The Ringer-Verse - ‘House of the Dragon’ Episode 10 Reactions | Talk the Thrones
Episode Date: October 24, 2022The time has come for Chris Ryan, Joanna Robinson, and Mallory Rubin to give their instant reactions to the explosive season finale of the first season of ‘House of the Dragon.’ Hosts: Chris Ry...an, Joanna Robinson, and Mallory Rubin Senior Producer: Steve Ahlman Additional Production Support: Arjuna Ramgopal Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Welcome to Talk the Thrones for the season finale of House of the Dragon.
My name is Chris Ryan, and I now work at the Dragon Valley parking at Storm's End.
There's a lot of room for promotion.
Joining me, as always, is Ringer senior staff writer Joanna Robinson and Corliss Valerian's
personal trainer Mallory Rubin.
the TV 12 method works.
What's up, you two?
What an amazing season finale, right?
Yeah.
Yes, Chris.
I'm so delighted you popped the old sapphire into your eyehole for this recording to make it a real formal event.
Mallory, Joe, it's fantastic to see you.
Here we are on Sunday night in America.
We have a new National League champion.
We have a new Civil War brewing.
Wow.
What a day for you.
In Westrose.
And so let's start big picture.
Joanna.
Was that a satisfying finale for you?
I thought so.
I have like some questions,
but overall I thought in terms of like delivering a big spectacle
that also has real human emotional stakes to it,
like this is the ideal combo for a Thrones episode.
Yeah.
Mel?
Agreed.
I think I probably have the same couple of questions.
and notes as Joe does.
But overall, I thought that was really strong.
And honestly, it's been a minute since my heart was racing quite like that watching an hour of TV,
which might have something to do with watching it in real time and then immediately coming to pot about it.
But the caliber of the performances and that blend of the highly intimate human stakes
and the awe-inspiring only throne-style spectacle,
having all of that here in the finale.
And the dual finale nature that we now see in the season
with the Green Council, Greencentric penultimate episode
and the Black Council, Renera-centric finale,
just feels like a more cohesive conclusion to the season now after seeing this.
Look who dropped a segue.
It's Mallory.
Can we pick it up for you?
because my next question, Mal,
if we can go a little bit like TV structural
is I was curious whether for the two of you that worked.
So obviously, in some ways,
you could look at episode eight
as the penultimate episode.
That was obviously when Sarah's passes away.
It's the moment the families are still together.
So we get to see all these characters interacting.
It's got a lot of drama.
But the last two episodes sort of function
as two sides of one finale in a lot of ways.
We've got the Greens one.
in the Blackstone, as you mentioned.
I mean, Joe, did you like the way that that was handled by the creative side here by the showrunners?
Yeah, I was really curious if that's what we were going to get after the entirely green-centric episode last week.
And like a little green seeped in here, right?
It's a little auto.
Yeah.
It made a cameo.
But, you know, Allison is only present in the form of, you know, a page ripped out of a book many years ago.
What a message to send.
What a thing to hold on to.
And I liked that moment to really consider these two women and the parallels between their positions.
And it helps us really analyze and understand the differences in their characters, but also the very similar positions that they're put in here.
In the inside the episode interview, Miguel Sampaschnik called them sister episodes nine and ten.
So yeah, just that's definitely how they were thinking about them.
Signing off.
This has been Miss Gifigel Sebastian.
My last, my last missive to you.
I just want to note for.
Tanya, the third sister in this case.
Yeah, I was going to bring up Tanya.
No, I just want to note for the record that if, you know, years in the future, after our many hours of podcasting together, either of you or Steve or Juner,
anyone from our beautiful ringerverse family sends me a little like Zoom audio clip,
something like that to harken back to all of our time together.
My emotional response will hinge on whether or not you've usurped my throne.
No, I...
That'll depend.
I'm going to definitely do that.
Setting you a little clip of you being like, I couldn't do this pod without you, Chris.
You're the best.
Remember this?
All right.
So we have a ton to get through.
We have a ton of pretty interesting, pretty fascinating.
deviations from accepted throne's history
that happened in this episode that we're going to get into.
And we're also going to talk dragons.
We're going to talk about my boy, Luke, gone too soon.
So let's get into the recap, if we shall.
Live from Dragonstone,
the world's least likely naval strategist,
Luke McBain Targaryen is really regretting
the career choices that others have made for him
and his mother who knows something about having the weight of the world
dumped on you at a young age tries to soothe him.
Now, I just want to make one note here
which is that Corliss Valerian is apparently still under the weather
in the no cameras allowed wing of Driftmark Grace Memorial Hospital.
Speedy recoves, my guy.
Family time comes to an end when Nise arrives via Sella Dragon
to tell Reneira about how her dad has finally succumbed to his decades
of debilitating illness and limb loss.
And Agon has been named King of the Realm.
Dame and Veneer grieve Vesiris in their different ways.
Both seem to assume he was murdered
and they asked Renice why she didn't light Aegon
on's ass up when she had the chance.
Reney says a great line about...
Damon's been reading Twitter.
Yeah, clearly.
That would be great if they just shot this a week later
after Twitter's reaction.
All this gets put to the side when Reneer
unexpectedly goes into labor.
There's some question as to who is calling the shots
at Dragonstone.
But no matter what, Damon always gets the best lines.
Like most births on this show,
this one does not go well.
After a quick recovery for Rineira
and a quick funeral for her stillborn child,
she is greeted by Eric,
who has both the crowns,
and a pledge of allegiance for her.
We go to Rainer's first war room
where she is being subtly challenged by
Rainis and overtly challenged by Damon,
who seems to be doing triple duty as
husband general and hand.
Their war footing is challenged by Otto,
who they meet on the same bridge where Damon was confronted
years ago. Otto asks
for their surrender and Damon straight up
lets the Philadelphia out,
calling Aegon a drunken cunt
and threatening to stuff Otto's
wither dick into his own mouth.
I want this line clip to
and put over the video of Bryce Harper celebrating on second base during game five of the NALCS.
This is my fucking house.
Renier asks him to put a pin in it and get back to Otto tomorrow.
During a very intense conversation with Damon,
during which Damon puts his hand around Rainer's throat,
it becomes obvious that Vassaris never shared the dream of ice and fire with Dame.
It also becomes obvious that Dame is a big believer in dragons and not so much in anything else.
Back on Drift Mark Corliss returns from his Kauai Leonard-esque resk.
and he wants to retire, but Reney sees something in the deposed queen that she respects.
Corliss decides to declare both for Reneera and give the most important push alert ever.
The triarchy is crushed.
The blacks hold the narrow ski.
Everyone seems buoyed by this news and they decide to send some children on Dragonback to do some messaging.
Seems like a flawless plan.
Luke flies to Storm's end to convince Boris Parathian to reaffirm his allegiance to the blacks.
It's a dark and stormy night.
Boris Parathian is doing his part to conserve energy and a,
candlelit throne room.
Who does Luke find, but his old sparring
partner, Amand, it turns out
the one-eyed targ has added an
unprotected draft pick of betrothment
to his trade package, and
Boros loves it.
Loves what he hears. Luke is said packing, but
not before Amon asks him to cut
out his own eye. Funnily enough,
this same thing happened to me in a bar in Boston
in the late 90s. I did not have
a dragon, though. Luke Demiris
gets on his teenage dragons back and
flies away. Amon chases him down, talking
trash high above Storm's End.
Luke has seemingly made his escape
when his dragon, Arix,
we're going to find out if I'm right about that,
goes hot route, hot route, hot route,
and buzzes the tower on Amon's
dragon, singeing Vagar's whiskers.
Vigar decides enough with this shit,
and, well, she eats Luke, basically.
We end the season with Reneera finding out
what happened to her carrier pigeon.
She looks very pissed.
This is why you send Ravens.
Wow.
That's incredible.
All time.
They're getting longer and longer.
I'm glad this is the last one.
Of all the things we're going to miss
about covering House of the Dragon,
your recap.
Who knew?
Who knew?
I finally found my calling.
It's been a while.
Okay, so I guess we still have to work out
some kinks on the driving options for dragons,
the self-driving options.
Am I right to understand
that Erics and Vagar took matters
into their own hands in that scene?
Because they basically have,
in that final scene,
or in that final set piece,
both Luke and Amon seem to be trying to get their dragons under control and lose control of them.
Yeah.
Most of us are not fluent in Valerian, yours truly included.
But a phrase that a lot of us know is Valadoris, right?
All men must serve.
And like, Doara is the, like, that's the verb that they're both shouting, like, obey me.
Obey me to their dragons as their dragons are out of control.
And this is the, this and maybe one of the thing, are the thing that book readers have the biggest
question mark about out of this episode because, you know, this is a battle that takes
place in a dark and stormy night, as you said, or I guess mid-afternoon.
It's hard to tell when storms end, yeah.
Over Shipbreakers Bay.
And so you only have like Aman's word for it what happened out there, right?
Because folks on shore squinting into the cloud cover, seeing two dragons go at it.
But I think, so this is, you could call it a change or if Aeman come back in claims he did it
on purpose, which is sort of what the inside
the episode interview sort of implies
that he might come back and be like, yeah, I meant to do that.
I think what this is leaning into
is that Vesaris
quote we got in the very first episode
this season
when he says everyone, you know,
and Reneira says something similar
in this episode, everyone says Targaryans are closer to gods
than to men, but they say that because of our dragons.
Without them, we're just like everyone else.
The idea that we control
the dragons is an illusion
They're a power man should never have trifled with.
One that brought Valeria at its doom.
If we don't mind our own histories, it will do the same to us.
Targaryans must understand this to be king or queen.
And so I think the thesis statement, apparently, of this series is just sort of like,
how can you have dragon peace?
You can only have dragon wars because of the nature of dragons.
And the nature of people like a Damon who believes in taking the dragon approach
to the world.
Dreams didn't make us
Kings Dragons said
he's fully bought in
to this idea,
you know,
but it's...
He's hawkish about dragons.
But even like,
you know,
even from a little baby
like ARAX,
RX,
whatever we want to call
Luke's dragon,
to a veteran,
a war vet,
like Vagar,
a war criminal herself,
Vagar.
You know,
there's only so much
a Targaryen can do
on top of those beasts.
So,
So, now, Joe mentioned that this is,
deviates from what people thought they understood
about what happened in the skies above Storm's End, right?
Like, that this was explicitly,
Amon kills Luke.
And now it kind of makes it seem like,
do you think that the show was doing a little character softening
of Amon?
Amon? I don't know why I called him Amon.
Amon. Amin? Yeah.
Yeah, so, you know, the, I think there are a couple
through lines of the season that,
increasingly clear after watching that climactic, very sad and harrowing sequence.
One of them is the one that Joe just mentioned, this real theme of the capricious nature
of dragons and the hubris of trying to control them of thinking you can.
The Viseras quote that Joe read was the one on my mind most watching that episode.
And I was also thinking of the caprice of dragons who can know the mind of such a beast,
which is the fire and bloodline when Amund claims Vagar.
and the other, I think that this like the subtle updating here of how much of this was outright
intentional murder in the fire of blood account and how much of this was a mistake, I think is,
even though these are different situations, a little bit of a piece with Allison's misinterpretation
of Viseras's final words and the fact that these characters cannot totally wrap their arms
around a conversation, let alone a dragon, right?
And that really heightens the tragedy.
You know, I'm curious to see, much like in the wake of episode nine, the response to
that Allison's interpretation of the Sarah's final words.
I'm curious to see what the response is to this Eamon thing.
But I think it just makes this even more deeply, deeply sad.
And, you know, if you go back and look at the passages on the one,
hand, I will have your eye or your life strong.
There's not like a ton of wiggle room there.
However, I think that the actual fight above Shipbreaker Bay is, as Joe noted, observed from
afar.
How can it not be?
And so this is this larger through line as well of the way that history makes its way
down across the word of mouth into the printed page, into our hands as readers
and viewers. So I think that there's a way that this tracks and really heightens the family
unit just disintegrating in front of us, a theme that is also heightened in episodes nine and ten,
as these teams and factions that should be working toward common cause are constantly at odds
with each other. There's a lot of human error there. And then you're trying to wrap your arms
around magic. So I was trying to kind of wrap my head around this because,
there was part of me that felt like, so they have this story essentially laid out.
It's in these books.
They can do a little bit in the margins to experiment or misdirect or get creative about
like what happened, quote unquote.
But for the most part, they have like a blueprint that they have to follow.
And it's interesting that the things that they have added as twists or, you know,
not twists, but as their own sort of creations are about misunderstandings, you know?
And for a second, I was like, I'm not so sure I love that.
It seems like a little, not haphazard, but bringing human error into this, I was like,
or like just like games of telephone.
I was like, is that why I watch Game of Thrones?
But then when you think about it, that is how Game of Thrones started is fucking
brand climbing up into that window.
You know what I mean?
Like the Game of Thrones itself is propelled forward by these kinds of like you would never
believe that this happened, but this kid caught Jamie and Searcy, and the whole thing fell apart.
Or Joffrey taking Ned's head, right?
100%. That's what I was going to say. In Taiwan's War Council, knocking over the cup and saying,
there's your peace. You know, Joffrey saw to that when he decided to remove Ned Stark's head.
And so exactly what is going through Amon's mind and seeing here that he's saying no and trying
to stop Beagar and seeing that little Luke cannot quite control ARAX, like the really heart-wrenching
thing is that at the end of the day, the outcome is.
the same. And I think that connects to another through line of Rehnese and other characters,
hitting this idea in recent episodes of like, what does it matter? Which is a deeply, deeply
dismaying thing to confront, especially when you have these kinds of weapons in your hand.
Like, we're all and doorheads here, right? Like our guy Luthens said, you know, turning back
will be impossible. Something like this happens. And whatever you intended is ultimately irrelevant.
And that just makes it all the more upsetting to think of what's lost from here. And I think what's
really important, speaking of good old Ned Stark
before he lost his head. You know, like
there's one of my, oddly, one of my
favorite lines on season one, when Varus
goes to visit in the black cell, he talks about
Rob, leading an army.
And Nez says, Rob, he's
just a boy. And like, we
talked about the casting of these kids here and how
it's even clearer in this show
that these are children. Okay, like the actor
playing Amund looks a bit older, obviously.
But like, Luke, looking
so young. Eric's looking
so young. Tiny. You know,
like his little wings not being able to keep up in the storm,
like just even when they were setting out,
I was just like pre-devastated by what I was looking at.
But like the idea that like, you know,
and Mallory brought up Joffrey taking Ned's head
which is just such a huge,
a huge thing that happened that like nobody,
Circe didn't want to happen.
That wasn't the plan.
But Joffrey's a boy, a boy king.
You know what I mean?
So what are these,
what happens when children are involved in these high-stakes situation?
A key line, I think,
from fire and blood in this passage,
it says the tragedy that befell Luceris Valori
and At Storm's End was never planned
on this, all of our sources agree.
Right?
So I think they find, like,
when you see these decisions that they make,
there's usually like a line from fire and blood
that they definitely seized on
and were like, wouldn't this make it even more,
even juicier if that idea of never planned
is a terrible, terrible accident
that happens in the storm?
And to your point you made earlier, Mal, about the idea that essentially like, you know,
that this sort of like happenings are what is propelling this larger mythology and this feeling
like a prophecy is coming true.
You know, I think that even though Allison essentially is like, oh, I heard it.
This is what Vassar said, like that is dying breath.
So like we have to now name Agon King, Otto was going to do that anyway.
You know, like when they get to this small capital meeting, Otto's like, yeah, we've been planning
this for like quite some time.
So anyway, I just thought, I thought that.
that was interesting to watch the show kind of break from the books, but also still be, like,
ultimately true to the books. Well, Chris, to that last point, though, that just makes me think
of one of the opening notes of this finale, which was Reneera saying to Luke, doing his classic
John Snow, I don't want it. And again, I don't want it. We don't choose our destiny, Luke. It chooses
us. And I was, on the one hand, like, sure that tracks, because Reneer is a character who has inherited
the weight and burden of this prophecy from her father.
And we see the way throughout this episode
that the heaviness of those words
influence her to the point where she has to think about
whether to preserve the unity of the realm
with those words in mind
or her own life's quests and purpose.
But also how inherently at odds
a line like that is with a story like this
where characters are constantly, constantly,
thinking about their own choices and acting in a way that challenges some sort of larger destiny,
often, as is a quintessential fantasy story thing, bringing about the very faith that they would
seek to avoid through those actions. So I think that that's like a real through line here as well,
choice and destiny and how you can pursue choice and the maintaining of agency in your own life
if you think that there's this larger thing hanging over you. And obviously,
that's something that is going to be a wedge
between many of the characters who are
in theory otherwise quite aligned.
Well, I was going to say, you know what else?
Reneira says in that scene. She says that Vesaris
taught her how
to be a leader. And I was like,
did he, though? Wasn't that like our
main Vesaris critique?
Yeah. That he didn't do that for her?
Speaking of driving a wedge, and obviously
there's a wedge between Reneera and
Daven. So let's talk about this fireside chat
that they have. Joe.
Yeah.
There's going to be a lot of different readings of exactly.
There was a lot of ambiguity in this scene.
Let's just put it that way.
So obviously the physical violence of it, then there's also the aspect of Reneura,
almost in a state of shock, disbelief, and mild amusement that she knows something that
Damon doesn't about ruling.
And I thought it was a fascinating scene.
I think it'll be controversial.
What did you make of?
When you left that scene, how much do you think Damon knew about the song of Ice and Fire,
or does he know nothing at all?
I think he knew nothing at all.
So I feel so uncertain of my read on this scene,
and I was really hoping that they would address it in the inside of the episode,
and they have not yet that I have seen as of recording this.
So I'm curious.
I don't think they did.
Yeah.
So I'm curious to see if any interviews come out that have further shed further light.
I bet they will.
Yeah, that maybe Mallory and I can chew over a Tuesday.
So I will say this is the other big moment
I think that people are having book readers in general
or Damon fans or however you want to put it
are having out of this episode, this choking moment.
So I'll just answer your question,
which is like my read on it is that
I don't think that Damon knew about the Song of Ice and Fire at all
that he lashes out much the way that he lashed out
before the Battle of the Stepstone
sort of like beating a messenger near to death, right?
Lashes out violently
when he understands that this is like yet another
thing that Vassaris has left him out of. All he ever wanted was to be Vassaris's right-hand man and
Viceris didn't trust him with this key piece of information. He, like, you know, these two people
have just lost a child. They've lost Vesaris. They're in this, like, extreme, I'm not making
any excuses for anyone. But, like, this is the stew that they're all cooking in, right? And I think that
I love that little sneer from Reneera, that little chuckle sneer from her. Like, oh, you didn't
even know. The fracture that they're trying to show us in this marriage where they each,
I thought it was really interesting on the inside of the episode where they were talking about how
basically Reneira has some Damon Targaryen in her, but when push comes to shove, when the
crown goes on her head, she's more her father than she is her husband or uncle.
Which is confirmed even more when she's like, I share this vision now. And he's just like,
oh, great, so I married Viseras. Right. And he's like, I was so frustrated.
for so long by how Vassaris, you know, ran the realm.
And I thought I was marrying another dragon.
Like, I thought we were going to be two dragons together and do this.
And I'm just back with my brother again, the fuck.
And, you know, what comes next is awful.
But I think that's what, you know, the wheels that are turning his head.
What do you think, Mallory?
Yeah, you know, obviously an incredibly upsetting scene that I am still processing.
I certainly took note of the fact that Damon's general position in that exchange and also across the episode is the exact inverse of what Viseras said to Allison in front of the fire in episode three during the hunt when he said, what is the power of a dragon against the power of prophecy?
Damon is flipping that completely.
What is the power of prophecy against the power of dragons?
and that is inherent to his worldview
and the very Targaryen-centric nature of his outlook.
Thinking back to like the confrontations that Damon and Vassaris had in the throne room
in episodes one and two,
I'm your brother, the blood of the dragon runs thick.
You are the dragon.
Your word is truth and law.
This is the entirety of how Damon thinks about himself and his role in the world,
often because it's the only thing
that he's had to latch on to
when he's felt cast aside or left out
and I think Joe what you said about
this sense of
feeling outside yet again
of Viseris's most sacred inner
life and truth
certainly not the excusing what he does
which is horrific but absolutely
seemed to be propelling
his behavior there
and I mean
David killed his wife's
so like it made sense
like character can
consistency wise to me, for sure.
I think there's some people who had the read,
it's similar to sort of like Jamie Lannister,
where you're like, I think some people were
hoping to track a cleaner arc with Damon.
That's not who Damon is, but I think people are like,
okay, now he's with Renira,
now he's like where he's meant to be.
Oh, it's going to be different now.
But like, you know, just like with Jamie Lanister,
like we don't arc cleanly.
We slide back and forth on scales and stuff like that.
So I think he was happy to be,
in service to her, which is what we saw in episode eight, until he understood that, like,
what they wanted, they were at complete cross-purposes. Yeah. And it's similar to, I mean,
it's meant to be an overt reflection of the Otto Allison's fracture in last week's episode,
you know, where we're watching autos like, hey, Allison, you and I are in this game together.
And then when they have their split over, do we push forward to war in Kill Renera? Or do we try to
do this as peaceably as possible.
And that's the exact same split that we're seeing here.
We're seeing, you know, and it's not an accident that we're seeing two men pushing
towards something and these two women try to hold on to like the tattered remains of
their bond and their friendship and peace.
And again, that's a different interpretation of than what's in fire and blood.
But I think it's a really interesting one.
Yeah, I mean, it seems like there's characters in various points, like I mentioned with
Amon, is he getting softened a little?
Was it Allison somewhat softened
towards the end of the season
versus the way she's sort of depicted in fire and blood?
Yeah.
All of them, Renira too.
Like, Renira in Fire and Blood in this episode,
she's like, they stole my crown.
Fuck them.
Kill that.
Like, right, you know, it doesn't take...
I mean, I imagine that's more of what we're going to see from her
after that incredible face that Emma Darcy pulls at the end of this episode.
That that is what we're going to see kicking off next season from Reneera.
And Amadarcy said it in the inside of the episode, you know,
like, everything changes.
Of course.
Like, Luke dies.
everything changes for Rainira.
But the Rainier that we get in fire and blood is ready to go to war immediately.
You know what I mean?
So this inside the marriage fissure is a show invention.
And I think it's an interesting parallel with that Allison Otto fissure.
Yeah.
I think that the parallel there is strong and clear across these two episodes.
I always – okay, so Chris, what you said a minute ago about how –
you know, Damon killed his wife, and it's only a couple episodes ago that he's uttering a lab,
we're all capable of depravity and has done, like, a lot of hideous things, right?
So I think we all agree that it's not a shock that for Damon's character, that this character is
capable of doing something like that.
No, it's that he's doing it to Reneira, yeah.
Right. It's inside of their relationship, but also I think I do always, even if it tracks with
his larger nature and presentation in the text, I always have a little bit of a hard time.
when inside of the televised Thrones verse,
they heighten or increase some sort of domestic violence
or in other cases in other episodes of the past,
like sexual violence,
when that's not there on the page,
that always is a difficult thing to understand.
And so like Joe said,
I'm eager to hear more of the thinking of why specifically
that felt like the choice to make with Damon in that moment.
more broadly, I think like what Joe said about the fact that the men inside of these
respective camps and alliances are the ones who are advocating for a more violent course.
And even for Damon, like there are so many lines in this episode that are pulled right from
fire and blood much more so than in any other episode of the season.
Is the withered cock one pulled from fire and wood?
No, sadly not.
That's an original one.
Matt Smith original?
But like the line that Damon has in this episode about,
how it's hard for a person to kill a dragon,
but dragons can kill dragons.
It's a line right from fire and blood,
but the meaning and the intent behind it is inverted
and the text he uses it to say,
let's like hit pause here before we send our dragons out to war.
Damon does that?
Yes, let's go recruit.
Let's win other houses to our cause.
Let's figure out how we can lock down a certain stronghold
in a key location,
but let's not be rash with the dragon math.
And so I think that like heightening that patriarchy,
It made me think too of a moment like his conversations with Lena and Pentos, where we see him reading, reading, learning about this Valerian history and Targaryen history, which I assume is fueling his Salabungtold Mermathor, which I'm interested to talk about soon.
But like, what was one of the things that he said to Lena in that episode?
He was talking about how they had no place that they belonged and how it was also a relief to him to be rid of the politicking.
And I think that part of what Damon understands to be true about himself is that this kind of world brings out the worst in him.
That this sort of politicking awakens the darkness inside of him.
And that's true for a lot of these characters.
It's not always the thing that they truly desire or want.
When Allison tans that page over, there's a part of that that's certainly sincere, the warmth and love that she still holds for Renera.
And then there's a part of that that is totally warped.
by the campaign that all of these characters are waging.
And that's ultimately what this story is about.
Damon really is the manifestation of the Bugs Bunny.
Lord, forgive me.
I'm about to go back to the old me meme.
Joe, I wanted to mention it in a different scene in this episode
just to kind of keep throwing our arms around the whole thing.
Because I don't think that you can separate the choking scene from the labor scene.
And you're mentioning Lina Mallory.
So Lina obviously dies in child.
birth, but also by her own dragon hand, I guess.
And I was very, very curious what you two thought of Damon's lack of inattentiveness to
Reneer during that whole moment and whether or not we should read that as callousness or
fear and being frozen on his part.
I also thought it was very interesting that he did not seem to have much command of the table
of people around him who were kind of like, do you want to go check on your wife?
like we don't have to do this right this second. You don't have to go to the Riverlands right now.
Like, what did you think of that, Joe? I thought it was really interesting. I, like, to
to Mal's point earlier, like usually when we prep for these episodes, I will copy into a document,
like the relevant passages from Fire and Blood, and usually it's just like a handful. This is like
pages and pages and pages. It's like, you know, and I think it's because this sequence of the book
has a lot more dialogue than other sequences in the book. So full passages are airlifted into dialogue
into this episode.
But so I was looking at the lengthy passage of this horrific labor that Renera goes into,
and Damon's name is not mentioned once in that whole stretch.
And so I was like, because I was looking, I was like, okay, was he there in the book?
And not, you know, I was like, no, his name isn't even mentioned.
So it's not a question or an issue.
He's not even, like, really involved in any of it in the book.
I think the most charitable read is that this is some sort of like Lena, you know, trauma,
layover.
But, like, he has, Reneer has had two children with him since then in the intervening time, not coming early and not so alarmingly as this one does.
But it is incredibly callous.
It's, like, callous is actually a gentle, you know, it's horrific that he is plotting a war while she's screaming.
That's a line of fire and blood that screams or echoing around Dragonstone as she's, like, going into labor.
but like the fact that again,
I don't think that Damon wants to snatch the throne from anyone,
but there is a little bit of that in this episode because...
I read that more as like he envisions a...
I mean, he's not...
He's so similar to Otto in so many ways,
but that he basically envisions a world in which, like,
he is king in name, in everything but name.
You know, and that Renira is, like, essentially,
that they are in lockstep on how they want to rule.
the world. And then when she starts to deviate
from that at all,
like that he's, but I guess
he's reacting that way before that even happens
before she even gets the crown. I think
that
a choice to do this,
leaving Demon's character out of it,
a storytelling choice to do this is to underline
the ways in which Reneer's gender,
this box that she has been placed in,
the exact box her mom was placed in
that she feared and did not, you know, like, her whole
life, that she has like found
happiness as a mother, that this hasn't been a horrific, traumatic. We've already seen a birth
from her. But in this key, crucial moment, she is kept out of the room because of her gender,
specifically. And so I think him being able to go forth with his plans at the exact same time
that she is stuck in her, trapped in her room and can only send her, like, teenage son to try to
sort of like ineffectually speak on her behalf,
I think is a really key
underlining
of this long time
struggle for Rainira with her own
gender. What's like the
opening note of the
series? It's Renera
arriving from her flight
on Dragonback and going to see
her mother who says the child bed is our battlefield.
And
for that to
be so fully at
the fore for Renira, at
a literal dawning of war, a moment when the men in her life are gathering and amassing around
the painted table to talk about how to take that battlefield. And she cannot be there to be a part of
it. Yeah, all of those themes from the entire season are present in that moment. So another really
disappointing stretch from Damon. Really, I mean, because you can, like Joe said, like hearing the
screams echoing through.
And it, of course, it connects also to Emma and Viseras and Beelon as well because we go to
the funeral where we're, of course, thinking back to seeing Little Baylon on the pyre,
seeing Emma on the pyre.
And for that to also be the moment, that moment of loss and grief and despair, that
Reneira is crowned?
Is there a more
absolutely unmooring
but apt encapsulation
of this character's journey than that?
It's also something where you can make the argument
that losing that child prepares her
to lose another one.
That like there is,
the show is at least asking us
to make these connections between what she endures
in childhood and what it basically
prepares her for as queen.
Like that, to me at least,
that's what the show is putting forward.
I don't know necessarily
that I would personally agree with that or write it that way.
But the fact that they essentially make her ascension happen at the funeral of her baby
is not an accident.
You know,
it wasn't just,
oh, out of convenience,
let's also put this here.
I also thought,
to,
you know,
Malady,
your point about her mother and,
you know,
her brother's death in the first episode.
That's also where she,
like,
kind of starts flirting with Damon.
I mean,
that was like,
that was like when they start speaking Valerian to each other and you can tell
that there's like,
they've had their little neckless handover,
before then, but yeah.
Yeah, these two in a funeral, sure.
It's also key that, like, this would have been her first daughter, like, and that's
another parallel with her father who was waiting his first son.
Like, this was going to be her first daughter.
She was going to name it Vesnia, which is the name she picked out for her brother when
she thought her brother was a sister.
It's horrifying.
And it's interesting.
It's very different from the book where, like, Reneira gets a 300 strong coronation.
like a cool pomp and start not like a sad funeral.
I know.
It's like the dirty desert are there for a year.
Yeah. It's tough.
That was, I thought that scene was really, the funeral turned coronation was like, I was shaking watching that.
It was very effective.
Yeah.
Damon holding the crown, like that beat that he takes of the crown, you know?
Even just like, again, if we think about nine and ten, and like, I thought 10 was a much stronger episode overall than nine.
but if we think about them as pairs
and as this like joint finale,
like we talked a lot last week
about the import and heft of the symbol
of Agon taking Agon the conqueror's crown
and having Blackfire, like it's an equally potent symbol
for Runeira to have not only Jiharis
the conciliators crown, but Viseras, her father's, right?
Because you have the conqueror's iron crown
as the symbol of conquest.
What more fitting crown for a usurper to wear,
but also the one who's trying to convince the crown,
the realm, yeah, I'm the right one in this line of men and conquerors that you've come to,
except in your land. The crown of the peaceful kings on Reneira's head as she exercises a restraint
that almost no one else maybe save Reneas is capable of is really powerful, as is, of course,
the symbol that, okay, I'm reminding you all that I am the one that Vassaris chose. And here's the
proof on my head. I'm glad you mentioned that it's Viseris's crown, because I think, like,
more casual viewers may not really understand the crown situation if you're not tracking the crowns
closely, but, like, the idea that Eric Cargill, our favorite Eric, uh, the number one Eric
of this podcast. Like, the last we saw the crown, it was resting on Vassaris's gooey-rotting
body, like, you know, Allison put it there. So he went in and snatched the crown, like stole, like,
someone to wipe that down with a little chlorox wipe. Yeah, or a little vinegar, at least, something like
that, you know, but like stole the crown for like, what better sign of loyalty?
I did a, I did a heist for you, a crown heist.
They did a coup.
I did a heist.
Yeah.
Smuggled out of the city.
I love a heist.
You know that.
It does seem like basically in this show, the men can either conquer or quit, but the women
actually govern.
You know, like, it's like Alison and Renera and Renice are actually interested in what's, what, how do
we plot a way forward?
And how do we form alliances or make sure people get what they need?
need and get what they want, but also do what they have to do. And then the guys are just like,
I either want to fucking destroy everything or I'm going to go back to Pentos.
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Because that brings us to this other scene I wanted to discuss,
which is Reney's and Corlis.
Corlis is like, you were right,
I was wrong, let's retire with our grandkids,
and chill out.
And Rine's just like, no.
I recognize my soul in this woman,
and she's the only one who's going to, like,
kind of bring peace to this place
instead of just burning it to the ground over and over again.
I thought that was really interesting.
Now, I don't necessarily know that the show has shown us Reneira's amazing touch
with bringing people together and how the realm will benefit from her rule.
But I thought that that was like a really interesting scene.
Now, what did you think of Corliss's revival and Reneas and him kind of having this
conversation about like, is it, is it better to run away or die trying to build a better world?
So two things.
Quickly in terms of the big picture before zeroing in on them specifically, I thought this
episode did a really good job of something that is crucial heading out of season one into
season two in the Dance of the Dragons, which is reminding us how many other houses are in the
realm and that their allegiance matters, that winning them to your cause and being able to trust
in that allegiance once you've won it.
is as important as the dragons that you're flying on.
And so a house like House Valerian,
the fleet, the wealth,
everything we've spent an entire season learning about,
it had to be relevant here at the end.
In terms of the specific positions that the characters are taking,
you know, we've been away from our guy Corliss for a minute
and he's suffered a grave wound and fever of the blood.
And, you know, he's been through a crucible as have so many characters.
So if he wants a rest, who am I to judge?
They were apart for so long.
And I loved six years.
Six years.
The first thing Renice said to him was like, dude, you bailed.
Yeah.
We lost our family and you left.
And that is fucking hideous.
And Renice has spent all of this time.
But now.
The Triarchie is true.
I have to say, I'm shocked you didn't lead the pod.
I was saving it for the end.
That was my triarchy update of the week.
My first text to Chris was the triarchy, man.
It's happening.
Your favorite.
It's all for you, Chris.
It's all for you.
Oh, man.
This relationship between Reneera and Reneas has never been easy.
And that's been one of the things that's been sad for us as viewers, but is ultimately,
I think, true to life, right?
You're not necessarily, like, just going to align because we think you should for
X number.
of reasons.
Renice has a code.
Renice has principles.
Sometimes they are confounding to us,
including murdering legions of small folk
by exploding through the floor of the dragon pit
and then being like...
And then be like, what we need is to bring peace to the realm.
But like thinking back
not only to the more recent exchanges
in the godswood, etc.
during the petitions in episode eight,
but like go back all the way to episode two,
When Reneira says, when I am queen, I will create a new order, what is her niece's response to that?
It's not like, fuck off.
It's, I wish that could be true.
And she pairs that desire with saying to her, like, here's the hard truth, which no one else will tell you.
Men would sooner put the realm to the torch than see a woman ascend the iron throne.
And so for Reneira to be like an embodiment of at least a desire to try to find a different way,
And I think particularly on the heels of what Renice thought was a pretty hollow pitch from Allison to last week, we do not rule, but we may guide the men that do gently away from violence and sure destruction and instead toward peace.
And it's like, what do you think peace looks like exactly if this is your plan?
And so she's getting a different version of that from Renira.
And it's not an easy choice for her to make.
She doesn't bow at the coronation.
She doesn't bend to me at first, even though she looks down at her grandda, at her granddaughters.
she takes her time to get to that moment.
I have a couple things I need to say about Renice really quickly.
I think a big reaction that people have had to Renice's decision at the end of last week that I've seen is, well, of course she wouldn't do that because above all else, and this is a section from this section of fire and blood, no man or woman is as a curse as the kin slayer.
Right.
So you're not supposed to kill your kin.
It's a bad thing that Amid did in this episode, right?
that is part of it.
But like when Rainey says it's not my war to start,
then the question is exactly what she says to Corley Slater,
which is like what he's like,
let's just hang out with our grandkids.
And she's like, who do you think Jase's?
He's aired to the throne.
Also, Beala, my ward, like maybe like the closest to me
is supposed to marry him.
So when she's like, this isn't my war,
I was like, in what way is it not your war?
Like, in what way has it ever not been your war?
And Corliss is like, but she killed our son.
And Renice is like, shh.
Yeah, yeah, yeah.
Like, I've worked through that in a prior episode.
She's like, let the morphine drip take effect.
And I, well, I had to wonder, and I don't, like, based on last week when they decided that the reason the Renice decided to not torch Allison was because she recognized another mother in that moment.
I wonder if that thinking extends to this episode where she sees Renier as a mother who's just lost a child.
And she's like, there's some common.
I thought her line about.
why she didn't do it to be like,
there's probably going to be a war,
but I'm not starting it.
Made sense.
Then don't kill all the small folk.
Look.
That's still the part I just cannot accept.
It just doesn't make sense.
Anyway,
we're not talking about that episode.
Nope.
I was wondering whether or not
you felt like Renese,
like given Renier's arc
over the course of the episode
where she obviously loses a child,
first unsteadily is sort of
running the painted board.
But then as the episode goes on,
gains more painted table.
Yeah. You got it, buddy.
There we are.
And then as the episode goes on,
grows into this role as not just
like pretender to the crown,
but actually queen.
Yeah.
If Renice feels like
like Renier has passed some sort of test,
because obviously this is somebody
that she has sort of had
intermittent check-ins with over the years.
Somewhat hostile,
somewhat,
I think in a mentor protege way and somewhat just kind of like checking in.
But I was,
I really wonder whether or not there was something that happened over the course of the episode.
If you two thought this and if you did,
could you locate it?
That made Renis say,
this is the one who's going to lead us through because she doesn't know about the song
of ice and fire either.
She's not like,
oh, this is,
we have to go with Renira because she's the one who's going to protect us from the
north at some point.
She's just like,
I,
throw my lot in with this person. Why was that? Why did she do that? I think, and this is like,
this is a parallel that Malay and I were talking on just like based on trailer footage we saw last
week, but just a key moment in season seven episode two of Game of Thrones where they talk about
Dineris Targaryen being queen of the ashes. How are we going to take Kings Landing? I will not be
queen of the ashes. And in this episode, Reneira says, I will not be queen of ash and bone, which is a
paraphrase line for fire and blood. But I think that's the moment of like,
when Rainey says men would sooner put the realm to the torch
and see him or the Iron Iron Throne.
And Rainer is like, I'm not going to burn this.
Rainey's queen of not burning things last week is like,
oh, here's another person who doesn't want to burn something down.
Like that's all these men,
and I think Rainey says a low opinion of these men,
but all these men are standing around the table
talking about moving things around,
like they're pieces on a chess board, right?
Right.
And Renier is the only one in the room
actually thinking about the people involved.
And maybe Rennies who crushed 100,000 small folk is not the person who's thinking
at that.
That ruled a couple.
Well, it's, what is it, 80,000, Mallory?
It looks like Irvings.
You know, like, kind of just like, I don't know.
It's many hundreds.
I mean, you can see the concrete fly in.
It's still.
Yeah.
I think it's, I think it's queen of ash and bone.
What do you think, Mallory?
I was thinking of the same season seven Dragonstone.
war counsel and specifically Olena's conversation with Danny after.
Peace never lasts, my dear.
Will you take a bit of advice from an old woman?
He's a clever man your hand.
I've known a great many clever man.
I've outlived them all.
You know why?
I ignored them.
Now, we rewatch Game of Thrones and that ends with,
you're a dragon, be a dragon.
And we're like,
who!
Let's break.
Let's workshop it a bit.
But I still think that
Olena, Danny,
Reynese,
near a parallel of looking around and seeing a bunch of men who have made the same mistake
time and time again is is very palpable there.
Like, and speaking of men making the same mistakes, I mean, I know, Chris, you mentioned
the withered cock already, but auto showing up here is just unbelievable.
Well, like, I had my jaw on the floor. I mean, it's Orwell in the book and he's here too,
but how did Allison, how did Allison let that happen?
I mean, Allison's probably like, if my dad gets killed, that's like a win-win for me.
I was just like, this is the worst person to send on this diplomacy mission.
It's shocking.
It's absolutely shocking.
And we, I mean, listen, we're talking about, oh, my God, I can't believe person X made it out of scene Y alive.
We saw Damon wave the white parley flag and then annihilate our guy, Craby, the
crab feeder. I was, obviously he tries. He draw, you know, draw steel and would be delighted to
kill Otto right there. But I couldn't believe that Otto showed up, made the pitch, and then he made it
out of life. And it was just great symmetry, not only with the Damon, Otto, even like Damon's
saying, Chris, your favorite line, Mummer's Fars. Damon said it this time. That wasn't my favorite line in
this episode. It was definitely him calling Agon a drunken cunt. You love talking about Mummer's
For Daman to, like, throw that back in Otto's face, for Reneura to land on the bridge on Syrax again, we had it, you know, the different moment, obviously with the Kingsguard Oath, but Carraxies hovering above an intimidating pose, like all of these callbacks.
Syrac's on the other side of the bridge now, you know what I mean?
Cyrax should have been a little bigger. Just throwing that out there.
Also, we can get to Dragon Stuff in a second. Oh, no, I have a dragon stuff. I have to talk about really quick.
Okay. Which is like, it's a, it's very important that Rennira is not able to get on a dragon.
dragon at this moment because she just went through horrific labor.
That's like a plot point.
That's like why Jason Luke have to go instead of her.
And she just hopped on Syrax and flew down to the dragon confab.
I don't know.
Let's talk about Luke.
I want to talk about Luke a little bit here.
Okay.
We lost him.
That was tough.
Renira probably going to rethink doing that.
Although I would imagine that what she's really like, that just solidifies like if
she spent this entire episode trying to do.
think of a way forward diplomatically.
I would imagine that this would put her in a slightly more hawkish position after this episode.
She certainly looked to have changed in that last shot.
But any final notes about Luke Targaryen dash strong?
Blerion, how dare you?
Girls worked so hard to secure that surname.
I guess I'm not really as interested in Luke as much as I want to talk about where this leaves Jase,
because I thought it was pretty interesting that Damon,
takes Jace to this loyalty test
that there seems to be a little bit of a connection
between Damon and Jace
and where does this leave him
both in terms of like pecking order
but also like now that his brother is gone
like what do you do you think it's just blood oath time
for Raymond?
I was trying to make sense of that for
like what the purpose of that scene was
and I think it's meant to be again
a parallel to episode 9
where Otto and Allison are having their like
fight over Agon.
is sort of like Reneer is like
Reneer talking to Jace
is nothing should be done without my consent, right?
Like don't let them do anything
while I'm in here doing this.
And then later, the vow that she makes Luke and J.
Swear, which is you're just messengers, like swear on this book
and you don't lift a finger.
You are just messengers.
Well, one to the sevens.
The funny thing was that like,
Jake is like, Luke is like, yeah, I won't lift a finger.
Like, I don't even have to go.
Like, you can send a rating.
Can we said Bela?
Yeah.
It's like older than me.
probably better at a dragon.
And so I sort of felt it as like a battle for Jace's temperament, right?
Like, Damon's like, no, you're a dragon, and this is what we do.
This is how we secure loyalty, and this is how we operate.
So sort of like a little stepdad mom sort of light duel over Jace's nature was my
interpretation.
What do you think, Mel?
You guys remember in episode six when Baceres,
and Lionel were watching the training in the yard from the battlements.
And Viseris was like, this is the stuff, Lionel.
It will certainly form a lifelong bond.
Wouldn't you agree?
Yeah.
And Lionel was like, you know what I'm not scared of?
Fire.
Thinking back to that moment with some aching in my heart watching this episode in Fireblood.
So we hear that Lucas 14 in this episode, he's 13 in the text.
The Prince was 13 years of age.
His body was never found
And with his death
The War of Ravens and Envoy's and Marriage Pax came to an end
And the War of Fire and Blood began in earnest
That's because he got digested with a dragon Prilosec
High up in the skies
Vagar was like
I am going to need a digestive
I just ate a kid
I thought that kid was I thought
I thought that kid was said the kid is playing Luke
Did an incredible job in this episode
Really good like can't wait to get out of
Storm's end. Can't wait to get out of the room.
Didn't want to really be involved in any of this in the first place.
I don't want to be the Lord of Driftmark.
Doesn't want any of it.
And that's like a, I think Chris, like your question about, is about both Jace and
Luke.
And I think like it's worth, it's worth thinking about the fact that they want different,
they want a different things.
Like we saw Jace earlier around the painted table studying his Valerian and working,
working, working to prove his worth.
Now, I will say in fire one, Luke.
What does he do around the painted board?
That's what everybody wants to go.
Got all painted board.
You know, Luke in the book is like,
they think we're strong and when they see us arrive on dragons,
they're going to be like, oh yeah.
They're Targaryen.
So this is like Valori.
Yeah, exactly.
But Jase is studying and training.
And so whether he's hearing,
whether he's like getting that call to the side from Damon
or getting that reminder from Renera that whatever claim is left to me,
left to me, like I'm paraphrasing, right?
But whatever claim is left to me, you are the air to it.
He has a level of expectation of pressure placed on him that Luke is feeling and voicing to
Reneer he feels, but that is a kind of just different calculus in his life.
But that second son's idea that's also been this through line of the season, like in a way,
it's one of the most central driving forces of the show.
And in a way, I feel like I'm like Reneas and Reneer on the gods.
Like, what does it matter?
Because part of the point is at the end, everybody's in the same place.
They've all been caught in that same swirling storm.
Like, they're all a part of the dance now.
You can't escape it once it's happened.
I just want to say, if you're sitting at home and you're like, but Chris, Maladurana,
what the hell was Renair thinking sending little old children out as messengers on Dragonback?
What was this about?
I was saying the book, it seems a little less unreasonable because she's like, first they were going to send all three.
And she's like, how about not the toddler?
Yeah, job.
Let lunch off not go, right?
So there's that.
Damon was off doing something else.
She's incapacitated.
Bela and Rainer are like not in the conversation.
You know, so it's sort of like they make the most sense in that context.
Some of that context is removed here.
And so you're just like, why are you sending this obviously timid child and his tiny dragon?
Joe, you're asking, you mentioned that the difference in the book.
I did a little research.
And is it true in the book?
Is Boris Barathean slightly less dickish in the books?
Like, is he a little bit more like, okay.
Definitely not.
He's a huge piece of garbage.
I think he is like nobody, you can't.
He is like you can't kick this kid's ass in my house though.
Yes.
Okay.
But that's like, that's because he doesn't want any culpability.
Yeah.
Yeah.
And to violate.
Yeah.
Guess what.
Boris.
I think you're going to have some culpability on your hands.
Reneera had taken house Barathean for granted for too long,
his lordship told him.
He literally is just like...
And that's, I mean, that's a...
So, like, Rainis is the one who says in the book.
Rainis is the one who's like, Baratheans love me.
And we got that moment between Borm and Marathian and Raines in the first episode.
She's like, no, this is going to be an easy job for Luke.
It's a puddle jumper flight over to Storm Zen.
No problem.
Like, we did not know that Vagar name and we're going to be there.
It's also a puddle jumpers flight from King's Landing.
That first shot of Vagar, like...
looming behind
the castle.
And when he
appears above him,
when she appears above him,
I'm sorry.
Did it give you more,
Mal and I had this little mini argument.
Did it give you more
T-Rex in the rain,
Jurassic Park,
or Godzilla in the rain in like Texas?
Yeah.
I thought Godzilla,
just think about like that shadow,
like just the silhouette.
It's a way like she rears up
like with the wall
in front of her.
of her is just sort of like, and like Luke shows up and he's like, oh no, that's Amon's car.
Fuck.
Oh, my God.
I know what else was great about that sequence, by the way, that pays off a season
long trend?
Like, all this talk about marriages and the political capital of being able to offer up a marriage
pact.
And Luke is like, wasn't prepared for what inevitably would have been the question.
Oh, my God.
Why didn't they put Jop on the table?
Why didn't they say, we have a toddler at home?
And it's perfectly
Because Luke is not Billy Bean.
He's like, okay, I will tell you my mommy your answer.
Yeah, exactly.
Like that's what Joseph was saying for episodes now is like you really feel how young
they are.
Yeah.
You really feel like he's just like, all right.
Can I just say one quick thing about a notorious friend of women, Boros Barathean?
This is the Pashton fireblood I would like to read.
He had nothing against women, Lord Boros went on to say.
loved his girls. A daughter is a precious thing. But a son,
should the gods ever grant him a son of his own blood? Storms Ed would pass to him,
not his sisters. Why should the Iron Throne be any different?
As a father of daughters, Boris Barathean thinks women are fine.
Big time, girl, dad. There's a bunch of things that else, there's a bunch of other things
that happen this episode, Damon's singing. There's a few things I'm sure you guys are going
to get to it at a house of horror. We saw Vermithor. That's Gerriss's Dragon. That was
incredible.
Chris, you were like, that's
Vermithor, right?
Yeah, I did want to ask.
You could talk by the dental records
that was Vermithor, right?
Boris Baratheon cannot read, right?
Yeah, correct.
I hope that ends up a lot.
That's canonical.
That's canonical as well.
That is, that rules.
Like, think of Luke, no prep.
They didn't say, don't hand the
illiterate lore to scroll.
Like, that was not the move.
Have a marriage, like, offer ready.
You know,
take Bela with you.
She'll back you up.
Like, it could have gone really definitely.
You two will definitely dive deep into this episode on House of ours.
So whatever scenes we didn't cover, you guys can grab there.
But I did want to hit one or two questions about the season in general,
because this is the finale.
This is also the finale for this iteration or season of Talk of the Thrones.
It's been such a delight talking with you.
But, Mal, what was your favorite moment from the season?
I have a tie.
I'm torn between two picks,
which is the eye for an eye sequence,
the showdown at Driftmark,
and Viseris's Long Walk into the Thorn Room.
Those are my top two.
I think I'm going to go with Viseris's Long Walk,
which was just an arresting
and the heart-wrenching stretch of television.
I think we all have one of it.
I think we're all pretty much like this might be a consensus.
We might have a quorum here.
Joe, what did you, you thought it was, did you think it, the long walk?
Okay.
Yeah.
I think it was now that they see you is who you really are.
Eye for an eye.
I mean, both of those scenes involved like everyone, everyone, right?
Because like when we see Viseras 2 as Long Walk, you see Alicent and Aman and Egan
and Helena and Jason Baylon and Rainies.
They're all and they're all taking in.
And same with Eye for an eye.
You've got everyone in the room there.
And it's a microcosm of sort of these bigger things that are happening.
Did you two have a favorite character?
to watch over the course of the season, Joe.
That's a tough episode for me to say this.
I was going to take the heat for it.
I was going to say David first.
It would have been the easy pick before this episode, undoubtedly, right?
Sure.
I'm sorry to say it.
Matt Smith gets the best lines.
Is definitely having...
Emma and Darcy's really on the rise, though,
has had far fewer episodes,
but Emma Darcy in this episode was so incredible.
And I'm really interested to see what happens
after the facial expression we got at the end of this episode.
Looking forward to next season,
which hopefully will come next year,
although I have my concerns.
I hope so.
I don't want to wait.
I can't go back to a thronesless life now that we have it back.
I can't.
What will I do?
Joe, is there one thing,
not like plot spoiler,
but like just vibe-wise that you're really looking forward to in second season?
Well, okay, so I will say something that we've been saying a lot
on House of Arne The Deep Dives
is that we felt like these time jumps
that they were doing
was because they were trying to speed up to
and hit the battle over Shipbreakers Bay
by the end of the season.
And they felt like they had to sort of like
they wanted to start where they started
and that just meant they had to like hop decades
sometimes or six years or whatever the case may be.
So next season, now that we're in it,
the Dance of Dragons, and I don't think
this is a spoiler to say, is only two years.
And so like the characters that we had
were not going to be hopping
through time aggressively, we think anymore.
There might be some, but like nothing major.
And it's just a lot of dragon battles.
And so we're going to have these like peaks, you know, every couple episodes.
Like for the next, you know, big set pieces.
And then a lot of, as Mallory alluded to earlier, you asked for one thing.
I'm giving you five.
Like spreading out of the map.
You're like, Jay's are, Jason's going to go up to the veil.
And then after that, she's planning to go up to Winterfell.
So that's really exciting.
And then Dame is talking about going to Harenhall.
Like there's a lot of places on the map that we're going to go to a lot of houses.
So we're going to break.
So like a lot of those critiques that people have of the season, which are the time jumps,
and how insular inside one family, inside one location it felt is not going to be the case going forward.
It will be fascinating to get to the end of this series and be like, was season one season zero?
You know, now what are you looking forward to next season?
The widening in the map, the widening of the world.
You know, Jace up to the veil and to Winterfeld.
Delightful.
Can't wait.
Like, truly cannot wait.
And similarly, it'll shock you to hear the introduction of even more dragons into our story.
We got a moon dancer shout out in this episode.
I love it.
The dragon mound was really hotly tipped.
We didn't get to see it.
Into the dragon mount.
We did.
David is going in.
Oh, that's where he is.
Oh, I thought that was just like his usual.
parking spot for the dragon.
Oh, I just want to say really quickly,
I think some people are confused and they think that
that wasn't Vermethor. They thought that
Damon was messing with Vagar. Those are two
different dragons. I know, Chris, that you know that.
Veylar being Amon's
dragon? Yeah, Amon's
enormous dragon that
we saw at Storm's End.
That's the only place we ever saw
Vagar. The dragon that Damon
was cruding to is Vermethor. It's a different
dragon. Okay. So
he has not, like, I think I saw some
who thought that, like, Damon provoked Vagar to fight Arak's over Shipbreakers Bay because he wanted to start a war.
But I'm just here to tell you those are two different dragons.
Oh, like, it was a false flag operation?
Right.
Sheesh.
Yeah.
Just trying to clear that up.
No.
We're getting some interesting pupil reflections and morphing as Vermithor and Damon stared to each other's eyes.
And Damon sings in High Valerian in attempts to walk down even more dragons.
Like, the literal shot of their eyes.
I was like, is that
They're like,
they're like locked in with each other or what?
Well,
that's what happens when I stare at Mallory.
Yeah,
our pupils melt and do each other and we become one.
I think we had those shots earlier in the episode of Rainer
giving birth and shot like to Syrac.
Yeah,
Syrac screaming.
Exactly.
So like that's part of what I'm really looking forward to too is the continued
expansion of the canon and the mythology around dragon riding and dragon binding.
Is that just like I'll have to rewatch this again.
I've seen it once.
Like,
We see a reflection of Damon in Vermethor's eye,
and then we zoom in on Damon's pupil,
and we can see it's just a reflection,
reinforcing this theme,
Targans, dragons, et cetera.
But is there actual magic a foot there
with what he was singing in that song?
Who knows what he found in those books when he was studying?
He's bound to a dragon already.
There's no precedent for any link
with a second dragon for one rider,
but dragon binding is something that is studied
and sought after.
So this larger question of how to bring more dragons into the fold,
I can't wait for more of that next year.
I'm so excited next season.
David Peterson, who does All the Valerian for the show,
posts like the translation of all the Valerian every week.
So I'm pretty sure that the translation of the song is,
it's me, hi, I'm the problem, it's me.
Before is more of a 1975 fan,
but I like that joke.
That's really good.
Um, it's been such a pleasure to chatting with you, uh, chatting with you to this season.
Thank you to Steve Allman for producing us. You can listen to, I can only imagine how deep of a deep dive is going to happen on House of Our.
We have a lot to talk about. Tuesday. Andy and I will be talking about this show tomorrow. Um, what a, what a great ride. And I can't, I really do hope that they come back 2023. If Succession's coming back in the spring, bring this back in in the fall. Let's try. Let's try and turn it around.
And get those spinoffs going.
Hell yeah.
Hell yeah.
Yeah.
I want to have like reading rainbow with Boris Barathean
and like all of his like
all of his English teachers over the years
you tried to get him into great works later.
Let's see if Shereen can time travel.
Kind of like a Finding Forrester with Robert Barathean.
Okay, we're going to wrap it up there.
House of R on Tuesday.
The Watch tomorrow.
Thank you to Steve.
Thank you to Arjun.
Thank you to everybody who worked on the show this year.
Thanks to everybody who listened.
We'll be back next season, hopefully.
Talk to you soon.
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