people will put slippers on his hands
and then abruptly wake him so that he'll wake with a jolt rub his eyes and have find slippers.
I actually find that genuinely funny. Is that the kind of jpe you got up to in the dawns?
Yeah, I genuinely think that I'd love to see that.
Well, so satanist writes and this is my translation very influenced obviously by
experience of being on the rest of history, Just for the banter was the excuse. Oh dear. Some people who listen to this
podcast say there's too much banter, but I think if anything there is not enough.
Well, it's not as much as, it's not banter on the level of Caligula's court. I think
that's safe to say. There is one moment where Claudius might be in serious
danger, which is people may remember that there's been this conspiracy against
Caligula. He's gone to Germany, he's gone to Gaul, he's coming back to Rome and he serious danger, which is people may remember that there's been this conspiracy against
Caligula. He's gone to Germany, he's gone to Gaul, he's coming back to Rome and he tells
the Senate, I hate you. And the person he says this to is a delegation of senators led
by Claudius. And Caligula is furious that Claudius has come. And he basically says,
you know, you think that you're playing the role of a tutor disciplining me,
like I'm a kind of naughty boy or something. And so Caligula's response to this, it is
said is to pick Claudius up and throw him into the, into the Rhone. So the meeting takes
place in Lyon, fully clothed. So that's not looking good for Claudius. And there are also,
it is said, kind of portents that seem to prophesy the golden future that
Claudius can look forward to. So that very first time when he becomes consul and he walks
out into the forum and he has all his, you know, his, uh, his lictors with the, the kind
of the rods and axes on their shoulders, the markers of Claudius' status, it is said that
an eagle descends and lands on their shoulders, the markers of Claudius' status. It is said that an eagle
descends and lands on his shoulder.
It is said that. That's doing a lot of work.
But the fact this story is told...
Is worrying for Claudius.
Is worrying for Claudius.
Yeah.
Yeah.
Because Caligula want to get rid of him.
So is it possible that Claudius could become emperor? I mean, you know, the big problem
is he's not descended from Augustus and everyone thinks he's an idiot, but it's still a risk if people are even contemplating the possibility
that he might be, you know, capable of becoming the emperor that Caligula will then have him
killed because the evidence suggests that's what happens to people who are in the line
of descent. In the event of course, Caligula is murdered. The Praetorian finds him hiding behind a curtain. They take him to the camp and Claudius becomes emperor.
And the whole way through this, you know, this two day sequence of events, Claudius
is saying, I don't want to be emperor. It's mad. I'm wholly unsuited to it. People will
remember that passage that you read. Suetonius ends by saying, he is the first of the
Caesars to win the loyalty of the military by paying them a bribe. Now that's not true. I mean,
Augustus, Tiberius, and Legla, they'd all recognized what their security depended on. But with Claudius,
it's very, very overt. The amount of money he gives is obscene and it's paid when he's in their
camp and it enables him to become emperor. So is it possible the stuff about the curtain is nonsense and an invention, a folktale,
too good to be true and that actually he's in the conspiracy from the beginning, he's
been paying these blokes and actually all this, he may not be acting out of ambition
so much as fear. He thinks I'm next for the chopping block, basically I've got to act
now, I'm not such an idiot, I've got to act now. I'm
not such an idiot. I'm going to act now because otherwise Caligula is going to have me killed.
I mean, we'll never know because we don't have the sources. But I think when you weigh
them up, I think you'd have to say that's very, very probable. Right. Because otherwise,
I mean, the sequence of events has the faint kind of quality of a, you know, a kind of
myth or something. Yeah. Exactly.
They find him behind a curtain.
Find him behind a curtain.
Yeah.
You know, they, they, they know to find him.
They know to take him to the camp and Claudius knows, you know, he's got the
money ready to pay the cash.
Yeah.
He's got the cash ready to pay them.
Yeah.
So I think it's pretty likely that, that he was involved.
And of course, you know, the fact that he's come to power in that way,
protesting that he doesn't want to be a part of it,
disguises the fact that what has happened is basically a coup.
You know, it is a coup, plain and simple.
It's the first coup really since Augustus came to power.
There's not been a kind of peaceful handover of power.
And the consequences of that, the consequence
of how he comes to power and the fact that he's neither a blood nor an adoptive descendant
of Augustus, will crucially shape the course of his rule and its character. So Augustus,
Tiberius, Caligula, they had ruled as a princeps, as a first man, as a first citizen, even Caligula who had despised the
notion that Rome might have any Republican traditions. Nevertheless, I mean, that was
officially the role that he was playing. But the thing is that what Caligula had kind of
drawn attention to, the brute underpinnings of the imperial system, the fact that it's dependent
on military power. There's another aspect to it, which is that if that's the case, if
it is a monarchy, a military monarchy, then it's becoming an institution. It's something
that you can inherit, not just the title, but an entire way of administering and governing the empire. And it's Claudius
because he doesn't have this family link, because when he gets the name of Caesar, it
has to be voted to him by the Senate. It's not his by right. What that does is to reveal
to people that this is now something that you can inherit in the form of an institution.
And Claudius's ability to make that work, to make the imperial institution, the imperial
office work as an institution will be absolutely fundamental to the question of whether he
will be a success and ultimately whether the autocracy will be a success and ultimately whether, you know, whether the autocracy will be a success
and whether Rome itself will endure and prosper. Right. So high stakes. High stakes. So come back
after the break to see if the stammering, twitching, socially inept historian turns out to be a good
emperor. This episode is brought to you by NordVPN. Dominic, what do you find useful about NordVPN?
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description box. Welcome back to The Rest Is History. Claudius, written off for half a century, an idiot,
a fool, a stammerer, unfit to be exhibited in public, is now the master of
the Roman world. And Tom, how does he do? The answer is actually he does all right,
doesn't he?
Yeah, he does. He's very proactive. He's full of ideas. He's willing to experiment. And
I think you get the sense of a man who has profited from his study of history and
from his ringside view of the court of the Caesars.
I think he's been sitting there and thinking, well, you know, this is what I do.
This is what I try.
And he puts these various plans into action.
And I think he's a pretty good emperor.
And because he's grown up in the court of Augustus and because he studied the
reign of Augustus in the context of what had gone before, the kind of the Republican traditions,
I think he is alert to a degree that his predecessors kind of hadn't really thought through just
how cleverly Augustus had fused these kind of rival traditions that we've been talking
about. The kind of the elite traditionalist approach and the kind of populist approach.
And Augustus had been brilliant at playing to both galleries, wearing kind of both masks.
He had attempted to appeal to the Senate as Tiberius had done and to the people as Caligula
had done. Claudius, his aim is to try and repeat
that trick to try and get both the Senate and the people on board. Now in doing that,
he faces an obvious problem, which is that he lacks the prestige of Augustus. He doesn't
have the background. He doesn't have the range of achievements. And of course everyone thinks
he's an idiot, which is a kind of ongoing challenge. And on top of that, there's also
the fact that there are lots of senators who just really resent him being emperor, partly because lots of them had wanted
to restore the Republic and partly also because there were lots in the Senate who think that
they could be a much better emperor than this guy who kind of dribbles and shakes and you
know, blows snot. And so behind his back, they're constantly mocking him and Claudius
is well aware of this. but of course, you know,
Claudius is, has been mocked all his life and here he is.
He's emperor.
And there are plenty of examples of politicians who laughed at a lot of the
time, but actually are big enough to ignore it and end up being pretty successful.
So Claudius is, I mean, you know, he rules for almost 14 years. And despite the
fact that there are kind of repeated displays of resentment and contempt from the Senate,
and in fact, even as we'll see the occasional conspiracy, he shrugs it all aside. Now it's
true that he is a kind of a he's a bit paranoid. So he's the first emperor to institute friskings
of people who were brought into his private presence. And when he first enters the Senate
House, it's a month after he's come to power, he does so accompanied by guards. And that's
a reminder of the fact that, just as Caligula had done, he's identified what the real source
of his power within the capital is. And he is unembarrassed about this. So he mints various
coins that kind of flatter the Praetorians. So there's one that's stamped with an image
of their camp. There's another that shows Claudius shaking hands with the Praetorian
standard bearer. Of course, he's given them massive donatives.
He also gives massive donatives and pay rises to the legions.
And you know, senators can laugh at him all they like, but it's Claudia Susan charge of
the legions.
So ultimately that is the bedrock of his rule.
And I think it's fair to say that even though they may feel resentful, even though they
may kind of despise him, obviously he's not calligular. And so it is very hard for any senator not
to feel a certain measure of relief that they've got someone who isn't going to try and get
off with their wives or, you know, all the other things that he was getting up to. And
Claudius, of course, is, you know, he's a historian, so he understands the role the Senate has played in Roman history. He respects it. He basically kind of shares their
values. He's an aristocrat, you know, and more than that, he's a Claudian. And so he
knows the rules. He knows how to dress. He knows how to speak. he knows how to act the part of a traditional Republican Roman aristocrat.
And we've talked the whole way through how being a successful emperor really is as much
as anything about working out what role you're going to play and then playing it well.
Ronald Reagan.
Yeah.
Being an actor.
Yeah.
It's a really important thing for any politician and any point in history,
I would say. Massively important. Yeah. And if you lack the charisma and the
self-confidence to play a part that will be appealing to people who it's important to
influence, then you're not going to be basically a good politician. And on that level,
Claudius is a good politician. Now, of course, he has this limp, he has his infirmities, but when
he sits down, or when he just kind of stands still, he looks impressive. And Suetonius
clearly recognizes that this is important. So he says, especially while lying down, he
did not fail to give an impression of majesty and dignity. You know, he looks good. He looks
impressive.
Now, probably the most single most famous famous thing that he does that people who've
listened to a lot of the rest of his history will remember is he orders the
invasion of Britain.
He doesn't personally lead it because he's hardly a kind of obvious military man,
but he, you know, he associates, he's associated with it.
Right.
And it's his invasion.
And presumably he's doing that because he knows from his study of history
that nothing is better calculated to stir the emotions of the populace than a military
victory even if it's against a people as useless as the Britons.
Exactly. And more than that, that this is what a Claudian and a Caesar, so these, you
know, the Julians, that these two great kind of families who've been conjoined in the
house of Augustus, that
that's what their ancestors did. They went out and they conquered people. It's what Julius
Caesar had done. It's what various Claudian generals had done. And so Claudius is saying,
I am their heir. And again, as you say, he doesn't actually lead it himself, but once
Britain has, you know, the bridgehead has been established and Colchester is on the
verge of falling, Claudius goes over and he does it with elephants to create as big a
splash as possible. And then when he comes back, he reenacts it. So he presides over
kind of various reenactments on the campus marshes, showing highlights from the campaign in Britain, cultures are being stormed, various British
kings surrendering. And across the Mediterranean, he has himself portrayed as a kind of buff
rapist. So there's this freeze from Aphrodisias in what's now Turkey, which shows Britannia as a woman whose
robes have been torn from her and Claudius as this kind of muscle-bound guy who's forcing her to the
ground. And obviously that's not how a politician today would want to be represented, but that's how
you know, plays well with Roman audiences. And it's clearly how Claudius wanted to be seen.
He's, you know, he's no longer the kind of elderly, stammering, twitching historian.
He's a man of action who subdues provinces, subdues women.
And he's a Caesar.
Yeah.
But it's not just military, is that he likes a grand plongéeée public works, sort of a lot of hydraulic action.
I think it's fair to say.
So he's very into hydrology. Another thing he'd written a book about, he'd written a
book about canals in Mesopotamia.
God, sounds fascinating.
Yeah, except, you know, Grand Plongée, again, I mean, Caesar had been into that, Augustus
had been into that, and the Claudians definitely had been into that. So one of his most famous ancestors, Appius Claudius, had built the Appian Way, the great
road that joins Rome to the kind of the hill of Italy. And Claudius seems to be genuinely
enthusiastic about taking up that battle of improving infrastructure in Rome. So the obvious
thing that every emperor has to worry about is the grain supply.
And historically it's been a problem that Rome does not have a deep sea port.
So at the mouth of the type of this is port Ostia, which I know Dominic,
you're a big fan of you.
Brilliant.
Yeah.
You love it.
Don't you?
I think Ostia is one of the best places you can go.
If you go to Rome, my single recommendation to the listeners is to go to Ostia Antica.
It's as good as Pompeii and there's nobody else there.
There you go. Youste Antica. It's as good as Pompeii and there's nobody else there. That there you go.
You've heard it.
Okay.
Well, Claudius would be thrilled to hear that because, because he, he decides
that he's going to, he's going to build a massive deep sea port at the mouth of
the Tiber, um, and when he summons engineers and tells them this is what he's going to
do, they throw up their hands in horror and, and say, you know, on no account
attempt, this it'll be a disaster. It'll be a kind of HS2 fiasco. But you know, Claudius is C, so he
can do what he likes. And if it serves the good of the Roman people to remold the land,
to gouge out the bottom of the sea, then that's what he's going to do. And so he goes ahead.
He also, he's a great man for an aqueduct. He builds two enormous aqueducts,
and one of them, the aqua Claudia, is probably the greatest of all Rome's aqueducts. And
what's fascinating about them is that they, like Claudius, are simultaneously very modern
and very ancient. So they're kind of cutting edge engineering, but they have the cladding of
a kind of old school aqueduct. And I think that's a beautiful summation of what Claudius
is about. Efficiency, modernity, but dress it up to look old. I mean, that's basically
what I'd like as well. I have to say I'd be all in favour of that. And these are recognised
by contemporaries as being astonishing achievements. So Pliny the Elder, he writes that they are wonders without rival in the world. And so obviously
this re-downs again greatly to Claudius' credit, makes him very, very popular with the people
who look to Caesar to keep them watered, to keep them fed. And it's also popular because
it gives them jobs. So it's not slaves who
are doing the work. It's the mass of the people and it's kind of Keynesian scheme.
Yeah, putting money into the economy. Very good. So the other thing is that Claudius
is not, although he's quite old school, he's not like a Tiberius kind of dur killjoy who
sneers at the pleasures of the populace. So you said Claudius would
like a chapter on snooker. He'd enjoy a night out at a smoke-filled snooker hall.
He absolutely would. Yes, he absolutely would. So as I said, he writes a book on gambling,
which is seen as being a very de classe occupation. He enjoys the pleasures of the masses. And in fact, he's so keen on gladiatorial combat that
Suetonius writes that he is shockingly obsessed by executions, which in a kind of a day of
spectacles in an amphitheatre, the climax would be gladiators, then before that you'd have the
wild beasts, and before that you would have the Executions.
And the Executions is kind of, you know, you've got to be an obsessive fan to go and watch
them. And Claudius is a kind of, you know, he does like to go and watch them. So it's
like going to see a famous band or something and going to see the warm up act.
The warm up act. So going to the Olympics and going to watch like some terrible sport
that you've no interest in.
Yeah, exactly. It's unsurprising that a lot of the shows that he puts on are very, very famous.
And in fact, one of them gives rise to perhaps one of the most famous sayings from the whole of Roman history.
He's trying to drain this lake in the countryside above Rome.
And to mark the final completion of this project before the canal is open that will drain the
lake, he has a great sea battle staged there.
And all the gladiators who've been assembled onto the boats to stage this turn to Claudius,
where he's looking very kind of splendid.
You know, he sat down looking tremendously imperious and they say, hail Caesar, we who
are about to die salute
you.
And that's where this is from.
That is where that phrase has come from. Although it's, I mean, it's very, very Claudius that
he then totally messes it up. So when they say we're about to die salute you, he replies
or not, because, you know, maybe some of them will, won't die. I mean, it's kind
of very Donnish, very waspish humor or not. And so all the gladiators hear him say that
and so they think, oh, brilliant, he's pardoning us. We don't have to fight. And so they kind
of put down their weapons and refuse to fight. And Claudius is so outraged by this that he
gets up out of his throne and hurries down to yell at them and tell them to get a move on. And of course, when he does that, he hobbles and limps and the impression of
majesty and splendor is compromised. However, he does manage to persuade the guys to the
gladiators to pick up their weapons and so the fight goes ahead.
That's good news for the crowd.
Good news for the crowd. Absolutely. Maybe less good news for the gladiators. Now, there
is of course a problem with this, which is that it's very expensive. And that is compounded by the fact
that Claudius' predecessor, Caligula, had also been very keen on lavishing money on
extravaganzas. So the treasury is pretty bare, but Claudius is very proactive. And again,
I think he's clearly thought about what he's going to do.
And he wants to set the administration
of the household of Caesar on as firm a footing as he can,
because he recognizes that that administration
is also effectively the administration of the entire empire.
So until Claudius, the fact that Caesar needs money, because the money that he has
is basically the income that keeps the empire running, had been disguised, or at least hadn't
properly been acknowledged. But Claudius, perhaps because of the circumstances in which
he's come to power, he's more like a military strongman who's come to power in a coup than
a kind of hereditary monarch. He's kind of unabashed about the need to make his administration as streamlined and
efficient as possible. And so the people he turns to for that are the people that any wealthy Roman
who needs specialists would turn to. And these are people who are slaves or freedmen. Because
as Caesar, he has the pick of the ablest, smartest people, you know, Greeks
with particular specialisms in various fields of finance or whatever, and so
these freed men are basically entrusted by Claudius with the running of the
Empire and they proved to be very, very effective at it.
So these are the people like anyone who's read I, Claudius or remember Narcissus
and Pallas and people like that who presumably they're very bright and they're very good, but I would guess they must attract
a lot of haters. Of course, because everyone in the Senate is massively resentful. And
of course it also plays into the stereotype of Claudius as a foolish old man who is easily
manipulated and dominated by people who properly should be kept firmly
under thumb of whom slaves and freedmen would be the paradigm. So under the thumb as he
was of these men, so that's the freedmen, the favorites, he played the part not of a
princeps but of a flunky dispensing magistracies here and military commands there, pardoning
and punishing people, largely oblivious to how much he was the creature of this or that favorites interests. So this is a crucial part of the
image of Claudius that he's an idiot who essentially is so feeble minded that he's become the plaything
of his favorites. Now we know that's not true because in Egypt we found, when I say we, I mean scholars, archaeologists
have found documentary evidence for the close attention that Claudius plays to the administration
of his empire and the kind of the evident intelligence with which he corresponds to
people in provinces across the span of the Roman world. He's a very smart, able guy.
And actually the fact he has all these
freedmen serving him, this isn't evidence of his senility or imbecility. It's evidence
of his astute ability to marshal innovation. But part of what makes his contemporaries
and posterity assume that Claudius is feeble-minded is that there's a sense
that he's under the thumb not just of freed men but also even worse of women
and particularly of a succession of wives of whom perhaps the most notorious
is a woman called Messalina. Now I was hoping we'd get on to Messalina. So Messalina is, he
basically has his pick I guess, does he? And he picks a very young, beautiful and
crucially very blue-blooded white. I think it's the blue-blooded that matters.
I think the beauty and youth is a, you know, these are perks. Will Barron She's the great-grandniece of Augustus, right? So she helps him to sort of say, I'm the heir to the greatest emperor, the first emperor.
Will Barron And that is a crucial role that she plays.
And it gives her a certain degree of independent power.
Because Claudius knows, and everyone else knows, that being married to Messalina, who
is the great-grandniece
of Augustus, this is a crucial buttressing of his status and prestige. And her significance
and her kind of independence of operation is enhanced by the fact that in AD 41, she
gives him crucially a male heir. So he now has a son who can inherit this, you know, his role in the House of Caesar.
With a great name.
Right. So two years later, Claudius presides over the conquest of Britain. And so this
little boy gets given the name of Britannicus and Messalina's role in this, you know, crucial.
And so she has basically made herself fundamental, not just to the status of Claudius's regime as it exists
in the present, but its prospects in the future. Basically, it's kind of its perpetuation.
And so it's unsurprising that she is portrayed in statues as the very model of a sober, respectable
Roman matron. And she's praised as the absolute model of Roman womanhood. But Dominic, dear
listeners, here's the question. Is she the model of Roman womanhood or is she an outrageous
strumpet?
Well, if you've seen or indeed read I, Claudius, you will remember that there is, I mean, it's
one of the great scandals, not just in Roman history, but all history. When Claudius, you will remember that there is, I mean, it's one of the great scandals,
not just in Roman history, but all history. When Claudius, he's at Ostia, isn't he? He's
looking around that splendid site that I was recommending to the listeners. And if the
Ostia tourist board want to get in touch, I'd be very keen to hear from them. So he's
looking around Ostia and somebody, a concubine of his, comes up to him and says, Messalino
is carrying on behind your back and not just carrying on. She comes up to him and says, Messalina is carrying on behind
your back and not just carrying on, she's up to all sorts, Tom.
Yeah, well, she's having an affair with this very good looking young senator who's also
very ambitious. And the story is that they're conspiring to replace Claudius's emperor.
And in fact, that Messalina has married this guy and she's the great grand niece of Augustus
and she's the mother of Britannicus. So this is potentially, you know, if it's true, very,
very dangerous for Claudius. And the measure of his alarm is that he goes speeding back to Rome
and he doesn't go to the Palatine, but he goes to the Praetorian camp because he's got to,
clearly he's worried, you know, he needs to make sure that that's secure because only if that's secure can he then take measures to deal with this threat. And his worry must
have been that, you know, Messalina and her toy boy have might've suborned the Praetorians.
I mean, in the event they haven't, which perhaps suggests that the story has been slightly
overblown, but we'll come to that in a minute. But anyway, Claudius is in a position to
send the praetorians out and suppress the coup, which they do. So, um, all the various conspirators
are arrested and executed. Messalina has vanished. It turns out that she's gone to, uh, find, to find
her mother, which is, you know, in her moment of crisis, she wants mummy and they are kind of closeted together in one
of their kind of beautiful gardens that all the aristocracy in Rome have. And she's cornered
there run through by the Praetorians and dumped at the feet of her mother. And that is the
end of Messalina. And so the question is, well, what is going on here? Now, I think
it's evident from contemporaneous sources that Meselina
is a very proficient player in power politics, that she's very ruthless in getting rid of
potential rivals or anyone who seems to threaten her mean, maybe she's been cheating on Claudius, can't
be sure. But you know, was she really conspiring against him?
Yeah, maybe people have, there's been a bit of an internal power struggle we don't, that
we can't really glimpse and that maybe the bureaucrats, the freed men have, you know,
turned against her. Is that possible?
Definitely. That concubine who goes to see Claudius at Ostia, she is prompted by one
of Claudius's most powerful freedmen and they are lurking in the background of this whole
episode. So it is, I think, likelier that Messalina is destroyed in a kind of faction
fight between her supporters and kind of over mighty freedmen
than that she really was kind of getting up to kind of all kinds of sexual shenanigans.
So like the last days of Boris Johnson, where there was rival briefing between his wife
Carrie and some of his aides, remember? I mean, that kind of...
I mean, I think from the point of view of Roman history, this is a key moment because,
you know, this is a huge event. There are clearly all kinds of political interests at
stake, but we just don't know what the truth is. And it points to the way in which rivalries
that for centuries and centuries have been played out on the floor of the Senate house
are now being conducted in side rooms
and passageways and bedrooms in the Palatine. And it means that certainty is impossible.
And the lack of certainty in turn breeds scandalous gossip.
And that's what explains these incredibly lurid stories. Again, I, Claudius has great fun with these that she has been,
you know, you describe it in your notes as an all day sexathon with Rome's top courtesan.
Yes. So Rome's most experienced and seasoned whore and they go head to head, it is said
as it were. Right. And Messalina wins. And that obviously
didn't happen. No, it obviously didn't happen. And also what obviously didn't happen is what
Juvenal claims in his poems, he's a satirist writing kind of maybe half a century or so
after Messalina's death. And he describes her as kind of nostalgia de la boo, uh, going off and working incognita in a low rent brothel.
And juvenile says that he, you know, she gilds her nipples and, uh, wears a blonde wig over
her hair and kind of lies on this dirty, dirty room where plebeians come and have their way
with her. And this is clearly not true, but it suggests the kind of titillation that
these faction fights in the Palatine are now capable of generating. And of course, it's
very bad for Messalina's posthumous reputation, but it's also terrible for Claudius' posthumous
reputation. And in fact, his reputation when he's still alive, because it leaves him with
a double problem. It leaves him looking kind of weak, cook-holded, deluded, and that plays into all the stories
that are being told about him as the plaything of his freedmen. But it's also deprived him
of a kind of crucial buttress upholding his regime because he no longer has a marital
link to the bloodline of Augustus, And he clearly feels that this is so important that he is prepared to offend some of the most sacred laws of Rome to deal
with the problem, because there is a suitable candidate on hand. There is a woman who, you
know, she's not just a great granny, she's a great granddaughter of Augustus. And this
is one of the two surviving
sisters of Caligula, the pair of them people may remember had been exiled to Prison Island
by their brother, and when Claudius came to power he'd allowed them to return, and he'd
become very close to one of them, a woman called Agrippina, so like her mother, confusingly,
so she's called Agrippina the Younger by historians. And she's very
beautiful, very smart. Claudia thinks she's great, but I think unless his need had been
what it was, he would not have passed a law revoking the taboo against an uncle marrying
his niece. And he says, no, this is absolutely legitimate. And he goes niece and he says no this is absolutely legitimate
and he goes ahead and he marries Agrippina and Suetonius says as he was
getting ready to marry Agrippina in defiance of all morality he kept
describing her in every speech he gave as his daughter his ward born and raised
in his loving embrace so it's very creepy but more than that it's evidence
of his desperation. Still,
even though he's now about a decade into his reign, the sense of insecurity, the anxiety
that he's not a real Caesar and he needs a wife who will make him feel a real Caesar.
Just to give people a sense of it, he is 59, she is 34. So a 25 year, exactly 25 year age gap. And she already has a son of her
own who is much older than Britannicus, right?
Yeah, four or five years older, which when you're 12, as Agrippina's son is, I mean,
that's quite an age gap. And this is a young lad called Lucius Domitius Ahenobarbus after
his father.
And he of course has two advantages over Britannicus.
So one of them, we've just mentioned the fact that he's older and you know, when you're
when you're in your teens, being four or five years older is a considerable advantage.
And the other thing of course is that he's a direct descendant of Augustus.
And there's a third advantage, which is that Agrippina is really, really
ambitious to see him rather than Britannicus on the throne. And she presses Claudius to
adopt this young lad. And sure enough, on the 25th of February 50, so very shortly after
his marriage to Agrippina, Claudius adopts the young Lucius Domitius Ahenobarbus and the boy formally
becomes Claudius' eldest son and as a marker of this he takes on a new name and this new
name is Nero Claudius Caesar or as we know him Nero.
Yeah, so this isn't going to end well. I mean, to be fair to Agrippina, she might well be
thinking if I don't do this, one day Brassanicus will become emperor and he'll probably kill
my son because my son will be a rival claimant.
I think that's exactly what she thinks. And I think that that even if the name of Nero
didn't cast the shadow that it does, I think just listening to that setup, you know, it
has the quality of a kind of folk tale.
You can see it's kind of Cinderella story, the befuddled father obsessing over a new
wife, the child who gets abandoned, all these kind of elements are there.
Sure enough, on 13th October, 54, so Claudius has been power by this point, just under 14
years, an announcement is released from the Palatine to the Roman people. And this announcement
says that Claudius is dead. And shortly afterwards, Nero, who by this point is 16 years old, he
comes out from the Palatine, he's hailed by a Praetorian escort as Caesar,
he's placed in a litter and as Claudius had been some 14 years previously, he is taken
to the Praetorian camp. So Agrippina and Nero likewise have recognized that this is the
key to seizing power of the capital. Within a year, Britannicus is dead, supposedly of
a seizure, but of course everyone assumes that
Nero has had him poisoned. Agrippina herself dies in 59, she is definitely murdered by
Nero, I mean Nero makes no bones about that. And Nero himself of course dies in 68, as
we heard in the details of how he died, we heard in the very opening reading of this series and with
him dies Augustus's bloodline. That's it. There are no more heirs of Augustus.
Let's go back to Claudius for a second. He died in October 54. So that's what four years
after he'd adopted Nero as his heir. And it's always thought, isn't it? Thanks largely,
probably to Suetonius and also to I. Claudiusius that he was poisoned by Agrippina and Nero with
mushrooms.
Suetonius says he was poisoned with a dish of mushrooms.
Do you think that's true?
Well, so I think when Suetonius is the first to report
something, that's when you need to be on your guard.
That's suspicious.
Suetonius is not
the first to report that Claudius was murdered by with a dish of poison mushrooms. So Pliny
the Elder mentions it. But I mean, having said that, we don't know. I mean, maybe he
dies of natural causes. I mean, he'd been sickly all his life. He's had a good innings,
you know, he's 63 when he finally pops his clogs. And there's, Jezara Osgood, who's written a brilliant book
on Claudius Caesar. In that, he points out that there had been a lot of plague in Rome at the
time. He points to evidence from Tacitus of people, large number of high ranking people who died. So
that suggests that there's quite a lot of sickness around. And the honest truth is, is that we can't
know. And I guess that, I mean, you would say as a historian who has, you know, I mean,
think of all the episodes we did on 1968 or Kennedy or whatever. I mean, it's so much
material that this is a cause of frustration. But I think it's also, it's, it breeds what
to me is part of the fascination of this period and of Suetonius' biographies, which
is the way that recorded fact and myth kind of blur into one another. And sometimes you
can distinguish the lineaments of history and other times you see the lineaments of
mythology. And trying to make sense of that, for for me is what makes this whole story so fascinating.
You know, we talked about it, this is the ultimate dynastic story. It's why I, Claudius,
you know, as a novel, but even more as a TV drama kind of lies at the head of all these
great dynastic epics that we've had on TV over the past decades. And the fact that Suetonius' account
has this kind of mythic folkloric quality,
as well as kind of quoting letters and, you know,
citing laws and things, I think is a crucial part of that.
No, I agree.
I agree completely.
But actually, where I'd slightly probably disagree with you
is I don't necessarily think this is actually
as different from modern history as you would think,
because modern history, too, is freighted with all kinds of assumptions, folk myths, urban myths,
and actually teasing out what really happened is the impossible goal for any historian of any period.
I was just thinking about the, you know, when I was thinking about the death of Claudius and,
you know, was he murdered? Was he not? And
then of course thinking about that series we did on Kennedy and kind of yearning for
the equivalent of a Warren report or something, you know, all the kind of the whole range
of pieces of evidence that you could bring to bear and thinking how frustrating it is
we don't have that. But of course, Kennedy is a myth, isn't he?
Right. And also, which wouldn't solve the, you know, wouldn't end the conversation. I mean, because these things don't. So if people want to make up their
own minds, what they should do is to buy Tom's new translation of Suetonius' book, The Lives
of the Caesars, which is available now from all good bookshops with Penguin Classics.
Tom, a great translation, a great series, I have to say.
A Tour de Force, I think, is the approved
Restless History terminology.
So that was absolutely tremendous.
And by the way, the book is brilliant.
So people should absolutely go and buy the book.
And we will be back next week with something very different,
another of history's great monsters, actually,
and another story in which it's actually quite difficult to get at, as it were, the truth of what really happened
because there are so many different accounts. And that is the story of King Leopold and
the Belgian Congo. So we will be telling that story next week. The Heart of Darkness indeed.
Okay, on that bombshell, Goodbye. Bye-bye.