The SCP Experience - I'm Not the Subject, You Are | SCP-8577

Episode Date: January 12, 2026

A Foundation agent trapped in a retro hotel must chase a nonexistent “Gold Membership” buffet through shifting halls and singing TVs—because if he stops moving, the memories of how his partner d...ied will finally catch him. Listen ad-free + bonus stories with a 7-day FREE trial of ⁠SCP Premium⁠. Cancel anytime. No commitment. This story is derived from ⁠The SCP Foundation Database⁠ and is released under Creative Commons Sharealike 3.0.⁠ ⁠⁠⁠⁠https://creativecommons.org/licenses/by-sa/3.0/⁠⁠⁠ Author: Jake Bible For more terrifying stories from this author, check out his latest release - All The Monsters: Ten NoSleep Stories, Volume One https://www.amazon.com/dp/B0FY438TSV * * * CONTENT DISCLAIMER: This episode contains explicit content not limited to intense themes, strong language, and depictions of violence intended for adults. Parental guidance is strongly advised for children under the age of 18. Listener discretion is advised.  #thescpexperience #scp #scpfoundation #scpencounters #securecontainprotect #scpstories Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:06 The screen on my tablet goes dark, and I smack the side as hard as I can. I'm hoping it'll jar it back to life. While they may work on TV or in the movies, in real life, you can't smack a tablet and honestly expect a positive result. It's not like an old TV. Not that I've ever smacked an old TV. But I heard my grandfather talk about that kind of stuff. Tech? My tablet's down.
Starting point is 00:00:31 Is it the system, or do I need to come switch it out for a different one? No answer. I smack the tablet again. Seems like a good idea. I look down in my hands and frown. Why am I holding a blank tablet when there's a perfectly good screen right in front of me? I don't need this flat brick.
Starting point is 00:00:49 I toss the useless tablet aside and sit down on the edge of the bed, my eyes glued to the television sitting before me. It's an old thing, like my grandfather's, all boxy and drab. A brown frame that looks like plastic wood, because it is plastic wood, in cases the screen, which is this huge tube thing, all bubbling out like it wants to get away.
Starting point is 00:01:12 A jingle is playing on the TV. It's kind of nice. Something about loving your stay here at the... Uh, the... Where am I again? I look around quickly and see that I'm in a hotel room. Yeah, that makes sense. The TV is singing about all the great stuff to do here at the hotel. Uh, the hotel... I can't quite catch the name. They're singing it, the jingle chorus. But as soon as I hear the name, it just floats away. I could see what else is on the television, but that seems like a silly idea
Starting point is 00:01:47 when I have a perfectly good channel right here. The advertisements are top-notch. They have a daily breakfast buffet for only $3.99, which is quite a deal. Oh, wait, that's only for gold members. I wonder how I can become a gold member. I press my finger to my ear. It feels like the right thing to do.
Starting point is 00:02:08 Yes, I'm in room. I stop talking and realize I don't know what room I'm in. Hold on. I get up and go to the hotel room's door, open it, and study the numbers on the outside. I'm in room 6-21, and I need to find out how I can become a gold member so I can get the $3.99 breakfast buffet deal?
Starting point is 00:02:27 No answer. I press my finger harder to my ear. Hello? Hello? Is this the front desk? I'm asking about becoming a gold member? Still no answer. Why do I have my finger in my ear? What's that about? I press a little harder and can feel hard plastic. Is something in my ear? I'm about to grab it out when a voice says, No, Mark, don't do that. How else will we be able to talk?
Starting point is 00:02:56 I know that voice. Who is this? I look around the room, expecting someone to walk out of the bathroom or the closet. But they don't. Where are you? But you have an earpiece in your earmark. I'm talking to you over the comms. Over the what? The comms. The communications system.
Starting point is 00:03:15 We use it to maintain contact with each other. Why not just use a telephone? There's one right there. I point at the telephone on the desk, sitting right next to the TV that is playing my absolute favorite show. Man, that buffet looks amazing. Hey, do you know how I can become a gold member? No, Mark, I don't, but I bet we can figure it out together.
Starting point is 00:03:39 That'd be great. I smile and nod my head, bobbing along to the TV jingle. Um, hey, what's your name again? Bill. Hey, Bill, I'm Mark. I know, we've met before. Have we? Twenty years as partners.
Starting point is 00:03:56 We've seen some shit, Mark. We have? An image slams into my head. An image of teeth and blood and screaming and fire and gunshots and teeth and blood and Whoa there, Mark. Let's back away a second. I gasp and sit my ass down on the edge of the bed again. My body feels so tired, like I've been running a marathon for days and days and days. After a moment and several deep breaths, I get up slowly and stumble to the telephone.
Starting point is 00:04:26 My eyes watch the advertisement as the phone rings. I just saw something awful in my head, and I think it's because my pillow isn't right, and I'm not sleeping well. I'm shaking and breathless after that's the phone rings. statement. It was a lot of work to say all that. Why not, Bill? I'm sure they know how I can become a gold member. Hello, front desk. I'm your only friend. Well, yeah, that's true. I scratched my chin, then hang up the phone. How do we know each other again? We worked at the foundation together, 20 years as field agents and partners. We were on and off when it all went wrong. Do you remember? I shake my head. Teeth and blood and screaming and teeth and blood and
Starting point is 00:05:16 screaming, and teeth and blood and screaming and teeth. Mark! I snapped, too, and realize I'm on the floor, curled up in a fetal position. I lurched to my feet and stumbled toward the front door. I have to get to that breakfast buffet. I need to become a gold member. I wouldn't leave the room, Mark. Something is off, and you should stay put until support...
Starting point is 00:05:37 Support? Does support know how to become a gold member? Mark, there is no gold membership. Not for you, not yet. Anger fills my head, shoving all the awful images. What the hell does that mean? Not for me? Not yet? That's a bunch of BS. I'm a paying customer, and I expect the service I deserve. The volume of the jingle and the television ratchets up to an almost painful level. I'm surprised the TV small speaker can handle the force. Grabbing the door's handle, I twist and twist, but it refuses to open. I slam my palms against the door.
Starting point is 00:06:13 The jingle is singing and singing and singing. Then it stops. and the silence is almost as painful as the noise was. A single voice says, You better hurry now, Mark. The breakfast buffet is at 10 a.m. sharp. I look at my wrist, even though I don't wear a watch. My wrist tells me I have only 20 minutes to get down to the dining room, or I'll miss out on light and fluffy pancakes,
Starting point is 00:06:39 omelets to order, yogurt, parfaits, pastries, fresh fruit, and more. I grab the door's handle again and yank as hard as I can. The door swings open, nearly colliding with my face. Mark? Seriously, partner, you should stay put. No way. I'm going to order an omelet with country ham and diced red peppers. The sweet bell peppers, not the hot and spicy kind. Maybe I'll add mushrooms and cheddar too. I'm out in the hall with the door swinging slowly shut on my ass
Starting point is 00:07:07 before the voice in my ear can object again. A sign directly across from my room says, Buffet and first floor dining room. Use elevators or stairs to descend. Thanks. I give this sign a thumbs up, then look both ways. Words form on the sign just over a flashing arrow. This way, Mark.
Starting point is 00:07:27 Don't forget to stop by the front desk and inquire about how to become a gold member. Yes. See? The front desk can help me. No, Mark, it can't. But that's okay. We all have our processes. Lord knows you put up with mine for decades.
Starting point is 00:07:42 Because we were partners. I say the words, and they feel true. But they also feel hollow and so. inside. Like there's an emptiness I can't quite find or fill. Better hurry, Mark, the sign flashes. On it. I turn in the direction the arrow indicates. Jogging down the hall, I can't help but admire the decor. It's very retro. The walls are beige as expected, but they have a lovely runner of wallpaper down the middle, stretching from one end of the hall to the other. I take a closer look and smile at all the small TVs that decorate the wallpaper. I,
Starting point is 00:08:17 I should get this for my house. I reach out and run my fingers along the paper as I continue jogging toward the end of the hall. It'd go great with my bookshelves. Mark, your bookshelves are from IKEA. This wallpaper would not go well with that. It doesn't go well with anything, really, because it's not there. It's there? I'm touching it right now. The paper is slightly tacky.
Starting point is 00:08:41 Like time has taken a toll and added a layer of film to it. I pulled back and rub my fingertips together. I know this feeling. I know what this is on my fingertips. Teeth and blood and screaming and teeth and blood and screaming and teeth and blood and screaming and I stumble and my feet get tangled. Before I can put my arms out, I fall flat on my face. Pain erupts in my nose.
Starting point is 00:09:04 And as I roll over onto my back, I touch my nostrils, expecting to see teeth and blood and screaming and red. But there's nothing there. No bleeding, just a good amount of pain. I blink back tears and check my naked wrist. Gasping, I scramble back to my feet. I've already wasted five minutes. Gotta hurry.
Starting point is 00:09:25 Gotta get that gold membership. Gotta get that omelet. I sprint the rest of the way down the hallway as my eyes water from the pain in my already swelling nose. When I reach the elevator bank, I almost start crying. Out of order?
Starting point is 00:09:38 Out of order! How the hell can the elevators be out of order? I need to get to the buffet! I grab my head and turn in a slow surrog. Calm down, Bark. You don't need to freak out. Remember that assignment we had in Uruguay? The one with the girl and the donkey and that suitcase of unstable dark matter? No. I don't remember. I don't really remember Bill except for... Teeth and blood and screaming in teeth.
Starting point is 00:10:04 A few flashes of a man's face, smiling and laughing as he takes a shot of whiskey. Well, you will remember. Okay. So, uh, what about Uruguay? What happened there? We couldn't use the donkey because... because it didn't move smoothly enough, and the case had been compromised. So what did we do? I'm still turning in a circle, my hands grasping my hair, pulling and scrunching and pulling and scrunching. When a thought slams into my mind,
Starting point is 00:10:31 I put the case on my back and rode the donkey, using my body as a stabilizer while you carried the girl on your back. Teeth and blood and screaming and teeth and blood in screaming and... So you do remember. Good for you, Mark. A sign appears opposite the elevators. In case of emergency, please use the stairs. And you only have a few minutes before the buffet closes. So that sounds like an emergency to me. Stairs!
Starting point is 00:10:53 I look left. I look right. New words bloom on the sign. Around the corner, next to the ice machine. Got it! I sprint around the corner. When I reach the machine, I see it also has an out-of-order sign on it. But that doesn't matter right now. I need the stairs, not ice.
Starting point is 00:11:11 But I probably should mention it to the front desk when I get down there. Mark, you need to trust me when I say, you should go back to your room and wait until someone comes and gets you. Someone comes and gets me? Who would come and get me? Why would anyone come and get me? I don't need a porter or bellhop or whatever you call it nowadays. I don't need housekeeping. No one is coming to get me, Bill.
Starting point is 00:11:32 I'm all alone here except for the hotel and the TV and the jingle and the breakfast buffet and the gold membership and the... I slammed through the stairwell door and pinwheel my arms immediately to keep from falling six floors into a deep... Dark nothing. There are no stairs. There's nothing below me at all. I reach out, and my fingers grasped the doorframe, keeping me from tumbling into the abyss. Slowly, I scoot my feet backward as I keep my fingers gripped to the frame.
Starting point is 00:12:00 An inch of cheap wood all that's stopping me from falling forever and ever and ever and ever, and teeth. Teeth and. Stop it! I finally managed to backtrack into the hall. The stairwell door slowly closes before me, and I take a deep breath. when the latch finally clicks.
Starting point is 00:12:16 A sign appears on the door. Can't go that way it looks like. We are sorry for the inconvenience. Our staff is working tirelessly to fix the problem. We hope to have stair service restored within the day. Again, our apologies for any delays this may cause. Delays! I look at my wrist.
Starting point is 00:12:33 My lack of a watch tells me I only have five minutes before the buffet closes. No! I run back to the elevators. The assignment, right? Go to the specific room and watch channel. then wait for its influence to take hold? Isn't that why command sent you here? I ignore Bill. He's talking nonsense anyway. When I reach the elevators, I fall to my knees, almost ready to weep with relief at the new sign hanging by the buttons. Not out of order.
Starting point is 00:13:03 Hop on, Mark! The doors slide open, and a wave of swooning, sickeningly sweet music explodes from inside the elevator car. It's so loud that it's almost painful. I can hear Bill trying to tell me something. But even with his voice, voice right in my ear. It's nearly impossible to make out anything beyond every couple of words. Your room. New advertisement. Wait for support. You can't. All alone. Teeth in blood and screaming and teeth and blood and screaming. Stop! Just stop with all the teeth and blood and screaming! The loud music lowers so I can hear a soft ding come from the elevator bank. The sign by the buttons now says, Better hop on, Mark. All aboard for the breakfast buffet.
Starting point is 00:13:45 Hey. Still on my knees, I crawl my ass into the elevator, then spin around and press my back against the far wall. The doors close so painfully slow that I almost start crying. Mark, you there? Yeah, Bill. I'm here. You need to know that you won't make it to the buffet at time. I don't want you getting upset if the dining room is closed when you get down there. I'll make it. You have three minutes.
Starting point is 00:14:09 I said I'll make it. The words echoed through my mind and the fear of being, teeth and blood in screaming and late threatens to overtake me but I squeeze my eyes shut and shout I'll make it I want my damn omelet the elevator starts to move
Starting point is 00:14:23 it's a halting stuttering movement and the lights flicker ominously but there is movement come on come on come on why do you want an omelette so bad mark you were never much of a breakfast guy when we were partners I need the omelette
Starting point is 00:14:36 why because there's a breakfast buffet and it's only $399 for gold members my eyes go wide. I get to my feet and slam my fists against the elevator's back wall. Oh, God! I still need you become a gold member! I look up at the ceiling. You're right, Bill. I won't make it. It's all right, Mark. You were never going to make it. I hate to say it. But there is no breakfast buffet. Never has been, never will be. This hotel, that room, that channel, it's all
Starting point is 00:15:04 designed to make you see. You shut your mouth! I punched the wall over and over again. You shut your lying mouth, Bill. There is a breakfast buffet. I know. I know. I know there is! What do you know? You're dead! A wave of grief hits me, and I slump against the wall. My fists bruised and hurting. I slowly slide to the floor and lie there in a heap, tears, stinging in my eyes. Why do I feel so awful? Why am I about to cry? I don't know this bill guy, do I? I mean, sure. Apparently we were partners for 20 years and worked together at some foundation. But do you really know someone after 20 years?
Starting point is 00:15:38 And it's not like I have any memory of his face or anything. All I see is... Teeth and blood and screaming and teeth and blood and... I take slow breaths and get myself under control. After a moment, I look at my naked wrist. I'm two minutes late already. Two minutes. You good, Mark? No.
Starting point is 00:15:55 Sorry, you missed the buffet. You said it doesn't exist. It doesn't, but I'm still sorry. Okay. Thanks. The elevator music swells, building, building, building back to that painful level again. I press my hands to my ears, but it doesn't have... help at all. Why? Why show me the buffet when you knew I'd be laid? The music is stabbing me in the ears, piercing my brain until all I can comprehend is, teeth and blood and screaming and teeth and
Starting point is 00:16:24 a single voice. Hello, guests. Did you miss the breakfast buffet? Oh, we are so sorry about that, but you are in luck. The pain is gone, and I slowly lower my hands as I stare up at the single speaker set into the elevator ceiling. For gold numbers only, we now offer our world famous lunch buffet. A new jingle starts up, and voices begin to sing about all the burgers and fries and chicken fingers and salad options that will fill the lunch buffet. But the voices are adamant. It's a major part of the new jingle that only gold members can access the lunch buffet.
Starting point is 00:17:00 How do I become a gold member? I grimace up at the single speaker. Tell me how to become a gold member. The jingle ends, and a loud chime fills the elevator. The doors slowly, painfully. Slide open to reveal the nook just off of the first floor's main lobby. I'm up on unstable feet and stumbling toward the doors as they begin to close on me. They are rushing to shut before I can get free of the elevator.
Starting point is 00:17:25 I jab an arm out and stop the doors from coming together. The pain is intense as the doors continue to shut, squeezing my arm like a vice. I yell through the gap. Hey, hey, I'm in here. Someone help! The pressure on my arm is intense, and I can feel the bruising happening around my flesh. Damn, is this thing going to cut my arm off? Pull back and let the elevator return to the sixth floor. No, I'm getting that gold membership.
Starting point is 00:17:50 The jingle says they have tater tots. It said french fries. It also said tater tots, Bill. Pay the hell attention, will you? I hear footsteps, and the front desk manager's face appears in the gap between the doors. Oh dear, Mr. Truman. You have gotten yourself into quite a pickle, haven't you?
Starting point is 00:18:07 Past him, just on the edge of my view. I see several people in dark suits running towards the elevator. but they stop short as if they've hit an invisible wall. Two of them are shouting at me, while another has his finger to his ear while he talks to the open air. The front desk manager grins at me. How can I help you today, Mr. Truman? Get me out of this elevator! The pain is getting worse and worse.
Starting point is 00:18:30 Teeth and blood in screaming and teeth and blood and screaming. Oh, of course, Mr. Truman, right away. The front desk manager holds up a finger. Are you a gold member? What? No, not yet. But get me out of here. out of here and I'll sign up to become one. Oh, I'm sorry, but I can't do that.
Starting point is 00:18:46 You have to return to your room and listen carefully. The breakfast buffet is over, and the lunch buffet is about to start, so you'll... I know, I know! I heard the jingle in the elevator. Please don't interrupt Mr. Truman. I have important information to impart. My arm feels like it's going to pop off at any second. Sorry, sorry, what do I need to do? Oh, dear me, what am I thinking? The front desk manager grabs my wrist and shoves hard.
Starting point is 00:19:11 You can't get back to your room with this thing sticking out, now can you? He looks up at the top of the elevator frame. I mean, you could, but you won't be taking all of your arm with you, I suppose. The elevator shudders, and I feel it starts to rise. No! The doors aren't closed! Elevators can't move if the doors aren't closed! If only that were true. An inch, two inches, four, six, ten, a full foot.
Starting point is 00:19:35 The elevator lifts. I have maybe two feet before my arm hit. It's the top of the frame. They sure make us work for it, don't they? The front desk manager puts all of his weight behind him as he shoves and shoves and shoves. Teeth and blood and screaming. I lean back, pushing with my other hand against the elevator doors. I lift my foot and press it against the door too for more leverage.
Starting point is 00:19:55 There's only about 10 inches left in the gap between my arm and the top of the elevator frame. I'm going to lose my arm for sure. Mark, relax. You are all worked up. Relax, and it'll all be fine. I want out. I want that lunch buffet. I know you do. But don't you want your arm more?
Starting point is 00:20:13 I wasn't talking to you. He's right, Mark. He's not real. But he's right. Keep the arm. The buffet doesn't matter. Tater tots aren't worth losing your arm. You can't get to the buffet until you are a gold member anyway, Mr. Truman.
Starting point is 00:20:26 So how about you cooperate? Head back up to your room. Watch that lovely promotional video, then head on back down here, and we'll get you all straightened out. Sound good? Three inches until I lose my arm. Will I get the gold member? We will start the process as soon as you return to the first floor.
Starting point is 00:20:41 Just see me at the front desk, and I'll have the paperwork waiting. One inch. Mark! The top of the frame is almost at my arm. Okay. The second the word leaves my mouth, the elevator doors loosen just a bit, and I pop Brees. I flail and fall right on my ass.
Starting point is 00:20:58 My arm throbs as the elevator doors close, and I'm lifted back up toward the sixth floor. That was tight, Mark. Don't scare me like that again. and blood and screaming. I was so close. I massage my arm. So close. Nah, you never had a chance, Mark. The buffet isn't for you. Yeah, well, we'll see about that. The front desk manager said all I have to do is listen to the new jingle. Go back down and fill out some paperwork. And I'll have my gold membership in the lunch buffet will be all mine. Um, that's not exactly what he said. You have to it's like in Barcelona when... Shut up about Barcelona. I don't want to hear about that or Uruguay or
Starting point is 00:21:38 any place you think we've been together. Silence fills my ear. Only the soft sounds of soothing elevator music can be heard. Did he go away? Did I piss him off enough that he's gone? Would that be a bad thing? I do not envy you when you do remember it all, Mark. I am sorry I can't be there with you when this is all over. Yeah, and why not? You already said it, Mark. You know why not. I shake my head. No, I don't. I don't know. How about you tell me? The next silence is. The next silence is is thick and oozing. It crawls about my ear, slipping around the piece of plastic I have in there. Why do I have plastic in my ear? I reach up and try to take it out, but pain explodes through my head. Shit! I yank my hand away.
Starting point is 00:22:23 The foundation isn't going to let you do that, Mark. They always have bail safes in place. They didn't in Birmingham! Teeth and blood and screaming and teeth and blood and screaming and teeth and Bill screaming and... I gasp. Birmingham. Something about Birmingham. The elevator door is open, and I get my act together. I've got a jingle to listen to. Barely stable on my feet, I stumble my way down the hall and back to my room. The door is wide open, and the TV is on.
Starting point is 00:22:51 The new jingle is already playing. It's musical genius filling the room. As I step inside, the door closes behind me, and all I can think about is what a lovely tune, what clever words, and what fabulous energy the jingle is filled with. It's quite the bop. Sitting down on the edge of the bed, I listen to the jingle over and over
Starting point is 00:23:12 as it tells me about the sandwiches and baked potatoes and chicken salad and crab cakes that await me once I become a gold member. That's all I have to do is become a gold member. Mark? What?
Starting point is 00:23:25 You mentioned Birmingham. What do you remember about Birmingham? Nothing. Because I do remember something. I remember teeth and blood in screaming. I remember Bill screaming. I remember Bill bleeding as the teeth gnashed and tore and bit and ripped at his body. I remember something falling from Bill's hand and sliding across the warehouse floor.
Starting point is 00:23:46 I remember teeth and blood and screaming and teeth and... Jesus. I rubbed my temples. My eyes never leave the TV and the images of lime jello and vanilla pudding and soft-serve ice cream fill it. Man, the lunch buffet really has some spectacular dessert options. Think about Birmingham, Mark. It's why you're here.
Starting point is 00:24:07 Gold membership. I take several deep breaths. I need to find the gold membership. Yes, now you do. That's all you need to find. Where is it? I don't know. You do, Mark.
Starting point is 00:24:22 You do. I think for a second. Which isn't easy to do considering the distraction before me. Man, the jingle really worms its way inside you. And look at that. Are those pork ribs they're serving? Mark, focus. Birmingham.
Starting point is 00:24:36 Think of Birmingham. Teeth and blood and screaming in teeth and blood. I don't want to. I shake my head back and forth, desperate to drive out the thoughts and images that have started to flood their way in. I can't have that. I need the space for the jingle
Starting point is 00:24:50 and for when I go down and fill out my gold membership forms. In my mind, in my memory, Bill is screaming. Why is he screaming? What just fell from his hand? Oh, right. The gold membership. The phone rings, and I get up and end up.
Starting point is 00:25:06 answer it. We have your paperwork already, Mr. Truman. Feel free to join me at the front desk at your convenience. The front desk manager hangs up before I can reply. I stare at the headset for a moment. Now it's time to go, Mark. Time to get that gold membership. Finally.
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Starting point is 00:25:48 Big Basinza. Depos minimum of $10. Decoonsonsons apply. My voice is filled with exhaustion, mixed with relief.
Starting point is 00:25:56 I can really go for some of those pork ribs. Do you think they're Kansas City style or Southern style? I prefer Kansas City. I love that sweet
Starting point is 00:26:03 sauce. I know, Mark. But the only way to find out is if you go down to the first floor. You ready? I don't know. I realize I'm still holding the telephone handset. I hang it up, then reach out and switch the TV off. My body aches and my mind is fuzzy. But a strange sense of calm comes over me as I walk to the room's door. The door doesn't fight me. It opens easily. The sign on the opposite wall points me toward the elevator bank. Not that I needed the assist. I know where the elevators are. My feet lead me there as if they have minds of their own. When I reach the elevator, it's already open, waiting for me to step aboard. The music inside is light and airy, like at a spa. I almost expect to smell hints of lemon grass and lavender. But that's a little too far.
Starting point is 00:26:57 All I smell is the scent of souls who have been in this elevator before me. They smell like marshmallows and canned mandarin oranges. The elevator doors close without incident. The elevator descends without incident. The doors open without incident. It almost feels too easy, so I hesitate. What happens when I get to the front desk? You fill out your paperwork and finally get your gold membership.
Starting point is 00:27:25 And after that, maybe Bill can see the nod, maybe he can't. I don't know. But you'll be gone, won't you? Your head because of the whole need to finish. I know what happens. I take one step, then another. My feet get moving, and I slip from the elevator, careful not to touch the frame.
Starting point is 00:27:55 The people in the dark suits are watching me closely, but they don't approach as I make my way out of the elevator nook and over to the front desk, where the front desk manager is waiting patiently for me. A massive grin on his face. Now, that wasn't so bad, was it? Depends on how you define bad. I glance over my shoulder at the people in the dark suits.
Starting point is 00:28:16 You got some convention in town or something? Or something. The front desk manager shuffles some papers and then places a stack in front of me. If you can fill this out, that would be wonderful. Make sure you answer all questions and fill in all fields. You don't want to have to start the process all over again, do you, Mr. Truman? I shake my head and pull the stack of papers toward me. The front desk manager sets a ballpoint pen on top.
Starting point is 00:28:42 I'll leave you to it then. He walks off, slipping through a door. in the wall I hadn't noticed before. I have no idea how long it takes me to fill out the papers, hours, minutes, days, ears. All I know is that when I fill in the last box and sign my name at the bottom, the pen gets heavy in my grip, and I have to let it fall free before it weighs my whole arm down. Lovely. The front desk manager pops up suddenly from below the desk. Jesus! Bill would have gotten a kick out of that. Bill. Where's Bill?
Starting point is 00:29:17 Bill. The front desk manager taps the stack of papers. You don't need Bill anymore, do you, Mr. Truman? I don't answer, and he only smiles and hands me a single sheet of paper. Thank you for staying with us. It's time to move on. The way out is right behind you. I take the sheet of paper and see that it's a receipt for my stay.
Starting point is 00:29:40 Thanks. Folding the sheet of paper, I tuck it into my pocket and turn on my heel. The people in the dark suits are no longer inside the lobby, but waiting outside by the front curb, looking like a bunch of overdressed valets. As I walk to the front doors, and as they slide open automatically, the smell of barbecue pork ribs drifts to my nose. But it's gone the second I step outside. World suddenly becomes too bright, and I have to shield my eyes from the glaring sunlight. I hear you, yeah.
Starting point is 00:30:16 I sigh as everything comes back to me, who I am, who the foundation is, that the voice on the other end of the comms is now command and not Bill anymore? No, not Bill. Bill is gone. Has been for a while. Thank you to the site and debrief you. But from what you wrote down, it looks like we can find the gold disc. Great.
Starting point is 00:30:41 I try to smile, teeth and blood and screaming. As the other agents lead me to a row of black SUVs, I say a silent thank you and a silent goodbye to my late partner, Bill Addison. He didn't deserve what happened to him. Birmingham, what that thing did to him. But at least it wasn't for nothing. At least, whatever is in that hotel worked and pulled his memory up so I could find the gold disc. I glanced back at the hotel as I slide into the backseat of one of the SUVs. I chuckle. Cold membership. That was a nice touch. The foundation may not know how the hotel works, but they sure know how
Starting point is 00:31:19 to utilize it to their advantage. I close the door and put my seatbelt on. The driver gets in, And I tap him on the shoulder. Hey, you think we could stop for some food? I'm starving. Sure, what sounds good? I look about. I don't know this city. There any good barbecue around here?
Starting point is 00:31:37 Maybe Kansas City style? You bet. I know just the place. We can get it to go on our way back to the foundation site. Thanks. The driver pulls away from the hotel, and I let the memories of teeth and blood and screaming fall away. They'll come back in my dreams for sure.
Starting point is 00:31:54 But for now, the mission is accomplished. I lean my head back and have to force myself not to start humming a certain jingle. SCP-8577 is an unlisted hotel television service, Channel Zero, that plays a continuous promotional loop for the host property. After several minutes of exposure, SCP-8577 includes a way-finding loop oriented toward the amenity currently promoted. Individuals who have checked in and are presently affected are designated
Starting point is 00:32:28 SCP 8577-1. Instances of SCP 8577-1 perceive all hallways, elevator prompts, and directional signs within the building as unusually clear, giving explicit directions toward the promoted amenity. Exits remain visible, but are categorized by SCP 8577-1 as inaccessible. For example, staff only or belonging to another floor. Unaffected observers report no moving signage or audible cues. Direct-on-site contradiction of SCP-8577's claims increases resistance to guidance in SCP 8577-1. Neutral confirmation and redirection are preferred.
Starting point is 00:33:14 The effect reliably ends when SCP 8577-1 is presented with a routine checkout as defined above. Recordings of the advertisement have no anomalous effect when viewed off-suffer. site. The anomaly appears anchored to sector C-Zero and to the viewer's guest status. No effect occurs before the subject accepts check-in. On-set latency is modestly reduced among guests reporting recent bereavement and overt acknowledgement of loss during exposure measurably lengthens loop duration. Derived subjects more often report an unlisted high floor amenity that is absent from observer footage. The anomaly substitutes a trivial design for the subject's true psychological need.
Starting point is 00:34:01 For Mark, gold membership becomes a stand-in for closure. The hotel gives him permission to keep moving. His brain stays occupied enough to avoid total collapse. This allows memory fragments to surface without triggering full dissociation.

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