The Tim Ferriss Show - #215: The Return of the Money Shot
Episode Date: January 16, 2017Whitney Cummings (@whitneycummings) is a Los Angeles-based comedian, actor, writer, and producer. She is the executive producer and, along with Michael Patrick King, co-creator of the Emmy-no...minated CBS comedy 2 Broke Girls. She has headlined with comics including Sarah Silverman, Louis C.K., Amy Schumer, Aziz Ansari, and others. Her first one-hour stand-up special, Money Shot, premiered on Comedy Central in 2010 and was nominated for an American Comedy Award. Her second stand-up special, I Love You, debuted on Comedy Central in 2014, and her latest special, I'm Your Girlfriend, premiered on HBO in 2016. Whitney will be publishing her first book later this year, titled I'm Fine... And Other Lies. In this episode, Whitney answers questions submitted by listeners, including: How to overcome codependency Her updated thoughts on marriage The art and luck of creating something funny The benefits of having dogs (or pets in general) How to maximize your creative energy Tips for more effective writing And much, much more. Please enjoy this Q&A with Whitney Cummings! Show notes and links for this episode can be found at www.fourhourworkweek.com/podcast. This podcast is brought to you by Athletic Greens. I get asked all the time, "If you could only use one supplement, what would it be?" My answer is, inevitably, Athletic Greens. It is my all-in-one nutritional insurance. I recommended it in The 4-Hour Body and did not get paid to do so. Listeners of The Tim Ferriss Show get $100 worth of travel packs for free when placing an order -- that's twenty free additional travel pouches. Just visit AthleticGreens.com/Tim. This podcast is also brought to you by Varidesk. You've probably heard of research concluding that sitting all day is terrible for you ("Sitting is the new smoking" is a phrase I hear a lot.). But standing all day isn't an option for everyone, either. My assistant and I have been enjoying the use of Varidesk, the middle ground that effortlessly converts your standard desk to a standing desk (and back again) in seconds. It comes fully assembled -- just take it out of the box, put it on your desktop, and go. Models start at just $175. Check out Varidesk.com to see which one might be the right fit for you. It even comes with a 30-day, hassle-free return policy if you decide it's not your style. That's Varidesk.com. ***If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. I also love reading the reviews!For show notes and past guests, please visit tim.blog/podcast.Sign up for Tim’s email newsletter (“5-Bullet Friday”) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Interested in sponsoring the podcast? Visit tim.blog/sponsor and fill out the form.Discover Tim’s books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissFacebook: facebook.com/timferriss YouTube: youtube.com/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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At this altitude, I can run flat out for a half mile before my hands start shaking.
Can I ask you a personal question?
Now would have seen an appropriate time.
What if I did the opposite?
I'm a cybernetic organism living tissue over metal endoskeleton.
The Tim Ferriss Show.
This episode is brought to you by Athletic Greens. I've used Athletic Greens for many,
many years, and I'm asked all the time, if you could use only one supplement, what would it be?
My answer is inevitably Athletic Greens. It is my all-in-one nutritional insurance. At least,
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And it is extremely, extremely helpful. And I usually travel with travel packets,
among other things. So you should try it out is the short version of this. As listeners of The Tim Ferriss Show,
you can receive $100 worth of travel packs for free when you order. That's 20 free additional
individual travel pouches when you order. Simply go to athleticgreens.com forward slash Tim to
check it out. So take a look, athleticgreens.com forward slash Tim. This episode is brought to you by Veridesk. And I'm actually
standing at my own Veridesk right now recording this. You've probably heard of research that
shows how sitting all day is terrible for your health. Sitting is the new smoking, etc. But
standing all day isn't necessarily the answer for everyone. Sometimes you just want to sit down. And
that's true for me as well. The middle ground is Veridesk. Veridesk's height adjustable standing desk solutions
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out. Veridesk.com. That's V-A-R-I-Desk.com. Hello, boys and girls. This is Tim Ferriss,
and welcome to another episode of The Tim Ferriss Show. Usually it is my job to deconstruct world-class performers of different types, from the military
to entertainment, sports, and beyond. This time around, you are actually doing the job for me.
This is a format that is often requested, and it is round two with Whitney Cummings,
in this case, the hilarious Whitney Cummings at Whitney Cummings on
Twitter and WhitneyCummings.com. She's back and you have selected the questions you would most
like her to ask. Her first episode was a smash hit. And for those who don't have the context,
Whitney is a comedian, actor, writer, and producer. She is executive producer and along with
Michael Patrick King, co-creator of the Emmy-nominated CBS comedy Two Broke Girls.
She is headlined with comics including Sarah Silverman, Louis C.K., Amy Schumer, Aziz Ansari, and many others.
Her first one-hour stand-up special, Whitney Cummings' Money Shot, premiered on Comedy Central in 2010 and was nominated for an American Comedy Award.
Her second stand-up special, Whitney Cummings, I Love You, debuted on Comedy Central in 2014. And her latest special, Whitney Cummings, I'm Your Girlfriend, premiered on HBO. She will
also be publishing her first book later this fall titled, and I do like this, I'm Fine,
Dot, Dot, Dot, and Other Lies. In this episode, she answers a number of your most popular questions,
including how to overcome codependency, her updated thoughts on marriage,
the art and luck of creating something funny. And she's very process driven. I enjoy digging into creativity and art and in general, just production with her of various types, the benefits of having
dogs or animals in general, how to maximize your creative energy tips for more effective writing
and much, much more. So please enjoy this conversation with,
or I should say rather, monologue that answers your questions by Whitney Cummings.
There we go. Hi, everyone. I'm Whitney Cummings. This is my solo podcast for Tim Ferriss.
I am not going to say anything about myself. I'm sure that Tim just gave me a very embarrassing intro that if I heard, I'd be consumed with shame over. And I know that his listeners are
very into using their time wisely, rightly so, and all about productivity. So I'm going to try
to be as expeditious as possible here. I printed out your questions, so you're going to hear some papers flapping. Please forgive me. I'm not as polished and slick as Tim is, so hopefully that's not too distracting. I
know that when I hear bad sound quality, I have a panic attack, so don't be mad.
I tried to pick the most kind of meaty questions. My biggest fear in life is to be redundant and
boring on a podcast, so I'm going to try to
be expeditious and not repeat myself. All right, let's dig in. Becca, Becca Caddy,
sorry if I mispronounce your guys' name, asks, like a few people on here, I'd like to understand
more about Whitney's revelations when it comes to codependency. Some of her admissions on the
last podcast prompted big changes for me. I'd like to find out more about her journey. Has
she overcome codependency challenges? Will they always be there? Maybe some
practical tips on identifying codependent patterns. I'm not mocking you, Becca. I'm
just trying to get through your question quickly. It's a long one. So codependence is such a huge
sort of piece to break off, but let's just dig in. If you don't know what codependency is, it's not your fault.
In colloquial terms, I think codependency is used, thrown around in a very casual way,
kind of like words like genius and hilarious. I think we've kind of forgot what it even means
at this point. But the, for lack of a better word, clinical definition of codependence or my working definition is
basically the inability to tolerate the discomfort of others, a preoccupation with what other people
think, how other people feel, a concern, a pathological concern rather for other people,
their problems, putting other people's needs before your own. I've heard it referred to as being
pathologically thoughtful. It's almost like nice gone wrong. You're so nice that you're mean,
essentially, because when you are preoccupied with other people's issues and try to take care
of their feelings and take care of them, rescue them, martyr yourself on them, you end up
ultimately being
resentful. We say codependence breeds resentment. Let me be more specific. Just real quick,
I am in a 12-step program. I'm in Al-Anon and I'm in CODA, which is a 12-step program for
recovering codependence. So it is no joke. It can be debilitating. People can have a couple codependent traits or
all-consuming codependent neural brain wiring, which is sort of my deal.
It is not something, there's no panacea. It's not something you can just fix with a pill or a shot.
It's a sort of process of recovery. You never beat it. You just kind of can maintain it.
Let me come back to that in a second because this all sounds really vague even to me. sort of process of recovery. You never beat it. You just kind of can maintain it.
Let me come back to that in a second, because this all sounds really vague even to me.
Codependence can be developed from a myriad of childhood circumstances, everything from growing up in an alcoholic home to being raised by a narcissist or being the youngest child of a lot
of kids so you didn't get a lot of attention.
Essentially, it's a survival mechanism developed in order to get attention and feel safe. Or it's the only thing you know because your childhood circumstances were conducive to you thinking
this was the only way to survive. I was raised in an alcoholic home. I think it's important to
note that in order for alcoholism
to be present, alcohol does not have to be present. If you grew up in a home that was hectic,
that was rushed, that was a lot of drama, if there was a person in the home that was an energy vacuum,
this doesn't mean that they had to be doing drugs or drinking whiskey at noon. Alcoholism is a very, what we
call cunning and baffling disease. You don't have to see booze out. You don't have to see drugs.
You just know something's wrong or you're not getting the attention and the care that you need
as a child. Maybe you developed an adrenaline addiction as a kid. I believe that I had
something called epigenetic imprinting, which I actually read about in a book called The Female Brain by Luanne Brizendine.
Not to self-promote too much, but I loved it so much. I wrote a movie with a brilliant comedian
named Neil Brennan and made the movie this year. That's how profoundly it changed my life because
I believe that the more we know about our neural brain wiring, the more freedom we have and the more patience we have with ourselves. That's another story. We'll get to that.
But I'm trying to be concise about this. But if you grew up in a chaotic environment,
inconsistent environment, rewarded for one thing on Tuesday, punished for the same thing the next
day, as children get confused by stuff like that, Any kind of mental disorders, distractions growing up,
a divorce, a trauma, or you grew up in a relatively copacetic environment and still
have a preoccupation with other people's needs because it gives you meaning. Codependence can
manifest anything from exhausting yourself, worrying about other people, finding yourself in relationships
or attracted to people who you can rescue or fix. I find myself, I think my codependent bottom was,
you know, being in a relationship with somebody who I had to take care of, you know, financially,
emotionally caused me a tremendous amount of stress.
Oh, I didn't, I'm jumping around. I didn't finish my thought on epigenetic imprinting. That's when in utero, a child becomes addicted to stress chemicals in the womb because the mother is
stressed out. So if you grew up around a tense marriage, tension in general, any kind of anxiety, low income homes are particularly
susceptible to this because of the constant financial stress.
So if your mother in utero is producing adrenaline, cortisol, norepinephrine, phenylethylamine,
all these chemicals, the fetus then becomes addicted to it the same way a crack baby would,
you know, a lot of crack babies are born with an addiction to crack. Tragic, obviously, but I had a predisposition to be addicted to
adrenaline. And I, as an adult, recreated my childhood circumstances by seeking out relationships
that caused me stress and adrenaline. That's what was familiar to me. It felt safe. It's all I knew. A lot of people I know who have a lot of anxiety
in their life and stress and drama, and me before I was in recovery, we lament it and hate it, but
yet we find ourselves over and over again, subconsciously gravitating towards those
kinds of relationships, jobs, circumstances. So codependence more
specifically can manifest in everything from going to dinners you don't want to go to,
going to baby showers. When someone asks me if they're codependent and it's self-diagnosed,
I can't tell you. I usually say, look at your calendar and look at your verbiage, the way you
talk. Do you say,
I have to go to this thing next week? I have to go to this wedding. I have to pick my friend up
from the airport. You don't have to do any of those things. Codependence tells us that we do,
that we can't say no. Maybe we grew up in a situation where we had to do things that we
didn't want to do or had to walk on eggshells around other people's feelings.
Our parents, maybe our parents were fragile or very sensitive.
And as a result, we think it's appropriate or necessary to constantly go through life
doing things that we don't want to do.
I also, if you have a hard time receiving, it's very easy for you to give, but hard for you to receive.
I used to receiving gifts or help made me really uncomfortable. My comfort zone was helping other
people and focusing on their needs. I never admitted to having needs before I was in recovery
for codependence. I couldn't ask for help. I couldn't say uncle. There was no amount of work I wouldn't
take on. I didn't know how to put my health first. I gave more than I had. I'm feeling myself being
very vague, which is also a codependent thought. We beat ourselves up. We obsess over what other
people think about us. We worry that other people don't like us. And it's draining. People always
say like, but I like that about myself and don't you need that
to be successful? And what if I'm just nice and I help other people and I go to baby showers,
even though I don't want to, isn't that just being nice? Yes. The reason this is such a nefarious
condition is because it's so socially acceptable and you can kind of file it under being nice.
Being in recovery for codependence doesn't mean you can't be nice anymore and do nice things.
You just, your motives change because being nice for the wrong reasons actually isn't nice. It's
selfish. If I'm doing something nice for you because I want you to think I'm nice, that's
like borderline sociopathic, right? That's manipulative.
That's not a pure intention. If I'm doing something nice for you because I want to be
of service with no strings attached, you know, that is admirable. So, you know, I hope that this
is a sufficient answer. I don't want to spend the whole time talking about codependence.
There's so much to cover in it. But I do think it might be pertinent to Tim's listeners because codependents
often have a paralyzing issue with perfectionism. I suffer from this and it sounds like maybe being
dramatic, but I really struggle with perfectionism. I can't turn things in on time, staying up till
four in the morning, changing the font on a document. I've made a lot of progress,
but before recording this podcast, I tried it four times and I was like,
hi, I'm Whitney. That was stupid. Hi, I'm Whitney. That was even dumber. You're an idiot.
That's a waste of time. So what I would say is that codependence, ultimately, it's stressful, it's exhausting,
it ages you, it ultimately makes people resent you, it makes you resent people,
it's dishonest, but it's also unproductive. So I feel like it might be helpful to some listeners.
If you find yourself wasting time going to events you don't want to go to, being friends with people
that you don't like. I mean, before I was in recovery for codependence, I didn't think I had a choice in the kind of people I was friends with. Um, of course,
Tim says you're the average of the four people you spend time with. Um, and before program,
I just was friends with anyone who asked, cause I didn't know I was allowed to say no, uh, to people,
you know, and I took on work that I shouldn't, that I was a waste of time just cause I was like,
if I don't do this, then they're not going to hire me for this.
And what if they don't like me?
And what if they're mad at me?
Like this inner monologue is really a giant waste of time and self-flagellating ultimately.
And, you know, something we say in codependence recovery is that perfectionism leads to procrastination, which leads to paralysis.
So when we have perfectionism,
we can't get work done. We can't be creative. We can't work from our energy source or from
our heart because we're so stuck in a self-critical state of that was stupid,
that sucked, that wasn't good enough. No one's going to like this. You're going to fail.
That inner monologue is rewriting that inner monologue has been a big part of my codependent recovery. If you want to know more about codependence, I would say read a book called Codependism has been passed on. Learning about alcoholism also has really helped me. Alcohol used to be in water before the 1900s as an antiseptic. People couldn't drink water without alcohol. I mean, alcoholism is just such a big part of the fabric of this country. And I think we're sort of paying the emotional price now. We're kind of the first generation kind of trying to rectify the,
you know, repercussions of this disease. And it sort of reaches far and wide.
Let me move on because I could talk about that forever. Tiffany Saven. Oh, she's asking about
codependency as well. She's asking, how do you
know if you're codependent? I feel like I sort of covered that, you know, something else I'll
just say really quick is codependents tend to not have fun and hobbies in their life.
This is embarrassing to admit, but before I was in recovery for codependence, I didn't have fun.
That sounds weird. Like I would go to a party and I'd be like, I felt like I was performing fun
or just trying to get it over with. I had a hard time being present because I was so in my head about having fun perfectly. And it's like having a, you know what,
codependency is like having a sports announcer constantly weighing in on your performance in
life. You know, when you walked into the party, she said hi to that guy. That didn't go well.
She just embarrassed herself. Why did she bring that up?
That was weird. Now she has food in her teeth. Like it's a constant sort of negative under
pinning and shaming. You should, I mean, I used to have the inner monologue of you should be home.
You should be working. You're falling behind. You should be working harder. You know, for
codependence, it's never enough for me. I me, I think the last thing I'll say is,
especially for Tim's listeners, which I know you guys are all very ambitious people with a lot of
goals, it's finding that balance between overworking and codependently working. I think
my codependence has been an engine for me to get a lot done, but it has backfired.
There's a certain point where I have burnt out and wasted a lot of time worrying about
what other people think or spending that extra hour making something perfect in my brain,
which no one cares if it's double spaced or single spaced.
I could have gotten an hour of sleep instead.
Recovery from codependence helps me to prioritize my health so that I don't burn out.
Before recovery and being in a 12-step program, I worked so hard that I got pneumonia.
So, you know, it's, I guess, diminishing marginal returns.
Would that be the concept?
I don't know where I got that from.
But there's a certain point where you work so hard that you actually become unproductive or you make yourself sick or you're tired or your friendships
suffer or your hobbies suffer or you need a personal life in order to be, I think, a good
artist or a good business person. I believe in order for art to imitate life, you have to have
a life. And if you're a business person, you have to know what people want. If you're selling a product to people, you have to
know people. So that's all I will say because I'm very concerned that I'm being a broken record.
Francisco Israel asks, I would like to see a deconstruction of what makes stuff funny.
What is the fabric of humor? Like a quick to be funny
manual. Cheers from Chile. I hope I pronounced that right. Chile. Sorry. I was really trying
to sound sexy and it didn't go well. Francisco, I have been doing standup, I would say about
12 years. I still can't tell you why equals MX plus B of why something's funny, which I think is why I love doing this so much.
It's mysterious. It's elusive. Different things are funny on different people. I could do George
Carlin's act and bomb. Louis CK could do my act. Well, I mean, he's a guy, so that would sound very
weird. That actually might be funnier than the way I do it. But if that makes any sense, what makes somebody funny is,
I think, a combination of the truth, high stakes, and their essence.
Sebastian Menescalco, I know I brought him up on the last podcast, but he's fascinating to me
because if you were to transcribe his act, for the most part, there's not a lot of jokes in it.
If you were to look at a piece of paper, it's in his performance and it's in his eyes, it's in his timing, it's kind of intangible.
You know, Sebastian's a friend of mine and, you know, as a person, he's funny as well,
but something happens when he goes on stage that it's an intersection between him and the audience.
So the energy of the audience plays a really big role,
which changes every night. The audience is different every night, which means why something's funny is different every night. It's fascinating to me. I think that I do know
that if you want to do comedy or be a writer, or even if you want to be a business person,
I think this probably matters. I think Apple does a good job with this and understands the role of surprise. Surprise is, I think,
on some level, the most important part of comedy, at least the kind that I do.
If you surprise someone, they will usually laugh, whether it's a negative surprise or a positive
surprise. You've seen people watch horror movies, you've seen a surprise party. Surprise is important. And it's really hard to surprise
people these days. It seems like everybody's become so desensitized. So if you can do that,
I think you're going to get everything you want in life. There's also some funny stuff that I can't
explain. I remember specifically, maybe like eight years ago there was this comedian his name was
josh fadum really funny guy sort of alternative comedian and he was on stage at the improv and
i remember i was waiting to go up and i was just a young you know kid i had no idea what i was doing
um waiting to go on and uh he's he's um, it's almost like performance art, what he does.
And he does sort of an impression, like a postmodern impression of a comedian and,
um, a lot of levels to what he does, but he started running in place, like in a really
dramatic way, like flailing and gesticulating, like out of breath, like, you can't see me.
So it's ridiculous that I'm trying's ridiculous that I'm actually doing this
alone in my house. But he started running in place. And it was really funny at the beginning
because he was exhausting himself and everyone's kind of laughing. And then 30 seconds passed.
And I remember being like, okay, what's next? Let's go. Let's move. You're milking this, Josh.
And then a minute passed and he's running and it's,
no one's laughing at this point. People are just like, what is he doing? This person's having like
a manic break. He commits to it so hard. He goes for another like 30 seconds. And I remember at
this point just being like angry. Like, what is he doing up there? Like, this is crazy. He's
taking stage time from other comedians. Like a lot of Tim Ferriss listeners, I'm very obsessed with using my time wisely.
And I'm like, this guy's wasting valuable stage time.
Two minutes, about 30 seconds later, he's still running in place.
The audience starts laughing again.
15, 20 seconds later, we're laughing so hard.
I'm crying.
I'm crying, laughing the deepest
depths of my gut. My muscles are killing me. I had to leave. I had to leave the room. I was
laughing so hard. I don't know what he did. Uh, it was some magical bell curve of funny where he
committed so hard to something that we all just,
I still can't explain it.
I can't explain it.
And it was one of the funniest things I had ever seen.
Um, you know,
he kind of got past the stage of bombing and turned it into this another
level of,
I can't even explain a performance art,
but it was surprising,
uh,
you know,
the audacity that he had and the bravery.
And it just it was really amazing to see.
And I remember going like, oh, I'll never understand how comedy works because this is amazing.
And let's see.
I think things are also funny at different times all the time.
That's something else that's kind of amazing about comedy is is something that was funny a month ago might not be funny in two months.
You know, Trump jokes were really funny six months ago. Not so funny anymore. You know,
it got real, you know, so that's something else that is, you know, you listen to old
comedy and some stuff holds up, but other stuff you're like, that was funny 20 years ago. And
it's people are dying in the audience, just crying. just crying. I think it's definitely harder to be dirty funny, if that makes any sense.
Because everybody has seen it all these days in the age of porn.
How do you say anything dirty anymore?
I think what's becoming shocking changes.
I think when I started doing stand-up, this is going to sound gross, but it was a lot
of AIDS jokes. That was the edgiest thing you could say. Now that's not funny to me,
at least personally. Um, racial jokes are less funny now that, you know, black lives matter.
And it's, it's, uh, you know, ubiquitous on the news, sort of all the racial injustices,
race jokes. Aren't that funny to me? Uh, When a white person does a race joke, not as funny. When a black person does it, you're like, oh,
I have permission to, you know, something different happens, you know? So it's such
a case by case basis. So I guess what I would say is that if you're trying to be a comedian,
don't worry about what other people are doing. Do your thing, whatever your essence is,
whatever your truth is. I promise you, you are funny in a specific original way.
Talk about your most embarrassing thoughts and your personal experience because you're not going to be funny doing Daniel Tosh's act. Daniel Tosh is funny because of his cellular makeup and his
DNA. So I would say just stay specific and be yourself. That's such weird, cliche advice,
but I guess there's a reason people say it so much. Okay, next question. I don't know who asked
this. I deleted his name. Sorry. Not codependent anymore. I don't even care what your name is,
sir. Just kidding. I'm really sorry. Please don be mad uh has whitney's view on relationships
changed since the howard stern interview back in january what is her take on marriage
well anonymous man i assume it's man for some reason i first of all do not remember what my
take was on howard stern because when i go on his show i completely black out and have an out-of-body
experience and look down at my shell of a body from above, just yelling, please stop saying what you're saying because I'm just
embarrassing myself at six in the morning, mind you. So I'm usually half asleep and in a melatonin
hangover. So I presume I was relatively negative about it. I think publicly I've been somewhat
cynical about marriage. You might know this, but I saw three divorces by the time I was 15,
very acrimonious, expensive, court casey marriages. So I think it was inculcated in my brain that marriage just was a giant waste of time
and immense source of anxiety and stress. I now have a little more mature take on it.
I think on some level, I wanted to make sure that my beliefs about marriage
were at least my own and not a result or core beliefs because of the blueprint I saw growing up.
I don't want to be a puppet of the mistakes that my family made. And if I don't believe in marriage,
I at least want it to be for original reasons. So I definitely had a lot of fear around it until recently. I would say that my opinion has changed theory going about how the most successful people and
the people whose careers I admire are happily married people. I think it probably is no
surprise to anyone that being single is very time consuming, exhausting, and distracting.
It's a full-time job, especially if you're online dating like I am. And I see a lot of value in finding somebody
who can be a teammate. And if the person supports your goals, I think it's a risk that is worth
taking, even if it doesn't pan out. I believe in marriage. I also believe strongly in divorce. If something isn't working,
I think the stigma on divorce is obsolete and frankly, kind of ridiculous given our recent
scientific discoveries about neurology. Marriage was invented when the life expectancy was 30
years old. We're now living to 80. It's an unrealistic and unfair pressure and expectation
to put on people that a marriage
should last forever. If it does, that's awesome. Congratulations. You're an anomaly. But if it
doesn't, that's okay. I hope to have a couple marriages in my lifetime. I just recently kind
of learned the value of teamwork in a relationship. And being in a relationship, this is new to me, and I'm not sure
if I've actually ever been in one of these yet, but it is my goal to be in a relationship that
energizes you instead of depletes you. I have historically been in depleting relationships.
And an energizing relationship with somebody who kind of takes you off the market and out of the incredibly distracting
single scene, I think is really conducive to productivity and achieving your goals.
I think it's tricky because the kind of people I think who listen to this podcast
and who want to win in life and accomplish all their goals are highly motivated and always
looking for an upgrade and to achieve
highly in their professional lives. But I think the people who are really successful and get to
the most admirable echelon in their field have very high standards. Standards probably isn't the
word. Very ambitious professional goals, but in their personal life
are not always looking for the upgrade or looking to achieve highly. Not that
marrying someone is a, that, you know, I'm not judging this abstract metaphor, but,
you know, I think it's part human nature and part a type A personality to always be looking for something better, improving yourself.
I have suffered from debilitating perfectionism.
Every time I'm in a relationship, I'm like, should I be with someone smarter, you know, funnier, this, that?
And it's exhausting.
And I think that a healthy level of acceptance of this person is awesome.
I should commit to them.
And yes, I could, I'm sure, scour the world for the upgrade, but that's all relative and that's all energy better used to, I think, upgrade yourself and whatever you're doing in your work.
So I'm personally striving to, the word's not complacent, but or to settle, but I'm
personally looking in my personal life to find someone who doesn't make my life harder.
And if I, you know, marriage made sense, I would totally do it if I planned on being
with that person.
My expectations, however,
I think have become more realistic. I don't expect my personal life to be 50 shades of gray every day. That's a form of perfectionism in relationships to have the best marriage with
the most interesting person or the most successful person. I mean, that's all, those are standards that I would like to reserve for my professional life
and maybe in my parenting in the future instead of in my partner seeking. Because if someone were
to judge me based on the way I judge others, I would never measure up. So I'm trying to just
kind of have not low expectations, but realistic
expectations given what I know about neurology and monogamy and the history of marriage and
what it was intended for. I think I have a much more mature take. I recently looked into selling
my house and learned that if you're married, you get to keep a lot more of the money. So
that's a very mercenary take. But if I'm with somebody,
I'm not going to, it makes no sense to be with someone for 10 years and not marry them just
for a stubborn, fake qualm with the institution of marriage. I no longer think it's cool or hip
to be negative about marriage.
But I do have realistic expectations. I think I said before, I believe in divorce. I believe
strongly in prenups. I don't think that means you anticipate it ending. I think it's just a
really smart safety net. I think they're on legal zoom. You don't have to have money to have a
prenup. It just makes things... I just think it's a smart decision. I would do that
even if you never use it. When you ask for a prenup or have that discussion, you find out
who the other person is. So you can also use talking about a prenup to find out what kind
of person the other person you might be marrying is. And I also would never marry someone that I don't think would handle
a divorce with grace and class. I think to expect a relationship to last forever,
I think is slightly unfair because hopefully I want to be the kind of person who's growing
so much and changing and learning and evolving so much that there is a strong chance that whoever
I marry in two years, I won't get along with in 10 because I've grown so much that there is a strong chance that whoever I marry in two years,
I won't get along with in 10 because I've grown so much or I've outgrown them. That could happen
or they could outgrow me. Who knows? Hopefully I marry the kind of person who would outgrow me,
someone who's better than I am. So anyway, I feel like I might be rambling, but I do think that,
I hope this doesn't come off too psychopathic, that
being in a good marriage can be very productive and conducive to professional success
because finding stability in other parts of my life is energizing and calming. And the last
thing you need if you're trying to take over the world or start a business or write a book or start an app is to be having petty arguments with an immature
person all day. You know, it would be ridiculous that we spent all this time on life hacks and
conserving our energy and four-hour body and four-hour week and then being in a 400-hour
relationship, right? So I think Tim needs to write the four-hour relationship.
That would be a four-hour marriage. That'd be amazing. You only have to see the person
four hours a week. Please, someone patent that. And yeah. So all right, let's move on to the next
question because I fear I'm already revealing too much about my damaged psyche. Let's move on
because I'm feeling like this answer is going to make
me be single forever. Tom Viemont, I hope I'm pronouncing that right. She has multiple dogs
in her house. Do they ever fight? And if so, how does she handle it? Dog people. I know that Tim
just got a dog. So maybe you guys are all dog training information out. But if you have dogs, I highly recommend them.
They're very therapeutic.
They're energizing.
They have taught me a tremendous amount about discipline, helped with my codependent recovery
because you can't be codependent and train a dog, especially not a really big, strong
dog.
I have pit bulls that are just kind of walking lawsuits because everyone is just so
litigious these days. And you have to have incredibly well-trained dogs if they're stronger
than you, which mine are. Discipline training with a dog is, I think, great practice for being a boss,
for running a company, for being an artist, for being in a healthy relationship, healthy marriage,
if you will. If I didn't just completely talk you out of getting married. Introducing dogs,
couple of things. Know the dog. If it's a rescue, which I highly encourage,
know the dog's triggers. Spend some time with the dog alone first. Don't introduce them right away.
If you have a dog who already lives in your home, do not just bring the new dog in.
Dogs are incredibly territorial,
especially if it's female. I would also say make sure you spay and neuter your dogs always.
Makes them more confrontational and aggressive. If a dog is not neutered,
it puts the dog in danger because it makes other dogs threatened by them.
Spay and neuter your dogs, please. That is going to greatly reduce the chances that they're going to get
in an altercation or get attacked or attack. First things first, if you're going to bring
a new dog in the house, take all the food off the floor, any toys, anything that your dog might be
possessive over, make sure you crate train your dogs. Always put them in crates next to each other
first. Only feed them in crates next to each other at first. The new dog, make sure you crate train your dogs. Always put them in crates next to each other first, only feed them in crates next to each other at first. The new dog, make sure you always
give less attention than the dog you've had longer. When you come in, pet the new dog first,
the other dog second. Treat the new dog like a redheaded stepchild, basically.
Make sure you are the alpha of the house. Your dogs are not going to fight with each other if
you're the alpha and if they respect you
Um, i'm going to try to make this shorter because I could talk about this forever
Yeah, I would say just be the alpha if any dogs show aggression
um, I
Instantly put them down on the ground and hold them by their front and back legs hold them down until they exhale
And have acquiesced to you being dominant. Um, if you know your dog well, I would,
you know, I bite them on the back of the neck and emulate being the alpha dog. It's very weird to
watch and not sexy. I try to only do it in private. Um, those things work for me. I have
submissive dogs. Um, I've had them since puppies. I have been in experiences with, uh, dogs who are not submissive,
who I have not had since they're puppies. That is much harder. Um, and I recommend that you get
a professional trainer if it's a big dog. Um, dogs are, uh, animals. We can't forget that they
have evolved to read our faces and to, um, be domesticated and disturb us, but they also want to protect us. And, uh, that can be
confusing to dogs, um, and can often cause fights. Um, so if your dog is fighting, probably just
trying to protect you or thinks you want it to, but, uh, the key is to just be the alpha and to
make sure that your dog has really strong recall. If your dog does fight with another dog, if it
doesn't respect you, it's not going to stop. And if you're just yelling and screaming,
it's going to think that you're participating in the fight and encouraging it. It doesn't know.
So look at yourself. There's a great documentary called Buck that I highly recommend about the
horse whisperer guy. And he talks about training horses or it's a documentary on him training
horses. And essentially it's about, you's about your dog is a reflection of you.
Whatever's going on with you is what's going on with your dog.
So whenever you're training, I have this amazing trainer who came in when I was training my
first dog, Ramona.
And she was a tricky dog.
She had some brain damage as a baby, abused Pitbull puppy.
I was really scared.
I didn't know that much about Pitbulls.
And she was going to get really big. And there's so much propaganda and myths about pit bulls.
But they do have a row of great white shark teeth and they can hurt you even by accident
if you're stupid. So my trainer comes in. Her name is Julie Elis, I-L-L-E-S. If you are in the
California area, she's great,
does impulse control. You send your dog for like three weeks. But she comes in and I was like,
hi, nice to meet you. Do you want to go outside and meet Ramona? And she was like, I'm not here
to meet Ramona. I'm here to meet you. I was like, what? I mean, the first training session,
she was training me because any problems that you have psychologically, your dog is going to have.
If you're impatient, your dog's going to be impatient. If you have, psychologically, your dog is gonna have. If you're impatient, your dog's gonna be impatient.
If you have anger issues,
your dog is gonna have anger issues.
If you have anxiety, your dog's gonna have anxiety.
They're very empathic and they mirror their owners.
So if you've got an issue with your dog,
you might wanna look in the mirror.
I've had to do that many times.
It's painful, it's frustrating,
but training my dogs has been one of the most growth-inducing
edification experiences of my life. Because if you're a dangerous person, you're going to have
a dangerous dog. And it's really powerful, really poignant and frustrating and lots of anger. But it really made me realize how outrageously inappropriate my expectations
were for other people as well as dogs. You get a dog and you're like, why aren't you
doing what I want you to do? Why would they? You haven't told them. It taught me how to set
boundaries, to have realistic expectations, to ask for what I need, to enforce my boundaries,
to be consistent. You can't be inconsistent with a dog. If you say no to going on the couch five
times, but you let them go on the sixth time, dogs are gamblers. They're always going to try
to play for that one time that they won. So you have to be consistent, which is a skill.
Can't be lazy. You can't cut corners. you know? So training dogs, I think is a metaphor for
life and for work relationships. All of it. It's powerful. Cats, I don't know as much about. If
you're a cat person, I'm sorry that I don't have more to say about them, but they scare me and
make me feel insecure. Also, this is probably going to be polarizing. Purebred dogs, I think that there's too much breeding. I have
more luck with mutts. In my experience, they tend to be a little bit healthier.
This is a total judgment and not a real statistic. This is just what I've seen is that this pure breeding
dogs, they tend to be a little more intractable. I've seen some things go wrong, I guess is what
I will say. So my other little piece of propaganda, I think you guys probably know by this point that
I'm super into dog rescue and adoption. So if you don't have a dog, my recommendation is adopt
them. I find that mixed dogs, I've had a little more luck with them. Okay. David Ware asks,
ways to maintain creative energy during overwhelming workload? Great question.
You know, I am a sort of type A workaholic. And until very recently, I did not know how to maintain my
creative energy. I was like the horse boxer from Animal Farm. I just thought, keep working and
keep working and white knuckle through it. And I don't live that way anymore. If you're having
writer's block, business development block, whatever you do, I would
say you have to chase inspiration like a rabid hunter.
You have to be constitutionally dedicated to protecting your energy, your brain, and
your inner child.
Inner child sounds weird, I know. If you do relate to codependency at all or think you grew
up in some kind of dysfunctional home, the big book of adult children of alcoholics, there is,
I don't know the page number, but there's a description of inner child work, which is all
about nurturing your inner child. I do believe that we're all just five-year-olds who happen to be very tall and have nice clothes and cars. But I believe that we're all essentially
five years old. And we forget that sometimes. And I feel like I've spent a lot of money and time
trying to get back to my five-year-old self who was focused on play and creativity and the sky was the limit and colored outside the box.
I'm not slamming our education system, but I think we go through this conforming process
in school where we're taught what to think, not how to think. And then we get out of college and
we made all the grades and we've developed discipline and maybe developed an
adderall addiction, but we're robots. And then all of a sudden, the most successful people are
always the most creative ones, not the robot zombies who punch numbers. So I think it's
really important to nurture that inner child part of yourself. I'll get more specific. When I feel
blocked when I'm writing, I watch cartoons. I'm not even kidding. I watched recently the old Bambi
with that beautiful animation. It looks like paintings. I couldn't watch the part where the
mom died because it makes me cry. I do use adult coloring books. I think those are kind of in vogue
at the moment. I have one over kind of in vogue at the moment.
I have one over there.
I don't know the name of it, but you can get them on Amazon.
There's one that's like serenity, one that's meditation.
There's one that's kind of funny that's like inappropriate and dirty.
I try to color things opposite of what they should be. I try to color but not perfectly because, as you know, I have perfection issues.
So I got this one that was like New York icons and there was a cab.
Instead of coloring the taxi cab yellow and the sky blue, I made the cab blue and the
sky yellow, trying to work the part of my brain of thinking outside the box.
And that's a muscle to me. And that's something that I can use when
I'm working so that I'm not doing the same thing over and over again. I don't want to do a bad
impression of myself. I don't want to repeat myself. I watch people that inspire me. Marina
Abramovic, I'm a fan. I watched her documentary. Whenever I'm blocked, I'll watch her videos. I just read her autobiography. She inspired me. She's fearless and just a brave. It's humbling. She's a performance
artist. If you don't know Marina Abramovic, A-B-R-A-M-O-V-I-C. It's kind of my dream for
her to be on The Tim Ferriss Show. I'll just let you look her up.
I don't think I can describe her. She's a really powerful, incisive performance artist who involves
the audience as sort of part of the show. And I was reading about how she lived with the
Aborigines in Australia for six months and was eating bugs and I'm complaining because I can't finish the last
chapter of my book because I'm tired. It helps me to have perspective and gratitude and reminds me
what it takes to be great. I think that's important, gratitude. I watch things that
I'm a fan of. The Black Mirror, the English version, is, I believe, one of the Black Mirror, the English version is, I believe, I mean, one of the
most inspiring things I've ever seen.
And so I'll go back and watch it.
It inspires me.
I go back and watch a movie I've already seen that's brilliant to look for moments and details.
The Shining is, I think, unbelievable.
Every time I watch it, I see something new and I'm like,
you know, it reminds me that the best artists, the best businessmen are, uh, people, not men.
Um, all of them are relentlessly dedicated to detail, tireless, all the things that I need to
find within myself to push myself over the finish line of whatever I'm doing.
I meditate. I know Tim talks about this a lot. I was doing transcendental meditation for a while.
I feel like I plateaued. I started kind of just falling asleep when I did it. I now have a teacher
named George Haas at a place called Against the Stream in Los Angeles. He teaches an
online class. It's called The Meaningful Life. It's like a 10-month course that I think you can
take from anywhere. He puts the videos on Vimeo and posts the readings and stuff on Dropbox.
And it's very specific to target forgiveness meditations, meta compassion meditations, that's really worked for me. I think I need specific things to work on. And he helps you identify your attachment strategy based on what happened to you in the first three years of your life, based on John Bowlby's theory of attachment. Very interesting stuff. That's really helped me. Again, I'm a science dork. I watch TED Talks. That's kind
of unoriginal, but I just will watch it about something I know nothing about to sort of
awaken a part of my brain that's asleep. I recently watched one on a girl who animates
light for Pixar. I know nothing about animation. And when I watch a TED Talk or read a book about something about which I know nothing,
it gives me that childlike feeling of learning something new.
And that energizes me in my creativity.
I believe very strongly in brain rest.
I know we all want to work 18-hour days, Saturdays, Sundays.
It's really important to take time off and play.
This isn't my advice or my idea. Studies, statistics, science supports that our brains
do need to rest in order to be productive. You guys have probably all read the four hour work
week. I don't need to tell you to take time off. I believe very strongly in rituals. Michael Patrick
King, who made Sex and the City, The Comeback,
which I think is one of the top three greatest comedy shows of all time, with Lisa Kudrow on HBO.
Brilliant, brilliant stuff. I go back and watch that sometimes when I'm feeling
like I need some inspiration. He told me I need to have a ritual, always have a ritual.
I often work from home, which is hard
because I'm distracted and it's easy to procrastinate and, oh, I need to clean that.
And, oh, I should go make another sandwich. Um, rituals are important. So, um, now I've,
this is going to be embarrassing, but if I'm working from home, I don't get to wake up and just be in pajamas and
go online and you work from in pajamas. I wake up, I brush my teeth, I put on a bra. It's important
to wear a bra. Keeps you awake. If you're a woman, that underwire gives you that extra kick.
You have to have good posture when you're being impaled by a rusty wire. Um, I put shoes on, I wash my face. I put makeup on as if I'm going
to the office. If you work from home, it's really important not to be a slob. I light a candle.
I have flowers in my house. It's really important that I have fresh flowers. There's just something
about it that is a Pavlovian reaction. I'm serious. This is happening. Um, I have sage. Michael gave it to
me. Uh, I sage in the morning I do around the whole house. I do a little meditation. I kind
of ask for what I want. Um, you know, please give me the creative energy to get through this day.
Um, help me to be truthful. Like whatever I set an intention for the day, whether it's,
I'm writing a chapter, I'm writing a book at the moment, which I've never written a book before. And it's a totally new challenge for me. And,
um, you know, my intention yesterday was helped me to be honest today, helped me to tell the truth,
relentlessly tell the truth today and not hide behind jokes and inauthenticity and be funny and
cute. And this chapter just helped me to channel the truth instead of trying to impress critics that don't
even have the book yet. So setting a really specific intention for what you want to accomplish
for the day. I'll move on to something else because that's embarrassing to admit. This sounds
silly, perhaps to some people. I've been reading a lot about color therapy recently, and we all
have different reactions to color. But I went to a place called Merrillville in Arizona with my friend Neil
Brennan, who I've brought up already. And I went to a color therapist, and he helps you kind of
find out what are your power colors. You don't have to have money to do this. You can figure
it out yourself based on what you gravitate towards. And red,
for most people and me, I'm no exception. Red was very energizing for me. So in my office,
I try to have red things. I have a red candle. I sort of have this beautiful vintage book. It's
The Scarlet Letter, which is one of my favorite old books. I have it on my desk.
It just gives me strength, whether it's psychosomatic or not. The placebo effect
is in effect, so I will take it. Green is kind of a more soothing color for me.
If I want to meditate, I go in my room, everything's white or moss green. It might
just be a fake, crazy Hollywood religion thing, but it works for me.
Um, find out what colors activate you, trigger you, soothe you, wear them to the meeting. You're
going to put them on. Uh, uh, if I want to sort of create a new concept, I'll only wear white
because that sort of feels like symbolically a fresh start for me. Um, I'm sure this sounds very crazy to you guys, but, um,
if it works, it works right. Playing with dogs, uh, helps me to re-energize and to, um, entertain
and awaken the inner child, um, which I think, uh, is important to make sure that your inner child
is honored in order to come up with new ideas and creative ideas. Um, I don't
know why I pronounced creative that way. Uh, I'm obviously getting tired. Okay. That feels like
enough. Um, Chris Brown, I don't think the singer texted, how does it feel to be in an industry
dominated by men? Um, I don't know. Um, Chris, you seem really nice, but I feel like I've answered this
question for 10 years and I still don't have a good answer. I guess what I would say is I don't
think about it. Um, I see a lot of really powerful, awesome, strong women, uh, in this business. Um,
I love men too. So I've, all the men I work with are awesome for the most part. Um, but I do think that,
you know, know yourself if men are triggering to you, cause you grew up in a home where,
you know, you got dad issues figured out. Um, it used to be more triggering to me. I guess the
most interesting way I can answer this question is it used to bother me more before I got into therapy and got my
shit together. Uh, any issues I had with my dad that made men triggering, I healed. Um, I'm still
in the process of healing. I'm sure there are a lot of wounds I haven't even gotten to yet that
have yet to, um, uh, present themselves to me. But I would say, you know, some I would actually argue that women
are even more triggering to me. I actually had more complicated relationship with women growing
up, which is where my codependence gestated. So I actually had a harder time working with women
in the beginning. I had trouble with authority figures, women triggered me feeling like, without getting too specific
about my family of origin, my mother, I felt like I had to walk on eggshells around my mom.
She was a very sensitive person and she worked really hard. She had a day job, which I really
respect and admire about her. She is a really big part of my work ethic, but she was both
working a full-time job, raising two kids in an acrimonious marriage, going through a divorce
later, balancing a codependent, overwhelming social life, and being a mom and cooking and
all of it. And she had a lot on her plate. And as a result, I found that it was hard for me to get attention. I didn't want
to add stress to her life. I didn't want to make things more difficult to her for her. And so I
minimized my own needs. I walked on eggshells. I tried to anticipate her needs, solve her problems,
and I became very obsessed with making sure she was okay. So that's where a lot of my codependence comes from and my
preoccupation with other people's needs. I project that or projected that onto people as adults,
but I found that I did it more with women than with men. So in a professional environment,
if I had a female boss or employee, I tend to recreate those circumstances and was very worried
that all women were fragile
and you had to take care of them and that they could, they were going to cry at any second.
And, uh, that I couldn't tell them, no, I couldn't fire them. I couldn't give them notes on a script.
They would just fall apart. Um, the way I saw as a kid. So I guess my answer to this question is,
um, figure out your triggers. Uh. If working for a man is hard
for you, figure out why. Your boss is not your dad and your boss is not your mom. Your boyfriend
is not your dad. Your husband is not your mom. Figure out what you're projecting onto people
that's getting in your way. Figure out what old baggage you're
bringing into a current situation. Because a lot of times we don't have a right size reaction to
a situation. If something hurts your feelings too much in a workplace environment, it's probably not
about your workplace environment. There's something else going on that you need to fix that has
nothing to do with work. And that's draining. And it's old, old stuff that you need to heal.
I'm really trying not to curse.
It's very hard for me.
Anyway, I also, you know, this is going to sound, if you don't live in LA or New York,
probably annoying.
But like, I'm kind of at the point where gender is not, you know, I don't really think about
it.
I know a lot of men with a lot of traditionally stereotypical female qualities, which is awesome.
And I know a lot of women with a lot of traditionally stereotypical female qualities, which is awesome.
And I know a lot of women with a lot of traditionally stereotypical masculine qualities.
You know, a lot of people think I have a lot of masculine qualities, at least in my work
environment, certainly not in my personal life.
But yeah, so I don't know.
I don't say like I need to hire a man for this job or I need to hire a woman for this
job.
You know, I know a lot of guys that are artists who are incredibly sensitive and I know a lot of women who are business in business. I guess that's such a vague, weird 80s way to describe it, who are really calculated and unemotional and all the things that you would maybe think of a man is having. So we live in
a cool time, don't we? Next question. Chip Franks. What a name. It's like the male stripper from the
70s in Houston. Chip Franks asks, if you had to start all over again, no fans, few resources
other than your amazing mind. Thanks, Chip. What exactly would you do? What's
the process? Assuming you'd even want to get back to where you are now. Ooh, that was ominous.
I don't know how useful this question is to you guys. I guess I would say, you know,
for anyone who wants to be in entertainment, I mean, the internet is totally different now.
You know, this makes me feel very old, but when I started, uh, you know, YouTube, people weren't getting famous off YouTube. Um, I guess if I were to start now,
I'd want to do it the right way. I'd want to get good. You know, I'm glad that I started right
before people were getting famous off YouTube because I had to work for it. I had, you know,
I went on the road and I got good. I got really good advice from Gary Shandling once, the late Gary Shandling,
who I'm a huge fan of. One of my other favorite shows besides The Comeback is The Larry Sandals
Show. Brilliant. Not Sandals. Not Larry Sandals. A little plug for Sandals Resort. The Larry
Sanders Show. Am I losing my mind? Gary Shandling in the Larry Sanders show,
tweet it, blog it, Google it. He said to me once, it can never happen too late,
which was profound for me because I think I thought, and I don't know where I got this,
maybe it's my codependence, maybe it's my perfectionism, maybe it's
specifically American capitalism, maybe it's my type A ambition. I don't know. But I thought that I had to get success fast. It was all about being as quick as possible.
And so if I were to do it over again, I would have done it slower.
Um, I think that I got things a little too fast for a myriad of reasons. Uh, one was me wanting it fast.
You know, I didn't need money. I was broke, so I didn't need to get income quickly,
but in terms of getting exposure quickly, stand up quicker is very rarely better. Um, you know,
it's like being a bodybuilder, an athlete, um, you know, that's probably a bad example because
most athletes are very young, but you know, you have to get good first. If you get exposure before you're good, it only hurts you,
especially with the internet now because you can't have a bad set and have it disappear.
It's online forever and will haunt you. So I guess what I would say is faster is not necessarily better. That's all I will say on that. In terms of having
staff and hiring people, I would have asked for help. I think I made a lot of mistakes pretending
I knew more than I did, which was part of my codependence. I thought that asking for help
would make me seem weak. I pretended to
know answers to questions I didn't know, which is interesting because now I always think the
smartest people are the ones that ask the most questions. I'm always so impressed when someone's
like, I don't understand. Can you explain that better? I'm never like that moron. I'm always
like, good for him. It's impressive to me when someone asks for help or admits that they don't know something. I think that's a really admirable quality.
I wish I had known that sooner. I would have asked for more help. I would have fired people sooner.
If you guys have employees, it's like a relationship. If you have doubts, just get out.
That's my philosophy. I mean, not once you're married. I mean, you can't just
leave whenever you want. There's also something to be said for fighting and having perspective and
figuring out what's going on with you first. That's another story. But I did not trust my gut
with people in terms of firing them. I wish I would have saved a lot of time and energy.
I think I would have made better work. I did a TV
show on NBC, and I think I made a mistake of not firing people sooner because I didn't want people
to be mad at me. I wanted to give people chances. My codependence was before recovery. I didn't want
to hurt people's feelings. A lot of that stuff got in the way of the work being good. I regret that. I would not have wasted time in my personal life
on people that I should not have been dating. I was really preoccupied in... I wasted a lot of
time, let's just say, in bad relationships because I hadn't gotten my shit together,
basically. So I would have gone to therapy sooner.
Go to therapy.
I mean, there's way that, you know,
12-step meetings are free.
It's free medicine.
These days, there's no excuse.
You can go online.
There's therapists that give talks on YouTube,
tons of great ones.
There's some incredible books out there.
If you can't afford to go to therapy,
if your insurance doesn't cover it,
there's group therapy that's cheaper. Anything you can get to know yourself and to figure out who you are and
what your obstacles are and what your emotional, uh, blocks or limitations are. Um, the sooner you
can do it, the better. Uh, you know, I think in this country, at least there's everyone goes to
the gym. People are going to the Cross three times a day. But going to therapy
is like going to the gym for your brain. Same thing with meditation. I think it's a mistake
for anybody who wants to be successful to not be in therapy or some kind of game plan
to edify your brains. That wasn't a very eloquent way to say it, but that's it.
I would have gone into codependence recovery sooner.
I would have put myself first. I think I was so afraid, especially with what I do for a living.
I think I was so afraid of coming off like I was like a self-involved narcissist that I didn't put myself first. I think I would have had more faith.
I think I had this mentality of, you know, it's never going to happen for, I got to get it now.
And I said yes to things that I shouldn't have said yes to because I was so worried about,
I have such a scarcity complex with, you know, if I say no to this, I'm never going to get the
opportunity again. And I wish I had said no more because if I've learned anything, it's saying no
just makes people want you more. I don't have a, you know, proof of that. There's no statistics. That's just my experience.
But I would have said no a lot more to people, to relationships, to commitments, to
jobs, to even lucrative money opportunities that ended up taking up too much of my time,
because we can always make more money. We can never make more time. I think that's it. I don't have a ton of regrets because I don't think it's fair to
self-flagellate and to live in the past. I once heard, look at the past, but don't stare.
Look back. What can I glean from my mistakes? But I'm not going to wallow in my mistakes. It's not
productive or helpful. Oh, this is a small thing. If you're young, I'm not going to wallow in my mistakes. It's not productive or helpful.
Oh, this is a small thing. If you're young, I would not have cared about what I wore.
I definitely wasted a lot of time with clothes. What am I going to wear to this meeting? What am I going to wear to this audition? What am I going to wear to this pitch? Nobody cares.
I've interviewed hundreds of people, held hundreds of auditions. I have never once
hired someone because of what they were wearing or not wearing, if anything.
I've lost respect for them because they look like they were trying too hard.
So stop obsessing about what you wear. Get three black turtlenecks, four white shirts,
a couple pairs of nice pants, and timeless classic shoes and call it a day. Unless you're
in the fashion business. And maybe that
matters. I can't speak to that. Sorry. Eight, uh, question number eight, uh, Charlotte, sorry,
Charlotte Chapman asks with equine therapy, what's been the most challenging thing to accept and
overcome about yourself as horses are mirrors of your current state of being on the last podcast.
I did mention equine therapy. There's a place that
I go to called the Reflective Horse. It does have a website. Cassandra is my equine therapist.
She's brilliant. And Beth Bears, who is on the show Two Broke Girls, one of my favorite shows that I, um, created with Michael Patrick King on CBS. She, they have
formed a charity for, um, sexual abuse victims, uh, doing equine therapy with them. Um, you know,
a lot of rehabs go there. Um, but it's not just for people who have been through that kind of
pain. Um, equine therapy for me was a game changer because this is so embarrassing to admit.
People were triggering for me. I mean, I was the person who would go to therapists and lie
and cajole them and try to make them laugh and manipulate them. And I was more concerned with
my therapist liking me than getting help. I mean, there's a lot of things I wouldn't admit to my
therapist, much less myself. I was resentful towards therapists. I was sitting there like,
you know, looking at their degrees on the wall, like, oh, you went to Harvard? Like,
you don't know what I've been through. Like, I just, it was too triggering for me. Driving to
a therapist's office and then their stupid chairs and their dumb coffee tables. Like, it just,
it was too triggering for me. It was too frustrating.
I had too much judgment. I had too much self-righteous indignation. I had overachievers
perfectionism. I shouldn't be here. This is a waste of time. I should be working. It was before
I knew that therapy actually makes you more productive and efficient and effective and
creative in your work. And yeah, so therapy didn't work for me at first,
as much as I'm encouraging everybody to try it. I grew up around horses, so I already felt safe
and a kinship with them. But horses are prey animals, so they are incredibly in tune. They
can read a bobcat's face and tell if it's hungry or not. So they're like a litmus test. They're a
mirror, really, to what's going on with you. And horses don't understand lies. They don't
understand manipulation or beguiling charm. All the things that we've developed in order to make
people like us, that's all rendered useless with a horse. You can be scared of a horse,
and the horse understands and will attune to you.
You cannot be scared of a horse and a horse will understand and be attuned to you.
But if you are scared and you're pretending you're not, horses get very confused because they don't know what lying is.
Animals don't lie.
They don't have that capacity, which I'm very jealous of.
So you have to be constitutionally honest with yourself around a horse or they won't respond to you. Um, so that to me is, is just, has been a bulletproof way to work the muscle of being present. Um, and, uh, shedding all of my, what in a 12 step program we call character defects, um, which is, it sounds negative, but it's really just kind of all of the survival
mechanisms that we developed to succeed in our childhood, our family of origin circumstances.
So some of us got funny, some of us got smart, some of us got manipulative, some of us got, uh, uh, you know, addicted to drugs, whatever you did, um, to,
to fit into your family of origins, dysfunctional system, the horses don't care about. So that's
really been how I have been able to, uh, acquiesce, um, and work on, uh on not pulling out all the stops. You know, I'm trying to think of a new
way to explain it that's not redundant with last time I was on. But I'm kind of at the point now
when, you know, the first thing you do when you go in is, you know, she introduces you to four
horses and they're all, you know, from different pasts abused in some way. This is
chief chief was, you know, a workhorse and no one ever paid attention to him. This is so-and-so he
was abused by this person. And she then, you know, whatever their, their backstory is. And then she
says, you know, which one would you like to work with today? Um, and the one that you choose already
is like a Rorschach test. It's already says everything about you, what you're attracted to.
Right. And, um, so then you
get to sort of look into why you chose that horse and what's going on with you. And then now, you
know, I'll just be in the corral with one of the horses and for about an hour, which is my nightmare
because it feels so unproductive. And I drove all the way out here and I'm just sitting in a corral
and I'm not even getting Instagram photos out of it. And I need to take a selfie for Snapchat to get follow, you know, it's just, you know,
it's like our hyperactive, you know, productivity obsessed brains. Um, and when I'm thinking
positive thoughts, this sounds so hippie, but when I'm thinking positive thoughts and I'm full of
gratitude, uh, the horse chief will come up to me and hang out with me and I'll be petting him and we'll
be having kind of this amazing moment.
And then, of course, the negative thoughts creep in and I'm like, I should be working
harder.
I need to go home.
I need to do this and this and this this week and I'm falling behind and I'm never going
to make it.
And the horse will just walk to the other side of the corral.
She wants nothing to do with my negativity.
And Cassandra will just be like, what's going on?
What just happened? I'm like, my inner monologue just started screaming bloody murder.
And so it's kind of an immediate way to ascertain your negativity. Horses are just really attuned
to it and they don't like it. Most animals don't, but it also makes you realize what your energy is, what you're giving off. I think humans, when we're not on our phones
and hyper distracted, we have that too. And if you want to be a leader, if you want to be a boss,
if you want to be a creator, whatever your goal is, if you have're going to you're not going to get what you want.
You know, you're not going to get the employees you want. You're not going to get the boyfriend
you want or the wife you want or the investor that you want. You know, I think for the most
part, maybe I'm wrong. People tend to invest in, hire and work with people that have good energy,
that they want to be around. You know, most of, you know, if you work at a job,
we spend more time with people we work with than our spouses. Right. So, you know, I think that
it's really important that if you want to accomplish your goals, you need to have good energy
and be the kind of person that someone wants to be around. That's not like negative and depleting.
And, you know, when someone just has bad energy, um, it's toxic and it's suffocates
a creative environment. It's exhausting. And, um, you know, this is that for me, it took
therapists could not do it for me. I had to, uh, go to horses first, um, in order to get some
self-awareness. Um, so that's that if you, uh, you know, if you
don't live in California, which I'm sure most of you don't, I'm sure you can find equine therapy,
uh, in your area. Hopefully it's a, I think it's a miracle. Let's see. Aspen,
Janae, is that French or am I illiterate? Um, Aspen asks more on therapy outside traditional
talk therapy. I resonated with
her speaking about her therapeutic experiences and realizing she was responding inappropriately
to present circumstances. I feel like I've probably literally beat a dead horse, um,
on therapy so far. One thing I would say is, um, if you have trauma in your past, um, EMDR is great.
Um, I movement reprogramming and desensitization, look it up. I won't waste
your time talking about it. Again, EMDR. I've also had some success with hypnosis
when I'm having like a block or trying to get through something that has worked for me.
My therapist does hypnosis. I don't know if all of them do. Um, I'm sure you can find it in your area.
I have some great books that I also recommend.
If you feel like you're recreating your childhood circumstances in professional environments,
um, there's a great book called the drama of the gifted child.
Love that.
There's a book called the tools, uh, by Phil Stutz and Barry Michaels, maybe, maybe. This book, I'm going to just full disclosure, I think it's a little amateur in places. I'm a big fan of Phil Stutz. He did a great podcast with Mark Maron. He's sort of a gangster old school therapist in LA. I've never met him met him. He, you know, has very fancy sort
of people, but, um, super cool dude. And they wrote a book called the tools and it's, it's all
of the devices, I guess you would call it tools, uh, that they have developed, um, to help people
get through blocks and have breakthroughs. Um, for example, they have one that's called reversal
of desire,
where if you're afraid of something, the best way to get over the fear is to start to crave
what you fear. Pretty fascinating to basically live the worst case scenario of your fear.
So if your worst fear is getting fired, for example, or losing your money or whatever it
is, or not getting that job or not selling your app or whatever it is, or not getting that job or not selling your app or
whatever it is. You essentially have to live through what that would be like. It's kind of
like jumping through a glass wall. The hardest part is just getting through it. And then you
realize you're going to survive, whatever it is. That's probably a terrible way of explaining it.
And another one is, I think it's
called deathbed where, um, when you're having trouble making a decision, you imagine and
visualize yourself on your deathbed and basically what you're going to regret and not regret and
what decision you wish you had made. Uh, there's another one called jeopardy, I think, where, um,
you picture yourself being, I think, an extreme jeopardy and the choices you would make.
There's another really good one that I don't remember, but it has all these little antidotes
and stories that kind of bored me as a type A person who just wants the solution now.
But I highly recommend that book. Let's see. I wrote some other stuff down that I think is probably, uh, we've
covered. Um, there's a great book called sapiens, uh, a book by Yuval Noah Harari. I hope I'm not
mispronouncing that. Um, you know, that really helped me because I think that knowing about
your neurology, all of our neurology and our sort of primitive chemical reactions is very liberating in order to
not change them or harness them, but understand them. It helps me have patience with myself and
other people. The Female Brain by Luanne Brizendine, there's a male brain as well.
I think that both genders, reading both are important. Again, even though gender lines,
I think are becoming blurred. I think if you're having trouble with someone at work
and you understand like, oh, that's just testosterone,
you're going to waste less time obsessing over other people's behavior. If you sort of understand
how they're operating. Back to Sapiens. Sapiens is a great book about sort of how we've evolved
and why we have anxiety. You know, I think anxiety is, I feel everyone has got anxiety these days.
And I think there are a lot of reasons.
I think a lot of it is our phone, our computer, you know, our primordial brain, apparently,
from what I gather, I'm not a scientist, thinks that's the sun.
It's very adrenalizing.
It makes us release cortisol, which is the stress hormone. We're constantly in a bent over position,
which I actually, on Tim's podcast with Gabby Reese and Laird Hamilton, she was talking about
how when we're bent over, that's a defensive posture when we're on our computers and on our
phones, which is what signals our brain that we're in trouble and puts us in a fight or flight
response. I think it was in Sapiens, he talks about how
humans are superficially at the top of the food chain. We don't deserve to be there.
It's only because we develop weapons and alarm systems and doors that we're safe. But if you
put me in a line with a room without a gun, I'm going to lose. We're really at the bottom of the
food chain. I mean, bees can kill us. That's how vulnerable we are. So
there's this anxiety that comes from our subconscious knowing that we're actually
superficially at the top of the food chain and could be killed by a bee at any minute.
I don't know. Take what you like, leave rest, if any of that is helpful to you. And the question
was, oh, other therapy. Yeah. So for me also, uh, learning about neurology has been a type of
therapy for me, um, to help me to be more productive, more patient, uh, less anxious,
or when I am anxious to have a better understanding why. 10, uh, question 10,
Zach Edward Dolan wants to know, I want to do standup in addition to my
normal day job, but open mic night is only three minutes per performer at our local club. I have
hours of material I want to try out. Well, Zach, tough shit. Um, you know, that's very normal.
Um, I started that way, you know, the comedy store open mic was, you know, you wait around
three hours to go up for three minutes. Um, what I would say is, although that sounds like a, you know, comically,
uh, small amount of time, the first couple of years you're doing standup, you're really just
getting comfortable on stage. It's not about the material. I'm sure you're brilliant, Zach,
but I highly doubt any of the material you have is going to be in your Netflix special in five
years when you do make it. I don't even remember the material I was doing the first couple of years.
The material is just an excuse to get on stage and get comfortable in front of drunk strangers
in a very weird, creepy, seedy environment. If you get on stage and you already feel comfortable,
congratulations. You have something terrible happen to you that that is your comfort zone. But most people don't feel comfortable talking to strangers. Public speaking, I think get on stage as much as you can. When I started, I was doing stand-up at bowling alleys and coffee shops. I mean,
anywhere I could get a sushi places, look on Facebook. And there's a website called
Chuckle Monkey, I think it's called. There might be better ones that have lists of open mics in
your area. I mean, I used to have to drive 40 minutes to this place called Canoga park and it was a bowling alley and I could do, you waited forever to do two minutes.
I mean, it's not easy. It's hard. Um, there's a reason so few people do stand up. It's exhausting.
It's time consuming. It's depleting. I'm not telling you it's easy, but it is worth it. If
this is really your passion. Another suggestion I have
is start your own show. That's something that I did when I started because I was frustrated
by not getting stage time because number one, I wasn't good. No one was going to give me stage
time. I didn't deserve it yet. And the places that I could, the open mics are only three minutes. So
I started my own show, which is a way to give other comics time, but also to ensure every week
that you're going to have stage time. So I hosted a show. It was a lot of work. I'm not pretending it's not
to book comics and schedule them and do a lineup and get an audience. But with Facebook and stuff,
I mean, I'm sure you can get an audience. Even if it's five people, that's an audience. I did
stand up in the basement of the Ramada in Los Feliz every Sunday for two people,
or sometimes just for other comics. You might just be doing standup for the comics that are
coming that want stage time themselves. If you can make a comic laugh, you're in good shape.
So that's actually pretty good practice. And so I would say start your own show at a restaurant,
at a church, at a room, at a gym. It doesn't matter. It's just about getting on stage. Actually, the less people I would actually recommend instead of reading how to write jokes book, I would just watch specials,
watch people you admire, watch Bill Burr, watch Louis CK, watch George Carlin, watch the greats,
watch David Tell, not to copy them, but to, you know, sort of figure out why you're laughing.
Write it down. When you make your friends laugh, write down what they laugh at, uh, read books that interest you, um, that you could use as a starting off
point for jokes. Um, you know, I read a book, I brought it up many times. I read the female brain
and I couldn't stop writing jokes. Um, it wasn't a joke book. It's a neurology book,
but it sparked creativity in me and became, lot of the premises that I wrote jokes about.
So I my suggestion would be don't go buy a bunch, spend a bunch of money on joke books, spend a bunch of money on interesting books that will be inspire you to write material. Okay. What is next? Gosh, I am winded. This is doing a podcast. It's a lot
of core, a lot of ab work. Um, Oh, another thing I would say, I wrote this down to remind myself,
I mean, it's 2017 and you could also start like a funny Twitter feed, um, to try jokes out. It's obviously a very different,
you know, kind of reaction. It's not an involuntary laugh, but you know, um,
Rob Delaney and a lot of people, um, were got funny Twitter feeds. You can do that from any city.
Um, you know, try that. I don't know. It could work. A lot of people are getting book deals and
been shows off of
funny Twitter feeds. And that's something you can do from your own home and not have to drive
to go do three minutes on stage. I don't know. Maybe. Next one. Chris Unera asks,
with the rise of relatable identity-based storytelling, comedic content across social
platforms and media publishers, is it more difficult to write sets without being perceived as a hack comedian?
I felt the need to put this question in. It's redundant, so I'm not going to
answer the first part. But in terms of the being perceived as a hack comedian,
I just thought that was interesting because, Chris, you might be codependent FYI.
Let's date. Um, I think one of the most important parts of anything you do is not giving a shit how
you're perceived. I promise you that is not how good work gets done. I promise you. Um,
this is a lesson I still have to teach myself every day. Uh, it is not something
that comes naturally to me, but you will never be able to control how people perceive you.
And if you think you can, I mean, I would write a book, uh, because you will become very rich. You know, we all see things through our own lens, right?
And everyone is going to perceive what I do differently.
I might trigger them.
I might remind them of their ex-wife.
I might remind them of their mom.
They might love me because I remind them of their best friend.
And I don't deserve as much credit as they're giving me.
It doesn't matter. Um, stay in your lane and don't worry about what other people think it,
you know, doing what we do. If you're an artist, if you're a writer, if you're a business person,
everything we do, everything that I think everyone listening to this is trying to achieve
the hardest thing to do. But I think the most important skill is to make people like you for
a living without giving a shit if they like you. Um, it's a tricky one to turn on and off.
I realize it is my job to make people like me, but I can't care if they do. It's a hard thing to delineate and I'm confusing myself as I say it,
but I believe the skill is detachment. You have to care how people receive your product,
but be completely detached about how they receive your product. If you're in a customer service related business,
maybe this is terrible advice, but I believe that when you care too much about what someone thinks,
it's a desperate energy that actually backfires on you and gives them too much power.
And they then start not to like you. I used to be very consumed by
if people liked me or not, and it was very unattractive. And I felt like I was doing too
much. And everyone that we like, actors, comedians, they're not begging you to like them
because they have a confidence in who they are and what
they're doing and they like themselves. So what I would say is figure out, this sounds so
Marianne Williamson Oprah, but liking yourself is way more likable than needing people to like you,
if that makes any sense. Maybe it doesn't, you know, and it also helped me to
understand neurology and, you know, codependence and all this stuff, because I, I was able to
develop the skill of detachment because I realized that whether people like me or not, or what
someone's reaction to me is a lot of times has nothing to do with me because they could be
projecting all their own stuff onto me. I've already said that. I'm saying it again in a different way. But that was a little bit of a
cheat for me. And I stopped thinking about it and obsessing about it so much because
it's out of my control. Obsessing about something you can't control is a form of insanity.
Something that I feel like might be good advice that a guy named Byron Allen gave me this
advice. I don't know if you know, Byron Allen. Um, he, I think was the youngest person to ever
host the tonight show. I don't need to give you statistics. You can Google him. You're an adult.
Um, but he's got a lot of shows. Uh, he randomly has syndicated shows on local networks that come
on at sort of two in the morning.
I just know because I get tweets of a show I hosted of his eight years ago that's still running in random markets at 4 a.m. Very embarrassing. Sorry about my haircut.
Weird bangs back then. But he is incredibly successful. And one time he called me into
his office to talk about something and he gave me
really great advice, which was don't worry about getting new fans. Just satisfy the fans that you
already have, which was like blindsided me because I thought it was get as many people to like you as
possible. His thing is more be loyal to the people who already support you instead of
hoarding a bunch of people who kind of like you getting a tribe of, and now I'm, you know,
improvising this, this isn't all what he said, but, but what I would say is find your tribe
of people who really get you and honor them. Because if you start trying to please everybody,
you please nobody. I'm
plagiarizing that from someone, obviously. We've heard that a million times. But
you'll never make everyone like you. It's not going to happen unless you're Beyonce. So don't
bother. And in terms of the hack thing, I guess what I would say is, for the most part, usually when people call you a
hack, it's a compliment because it just means you're really popular. You know, something happens
in the entertainment business where if you get too much success, people all of a sudden think you
suck, which I think is kind of funny because no other field does that happen. No one's like,
George Foreman Grill must suck because everyone has one
sort of like anathema to logic um but you know i i think that also understanding that humans have a
sort of we are predisposed to have like kind of a primordial need to judge and be negative i think
it's just our tribal us against them you know it's why if you're a Redskins fan, you hate Dallas.
It's why if you're a Stern fan, you hate Opie and Anthony or vice versa.
I think we have a predisposition to be us versus them.
So, you know, when people are like, want to pit me against other female comedians or podcasters
against podcasters or compare, It's a natural human nature thing that
I try not to take too personally. I'm just grateful to be in the ring and being able to do
what I love. So I just try to stay in gratitude because for my personality, that's the only place
that I can find sanity. And if someone is judging me to feel better about themselves, I just I want
to send them compassion because I do that. And when I do it, it usually means I feel insufficient or jealous
or insecure. So, but that's just me. Maybe I'm being delusional. Um, but guess what? It's working
anyway. So Byron's thing, you know, he also had this, um, he said in order to be like a huge
success, you really only need about a million people to like you. Um, he was pointing out a really successful comedian who was
like a household name at the time and, you know, making a million dollars a night selling out these
huge arenas. And he did the math on, on how many people were seeing his shows. Um, I'm awful at
math, so I'm not going to pretend I know how to do this, but he kind of broke it down for me. And he was like, you know, 20,000 seats. If you're selling 20,000 seats a night
times 50 cities and, you know, selling $60 tickets, like you really only need a million people
out of 380 million people in America. So you don't even need 1% of people to know who you are
in order to be a household name and really successful. So stop trying to get 10 million. Just don't lose the 1 million who like you by selling out,
trying to get the other 300 million. I thought that was good advice. Jamie LeBlanc.
Jamie LeBlanc. Are you French? I hope so. Given the cons of each facet, what keeps her motivated and which is her favorite
writing, standup, acting, et cetera? I don't know. I believe in order to be good at one thing,
you have to do a lot of things. Um, maybe that's just how my brain works. Um, I get bored and I
think that all of these things reinforce each other. I think in order to be a good boss, you
need to know what it's like to be an employee. I think in order to, you know, sell an app, you have to know what it's like to need that
app. You have to get into the head of, you know, your consumer or your, you know, I think in order
to be a good standup, you have to know what it's like to be in the audience. You know, um, I'll go
see standup shows as a patron, you know, I think it's important. You know, I think I recently
directed a movie and it made me a better actor. How weird is that? Because I learned about, you know, continuity,
like when you're acting and you're picking up props and stuff, you have to do it the same way
every time or else in editing, we can't cut it together. So if an actor has bad continuity,
like for example, on each line, they're supposed to pick up the coffee cup at the same time. If
they pick it up at a different
Time each take we can't edit them together
So they may have a brilliant performance, but they picked up the coffee cup in the wrong time. So I can't use it
so
I've done jobs before where i'm like, why do they use that take that wasn't my best take that wasn't my best performance
How dare they but I probably made a continuity mistake which rendered my good take useless. So I think for me, being a writer, being an actor, being a standup, being a writer and
director makes me better at everything. And I also think it's a skill to know what belongs where.
So if you're a writer, for example, or a creative person, um, you know, I had a lot of sort of stories that weren't funny enough
to be in standup, but I'm trying to make it a standup joke. And I realized, oh, this is a movie
idea. This isn't a standup joke, or this should be in a book or I'm writing a book right now.
And I'm like, this should be a standup joke. I'm not going to put the, you know, it's, it's too
jokey to put in a chapter. It feels desperate. I should do this on stage,
you know? So, um, I think having a lot of different outlets is good. You know,
if you're a really creative person and you have a podcast and you have a blog and you have an app
and you have a book, you know, knowing what goes where I think is, is, is a strong skill to have
one that I'm still honing. Um, but I kind of like all of it, uh, because I think,
you know, it's like going to the gym, you have to do legs, arms. I'm not, I don't go to the gym
that much, obviously. Um, but you got to do every part of the body. I also think you got to work
every part of the brain anyway. That's that. I hope that made some sense. Um, stand up, however,
uh, is probably my favorite thing to do. It's the most thrilling. It's like walking on a tight
rope. I think everyone should do it, even if I hope Tim decides to jump off that cliff at some
point. I think that stand-up is like skydiving or something. I think everyone should do it
at some point. Actually, I take that back. I don't think anyone should skydive. I think it's
ridiculous. I've never done it, never planned on doing it. I'm just saying the feel of standup is, is that thrilling.
And I think you really find out who you are when you do standup. Um, it's a truth serum. Um, and
I think everyone should do it at least once just to try it, uh, as a life experience. Um, I highly
encourage it, but it, it makes me feel very awake, alive. It makes me tell the truth because the audience only responds to the truth.
And as somebody who, you know, some, as a performer, sometimes I want to perform and
the audience doesn't let you, the audience, uh, is a litmus test, uh, in a lot of ways
and like courses forces you to be honest. And as someone who, you know, as a kid
developed the skill of being dishonest in order to be liked and to maintain equilibrium in a
hectic home, I need that. I need a reminder to be honest all the time, which sounds sad and dark,
but I think a lot of us, you know, are taught as kids, man up, don't cry.
It's fine. Calm down. And you know, we are constantly inculcated with those messages
as children. And as a result, I think a lot of us develop these, we pretend, we pretend we're
fine when we're not, we pretend things are funny when we're not laughing. We pretend to be
interested in boring conversations. We lie all day,
every day, and it's exhausting. Um, so I am trying to, uh, deactivate that, uh, you know,
superpower, um, which worked really well as a kid because I got good grades and I,
you know, my parents, I didn't get grounded and I got into a college because of all of this sort of pretending I was
fine and pretending I was this and that and, um, pretending is draining and unoriginal. And, uh,
it's, um, feels like you're sleepwalking through life and, and acting through life. Um,
it's getting very personal, isn't it? Um, next one, Jen Bales says, what steps or advice would she give someone
who wants to get their TV script in front of the right people? How do you get, uh, people to read
your work, especially for those who aren't living in LA? Jen, I don't know. Uh, I felt like I needed
to include a question, uh, with an answer. I didn't know the answer to, because I'm sure a
lot of people have that question. I am sorry to say this, but I do think you have to live in LA or New York and hustle. Um, you know,
I started doing standup and I became a writer on a late night show and started writing scripts.
And I had a manager who, you know, I kind of, you know, I had an oblique angle. I mean,
I was doing standup, but, um, I don't know how people do
that. I have to be really honest with you. Um, I don't think you can just blind submit to agencies.
I would say get a, what I see success in now is people having successful, funny Twitter feeds,
successful YouTube videos, blogs, podcasts. Um, they come out to LA or New York. They do shows
at comedy clubs and UCB and, um,
you know, that's how it happens. I'm there's, you know, there's Chicago, there's, uh, Portland has
a comedy scene, Denver as a big comedy. You know, I do think you might have to be in a metropolitan
city. So as annoying and as expensive as that sounds, I do think that that's a big part of it
from what I have seen statistically, that seems to be what works.
But I would say you can't have someone read your script until you write it.
So write a script, read scripts,
watch episodes of great shows, cheers.
Mad about you, pilot.
Watch great shows.
Watch shows that you like.
Write specs for those shows.
A spec is an example,
like a episode of a show that you'd wanna write for.
You can write a spec for the office, for example. of a show that you'd want to write for. Um, you can write
a spec for the office. For example, um, you're not gonna get a job on the office cause it's not
on anymore, but people then read that spec and they go, Oh, this person can write for this show.
They can write for, they have a voice, but they also can conform to the voice of a show there.
They didn't create. Um, so if I'm hiring a TV writer, I read a spec script. They write a spec
for how I met your mother or modern family or whatever it is. Um, you cannot submit a spec to
a show that you, that is the show. So if you want to write on two broke girls, I can't read a two
broke girls spec because it's a legal nightmare and you'll sue me. And you know sue me and it's happened and continues to happen. So if you want to write
for Big Bang Theory, don't write a Big Bang Theory spec. Write a Mike and Molly spec or
something else that's currently on. And try to get it to an agent and get to a metropolitan city as
savage and cold-blooded as that sounds. Okay. we have to wrap this up soon. I feel like this is
going on really long. Addie Siegel, where do most of your ideas and jokes come from? Do they jump
to your mind while you're doing other things, shower, gym, etc.? Or is there a specific thinking
process? A little bit of both. Again, I think you have to be relentless in your pursuit of
inspiration. I read the news every morning. I read books. I, you know, um, ask people questions.
Um, you know, I'm really annoying to have dinner with cause all I do is ask questions about your
personal life and your sex life and your, do you believe in religion and who are you? I'm trying to
mine for jokes and spark of something, or I'm always kind of subconsciously or consciously building a case
for material I have. So if I decide, you know, a thesis of which I mentioned earlier, which again,
I believe sounds slightly mentally ill, that marriage, married people are more successful
for happily married. Let's say that people in stable
relationships. Um, if I'm with a successful person, I'll ask them about their marriage and how is it?
And do you fight and what do you fight about and how often do you fight and do they support your
career? I'm building a case trying to, it's, it's the being a comedian for me, at least kind of like
being a scientist. Like you have to come up, you know, Chris Rock said this, that you have to come
up with a ridiculous theory and then prove it. So, you know,
for example, cars are like women, ridiculous theory, right? That's not that ridiculous,
but you know what I mean? Something no one's ever heard before, like a big comparison or simile.
Cars are like women, and then you prove it. The jokes, you have to get a new one every three
years. They come in six colors, whatever the funny proof is, right? They lose their value as soon as you take them off the lot, etc., etc. Insert
funny joke here. So I guess I'm always sort of looking for a ridiculous theory to prove or
something common or annoying. Usually when something annoys me or keeps me up at night,
I want to write about it. Anything that's, you know, Neil Brennan, I just feel the need to credit everybody I'm quoting says, you know, comedians are obsessed with justice. I
think that's true. Louis CK says, if you think about something more than three times a week,
you need to write a joke about it. So that's that. Let's see. Oh, I also would like to say
that in the first podcast I did with Tim, I feel like I want to do a redo on my billboard
when he says, if you could have a billboard anywhere, what would it say? I don't remember
what I said, but I remember panicking. I had listened to Tim's show, but I remember being like,
I'm not going to listen to it. I'm just going to go on and I'm going to be authentic. And I'm just
going to tell my truth and channel whatever the viewers need to hear. And then I got on there and
I was like, I should have prepared for this. Uh, because, um, the billboard question really stumped me and I felt very dumb. Uh, and
like I bombed it and I now have a better answer that I would like to, um, uh, say, which is I'm
plagiarizing from Peter Berg, the director who is, you know, brilliant man. He did, um, Friday night lights and, um, he's great
and, uh, is a dear friend and has, um, taught me a lot. Really smart dude. He once sent me an email
or whatever it was, uh, just with the word I was going through a hard professional time and I was,
I was struggling and he just wrote in capital letters, finish the word
finish F I N I S H finish. This sounds really simple and obvious, but it is something that was
that I needed to hear because I think anyone listening to this podcast, myself included,
I want to do so many things. There's so, I have so many ideas. Anyone can have ideas,
but the ones that succeed are the ones that execute and pushed across the finish line.
And for me, those last three steps, that last sprint is always the hardest for me because I'm
tired and I'm, uh, lose enthusiasm and I feel resentful and entitled that I've worked this hard and me,
me, me, finish. You have to finish what you start. You know, I was the person who had five books by
my bed and I'd read only chapter one. I'm the person that wrote, started four scripts and
finished zero. Do one thing at a time and finish it instead of doing five things and not completing them.
That formula, I believe having done both, I've had more success with this one.
Starting thing doesn't count. No one wins awards for starting a script. No one's going to
read a script that's 12 pages. It's got to be 100 hundred pages. Um, you can start things all day long, but if you can't finish them, you're wasting everybody's time. Uh, so that would be my
billboard. I just felt the need to, um, my ego felt the need to improve upon my, my answer.
And I'm sure you've all done it. We've all been like, Oh, I thought of that problem. I thought
of Uber. I thought of Tinder, but some other guy finished it, right. And executed it. So,
you know, I think that, uh, committing to one thing is, is, uh, admirable. I have a very hard
time with it. I'm not saying I know how to do it well, but, uh, if you do, I will be working for
you one day. Uh, as another quote, I'll close with this quote, uh, vince lombardi He a quote that I really love he says inches make champions inches
Uh, I tend to think in miles and feet, but sometimes it comes down to inches and that's something that um
I used to have on my computer on a little post-it note. I don't really know how to dismount on this
I hope that this was helpful. I hope that I wasn't blathering too much and boring you guys.
I wish it was funnier, but I don't think that that's what this was supposed to be. So I'm just
going to release my self-criticism. Okay. I have to log in to undo this. Okay. I hope you guys are
happy and thank you for listening. If you've even gotten this far, um, I hope this was useful in any way.
Um,
I'm on Twitter at Whitney Cummings.
I'm on Snapchat.
I'm on all of it.
I try to engage as much as I can with people on social media.
Uh,
Tim,
I think is all the books and stuff that I talked about.
I'm sure he'll put on his site.
I'm actually writing a book at the moment,
which is going to come out in the fall.
And I hope to include a lot of this stuff because people seem to be responding to, you know, kind of the healing our brains in order
to be better at what we do and more productive and effective and live more fulfilling lives.
So I hope that you guys, I can finish this book, which is why I have to get off,
stop recording this podcast because I have to write the goddamn book and finish it. Look at us.
Okay. Thank you. This feels anticlimactic. Love you. Bye.
Hey guys, this is Tim again. Just a few more things before you take off.
Number one, this is five bullet Friday. Do you want to get a short email from me? Would you
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That could include favorite new albums that I've discovered.
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