The SCP Experience - The Don of Fries | SCP-5642

Episode Date: February 9, 2026

A Foundation operative infiltrates a late-night diner to collect samples—only to discover the French fries are alive, organized, and running a full-blown mob operation. When respect breaks down, the... fries remind him that even gods can be taken out by something small, sharp, and very angry. Listen ad-free + bonus stories with a 7-day FREE trial of ⁠SCP Premium⁠. Cancel anytime. No commitment. This story is derived from ⁠The SCP Foundation Database⁠ and is released under Creative Commons Sharealike 3.0.⁠ ⁠⁠⁠⁠https://creativecommons.org/licenses/by-sa/3.0/⁠⁠⁠ Author: Jake Bible * * * CONTENT DISCLAIMER: This episode contains explicit content not limited to intense themes, strong language, and depictions of violence intended for adults. Parental guidance is strongly advised for children under the age of 18. Listener discretion is advised.  #thescpexperience #scp #scpfoundation #scpencounters #securecontainprotect #scpstories Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:00 Lazang sur-gillet, and thence-molyne for 15 minutes. Oh, you're like their dojo? Prere to play? Vive the pleasure with Leo Jo. The casino in-line
Starting point is 00:00:09 that proposes the most recent machine-a-sou and the games to get back BAS Bonanza, without the exigance of misgents and with the payments instantane.
Starting point is 00:00:18 Hey, I've gained! Woohoo! Sontier the pleasure! Play-Ojo 18-10 and plus, 1-Depos only depots in Ontario. 50 tours
Starting point is 00:00:25 on the machine-a-soumine-Bas-Bonanza. Depos Minimimimum of 10 dollars. Veighetka-Boson $10 dollars. The French fry refuses to hold still so that I can draw fluids from it with a syringe. Not only does it refuse to hold still, but it keeps screaming at me. You'll get that needle anywhere near me, and I swear to all that is holy, I will mess you up. I will drop you like a ten-toned meatball.
Starting point is 00:00:56 I'll grind your bones to make my freaking bread, and I make the best bread. Italian loaf, all fluffy inside with that crunch. punchy crust. Mmm. The four-inch tall piece of talking fast food keeps me back by swinging a rather sharp toothpick in my direction every time I come in with a syringe. Listen, all I need to do is,
Starting point is 00:01:20 I do not care what it is you think you do or do not need to do. Oh, and one other thing, you call me French again, and I swear to all that is holy, I will mess you up. I will drop you like a 10-ton truck full of cannolis, I slice off your skin and make christinis. Maybe add some nice extra virgin olive oil and fresh moths.
Starting point is 00:01:44 The fry stops yapping and looks down at the needles sticking out of the spot on its potato body that I have to guess is where its belly is. Would you look at that? Ain't that something? Sorry. I just have a job to do. Yeah, well, we all got jobs to do. The fry looks down at the syringe, up at me, down at the syringe, up at me.
Starting point is 00:02:07 You gonna start sucking here or what? Oh, sorry. You say that a lot. Get some balls, kid. Don't let no one make you sorry about nothing. Yeah, thanks. I pull back on the plunger, and thick, yellowish fluid comes out. The fry puts one of its tiny hands to its head and moans.
Starting point is 00:02:29 Careful there, pal. Don't suck me. The fry passes out, and I managed to withdraw the sun. syringe before it collapses onto the stainless steel shelf next to the deep friar. I give the little guy a nudge with the tip of my finger. Hey, you okay? The fry doesn't move. Um, hey there, fry guy.
Starting point is 00:02:54 Uh, you alive? I shake my head as the words come out of my mouth. I just asked an animate, sapient French fry if it's alive. What is my job? Well, well, well, what have we got here? A little fry aside? You a fry killer, pal? That what you are?
Starting point is 00:03:15 I spin around to see dozens of fries standing on the make table behind me. One of them steps forward, holding its own sharpened toothpick. Except, instead of brandishing it at me, it sticks one end into its mouth and rolls the thing back and forth. Due to the size discrepancies
Starting point is 00:03:32 between the fry and the toothpick, it makes him look like he's sucking on a broomstick. In unison, All the fries behind him stick toothpicks in their mouths. I don't know what I'm looking at. I just hold the half-filled syringe in the air as I stand and stare at the new group of fries. What's a problem with you, pal?
Starting point is 00:03:52 Cat got your tongue. The other fries nod. And some move forward, taking their toothpicks out of their little fry mouths so they can point them menacingly in my direction. We hate cats. They play with us more than eat us. Yeah, and we're made to be eaten.
Starting point is 00:04:08 Not played with. All the fries turned to the last fry in glare. He shrugs. What? I'm just saying. You guys know what I mean? What my esteemed colleagues, Mickey Dips, Lewis Crinkles, and Tony's sweet pots is trying to say. Is that a little communication goes a long way?
Starting point is 00:04:28 I wasn't saying that at all, boss. Me neither, boss. I don't even know what we're talking about no more. The boss fry holds up his tiny, Fry hands, and the rest go silent. He steps forward and bends in half. I assume that's an animated Fry's way of bowing. I think we're getting off on the wrong foot here, pal. I'm Johnny Tubbs. This is my crew, and you are in my kitchen. Care to tell me what you are doing here in my kitchen? And why you just sucked the guts out of one of my guys? Rest in peace, Nino. I ain't dead. Just can't
Starting point is 00:05:08 stand up because all my insides is gone. Ain't nothing left to keep me upright. Put it back in, pal. Do it. Yeah, do it. Do it. The entire gang starts chanting for me to do it, do it, do it. Johnny Tubes holds his fry hands up again. The gang quiets down instantly. Forgive them for their enthusiasm. My boys can get passionate when one of our own is taken out. Um, still ain't dead. Yeah, well, won't be long, Nino. This trobrony has your insides on the outside of you. Yeah, no, I think I'm gonna be fine.
Starting point is 00:05:52 Really? Just give me a sec, Johnny. Nah, Nino, your time has come. Happens to the best of us. No, I ain't kidding, Johnny. I'm feeling pretty swell right now. Nino pushes up on his fry elbows. See, I can sit up. Maybe I can stand up.
Starting point is 00:06:13 The fry gang all plead with him to stay down and die like a real stand-up bry. I just continue to stand here. My arm in the air. The syringe held aloft, the needle pointing at the ceiling. The gang and Nino keep going back and forth about whether or not Nino should get up or give up. Enough! You's giving me a headache with all this racket. Sorry, boss.
Starting point is 00:06:37 Won't happen again, boss. I blame Nino. The dead ones are always the loudest. Hey, go dunk yourself, Tony. Oh, yeah? Well, why don't you stand up and come make me? Don't tempt me. Come on, then.
Starting point is 00:06:56 I will. Then do it. Or go dunk yourself. Buzz, you're killing me here. Sorry, boss. Boss? Yeah, sorry, boss. Slowly, so I don't alarm any of the fries, since I don't want them throwing those sharp toothpicks at me.
Starting point is 00:07:15 I reach into my lab coat pocket and pull out a vial. Carefully, I insert the syringe's needle into the top of the vial and depress the plunger, transferring the yellow fry goo from the syringe and into the vial. I cap the syringe and toss it into the trash. Then I pull a second syringe from my other pocket. I need at least four samples. Any volunteers? Before anyone can answer, the kitchen erupts in fire. And I fly across the make table, my shoulder slamming into a set of metal shelves as I tumble to the floor.
Starting point is 00:07:48 My head smashes against an under-the-counter reach-in, and stars explode in front of my eyes. Pain shoots down my neck, and I lie still for a minute as black smoke fills the kitchen. I blink against the smoke. What just happened? There's a loud ringing in my ears from the explosion. But through and around that ringing, I can hear the screams of a dozen French fries. I've been julianed! Why, God, why? My crispy skin is too crispy, too crispy. Oh, God, that ain't ketchup! That ain't ketchup!
Starting point is 00:08:19 Reaching up, I grabbed the edge of the make table and pull myself to my feet. Thick smoke fills the kitchen, and the fire alarm blairs, adding to the chaos. I stumble forward and stare at the fiery mess that used to be the deep friar. Smoking, flaming oil coats the floor, spreading out in all directions. I think to throw some water on it, but remember that water makes an oil fire even worse. Spinning in circles, almost ready to panic and flee, I hunt for something that will put out the flames. I see a storage container with the word, flour, written in Sharpie on the side. Racing over to it, I tear off the lid, turn, and chuck handfuls of the white powder out onto the flaming oil.
Starting point is 00:09:00 I empty the entire container, but only extinguish half the flames. Panicked, and having a hard time breathing, I drop low and crouch crawl my way to the far end of the kitchen. There, a fire extinguisher. I hurry as fast as I can to the red canister, stand, and pluck it off the wall. It takes me a second to get situated. Then I aim the nozzle at the flickering flames and depress the handle. White foam spews everywhere, coating the burning oil and sending a noxious plume of gray steam up into the air. I spray and spray until the extinguisher is empty.
Starting point is 00:09:33 Then I toss the hollow canister aside. My lungs feel like I've been smoking crack for a week. Not that I've ever smoked crack. Not recreationally, at least. I did have to smoke some enchanted crack for the foundation when I first started as a research technician. To this day, I'm still not sure if it was an official experiment or just hazing. Covering my mouth and nose with my arm,
Starting point is 00:09:57 I weighed back into the mess, looking for survivors. But as I walk the foam-coated, suit-stained kitchen, all I see are the silent, charred remains of dozens of fries. I approached the make-table and the boss, Johnny Tubes, lies there. His starchy eyes, staring up at me, the life in him extinguished, just like the oil fire. I sigh, think it to work. Finding a clean gallon baggie in the bottom of a scorched box, underneath the melted ones, I gather up as many fry corpses as possible, placing them carefully in the life. large baggy. It's more than I need for research, but you can never have too much material, in my opinion.
Starting point is 00:10:37 I turn around and take a look at the rest of the mess. The friar is a warped hunk of metal and plastic. I don't know how it happened, but somehow it blew up, like, exploded. The sides are nothing but jagged hunks of torn metal. A bent and flattened fry basket sits on the floor, half-coated in fire-suppressant foam. Smoking oil drips from the ceiling. I stare up at it. at it, amazed that the entire ceiling didn't catch fire. Then I hear a voice. I search about, trying to find the source, and finally kneel close enough to the ground to see half a fry floating in the foamy, scorched oil.
Starting point is 00:11:15 Nina? Is that you? It's me! I pick up the fry, and he coughs over and over, spitting whitish starch everywhere. His entire lower half is gone, with bits of cooked potato leaking out onto my palm. I try not to shiver with revulsion. I know who's responsible. The fry coughs over and over, and more bits of his inside spill onto my palm.
Starting point is 00:11:43 A thin line of starch oozes from between his lips. It's the Carlucci family. They work out of the bread shelf in the pantry. The Carlotti outfit? What does that even mean? No. Oh, the Carlucci family, not Carlotti. They're in the walk-in on the lettuce shelf.
Starting point is 00:12:10 Oh, Carlucci? I still don't. But the little fry can't help me anymore. He coughs once, reaches up with a gnarled hand, and cries. I'm coming, Mama. Get the ranch dip ready. I'll be with you. The fry goes completely limp. I gulp, sniff a little, then put Nino's body in the large baggy with the rest.
Starting point is 00:12:34 Freeze! Do not move an inch or I will drop you! I let the bag go, and it splashes into the mess. I pray the seal as tight as I throw my hands up in the air. I'm Foundation. Avery Rittenauer. I'm a research tech sent to gather samples of the instances of this anomaly. Really? What's the SCP designation number for this anomaly? SCP 5642! We're at the Monument Cafe! I've been assigned to gather samples of the instances.
Starting point is 00:13:01 That right? Who sent you? Give me the name of the head researcher in charge. Uh, it's changed a lot in the past few weeks, and I'm new, but the assistant researcher who gave me the assignment is Chip Lowenstein. He's really tall with dark red hair and smells of blue cheese dressing every day. With my arm still above my head, I slowly turned to see a Foundation Mobile Task Force operator aiming a rifle at me. The operator pauses. Then laughs and lowers his rifle.
Starting point is 00:13:31 Yeah, I've heard of that guy. He turns his head. All clear. Looks like we got ourselves a war amongst the outfits again. I don't know who he is shouting to, but then a couple of heads peek around the corner, each taking in the scene. Damn, I haven't seen a mess in this kitchen like this since the Russo's tried to take out the Messinas. Reminds me more of the turf war between the Romano's and the Lombardoes. Nah.
Starting point is 00:13:56 This is like when the Falzones made that. play against the Musos. The operators all nod and laugh. Yeah, it's totally like that. Um, can I put my arms down now? The two other operators disappear back to the front of the cafe while the first one nods and gives me a smirk. Yeah, come on out of here. Let's talk. He leaves, and I quickly pick the large baggie up, shaking off the gunk, then follow the operator out to the front. There are no customers in the cafe, which is really more of a roadside diner than an actual cafe. Greasy spoon might be an apt description. Two more operators are sitting at one of the red booths, their eyes focused on a pair of tablets. One of the operators, an older man, looks up when I
Starting point is 00:14:41 come out of the kitchen. He stands up and offers me his gloved hand. He doesn't seem to care that my hands are covered in goop. I'm Commander Rogers. We shake. His grip nearly crushes the bones in my right hand. I pull away and try not to show my discomfort. But from the grin on his face, I'd say the commander knows his own strength. He nods at the other operators. You know Green. That's Howard and Cardinal standing there. And Long is in the booth working hard, as always. Someone asked you. Avery Rittenauer. I'm a new research tech at the site. The commander's eyebrows rise. That's so. Which site is that exactly? Uh, site 73, sir. 73? You folks usually only handle safe class objects. What are you doing dealing with a Euclid?
Starting point is 00:15:33 I didn't know we only handle safe class. I was told we handle all anomalies and instances in the state of Texas. Commander Rogers looks around at his men. His eyes narrowed. Well, son, I'm not sure who told you that, but you were given the wrong information. Sight 73 does not handle all anomalies and instances. in the great state of Texas. No, sir, each anomaly is assigned to a site based on its particular skill sets. We're Mobile Task Force Theta 10, and we're out of Site 666 assigned to this SCP 5642, amongst other anomalies. The operator, still seated in his booth, pumps a fist without looking away from his tablet.
Starting point is 00:16:19 Site 666, Vegas, baby! The operators all raise their hands and high-five each other from a distance. Or I assume that's what they're doing. You never know with these MTF guys. They're all a little crazy. Especially the teams out of sight 666. The commander studies me, looking me up and down, the nods and gestures for me to have a seat in the spot he just vacated to shake my hand.
Starting point is 00:16:45 I take the offered seat and grab a handful of napkins out of the dispenser so I can wipe my hands on myself off a little. The operators all watch me closely, waiting patiently as I clean off. Then as I set the pile of soiled napkins aside by the dispenser, Commander Rogers sits down next to the other operator in the booth, long, and they both stare at me. I find it interesting, Avery, written hour, that you are here at the Monument Cafe, without even a peep headed our way that you'd be here when we arrive. The commander makes an exaggerated point of looking around the cafe.
Starting point is 00:17:22 I also find it interesting that out of all the nights you could show up. You chose this night in particular, the one night when we shut the cafe down, and are about to conduct a top-to-bottom search for some troublesome instances. He nods at me. What you got in the bag, Avery Rittenauer? I hold up the large baggie for everyone to see. Instances I need to take back to Site 73 for further examination. Commander Rogers shakes his seat.
Starting point is 00:17:52 said. You see, there's a problem right there. No instances are ever removed from this anomaly. Ever. Not without my express permission. This means that a site director cannot authorize such removal unless I sign off on it. He leans forward, clasping his hands as he rests his forearms on the table. Do you have any idea what would happen to the fast food industrial complex if a sapient, talking French
Starting point is 00:18:21 fry would have got loose? It wouldn't be good. Correct operator long, it wouldn't be good at all. It would be downright catastrophic, he holds out of hand. May I? I reluctantly hand him the large bagging. He studies it for several seconds, turning it over and over in his hands. Then he sets it down on the table, but close to him. He does not hand it back to me. This is what I'm talking about. You can't leave here with this baggy Avery written hour. It's against so many Mobile Task Force operating procedures that we'd be here until next week if I listed them all. It's a long list. Commander Rogers leans back in the booth and crosses his muscular arms over his muscular chest. He clicks his tongue a few times. His team moves in close to the booth, boxing me in.
Starting point is 00:19:16 So, how about you tell me what you were really doing here? Operator Long clears his throat and turns his tablet toward the commander. The commander nods, then grins at me. And while you're at it, how about you tell us who you actually are? Operator Long spins the tablet around to show me a picture of a research technician named Avery Rittenauer. He looks nothing like me. Whoa, hold on. Who's that guy?
Starting point is 00:19:45 Why is there a different picture in there? There's some mistake. Is there? Because I think the only mistake is that you didn't get out of here before we arrived. You screwed up, kid? Time to own it. A gloved hand slams down on my shoulder. And I look up from the booth to see a not grinning Operator Green standing over me.
Starting point is 00:20:05 Get up slowly. Hands at your sides, nice and easy. The second his hand grips me, the switch is thrown in my head. I look away from Operator Green and directly at Commander Rogers. The person I have been pretending to be, the Avery-Ritten Hour overlay, disappears from my head. Now, I'm just me, which is too bad for these operators. I don't get up. What I do do is I slowly smile at the commander. Yep, you got me, Rogers. I'm not who I say I am. Operator Green's grip tightens. I reach up, grab his hand, and twist it to the side,
Starting point is 00:20:41 turning it at an angle that human wrists are not meant to go. He cries out and falls to his knees. At the same time, I kick out underneath the table, demolishing Operator Long's left kneecap. He screams as I reach over and grab his tablet from his hands. Then I swing it straight at the commander's face, colliding so hard with the man's mouth that teeth go flying across the cafe. I'm up on my feet fast, climbing under the table, kicking out at Operator Green with my right foot.
Starting point is 00:21:08 Green's head rocks to the side, and the snap of his neck echoes through the empty cafe. Grabbing the napkin dispenser, I smash it against Operator Long's head, knocking him cold. I keep the momentum going, and the dispenser then collides with Commander Long's temple as he tries to recover from the mouth-smashing I gave him. With Long, Rogers and Green out of commission, I leap off the table, executing a perfect flying roundhouse kick at Operator Cardinal's head.
Starting point is 00:21:35 He tries to duck, but I catch him across the crown, which sends him off balance and falling to the floor in a daze. I land on my toes and sprint straight at Operator Howard, who is raising his rifle and taking aim straight for me, Falling to my knees, I slide under the gunfire, coming to a stop right at Howard's legs. Two hard jabs to the crotch, send the man falling almost on top of me. But I spin myself around and onto my knees, avoiding the gasping, crying man. I'm up on my feet and retrieving Howard's rifle before he can recover.
Starting point is 00:22:05 Pop, pop! Howard's head turns to mist as I put two rounds through the back of his skull. Pop, pop, pop! Cardinal's head is gone. Pop, pop, pop, pop, pop, pop, click! Not a single member of MTF Theta 10 is left with an intact head. Makes it easier to know they're really down. No need to check pulses when they've essentially been decapitated.
Starting point is 00:22:27 I throw the empty rifle to the floor and walk back to the booth. I collect the large baggie, wiping off some of the blood from the plastic, then stroll casually back into the kitchen. A French fry waits for me by the griddle. I hold up the baggie. Johnny Tubes and his lot are done for. and that pesky MTF team won't be bothering you anymore either. The fry stands straight.
Starting point is 00:22:49 Looks at me. Looks at the baggie. The nods at the trash can by the end of the make table. Toss them in with the trash. He spits. They don't even deserve that. So their souls should feel damn lucky. I shrugging through the baggie into the trash.
Starting point is 00:23:05 Then I turned and bend down, getting I to fry with the instance that calls himself, Don Patata. I expect the rest of my payment to be transatlantic. transferred immediately. No delays like last time. The Don holds up his little fry hands in protest. Why you're busting my balls? Have I ever not paid you? You took out that produce delivery guy for us and you were paid. You took out that bread truck driver and we paid. Now, after all you have done for us, you insult me by thinking I won't pay you? The nerve on you. I jab him with my finger and he stumbles back, but recovers quickly. His eyes turning into angry,
Starting point is 00:23:43 slits. Touch me again and let's see what happens. The nerve on me? I had a personality implant installed inside my skull so I could get inside this place without any issues. There's a dead research tech in my trunk out in the parking lot. And for an hour or so, I actually believed that was him. That's the nerve I've got, patata. So when it comes to breaking balls, you can get your damn hammer off of mine, understood? Oh, I understand. Don't you worry none. I understand perfectly. He chuckles. The thing is, I don't think you quite understand. You see us as sides and not the main entrees.
Starting point is 00:24:20 Well, that's your mistake, not mine. He stops chuckling, and his fry face gets serious, deadly serious. And in my outfit, there's no room on the plate for mistakes. You hear me? It's my turn to chuckle. Is that so? What do you actually think you can do about it? I can crush every last one of you without breaking a sweat.
Starting point is 00:24:44 You're what? Five inches tall, if that? More like four. I'm a goddamn human being. Sure. You know how to throw an aerosol can into a friar to make it blow up. Neat trick. I weigh a hundred times what all of you put together way. You don't stand to...
Starting point is 00:24:59 My world turns opaque. And I'm struggling to breathe as a plastic to-go bag is suddenly dropped down over my head. I instantly claw at the bag. But my hands are attacked by a hundred knives at once. Then a second and a third bag are dropped over the first one. I feel dozens and dozens of small feet running around and around my neck. The plastic bags tighten across my throat and face. Again, I reach up to tear through the plastic,
Starting point is 00:25:23 but both of my hands are covered in writhing, fighting French fries, making it impossible for me to get my nails against the plastic material. Then I scream like I've never screamed before. The damn fries are pulling my fingernails out! I fall to my knees, slapping at the bags, as blood spurts and coats the outside of the translucent plastic. My world becomes nothing but strangled gasps and spurts of blood. Desperate, I tried to shake the prize free, but they aren't coming off.
Starting point is 00:25:50 It's like they've glued themselves to my skin, which is possible considering the amount of starch in these little bastards. Far off, like he's miles away, I hear Don Patata say, You may think my outfit runs on hard-earned cash and hard-fought territory, but it don't. It runs on risk. And you, Mr. Personality Switcher, has shown me very little respect. You and the world in that damn foundation, too. No respect shown.
Starting point is 00:26:20 Now, yous are all going to pay the price. I try to reply to plead my case that I'm still very useful. How many humans does he have on his payroll? It can't be more than a handful, maybe three at the most. He needs me. He needs... He... needs me.
Starting point is 00:26:40 As the world goes dark, the last thing I think is that a squirt gun filled with malt vinegar would have been a good idea. But I didn't expect the threat to come from the fries. Don Patata was right. I didn't respect him or his outfit. Now I'm paying the price. And, as the last of my oxygen leaves me,
Starting point is 00:27:00 I have to wonder how it all came to this. I don't know what upsets me more, that I've been taken down by a bunch of sapiens. French fries for that I'm dying in Texas. They both equally suck. Item number 5642. Object class, Euclid. SCP 5642 refers to a series of phenomena surrounding French fries within the property of Monument Cafe,
Starting point is 00:27:29 a diner in the city of Georgetown, Texas. While they are within the diner, French fries do not decompose or spoil, but can't be consumed normally and destroyed with force. This phenomenon does not occur when French fries are inside the diner's dumpster. The secondary phenomenon surrounding the French fries occurs from 10 p.m. to 3 a.m. During this time, all French fries within the diner spontaneously manifest appendages that allow for bipedal movement and the grasping of objects. Further inspection has shown these appendages are made of potato starch and water. The way the structural integrity of said appendages is kept stable as unknown.
Starting point is 00:28:08 During this window of time, French fries, hereby referred to as SCP 5642-A instances, display a limited degree of sapiens, and adopt characteristics and beliefs commonly associated with the Italian-American mafia.

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