The Rich Roll Podcast - Hollywood’s Go-To Stuntwoman on Abuse, Trauma, Healing & Hope: Kimberly Shannon Murphy
Episode Date: August 22, 2024Kimberly Shannon Murphy is Hollywood’s premier stuntwoman, author of the memoir “Glimmer,” and a powerful advocate for trauma survivors. We explore how her high-risk stunt work, including h...er iconic performance in Taylor Swift’s “Bad Blood” video, intersects with an unconventional healing journey. From childhood trauma to Hollywood success, we discuss her use of psychedelic therapy, breaking generational cycles and parenting challenges, and redefining what it means to “do the work.” Kimberly is an inspiration. And this conversation is both intense and illuminating. Enjoy! Show notes + MORE Watch on YouTube Newsletter Sign-Up Today’s Sponsors: Bon Charge: Use code RICHROLL to save 15% OFF 👉 boncharge.com Eight Sleep: use code RICHROLL to get $350 OFF Pod 4 Ultra 👉eightsleep.com/richroll Squarespace: Use the offer code RichRoll to save 10% off 👉Squarespace.com/RichRoll Momentous: Save up to 36% OFF your first subscription order of Protein or Creatine, along with 20% OFF all of my favorite products 👉livemomentous.com/richroll Go Brewing: Use the code Rich Roll for 15% OFF👉gobrewing.com Check out all of the amazing discounts from our Sponsors 👉 richroll.com/sponsors Find out more about Voicing Change Media at voicingchange.media and follow us @voicingchange
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This podcast is brought to you by Squarespace.
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voice. Ready to bring your vision to life? Head to squarespace.com for a free trial. And when you're
set to launch, check literally leave your body.
And that's what it feels like.
You're hovering over the situation, watching it happen.
I don't think I would have been a stuntwoman if I hadn't experienced the trauma I experienced.
Seeing how far I could push my body, even when I was like bleeding and cut and hurt
and kind of feeling some sort of satisfaction around that.
To me, there's something that ties back to our childhood.
I just couldn't understand how did nobody see anything?
But I've sort of accepted the fact that this is something that's always going to live inside me.
There are so many people that are suffering and nobody really talks
about it because it's such a painful thing. It all comes back to connecting with yourself,
figuring out what happened in your childhood so that you can move through the world in an authentic,
real way. To me, that's the only way to move through the world.
Hey everybody, welcome to the podcast.
My guest today is Kimberly Shannon Murphy, one of Hollywood's leading stuntwomen and a true force of nature, both on screen and off.
Kimberly has performed in over 130 feature films and TV shows, doubling for A-list actresses like Cameron Diaz, Charlize Theron, and Uma Thurman.
Her work spans blockbusters like this summer's Twisters,
also Once Upon a Time in Hollywood, and The Hunger Games.
Beyond her death-defying on-screen feats is a more impressive courage,
the courage to face and heal the trauma of surviving horrific childhood sexual abuse.
Kimberly's story is one of tremendous resilience, searingly and vividly recounted in her award-winning memoir, Glimmer, and one she
shares today with laudable honesty. This is about reclaiming the narrative of your life.
It's about the strength to not only confront the wounds of the past,
but what it takes to actually do the work and heal. A word of caution before we begin. This
conversation covers terrain some might find confronting, including, as I mentioned,
childhood sexual trauma. So, advance warning, this is for mature audiences. Kimberly is a
remarkable individual. Her message
is empowering and I'm proud to help share it.
It's very cool to meet you. Congrats on the book. It's a wonderful book. I have no doubt
that it's helping a lot of people. I'm excited to unpack your journey, your story. There's so many interesting things
about your life that I'm curious about. But we were introduced initially by Dick Schwartz of
Internal Family Systems, who is a guest here. And I can only presume that IFS has been instrumental
in your recovery process. Yes. Yeah. Can you talk a little bit about that?
process. Yes. Yeah. Can you talk a little bit about that? Through writing my book, I was connected with so many amazing doctors, Gabor being the first one who I literally stalked until
I found him. What year was that? So I was writing the book. So it was 2022 when we met. I was
writing and my therapist at the time said, have you heard of Gabor? And I
hadn't, which is crazy because for being through what I had been through to not be exposed to him
was really interesting to me actually. Because when I started watching his videos, which is what
happened, I went on YouTube and I just couldn't like all night, I was just watching video after
video. And I said, where has this guy been my whole life? And then I reached out to his son actually,
because I knew he probably didn't run his page.
And I really, you know,
and I just said, I'm writing this book
and this is who I am.
And I'd love to connect with your dad.
And he said, I'm going to Canada tonight.
Let me see, you know, I can't make you any promises.
He was writing the myth of normal at the time.
And I was on a Zoom with him that night.
Oh, that's cool. Yeah, and that changed my life. Yeah. He's quite wonderful and is very touched at immediately narrowing in, like honing in on the heart of the matter.
Oh yeah. Yeah. Yeah. The first thing he said to me was your sexual abuse was not your primary
trauma. Your primary trauma was you were cut off from all adult support,
which is how the abuse happened in the first place.
And I'm still unpacking that.
Yeah, and you will be.
Yeah.
You know, as we all, you know,
need to for the rest of our lives, perhaps.
Did you end up having a relationship with him then
where he was treating you,
maybe just like officially or unofficially?
Unofficially, yes.
Yeah, yeah, yeah.
I first met him, must've been 2015, 14.
I can't remember the year.
It was a long time ago.
But I flew to Vancouver to do a podcast with him.
And of course he flips it around
and it becomes this really intense therapy session,
which was very revealing for me
and meaningful. Yeah. Yeah. Yeah. So in the course of writing this book, you're finding or reaching
out to various doctors, therapists, et cetera, from a variety of modalities to kind of learn
about yourself and this world of generational trauma. Yeah, well, after the meeting I had with him,
he asked me if I had done psychedelics and I said, no.
And he said, I think you would really benefit
from doing psychedelics.
And I said, I don't think that that's my path.
And he said, okay, you know,
he's very good at leaving things alone.
And then I just sort of thought about it the next 24 hours
and I reached back out to him and I said,
actually, I would like to know more about it.
And he connected me with a doctor in LA
and I did a journey with her.
And then a month later, he said,
I'm speaking in LA after I had done the journey
and we had spoken about, I had unpacked it with him
and how all the revelations I had during
that. Psilocybin or what was it? The first time I just did MDMA and I was really afraid to do it
because in my twenties, I dabbled with drugs and, you know, it was not what I thought it was going
to be at all. Cause you know, we did therapy before the day and then integration after. And it was just this whole incredible spiritual
experience that I can't even explain in the depth that I felt it. Yeah.
He said the same thing to me after we finished that podcast. He said, I think you should come
with me and do ayahuasca. I was not ready to hear that.
I have not done psychedelics,
but it's such a recurring thing on this podcast.
So many people that I've sat across from
have had meaningful experiences.
So I'm open-minded to it,
but I come from substance recovery.
So it's, that's, yeah, it is a tricky one. Yeah.
So that was meaningful. And this, these are like,
like stepping stones that are leading you to other people and other ideas.
Yeah. So after I did that journey, he invited me to speak about it in LA that he was doing a
psychedelic conference. And so I was completely a fish out of water. It
was the first time I had even spoke about my abuse in front of anybody actually. And I remember
feeling like I was going to actually drop dead on the stage. I was like, can I sit down? And I met
Dick Schwartz there. And he came up to me after and he said, please let me know if there's anything
I can do for you with your book. And it turns out he was really good friends with my journey doctor. So I stayed connected with him
and gave him my book when it was done and he loved it. And so him and I have become really
good friends as well. So yeah, I feel like, you know, I decided to write it and the universe was
kind of like, here you go, we're going to put all the things in place for you to really start healing. Because I feel like my healing journey excelled so much through my writing and through meeting Gabor and Dr. Schwartz.
In the writing and in the telling of the story, there's always more things that are revealed, right?
You learn about yourself.
You learn about what's important or perhaps what you haven't been willing to look at.
And each time it's like a dynamic thing.
It's always shifting and changing.
Yeah.
What was the decision process around deciding to put it all in a book?
Because it's one thing to go on this journey to heal yourself.
It's another thing to,
you know, do it very publicly in the way that you have. Yeah. I always wanted to write a book. And
about, I would say 18 years ago, I was writing one with my whole family, actually. And it was more of,
I think, at that time, us just kind of needing to put all of these feelings out somewhere. And it wasn't,
I don't think the healthiest way to do it. And so when COVID happened and our business shut down
and I don't do well, like sitting still, I said, I'm going to do my book now. I'm going to find a
ghost writer and I'm going to do it. And I found somebody and I started writing the proposal
and everything just happened really naturally. Like Harper Collins
bought it in two days after getting it or like the week of getting it, something like that.
They were the only ones that I gave it to because my aunt, who I write about a lot in the book and
her writing is in the book, she always wanted to be published by Harper Collins. So they were my
dream publishing house. And so, yeah. And what has the experience been like for you to kind of
now be in the public spotlight with this story and going on podcasts and doing interviews and the
like? It feels like, you know, I've had to tell all of my stunt family, like, you guys can all
unfollow me. I totally get it. No more stunt stuff. It's just all healing all day long.
Exactly. It went from me jumping off a building to like, you can heal your inner child. And I was
like, I'm not offended. I totally get it. So that's been a bit of a shift for me, but
it's brought me to a whole other level of healing, speaking out and seeing how many people you touch with your story.
I think the truth is where everything starts from inside of us.
And I see it in real time, what it's doing for people.
And so for me, it gives a lot of purpose to what happened to me, which I felt really lost about for a long time.
happened to me, which I felt really lost about for a long time. You mentioned this seeming disconnect between jumping off buildings and healing your inner child, but these things are
actually connected. Very. So I want to dig deeper into the healing journey, but let's put a pin in
that for a minute and talk about jumping off buildings. Can we do that? So you've been a stunt woman
for like over 20 years at this point, right?
Hollywood's sort of go-to number one stunt woman.
You've worked with, you know,
basically everyone and anyone in this field.
And it's a fascinating career.
It's one I feel like people are paying more attention to now
than they ever have because of like the fall guy, which was all about that.
There's a whole meta narrative there that, you know, has even though maybe the box office wasn't so great.
It created this conversation around these anonymous people who put their life on the line and are really not recognized.
And I believe now, is it going to be like a category at the
Oscars? Like they're finally going to recognize stunt performers? I don't think they've said that
yet. Oh, they haven't? No. I thought that was like in the works. It might be. I haven't heard that,
but it's been a fight for a long time. Yeah. So how did you first get involved in this world?
Literally, I was, I danced with Alvin Ailey for, in their professional
program for a few years and started doing acrobatics with a company called Anti-Gravity
out of New York. So I was traveling and doing silk and like ribbon or whatever, like the Cirque du
Soleil stuff. And I was doing that for a few years and a lot of those people were starting to get
into stunts and, you know, because freelancing, dancing and
doing acrobatics, you don't really make very much money. So it was a bit of a struggle. And
so they said, you should send yourself to George Aguilar because he's like the number one guy in
New York at the time. And I didn't think anything. I didn't even know what stunts was. And I sent my
like mailed my headshot resume to him. And he called me a week later and he's like, I'm doing this movie with Uma Thurman.
I think you'd be perfect to double her.
Can you come down to my office?
And I went down there and I auditioned
and like never looked back.
You booked your first gig.
Yeah.
What movie was that?
My Super Ex-Girlfriend.
It will change your life if you watch it.
It really will.
I think I did see that movie a long time ago.
And then it's just been one gig after the other, right?
How many women are in this field?
There's a lot of us.
Oh, there are?
Yeah, there's just as many women as there is men.
There are, uh-huh.
You have worked with Tom Cruise.
You have worked with Cameron Diaz,
who has become close friend.
You doubled for Taylor Swift a bunch of times.
I did.
These are very heightened experiences
that people are curious about.
You did Once Upon a Time in Hollywood with Brad Pitt,
kind of culminating big fight sequence.
There's lots of videos on the internet
of you getting your head banged into, you know, a wall mounted phone.
Yeah, it was a real phone.
Yeah.
Yeah.
It doesn't appear that there's any padding
anywhere to be found.
In the phone?
I mean, on you or any, is it under a wig?
Cause your face is sort of turned away.
Like, how does that work?
And so we stripped the inside of the phone
and we put foam inside the phone,
but he wanted, you know, the hang up phone
cause he wanted that sound,
which the sound is real.
Like when we did it.
You can kind of hear the bell.
Yeah, that like ding, ding.
And so we just stripped the inside of the phone,
put foam inside of the phone,
but that's it.
Like, and then score the phone a little bit.
So when my head hit,
it wasn't like going into just not scored
so that we take a razor
and we just kind of score it down and score it across.
But no, I did it.
So it would like flex in, you mean?
Yeah, so it flexed a little bit.
I get it.
I understand there was like a three-month rehearsal for that sequence.
Yeah.
What is it like working with Quentin?
Honestly, he's one of my favorite directors I've ever worked with.
Because?
He's very smart.
Very smart.
And just seeing him on set and how he does everything was really different and really cool.
And I've worked with a lot of directors and he was just, there's just something about him.
He shoots everything on film, which not many people do anymore.
And he doesn't watch the monitors, which is really interesting as a stunt performer.
Because, you know, if I'm here and Brad's here and we're doing the thing and this is the phone,
Quentin's like here, just like, okay, action, which is never happens. But he just feels the
scene and feels everything he's doing so much. And so much is happening here while we're like,
we knew the skeleton of the choreography. So that's why we had a three
month rehearsal because there were dogs involved. So we were rehearsing with the dogs for three
months. All of us did attacks because we weren't, we wanted to be prepared. If Quentin said,
actually, I think I want Kim to get bit here or whatever that we were, we were all prepared and
we had all trained with the pit bulls. And when I would get to set in my trailer,
there'd be a written,
like he wrote out all of my,
like Kim will do this, then we'll do this.
And this is like, which never happens either.
So I have all of those, which is pretty cool.
Oh, that's cool.
Everything he wrote out for me to do.
Yeah, it was a really cool experience.
And he keeps the crews really small.
Really small.
So it's sort of an intimate environment.
Really small, no phones allowed.
You drop your phone off before you even walk into set.
And everyone working on set has to be like actually needed there,
which, you know, usually there's the whole crew.
So if there's a bunch of people that aren't working,
he's like, there's 10 people in there working.
And so it's really just, it's a really cool atmosphere.
And what about Brad Pitt? What can you share about working with him?
He was great. He definitely got, I mean, we didn't really talk very much. I think it was
a little hard for him to do what he was doing because at the fifth take, he was like, okay,
I'm done. And I was like, Brad, we don't have more phones left. So it's fine because we can't
do anymore. So we're good. And that was the only thing that he did with me. Oh no, I'm done. And I was like, Brad, we don't have more phones left. So it's fine because we can't do anymore. So we're good.
And that was the only thing that he did with me.
Oh no, I tackled him too.
Meaning like if he warmed up to you
or was friendly with you,
then it would be harder for him to jam your head into it.
It felt that way.
It felt that way.
I don't know.
We never talked about it, but it felt that way.
Yeah.
What's the scariest or most life-threatening stunt
that you've been a part of?
I mean, here's the thing, and everyone says that,
but it's like, we rehearse so much,
like, especially with the bigger stuff.
Like, we're so dialed in by the time we get to set.
It's not like we show up and we just jump off a building.
It's like, if we're doing something big,
we've already rehearsed it and everything's ready to go.
I would say night and day was not the hardest,
but the most dangerous
because I was on the back of a motorcycle for three months.
And if we would have fallen,
we were doing it with live bulls.
And I had to flip around on the bike.
And I did that in real time,
going 70 miles an hour down the streets of Spain.
Like if we would have fallen, we would have been dead.
Like there was no...
And it's you and Tom Cruise.
No, me and his double.
And his double.
Who is your husband?
Well, he isn't his motorcycle double.
Jimmy Roberts was his motorcycle.
Oh, there's different guys for that.
Okay.
Yeah, for that specifically,
because it was a very nuanced scene.
And the guy who did the bike is like amazing.
And he's been riding bikes since he was two years old.
And yeah.
There's some crazy motorcycle work in that movie.
Crazy.
And it's all real.
Yeah, going through these narrow lanes, no helmets.
You do flip around and then there's the bulls.
And like the bulls actually got out, right?
They sure did. From that right? They sure did.
From that stadium.
The door was shutting, but they kind of burst through it.
And they use that take.
And you're kind of out with live bulls going.
No, I wasn't out.
I was in a dead end.
So when we came out of that,
we turned and our dead end was our safe place.
And I hear them screaming like Toro, Toro.
And I'm like, and Jimmy's like, oh my
God, I'm gonna lay down the bike. We hear like the bulls behind us. And he laid the bike down and we
jumped off and I never climbed a fence so fast in my life. And it was like, I climbed the fence and
the bull was like right under me. And I had a shot of whiskey that night for sure. I was like,
thanks. I'm glad I'm alive. What is your reaction when you hear actors doing press
and they talk about doing their own stunts?
Okay.
So back in the day when I started,
it was something that all actors did.
And I think it was more pushed by the studios
than it was actually them doing it.
I think it was like the studios wanted to create this facade
that these actors were out there and doing all the things.
I don't necessarily think
it was the actors. And as time has gone, it's changed obviously tremendously. Ryan Gosling
has changed the game with Fall Guy and everything that he's done with all of it and what he's done
with his doubles. And that's been really exciting to see. I never really cared, to be honest with
you, because it's kind of like I am not there to become famous. I'm there to do my job
and it was never a big deal to me,
but it is cool to see it changing.
Well, one person who seems to do
some of his stunts is Tom Cruise.
I mean, this guy, you know,
is on fire with some of the stuff that he's doing.
I'm sure he doesn't do all his stunts,
but there are certain high profile stunts
that seem to be well- well documented that he's done.
Totally.
The crazy motorcycle jump off the cliff and stuff like that.
But your husband has doubled for him quite a bit, right?
Like they've worked together.
For 11 years he doubled him.
Wow.
Did he work on the latest Mission Impossible also?
No.
He started coordinating and now he's directing.
I see.
So he doesn't, he was kind of like, if I don't leave Tom, I'm never going to leave Tom and I'm never going to go up in my career. So he made the choice
probably eight years ago to leave. Yeah. But he worked on Top Gun Maverick. Yeah.
He coordinated it. Oh, he did. Yeah. Yeah. Wow. And so what is it that makes that guy
so unique, Tom Cruise, with respect to his relationship with doing crazy things?
And, you know, you hear these stories like he has this very broad personality.
He's unbelievably enthusiastic and like utterly committed to everything that he does.
Tom is one of the hardest working people I've ever seen in my life.
And he expects everyone around him to be just as hard as working.
And you can't not be when be just as hard as working. And
you can't not be when he's doing it too. You know, he's getting up at four in the morning. I mean,
he's really doing it. Like so many actors say they do it and I'll do a film and it's like,
not what's happening at all, but he really does. He puts in the work and he shows up on set and
he's, I've never seen him not know a line. I mean, he's just, he's ultra professional.
Yeah.
Well, your husband must be very good then if Tom wants him around.
Probably didn't want him to go become a coordinator, right?
Wanted him to stick with him.
He said to him, actually, it's a really funny story.
He said to him, you're going to get fat if you become a coordinator.
His first movie away from Tom was Oblivion.
But I did Oblivion with Tom.
I doubled the lead girl, Olga.
So we were on that movie together
and my husband was coordinating Lone Ranger.
And so Tom, this app had just come out,
like Fat Face, have you ever seen it?
No.
So Tom's like, have you seen this?
He's like, you put your face there
and it makes like your face fat or whatever.
And he's like, give me a picture of Casey. put your face there and it makes like your face fat or whatever. And he's like, give me a picture of Casey.
So we took it and he made Casey's face fat.
And then it was Casey's birthday and he sent like over to production,
like mugs for everybody with Casey's face fat.
Oh my God.
And sent a cake with his face.
He's not fat, but it was like this ongoing joke.
So yeah. I'm still stuck on Tom
Cruise using an app on a phone. He just is like this Android person that, you know, is like,
oh, he has a phone and he has apps on it. Like a normal person, you know. He has a few phones.
Okay. Yeah. There is one interesting moment in your career as a stunt woman. And you talk about
it in the book and it's relevant to kind of everything else going on with you, which is this, you know, sort of incident on I Am Legend.
Can you share that story? Yeah, that was in 2007. And I was doing a descender out a window with two
other people. And a descender is basically like you're on a line, you're on a wire and they run
the wire through the window and on on action, you jump out.
So like the glass is breaking in front of you, obviously, with gravity.
It lands first.
And you're supposed to just hover over the ground.
Like that's the idea, right?
So we did a ton of rehearsals, and I was hovered like this high over the ground.
And then when we did the take, the rigors dropped me.
And something weird happened with my line too. So instead of
like falling flat, I actually fell face first and I could feel it as it was happening. And we landed
on like two port-a-pits, which are just super thick pads. And it was the height of my career,
like gym, like still I was really active in like gymnastics and all that. So I did like a scorpion, like my legs came up over my head, which was fine because I could do that.
So it wasn't like I didn't hurt my back.
I didn't hurt anything like no bones.
How far did you fall?
It was about, I want to say 19 feet, 22 feet, something like that, which is crazy.
I want to say there was probably a pull on my line at some point to slow me down because I don't know if I would not have broken my back.
So probably when I jumped out, there was a bit of a tug on my line.
Yeah, and I just felt the heat of the blood on my face and got up and, you know, went right to the trailer because that's kind of what we do, right?
We don't, you hide when you're hurt in our business. At least then it was kind of, you know, you do what you're supposed to do.
You don't complain. It's part of the business. It's how I also grew up. And I looked in the
mirror and I had like cut my lip really, really bad. I had like a chunk of skin off my nose. I
cut my head and I cut my eye like from right under my eyelid, like straight down, just missed my eye. And I was like, grabbed a bottle of peroxide, like poured it over my face,
got a bunch of band-aids, put them on. And the coordinator was like, you need to go to the
hospital. I was like, I'm not going to the hospital. And I stayed for about five hours.
I did it three more times. And the reset of the window was like an hour and a half. So it was a
really long time being there. And I just kept doing it, hurt.
So there's one way to look at that,
which is you're a total badass,
you know, for showing up and toughing it out
and saying, let's do it again.
The flip side of that is a less healthy sort of perspective
on why you decided to stay and continue to do it.
Can you talk about that?
I don't think I realized how dark that was at the time. It did register for me,
but not like it does now. I grew up in a household where, you know, my dad was a Marine in Vietnam.
He was a minesweeper. He went when he was 18 and he had four girls and he was really tough on us. And it was like, we didn't cry. It was
part of just how I was raised. And, and then going through, I was abused by my sexually abused by my
maternal grandfather, my entire childhood. He died when I was 11. And I just think that
there is some correlation between high intense sports and trauma. I just do. I think when we,
for me, like pushing my body, like seeing how far I could push my body, pushing through,
even when I was like bleeding and cut and hurt and kind of enjoying it or kind of feeling some
sort of satisfaction around that,
to me, there's something that ties back to our childhood.
It's almost as if on the pain piece,
we find the medicine that works for us.
And it's almost as if being a stunt person
was like a glove that fit very well
because it allowed you to not only put yourself
in these heightened high risk environments,
but then when you experienced that pain,
as you say over and over again,
like the pain of your insides would match your outsides.
And that felt like home,
but also allowed other people to see you the way that you felt about yourself.
Yeah. And having people ask me if I was okay was something I didn't realize I needed so much. So
for me standing on the movie set, being injured like that, having one person after the other,
of course they are, because they're all probably looking at me like, I'm nuts. Like,
why are you not in an ambulance going to the hospital? And I didn't even have an ambulance take me to the hospital.
I had transpo take me, which is also insane. You know, enjoying that, you know, merry-go-round
of people. Are you okay? Are you okay? Are you okay? Yeah, I'm okay. I'm okay. No, I'm not okay
in any way, shape or form. Is it also about trying to feel something? Like when you're in that kind of environment,
like you're so out on a limb, right?
If you're unconsciously kind of numb to your own life,
that allows you to have, you know,
kind of a very visceral, you know,
kind of connection with something
that makes you feel like you're alive.
Yeah.
When I was growing up, I was a cutter.
I mean, after my grandfather died,
I started cutting myself.
And, you know, I speak about this in the book.
I wasn't a cutter who like hid her cuts.
I did them.
I cut myself with a razor on my face because I wanted...
Above your eye, above your eyebrow, right?
Yeah, like right here.
Because I wanted my mom to notice that there was something wrong.
And I think that there was also something that felt really good about being in pain for me because it was something I could make sense of or connect with because it was outwardly happening instead of the pain I was feeling on the inside that I could not make sense of.
That was so confusing and almost unbearable.
I just couldn't connect with that because of everything that was still happening around me.
And when you were feeling physical pain,
does that mute the psychic emotional pain?
Like it overrides it.
A little bit, yeah.
Yeah.
Now, much further along in your healing journey,
like how does that change your relationship
with being a stunt woman?
Are you still able to do it
and push yourself in the way that you need to, but in a healthier way? Like, what does that change your relationship with being a stunt woman? Are you still able to do it and push yourself in the way that you need to,
but in a healthier way?
What does that look like?
I'm the boss now.
So I do a TV show in LA and I coordinate it.
So I'm kind of choreographing this stuff.
I'm putting everyone in place.
And yes, my relationship with pain has definitely changed.
Although I can't say that there aren't times that
I can totally go back there because I can. And I think that will probably be that way forever.
I've sort of not given up, but I've sort of accepted the fact that this is something that's
always going to live inside of me on some level. Sometimes it's going to be a lot more heightened
and other times, but it's something that I think is always going to be
with me. In the way that a drug can do, right? Like with substance recovery, you know, you can
just be abstinent, right? But if your job is to do this, like it's sort of like having an eating
disorder, right? You still have to eat. And so how can you do that? So you're not triggering yourself
or you're kind of rewiring your brain so you can have a different kind of relationship with it.
Yes, exactly.
Yeah.
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off your first purchase. Let's kind of go back. Let's go back to the beginning. You already mentioned your grandfather.
Maybe paint the picture of your very early childhood.
My maternal grandfather was, I now say a sociopath, which is kind of what he's been diagnosed by, you know, the doctors that I've been around now.
the doctors that I've been around now.
And he, I don't know what his childhood was like,
but he abused his children and then abused me from the age three,
when I was three, started when I was three,
and he died when I was 11.
So horrific.
Yeah.
I'm so sorry.
It's really hard at times to read your book,
but you were very conscious and careful
to not write it in a way that is salacious.
Like you're telling the story,
but you're doing it in a way that,
because I know you're writing for an audience of people
who could be helped and empowered by this.
And so obviously you have to steer clear
of unnecessary gruesome details that could be upsetting in a way that's not helpful.
Yeah.
So you're kind of alluding to these, you're telling these stories and you're inferring and alluding where it's very clear what has happened, but without, you know, the gory kind of blow-by-blow details of it all.
Yeah, and that was my entire goal of the book.
And I wrote it like a film because I want to make it a film.
There are so many people that are suffering from incest,
and nobody really talks about it because it's such a painful thing
because when we come from families like this
where it's living inside of the family system, it feels like if I'm going to talk, then my family
is going to be ruined. And there's so many people that aren't ready to deal with it or don't want
to look at it. And it takes a lot to come out and speak about it. And I just know how many people
are in pain from it. And
that's why it's so important to me. And I didn't, I wrote the book for survivors. I wrote it for
people like me. And I know that I don't want to sit down and read a book that's supposed to be
helping me and read details of someone's abuse. So that was obviously done on purpose. And I don't
think anyone needs to know, you know, the details in order to know the story and to kind of go
through all of that with me. Yeah. Three years old. Yeah. It's just, it's unimaginable to me.
But it wasn't until you were 15 that you started having memories. This was all repressed for a
handful of years. Yeah. But leading up to that, there's an unconscious awareness.
Whenever you're around this guy or you smell Old Spice or there are these kind of triggers where
you're like, this isn't right, I need to move away. But you just don't have the maturity or
the awareness or frankly, the brain development to really process and understand
what is actually happening. Well, that was my brain development. Yeah. Was being put into this
situation with this man who was supposed to love me. And instead he was abusing me every single
chance he got and every single adult around was doing nothing about it. And some of those people were aware and also had been victims.
Yes. Yeah. So it is systemic. It's intergenerational. It is a family system.
And, you know, there's sort of this umbrella of Catholicism hanging over the whole thing.
And that comes with, you know, a certain way of, you know, dealing with emotions. Yeah. way of dealing with emotions.
Yeah.
We're not dealing with them.
That's what I mean.
Yeah, right?
Like we don't talk about this.
Everything's fine.
Everything's fine.
Show up and put on the happy face and it's all perfect.
Yeah.
My grandfather was a pillar of the community.
He was an architect, which come to find out because I did so much digging after he died,
I became sort of like I just wanted to know all the things.
I wanted to try to figure out how he was created and how he could do the things that he did.
And what I found out is he wasn't actually a real architect.
He had worked for an architect on Long Island.
And when the guy died, he assumed his license and worked a real architect. He had worked for an architect on Long Island. And when the guy
died, he assumed his license and worked as an architect, but he actually never got his license.
Oh, wow. So his whole life was just one big lie. And his wife, your grandmother,
lionized this guy and really, you know, did everything she possibly could to protect him and his image,
and was absolutely immune to having any kind of confrontation over, like, his behavior.
Yeah, she was just as bad as he was, if you ask me.
I mean, to know that your children and your grandchildren are being abused,
and she did know, and not to do anything about it, you have to be a really sick person. From three to 11, this is going on. It's not
one or two occasions. It's an ongoing thing. And then you have this experience when you're 15,
when you're watching a movie on television with your mom. Can you
explain that? I was having flashbacks for, I don't know how long before I actually told my mother,
probably a few years. Sometimes I don't actually know if I ever forgot. And sometimes I don't know
if I actually never told anybody. Explain that a little bit. I think that there were times that I told my
mother when I was a child. There were things that my mother saw that she didn't do anything about.
Sorry. I don't talk about that in the book because those are very new things that have come out like through my journey work. So he, you know, had basically
groomed everybody, including his wife, or she was like his accomplice. It was just one big sick
system that was just operating under this abusive man who had, you know, groomed his children from
the time they were little. And so they were in a
place where they were just terrified of him and no one said anything. And then he was doing the
same thing with the next generation. And it's not like this guy like lived in Florida. He was
around, right? So he was very much a part of your life consistently throughout. Did the same thing to your mother, to many other people. But in the
book, you're watching this movie and this scene is playing out that you identify with. Yeah.
And you finally say to your mom, like, I think that happened to me. And your mom recognizes that
and says, you know, it happened to me too. So it's more complicated than
she's resistant to this. Like she had already, you know, done what she could in her limited
capacity to try to heal herself. And obviously it's her worst nightmare that this happened to you.
Yeah. That's been a really tough one to unpack now that I've written the book and been doing the work I've been doing.
When I was a child, I feel like the really confusing thing for me was that my mother and I almost felt like we were in the same boat, but we were in very different boats.
You know, she was my mother at the end of the day.
at the end of the day.
And it wasn't until I had my daughter and I realized what you're supposed to feel for your child
that everything really went south for me
in the way that I knew that I couldn't stay in relationship
with these people anymore.
Meaning like a sense of betrayal
because it was her job to protect you
and she didn't do that.
Yeah.
And why do you think that is?
Why was she incapable of doing that job?
I think she was still being abused by him.
If not sexually on some level.
You know, with someone like him,
it's not only the sexual abuse,
it's the emotional,
just the power that he had over everybody.
You know, so he was still abusing,
I believe my mother and her siblings way until he died.
I mean, you don't just stop doing something like that
when you're the person he was.
You have this experience
when you are talking to your mom about this,
where she says, well, there was a confession letter
and there were all these Polaroids.
And she seems to think
that she had already told you all about this
and it was news to you.
Those things ended up being burned by her wife,
your grandmother.
So you never actually saw them,
but I'm trying to understand like how she could think
she would, obviously, if she had told you,
that would be something that you would never forget.
No. Right?
I think when you've been abused to the level that we were,
you disconnect from your body, right?
And there's actual science behind that now
that in order to be able to survive what's happening to you,
you literally leave your body.
And that's what it feels like.
You're hovering over the situation, watching it happen.
And I think my mom disconnected so much from her body
for so long that I could literally see her
do it in front of me.
If we'd be in conversation, that would get too hard.
It was like she just disappeared.
And it was kind of a blank slate in front of her.
And I could tell she wasn't absorbing what I was telling her
and she wasn't actually hearing me. Yeah. You have experience with that yourself, right? Like
you talk about New York and being in the kind of club scene. It seemed like that sort of was your
version of that. Yes. Yeah. What do people not understand about this experience? Because so many people,
if they haven't had this experience themselves,
have somebody in their extended family
or someone they care for
who has experienced some version of what happened to you.
That it's a lifelong process of healing
and it's not something that just goes away.
It's not like it happened to you
and you can just move on. It always finds you. If you try to be that person that's like, okay,
I get it. It happened. I'm just going to move on. It doesn't work that way. It comes out in a
million different ways in a million different forms. I feel like I wasn't truly in my body
until after my first journey. The next morning I came outside and I
heard the birds for the first time in my life, literally. And I could feel like wind on my face.
And I remember saying to my husband, like, do you hear the birds all the time? He had a very normal
life. He's like, what are you talking about? I'm like, do you hear the birds? And he's like, yeah,
I hear the birds every day, Kim. And I was like, I, and I talked to Gabor about it.
I was so disconnected from my body my whole life
that I, there was so much internal noise happening constantly
that the simple outside things were completely foreign to me.
This disassociation is like a defense mechanism
for survival, right?
It's so painful to live in that reality
that you have to create some kind of wall or barrier
in order to just function.
Is that what the essence of that is?
And so I would imagine, you know,
there's all these people in your family
who are doing some version of that themselves, right?
And if they're doing that, they're not able to help you
because they're disconnected from themselves.
And in order to get up in the morning and just function themselves, they have to pretend like everything is okay.
Yeah.
Yeah.
And it seems so unimaginable that this kind of dynamic could exist and persist and be passed on generation after generation.
But this is an unfortunate reality.
And it's a reality I think that's more profuse than people realize.
Yeah.
I remember one of my family members said to me when I was just sort of pushing,
because I was always the one to be like, let's talk about this. I want to understand something that I'll never understand at the end of the day.
But then I was trying to make sense of something that was senseless. And one of my family members
said, I'm afraid if I go there, I'll never come back. And I think it's quite the opposite. I think you need to go there to come back to yourself.
When I speak about this in the book, I felt so disconnected, obviously to myself,
but to my inner child more, you know, more than anything. And I would see pictures of her and feel
just anger and just like, why didn't you fight back? Why didn't you tell somebody? Why am I here? Why am I in this situation?
And at the end of the day, she was the strongest one
and I wouldn't be sitting here without her.
And when I was able to connect with her again
is when I was really able to start healing.
Yeah, the idea that it's so scary to look at it,
it's such a threat because if I look at it,
my whole life is going to unravel. And so what happens, and I know this personality type,
this archetype, these are people that tend to be anxiety riddled, but very controlling.
And they keep their lives small and they're very afraid of, you know, kind of the outside world or anything
that would threaten their ability to just kind of like, I have everything under control. It's all,
it's everything's good. It's like that, right? And they're the most resistant to help because
it is a mortal threat. Like they literally feel like they would die if they had to look at this
truth. Or like fall to addiction or suicide. That's what I feel like a lot of my family is afraid of.
And so writing this book
and speaking openly and publicly about this,
there's very real people involved in this.
Like this is a high stakes affair for you.
And there's a lot of benefits.
There's a lot of healing as a result
of doing what you're doing,
but there's costs as well, yeah.
Yeah, I lost everybody. Yeah's costs as well. Yeah. Yeah.
I lost everybody. Yeah. I'm sorry. Yeah. It kind of happened slow. It happened slowly. And I
remember, I don't know if you're familiar with Dr. Perry, Bruce Perry. He does a lot of trauma work.
He wrote the book, The Boy That Was Raised As A Dog. I've heard of that book. And he wrote What
Happened To You With Oprah Winfrey. I don't know that one. He endorsed my book as a dog. I've heard of that book. And he wrote What Happened to You with Oprah Winfrey.
I don't know that one.
He endorsed my book as well and I spoke to him
early on too.
He does a lot of work
with trauma survivors,
with children
that have seen
something really horrific.
His team kind of goes in
to deal with the kids
instead of the police doing it.
He's got people
all over the world.
And he said to me when I was writing and chatting
with him, he said, Kim, you're probably going to lose everybody in your family. I said, no,
I don't think so. I think my mom was supportive of the book from day one. She wanted me to do it.
So was my dad. One of my sisters, as soon as I got the book deal, hasn't talked to me since.
And everyone slowly followed suit,
but it was all for different reasons. And, you know, I'm sure if you were to ask them,
it wouldn't be this reason. Yeah. I mean, what would they say?
Well, it's interesting. My father, he like just passed away like a month and a half ago. And
we've struggled in our relationship from the
beginning, but my dad and I were also very much alike in a lot of ways. And just something
happened with my daughter where my family was involved that they excluded her from something
because I was excluded from it. And she was really affected by that. And that was really hard for me. And I saw how it was gonna play out
if I stayed in relationship with everybody
because everyone's mad at me,
then my daughter get, you know,
the little silly things that don't,
it's like the big thing no one wants to talk about.
So like these little like unhealthy behaviors
are happening between the family.
And my daughter said to me, you know,
why don't they want me there, mom?
Like I didn't do anything wrong.
And it was in that moment that I realized
that if I didn't do something
about what relationship I showed her moving forward,
like if I'm gonna tell you,
this is how we show up in the world
and I'm in relationship with people
that don't show up in the world like that
and I'm putting them in your life, then I'm not doing my job as a mother,
as a person, as a human. That situation happened. You know, my dad just couldn't hear me. And I
think a lot of it was just because if he did, he would have to look at the fact that he failed me
and that he didn't protect me and my dad was a Marine.
So that was his job.
Like he was over in Vietnam protecting his country.
So to think that he would come home and have children and not protect them, I think was
for him just impossible.
It's also on top of that, like a little bit world shattering for him because your grandfather was
a veteran also, right? And he kind of revered your grandfather. So the idea that your grandfather,
you know, perpetrated this incredible harm was something that was impossible for him to hear.
Impossible. And that just sort of continued through my adult life. And when I started
really doing the work and writing the
book, which my dad was really supportive of me writing the book as well, the more I would come
at my dad and be like, we need to talk about things. And he just couldn't do it. And I just
couldn't do it anymore. I couldn't keep trying to show them, to convince them, all the things. It was getting exhausting, and I just needed to walk away.
And so when he died, like, nobody called me.
My sister's husband called my husband.
I wasn't welcome at the funeral.
I didn't even, like, I had to find out from the lawyer
where my dad was buried.
That's hard.
Yeah.
I'm really sorry.
When was the last time you spoke with him?
Well, when I'm on my journey, actually.
It was really interesting because I had this ketamine retreat with Dr. Schwartz planned for a year.
And my dad died and the retreat was coming up
three weeks after that.
So it was just super interesting
and I wasn't sure I wanted to do the retreat.
And then I went and one of the days,
one of the sessions and Dr. Schwartz
was sitting with me at the time.
I'm like, oh my God, my dad's here.
And Dr. Schwartz was like, what is he saying?
I'm like, he's saying he's sorry.
He was like, I'm so sorry.
I get it.
I'm so sorry.
I get it.
And then he said to me, can you tell Dr. Schwartz,
thank you for being there for you in a way I never could.
It was really powerful, and I have felt him a lot.
I know it sounds like really like woohoo, like psychedelic
world, but I feel like you, unless you do it, you don't know. And so sometimes when I talk about it,
I feel like, oh my gosh, Kim, you've officially gone crazy, but it really is incredible.
Had you not had that experience, would you feel as if there was something that you wish you had
said to him that was unsaid? It's one thing to, you know, I wish this guy would apologize or at
least see me or recognize, you know, his part in all of this. Short of that, like, did you feel
like there was something you wanted to express to him that you didn't have the opportunity to? I tried to.
I knew he was going in the hospital and that he wasn't well.
I wrote him a message and I was like, dad, I really want to talk to you.
Like I really, we have a lot of things that are not said that I want to say.
And he wrote me back and said, I can't right now.
And that was kind of the last correspondence we had.
Because it's just too hard, too hard for him to confront that with you.
I mean, he died because he drank and smoked himself to death.
Yeah.
Yeah.
There's a lot of drinking in the extended family.
I wasn't clear whether alcoholism was playing a part here or is it just, you know, this is just a big Catholic family doing what they
do? Oh yeah. Everybody had a drinking problem at one time or another. And I don't know if you got,
there was a letter in the book that my aunt Pat had wrote to the family where she speaks about
the fact that alcohol is our mighty suppressor. And she writes alcohol is our mighty suppressor.
It keeps us away from the truth.
Right, because the truth is yearning to come out.
It's so uncomfortable to sit on those truths
or to be amongst the people
who have all these secrets, et cetera.
But alcohol helps.
Oh, yeah.
Alcohol helps you just like, it's cool.
Yeah, we're good, we're fine.
And my family completely used it for that reason
to just keep pushing everything down
and pushing everything down.
But it always finds its way up.
And if it doesn't, then you get sick, you know,
you get cancer or you get some other sort of immune disease
or something, yeah.
Have you been watching The Bear?
No.
A TV show?
No.
It's really all about this.
Okay.
It's about trauma.
It's about alcoholism.
I mean, it's about the restaurant world, et cetera.
But really the core of this show
is really about unhealed trauma
and addiction in many ways.
And the way this extended family
is trying to process the suicide of one of its members.
But I think you would find it compelling.
Yeah.
It's interesting.
And even Gabor had said to me, you know, there's obviously there was trauma on my dad's side too
because his brother died of a heroin overdose when he was 32.
And so, you know, there was addiction on both my mother and my father's side. My
grandfather was an alcoholic and my dad's father was an alcoholic and he stopped drinking later
in life. And my dad was an alcoholic and yeah. It's making more sense now. Yeah. Yeah. Lots of
drinking. Your mom, after you guys watched this movie and you, you kind of say, Hey, listen,
you know, I think, I think something like this has happened
to me. She takes you to her therapist and it's this surprise that she actually had been seeing
somebody about this very thing. It doesn't exactly take for you, but this is the real,
like this is step one, like the healing journey begins here. And it's a very, very long and nonlinear one,
but maybe talk a little bit about what that experience was like, why you weren't ready to
trust that person or talk openly about it and what had to happen before you were ready to kind of
crack open and look really openly and honestly at this?
Well, my mom threw me into the room with this woman and she's like, she's my therapist,
you can trust her. And I'm like, every adult you've brought into my life has hurt me, literally.
And so, no, I don't trust anybody. And now I'm just going to completely shut down,
which is what happened. And I remember then
her therapist had said to her, you should get her own therapist. She really shouldn't be seeing me
because I'm seeing you. And then my mom sent me to another therapist and I just didn't speak.
I think I went for a month or two and I just refused to talk. And they didn't really try to
help me. Like I remember the woman being fine with just
sitting in the room with me and me not speaking. Like she didn't try to play any games or, you
know, do anything that you see real good therapists do with kids that have been through trauma. So I
just didn't speak. And then my dad got so mad and didn't want to pay for me to go to therapy and not
speak. So we, I just stopped going. Do you think that if you had had the right therapist at that time,
that it would have made a big difference?
Yeah. And that's such a huge problem in our world now. I mean, like I was saying earlier,
the fact that I didn't know who Gabor was or Dr. Schwartz with what I've been through is shocking.
Yeah. You were trying to figure this out, right? It wouldn't have taken long to stumble onto either of these guys.
I think I was being held back by my family.
And when I say that, I don't mean that they were actually holding me back,
but a part of me wanted to stay where they were
because I think I was scared too, even though I was really brave
and wanted to get help. I think there was a part of me that knew that if I did that,
I was going to surpass everybody. And ultimately what all has happened would have happened.
And I think for a long time, I was terrified of that.
Meaning it would just end your relationship with your extended family.
Yeah. Because you grow too much and then you can't be around people that are not growing, especially people that have experienced the same situation as you have in the same family. You've talked about forgiveness. There is a trope
in therapy and in recovery, like forgiveness is for you. It's not for them.
So share a little bit about your understanding and your relationship with forgiveness with
respect to your grandfather, your mother, your dad?
I feel like I've come to a place of acceptance where I can accept that this is my life.
This is what happened to me.
And also look at all the things that I've done because of it.
And I know that's really backwards, but it's true.
I don't think I would have been a stuntwoman
if I hadn't experienced the trauma I experienced
and I wouldn't have written a book
and I wouldn't be sitting here.
So, you know, there's two ways to look at it.
And I've never seen myself as a victim.
I've always wanted to be someone
who's overcame something and help people
and do something positive with my story.
And I really feel like I'm doing that
and will continue to do that.
I struggle with the whole thought
of needing to forgive my grandfather
in order to heal or move on.
I don't think that that's necessary.
And I think that there are some things
that are not forgivable.
And I think, you know,
molesting a child is one of those things.
I watched this interview with Marilyn Murphy.
Do you know her?
She's like 87.
Her story is pretty insane.
She's a psychiatrist, but she was abused when she was eight by soldiers.
And her life was obviously never the same.
And she speaks about that. And she went on to become like an art dealer and she made a bunch of money. And then she went and started, like she
started going to school to become a psychiatrist and she started working in the prisons and working
with sex offenders. And when I was watching her speak about this, it was so, I had like so many
feelings about it because it, you know, one part of me was like physically ill
because I can't imagine myself sitting in a room with somebody who is capable of doing the things
that were done to me. But she had a really interesting way of looking at it, which was that
she saw them as all really wounded children. I don't think I'm there yet. I don't know if I ever will be, but...
What about forgiving yourself?
Forgiving myself for...
Not that you did anything wrong, but as a result of this experience, you, you know,
kind of were acting out in ways that were creating your own suffering, right?
Yes, completely. Yeah, I don't probably have not fully forgiven myself,
if I'm gonna be honest.
Maybe a different way of looking at what I'm getting at
is like compassion for the inner child, right?
Like being able to like see that young version of yourself
and to provide the love for that little girl
that you didn't receive.
Completely.
I always say like she lives with me now.
For a long time, I felt very separate from her.
And now I feel like we're one
and I feel like I'm kind of raising her
as I raise my daughter.
Which is why the book is called Glimmer.
Yes, because it's my inner child.
But also with that said,
I didn't know that Gimmer was the opposite of trigger.
Do you know that?
That your glimmer is the opposite of your trigger,
which I did not know when I named the book.
That was like a thing?
Yeah, it's a thing.
It was a phrase that was coined by Dr. Deb Dana
a really long time ago.
Walk me through that.
I'm trying to understand how,
so the inner child, the glimmer
is the opposite of the trigger.
So if something's triggering you,
the glimmer is sort of the antidote to that?
Yes.
Like kind of focusing on that?
Exactly.
So your glimmers and whatever they are
are the opposite of what triggers you.
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There's a difference between compassion and forgiveness, right?
Like you can be compassionate for these people.
to be compassionate when you can kind of see through them and understand all of the life experiences that they had
that led to this inevitability, right?
Like, well, this happened to this person,
all these things lined up.
So of course they end up the way that they are
and it has nothing to do with you.
They inherited it from somewhere else and somebody else.
But that only gets you so far.
It's sort of like having incredible self-awareness
of what happened to you and why it happened to you.
And because this person was like this
and you can have the whole blueprint in front of you
and you can read all the books
and know all the acronyms and the diagnoses,
you know, the attachment disorders and the enmeshment, like all of that
stuff, right? But that's very different from doing the work or, you know, engaging in the healing.
And I find myself at times in that space, like, I'm like, oh, I can see, you know, why I'm this
way because of what all these things, right. But then how do I connect that to
actually resolving, you know, some of these recurring character defects or what malfunctions
that I have that are a result of, you know, things that I just inherited or were bred into me,
you know, at a very young age. Yeah. I think the attachment that we have to our parents is always
going to be there. And I think that's why it's such a struggle, right? Because you can sit outside of
it and say exactly what you're saying. Like, I know why my dad couldn't show up for me because
he didn't have a great childhood. And then he went to Vietnam at 18 and watched his friends
get blown up in front of him. And then he got married young, all of the things, right?
To bring him where he was.
And I could look at my mom and say, she was abused from,
she had the same life, probably worse than I did
in the sense of it was her father.
And so all of these things, and I can see that
for what it is and I can have compassion for them,
but it doesn't take away the pain.
And I don't think anything will ever fully take away the pain
of what happened to me and them being part of that. So what is healing look like then?
I think it looks like being able to recognize that two things can be true, that my parents
failed me, but they were also really damaged and really
traumatized people that were raising children and they raised traumatized children. I mean,
those are two very true things and I can have compassion for them and for everybody else in
my family. And I can also know that they all really fucked up and it wasn't okay. And I can
have both of those things in my life and in my space. And that's okay. Because if I don't have
both of those things, then I'm not really being honest with myself about what my journey has been.
You know, if I go to a place where I'm just like, well, they were just traumatized. It's okay. It's not okay. I'm not at peace with any of it, but I can see that side and I can have compassion for that side.
And I can also have compassion for me and be able to take care of my little girl inside of me
and say, yeah, we know that they were traumatized, but I'm going to protect you now. And this is what me protecting you looks like.
There's a healing perspective that's kind of more in the spiritual realm
that goes something like this.
Part of becoming whole is recognizing and owning that on some level,
like from a multidimensional
or perhaps past life perspective,
that you chose this experience
for the purpose of your own growth
and evolution and healing.
And all of these things had to happen
so that you could be the person you are today
to show up for your daughter, to interrupt this cycle of generational trauma and be this voice, this advocate that is
healing for other people. I completely agree with that.
And so with that perspective, it softens the blow of what happened to you. And I think it does open up, it cracks the door open a little bit
for perhaps more compassion than feels natural
for the people that harmed you.
I do believe that we choose our life.
Like you're saying, if we're talking on a spiritual,
that we do choose our life
and that this is the life that I did choose
and that my mother was a vessel
for me to come into this world.
And if all of these things didn't happen,
like you're saying,
I wouldn't be speaking out, obviously.
I'd have a very different life.
And if I could go back and choose again,
I'd choose exactly the same.
That's beautiful, actually,
that you can say that after everything that has happened.
Yeah, because I wouldn't want to be anyone but me.
Yeah.
So after this short-lived experience with therapy
as a young person,
I mean, there's a lot of adventures
and misadventures in your life.
You end up in New York City,
there's a whole partying phase
and there's lots of things that happen.
But I want to get to the part where you decide
it's time to get serious about looking at this
and taking care of
yourself. You know, and the hard thing about that is I couldn't do it until I started making money,
really, because you have to pay for therapy and it's expensive.
And you're in New York City.
Yeah.
When this is going on.
Yeah. And so therapists then were, I think it was like 150, which was a lot of money. I could definitely not afford that before I was doing stunts. So I had been seeing this dear woman
who was amazing. She was like 90. She must've been through looking back on it, something similar to
me. And she felt very connected to me. So I would go to her apartment. She saw me for free. She fell
asleep at every session. Like she'd start snoring.
And so I was like, well, at least I can just talk and, you know, maybe she'll catch some things. And that was her. And then when I got into stunts, I got like an actual therapist.
Not that she was an actual therapist. I think she just outgrown.
Understood. Yeah.
And what was different about that?
Even though I hadn't really done the work yet, I was very in tune with myself.
And I didn't want to sit across from somebody who wasn't smarter than me.
And so when I sat down with her, she started saying things that I had never thought of.
And that to me was very just new and different and comforting.
So I was like, oh my gosh, she's going to teach me something.
She's going to show me something that I haven't thought of or looked at.
And I was with her for a really long time,
like right up until my book came out, basically.
So almost 20 years, we saw each other on and off,
like when I would travel and stuff, but yeah.
Were there any important inflection points
that opened up portals
or allowed you to see yourself in a new and different way?
Like I'm trying to get a sense of the stepping stones
or kind of benchmarks along this path
towards healing for you.
Well, when I went to see her,
I was married before my husband now.
And I was married to a man who was just like my father.
Of course.
Yeah.
And he was a good man, just like my father,
but he had a drinking problem and it was not
a good relationship and it was super unhealthy.
And I didn't even realize how unhealthy it was until I went to therapy.
And she started asking me questions that made me kind of think and realize and see.
And because my family system was so unhealthy and everyone was operating in a really unhealthy way, I just kind of fit in.
And that was my normal.
And I didn't see outside of that.
And she wasn't somebody that pushed anything down your throat.
I think any good therapist is like that.
She would sort of say things and I would go home and be like, yeah, why am I doing?
And then I just sort of was connecting the dots. And when I was seeing her, I wound up leaving him
and I met Casey and he was like the healthiest man that I'd ever been with in my life. Like
literally, I basically dated like my dad after my dad, after my dad, after my dad.
And he was just not like
that at all. And I think that if it wasn't for being in therapy with her, I would have never
been able to even be open to having a relationship with my husband because it would have felt way
too foreign and way too normal for me. What would Casey say to someone who's listening to this or watching it about what's important to understand for somebody who is in partnership with somebody who has survived something like you have?
We've gotten really good at, especially in the beginning when my flashbacks were really bad.
And I have one every day, I would say still.
But they're a lot softer.
I would say still, but they're a lot softer. Like I can move through my day with them,
where when we met, they were really harsh and really painful for me. And so I would get into instances where I would just like be in the bathroom on the floor crying. And in the beginning,
he would just like grab me, which was the opposite of what I needed because it just felt too jarring
and I didn't want to be touched. And so I think having
an open communication with your partner about when they are in that situation of what you need to ask,
like, what do they need? And we got really good at like, he's like, do you need a hug? Do you want
me to leave the room? Do you want me to just sit here? Like, what do you need? And so it was, you
know, very short words, like, can you leave? Like, I need a hug, whatever it is. It's just really important to be able to communicate that because when you've been through something like this, when we are in those situations, we feel very exposed and very frightened. And even someone you love touching you can be actually really not a positive thing in the moment.
even someone you love touching you can be actually really not a positive thing in the moment.
Right. The instinct isn't always the correct move.
Yeah.
And that becomes confusing for somebody who loves somebody who's suffering and they want to go towards them or they're looking for like, how can I make this better?
Yes.
But unclear on what that is and isn't.
Yeah.
Yeah.
Because they can't make it better. That's the thing, right?
isn't. Yeah. Because they can't make it better. That's the thing, right? So it's being able to sit with your partner and recognize that I can't actually make this better, but I can be with you
through it while you figure out how you're going to make this better. Because no one can make it
better for you. You have to do it yourself. Is that something he instinctually understood
or had to learn or did he, he's going to his therapist and I mean,
how's this working? No, he doesn't go to therapy. He's very just, he's always just been connected.
He's very, and you know, he like gardens and does all sorts of things I don't understand.
I was like, what are you doing like out there for so many hours in the dirt, like garden? He's like,
yeah, it's really good for your soul. I've gotten better. I've like, I've really gotten better. Like through all my journeys, I've connected back with the
earth. I don't think I ever was connected with the earth. That was a problem. So no, in the
beginning, he would just instantly hug me or grab me, which was the opposite of usually what I
needed. So we had to work through that. And he would come to therapy with me sometimes if I felt
like I needed to express something to him.
He just did better hearing from the doctors what was happening actually in my brain and why it was happening in my brain.
That was easier for him to understand.
Harder for him to be in the moments with me with all of those feelings.
And then easier for him to check in and say, oh, okay, like this is why, this is what's happening to her is happening
because she, this is how her brain developed
and she went all of the things.
So that was helpful for him.
Yeah, there's a joke or maybe a sitcom
in this idea of stunt people in therapy.
I've never seen it.
No, I'm just like, okay, stunt people who go to therapy,
like, I don't know, it's interesting because it's such a alpha endeavor, right? And these are people like, I don't seen it. No, I'm just like, okay, stunt people who go to therapy, you know, like, I don't know. It's interesting because it's such a alpha endeavor, right?
And these are people like, I don't need therapy.
Like I'm super, I'm a superhuman, right?
Yeah, probably like the same as UFC people in therapy.
Yeah, yeah, yeah, right.
What have you learned about what works with therapy
and what doesn't?
Because I think it's easy if you don't have a good therapist
or maybe you have some resistance
to actually doing the work
to just go to therapy forever,
talk about stuff,
develop all this self-awareness.
And if you're not doing the work,
then it becomes about like blaming other people
for what happened to you or being a victim.
And that's a form of just being stuck, right?
I think there are a lot of therapists
that haven't done the work themselves.
And so how are they gonna teach their clients
how to do the work if they haven't done it themselves?
And I've found that a lot of people
who aren't ready to do the work
will find those therapists
and stay with them for a really long time.
Because they just go and they can say I'm in therapy and they can talk about all the things, but they're not being challenged or they're not
being, their therapist isn't making them self-aware, isn't giving them, you know, before I met Dr.
Romney and Gabor and all these doctors, I didn't have the language. I didn't know what enmeshment
was. I didn't know what a toxic family was. I didn't know what a narcissist was. I didn't have
that language.
And I know that language is really changing now
and people are becoming more aware of it,
but I didn't have any of it.
And so I remember Dr. Romney telling me,
your family is like an enmeshed family system.
I was like, what is that?
And when she sort of broke it down to me,
I was like, yeah, that's my family.
She's like, I know that's what I said.
But having a therapist that can give you the words
for what you're going through
and talk you through all of that,
not everybody does that.
To really press you and then give you assignments, right?
There has to be action here rather than just,
oh, I never thought of it that way.
And then you leave and then you come back next week. Yeah. Or just to, you know, not enable you.
I think my mom, you know, cause I went to therapy with my mom as an adult for a long time and all
of her therapists were enabling her and not pushing her at all. And maybe it was because
they saw that my mom couldn't be
pushed, which I think is a really strong possibility because I don't think she could,
but there was none of that happening. Like I would go to therapy with her and it would be like so
frustrating for me because I was doing so much work and I'm trying to sort of help her and show
her and, you know, her therapist just weren't doing that for her.
Just affirming her saying, oh, that must be really hard. Tell me more. How does that make you feel?
That kind of thing, right? Nothing like, okay, how are you showing up in this situation that
isn't helpful for your daughter? Like, how can you show up differently? And, you know,
things that actually will change the course of your behavior instead of just making your behavior okay and you continue the same behavior.
When you say doing the work for somebody who's watching this or listening to this,
who doesn't understand what that means or isn't, you know, innately familiar with therapy,
do you think you could give a few examples of that? I mean, I'm thinking,
you know, of contrary actions. Like I used to do this or I generally do this or my instincts are to do this, but now I need to do it this way. I think that doing the work is different for
everybody. And it all depends on what you've been through in your life. I do believe that.
For me, doing the work was needing to do psychedelic therapy. For me, that doesn't mean that's what that means for everybody else. But for me,
that's what it meant. And I didn't realize until I did it that that's what it meant.
And it's not like I do it all the time. I've done it maybe five times in the last three years. I
maybe do two a year, if that. But the way I like to put it for me with psychedelics is that it allowed me to see things
for what they are instead of through the lens of what I wanted them to be.
You realize you're like, you're pushing me towards this world.
I don't know. I feel like the universe like does things. I'm just saying. So I wrote my book for
my 15 year old self because I always say if I had a book like I wrote,
when I was having my flashbacks, it would have changed everything for me.
And it would have given me words and dialogue and resources to help me figure out what doing the work actually means.
And for me, it's like, you know, I didn't have YouTube and all of those things growing up and
now you can go on the go on YouTube and you can watch Gabor you can watch Dr. Schwartz you could
look at how the parts work is done and even if you can't afford therapy you can at least do that
and you have so much material that was the biggest thing when I wrote my proposal for the book you
know you have to find like comps when you do the proposal, like there's this book was out there and it did this well, we couldn't
find any like zero. And it made me realize how much this was needed in the world. And what has
the response been from that audience that you're trying to connect with? Overwhelming. Yeah. Yeah.
Yeah. So many people. Emails and people reaching out to you with their version
yeah and I spoke actually in Arizona at do you know who Joe Polish is yeah I spoke last week
at his network genius network and it was live and there was a bunch of people there and he like got
the book for everybody and um that was a transforming experience for me because I've never sat on a stage
and been interviewed in front of,
like I went on stage with God Boy,
but it was totally different.
There wasn't one person that didn't come up to me.
There wasn't one person that didn't come up to me
and say either that happened to me,
that happened to my wife,
that happened to my child,
and there wasn't one person that wasn't crying.
And it made me realize or just reconfirm that this work is so important and trauma affects so many people.
And, you know, we see it in our world.
We're living in a world of just traumatized people.
Traumatized people are in our world. We're living in a world of just traumatized people. Traumatized people are running our world.
And it all comes back to connecting with yourself,
to figuring out what happened in your childhood
so that you can move through the world
in an authentic, real way.
And to me, that's the only way to move through the world.
When somebody emails you or you get a DM on
Instagram and it's a young person who says, I read your book or I heard you speak or I watched
this video that you were in. This happened to me. I don't know what to do. You know, where should I
go or who should I talk to? Like, what is the advice that you give in a general sense for how someone might begin this journey for themselves?
Well, first I'll say I haven't gotten any of those messages. The messages I get are,
thank you so much for writing your book. Thank you so much for speaking out. I've never felt
so seen in my life. I didn't even realize how painful this, you know, keeping it in has been, or you gave me the
strength to tell my husband. I've been married for 20 years and he had no idea that I was abused by
my father. I've gotten a lot of those, like maybe not that exact scenario, but similar.
So no one's ever asked me like, what can I do? It's just thanking me for, you know, I'm,
I've watched every single one of your interviews and you've saved my life.
Just feeling seen and validated, right?
And it gives permission for other people to open up or confront this.
And I'm gathering, you know, that the reluctance to do that or the historical inability to do it is rooted in shame.
Shame.
A lot of people that were abused by a family member, the family
member is still alive. And in most cases, they have a relationship with them. I hear that more
than I could even tell you. Like my father abused me, but I'm still in a relationship with him. So
it's really complicated. And I can't imagine. Yeah. To confront it is to disrupt the entire system.
That's a lot to ask of someone. Yeah. Because to confront it, if you go back to what Gabor
talks about with attachment and authenticity, which we're doing an event together in October
in LA, just on that alone, the return to self navigating attachment and authenticity.
alone, the return to self, navigating attachment and authenticity. Because if you do speak the truth and you are coming out as your authentic self to your family, then you have the chance
of losing the attachment. Right. It's very threatening to them because it unravels all of it.
Everything. Yeah. But I will say, and it was terrifying for me too, and I've been going through it for the past few years,
but losing my attachment, as painful and sad as that was, I'm really glad that I chose the path
I did. Do you have hope that at some point there will be a reconciliation or you're at peace with it? This is the way that it is.
I feel both ways. I think if my family's going to show up in my life in a different way,
they'll show up in my life in a different way, if that makes sense. And if that happens, I'm open to that. And if it doesn't, that's okay too.
Your daughter is 10? Yeah. So how has this informed how you're parenting your
daughter? Well, I had to like figure out how to be a parent, literally. And I didn't realize how
much I needed to figure out how to be a parent until I had her. Because the first like few
months of her life were terrifying for me. I thought she was going to die. I like literally
took a shower with her, like stroller right, like my shower door open. I mean, I have a big shower, so I wasn't like
suffocating or anything. So I could just see her like chest move up and down. I ordered like this
insane heart monitor for like $4,000 and showed up at the house. And my husband was like, what the
hell is that? And I'm like, well, that's a heart monitor. And he's like, that's going back. Our
child is not sick. We don't need a heart monitor.
But I had this intense fear that I was gonna lose her
because for once I was like given something good.
You didn't have a role model of a healthy mother.
No.
Your mother didn't protect you.
So even though you're lacking those skills
because they were never modeled for you,
you know enough to know that you're gonna have to parent
in opposition to the way that your mother parented you, right?
So how do you begin to understand
what a healthy parent might look like?
My husband's really helpful.
Yeah. Well, he sent back the heart rate monitor.
He did. He did. That was, yeah.
How did he take to the stroller by the shower though?
He never saw that.
Oh, okay. Well, he knows now.
Yeah. Yeah. He knows now. But yeah, and he had come home, he was on a film and I had like,
I had hired the CPR guy to come
to the house and he literally walked in the door from being out of the country. And I had like the
doctor and me and my night nurse and like a bunch of like baby dolls. And I was like, sit down,
we're learning how to like save our life. And he's like, you know, not that it's not good to
know CPR for your child, but it was very extreme for me.
It was very extreme.
I speak about this in the book because there were two things that happened when I got pregnant with her.
My grandfather gave me herpes when I was young.
So, but I've had it for so long, I don't really get sick anymore.
But when I was pregnant, because of the hormones, I think, I was just sick my entire pregnancy, which was devastating for
so many reasons, but mainly because I couldn't have her naturally. So I think, you know, I went
into pregnancy, like being reminded of him again, like every day, and then having to not be able to
like have a choice to just have my child the way I wanted to have my child. And then when I started
breastfeeding, which is something I think is so my child. And then when I started breastfeeding,
which is something I think is so important for women, because I did not know this and I Googled it and it's an actual thing that people that have been abused as children, when you breastfeed,
it could bring back like massive flashbacks because it's like a sensory thing. And it
started happening like right away as soon as I started feeding her. And I was like so mad.
So I Googled it and sure enough, like all this stuff came up.
And I was like, no one talks about this stuff.
Like how many survivors are out there feeling like they failed their child because they cannot breastfeed their child.
I would get so many flashbacks.
And when I would like put her on me, it was like, I had so much, obviously,
anxiety and so much was happening. And I could literally see it on her face. Like I could see
it on her face. And I was like, I'm not doing this to her. So I started pumping instead. The
flashbacks still happened, but at least I was like alone in my room and I could just push through it.
And then I felt like I was at least able to give her milk. But in a culture where breastfeeding has become, obviously it's extremely important and it's become
something that women can get a little pushy about. I would just like to say there are a
lot of women that have a lot of struggles that you may not see. And just because they're not
breastfeeding doesn't mean they didn't want to.
Yeah. I mean, I definitely would not have known that. But obviously all of those semi-neurotic
or control impulses, this is not good, you know, for the child, right? So even though you're going
to make sure that you're going to interrupt the generational pattern of abuse as you experienced,
the generational pattern of abuse as you experienced, short of fully healing or being engaged in that healing process, there's going to be all these maladaptive kind of behaviors that
you're going to unknowingly or unconsciously pass on. Yeah. I think a lot of that was happening too,
because I didn't feel safe around my family. I literally didn't feel safe.
Like my nervous system did not feel safe around my family. And I brought my mom to like the area
I live in to help me with my daughter. And she helped me for like five years with her. And she
had a great relationship with my daughter there. They were, you know, they had a great relationship, but I realize now that I was in
like a hyper tent. Like I was always anxious around my mother. I couldn't settle. I couldn't,
I didn't feel safe. I just didn't feel safe. And it wasn't a good feeling. And I just didn't want
to feel that anymore. And that is part of why you had to put up a boundary there.
Look, I think at the end of the day, it was really hard for my mom because she split between me and my other siblings.
And my other siblings, I think there's safety in numbers.
And my other siblings are doing things the way they are doing them.
And I'm doing things the way I'm doing them.
And they're very different ways.
And I think my mom just couldn't show up for me.
She can't show up for herself. So she couldn't show up for me. She can't show up for herself.
So she couldn't show up for me in the ways I needed her to as an adult.
And I just wasn't willing to put that on my daughter.
My daughter is way too magical for that.
And so what else are you doing to make sure that the parenting is healthy?
I mean, my daughter kind of parents me.
Yeah, it works that way, right? Yeah. Yeah. She's like, mom, this, you know. I mean, my daughter kind of parents me. Yeah, it works that way, right?
Yeah. Yeah. She's like, mom, this, you know, I mean, we learn more from them than they do for
us. And that's a hundred percent true. I mean, she's taught me what it is to be a kid. I realized
by having her, I never knew what it was like to get on my knees and like play. Cause I didn't
have that. And it was really uncomfortable for me.
She'd be like, mom, just play with me.
And I'm like, oh, like it was just so triggering for me.
And it took me to be like, talk to myself,
like sit down and play with her, Kim.
Like grab it all and just do what she's doing.
Like literally I had to say that to myself.
Just having a young little girl
who is the age that you were when all those things were happening
to you, that in and of itself is so powerful, right? Like that could just bring up all kinds
of stuff. Yeah. Especially through her. Yeah. And now too, but I think when she turned like
four or five, it was really, really hit me because, you know, you're looking at her body and
it's so little and it's just so impossible to wrap my brain around that. And just how free she is.
Like she's always, you know, she's a very free kid and she, because she feels safe and that is
so beautiful. And I feel like I'm not the perfect mom.
I'm sure she'll be in therapy later in her life for things I did.
But she's safe.
And loved.
One of the things in your story that really struck me is the fact that all of this was taking place in social settings in which
everybody was around. I think there's this idea that abuse takes place in dark corners when there's
no one around and nobody's sort of bearing witness to what's happening. But in your case, it's like,
these are all happening at big family gatherings and parties. And there are moments that occur
like down the hall or in the
bathroom or in the basement. But there's this sense like there are people at this event who
know what's going on. Yeah. Right. And I would suspect that this is not uncommon.
No. I think in a family like mine, when everyone's upstairs, it's Christmas, it's whatever it is,
they're all upstairs, they're all drinking, They're all having a good time. And especially back then, it was like, kids,
just go away. Go play. Go play. Go play. And that's what we did. But this is what was happening
to us in the basement right underneath everybody's feet. And nobody came to check on us and nobody
looked to see where we were. And so that's the one thing with my daughter.
First of all, I don't think I've ever been in a setting where there's been that many people
around us. I always know where she is. There isn't 30 seconds that goes by that I don't
have my eye on her or know exactly where she is and exactly who she's with.
And 90% of sexual abuse happens with a family member or somebody the family knows,
a neighbor, a cousin, you know, whatever.
So you always need to know where your children are.
The fact that there were people who on a conscious or semi-unconscious level,
like knew what was going on with you,
that must make it very difficult to trust people in general, right?
These people let you down.
You were trusting them.
Your life was in their hands
and things went terribly sideways.
How have you learned to trust again?
And maybe even more importantly,
yes, you want your daughter to be aware,
but you don't want your daughter to be somebody
who can't trust people either, right?
Well, I never trusted them.
I didn't ever have a sense of safety around my family
and never a sense of trust
where I think you would think that,
you know, this is my mom, this is my dad,
but this was happening to me from such a young age
and there was nowhere that I ever went with anyone
where I didn't feel unsafe.
So I always say to my daughter, not every adult is safe.
And people need to earn our trust.
And just because they're your teacher or they're your coach or they're somebody who you're
supposed to trust, it doesn't mean that you just trust them because they say you should.
Someone has to show you.
And sometimes that can take a really long time
and that's okay. And I think it's giving our kids permission to make their own feelings or
decisions about an adult. And they know more than we do. Their gut feelings are like Capri will be
around someone and she'll say to me, I don't like the way that person moves or she won't say that
exact word, but I don't like, I don't like that mommy. And I don't ask exact word, but I don't like them, mommy.
And I don't ask her why,
or I don't,
well, I will ask her why,
but I don't question her
like in the sense of,
oh no, he's fine.
Like, it's okay.
I never do that.
I say, Capri, I trust you
and we won't be around
that person ever again.
Give Paulie a hug.
Give Uncle Paulie a hug.
Come on.
Totally.
And that's how we grew up, right?
And it was like, if you don't hug them, it's no, if my daughter wants to hug you, she will
hug you on her own.
And I will never tell her to hug anybody or give anybody a kiss or, you know, any of that.
Yeah.
We don't do that.
Yeah.
We've come a long way in terms of education and awareness around these things, but I think
there's still a long way to go.
Yeah.
Well, because a lot of parents are sitting so deep in their own trauma that they can't get out of, and then they have children.
And if you don't deal with your trauma, you're going to pass it on to your children in one way or another.
And that might be as simple as you go to a party and
you just want to relax and have a few drinks and just let your kid do whatever. And that could be
the moment that changes their life forever. That's the biggest instigator in terms of
looking at your own stuff and trying to heal it. Like it really is the greatest gift that you can
give to your children because you are not only helping yourself,
you're interrupting this pattern
and you're sparing them what you had to survive.
Yeah.
It's hugely important.
And so for people who think that therapy is indulgent,
it's really this incredible act of service
for the people that you care about most
because trauma unhealed spills out in toxic ways and affects everybody that you care about most because trauma unhealed spills out in toxic ways
and affects everybody that you care about most.
It basically is like this infection
that colors and characterizes all of your behaviors
and your perspective.
And you can't really overstate the extent to which,
the profundity of the whole thing.
So if you think it's like, oh, I got it.
You know, it's over here.
It's cool.
Don't worry about it.
Like I got it under control.
You're not really dealing in reality
because it is spilling out and affecting people
in ways that you probably have no concept of.
Absolutely.
So what do you say to somebody who's reticent to unlock that
chest and start looking in because it is so scary and so threatening? I literally have it tattooed
on my arm. Yeah. What does that say? It says the only way out is through. So if somebody's hearing
that and they're thinking, yeah, but what does that mean? It means you can't go around the trauma.
You can't jump over it or under it. You have to go through it.
You have to live through it.
You have to tap into those memories as hard as that is.
If you don't do that, you don't have an understanding of what happened to you and you can't move through it.
And I tell this story a lot.
So my daughter is like this, I was telling you, magical being.
So she loves plants
and she's like, you know, never wants to wear shoes. And she's just so foreign to me, you know,
and I've always hated indoor plants, never understood them. I've always like, why do we
bring dirt inside? I don't get it. Like, aren't we trying to bring the dirt outside? And when I
met my husband, he had quite a few and I got rid of all of them. And she said to me a few years back,
she said, mommy, I want to plant in my room. And I was like, absolutely not. And it just came out
of my mouth. And I was like, oh my God, Kim, like, why would you, she wants a plant. She's not asking
for like, you know, like a dartboard or something. And it was coming up to me doing a journey. Sorry,
I keep bringing up the journey thing. Don't apologize. And I was like, I need to like investigate like where, where is this coming from? Like, why am I having such a
reaction about this? Because I have the power in this moment to make my daughter feel like what's
important to her doesn't matter to me. Or I have this moment to give her what is going to make her happy, which is a plant.
So, you know, so I went into my journey kind of with one of that being my intention.
Like if there's something around and I always go into my journey saying anything my inner child would like to show me, I am here to see it.
Like anything you need to get out, anything you want to show me.
you need to get out, anything you want to show me. And it was pretty immediate. And when I started feeling the medicine, where I was like in my grandparents' house and I was on the top of the
stairs, which is where we played a lot. And my grandparents had this like massive cactus in the
corner. And my grandfather was coming down the stairs and he like pushed me into it.
And I actually remembered always having cactus in my body, but I never remembered what happened
and how it got there.
And my grandfather was the person who, he was very meticulous.
He like used to put model airplanes together and just sit there for hours and do that.
And so he was the person that if I were to tell my parents like, hey, I fell into the
cactus, they would have put me in a room with him and a tweezer.
And so I stayed quiet the whole night. That's interesting.
With that in my body, with the cactus in my body. And we all know how painful that is. And it was
down my whole back. Wow.
And when I came out of the journey, I was like, oh my God, now I can connect. Okay,
this is why you're having this reaction to having a plant in the house.
It has nothing to do with you or her.
And now I can heal that wound, which I did.
And I think the next day, Capri and I were at the plant store and I like bought them out like $2,000 worth of plants delivered to my house.
And she's got like a whole garden in her room.
Right.
house and she's got like a whole garden in her room. But if I was to take that away from her,
I'm basically spilling my trauma onto her because I'm like, oh, your authentic self is like,
I just want to plant. And your mom's like, absolutely not because of my own stuff. Mm-hmm. What's so interesting about that is you don't have to be somebody who has survived sexual abuse
to have something that happened to you
that sets in motion or anchors
some weird semi-unconscious narrative or story
that just loops in your mind
and plays out in the real world in terms of behaviors.
And on some level, we're all like out
just basically telling our stories some level, we're all like out just, you know,
basically telling our stories and doing what we're doing without a real strong sense of,
you know, why we have the opinions we have and- Where they come from.
Yeah. And why we don't like this and like this. And to have that experience and to connect that
allows you to cast that story aside and tell a brand new story.
So that is the interruption of the cycle in a nutshell, right?
But with your case, what you survived was so horrific and very specific.
What do you say to somebody who perhaps isn't like a sexual abuse survivor, but they grew up in some level of dysfunction, right?
There's strange emotional behavior going on.
And there's nothing that that person could point to and say, this is the source of, you know, my X, Y, or Z.
It's harder to look at that and say, I've suffered some trauma or, you know, this is my family. Yeah, maybe I've inherited some of
this stuff, but is it trauma? Like, I don't know. I don't think so. Maybe I don't really need to
look at that. Like things are cool. Yeah. It's interesting because I feel like a lot of people
say that to me, like, well, what happened to me isn't anywhere as bad as what happened to you, or I wouldn't even compare. Like a lot of people
will start the conversation with saying that to me. And I say to that, it's all the same.
I don't believe in putting our trauma in categories. I think it's actually the opposite
of what we should be doing, because I think it takes away from your experience as a
human and what you've been through. And just because your experience wasn't like mine doesn't
mean that you weren't affected or traumatized by what happened in your home growing up. It just
means that my story is different than yours. But in the end, it's all the same because we're all
affected by things that happened to us in our childhood. And we all have to go back and heal those traumas
or we don't get to move through, you know?
So on some level, like we all need to do this work.
I think so.
Yeah.
On different levels, of course.
I mean, mine is a lot of a bigger bag of work,
but I think everybody needs to work on themselves.
It's the best gift you can give
yourself and everybody around you. And I think if you're still living in your pain, whatever that is
and to whatever level that is, you're not ever going to be able to live in your true authentic
self. We all have a pain body of some sort, right? That's driving our behavior. We've all had experiences that have
probably neutered our development in one way or the other that, you know, we may not even recall
or recollect. And I think summoning the courage to kind of really look at that is important. You
don't have to be somebody who got strung out on drugs or had the experiences
that you had to benefit from that. Or to care about yourself enough to look inward and
do the work on yourself. And I think even if you come from a dysfunctional family, maybe no
actual sexual abuse or violence happened, but your dad was a drinker,
whatever the case may be,
that there's things that you are going to need to heal from from that.
And we all deserve to have that healing.
Sure.
The healing is the most important piece here though,
because short of that,
it's very easy to weaponize small doses of therapy and use that to blame people or explain away bad behavior.
Like it can be used as a sword.
And I know you've thought about this.
Like, can you share a little bit about that?
Because you do see people, oh, well, I was traumatized with this.
And they're angry people who are just pointing fingers at other people, but they're really not looking in the mirror and taking responsibility.
I think that that is a lot of shame that you're carrying.
And I feel like people need to be braver and know that they have it within them to heal themselves.
that they have it within them to heal themselves.
And, you know, the tricky thing with people like that,
because a lot of my family is like that,
is that you can't do the work for them.
They have to do it for themselves.
And I've learned that the very long, very difficult way because I feel like I've been saying that to my family
for my entire life.
Like, you know, especially when I met Gabor,
I'm like, hey, I brought my mother to
a seminar he did called Fresh Start, which is what he does with his son. And it's like
healing adult children and adult parents and healing together. And I brought her there in
Canada for four days, hoping that it would open up the floodgates to us getting on another level
together. And she just simply wasn't ready.
Didn't take.
No.
Then it's about your attachment or, you know, around expectations.
You can't do the work for anybody else.
Yeah.
And that's the hard thing.
And then when you really do, you know, do the work on yourself,
and I say this a lot, like you show up at, you know, whatever it is,
pick up or whatever it is when you're around other people, you can really feel the people that haven't done the work.
And it can be a bit lonely at times.
What have you done to replace your family of origin?
I mean, you have a daughter and you're married, et cetera, but, you know,
you're somebody who grew up in this Catholic thing. There are lots of
people around, right? Like always family members all around you. So there has to be some sense of
loss also in there that might make you feel like you need to replace it with a new version of that.
I have so much space now that I never had, and I welcome it with open arms.
I had to show up as somebody different to every single one of my family members.
I'm going to call this person.
I know I have to act this way, or I can't say this thing, or I can't make myself too big.
I have to downplay what I'm doing because they're going to feel a certain way about it.
And it was like that
with every single person in my family and it was exhausting. And now I don't have to do that
anymore. And I'm really grateful to myself for knowing that I'm worth that and that I deserve
to live in peace for the rest of my life because I've had a lot of chaos.
What is the therapy routine look like these days?
Yeah. So doing the work does mean asking yourself hard questions and also just sitting in the pain
when things come up, when I have flashbacks is being able to sit with them and have a conversation with my inner child and let her
know that she's safe and that I'm, it was amazing once I sort of feel like I connected back with her
and I was in the shower one day and actually completely freaked me out because I looked down
and my feet were like my tiny feet. I was like, no, I'm like really losing my mind. And I was
not on any medication. I was completely, it was the morning. And I texted
Gabor right away and I was like, okay, I think I'm losing my mind because my feet are like little
and it's like my feet as a child in my shower. And he said, that's not uncommon. When you connect
with her, she's going to start showing you more. And that's exactly what happened. And so just
being open to those things
when they come at me and trying to deal with them the best that I can in the space that I'm at
is something that happens on a daily basis now. Yeah. That's wild. You actually saw
your young feet. How often does that happen? Not often. I think that might've been the only time, matter of fact.
That's a common thing.
Mm-hmm.
But he also was saying like just the memories,
which I've had more memories in the past two years,
three years than I did,
more clear memories, I should say,
like start to finish.
In the beginning, they were very jumbled.
Like I'd have a flash,
I could see something
and then it would jump to something else
and then it would just go black.
And I couldn't put the story together in my head
where now I have full like beginning to end memories.
And is it helping to fill in the gaps
and make better sense of the whole thing?
Yes.
Yeah.
Because for so many years,
the really, really hard thing for me was how did
nobody see this happen? Like I have literal scars on my body from where my grandfather like actually
cut me with a knife, like literally. And I remember those situations as well. And so it was always
just like, I just couldn't understand how did nobody see anything.
And then I remember that my mom did.
And as painful as that was, it really helped me because it made me realize that, yes, people did check on me and my mom did see.
check on me. And my mom did see. And he had that such a power over her that he was able to say,
get out. And she listened. And that that was the family dynamic. And that was what was happening in my family. And it made me look at everybody for the part that everybody played in my story,
not just my grandfather, because he was not the only one who hurt me. You know, everybody played a part in what happened to me.
And in dysfunctional families like mine,
everybody plays a part, except for the children.
It's insane.
There's so much insanity.
But you get a sense of how trapping it can be
to raise your hand is to threaten,
you know, to capsize the entire thing.
And so it's no wonder no one comes to your aid, right?
Because everybody's so invested in a certain status quo
and making sure everything looks okay.
Yeah.
And I spoke to my grandmother's sister
before she passed away.
I was very open about just kind of calling people
and just trying to
wrap my head around anything, like give me any information, like what, you know. And, you know,
he also had that part of him where he would like expose himself to people. And she's like, he would
do that on Christmas all the time to me. And I was like, what? Like what? Like your sister's husband
and you never thought it was important to let anybody know, she was actually the first person to get the confession letter because he left it for her
daughter who was house-sitting for them. And he had written it and left it for her. And I've
talked to her about it and she read it and she brought it home to her mom and her mom got rid
of it as well. The confession letter is its own form of insanity. On some level, he's copying to a certain extent of his behavior.
But there's also a weird, I don't know what you would call it, like justification or it
wasn't that bad because I didn't do this, but here's what I did.
Like, how do you make sense of what his motivations were in writing that?
I think he got a lot sicker when I came into the world,
like after he raised his kids. I think his alcoholism got worse. I know he went on medication
for, it was like a pill he was taking so that if he took, if he drank, it would make him sick or
something like that. I don't know if you've heard of anything that exists like that, but he was
taking that, but he was still drinking on it. I mean, maybe a part of him wanted someone to say something.
Maybe he had pushed the envelope so far
with people seeing and not doing
that he just was going to explode.
I would like to think that
that's what was happening inside of him.
Well, it was going on in front of people.
So maybe there's an argument that he did,
like he wanted to get caught.
Yeah, totally.
I do believe that towards the end of his life that like he wanted to get caught. Yeah, totally. I do believe that towards the end of his life
that he probably wanted to get caught.
Wow.
I wanna end this on a helpful note
for anyone who's caught up in some version of this
who feels stuck
or somebody who's just coming to terms
with memories like yours.
What are some of the resources?
I mean, obviously your book,
but professional resources that you recommend
people reach out to?
Dr. Gabor Mate is great just to go on YouTube
and watch his videos about trauma
and the way that he views it and feels about it.
There is a Dr. Judith Herman who is in her 80s now, and she's
written quite a few books on trauma, trauma and repair. She's written a few. So if you just look
her up. And then Dr. Schwartz and internal family systems is incredible. All the parts work he does,
that's been, I actually did therapy with him the past few years, like just him and I,
did therapy with him the past few years, like just him and I, and that was extremely powerful for me.
And Dr. Bruce Perry, who's written a bunch of books, and Marilyn Murray, who's also written a bunch of books on trauma. So all of those people, if you seek any of them out and get
their books or listen to them speak, I think is massively helpful. Another resource is Dr. Romney,
who's been an amazing human in my life and has helped me so much. She was one of the first people
to interview me and she's absolutely incredible. And she's obviously really talks about narcissism
and has written a ton of books about it, but she also is very acknowledged in trauma and
she's incredible. Yeah. And if you're a parent who has a young person,
what are some of the signs to look out for, like warning signs, like that something
is not going well? Well, I developed asthma, but that was after he died. And I think that was like
a panic for me. That was almost like he was gone. And what was my life going to look like when he was gone? Even though that sounds backwards, I think that was like a panic for me that was almost like he was gone and what was my life going to look like when he was gone.
Even though that sounds backwards, I think that was part of what was happening for me.
I think if your kid is getting like anxious or fearful, I read something that was really hit home for me, which is when.
And I went through this where I like thought my parents were going to die.
I had this like intense fear that my parents were going to die. I had this like intense fear that my parents were going to die.
Someone was going to break through the window and like take me.
And it would always happen at night when I was going to bed.
And a doctor said something like, it's when your attachment is in jeopardy or you're not
feeling connected to your parents in a safe way or something's going on in your life.
A lot of times those will be the
signs. I became like an obsessive cleaner. I needed everything to have its place. That was
my way of controlling my environment around me. I'm not saying that's the way every kid reacts,
but that's the way I reacted to it. But I think if you're really in touch with your children and
you have a really honest relationship with them and you have these hard conversations about these are your private parts and this is what they're
called and we actually call them their name and nobody touches you there. And if anyone tells you
to never tell your mom, I'm the first person you tell, you know, all of the really obvious things
that I feel like, especially for me, obviously we're not spoken about, but I also think it's
a generational thing that back then it wasn't conversations that parents were having that you should be having with your child.
You know, as soon as they can comprehend it.
Yeah.
What is the next chapter look like for you?
Well, I'm, you know, doing a live event for the first time in my life.
So we'll see how that all goes.
And I really want to make this a film.
That was my, really the thing that I wanted to do
from the beginning with it.
You actually have screenplay format in the book.
I do.
For a certain section.
Yeah.
Yeah.
Any interest there or is it being dangled about?
It's being dangled about.
There's some interest.
It's a weird time in our business.
So we'll see what happens.
But there's been some talk and conversation about it.
Yeah.
Yeah.
Can there be a superhero in it, basically?
Yeah, at the end.
I'll play myself.
There's the stunt woman.
It's like the woman's version of the fall guy, but a very different story.
Completely.
Yeah.
And I feel like it's something that- It's very different story. Completely. Yeah. And I feel like it's
something that- It's like an A24 movie. Yeah. And there's a way to do it, like I did in my book,
that isn't a graphic situation, but tells a story of, you know, trauma and triumph. Yeah. Like,
you know, as cheesy as that sounds. Amazing. Thank you. I think the work you're doing is
really courageous and important
and I appreciate you putting yourself out there
it can't be easy
but your book is amazing
it's called Glimmer
pick it up everybody
and for people who want to know a little bit more about you
where's the best place to direct them
I literally only have Instagram
because it's all I can like handle
and it's yeah it's Kimberly Shannon Murphy stunts,
which is like the longest handler on the planet.
Very cool.
But it's not about stunts anymore.
Yeah, it's all self-help basically.
I should start posting some suns up again,
give everybody a break.
If you want a trauma bond, this is where you go.
Come to my page.
I just noticed you have mushrooms on your shirt.
Do you? I do. Don't they? you have mushrooms on your shirt do you I do
don't
I don't see that Rich
I'm just saying
no on the green
no on your sleeve
on your right sleeve
is that a mushroom
no it's a fan
but it's interesting
that you saw a mushroom
yeah yeah yeah
what does that say about me
I don't know Rich
well maybe we'll find out
next time
profound and very helpful.
Thank you.
Thank you.
Yeah.
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The video edition of the podcast was created by Blake Curtis,
with assistance by our creative director, Dan Drake.
Portraits by Davey Greenberg.
Graphic and social media assets, courtesy of Daniel Solis.
And thank you, Georgia Whaley, for copywriting and website management.
And of course, our theme music was created by Tyler Pyatt, Trapper Pyatt, and Harry Mathis.
Appreciate the love.
Love the support.
See you back here soon.
Peace.
Plants.
Namaste. Thank you.