The Rise and Fall of Diddy - Listen Now: KAREN: THE RETRIAL
Episode Date: April 28, 2025A blizzard in Massachusetts. A Boston police officer found dead in the snow. His girlfriend, Karen Read, accused of murder. After last year's mistrial left the country divided, the court...room drama is back in the spotlight—this time with higher stakes, new prosecutors, and explosive evidence emerging as the case unfolds in real time.Law and Crime’s hit podcast series returns with a brand new season: KAREN: THE RETRIAL. Hosted by Emmy Award-winning investigative reporter Kristin Thorne, each episode delivers exclusive analysis, behind-the-scenes access, and expert interviews you won’t find anywhere else. With both sides fighting to control the narrative and new revelations coming to light, the search for truth is more urgent—and more complicated—than ever.Listen to episodes of KAREN: THE RETRIAL, exclusively and ad-free, right now on Wondery+. Start your free trial in the Wondery App, Apple Podcasts or Spotify.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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A blizzard in Massachusetts.
A Boston police officer
found dead in the snow, his girlfriend, Karen Reed,
accused of murder.
After last year's mistrial left the country divided,
the courtroom drama is back in the spotlight,
this time with higher stakes, new prosecutors,
and explosive evidence emerging as the case
unfolds in real time.
Law and Crime's hit podcast series returns with a brand new season, Karen, the Retrial.
Hosted by Emmy Award-winning investigative reporter, Kristin Thorn, each episode delivers
exclusive analysis, behind-the-scenes access, and expert interviews you won't find anywhere
else.
With both sides fighting to control the narrative and new
revelations coming to light, the search for truth is more urgent and more complicated than ever.
I'm about to play a clip from Karen, the retrial. Follow Karen, the retrial on the
Wondery app or wherever you get your podcasts. In his opening statement, prosecutor Hank Brennan
didn't just lay out a narrative. He let Karen read Reid tell it herself using her own voice, her own words from her own interviews.
I mean, I didn't think I hit him, but I clicked him. I tapped him in the knee and it capacitated him.
He didn't look warily wounded as far as I could see.
Or could I have done something that knocked him out?
And his drunkenness and in the cold didn't come to again.
And this would have been the moment you dropped him off at the party?
Yeah, yeah. It would have had to.
The prosecution has played one clip of an interview that Karen Reed gave,
and I guarantee
they're going to play more throughout the trial because they're helpful to the prosecution.
I think the defense was banking on her being acquitted, and then it would have been this
phenomenal story of, hey, here's a behind the scenes, everything that happened and look
at it, we were right the whole time and she's acquitted.
Whoops, mistrial, coming back again for a second time. All
that stuff is now fair game. For the prosecution, it's an
extraordinary opportunity for the defense, a glaring
vulnerability. Here's why. Because not only do they reflect
Karen's changing story that night from dropping John off
at the waterfall to last seeing him outside the home to
Etc, but it also goes to show something far more damaging to Karen
Which is consciousness of guilt and it's not just the message
it's the delivery Matt Timpanic puts it bluntly the documentary is
Probably going to go down as one of the worst decisions made by a trial team because
the worst witness in any criminal case is yourself.
And what's even worse, when you're not even on the stand to be able to be cross-examined and explain that.
Hank Brandon is able to air,
I don't know how many hours of footage of the defendant's own statements without having to be cross-examined.
He gets to show the video and move on, essentially have the defendant narrate her own murder trial and plug the holes wherever they are.
In a case already defined by blurred lines between courtroom and media circus, Karen Reid's decision to go public may be one of the most consequential
of all. Her voice was meant to tell her side of the story, and now it's being used to
tell the prosecutions. But while the Commonwealth used Karen Reed's own voice to open their
case, the defense struck a very different tone.
The defense's opening statement was always going to carry weight. After all, this wasn't a cold start.
Jures knew about the mistrial, the public knew about the controversy,
and the courtroom had already become a battleground long before opening arguments were even heard.
But on day one, things didn't go entirely according to plan.
Ten minutes before openings were supposed to begin,
Judge Finoni ruled that the Reed defense had failed
to comply with reciprocal discovery rules under Rule 14
and banned them from mentioning ARCA in their opening.
So not only was Reed restricted this time
by a formal written order on the third party culprit, which
exonerated Colin Albert, Reed was banned 10 minutes
before opening started from mentioning ARCA.
If you aren't familiar with who the
ARCA witnesses are, Matt Timpanix
got you covered. They were independent
accident reconstructionists hired
by the federal government to
investigate this crash.
They are vital. Whatever word you
want to use for Karen Reed's defense,
because you need somebody saying that this was not
a pedestrian strike.
Here's the catch.
It turned out that's not entirely accurate,
and that they weren't paid for their services.
That kind of came out in pretrial proceedings
during discovery that there was communication
between Alan Jackson and the ARCA witnesses.
So there is going to be a real question about credibility.
Either way, that ruling drastically narrowed what the defense could say and how they could say it.
Most critically, it blocked them from raising the possibility of a third-party culprit,
a cornerstone of their broader theory that John O'Keefe died not from being hit by a car,
but inside the house at 34 Fairview Road.
Alan Jackson was, in my opinion, playing with one arm behind his back because the judge said he
couldn't mention third-party culprit and he couldn't mention the arc of witnesses.
That's their whole case. That, I thought, really shifted the tone. It put Alan Jackson into a
position where he had to read from notes and be far less
effective than Hank Brennan, who could go up there with a memorized set of facts in law
and looked a lot more polished, even if he walked away from the microphone a few times,
which made it hard to hear on the stream.
Alan Jackson, Reed's hot shot out-of-state attorney, did what he could with what he had.
He attacked the integrity of the investigation.
He pointed to inconsistencies in the timeline.
He emphasized that O'Keefe's injuries
didn't align with a car strike.
The evidence will establish
that John did not suffer a single injury on his body
consistent with having been hit by a car, not one.
There was no collision with John O'Keefe.
There was no collision.
There was no collision.
John O'Keefe did not die from being hit by a vehicle, period.
But the narrative wasn't clean,
and some argue neither was the delivery.
Alan Jackson came off a little combative during the opening statement.
He was almost at times yelling at the jury.
People were saying he was being passionate.
He really believes in the innocence of his client and that's fine.
But the truth is you can't go from the laying the soft-spoken laying it out.
Facts, evidence of
Hank Brennan to basically yelling and overpowering the jury, which is what Alan Jackson did during
his opening.
He became more subdued after the first witness he crossed and realized that you don't need
to do that to everyone.
Worse still, according to Grant Ellis, Jackson may have made a tactical misstep, claiming he'd show O'Keefe went into the house, a claim not fully backed
by the digital evidence.
The scientific evidence and the medical evidence will establish that John O'Keefe
had to be injured somewhere else, somewhere warmer, and his body had to have
been moved out into the cold.
former, and his body had to have been moved out into the cold. Every piece of the evidentiary record, John's cell phone, GPS data, et cetera, shows that
and even jurors who were sympathetic to Karen in the first trial that gave media interviews
said John's phone data showed that John hit that lawn around 1232 a.m. and never moved
again. And so now Alan Jackson has put himself
in an untenable position where Hank Brennan is going to be able to show evidence after evidence
and maybe every juror, all 12 will agree that phone never left the lawn. And if John never left
that lawn, Karen doesn't have a defense and I think she struggles to get an acquittal on all
three charges and a compromise
verdict on OUI manslaughter, involuntary manslaughter or motor vehicle homicide OUI is very likely.
Still the defense leaned on what they believe is their strongest angle.
You'll find when you hear the evidence that the commonwealth's case is the literal definition
of reasonable doubt. There was not a word about Karen Reed was framed.
The defense has absolutely abandoned
that entire line of inquiry and seemed to suggest more
that the investigation wasn't good enough
to confirm Reed's guilt.
A challenge not just to the Commonwealth's theory,
but to the investigation that built it.
You'll see from the evidence in this case that this case
carries a malignancy one that is spread through the
investigation it spread through the prosecution from the very
start from the job. A cancer that cannot be cut out a cancer
that cannot be cured.
And that cancer has a name his name is Michael Proctor.
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